Review: Terrible Virtue by Ellen Feldman

Review: Terrible Virtue by Ellen FeldmanTerrible Virtue by Ellen Feldman
Formats available: hardcover, ebook, audiobook
Pages: 272
Published by Harper on March 22nd 2016
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Goodreads

In the spirit of The Paris Wife and Loving Frank, the provocative and compelling story of one of the most fascinating and influential figures of the twentieth century: Margaret Sanger, the founder of Planned Parenthood—an indomitable woman who, more than any other, and at great personal cost, shaped the sexual landscape we inhabit today.
The daughter of a hard-drinking, smooth-tongued free thinker and a mother worn down by thirteen children, Margaret Sanger vowed her life would be different. Trained as a nurse, she fought for social justice beside labor organizers, anarchists, socialists, and other progressives, eventually channeling her energy to one singular cause: legalizing contraception. It was a battle that would pit her against puritanical, patriarchal lawmakers, send her to prison again and again, force her to flee to England, and ultimately change the lives of women across the country and around the world.
This complex enigmatic revolutionary was at once vain and charismatic, generous and ruthless, sexually impulsive and coolly calculating—a competitive, self-centered woman who championed all women, a conflicted mother who suffered the worst tragedy a parent can experience. From opening the first illegal birth control clinic in America in 1916 through the founding of Planned Parenthood to the arrival of the Pill in the 1960s, Margaret Sanger sacrificed two husbands, three children, and scores of lovers in her fight for sexual equality and freedom.
With cameos by such legendary figures as Emma Goldman, John Reed, Big Bill Haywood, H. G. Wells, and the love of Margaret’s life, Havelock Ellis, this richly imagined portrait of a larger-than-life woman is at once sympathetic to her suffering and unsparing of her faults. Deeply insightful, Terrible Virtue is Margaret Sanger’s story as she herself might have told it.

My Review:

Margaret Sanger in 1922
Margaret Sanger in 1922

When the phrase, “Well-behaved women seldom make history” was first penned by Laurel Thatcher Ulrich in 1976, Margaret Sanger had been dead for ten years. But that short, pithy phrase still sums up her life.

On the one hand, all women, at least in Western countries, owe Sanger a debt. Whether one believes that birth control is a blessing, a right, or even a pernicious evil, Sanger made that choice possible. More importantly, she challenged and eventually forced the overthrow of laws that didn’t just make birth control illegal, but made it illegal for women to be educated about the “facts of life” about their own bodies.

And those of us who have chosen the spacing and number of our children, or not to have children at all, can trace that ability, that choice, back to her crusade.

But crusaders and saints are generally terrible people to live with. In Sanger’s case, it seems as if her husbands, her lovers, and especially her own children suffered a great deal from her obsessive devotion to her cause. That we are the better for it doesn’t change the damage to them. But if she had chosen to be a traditional wife and mother, where would we be now?

Terrible Virtue is a fictionalized version of Sanger’s life, told primarily through her own eyes. And we are all unreliable narrators of our own lives, as Sanger is. Not that she deliberately lies, but certainly that she justifies her behavior in her own mind. As do we all.

The occasional insertions of brief comments from the point of view of those closest to her, those who most often found themselves sacrificed on the altar of her crusade, provide a much-needed leavening counterpoint. Sanger gave birth to a revolution, but everyone around her paid the price.

Sanger is charming, and vain, and frequently ruthless in the pursuit of her goals. She’s obsessed with her groundbreaking work, and neglectful of anyone and everyone in her life in pursuit of those goals. She’s a difficult person to sympathize with, and the reader frequently does not, but her life was endlessly fascinating. She pursued a revolution for all of her life, and did so with a keen intellect and an eye for who would best advance the cause that she strove for. She succeeded beyond her wildest dreams. And occasionally in the middle of her greatest nightmares.

And she built one of the cornerstones of women’s rights in the 20th and 21st centuries – not just the right but also the capability for women to decide when, if, or how many children they would have. She made it possible for middle-class and poor women to have the same choices that rich women have always had, to control the size of their families.

While she may have entered on this crusade to prevent women from suffering the fate of her own mother, 13 children and dead before her time, she gave the gift to us all.

Escape Rating B+: Sanger’s life is fascinating, but she is not a sympathetic narrator. She’s selfish, obsessed, and ignores anyone and anything that doesn’t further her cause. That neglect generally covered her children, her two husbands, and any and all of her lovers. But it is her own children that suffer most for her crusade to let every woman decide how many children to have.

She may have pretended to be a respectable middle-class woman, but she certainly used the privilege she created, and had affairs with many famous and influential men, including but certainly not limited to Havelock Ellis and H.G. Wells. But her life wasn’t ruled by her love affairs – whatever else was going on in her life, she worked on the cause tirelessly and relentlessly.

At the end of the story, readers may respect Sanger, but not like her. She would have been hell to live with. But revolution is never easy. Or bloodless.

Because the story is from Sanger’s point of view, and because she is both self-serving and self-centered, she glosses over the accusations that were later leveled at her work. From her own point of view, she was not really a eugenicist. She did not advocate genocide of any populations. Instead, her goal was always to allow poor women of any race or ethnicity to be able to have the same choice that rich women have always had – the ability to limit the number of children they had to what they desired and would be economically feasible. She believed that the accusations of genocide that were leveled at her were the result of deliberate attempts to discredit her work.

We can’t know today. But we can see the way that governments and legislatures are still trying to denigrate any attempts for poor women to control their own biology in the continued witch hunt that hounds Planned Parenthood, and in the ever increasing number of laws that restrict women’s choices and inject medically incorrect dogma into women’s pursuit of those choices.

This book is an eye opener. A fascinating woman, an amazing life, and an influence that changed the world. And seems to have been the inspiration for Wonder Woman into the bargain!

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Review: Journey to Munich by Jacqueline Winspear + Giveaway

Review: Journey to Munich by Jacqueline Winspear + GiveawayJourney to Munich (Maisie Dobbs, #12) by Jacqueline Winspear
Formats available: hardcover, ebook, large print, audiobook
Series: Maisie Dobbs #12
Pages: 233
Published by Harper on March 29th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Working with the British Secret Service on an undercover mission, Maisie Dobbs is sent to Hitler’s Germany in this thrilling tale of danger and intrigue—the twelfth novel in Jacqueline Winspear’s New York Times bestselling “series that seems to get better with each entry” (Wall Street Journal).
It’s early 1938, and Maisie Dobbs is back in England. On a fine yet chilly morning, as she walks towards Fitzroy Square—a place of many memories—she is intercepted by Brian Huntley and Robert MacFarlane of the Secret Service. The German government has agreed to release a British subject from prison, but only if he is handed over to a family member. Because the man’s wife is bedridden and his daughter has been killed in an accident, the Secret Service wants Maisie—who bears a striking resemblance to the daughter—to retrieve the man from Dachau, on the outskirts of Munich.
The British government is not alone in its interest in Maisie’s travel plans. Her nemesis—the man she holds responsible for her husband’s death—has learned of her journey, and is also desperate for her help.
Traveling into the heart of Nazi Germany, Maisie encounters unexpected dangers—and finds herself questioning whether it’s time to return to the work she loved. But the Secret Service may have other ideas. . . .

My Review:

It seems very fitting that I’m reviewing Journey to Munich right after The Murder of Mary Russell. If you take a look at the “Readers Also Enjoyed” sidebar for each book on Goodreads, they are effectively listed as “read-alikes” for each other.

And they are. Both feature young women as investigators in the post-World War I era. However, there are a couple of key differences. One is that Mary Russell always has her seemingly immortal partner and husband, Sherlock Holmes, at her side.

leaving everything most loved by jacqueline winspearMaisie Dobbs is singularly alone. She lost her first love to a bomb that exploded in the aid station they were working in. While he physically survived, mentally he was gone. In the interstitial period between Leaving Everything Most Loved and A Dangerous Place, Maisie married her second love, and he was killed while flying an experimental plane, causing Maisie to miscarry their only child.

Now Maisie is seemingly without hostages to fortune, which is one of the reasons why the British Secret Service is more than willing to recruit this indomitable and seemingly undauntable young woman. They have a specific job for her.

One of Britain’s most inventive engineering minds has been imprisoned by the Nazis at Dachau. Her mission is to pose as his daughter and bring him home. The diplomatic arrangements have already been made, or so everyone thinks.

But if things were that simple, the Secret Service wouldn’t need Maisie. And if there weren’t wheels within wheels, Maisie wouldn’t also be tasked with the sidejob of rescuing the woman who should have been piloting Maisie’s husband’s fatal plane from one too many errors of her own selfish making.

As Maisie dodges well-meaning British officials, secretive American agents, and brutal Nazi officers, she finally discovers something that has eluded her since the death of her husband and child. Now that she is in fear for her life, she comes to the dawning realization that she truly does want to live.

If she survives.

Escape Rating A: This is a hard review to write. The book is excellent, but the background of this story is frightening – as it should be.

This case takes Maisie to Nazi Germany in the late 1930s, just before World War II breaks into a hot war. Two of the framing events are the Anschluss, when Nazi Germany annexed Austria, and Prime Minister Neville Chamberlain’s infamous “peace for our time” speech. It seems so obvious in retrospect that the peace he thought he had secured was utterly impossible. What is more, at least in this story that was obvious to many people at the time, people who gave warnings that were not heeded.

In the context of the story, both the British Secret Service and those agents who would form the OSS, the forerunner of the American C.I.A. were not only aware that war was coming, but were actively preparing for it. As were at least the power brokers in the British Army.

As were the industrialists, which in the end provides the motives for many of the events on the British side of this story.

At the same time, the background seems to be a human version of the old story about the frog and the pan of boiling water. It is clear that there is an increasingly fearful and oppressive atmosphere in Germany, but most people have managed to adjust most of the time. The water has risen in temperature so slowly that they are able to pretend they haven’t noticed it. Except for the two little girls that Maisie spies playing together in a back alley. If they want to remain friends and play together, they have to hide. One of those little girls is Jewish, and as we know now, will probably be taken to the camps and killed long before the end of the war.

It is also clear from the story that the British Secret Service at least knew perfectly well exactly what the already infamous Dachau was, and that more concentration camps were being built. It is also clear that they already knew that Jews were being systematically turned into “nonpersons” in preparation for the atrocities yet to come, and that there were many organizations working to get people out before the worst happened. As it did.

Ironically, in the midst of the death and darkness, Maisie’s story finally turns toward the light. She is able to forgive the family that caused so much of her grief and pain, and as she lives under constant threat of death, she finally realizes that she wants to live, and to have the chance to use her skills and talents for the greater good, and because working makes her feel alive. She has much to do and is finally ready to do it.

But seeing Nazi Germany through Maisie’s eyes, watching as a sensitive, intelligent, thinking, feeling person experiences some of the worst of humanity or its utter lack, gave this reader chills.

Reviewer’s Note: Considering publication schedules, this book was probably completed a year or so ago. However, for this reader at least, there is a tremendous resonance between the political climate related in this story and the current U.S. presidential campaigns. Your reading may be different, but for this reader, the parallels are difficult to miss.

~~~~~~ GIVEAWAY ~~~~~~

As part of this week’s Blogo-Birthday Celebration, I am giving away the winner’s choice a copy of any book in the Maisie Dobbs series, including today’s review book, Journey to Munich. Books will be shipped by The Book Depository, so this giveaway is open to anyone who lives anyplace they ship. For those in the U.S., if you prefer an ebook, you can choose an ebook copy from either Amazon or B&N.

a Rafflecopter giveaway

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Review: Reader I Married Him: Stories Inspired by Jane Eyre edited by Tracy Chevalier

Review: Reader I Married Him: Stories Inspired by Jane Eyre edited by Tracy ChevalierReader, I Married Him: Stories Inspired by Jane Eyre by Tracy Chevalier, Joanna Briscoe, Susan Hill, Elizabeth McCracken, Nadifa Mohamed, Audrey Niffenegger, Patricia Park, Francine Prose, Namwali Serpell, Elif Shafak, Lionel Shriver, Salley Vickers, Emma Donoghue, Evie Wyld, Helen Dunmore, Esther Freud, Jane Gardam, Linda Grant, Kirsty Gunn, Tessa Hadley, Sarah Hall
Formats available: paperback, ebook, library binding, audiobook
Pages: 304
Published by William Morrow Paperbacks on March 22nd 2016
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This collection of original stories by today’s finest women writers—including Tracy Chevalier, Francine Prose, Elizabeth McCracken, Tessa Hadley, Audrey Niffenegger, and more—takes inspiration from the opening line in Charlotte Brontë’s most beloved novel, Jane Eyre.
A fixture in the literary canon, Charlotte Brontë is revered by readers all over the world. Her novels featuring unforgettable, strong heroines still resonate with millions today. And who could forget one of literature’s best-known lines: “Reader, I married him” from her classic novel Jane Eyre?
Part of a remarkable family that produced three acclaimed female writers at a time in 19th-century Britain when few women wrote, and fewer were published, Brontë has become a great source of inspiration to writers, especially women, ever since. Now in Reader, I Married Him, twenty of today’s most celebrated women authors have spun original stories, using the opening line from Jane Eyre as a springboard for their own flights of imagination.
Reader, I Married Him will feature stories by:
Tracy Chevalier
Tessa Hadley
Sarah Hall
Helen Dunmore
Kirsty Gunn
Joanna Briscoe
Jane Gardam
Emma Donoghue
Susan Hill
Francine Prose
Elif Shafak
Evie Wyld
Patricia Park
Salley Vickers
Nadifa Mohamed
Esther Freud
Linda Grant
Lionel Shriver
Audrey Niffenegger
Namwali Serpell
Elizabeth McCracken
Unique, inventive, and poignant, the stories in Reader, I Married Him pay homage to the literary genius of Charlotte Brontë, and demonstrate once again that her extraordinary vision continues to inspire readers and writers.

My Review:

jane eyre by charlotte bronteJust like it says on the label, this is a collection of short stories “inspired by” Jane Eyre. Before I get into the quality of the stories, I’d like to touch on that “inspired by” bit.

I’ll confess it has been a long time since I read Jane Eyre. And I’ll also say that it will probably be a long time, if ever, before I read it again. While it feels like a progenitor of the Gothic romance school, Jane’s situation as an impoverished governess, and her realistic lack of options just aren’t things that float my boat. I prefer situations where the hero and heroine at least approach equality, or get as close to it as seems remotely reasonable for the time period.

That being said, I approached this collection wondering how and where contemporary authors would take Jane and her story. The results feel mixed to me. Not just in the sense that any short story collection has winners and losers (and readers varying opinions on which are which) but also mixed in regards to their use of Jane Eyre as inspiration. There were stories that felt close to the original, and stories where the inspiration seemed tangential. Sometimes even tenuous.

Your mileage, of course, may vary.

But the stories in the collection that stick with me are the ones that hewed closely in some way to some aspect of the original story. The ones that seemed to use Jane as a looser starting point didn’t have the same impact for this reader. They felt like the didn’t fit within the collection unless one squints very hard and tilts one’s head to the proper degree sideways.

The title story by Susan Hill, is a case in point. While it takes off from the famous line, “Reader, I Married Him,” The “I” in this particular story is Wallis Warfield Simpson, and the “him” is Edward, Duke of Windsor, the man who was briefly King Edward VIII. The story felt sad, but then, their lives also felt sad, and possibly just as pointless as they are in this story. The story, while certainly interesting and providing a very different perspective on this famous couple, felt as if it had nothing to do with the theme at hand.

On the other hand, I loved Lionel Shriver’s “The Self-Seeding Sycamore”. Just as in the Susan Hill story, I’m not sure what, if anything it draws from Jane Eyre. On the other hand, I just really liked the story.

As far as those stories that have more a more obvious relationship to Jane Eyre, there were three that haunted me for different reasons, although they all have a slightly creepy factor.

Helen Dunmore gives an angry but resigned voice to one of the secondary characters in the story in “Grace Pool Her Testimony”. It allows us to view the story from a radically different point of view. It is also a “below stairs” story, where we see the doings of the household from the perspective of someone who was always present, but seemingly invisible. And the story provides insights into Rochester as a young man, and gives a surprising origin for little Adele. But it is Grace’s harsh and angry voice that sticks in the mind after the story is complete.

Salley Vickers tells us a story in Mr. Rochester’s voice in “Reader, She Married Me” but while the story is told from his perspective after the end of the novel, it is not the happily ever after one might expect. Instead, from Rochester’s point of view, blind and dependent on Jane as a result of his injuries from the fire, we see Jane quite differently. Instead of a triumphant heroine we see a manipulative woman who only married him because she now has the upper hand in their relationship, and that is what she has been scheming for all along. This isn’t a story about love, it’s a story about power.

Likewise, “The Mirror” by Francine Prose is also a story about power, but in this case all the power is in the hands of Rochester, although like the Vickers’ story The Mirror also takes place after the end of the novel. In this modern re-imagining, Jane and Rochester are in couples’ counseling after their marriage. As the years have gone by, Rochester has become increasingly insistent that his first wife died long before the fateful fire, and that Jane made up all of the incidents related in the story. And most telling of all, that it was a parrot that Jane heard in the attic. While Jane wants to save their marriage, Rochester is increasingly insistent that Jane is unbalanced, and both Jane and the reader see that he is setting her up to be put away in an attic somewhere, just like his first wife. As the net closes around her, Jane questions everything she thought she knew – both about the true condition of the first Mrs. Rochester and about Edward’s own sanity or the lack thereof.

The Mirror is the story that gave me the most chills. I found The Self-Seeding Sycamore to be the most fun. A few of the stories neither felt related to the theme, nor did anything for me as stories. But overall, the collection is interesting and certainly has a couple of bright spots – or brightly creepy spots, as the case may be.

Escape Rating B for the collection as a whole.

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Review: Fall of Poppies: Stories of Love and the Great War by Heather Webb, Hazel Gaynor, Beatriz Williams, Jennifer Robson, Jessica Brockmole, Kate Kerrigan, Evangeline Holland, Lauren Willig, Marci Jefferson

Review: Fall of Poppies: Stories of Love and the Great War by Heather Webb, Hazel Gaynor, Beatriz Williams, Jennifer Robson, Jessica Brockmole, Kate Kerrigan, Evangeline Holland, Lauren Willig, Marci JeffersonFall of Poppies: Stories of Love and the Great War by Heather Webb, Hazel Gaynor, Beatriz Williams, Jennifer Robson, Jessica Brockmole, Kate Kerrigan, Evangeline Holland, Lauren Willig, Marci Jefferson
Formats available: paperback, ebook
Pages: 368
Published by William Morrow Paperbacks on March 1st 2016
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Goodreads

On the eleventh hour of the eleventh day of the eleventh month . . .
November 11, 1918. After four long, dark years of fighting, the Great War ends at last, and the world is forever changed. For soldiers, loved ones, and survivors, the years ahead stretch with new promise, even as their hearts are marked by all those who have been lost.
As families come back together, lovers reunite, and strangers take solace in each other, everyone has a story to tell.
In this moving, unforgettable collection, nine top historical fiction authors share stories of love, strength, and renewal as hope takes root in a fall of poppies.
Featuring:
Jessica Brockmole
Hazel Gaynor
Evangeline Holland
Marci Jefferson
Kate Kerrigan
Jennifer Robson
Heather Webb
Beatriz Williams
Lauren Willig

My Review:

There’s something about World War I that seems unbearably sad, even more so than World War II. I think it’s the sense that even though the war itself isn’t as simple or as clear-cut as the next war, there is so much more that died in that fall of poppies. So many different hopes, dreams and expectations. World War I changed the world in so many ways, where World War II seems like a continuation of a process that had already started with that first “World War”.

The stories in this anthology all center around World War I, and particularly around November 11, 1918, that singular moment when the war ended and everyone was left to look at the wreckage left behind and figure out how to pick up the pieces. Or even what pieces to pick up.

All of the stories in this collection are excellent, but there were four that particularly spoke to me, each in a different way.

Something Worth Landing For by Jessica Brockmole is a sweet love story. A young American airman comes to the rescue of a weeping Frenchwoman outside a doctor’s office. He has just been cleared to fly, and she has just discovered that she is pregnant. When the doctor begins berating the young woman about the baby, Wes decides to help her. At first, all his thinking is about getting her away from the doctor’s slightly slimy clutches. But as Wes and Victoire talk, he offers to marry her. He expects to die, a not unreasonable expectation for WWI flyers, and their marriage will leave her with his name and his widow’s pension. He gets someone on the ground who will send him letters, and she gets respectability. But as they write to each other, they discover they have a surprising chance at much more than either of them ever hoped for.

All for the Love of You by Jennifer Robson is also a sweet love story, but it is a story about the enduring power of love, and its ability to overcome all obstacles, even time, distance and injury. It is guaranteed to give you an earworm for the song.

The Record Set Right by Lauren Willig will remind readers of Out of Africa and Circling the Sun, even as its story deals with two wounded survivors looking back at their war, and the lives that followed, 60 years after the Armistice that both brought them together and tore them apart. It’s a story that asks questions about how responsible we are for the lies we tell, and for the lies we believe. Now that the truth is revealed, it is much too late to change the past. But in spite of the betrayal that led them to the lives they had, are they better off dreaming of what might have been? Or were they robbed of the life they should have had together by a lie told by a selfish man who loved them both? They’ll never know and neither will we.

And last but not least for this reader, The Photograph by Kate Kerrigan. The armistice in this book is the same as all the others, November 11, 1918, but the war is not World War I. Instead it is set in Ireland, where the Easter Rising of 1916 has led to outright rebellion. So while Irish troops are fighting as part of the British Army in the trenches, back home in Ireland the British Army is attempting to keep down the Irish Republican Army. This story takes place both in the present day and in 1918, as one family confronts its past and its future. This story is lovely and sad, but ends with hope for the future.

Escape Rating A-: All of the stories in this collection have their moments, and they all serve their theme well, sometimes in surprisingly different ways. As with all collections, not all of them spoke to this reader, but the ones that did echo in my thoughts like the sound of artillery over the trenches.

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Review: America’s First Daughter by Stephanie Dray and Laura Kamoie

Review: America’s First Daughter by Stephanie Dray and Laura KamoieAmerica's First Daughter by Stephanie Dray, Laura Kamoie
Formats available: paperback, ebook, audiobook
Pages: 624
Published by William Morrow Paperbacks on March 1st 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In a compelling, richly researched novel that draws from thousands of letters and original sources, bestselling authors Stephanie Dray and Laura Kamoie tell the fascinating, untold story of Thomas Jefferson’s eldest daughter, Martha “Patsy” Jefferson Randolph—a woman who kept the secrets of our most enigmatic founding father and shaped an American legacy.
From her earliest days, Patsy Jefferson knows that though her father loves his family dearly, his devotion to his country runs deeper still. As Thomas Jefferson’s oldest daughter, she becomes his helpmate, protector, and constant companion in the wake of her mother’s death, traveling with him when he becomes American minister to France.
It is in Paris, at the glittering court and among the first tumultuous days of revolution, that fifteen-year-old Patsy learns about her father’s troubling liaison with Sally Hemings, a slave girl her own age. Meanwhile, Patsy has fallen in love—with her father’s protégé William Short, a staunch abolitionist and ambitious diplomat. Torn between love, principles, and the bonds of family, Patsy questions whether she can choose a life as William’s wife and still be a devoted daughter.
Her choice will follow her in the years to come, to Virginia farmland, Monticello, and even the White House. And as scandal, tragedy, and poverty threaten her family, Patsy must decide how much she will sacrifice to protect her father's reputation, in the process defining not just his political legacy, but that of the nation he founded.

My Review:

Before I started reading America’s First Daughter, I looked at the page count and wondered what on Earth I was thinking when I agreed to this tour. Then I started the book and the pages just melted away.

As a story, it also goes surprisingly well with my earlier book this week, The Sisters of Versailles. Not that their stories have much in common, but there’s that thread of “fiction has to make sense, history just has to be true” that applies to both of them.

Patsy Jefferson’s life was extraordinary in so many ways. And just as with the Mailly-Nesle sisters in Versailles, the more amazing that a part of her story is, the more likely it is to be true. And because of that, the parts that are backed up by the documentary record ring with sincerity, where the parts on which history is silent or uncertain seem to ring a bit hollow.

I’ll explain that in a minute or two.

Martha "Patsy" Jefferson Randolph
Martha “Patsy” Jefferson Randolph

But overall, the life of Patsy Jefferson Randolph is an amazing story of someone who was witness to epoch-making events in history, but who still suffered the many trials and tribulations of an all too real life. She’s known in history for being Thomas Jefferson’s daughter, and she is also the person most responsible for the legend that her father became. She was his most constant helpmate throughout his life, and more importantly, she was the person who edited his voluminous papers for publication after his death.

We know him because of her. And through this marvelous piece of historical fiction, we know her because of him.

The story in America’s First Daughter is told through Patsy’s eyes, from one of her earliest memories to after her father’s death. At the beginning of the story, Patsy is a child. The first time we meet her is during the American Revolution, when in 1781 the family was forced to flee Monticello barely ahead of Benedict Arnold’s invasion. So her life from its very beginning is heavily influenced by her father’s politics and service to the Revolution.

While we follow Patsy’s story, we see her grow up. Her perspective begins as a child’s perspective, and with a child’s understanding. But it is tempered with early adult responsibilities – her mother, on her deathbed, makes Patsy promise to take care of her father. It’s a promise that fixes the course of Patsy’s entire life.

In the story, at least, Patsy is the person who keeps her father enough in the world that he resists the siren song of depression after his wife’s death. As Patsy grows up, she gives up the love of her life in order to remain with her father, and then marries badly because of the prospects for remaining near her father and repairing the family fortune. Only half of that hope comes true.

While it seems as if Patsy’s life might be typical of the period, as she sacrifices her own desires to remain close to her father, that closeness also brings her into places and positions that she might not have otherwise seen.

Patsy, whose childhood is marked by the American Revolution, goes to Paris with her father when he becomes the U.S. Minister to France in 1784. In Paris, Patsy witnesses her second revolution, the hopeful beginning of the French Revolution. She sits at her father’s side as he entertains the fathers of that Revolution, including Lafayette. Fortunately for her, she is back in America when it all goes “smash”.

As an adult, Patsy serves as her father’s First Lady in the White House, as Jefferson never remarried. She is part of the Washington City political whirl at the highest level, and having influence as great as Dolley Madison, another activist First Lady.

And through it all, she deals with her own feelings about her father’s shadow family. In France, she is drawn to the abolitionist cause, while at the same time being all too aware that her father is carrying on an affair with a young girl her own age that he owns, and who is the half sister of the wife he loved. Patsy’s feelings about that relationship, the family it creates, and the whole pernicious institution of slavery, shadow her throughout her life.

Because this is Patsy’s story, we see Jefferson from the perspective of a woman who worshipped her father, but at the same time saw the man as he really was – human like the rest of us, with feet of clay up to his knees.

Escape Rating A-: I read most of this in one night. Once I got into it, the pages absolutely fly by.

It does take a bit of getting into. Because we are seeing this story from Patsy’s point of view starting in her childhood, her perspective on people and events while she is a child seems a bit naive and short-sighted. Things make sense from that perspective, but the story becomes much more interesting when the view is through her adult eyes and adult understanding.

Because her father’s relationship with Sally Hemings begins when both girls are around 14 or 15, we also see that relationship initially through Patsy’s limited understanding, and then feel her grow up as she examines her feelings about what that relationship means. She is, as any young woman in her situation would be, jealous of anyone taking a piece of her father’s attention. He is still everything to her. At the same time, the French abhor slavery, and Patsy absorbs that attitude. She can’t help but wonder about Sally’s position in that relationship. Her father has all the power. He owns Sally. Do Sally’s feelings come into anything? Is she coerced by the power imbalance? Or is she just trying to make the best of a situation she has absolutely zero control over? Patsy never knows, because the existence of such shadow families is never discussed. The gap is one that Patsy can’t make herself bridge, and Sally cannot cross.

We also see Jefferson the man in a different light in regards to his daughter. She loves him and wants to please him. While he does everything in his considerable power to make sure that she is, if necessary, guilted to remain at his side, against her own best interests. As a father, Jefferson makes a better politician. He doesn’t want to give up anyone he controls, and will manipulate those people to achieve his ends.

One of the parts of the book that doesn’t quite ring true is Patsy’s relationship with her father’s protege, William Short. Short did exist, but there doesn’t seem to be any documentary evidence that he and Patsy had a relationship other than friends or acquaintances. The early parts of their relationship in the book felt a bit like the authors wanted to insert a romance, both to give Patsy some happiness in her life and to provide a way to illustrate Jefferson’s possessiveness.

Patsy has a difficult life in so many ways, and they are all pretty much documented. While the hardships she faced are alleviated by her service to and with her famous father, that she put him first also seems to have exacerbated many of the troubles she faced. The reader certainly feels the “catch-22” she is caught in.

Patsy finds herself caught, over and over, between opposing forces. She is stuck in the middle between her father and her husband. She is caught between her desire to abolish slavery and the reality that the economy of owning other people is the only thing keeping her family financially afloat for as long as it does. Sally is her aunt, Sally’s children are both her sisters and brothers and her cousins, and she can’t treat them as family or even discuss the situation with anyone. Her husband beats her and their children, and she herself is his property to abuse as he pleases.

To the end of her own life, she is the stalwart protector of her father and his legacy. She saw so much that we will never know, not because the papers didn’t exist, but because she pruned those papers to make sure that his legacy remained untarnished. The life that made her the person who structured his history is fascinating.

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Review: The Sisters of Versailles by Sally Christie + Giveaway

Review: The Sisters of Versailles by Sally Christie + GiveawayThe Sisters of Versailles (The Mistresses of Versailles Trilogy #1) by Sally Christie
Formats available: paperback, ebook, audiobook
Series: Mistresses of Versailles #1
Pages: 432
Published by Atria Books on September 1st 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A sumptuous and sensual tale of power, romance, family, and betrayal centered around four sisters and one King. Carefully researched and ornately detailed, The Sisters of Versailles is the first book in an exciting new historical fiction trilogy about King Louis XV, France's most "well-beloved" monarch, and the women who shared his heart and his bed.
Goodness, but sisters are a thing to fear.
Set against the lavish backdrop of the French Court in the early years of the 18th century, The Sisters of Versailles is the extraordinary tale of the five Nesle sisters: Louise, Pauline, Diane, Hortense, and Marie-Anne, four of whom became mistresses to King Louis XV. Their scandalous story is stranger than fiction but true in every shocking, amusing, and heartbreaking detail.
Court intriguers are beginning to sense that young King Louis XV, after seven years of marriage, is tiring of his Polish wife. The race is on to find a mistress for the royal bed as various factions put their best foot - and women - forward. The King's scheming ministers push Louise, the eldest of the aristocratic Nesle sisters, into the arms of the King. Over the following decade, the four sisters:sweet, naive Louise; ambitious Pauline; complacent Diane, and cunning Marie Anne, will conspire, betray, suffer, and triumph in a desperate fight for both love and power.
In the tradition of The Other Boleyn Girl, The Sisters of Versailles is a clever, intelligent, and absorbing novel that historical fiction fans will devour. Based on meticulous research on a group of women never before written about in English, Sally Christie's stunning debut is a complex exploration of power and sisterhood; of the admiration, competition, and even hatred that can coexist within a family when the stakes are high enough.

My Review:

This is going to seem like a strange place to start this review, but I’m going to quote the great science fiction writer Robert A. Heinlein, who was, in turn, paraphrasing J.B.S. Haldane, a geneticist and evolutionary biologist. The same quote is also attributed to Arthur Stanley Eddington, an astronomer.

“The universe is not only stranger than we imagine, it is stranger than we can imagine.”

There’s a truism in there. Fiction has to be believable. The story has to hang together, the characters and the plot have to make sense to the reader. History, no matter how strange or bizarre, merely has to be true.

As historical fiction, the story in The Sisters of Versailles therefore does not have to be believable, it just has to match the historical record. And while we can’t know whether the thoughts and feelings ascribed to the Mailly-Nesle sisters in the story reflect their personalities, we can learn that the events portrayed in the book really did happen.

In 18th century France, Louis XV inherited the throne from his great-grandfather, Louis XIV, known to history as the Sun King. When Louis XV became king, he was all of 2 years old, and his regency council ruled, not just until he came of age, but at least one of them stayed pretty much in charge until his own death.when Louis was in his 30s.

Seeming to be rather more self-indulgent than interested in ruling, Louis seems to have let his ministers do everything for him, including choose his first mistress. And that is where our story begins.

The first mistress of Louix XV was Louise-Julie de Mailly-Nesle. She was the oldest of the five Mailly-Nesle sisters, and the story in The Sisters of Versailles is the story of Louise and her younger sisters, Pauline, Diane, Hortense and Marie-Anne, all of whom except Hortense took their turns as the King’s official mistress.

Interestingly, it is Hortense, the only one who skipped bedding the King, who tells the story.

If this were fiction, we wouldn’t believe it. We’d believe he had mistresses, but not that he chose one sister after another. And it seems, at least according to the story, that they were not by any means alike. Louise was naive to the very end. Diane was fun-loving, and both Pauline and Marie-Anne were calculating, using the position of maitresse-en-titre (official mistress) to achieve power. They were the women behind the throne and they ruled through Louis as effectively as any of his official ministers did.

The way that the sisters score off against each other and supplant each other reads like an 18th century version of Real Housewives or the Kardashians, but set against a backdrop that is even more opulent, and among people who are even more self-absorbed, than any reality TV series.

And amid this portrait of absolutely wretched excess, the reader hears the desperation of the common French people. We see that these events are inexorably leading to the French Revolution, while the nobility plays and the people starve.

Escape Rating B-: If this were purely fiction, no one would believe this story. As history, it does make the reader gasp a bit. Four sisters? Really? And yet it did happen.

The author switches between the points of view of the women, and also adds in letters between the sisters to convey the way that reality often differed from written communication. Everyone always wrote that they were happy, no matter how miserable they were. Also everyone always writes that they are faithful to their husbands, when seemingly no one except Hortense actually was.

Whether these letters are real or fabrications is not stated, but while they fit the characters, they are most likely inventions of the author to move the story along. And in context, that works just fine.

What doesn’t quite work is the constant switching between perspectives. The viewpoint rotates in a whirlwind between the sisters, although the perspective of whoever is the King’s mistress at the time is in the ascendant. But the revolving points of view make the story fragment. I would have preferred it if we had stayed with Hortense’ viewpoint throughout – she is the survivor and seems to be the least self-serving, at least as regards to their collective relationship with the king.

While the story of the Mailly-Nesle sisters, their King, and the court that they ruled is fascinating, the sisters themselves are not a likable bunch, with the possible exception of Diane. Louise feels like a bit of an idiot, and Pauline and Marie-Anne both seem willing to trample over anyone and everyone, obviously including their own sisters, in order to get their own way. Pauline also seems to have had the makings of a sociopath, at least according to the stories the other sisters tell about their mutual childhood.

This is a portrait of a world that is not merely gone, but of a glittering world that brought about its own destruction, as seen through the eyes of women who had no path to power except through the men that they ruled and squabbled over.

And as a portrait of toxic sisterhood, it made me very glad to be an only child.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of The Sisters of Versailles to one lucky U.S. or Canadian commenter:

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Review: Moonlight over Paris by Jennifer Robson

Review: Moonlight over Paris by Jennifer RobsonMoonlight over Paris by Jennifer Robson
Formats available: paperback, ebook, large print, audiobook
Pages: 352
Published by William Morrow Paperbacks on January 19th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

USA Today and internationally bestselling author Jennifer Robson takes readers to 1920s Paris in an enthralling new historical novel that tells the riveting story of an English lady who trades in her staid aristocratic life for the mesmerizing salons and the heady world of the Lost Generation.
It’s the spring of 1924, and Lady Helena Montagu-Douglas-Parr has just arrived in France. On the mend after a near-fatal illness, she is ready to embrace the restless, heady allure of the City of Lights. Her parents have given her one year to live with her eccentric aunt in Paris and Helena means to make the most of her time. She’s quickly drawn into the world of the Lost Generation and its circle of American expatriates, and with their encouragement, she finds the courage to pursue her dream of becoming an artist.
One of those expats is Sam Howard, a journalist working for the Chicago Tribune. Irascible, plain-spoken, and scarred by his experiences during the war, Sam is simply the most fascinating man she has ever met. He’s also entirely unsuitable.
As Paris is born anew, rising phoenix-like from the ashes of the Great War, Helena realizes that she, too, is changing. The good girl she once was, so dutiful and obedient, so aware of her place in the world, is gone forever. Yet now that she has shed her old self, who will she become, and where, and with whom, does she belong…?

My Review:

after the war is over by jennifer robsonMoonlight Over Paris is the follow up to the author’s lovely After the War is Over (reviewed here). Which was itself a follow up to the marvelous Somewhere in France (reviewed here).

But don’t let those antecedents keep you from reading Moonlight Over Paris. The link between each book is one single character who was neglected in the previous story, and becomes the main character of the next. It is far from necessary to start at the beginning, each book stands completely on its own.

The stories are all about World War I, its aftermath, and its effects on the lives of a small group of younger members of the English upper crust. And the heroine of Moonlight Over Paris is the upper-crustiest of them all. But the world that she explores is the one where her birthright matters least – Lady Helena Montagu-Douglas-Parr, daughter of an Earl, takes herself off to Paris in the mid-1920s, the high point of the Lost Generation between the wars, where everyone who was anyone in the arts community went not just to Paris, but specifically to Montparnasse the center of both the artistic and expat communities.

It was a heady, golden time, where Hemingway, Fitzgerald, Gertrude Stein and Alice B. Toklas held court and drank up their excesses, and where Sylvia Beach ran the best English-language bookstore in Paris (Shakespeare and Company) and published outre classics like James Joyce’s Ulysses.

Lady Helena comes to Paris as Helena Parr, to study art in one of Paris many art academies. She has talent, but just how much talent is always a question. And it’s a question that she has decided to answer for herself.

Her fiance came back from the war in 1919, shell-shocked and wounded, and begged her to end their engagement. He was drowning in his depression, and he’d fallen in love with someone else. Neither of them reckoned on five years of continuous social opprobrium. Helena was seens as a heartless woman who threw over a wounded veteran, when the truth was otherwise. She’s frozen out of all social engagements, and in her mid-20s is firmly on the shelf.

After a near fatal bout of scarlet fever, Helena determines to finally live her life, and not merely exist. So Paris, art school, and a life outside of her social circle.

Mostly outside. The conventions that restrict her life can’t be completely ignored, so unlike her fellow art students, she lives with her wealthy Aunt in a small palace. None of which keep her tyrannical art teacher from berating her at every turn.

But through endless lessons and endless critiques of her craft, Helena makes friends, makes a life, and falls in love. Only to discover that the struggling newspaper writer she has fallen for is part of the American upper crust, and of the life she left behind.

somewhere in france by jennifer robsonEscape Rating B+: I enjoyed Moonlight Over Paris, and was just as wrapped up in this story as I was in its predecessors. But Moonlight seems like a smaller and more intimate story than either of the first two books.

We see this world from Helena’s perspective, and the action follows her. While it is not first person singular, we see directly into her mind through letters she writes to her sister back in England.

While I liked Helena as a protagonist, her situation just wasn’t as interesting as the previous books. Possibly this is because the war is over, and the Lost Generation was doing a good job of losing itself in excess. The stakes seem smaller.

As with the previous books, the strength in this story is in the relationships that Helena forges with her fellow students, Etienne, Mathilde and Daisy, and her increasing closeness to her Aunt Agnes. It is also refreshing that instead of being the enforcer of morality, Aunt Agnes is a free spirit (also marvelously free with money) who encourages Helena at every turn.

While this story is told from Helena’s perspective, I wish we had a little more depth in the way that the friendships develop. On the one hand, the whole point of Helena’s year in Paris is to become someone new, but on that other hand, her friends represent wildly different lives. Etienne is the artistic genius of the group. He is also homosexual, and provides a tiny window into what his life is like. Mathilde has a child and a wounded-veteran husband at home, and works two jobs to make ends meet while still going to art school. Daisy is the person Helena almost was, a rich, protected young woman who is trying both to please her father and be herself. And is losing the battle, just as Helena was until she came to Paris.

Based on events in the story, I expect the next book to be Daisy’s. I hope so, because there is way more story there to tell.

Helena falls in love with a struggling newspaperman, Sam Howard. The tentative way that their relationship builds makes for a very slow and only slightly burning romance. And that’s okay, because the heart of this story is Helena’s transformation, and not her love life.

But there’s a big misunderstandammit in the way of Sam and Helena’s future, and the way it is concealed and finally revealed felt a bit contrived. Your mileage may vary.

And then there’s the setting. Paris in the 1920s. Paris in the Jazz Age. The Paris of the thriving, artistic expat community of Fitzgerald, Hemingway, Stein, Toklas and Beach. Paris in the “Crazy Years”. There is a point where the visits to and from the famous and infamous felt like name-dropping rather than an integral part of the story. That Helena gets a dress designed by Vionnet is one thing. That Sam’s work as a newspaperman brings them into contact with Hemingway and Stein made sense. But the dinner with Scott and Zelda Fitzgerald just didn’t add to Helena’s story. For this reader, straw met camel’s back.

And it’s not that this kind of thing can’t be done well. I loved The Bones of Paris by Laurie R. King, which explores Paris in the same period and also brings in most of the famous characters. For this reader it just did a better job of using them to set mood and move the story along.

That being said, I still enjoyed Moonlight Over Paris a great deal. It was interesting to see Jazz Age Paris from a perspective of someone other than the famous expats, and explore a bit of what it was like in that era. The strong portraits of supportive friendship that run through all of Robson’s fiction make the reader feel part of Helena’s circle of friends.

And the happy ending was breathless and sweet in equal measure.

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Review: The Alchemist’s Daughter by Mary Lawrence

Review: The Alchemist’s Daughter by Mary LawrenceThe Alchemist's Daughter (Bianca Goddard Mysteries #1) by Mary Lawrence
Formats available: paperback, ebook
Series: Bianca Goddard #1
Pages: 304
Published by Kensington on April 28th 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“A realistic evocation of 16th century London’s underside. The various strands of the plot are so skillfully plaited together.” —Fiona Buckley
In the year 1543 of King Henry VIII’s turbulent reign, the daughter of a notorious alchemist finds herself suspected of cold-blooded murder…
Bianca Goddard employs her knowledge of herbs and medicinal plants to concoct remedies for the disease-riddled poor in London’s squalid Southwark slum. But when her friend Jolyn comes to her complaining of severe stomach pains, Bianca’s prescription seems to kill her on the spot. Recovering from her shock, Bianca suspects Jolyn may have been poisoned before coming to her—but the local constable is not so easily convinced.
To clear her name and keep her neck free of the gallows, Bianca must apply her knowledge of the healing arts to deduce exactly how her friend was murdered and by whom—before she herself falls victim to a similar fate…
“Unique characters, a twisty plot and a bold, bright heroine add up to a great debut for Mary Lawrence’s The Alchemist’s Daughter. Mystery and Tudor fans alike will raise a glass to this new series.” —Karen Harper, author of
The Poyson Garden

My Review:

Think of The Alchemist’s Daughter as an antidote for all those Renaissance Faires where they make the English Renaissance look festive and clean, tidy and with no bad smells. With Bianca Goddard, we get a perspective on life among the ‘groundlings’, probably short, frequently nasty, and always unfair.

Bianca herself is an absolutely fascinating character, but the world she lives in is not a place any of us would want to visit, not even for an afternoon. The past, as they say, is another country, and they do things differently there.

Also it stinks.

Bianca has an interesting backstory. Her father is an alchemist. In other words, he was one of the the many would-be chemists who believed that there was a ‘philosopher’s stone’ that would turn lead and other base metals into gold. Trying to turn lead into gold, while fruitless, is also harmless. But Bianca’s obsessed father was also a Catholic during the latter part of Henry VIII’s reign, and nearly got executed after being caught up in a plan to overthrow the King. Someone accused him of attempting to poison Old King Hal, and he would have swung for it – if his daughter hadn’t proved his innocence – at least of that crime. (I hope the author gives us the full tale at some point in this series because it sounds amazing.)

But the notoriety brought both Bianca and her father to the attention of some of the powers that be, especially the conniving little ones who have just enough power to make life miserable for common people, which Bianca and her family certainly are.

Bianca is also unusual in that she has chosen to live apart from her family. Her father’s involvement in treasonous plots was the last straw for the independent minded Bianca. She wants to practice chemistry, not alchemy, and use the skills she learned at her father’s knee to find cures for the diseases that make people’s lives so short and miserable. Bianca lives alone in the tiny shack, or ‘rent’ that she, well, rents to practice her art.

Which makes her an all too easy target when her best friend comes to her in distress, and dies right there in Bianca’s arms. It was all too common for whoever was present at a death to be accused (and convicted) of it, and when her friend’s blood is found to be purple instead of red, accusations of poisoning fly at Bianca quicker than you can say “plague”.

The story in this book is Bianca dodging the inept law while trying to determine who really killed her friend. Because unless Bianca can find the real killer, she is the one who will be tortured and executed for the crime that she certainly did not commit.

Escape Rating A-: One of the things I found fascinating about this story is that is bookends the story of Lucie Wilton in Candace Robb’s Owen Archer series. Lucie is a master apothecary in York in the late 1300’s, and is also accused of murder. But so many things about the two women in these stories is a kind of mirror image. Lucie’s story takes place in the years before the Wars of the Roses, and Bianca’s take place in the aftermath two centuries later. Lucie is an acknowledged master of her craft, she owns her own shop and takes her own apprentices. Bianca is barely surviving, and is just as often called “witch” as “healer”. Also, Lucie marries Owen, where in Bianca’s first story, she steadfastly refuses to marry her long-time suitor, John. And Bianca’s reasons are lived out in Lucie. Bianca needs the freedom to devote herself to her obsession with her craft, where Lucie, who gets pregnant and has children and devastating miscarriages, is forced to divide her time between her life as a married woman running a household and her livelihood. Lucie never has the time, or frankly the inclination, for the kind of death-defying experiments that Bianca loses herself in on a regular basis.

In other words, if you find The Alchemist’s Daughter right up your rank and smelly alley, give The Apothecary Rose a try. Also Jeri Westerson’s Crispin Guest series, starting with Veil of Lies. It has the same gritty feel, and is set not long before the Archer series.

But back to Bianca’s life. We see the law that is after her as venal, incompetent and much more interested in finding a quick and easy solution than in actually finding the true criminal. And as the lawman Patch observes, while there is plenty of crime in the wealthy districts, the residents there have enough money to make sure that their crimes go unreported, if not absolutely unmarked or blamed on some poor sod in the poorer quarters.

Bianca has very little in the way of forensic evidence, no official assistance, and very little time to find the guilty party. She also has an entire barrel of red herrings to sort through in order to get close to the real killer and the real motive. All she knows at the very beginning is the very little that her friend Jolyn told her, and it isn’t much. Jolyn found a ring while muckracking – literally combing through garbage and debris on the Thames riverbank in the hope of finding something worth selling for enough money to keep body and soul together another day.

Jolyn believed that the ring she found brought her luck. An older woman offers her a room in her boarding house and a job after seeing Jolyn with the ring. Once there, Jolyn attracts a rich suitor. The ring is clearly a catalyst for something. Jolyn thought it was good luck, but the more that Bianca desperately digs into the history of the ring, the more she believes it was the catalyst for her murder.

We follow Bianca’s desperate quest as it goes at breakneck speed. It’s impossible not to shiver at the dangers she faces. And the legions of rats, not all of them on four legs.

Review: Daughter of Sand and Stone by Libbie Hawker + Giveaway

Review: Daughter of Sand and Stone by Libbie Hawker + GiveawayDaughter of Sand and Stone by Libbie Hawker
Formats available: hardcover, paperback, ebook, audiobook
Pages: 328
Published by Lake Union Publishing on December 1st 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

When Zenobia takes control of her own fate, will the gods punish her audacity?
Zenobia, the proud daughter of a Syrian sheikh, refuses to marry against her will. She won’t submit to a lifetime of subservience. When her father dies, she sets out on her own, pursuing the power she believes to be her birthright, dreaming of the Roman Empire’s downfall and her ascendance to the throne.
Defying her family, Zenobia arranges her own marriage to the most influential man in the city of Palmyra. But their union is anything but peaceful—his other wife begrudges the marriage and the birth of Zenobia’s son, and Zenobia finds herself ever more drawn to her guardsman, Zabdas. As war breaks out, she’s faced with terrible choices.
From the decadent halls of Rome to the golden sands of Egypt, Zenobia fights for power, for love, and for her son. But will her hubris draw the wrath of the gods? Will she learn a “woman’s place,” or can she finally stake her claim as Empress of the East?

My Review:

Queen Zenobia's Last Look Upon Palmyra, by Herbert Gustave Schmalz. Original on exhibit, Art Gallery of South Australia, Adelaide.
Queen Zenobia’s Last Look Upon Palmyra,
by Herbert Gustave Schmalz. Original on exhibit, Art Gallery of South Australia, Adelaide.

Zenobia is a name that may feel familiar, even if you can’t place it. She was certainly a legend in her own time, but history has obscured who she was and what she did. In this very fictionalized history, she feels like a second coming of Cleopatra – an appropriate image, as Zenobia herself claimed to be a descendant of the great queen. And Zenobia, like her purported ancestress, also attempted to steal Egypt from her Roman masters. Also like Cleopatra, she failed.

Although little is known for certain about Zenobia’s life, the author has created a fictional biography that, while romanticized, also seems quite plausible. Zenobia was the daughter of one of the desert chieftains who controlled the lush trade city of Palmyra during one of the more contentious eras in the long and stuttering fall of the Roman Empire.

(For those who have read or watched I, Claudius, that same Claudius is mentioned as one of the many emperors that briefly rules Rome during Zenobia’s life. Rome was a hot mess.)

Unfortunately for Zenobia, while she did most of her plotting and planning during the years when Rome lost emperor after emperor, she brought her plans to fruition just as the extremely competent Aurelian took the purple. Aurelian crushed her attempt to form an Empire of the East, centered on her home city of Palmyra, that included Rome’s breadbasket, Egypt.

The story in Daughter of Sand and Stone is the story of a young woman who quite possibly thought too much of herself and her own destiny, who rose from chieftain’s youngest daughter to Roman governor’s wife to Queen to very, very briefly, Empress.

What we see is a young woman who seems first to have been a legend in her own mind. She rejected her expected role as wife and mother, rejecting all of the quite eligible suitors that her father presented to her. Then, when tragedy struck in the form of bandit raids on her unwalled city, she took upon herself a daring midnight ride to find her father’s remaining troops and rally them to defend the city.

Her people worshipped her as their savior, no matter that her brother-in-law became the next chief.

From there, Zenobia plotted her own course to power, first marrying the Roman governor, and then after his assassination carrying out his plans for an Eastern Empire, but in her own name. She took those plans to dizzying heights, and then, like Icarus, flew too close to the sun, and crashed to exile and death.

Escape Rating B: The story in Daughter of Sand and Stone is Zenobia’s from the very first page until her final defeat. In the book, that defeat is a capitulation to the role that she was supposed to have occupied all along, that of a quiet helpmeet and wife. In other words, she finally resigns herself to what was considered a “woman’s place”, after a lifetime of fighting that characterization every step of the way.

But the adventure that finally gets her there, while ultimately doomed, was a glorious one. She begins by always believing that she is meant for more than her lot in life should have given her. She always feels that she has a destiny, and is quite often self-deceiving in her pursuit of what she feels should be hers. It is no wonder that her talent for self-deception eventually runs into the cold reality of Roman might.

While occasionally Zenobia’s speeches and internal thoughts about her great destiny sound strange to our ears, what she did about that belief was remarkable. In her relatively short life (she was about 35 when she either died or slipped into complete obscurity) she takes herself from chieftain’s daughter to empress just on the strength of her own ambition and vision. That would have been a lot of ambition even for a man in that era – for a woman it became the stuff of legend.

In the story, some things are created out of very scanty bits of historical records. Her relationship with the governor’s first wife, while fictional, provides a lot of the tension in the early parts of the story, and motivates some of Zenobia’s real life behavior. Zenobia’s romance with her general, while also fictional, helps complete the portrait of Zenobia as a whole person instead of just a face on a coin.

The descriptions of the desert are rich and lush, the reader can almost feel the sand blowing by and the sudden beauty of the oases. It makes it easy to understand why Zenobia loved her city so much that she wanted to make an empire of it.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of Daughter of Sand and Stone to one lucky U.S. or Canadian commenter.

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Review: The Crescent Spy by Michael Wallace + Giveaway

Review: The Crescent Spy by Michael Wallace + GiveawayThe Crescent Spy by Michael Wallace
Formats available: hardcover, paperback, ebook, audiobook
Pages: 325
Published by Lake Union Publishing on November 10th 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

Writing under a man’s name, Josephine Breaux is the finest reporter at Washington’s Morning Clarion. Using her wit and charm, she never fails to get the scoop on the latest Union and Confederate activities. But when a rival paper reveals her true identity, accusations of treason fly. Despite her claims of loyalty to the Union, she is arrested as a spy and traitor.
To Josephine’s surprise, she’s whisked away to the White House, where she learns that President Lincoln himself wishes to use her cunning and skill for a secret mission in New Orleans that could hasten the end of the war. For Josephine, though, this mission threatens to open old wounds and expose dangerous secrets. In the middle of the most violent conflict the country has ever seen, can one woman overcome the treacherous secrets of her past in order to secure her nation’s future?

My Review:

liar temptress soldier spy by karen abbottThe Crescent Spy goes really, really well with both The Spymistress by Jennifer Chiaverini (reviewed here) and Liar, Temptress, Soldier, Spy by Karen Abbott (reviewed here). Both the Chiaverini and Abbott books tell the stories of women who were spies for one side or the other in the war variously known as the “War of the Rebellion” if you were a Union partisan and the “War of Northern Aggression” if you supported the Rebel states.

While Liar, Temptress is intended as a more factual and less fictional account, both it and the fictionalized Spymistress feature stories of real women who were known as spies. The Crescent Spy uses its invented protagonist, Josephine Breaux, to show another aspect of the role of spies in the war, and the way that covert intelligence could affect actual policy. And it also gives us an intimate view of the battle for the port of New Orleans, as well as showing just how effective newspaper reporters could be as spies.

We meet Josephine Breaux as she is fleeing the First Battle of Manassas, or Bull Run, again depending on which side you are on. Josephine is not alone – a surprising number of civilians and society people traveled down from Washington DC to watch the Union kick the Rebels’ tails. But it didn’t happen that way. Instead, the Union Army, along with the spectating civilians, fled in disarray from the spirited defense of the Confederate Army. Josephine, writing as she travels, details that it wasn’t so much that the Confederates won, as that the Union Army lost its will to fight in the confusion. The fog of war is a very real thing, especially when you feel all alone in the middle of it.

After she returns to DC, Josephine finds herself exposed by a rival newspaper. The real exposure is that she is the writer behind the male war correspondent Joseph Breaux. That would be survivable, but a story has been planted that she is a Rebel spy. She is done in DC.

Instead of setting out for New York City as she planned, she finds herself sitting in the White House, listening to President Abraham Lincoln explain that she has been chosen by the Pinkertons to travel to her former hometown of New Orleans to cover the war and spy for the Union. While angered that her downfall in DC was engineered by the Pinkertons, Josephine is flattered by the President’s attention to her intelligence and writing skill, and as an ardent Union supporter, finds herself accepting the President’s offer of clandestine employment.

This is where the fun really begins, as Josephine has to make her way from DC, through the Union blockade, to the Confederate port of New Orleans. In NOLA she uses her newfound notoriety as a Rebel spy to get herself a job on a New Orleans newspaper and makes herself both a war correspondent and the recipient of all the military-preparedness related gossip she can lay her hands on.

Josephine plays a major role in the Union’s relatively early capture of the South’s biggest port. The war began in 1861, and New Orleans was occupied by the Union Army in 1862. While the South mourned its loss, the early capture of New Orleans saved it from destruction by the Union Army such as was visited upon Atlanta and other cities during Sherman’s March.

But during that tumultuous year, we follow Josephine as she learns to be an effective spy while continuing to ply her trade as a journalist. That she is sending secret reports on Confederate readiness (or lack thereof) to the Union Command does not prevent her from reporting the war that she witness to the people in the city that are eagerly awaiting news and reassurance. Even when her news is true and her reassurance is false.

She is constantly aware that she could be betrayed at any moment. Her own past as a riverboat dancer’s daughter comes back to haunt her, and old friends resurface as enemies, willing to sell Josephine out for a chance at enough money to escape the war. Her old life is a much greater threat to her future than anything she does as a spy, including blowing up a powder magazine.

As a later Southern writer will say, “The past isn’t over. It isn’t even past.” Josephine discovers that her past isn’t done with her yet. Both it and her inability to deal with it nearly does her in, but she soldiers on.

Escape Rating B: This is a good solid story of a woman who is doing things that women were not supposed to do in her time and place. But the war provides the excuse and the impetus for Josephine to break out of any role that she is supposed to be in.

She is a likeable character without being too goody-two-shoes or too aggressively strident, although she occasionally comes close to the latter. If she were a man, no one would think twice about her extreme self-confidence or her desire for glory and validation of her prodigious talent. As a woman, she often finds herself in the position of needing to equivocate in order to get the military brass to see that she, not merely female but barely 21, actually does know more about military tactics than most of the idiots that are currently leading the Union Army. And while she is good enough at playacting in order to pursue a story, she has no capacity for hiding her light under a bushel basket when she is giving her own opinions. Even when those opinions sound a lot like giving orders to generals.

Josephine always thinks she knows best, and only lets her fear out when she’s alone.

The most difficult part of the story is the way that Josephine deals with her past. It’s not that she’s the daughter of a riverboat dancer and occasional prostitute, or even that she feels ashamed of what she came from. But she is still running from her ghosts, including the man who might be her father. Her past nearly overruns her present, and the secrets she keeps about who she is and how she got her start have a real chance at getting both her and the Pinkerton agent she works with killed. Even by the story’s end, while she has finally revealed the information to her partner, she still hasn’t dealt with the fallout emotionally. She still has some growing up to do. Which makes her a very interesting character to follow.

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