Genre: historical fiction

Review: Daughter of Black Lake by Cathy Marie Buchanan + Excerpt

Posted on by Marlene Harris | Author : | A- Reviews> blog tours> book reviews> Excerpts
Review: Daughter of Black Lake by Cathy Marie Buchanan + ExcerptDaughter of Black Lake by Cathy Marie Buchanan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fiction
Pages: 320
Published by Riverhead Books on October 6, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

In a world of pagan traditions and deeply rooted love, a girl in jeopardy must save her family and community, in a transporting historical novel by nationally bestselling author Cathy Marie Buchanan.
It's the season of Fallow, in the era of iron. In a northern misty bog surrounded by woodlands and wheat fields, a settlement lies far beyond the reach of the Romans invading hundreds of miles to the southeast. Here, life is simple--or so it seems to the tightly knit community. Sow. Reap. Honor Mother Earth, who will provide at harvest time. A girl named Devout comes of age, sweetly flirting with the young man she's tilled alongside all her life, and envisions a future of love and abundance. Seventeen years later, though, the settlement is a changed place. Famine has brought struggle, and outsiders, with their foreign ways and military might, have arrived at the doorstep. For Devout's young daughter, life is more troubled than her mother ever anticipated. But this girl has an extraordinary gift. As worlds collide and peril threatens, it will be up to her to save her family and community.
Set in a time long forgotten, Daughter of Black Lake brings the ancient world to life and introduces us to an unforgettable family facing an unimaginable trial.

My Review:

This was marvelous. Not quite what I expected, but marvelous. And as the blurb says, transporting.

Daughter of Black Lake is a time slip story that itself is slipped in time to the first century A.D., to the Roman province of Britannia, in the relatively early years of the Roman occupation. At a time when the Druids still held sway over most of the tribes, and just before the last concerted – and ultimately failed – attempt to throw out the invaders.

But that’s not obvious at first.

The story takes place 17 years apart, among a village of bog people on the shores of Black Lake near modern-day Wroxeter in Shropshire. The village is remote, and life there hasn’t changed all that much since the Romans first attempt to conquer Britain, when they threw Julius Caesar back into the sea. Or so the Druids tell.

And yet, things do change, and events in the wider world impact life in the small village. As is exemplified by the events of the story’s present and what happened 17 years before.

The story revolves around one family, Smith, his mate Devout, and their daughter Hobble. Smith lost most of his family, and his family’s status, 17 years ago when his father and all of his brothers paid heed to the Druids who went to the tribes to drum up support to throw Claudius and his forces off their land.

They failed. They died. The Romans settled in for the long haul of “civilizing” this land of barbarians.

But history repeats. The Romans are expanding, and the influence of the Druids is contracting. They’re losing power and don’t want to give it up. And so they are fomenting a rebellion. Again.

The community at Black Lake is caught in the middle of the opposing forces – and betwixt and between the advances of the Romans and a desire to return to the “old ways”. Ways that included human sacrifice. Ways that would see Hobble sacrificed on an altar of blood to one ambitious Druid’s dreams of glory.

A glory that Hobble, apprentice medicine-woman and full-fledged seeress, knows is totally and utterly out of reach.

Escape Rating A-: The one thing that drove me to frequent, repeated dives into Wikipedia was my inability to fix this story in its historical time period until the very end. Thinking about it further, I realize that was part of the point, but it drove me crazy as I was reading. I needed to know and didn’t.

If the history grabs at you as much as it does me, the Book Club Guide at the author’s website is very informative. Particularly the drink recipes! But seriously, one of the terrific things about this book is that it is meticulously researched AND that the research magically disappears into the story as you read it. It gives the story depth and heft without weighing it down at all. Which is very hard to do.

The story here is about a community on the cusp of change, and that’s what gives the story its drive and dramatic tension. While the details are specific to this particular time and place, the concept is universal. The world of the people of Black Lake is changing, whether they want it to or not.

And, like people everywhere and everywhen, some of them want that change, some of them cling to the past, and there’s plenty of pain to go around as the village wrestles with a future that’s coming whether they want it or not. A tension and a wrestling that is happening right now all around us.

Everything old is new again.

So there’s the details of the story, Hobble’s ability to see the future, and the Druid Fox’s desire to make her see only what he wants to be seen – along with his willingness to kill her if she won’t go along with him.

And in the past, the love triangle between her mother, her father, and Arc, the man her mother loved and lost. When those two things intersect, the tragedy of one lost love and the possible tragedy of losing a child, Devout’s world explodes and ALL the lies are revealed, both of the past and of the present.

Reading Daughter of Black Lake, one is swept along into the rhythms of both Hobble’s and Devout’s stories, although I found Hobble’s the more compelling. At first the movement is slow, as life in its broad outlines changes slowly in this remote place. But the story speeds up as it centers more fully on Hobble’s life, just as the pace of change has sped up with the entrenchment of the Roman invaders.

This is one of those stories where, as it goes on, you’re right THERE, only to be dumped back out into the “real” world with a gasp at its bittersweet end.

Excerpt #4 from Daughter of Black Lake (Excerpt #3 at The Lit Bitch, Excerpt #5 next Tuesday at 100 Pages a Day…Stephanie’s Book Reviews)

   Devout took in his tentative mouth, his uncertain eyes, thick lashed as a doe’s. She could not claim friendship. She was a hand, and the hands and the tradesmen clans held themselves apart at Black Lake. Young Smith seldom spoke to her more than a few words called from the low‑walled forge where he worked alongside his kin. Usually “fine day” or “the wheat looks promising,” though once she had wondered if he had said “the hearth is ablaze here, if you’re…”before his voice trailed away.She had given little thought to him as other than a blacksmith of burgeoning skill.He ranked far above her, beyond her reach—a circumstance that was perhaps un‑fair given her usefulness as apprentice healer at Black Lake. And there was her piety,too. She bit her lip as she sometimes did at those moments when she recognized herself as prideful. Mother Earth expected humility.
“I made something for you,” he said now. He held out his hand, and she saw a packet of folded leather about the size of a walnut.
A blacksmith, a tradesman such as he, was offering a gift to a hand on this particular day? She took the packet.
She unfolded the leather and into the bowl of her palm slipped a gleaming silver amulet strung through with a loop of gut. She drew a finger over the raised detail of the arms of the Mother Earth’s cross at the amulet’s center. She touched the outer ring. How had he accomplished the detail—swirled tendrils as delicate and intricate as a fern,a spider’s web,a damselfly’s gossamer wings? Not in nature, not in all the clearing, woodland, or bog had she seen the handiwork surpassed. Never had she conceived that other than Mother Earth was capable of such beauty. Though it was small, the amulet weighed mightily on her palm. “Young Smith,”she whispered and raised her lit face to his.“It’s magnificent.”
He held her gaze and heat rose through her.

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Review: Murder on Cold Street by Sherry Thomas

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Murder on Cold Street by Sherry ThomasMurder on Cold Street (Lady Sherlock, #5) by Sherry Thomas
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Lady Sherlock #5
Pages: 352
Published by Berkley Books on October 6, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Charlotte Holmes, Lady Sherlock, is back solving new cases in the USA Today bestselling series set in Victorian England.
Inspector Treadles, Charlotte Holmes’s friend and collaborator, has been found locked in a room with two dead men, both of whom worked with his wife at the great manufacturing enterprise she has recently inherited.
Rumors fly. Had Inspector Treadles killed the men because they had opposed his wife’s initiatives at every turn? Had he killed in a fit of jealous rage, because he suspected Mrs. Treadles of harboring deeper feelings for one of the men? To make matters worse, he refuses to speak on his own behalf, despite the overwhelming evidence against him.
Charlotte finds herself in a case strewn with lies and secrets. But which lies are to cover up small sins, and which secrets would flay open a past better left forgotten? Not to mention, how can she concentrate on these murders, when Lord Ingram, her oldest friend and sometime lover, at last dangles before her the one thing she has always wanted?

My Review:

Welcome to another captivating AND frustrating entry in the Lady Sherlock series. And I really do mean both parts of that.

The series as a whole, and this particular entry in it, provides a fascinating look at an alternative version of Sherlock Holmes, and I’m always a sucker for a good Holmes pastiche, which this series definitely is.

The alternate Sherlock explored by this series is one where Sherlock Holmes is the entirely fictitious invalid brother of the “real” detective, Charlotte Holmes.

And that’s where both the genius and the frustration of this series comes in. It’s not that Charlotte is female, it’s that Charlotte has to deal with all of the frustrations and restrictions that come with living while female – and in the Victorian Era to boot, when those restrictions were even more ridiculously restrictive than they sometimes are today.

Making Charlotte’s life an endless series of situations that she has to work her way around. Her workarounds – like the fictitious invalid brother – are an absolute necessity. And that’s what makes reading this series so endlessly frustrating. The reader wants her to be able to just “get on with it” and she literally can’t if she is to remain a true – albeit atypical – creature of her time.

The social obligations and restrictions don’t really bother her, but they definitely bother other people when she doesn’t at least nod in their direction. So it’s both right and annoying at the same time. (Obviously I’d have done very poorly as a middle-class Victorian woman!)

What makes this particular case so fascinating is that the case, in its entirety, seems to be hedged about with all of the issues that, well, hedged women about, even though both the victims and the accused perpetrator are men.

Inspector Treadles, who serves as Charlotte’s Inspector Lestrade, meaning that Treadles is the Scotland Yard detective who both assists and is assisted by Charlotte, and who therefore gets to take the official credit for the cases she solves, has been accused of murder. Considering that he was found standing over two dead bodies inside a locked room with his service revolver in his hand, it is not surprising that he was assumed to be the killer.

Particularly as he didn’t seem to have anything to say that would explain the circumstances. Mrs. Treadles comes to Sherlock Holmes in desperation, hoping against hope that the great detective will not just come to the aid of his colleague, but will be able to extricate his head from the seemingly inevitable hangman’s noose.

But Treadles has held himself distant from Holmes, after discovering that Charlotte, a mere woman, was the real detective. And he’s held himself distant from his poor wife ever since she inherited her family’s manufacturing business from her late brother.

It seems as if Treadles’ unwillingness to accept either his wife’s or his “colleague’s” ability to be both female and intelligent is at the heart of this case. One of the murder victims was his wife’s mentor, and the other is rumored to have been her lover.

He has too many motives and seemingly no defense whatsoever. It will be up to Charlotte, with the able assistance of her own band of irregulars, Mrs. Watson, Miss Redmayne and especially Lord Ashburton, to figure out the truth.

Escape Rating B: As should be clear by now, I feel a bit of a push-pull about Charlotte. She fits her time – more or less – and her time is frustrating. One of the interesting things about this particular entry in the series is the way that Lord Ashburton is beginning to understand just how privileged he is, not in the sense that he is a privileged member of the upper class, although he certainly is, but that his movements through the world are eased immeasurably simply because he is a man.

His consciousness of that fact feels a bit ahead of his time, but not unduly so. But it does serve to highlight just how many restrictions Charlotte – and by extension for this particular case, Mrs. Treadles – has to deal with.

The heart of this case is both simple and complex. On the one hand, there’s the financial malfeasance that is finally uncovered. And on the other, there’s that huge undercurrent that swirls around just how fragile a woman’s place in the world can be, and how easy it is for an unscrupulous man – or simply an unthinking or uncaring one – to make a woman’s life a misery of recriminations and blame even if she hasn’t put a single step wrong.

This made the mystery fascinating. It was fairly obvious that Inspector Treadles’ silence was intended to protect someone from something, but protect who from what was the darkest part of the mystery until near the end. That ALL of the goings-on in the place where he was found turned out to be a nearly impenetrable farce just added to the stew of red herrings in the case.

But five books in, I’m seeing a pattern that, well, tasks me. It feels like the circle is much too close, too centered on Charlotte. There should be more cases that aren’t so personal if Charlotte is operating as a consulting detective. But so far, all of the cases have centered around people close to her; her parents (A Study in Scarlet Women), her half brother (A Conspiracy in Belgravia), Lord Ashburton himself (The Hollow of Fear), Mrs. Watson (The Art of Theft) and now Inspector Treadles. There should be some cases that don’t have such high emotional stakes.

Each of the individual cases has been interesting, but the entire world shouldn’t revolve around Charlotte. Or it feels that way. Definitely on another hand, having that world revolve around Moriarty, as it also does, feels right. At the same time, it also feels like the solution that Charlotte Holmes comes up with for her final Moriarty problem is likely to end the series.

And as much as Charlotte and her world drive me a bit crazy, I don’t want that to be anytime soon.

Review: Remember Me by Mario Escobar

Posted on by Marlene Harris | Author : | B+ Reviews> blog tours> book reviews
Review: Remember Me by Mario EscobarRemember Me: A Spanish Civil War Novel by Mario Escobar
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 384
Published by Thomas Nelson on September 15, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

From international bestseller Mario Escobar comes a 20th-century historical novel of tragedy and resilience inspired by Spain’s famed Children of Morelia and the true events that shaped their lives.
Historians refer to the Spanish Civil War as one of the bloodiest wars of the twentieth century. In 1937, at Mexico’s request and offer, nearly 500 children from Spain—remembered as Los Niños de Morelia—were relocated via ship to Mexico to escape the war’s violence. These children traveled across the sea without their families and were expected to return at the war’s end. No one could have foreseen another world war was on the way—or that that Franco’s regime would prevent the children from coming home. These enduring conflicts trapped the children in a country far from their homeland, and many never made it back.
Remember Me is Mario Escobar’s novelization of these events, as told by a fictional survivor—one of the children of Morelia—who looks back upon his life after making the long and devastating journey across the Atlantic. This story explores the endurance of the human spirit as well as the quandary of a parent’s impossible decision, asking: At what cost do you protect your child in the face of uncertainty?

My Review:

I picked this book up because I was moved by Children of the Stars and was hoping for something similar. And it is that, a fictionalized account of real history, and real history of roughly the same period.

In other words, I was expecting a story where fiction is the lie that tells the truth – in this case the truth about the very real children of Morelia, the nearly 500 children who were sent out of the Spanish Civil War to Mexico in the hopes that they would be safe.

There are all kinds of versions of safe, however. They were safe from the direct effects of the war – and its immediate aftermath. Many of the children were the sons and daughters of the left-leaning Popular Front government. Which was defeated by Franco and his right-leaning Nazi supported Nationalists. Who brutally suppressed the left after their victory. Which meant that their parents weren’t safe either during or after the war. The children weren’t exactly safe either – but neither were they being shelled.

The Spanish Civil War is often referred to as a dress rehearsal for World War II, as the countries who became the Allies supported the Republican government of the Popular Front, while the Axis supported the Nationalists.

And just as happened elsewhere before and even during that war, parents tried their best to keep their children safe – or at least as safe as possible. That meant that parents faced a terrible choice – to keep their children with them, to do their own best to keep them safe in a country that was the front for war, or to send them away in the hopes that they would be safer far from the battlefield.

The story in Remember Me is the story of those children sent to Mexico under the sponsorship of the Mexican government. And while the experiences of the children of Morelia were not as brutal as the Stein brothers endured in Children of the Stars as young Jewish orphans trekking across a Nazi-dominated Europe that hunted them in order to exterminate them, it was far indeed from the safety and security that their parents had hoped for.

Escape Rating B+: This is a hard book. It’s hard because what happens to the children of Morelia is both all too horrible and all too familiar. On the one hand, this was a history that I wasn’t familiar with in its particulars, although the outline of it is part of many stories that happened during the war, from the children of London shipped to the countryside to escape the Blitz to the Kindertransport that rescued 10,000 predominantly Jewish children from Nazi Germany and other countries in the months prior to World War II to the Danish resistance movement’s evacuation of over 90% of the country’s Jewish population to Sweden.

But the rescue itself is only part of this particular story, which is wrapped in the particular circumstances in Spain during and after the Civil War, and of the conditions that the children faced in Mexico.

And quite probably elsewhere, because the story of what the children went through reads like a combination of Lord of the Flies with all the old sayings about power corrupting. Much of what happened read like it could be attributed to people who had power over the children while they were in Mexico either being venal or neglectful or having their own axe to grind. Or multiple axes, as Spanish colonial oppression was not that far in Mexico’s past that there weren’t people who wanted to punish the children for the sins of their figurative grandparents. There was also conflict with the Catholic Church that just added to the issues. Many of the children were secular, having been raised in left-leaning revolutionary families. The Catholic Church in Mexico was very powerful, and there was a fair amount of pious skullduggery involved, with children who still had parents being assigned as orphans to the Church.

The money that was intended to support the children was siphoned into multiple pockets, the people put in charge of the children had no idea how to take care of them, and the facility ended up being run by the bullies. Parts of that story, awful as they are – and they are awful – felt both sad and predictable.

Human beings often suck. While wartime may make some rise to the occasion, it also makes the sucky even suckier.

This is reading like a downer, and that feels appropriate. While it ends on a hopeful note, that didn’t feel like the tone for much of the story. And I’ll admit that I am not in a hopeful mood this week, and this was probably not the right book at the right time, as compellingly readable as it is. And it certainly is.

In the end, the book this reminded me of more than any other was not the author’s Children of the Stars but rather The Brothers of Auschwitz. While a bit of that is the period setting, it is mostly due to the way that both stories are unflinching in their look at a terrible history, and in their emphasis on the ongoing cost of that history to its surviving victims.

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Review: The Killings at Kingfisher Hill by Sophie Hannah

Posted on by Marlene Harris | Author : | book reviews> C Reviews
Review: The Killings at Kingfisher Hill by Sophie HannahThe Killings at Kingfisher Hill: The New Hercule Poirot Mystery by Sophie Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery
Series: New Hercule Poirot #4
Pages: 288
Published by William Morrow on September 15, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

“I was thrilled to see Poirot in such very, very good hands.”— Gillian Flynn, New York Times bestselling author of Gone Girl
The world’s most beloved detective, Hercule Poirot—the legendary star of Agatha Christie’s Murder on the Orient Express and Death on the Nile—returns in a delectably twisty mystery.
Hercule Poirot is travelling by luxury passenger coach from London to the exclusive Kingfisher Hill estate. Richard Devonport has summoned him to prove that his fiancée, Helen, is innocent of the murder of his brother, Frank. There is one strange condition attached to this request: Poirot must conceal his true reason for being there from the rest of the Devonport family.
On the coach, a distressed woman leaps up, demanding to disembark. She insists that if she stays in her seat, she will be murdered. A seat-swap is arranged, and the rest of the journey passes without incident. But Poirot has a bad feeling about it, and his fears are later confirmed when a body is discovered in the Devonports' home with a note that refers to ‘the seat that you shouldn’t have sat in’.
Could this new murder and the peculiar incident on the coach be clues to solving the mystery of who killed Frank Devonport? And can Poirot find the real murderer in time to save an innocent woman from the gallows?

My Review:

This is the 4th book in the New Hercule Poirot mystery series, and I have to say that the longer this new Poirot series goes on, the more I sympathize with Inspector Edward Catchpool.

Not that there were many sympathetic characters in this particular entry in the series. Not even Poirot. And that’s not a good thing for a story where he is the main character.

Not that a book can’t have a frustrating or unappealing central character, but that’s not who or what Poirot is supposed to be. His quirks – his many, many quirks – are supposed to be familiar and endearing. And they usually are.

I say this as someone whose enduring memories of Poirot are from the portrayal by David Suchet and not from Christie’s original work, of which I’ve read a few but not exhaustively. It’s Suchet’s portrait of the little Belgian detective as a quirky genius that sticks in the mind. Not just for the stories and the settings, which were marvelous, but for the twinkle in the eye that his Poirot seemed to have, particularly when his idiosyncrasies were otherwise at their most annoying.

It’s something I’ve seen in the previous books in this series, and I certainly heard Suchet’s voice uttering many of Poirot’s lines in the earlier books. But this time the illusion fell apart.

The device for these new stories is that Poirot has taken on the role of mentor to a young Scotland Yard detective, Inspector Edward Catchpool. It’s very different from the role he occupied in regards to his original partners in either the books or the TV series, Captain Hastings, Miss Lemon, and Inspector Japp. While none of those mentioned had nearly Poirot’s genius, they all seemed to be his contemporaries in age, giving those relationships some level of equality that the young Catchpool cannot aspire to.

And this is a case where Poirot is at his most mysterious and impenetrable, deriding Catchpool at every turn while withholding the information that the man needs to even begin to figure out what is going on. The scene where Catchpool is freezing in a swimming pool while Poirot insists that he make his report before permitting him to get out of the pool and dry off, meanwhile telling Catchpool how stupid he is to be swimming in the first place seemed a bridge too far for even Poirot’s insensitivity to anything but the processes of his “little grey cells”.

It does not help that in this particular mystery, none of the potential murderers are remotely sympathetic – and most of their motives and actions don’t make nearly enough sense. They’re not quite as terrible as the Thrombey family in Knives Out, but they’re not far off that mark, either.

And the Thrombey family, as hateful as they were, generally had motives that were both clear and comprehendible. Reprehensible, but understandable. That didn’t feel true in this story. It wasn’t just that I didn’t like the suspects, as that the reasons they acted as they did just did not ring true.

The rich may be different than you and me, and the past may be another country where they do things differently, but human beings are just not this different.

Escape Rating C: This may be a “fair play” mystery, where the reader has all of the same clues as the detective, but it felt like neither fair nor play. The only character I felt for, or who felt like a plausible human being, was the much-put-upon Catchpool, who is all too aware of the situation that he has been placed in, caught between his superintendent’s belief in Poirot’s detective genius and Poirot’s need to expound that genius at someone he believes needs his expert guidance. Not that Catchpool doesn’t need seasoning and experience, but all I did in this outing was feel sorry for him.

Obviously, this was not my favorite in this series. I found the others charming and comforting, reading like continuations of the TV series. I enjoyed them enough that I’ll be back for the next in the series in the hopes that it returns to its original form.

Review: A Question of Betrayal by Anne Perry

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: A Question of Betrayal by Anne PerryA Question of Betrayal (Elena Standish) by Anne Perry
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: espionage, historical fiction, historical mystery, suspense, thriller, World War II
Series: Elena Standish #2
Pages: 304
Published by Ballantine Books on September 8, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

On her first mission for MI6, the daring young photographer at the heart of this thrilling new mystery series by bestselling author Anne Perry travels to Mussolini's Italy to rescue the lover who betrayed her.
Britain's secret intelligence service, MI6, has lost contact with its informant in northern Italy, just as important information about the future plans of Austria and Nazi Germany is coming to light. And young Elena Standish, to her surprise, is the only person who can recognize MI6's man--because he is her former lover. Aiden Strother betrayed her six years before, throwing shame on her entire family. Now, with so much to prove, Elena heads to Trieste to track down Aiden and find out what happened to his handler, who has mysteriously cut off contact with Britain.
As Elena gets word of a secret group working to put Austria in the hands of Germany, her older sister, Margot, is in Berlin to watch a childhood friend get married--to a member of the Gestapo. Margot and Elena's grandfather, the former head of MI6, is none too happy about the sisters' travels at this tumultuous time, especially when a violent event at home reminds him that even Britain is growing dangerous. As his own investigation collides with his granddaughter's, what's at stake on the continent becomes increasingly frightening--and personal.
Against the backdrop of a rapidly changing Europe, New York Times bestselling author Anne Perry crafts a novel full of suspense, political intrigue, and the struggle between love and loyalty to country.

My Review:

The terrific first book in the Elena Standish series, Death in Focus, was an espionage thriller wrapped around a traditional mystery, set in a changing Europe in the years between the Great War and World War II.

The years while Hitler was on his rise to power, the years when those with eyes to see were aware that a second war was on the horizon – no matter how badly they wanted that not to be true. And no matter how many people were willing to compromise anything and everything to keep the fragile peace at ANY cost.

But this second book in the series, set just a few months after the events of Death in Focus, is unquestionably all about the spy games. Not that there aren’t plenty of mysterious things happening, but those mysteries are wrapped around Elena’s mission – to rescue a spy that her government planted six years ago in Austria so that they could have someone on the “inside” if things went the direction that was feared.

Aiden Strother was in deep cover, but his “handler” is dead and his mission is compromised. Someone needs to go to Trieste, warn him, get him out if possible and his information out no matter what. And Elena is the best operative MI6 has for the job – no matter how new she is to the job.

She knows Strother on sight. And he’ll trust her, for the contacts he knows she has in the Foreign Service and MI6, if not for the relationship they once had. Once upon a time, they were lovers. Until Strother stole secrets from the Service and went over to the Austrians, burning Elena’s career in the process.

Now Elena learns he was tasked with becoming a double agent, setup by MI6 to pretend to betray the British. Elena’s career was merely collateral damage to MI6. Even if her grandfather was once the head of the organization. Or perhaps especially because, as Lucas Standish’ successor will do anything to erase the man’s shadow.

But this is a spy game from beginning to end, and nothing is quite as it seems. Not Aiden Strother, not Jerome Bradley, current head of MI6, not the situation in Trieste, and especially not Elena Standish. Whatever she may once have been, whatever she may once have felt, Elena’s experiences in Berlin at the hands of the Gestapo in Death in Focus have changed her focus.

Elena will do what she must, even if she must commit murder, all alone in the dark. After all, all is fair in love and war. And this is war, even if it is conducted in the shadows.

Escape Rating A-: My feelings about this book are somewhat paradoxical. On the one hand, I found it even more compelling than the first book. On the other, I feel like I have even less of a grasp of Elena’s character than I did in that first book. So I felt driven to keep turning the pages, but it wasn’t Elena’s story that I was turning those pages for. Definitely a paradox as this is supposed to be Elena’s journey and Elena’s series – or it should be as it is named for her.

(I’ve read at least some of three of the author’s previous historical mystery series, and all of those, Charlotte and Thomas Pitt, Daniel Pitt, and William Monk, are all unquestionably about the people they’re named for.)

So even though Elena was the one in danger, it was her grandfather Lucas and her sister Margot who seemed to have more compelling narratives. Or perhaps it’s that their stories felt like they had a broader focus on conditions in general. Elena’s story, although it did have implications for the war that no one wants to see on the horizon, was, of necessity, more tightly focused on her need to find Strother and convince him to leave or at least get his information out, while the Fatherland Front for the Nazis in Austria did its best and worst to kill them.

And while Elena’s feelings about Strother complicate her perspective on what’s really going on, both in general and between them in particular. Even though Elena has grown up a bit from the first book, she still reads as a bit naive and much too wrapped inside her own head to be actually good at the job. Although she’s learning, she’s still too emotionally conflicted to draw me in the way that Maisie Dobbs or Bess Crawford do in their respective series. (And they are all readalikes for each other, so if you like one give the others a try!)

Meanwhile, her sister Margot returns to Berlin to attend a friend’s wedding to a young German officer. Because it’s not Margot herself who is directly involved, she has a much clearer picture of the true state of affairs as she watches her friend marry someone who is such a fanatic that Hitler is practically a guest at the wedding, while both the bride and her parents desperately hope that this marriage will protect her and them in the storm to come. So many people on all sides of the wedding seem much more clear-eyed on what the future will bring than Elena playing spy games in Trieste.

But the part of the story that really grabbed my attention was Lucas Standish’ part of the story. He’s supposed to be retired from MI6, but he still has his hand, possibly both hands, into the service that he led for so long. He sees the war coming, and also sees that there are too many in Britain who are so weary of the cost of war that they will rationalize any atrocity in Germany in order to keep their heads in the sand.

And that there are an entirely too well placed few who believe that Germany has the right idea, and that Hitler’s Germany would be a natural ally for Britain. That the atrocities committed by Hitler’s Germany are not merely necessary but are actually a good start to the eradication of people that too many Britons, as well as Germans, believe are less than human.

While Elena is rescuing a spy, and Margot is supporting a friend at the outset of a terrible journey, Lucas is on the hunt for one of those Britons who wants to ally directly with Hitler’s Germany and not only supports his tyranny but possibly wants to import it. And is using MI6, a service that Lucas still loves, in order to subvert the expressed policy of the government.

Lucas is hunting for a traitor who has his eyes on Lucas’ country and his family. His part of the story, figuring out who the traitor is and convincing enough people in high places to root him out is the part of the story that took me for the biggest thrill ride.

So, I’m compelled to continue following the “Standish Saga” as the spy games continue leading straight into the war we all know is coming – even if the character the series is named for is not the character I’m following the series for.

Review: The Deadly Hours by Susanna Kearsley, C.S. Harris, Anna Lee Huber, Christine Trent

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Deadly Hours by Susanna Kearsley, C.S. Harris, Anna Lee Huber, Christine TrentThe Deadly Hours by Susanna Kearsley, C.S. Harris, Anna Lee Huber, Christine Trent
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical mystery, romantic suspense
Pages: 352
Published by Poisoned Pen Press on September 1, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

A stellar line-up of historical mystery novelists weaves the tale of a priceless and cursed gold watch as it passes through time wreaking havoc from one owner to another. The characters are irrevocably linked by fate, each playing a key role in breaking the curse and destroying the watch once and for all.
From 1733 Italy to Edinburgh in 1831 to a series of chilling murders in 1870 London, and a lethal game of revenge decades later, the watch touches lives with misfortune, until it comes into the reach of one young woman who might be able to stop it for good.
This outstanding collaboration of authors includes:Susanna Kearsley – New York Times and USA Today bestselling author of compelling time slip fiction.C.S. Harris – bestselling author of the Sebastian St. Cyr Regency mystery series.Anna Lee Huber – award-winning author of the national bestselling Lady Darby Mysteries. Christine Trent – author of the Lady of Ashes Victorian mystery series.

My Review:

It’s not so much the hours that are deadly, as the watch that counts them as it passes from one dead hand to another, carrying disaster and destruction on its way.

That watch, La Sirène, links the four novellas that make up The Deadly Hours, as the watch’s story is taken up by four different authors as it surfaces in four completely different eras.

We begin following La Sirène in Italy in 1733, although the watch has already acquired a storied – and checkered – history by that point, as has the man who carries her into Portofino. The watch, and the curse on it, originated with freebooter Vautour’s infamous father, also a freebooter. There was a war – there was always a war – and the freebooters didn’t get paid for the “work” they did in Cartagena. So they took their own payment in blood. And in the case of Vautour père, in the gold that the churches had attempted to hide.

That’s where the curse came in. Not just because the elder Vautour stole from the church, and was cursed for it by the priest he tortured, but because the church, in its turn, as it did, stole the gold from the religions that held sway in the Americas before they arrived to “convert the heathens”.

The cursed gold was made into a beautiful pocket watch, La Sirène, with a mermaid on its case and words etched on its opposite side that translate as “I am the only master of my time.” The reader may question who the “I” refers to in this, whether that’s the watch’s owner, the watch’s original creator, or the watch itself. A person could be forgiven for thinking the watch is actually in charge of pretty much everything.

In 1733, the curse catches up with Vautour the younger – or perhaps it’s merely his life as a freebooter. Or, in this particular case, the company he keeps. Carrying an assassin aboard one’s ship can result in collateral damage, in this case to both Vautour and the assassin, both of whom were obsessed, in entirely different ways, with La Sirène.

No one else involved wants to touch the damned thing, except the innkeeper, who pockets the watch after everyone else deliberately leaves it in a dead man’s pocket, intending it to be buried with him.

Each time the watch resurfaces, in 1831, 1870 and finally 1944, it brings death and destruction to everyone it touches – especially the descendants of those stranded travelers who hosted a pirate and an assassin at that inn in Portofino all the way back at the very beginning.

Until La Sirène finds herself in the hands of someone who deserves ALL the bad luck she has stored within her – and finally fulfills the conditions of her curse. Unless…she’s out there still.

Escape Rating A-: As I pretty much poured through this story it struck me that there was more than one story being told in this braided set of novellas.

There’s the obvious one, of course, the story of La Sirène through the centuries and just how many terrible events seem to follow in her wake. You don’t have to believe in the curse, and many of the people who cross her path are at least skeptical of it, but the mind is a powerful thing. Even if the “curse” is really people searching for meaning in a hellacious coincidence of bad luck, or if people blame the watch when it’s really just people giving into their baser instincts and blaming it on the watch, the events still occur. Whether they would have occurred without her, well, no one will ever know, will they?

But these novellas, while each complete in and of themselves, are also portraits of a series of romantic relationships. And no matter what century they are set in, each portrays a relationship where the partners are negotiating just how to not merely be together, but how to be equals together in societies that don’t expect men and women to be equal. The men seem to be, to a man, learning how to let their partners into a world that holds danger and excitement in equal measure, and that they were taught that women are to be protected from. But all of their partners are women who embody a saying that is strangely apropos, the one about a ship in harbor being safe, but that not being what ships are built for. None of these negotiations are easy, but all of them will result in much happier relationships – if they can figure out how to go about it.

And that leads to another thread that lurks under the individual novellas. With the exception of the final story, Siren’s Call by C.S. Harris (and the one I picked up this book FOR), we are reading about couples who are already in a relationship, but are still in the process of figuring out how it’s going to work. As a reader, I had the sense that there was more story about these people that I hadn’t read. I didn’t need to in order to get into the action in their portion of THIS story, but I could tell there was more and I WANTED it.

It drove me crazy, so I had to hunt for them.

In Weapon of Choice, Susanna Kearsley combined the historical characters from three of her time slip books, A Desperate Fortune, The Firebird and The Rose Garden, into one chance meeting at that inn in Portofino. Anna Lee Huber’s In a Fevered Hour takes place sometime during her Lady Darby series, and features the lead couple of from that series, Lady Darby and her second husband, the private inquiry agent Sebastian Gage. This series sounds fascinating and I’m planning to look into them more deeply. Likewise, the primary investigator in A Pocketful of Death by Christine Trent is Violet Harper, a Victorian era undertaker! I really liked the character of Violet and will probably look up her series (Lady of Ashes) sometime too, but I found her story to fit into the braiding of this collection a bit less tightly than the others.

All in all, this was a fun “collection” of historical mysteries, did a great job of telling its entire story while sharing its parts, and had a wow of a surprise ending. And, AND it’s a terrific introduction to the writing of a fantastic group of historical romantic suspense/mystery writers, making The Deadly Hours a win-win all the way around!

Review: The Ancestor by Lee Matthew Goldberg + Giveaway

Posted on by Marlene Harris | Author : | B Reviews> blog tours> book reviews> Giveaways
Review: The Ancestor by Lee Matthew Goldberg + GiveawayThe Ancestor by Lee Matthew Goldberg
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical fiction, mystery, thriller
Pages: 348
Published by All Due Respect on August 21, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

A man wakes up in present-day Alaskan wilderness with no idea who he is, nothing on him save an empty journal with the date 1898 and a mirror. He sees another man hunting nearby, astounded that they look exactly alike. After following this other man home, he witnesses a wife and child that brings forth a rush of memories of his own wife and child, except he's certain they do not exist in modern times-but from his life in the late 1800s. After recalling his name is Wyatt, he worms his way into his doppelganger Travis Barlow's life. Memories become unearthed the more time he spends, making him believe that he'd been frozen after coming to Alaska during the Gold Rush and that Travis is his great-great grandson. Wyatt is certain gold still exists in the area and finding it with Travis will ingratiate himself to the family, especially with Travis's wife Callie, once Wyatt falls in love. This turns into a dangerous obsession affecting the Barlows and everyone in their small town, since Wyatt can't be tamed until he also discovers the meaning of why he was able to be preserved on ice for over a century.
A meditation on love lost and unfulfilled dreams, The Ancestor is a thrilling page-turner in present day Alaska and a historical adventure about the perilous Gold Rush expeditions where prospectors left behind their lives for the promise of hope and a better future. The question remains whether it was all worth the sacrifice….

My Review:

After living in Alaska for several years, I can never resist an Alaska story when it catches my reading eye. The Ancestor is definitely a fever dream of an Alaska story. Ironic when you think about it, as Alaska is not exactly a place that brings fever dreams to mind. More like the opposite; frozen dreams.

But this is that too, one man’s frozen dream of a past that only he remembers, and his fever dream in the present to recapture the life he once had – not by going back to the past, but by recreating a new version of his old life in the present, no matter how many sins he has to commit along the way.

The Ancestor is kind of a Rip Van Winkle story, if ol’ Rip, instead of being meek, mild, easygoing and henpecked, was instead an amoral sociopath of a serial killer.

Not quite, but closer than any other description I can come up with, considering that old saw about the past being another country where they do things differently.

Because that’s where Wyatt Barlow is from. The past. He went into the ice not terribly far from Nome, Alaska, in 1898, and woke up in 2020. The world has changed – even in Alaska. (Although it’s not mentioned specifically, he probably defrosted because the permafrost in Alaska is melting due to climate change. I digress. I have a feeling I’m going to do that a lot in this review.)

When Wyatt wanders into town, looking pretty much like death warmed over – as that’s none too far from the truth – he discovers that his descendants are still in the area, living in the tiny town of Laner. That he has a doppelganger descendant he hears called “Trav” who turns out to have a beautiful wife and a baby boy who resemble Wyatt’s own lost wife and baby boy.

A baby boy who turns out to be Trav – actually Travis’ – great grandfather. Making Wyatt his great-great-grandfather. Not that either of them have the relationship figured out exactly at the time.

But Wyatt Barlow is a man used to getting what he wants, no matter who or what might stand in his way. So he hatches a plot to involve himself in his great-great-grandson’s life, with an eye to taking over that life.

After all, that uncanny resemblance between them must be good for something. There must be a purpose to it. A purpose that Wyatt can exploit, just as he has exploited so many other things and people in his life, in order to achieve what he wants. Just like he found the gold that brought him to Alaska in the first place. Just like he killed his partner to get that gold.

And now he’s found a way to get back what he lost. A wife and a son. Who won’t even know that he’s taken Travis’ place. All he has to do is become Travis – and put him under that ice. After all, in the here and now, there can be only one Travis Barlow. And Wyatt intends to be that Travis, no matter what it takes.

Escape Rating B: I’ll admit to being all over the place on this one. It certainly kept me turning pages. It’s also not exactly what the blurb says it is, either. I’d certainly debate whether Wyatt falls in love with Travis’ wife. What he’s feeling, and what he’s planning, aren’t nearly so romantic. Or anything even close to that.

There are two stories here. One is the obvious, about Wayne and Travis and the way that Wayne inveigles himself into Travis’ life, his family and eventually his place in the world. But the story that follows Travis’ life and that of his family reminds me a lot of the stories about life in the tiny towns sprinkled through the state. That Nome is the nearest “big” place to Laner, and that Nome only has a population of 4,000 people, gives a hint of the size and remoteness of the place. Callie’s part of this story, Travis’ California-born wife, also feels familiar. Anchorage, with a population of nearly 300,000, feels remote and small relative to anything in the Lower 48, or as it’s called in Alaska, “Outside”. So Callie’s feelings of near-claustrophobia, complete isolation and frequent boredom are all too real. She loves Travis, she loves Laner, but it is a damn hard life and it seriously gets to her.

The other story is Wayne’s story about life during the Klondike Gold Rush. Not that plenty of stories about the Gold Rush haven’t been told before. And perhaps that’s where some of the issues lie.

Wayne has a difficult time remembering everything that happened to him in the past. Saying his brain is a bit frozen isn’t exactly a stretch. That he survived in the ice is a bit of handwavium, as all time travel stories generally are. That’s the part the reader has to take on faith, and it works that way.

But the way he gets back his memory is to take heroin. Again, not that there isn’t plenty of it available, along with meth and booze, in those tiny remote villages. It’s the same as everywhere else, perhaps even more so considering the long, dark, cold winters. Any escape is chased, even if its just an escape inside one’s own head.

I think where my willing suspension of disbelief went a bit haywire was not just in the way that Wyatt recovered his memories, but what he remembered. And that the consequences of what is clearly already an addiction aren’t dealt with at all.

Smith at bar in Skagway, Alaska, 1898

On the one hand, Wayne’s heroin coma lets him relive his experiences in their seeming entirety. And they are unflinching when it comes to his abandonment of his family back in Washington state, the murder he committed on his way to Sitka, and the murders he commits along his way from Juneau to Dawson City to “The Unknown”, which turns out to be Anvil Creek near Laner. But one of those killings is of a bunch of conmen led by one of Alaska’s more colorful legends, “Soapy” Smith. The problem is that the events in Wyatt’s story occur after Smith was gunned down, extremely publicly, in Skagway. His body was even autopsied. There is no doubt that Smith was dead before he met Wyatt. Which threw off my perception of the accuracy of Wyatt’s memories.

Except those memories really did lead him to the gold. So the question of just how much Wyatt dreamed vs. how much he actually remembered is still bothering me. A lot.

And that I’m thinking about this so much after I closed the book is just an example of what made this book so compelling – even as it drove me crazy.

There is a lot of darkness in this book. While this story begins as winter sort of turns to spring, the fact is that daylight hours in Nome in winter average around 4 hours per day in December and January. It’s a dark place in the winter, and a cold place most of the year. The temps are only in the 30s in April when this story begins and don’t get to 60 even in July. The cold and the dark are part of the “ambiance”.

At the same time, Travis’ family is going through some rough times. The economy is down, the big employers have all closed, his grandfather is dying, his brother was murdered and Travis is generally depressed. Wyatt’s sudden advent into Laner may not be a good thing, but it is a different thing in a place that craves novelty.

Wyatt’s own story is itself dark. It’s brutal in regards to his abandonment of his own family, and equally so about the obsession that consumes his own thoughts. He wants what he wants and no one is allowed to stand in his way. I ended the story feeling sorry for Callie because she’s now married to a monster who will do anything to have her and to keep her, whether she wants to be kept or not.

So there are no happy endings here. Instead, The Ancestor is dark and chilling every step of its enthralling way. A terrific chilling read for this long, hot summer.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of The Ancestor to one lucky U.S. commenter on this tour!

a Rafflecopter giveaway

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Review: The Brothers of Auschwitz by Malka Adler

Posted on by Marlene Harris | Author : | A Reviews> blog tours> book reviews
Review: The Brothers of Auschwitz by Malka AdlerThe Brothers of Auschwitz by Malka Adler, Noel Canin
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: biography, historical fiction, Holocaust, World War II
Pages: 464
Published by One More Chapter on September 1, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

An extraordinary novel of hope and heartbreak, this is a story about a family separated by the Holocaust and their harrowing journey back to each other.
My brother’s tears left a delicate, clean line on his face. I stroked his cheek, whispered, it’s really you…
Dov and Yitzhak live in a small village in the mountains of Hungary, isolated both from the world and from the horrors of the war. But one day in 1944, everything changes. The Nazis storm the homes of the Jewish villagers and inform them they have one hour. One hour before the train will take them to Auschwitz.
Six decades later, from the safety of their living rooms at home in Israel, the brothers finally break their silence to a friend who will never let their stories be forgotten.
Told in a poetic style reminiscent of Atwood and Salinger, Malka Adler has penned a visceral yet essential read for those who have found strength, solace and above all, hope, in books like The Choice, The Librarian of Auschwitz and The Tattooist of Auschwitz.
This paperback includes an exclusive 14-page P.S. section with an author Q, an Author’s Note and a reading group guide.
Praise for The Brothers of Auschwitz
‘I sat down and read this within a few hours, my wife is now reading it and it is bringing tears to her eyes’ Amazon reviewer
‘The story is so incredible and the author writes so beautifully that it is impossible to stay indifferent. I gave the book to my mom and she called me after she finished crying and telling me how much she loved it’ Amazon reviewer
‘It is a book we all must read, read in order to know … It is harsh, enthralling, earth-shattering, rattling – but we must. And nothing less’ Aliza Ziegler, Editor-in-Chief at Proza Books, Yedioth Ahronoth Publishing House
‘Great courage is needed to write as Adler does – without softening, without beautifying, without leaving any room to imagination’ Yehudith Rotem, Haaretz newspaper
‘This is a book we are not allowed not to read’ Leah Roditi, At Magazine

My Review:

Fiction is the lie that tells the truth, as it does in this biographical novel about two brothers’ harrowing experiences as prisoners in Auschwitz in 1944-45 and their long journey to find each other again. And what happened after.

The story is searing in its intensity, all the more so because so much of it is based on interviews that the author conducted with its protagonists. Even though this is labeled as a “biographical novel”, it feels true in all of its horror.

Although there is a framing story of the author going to visit Dov and Yitzhak to interview them, the power in this narrative comes from the two men telling what feels like the unvarnished and unwhitewashed truth about not just what happened to them during the war, but also what they did to keep themselves alive. And how both shaped the men they became and lingered for the rest of their lives.

It’s a compelling story in its harsh treatment of its subjects, or perhaps it’s better to describe it as harsh in the way that its subjects treat themselves. Death would have been easy to find. Survival was hard and brutal, a desperate struggle every single day for one mouthful of food and precious few hours of sleep. The conditions they existed under were designed to eliminate as many Jews as possible, and succeeded all too well. Even after the Germans knew that the war was lost, they were still doing their utmost to march as many as possible until they died.

But this set of multiple first-person accounts of what barely constituted life under the thumb of the Nazi SS – seemingly even more deadly when not in an actual concentration camp – spares no one in its telling, not the Nazis, not the Christians who were so willing to see the Jews carted away so they could claim their homes and possessions, and not the survivors who saw and felt themselves as barely human when the Nazis were finally gone.

I’m not saying liberated, because that doesn’t seem to be the right word. Long after the war, but particularly in its immediate aftermath, the brothers make it clear that they carried their oppressors and their experiences with them into rehabilitation camps and forever after.

This is a book that compels the reader to stay with it, even as you want to turn your eyes away. Or perhaps especially because of that. It’s worse than war in all its horror, it’s bigger than man’s inhumanity to man, and it needs to be read because this is a story that needs to be remembered.

Escape Rating A: This book felt personal to me in ways even beyond my expectations. The area that Dov and Yitzhak are taken from is the area my own grandmother came from. The man they meet briefly in their first camp, the one who is a landowner, could have been my great-grandfather, who was the same, although as far as is known, he didn’t even make it to one of the concentration camps.

So this story feels true for me because it matches what little history I have from my own family. Most of my relatives were already in the U.S. when the Nazis came, and only one who was not survived the camps. He didn’t talk about it and neither did his wife, my great aunt, who was also a survivor. So that Yitzhak and Dov don’t want to talk about it also rang true.

This is obviously a book that got me in the feels. It reads as raw, and brutal, and honest about not just the hardship they faced – and that’s not nearly a strong enough word – but also the desperate acts they committed themselves in order to just live one more day. Nothing is left to the imagination and it’s a story of horror after horror.

And yet, they survived. They left Europe, went to Israel and became part of the foundation of a country whose odds were desperately stacked against it, but survived anyway. And there’s hope in that. The hope that we can make the cry of “Never Again” stick. If we commit ourselves to remember. Read this book, remember, and weep.

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Review: Someone to Romance by Mary Balogh

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: Someone to Romance by Mary BaloghSomeone to Romance (Westcott, #8) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical romance, regency romance
Series: Westcott #8
Pages: 416
Published by Berkley on August 25, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Love comes when you least expect it in this captivating new novel in the Wescott Regency romance series from New York Times bestselling author Mary Balogh.
Lady Jessica Archer lost her own interest in the glittering excitement of romance after her cousin and dearest friend, Abigail Westcott, was rejected by the ton when her father was revealed to be a bigamist. Ever practical, however, once she's twenty-five, she decides it's time to wed. Though she no longer believes she will find true love, she is still very eligible. She is, after all, the sister of Avery Archer, Duke of Netherby.
Jessica considers the many qualified gentlemen who court her. But when she meets the mysterious Gabriel Thorne, who has returned to England from the New World to claim an equally mysterious inheritance, Jessica considers him completely unsuitable, because he had the audacity, when he first met her, to announce his intention to wed her.
When Jessica guesses who Gabriel really is, however, and watches the lengths to which he will go in order to protect those who rely upon him, she is drawn to his cause—and to the man.

My Review:

The previous books in this series have followed the adventures and romantic exploits of those who were the collateral damage that resulted from the exposure of Humphrey Westcott’s figurative bastardy. This story, however, is rather about the collateral damage that resulted from the collateral damage.

Lady Jessica Archer’s personal fortunes were not affected by the discovery that her best friend, Abigail Westcott, was a bastard in the literal sense and not the lady that she was raised as. Her status irrevocably changed when it was revealed, after the figurative bastard’s death, of course, that her father had been a bigamist who was never legally married to her mother.

The exposure of the entire farrago is told in the first book in this series, Someone to Love, when the orphan Anna Snow discovers that she is the late, unlamented Humphrey’s legal heiress. Anna surprisingly finds both love and acceptance in the arms of Lady Jessica’s brother, the Duke of Netherby.

As someone who experienced Humphrey’s posthumous asshattery at second hand, and as a character who has grown up considerably over the course of the series – Jessica was 17 in Someone to Love and is 25 in Someone to Romance – many of her attitudes in the early parts of this story seem more than a bit self-indulgent, and that’s not a good look for a character who seems to have everything anyone could possibly ever want.

Except for the freedom that is part and parcel of being born male, while absolutely forbidden to anyone female. Now that’s a piece of resentment most of us can understand. As is her expressed desire to be wanted for herself as a person, and not just because she is oh-so-eminently eligible, being both the daughter and the sister of a duke, being a member of not one but two powerful ton families, and being wealthy in her own right.

But the persona of Lady Jessica Archer is just what – and not who – Gabriel Thorne needs to marry when this story opens. Because Gabriel has returned to England to claim his birthright as the Earl of Lyndale right out from under the nose of his lying, scheming, raping and possibly murdering cousin.

Gabriel will need the backing of both of Jessica’s noble families to keep himself out of the hangman’s noose that his cousin fitted him for over a decade ago. He will need Lady Jessica Archer’s aristocratic bearing and training to right all the wrongs that have been visited upon the estate he should have taken up years ago.

But he’ll get neither unless he can engage with the woman behind the haughty mask that Jessica presents to the entire world. Except for those she loves.

Escape Rating B: I have rather mixed feelings about this book. I didn’t warm up to Jessica until she warmed up to Gabriel, and that takes a relatively long time, story-wise. It’s not just that this romance is a very slow burn, although it certainly is, as that we don’t really see much in the way of romancing – in spite of both the title and Jessica’s expressed need to be, well, romanced.

I’m not sure I really saw them “fall” for each other. I just didn’t “buy” the romance.

What I did love, however, was the strong plot thread attached to Gabriel’s claiming of his estate and title, his feelings of duty and responsibility towards an estate that he never wanted nor expected to inherit, and especially his “revenge” on the cousin who abused that estate and tried to rob Gabriel of not just his inheritance but his life.

Because that part of the story read as a “fix-it” story of epic proportions, and I absolutely adore “fix-it” stories.

(I’m familiar with the use of ‘Fix-It” stories from fanfiction. There’s an entire class of fanfiction that seems to apply to all properties where the world of the original work is a mess but through fanfic the protagonists get to “fix” all the messes either by going back in time or changing a plot element or what-have-you. Good triumphs and righteously delivers epic payback on evil in all its forms. I’m finding stories of that stripe a great deal of comfort in our current, chaotic times.)

This story felt like a “fix-it” on Gabriel’s side of the story. There’s no fixing Humphrey’s mess, he’s dead, he’s been dead and this is not fantasy or SF. But the authors of Gabriel’s troubles, or at least one of those authors, is still alive and well and trying to do him dirty yet again. And circumstances are such that it isn’t possible to deliver the legal comeuppance the bastard deserves.

Watching it happen through an epic and extremely public serving of social opprobrium, however, was exceedingly satisfying. And actually kind of a comfort read.

This series as a whole is a bit of a comfort read. I like these characters (except Humphrey, of course – he’s certainly not missed). They’re great people and it’s lovely to see them get their HEAs. Some of the stories in the series have been particularly charming, and I love the fact that their reduction in social standing actually gives all of them a LOT more freedom which they eventually learn to use to great effect. So I got completely sucked back into this family and this world even though I wasn’t all that thrilled with the heroine’s behavior for a chunk of the story.

I think, though, that this one may have run its course. Or perhaps it’s taken itself too far afield from the original group of affected people. There’s one left, Humphrey’s son Harry, the young man who was VERY briefly an Earl before his father’s perfidy was discovered. Harry was much happier as a soldier than as an Earl, but his war is over. It’s time for him to finally get his much deserved HEA and close out his family’s story in Someone to Cherish, hopefully sometime next year..

Review: The London Restoration by Rachel McMillan + Giveaway

Posted on by Marlene Harris | Author : | A- Reviews> blog tours> book reviews> Giveaways
Review: The London Restoration by Rachel McMillan + GiveawayThe London Restoration by Rachel McMillan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical romance, World War II
Pages: 336
Published by Thomas Nelson on August 18, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

In post-World War II London, determined to save their marriage and the city they love, two people divided by World War II's secrets rebuild their lives, their love, and their world.
London, Fall 1945. Architectural historian Diana Somerville's experience as a codebreaker at Bletchley Park and her knowledge of London's churches intersect in MI6's pursuit of a Russian agent named Eternity. Diana wants nothing more than to begin again with her husband Brent after their separation during the war, but her signing of the Official Secrets Act keeps him at a distance.
Brent Somerville, professor of theology at King's College, hopes aiding his wife with her church consultations will help him better understand why she disappeared when he needed her most. But he must find a way to reconcile his traumatic experiences as a stretcher bearer on the European front with her obvious lies about her wartime activities and whereabouts.

My Review:

I picked this one for two reasons. One was the time period. It’s starting to look like the early Cold War era is the new big thing in historical fiction, and so far the books have been excellent – and this one was no exception. Reason number two was that I enjoyed the first two books in this author’s Van Buren and DeLuca series (Murder at the Flamingo and Murder in the City of Liberty) and hoped that this book would be as good if not better.

That hope was definitely realized.

The story begins late in 1945, and the shooting war is over. Diana and Brent Somerville, like so many who married during the war, have to figure out whether the love that sustained their spirits during the war’s separation and all its horrors, can survive in its aftermath. They both carry secrets from those long years, and those secrets form a barrier between them that both are afraid to bridge.

Brent wants to protect Diana from the horrors of his war and the extent of his wounds, both physical and emotional.

Diana needs to protect both Brent and herself from the consequences of her work at Bletchley Park as one of the codebreakers. She signed the Official Secrets Act. She literally CANNOT tell him about her wartime service under threat of imprisonment. That she is still continuing that wartime “secret” service unofficially, as a favor to a friend, adds to the weight of the secrets that fester between them.

Unless she can bring him into the world of shadows that she now inhabits. Before the new “Cold War” claims their marriage as one of its early victims. Or takes both of their lives.

Escape Rating A-: The deeper I got into this story, the more that the multiple interpretations of the title ensnared me.

There’s the obvious one, that this story takes place during the restoration of London after the war is over. But it’s also about the restoration of their marriage, which takes place in London. That would be enough to be going on with. But there’s that third interpretation, the way that Diana’s love of the architecture of the Christopher Wren churches of London loops back to history, to the restoration of London after the Great Fire of 1666.

It was also fascinating to read a romance that is very different from any of the standard tropes, at least in the story’s “present”. The original romance between Diana and Brent is a classic. Lovers meet, discover their other half, fall instantly and completely, have a quirky but romantic wedding and live happily ever after. And maybe they will, but they certainly don’t in the immediate term, because the Blitz rains down on their wedding night, then both of them are off to war.

What makes the romance part of this story so marvelously different from the usual is that it’s a romance between two people who are already married, and yet they are strangers to each other after four years of war. In order for their wartime marriage to survive where so many did not they have to get to know the people they are now and fall in love with each other all over again.

And it’s lovely.

One of the things that this story also does well is the way that it portrays the consequences of the abrupt change to both their lives, but particularly Diana’s, after the war is over and life is supposed to go back to “normal”. The problem is that the aftermath of any catastrophic change is never easy, and that whatever normal is will not be and cannot be the exact same as it was before the catastrophe.

(This is just as true in our own now as ever. The world post-pandemic will be different from the pre-pandemic world, we just don’t know exactly how yet.)

Diana is supposed to become a housewife, taking care of her husband and any children they have. But Diana is one of the most rubbish housewives ever to grace a page. And she’s not going to change. Because she has already changed. Her service at Bletchley Park opened a world for her that she wants to continue to inhabit, just with her husband at her side. For four years she lived a life of purpose and challenge, and she just isn’t willing to give that up. She’s not made to give that up.

Finding a way to bridge the minefield between herself and her husband so that she can continue to serve her country and especially continue to feed her brilliant mind is what really sets her on her course to unofficially help her friend, fellow codebreaker and MI-6 agent uncover the first agents of that Cold War – and nearly gets both her and Brent killed in the process.

Summing up, the history is fascinating, the hunt for the spies is thrilling and the romance is lovely. Come to this book for whichever appeals to you the most. But definitely do come! The London Restoration is a marvelous story from its lonely beginning to its friendship and love-filled end.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of The London Restoration to one very lucky US commenter on this tour!

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