Genre: fantasy

A++ #AudioBookReview: The Daughters’ War by Christopher Buehlman

Posted on by Marlene Harris | Author : | A++ Reviews> audio reviews> audiobooks> book reviews
A++ #AudioBookReview: The Daughters’ War by Christopher BuehlmanThe Daughters' War (Blacktongue, #0) by Christopher Buehlman
Narrator: Nikki Garcia
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, grimdark
Series: Blacktongue #0
Pages: 416
Length: 13 hours and 14 minutes
Published by Macmillan Audio, Tor Books on June 25, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Enter the fray in this luminous new adventure from Christopher Buehlman, set during the war-torn, goblin-infested years just before The Blacktongue Thief .
The goblins have killed all of our horses and most of our men.
They have enslaved our cities, burned our fields, and still they wage war.
Now, our daughters take up arms.
Galva ― Galvicha to her three brothers, two of whom the goblins will kill ― has defied her family’s wishes and joined the army’s untested new unit, the Raven Knights. They march toward a once-beautiful city overrun by the goblin horde, accompanied by scores of giant war corvids. Made with the darkest magics, these fearsome black birds may hold the key to stopping the goblins in their war to make cattle of mankind.
The road to victory is bloody, and goblins are clever and merciless. The Raven Knights can take nothing for granted ― not the bonds of family, nor the wisdom of their leaders, nor their own safety against the dangerous war birds at their side. But some hopes are worth any risk.

My Review:

I finished The Daughters’ War for the second time over the weekend, but I was so deeply into the story, the characters and simply the world between the pages that I had to sit on even attempting to write a review for a bit – to let the SQUEE calm down some. But I also felt compelled to reread the first book set in this world, The Blacktongue Thief – which I did. Which didn’t tone the SQUEE down AT ALL.

The book hangover was huge after my first read of Blacktongue, and after my first read of The Daughters’ War earlier this year for Library Journal, but this time I listened to the thing – and the book hangover is absolutely epic.

Now let me attempt an explanation – which is still going to have a LOT of SQUEE in it. Because damn I loved this book – and I fell hard into Blacktongue again, too. So hard.

The title of this book immediately tells the reader just how badly this world is totally wrecked. You see, the first war between humans and goblins was the Knights’ War, because the noble Knights beat the goblins back on their swift and equally noble horses. So the goblin mages created a poison, a bioweapon, that killed all the horses. The second war, not even a decade later, was the Threshers’ War, because the goblins cut the untrained farm boys sent to fight it like they were threshing wheat. This war is the Daughters’ War because that’s pretty much all that’s left to fight this time around, less than a decade after the end of the Threshers’.

This is one of the rarest of rare cases where the old saying that “There never was a good war or a bad peace” doesn’t feel strictly true. Because the goblins USED those brief years of peace while the humans WASTED them.

Readers of The Blacktongue Thief will remember Galva as she will be, as in that story she’s 30 years old, a hard-bitten, cynical, heart-sore veteran of the Daughters’ War, on a mad quest to save her queen, her country, and quite possibly her whole entire species from the idiocy of the so-called powers that be who seem to be wasting yet another peace.

The story of this book, The Daughters’ War, is the story of how this Galva got to be that Galva. How the 20 year old swordswoman and newly fledged Corvid (read that as war-raven or murder-bird) knight came of age, lost her innocence and her naiveté, as well as her faith in pretty much everything she once believed, including her family and her country – or at least the king who usurped its throne.

So this is Galva’s story, which means it’s a story about the cost of war and the price of peace, and the question of which one is higher than the other and whether either will prevent the actual extinction of the human race. Because it’s also a story about the damage a small man can do to shield himself from the knowledge that he is truly small and the way that power and privilege can blind a whole society to the destruction that is happening all around them because they rather maintain their power than save everyone’s future – including their own.

And over and under and through all of that, The Daughters’ War is a poignant, lyrical, heartbreaking paean to times and places that are no more, told by someone who develops a truly cynical perspective on command and control and the lack thereof and the high price that may be paid because humans are gonna human even if it kills them all.

Escape Rating A++: I don’t give A++ ratings often as that’s kind of the point of the thing, but The Daughters’ War absolutely earned one – as did The Blacktongue Thief three years ago. My one and only disappointment with this book is that I can’t seem to find any information on whether or not the author will be returning to this world – but that was also true after Blacktongue so I still have hope.

After all, Galva’s – and Kinch’s – world is so FUBAR’d that there are plenty of possibilities for more stories where these two came from. And I want them. BAD. Seriously BAD.

Ahem…

I keep talking about the two books, The Daughters’ War and The Blacktongue Thief, as though they are intertwined. Only because they are. Blacktongue was published first, but Daughters’ War comes first in the internal chronology. So it doesn’t matter which one you read first. Whichever one you can get first will be fine – especially if you like your epic fantasy with more than a bit of grimdark – because their world is very grim – and both Galva and Kinch are VERY cynically aware of that grimness.

Although I have friends who don’t like grimdark who STILL enjoyed Blacktongue, that I think I’ve convinced to read Daughters’ War. The author does such an excellent job of getting inside his characters’ heads to let the reader – or especially listener – see the world from their point of view that he carries the reader through the grimdark exceedingly well. I fully admit, however, that I got so into the characters and their perspectives that both books made me cry more than once each.

The stories are a bit different in tone, as Kinch is an extremely unreliable narrator and Galva is the exact opposite. She hates lies, lying and liars, while he can’t stop any of the above – sometimes not even to himself. He’s also a bit of an optimist in spite of his circumstances, while she’s definitely a pessimist.

Both stories are told in the first-person singular, so we spend the entire story inside each of their heads. Which does serve as a kind of a hint that they each survive their own adventures. It’s the audiobook that really got me in both cases, not just that we see the world from their perspectives, but that excellent choices were made for narration in both cases (the author chose himself for Kinch which says something about several somethings but absolutely worked). So if you like audiobooks these are excellent and Nikki Garcia did every single bit as fantastic a job “being” Galva as the author did Kinch.

I have to conclude this review and I honestly don’t want to. I simply do not want to be done with this world and these characters. I hope that this review and my general, overall squee about the marvels of this series will convince you to give it a try as well. Because both books are seriously awesome and well worth a read – or even better – a listen.

A+ #BookReview: A Sorceress Comes to Call by T. Kingfisher

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
A+ #BookReview: A Sorceress Comes to Call by T. KingfisherA Sorceress Comes to Call by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, fairy tales, fantasy, horror, retellings
Pages: 336
Published by Tor Books on August 6, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A dark retelling of the Brothers Grimm's Goose Girl, rife with secrets, murder, and forbidden magic
Cordelia knows her mother is unusual. Their house doesn’t have any doors between rooms, and her mother doesn't allow Cordelia to have a single friend—unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.
After a suspicious death in their small town, Cordelia’s mother insists they leave in the middle of the night, riding away on Falada’s sturdy back, leaving behind all Cordelia has ever known. They arrive at the remote country manor of a wealthy older man, the Squire, and his unwed sister, Hester. Cordelia’s mother intends to lure the Squire into marriage, and Cordelia knows this can only be bad news for the bumbling gentleman and his kind, intelligent sister.
Hester sees the way Cordelia shrinks away from her mother, how the young girl sits eerily still at dinner every night. Hester knows that to save her brother from bewitchment and to rescue the terrified Cordelia, she will have to face down a wicked witch of the worst kind.

My Review:

The name of that sorceress who comes to call on Hester Chatham and her brother the Squire is “DOOM!”.

That’s not what she was christened with – assuming she was christened at all. Or baptized or anything like that because she’s clearly evil. This evil has a name, and it’s Evangeline. She’s hoping to change that to Mrs. Squire, but in order to get her way she’ll have to get past the Squire’s sister, Hester.

Evil is sure that Hester will be a pushover – or she’ll simply push her over a balcony. After all, she’s done it before. She even does it right in front of Hester to one of Hester’s dearest friends.

But evil, as that saying goes, only triumphs when good men stand by and do nothing. Evil’s magic is such that most of the men, including the Squire, are quite literally standing by and doing nothing as she has utterly ensorcelled them – or at least the ones she thinks are important.

Seeing her friend die, watching her brother succumb to the sorceress’ seductive magic, discovering that the sorceress’ daughter is ANYTHING but her mother’s accomplice, spurs Hester to ACT. To do whatever she can and however she must in order to save her brother, her friends and even the sorceress’ desperate and despairing daughter.

All their lives hang in the teetering balance.

Escape Rating A+: This wasn’t what I expected, although having read quite a bit of the author’s work, I probably should have. I also had zero recollection of the fairy tale the story is loosely based on (The Goose Girl if you’re curious too), and that didn’t matter a bit, although if the idea of that drives you bonkers there’s a summary in Wikipedia, which some Wikipedian needs to edit to include this book in the list of adaptations.

Kingfisher writes both fantasy and horror and often in that mushy middle between the two. While this one is in that middle, it leans more to the fantasy side the way that the equally awesome (and award-winning!) Nettle and Bone did, rather than hewing closer to the horror side the way that her Sworn Soldier series (What Moves the Dead and What Feasts at Night) does.

Not that the acts that the sorceress commits are not plenty horrific – because they completely, utterly and absolutely are. But the way the story works its way out of her evil feels more like a fantasy. It also specifically feels a bit like a very specific fantasy, Miss Percy’s Pocket Guide to the Care and Feeding of British Dragons by Quenby Olson. I’m certain that Hester and Miss Percy would be the very best of friends – and would have PLENTY of common ground to talk about!

I certainly enjoyed both stories for the same reason, their marvelous middle-aged female protagonists who take terrible matters into their own hands – after a bit of quite reasonable and reasoning reluctance – in order to get the best of the evil bitch attempting to put them down so they can save the day.

Which is when I felt like I got hit with a clue-by-four, to the point of chagrin that I didn’t figure out a whole bunch of things sooner. Not the way that Hester got the best of the sorceress, but rather the way that the story as a whole worked. And, as I mulled things over more than a bit, the way that Nettle and Bone and What Feasts at Night and a LOT of the author’s work, well, works.

The stories are feminist by example rather than by hitting the reader over the head with feminism. They simply show that women are beyond capable of doing all the things that men do, including being insufferably and thoughtlessly and selfishly and unironically evil

Meanwhile, the male characters serve in secondary roles. You know what I mean, the roles that women normally fill. In this story, and now that I think of it in much of the author’s work, women fill the big parts and do the big things, while men are the assistants, the helpmeets, the love interests, the dupes, and the fools. They’re sidekicks. And even, as in the case of Hester’s brother the Squire, they can be TSTL.

Which he absolutely is. He’s just lucky that Hester absolutely is not.

The icing on the cake of this story is that the Squire merely gets a lucky escape, while Hester is the one who deserved and certainly earned a glorious happy ever after.

A+ #BookReview: The Dead Cat Tail Assassins by P. Djeli Clark

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
A+ #BookReview: The Dead Cat Tail Assassins by P. Djeli ClarkThe Dead Cat Tail Assassins by P. Djèlí Clark
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy, urban fantasy
Pages: 208
Published by Tordotcom on August 6, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The Dead Cat Tail Assassins are not cats.
Nor do they have tails.
But they are most assuredly dead.
Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins.
Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins―resurrected, deadly, wiped of their memories―have only three unbreakable vows.
First, the contract must be just. That’s above Eveen’s pay grade.
Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark.
The third and the once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

My Review:

Consider it 50/50 on the name. They’re not cats, they don’t have tails, (they’re also not wearing cat’s tails) but they absolutely are assassins and they are most definitely dead.

They are also not supposed to have a single, solitary memory of who they were when they were alive, or whatever caused them to swear themselves to Aeril, the Matron of Assassins and goddess of knives. And chefs, because knives.

Our story begins with a member of the Dead Cat Tail Assassins, Eveen the Eviscerator, taking a contract on behalf of her goddess. At first, it seems above board – or at least as above board as any contract to assassinate someone can be.

And that’s where things get interesting. And absorbing. And compelling. And utterly profane in the best way possible.

Because the person that Eveen is contracted to and absolutely MUST kill on pain of her own eternal torment is herself. Her old self. Her former self. The self she must have been twenty or so years ago, before she died and pledged herself to her goddess.

A self she is not supposed to be able to remember, because that’s the way the contract with the Matron of Assassins is supposed to work.

Someone clearly found a loophole. A big one. Eveen can’t kill herself, not even her rule-following, goody-two-shoes former self. Because seeing the person named Sky that she once was gives Eveen the one thing she’s not supposed to have – memories.

Not that either her past memories or her present ones explain not just how someone managed to tear this gigantic hole in the contract between Aeril and her contracted assassins, but a hole in the whole, entire, space time continuum.

And as big a question as that how is in a magical sense, an even bigger question is why anyone would go to this much trouble to torment one assassin, because this is way too big a mess to create for shits and giggles, and Eveen is merely one assassin among many.

But whether the motive behind this magical mess is in Sky’s long-dead past or Eveen’s recently dead past, this once and perhaps future assassin has until dawn to solve the mystery.

Or face consequences that this time she hasn’t even earned. Or has she?

Escape Rating A+: I picked this up because I adored the author’s Dead Djinn Universe, particularly the utterly marvelous A Master of Djinn. I wasn’t expecting this to be quite like that, although I certainly wouldn’t mind another foray into the Dead Djinn Universe, but I knew that whatever this turned out to be, it would be awesome. And it absolutely was.

Also cats. I fully admit he had me at cats. Even though I knew going in that there weren’t any actual cats.

What I was not expecting was a world that had some surprising resemblances to Max Gladstone’s Craft Sequence/Craft Wars series, but it’s certainly there in the contractual obligations between gods and their agents, either or both of whom may be dead but still working and still bound by their contracts.

What makes this story work so well, so damn well in fact, is the relationship that develops between Eveen and Sky. They are day and night in so many ways, and yet, they are each other’s past and future and neither knows what caused the one to make the choices that led to the other.

In their mirror imaging of each other, they manage to reach through the silvered glass and work towards each other while still remaining who they are and it’s fascinating to watch. (It’s a bit like one of the Doctor Who episodes where the past Doctors get dragged into the present Doctor’s current dilemma, which was a lot of fun to see. Because it is.

At the same time, Sky’s astonishing advent into Eveen’s world lets Eveen show it to us as well. It’s a world that, for all its differences to ours, works both surprisingly well and every bit as badly in some of the same ways. Clearly, humans are gonna human, even when they’re dead. Or all powerful. Or both.

While the motives behind this whole mess are not, in the end, all that original, the execution (pardon all the puns) most definitely is, in a way that kept this reader at least on the edge of her seat until the bittersweet end. Which could, possibly, hopefully, lead to a new beginning.

Because if this turned out to be the start of a series, I absolutely would not mind AT ALL.

#BookReview: In the Shadow of the Fall by Tobi Ogundiran

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: In the Shadow of the Fall by Tobi OgundiranIn the Shadow of the Fall (Guardians of the Gods, #1) by Tobi Ogundiran
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Guardians of the Gods #1
Pages: 160
Published by Tordotcom on July 23, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A cosmic war reignites and the fate of the orisha lie in the hands of an untried acolyte in this first entry of a new epic fantasy novella duology by Tobi Ogundiran, for fans of N. K. Jemisin and Suyi Davies Okungbowa.
" The novella of the year has arrived!" ―Mark Oshiro, #1 New York Times bestselling author
Ashâke is an acolyte in the temple of Ifa, yearning for the day she is made a priest and sent out into the world to serve the orisha. But of all the acolytes, she is the only one the orisha refuse to speak to. For years she has watched from the sidelines as peer after peer passes her by and ascends to full priesthood.
Desperate, Ashâke attempts to summon and trap an orisha―any orisha. Instead, she experiences a vision so terrible it draws the attention of a powerful enemy sect and thrusts Ashâke into the center of a centuries-old war that will shatter the very foundations of her world.

My Review:

It’s not really a surprise that the story begins with Ashâke defying all the rules she’s lived by for her entire life. It’s more of a surprise that she’s been stewing for FIVE whole years about it.

Because something is clearly, maybe not rotten but certainly wrong, in the temple of Ifa that Ashâke has dedicated her life to. She should have been raised from acolyte to priest five years ago. She should have heard the orisha speak to her.

It may sound contradictory that she should have expected the gods to speak to her, but, well, they’re generally not that picky. They’ve spoken to EVERYONE else who has made it that far, EXCEPT Ashâke. Her inability to progress is notable and entirely too noticeable.

That the priests who rule the temple can neither explain her lack nor do something about the rising levels of bullying and abuse that Ashâke has suffered, as increasing numbers of her juniors pass her over for promotion, is the kind of problem that many people would feel compelled to rectify, sooner or later.

Unfortunately, now that Ashâke has disobeyed all the rules and learned much – but not all – of the things she was not supposed to ever discover, she’s only made things a whole lot worse. Not just for herself, but for everyone at the temple.

And for everyone she touches. Along with, quite possibly, the whole, entire world.

Escape Rating B: I generally love novellas for the way that they tell a complete story in a non-doorstoppy length. Tordotcom usually does an excellent job of producing novellas that are exactly the length they’re meant to be and don’t feel like too much got left out in the editing to make a word count that isn’t right for the story being told. Howsomever, In the Shadow of the Fall is the exception to that rule. It’s more of an interesting start to a story than the actual story.

This is intended to be the first half of a duology, and it shows a bit too much. I felt like I got half a book rather than a complete novella that has revealed plenty but has more to come. The ending of In the Shadow of the Fall, with its drumbeat of lie after lie being revealed and Ashâke’s bitter need to adjust her entire worldview, wasn’t so much a cliffhanger as running headlong off the whole entire cliff.

Where this reader is left in a heap on the horns of a HUGE dilemma, in that I was absolutely fascinated by the story that I got, up until it came to a screeching halt.

I’m saying that and I generally love stories where the twist is as unexpected as this one is and the truth – no matter how painful – sets the protagonist free to make a new course and right the wrongs they’ve finally been apprised of.

Something which I’m sure is intended to happen in the second book in the duology, At the Fount of Creation, which is not coming out until JANUARY – making the situation doubly frustrating for the reader. Or at least for this reader.

I hoped I’d feel better about the whole thing once the second book was announced – which has turned out to be true. But I must confess that I finally have an eARC which I will be reading ASAP, because I NEED TO KNOW what happens to Ashâke and her world. 

As I said, the ending of In the Shadow of the Fall wasn’t so much of a cliffhanger as it was running headlong off the cliff and/or slamming headfirst into that cliff’s base. A painful and sudden stop. My personal recommendation would be to save yourself that frustration and wait to read the entire duology in one go as soon as you can grab copies of both books in January.

Because this first book is a real gut-punch of a story – it honestly HURTS not to know how it’s all going to work out. And based on the first half, once we do find out in At the Fount of Creation – it’s going to be grand and heartbreaking in equal, glorious measure.

A+ #BookReview: The Price of Redemption by Shawn Carpenter

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
A+ #BookReview: The Price of Redemption by Shawn CarpenterThe Price of Redemption (Tides of Magic, #1) by Shawn Carpenter
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: adventure, fantasy, historical fantasy
Series: Tides of Magic #1
Pages: 368
Published by Saga Press on July 9, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A debut female-led swashbuckling fantasy following powerful sorceress and sea captain Marquese Enid d’Tancreville as she is forced on the run where she meets a vast cast of characters perfect for fans of Patrick O’Brian’s beloved Master and Commander series.

Despite her powerful magic, Marquese Enid d’Tancreville must flee her homeland to escape death at the hands of the Theocratic Revolution. When a Theocratic warship overtakes the ship bringing her to safety, Enid is spared capture by the timely intervention of the Albion frigate Alarum , under the command of Lt. Rue Nath.

The strange circumstances make for an odd alliance, and Enid finds herself replacing Alarum ’s recently slain sea mage. Now an officer under Nath’s command, Enid is thrust into a strange maritime world full of confusing customs, duties, and language. Worse she soon discovers the threat of the revolution is not confined to shore.

My Review:

When it comes to fictional settings, the Napoleonic Wars are a gift that just keeps on giving. Admittedly, that giving is in the context of the thing about adventures being terrible stuff that happened to someone either long ago, far away, or both. In the case of The Price of Redemption, very much of both.

Because the war between the Ardainne and Albion is absolutely a rehash of the Napoleonic Wars, with Ardainne serving at the post-Revolutionary French complete with their own version of a revolution, and Albion, naturally, sailing in for the Brits holding the line to protect their status quo.

Which is when this particular take on that old conflict gets fascinating, fantastic and utterly magical. Because Ardainne’s Theocratic Revolution throws a religious crusade on top of the class warfare, and marries fanatics straight out of the Spanish Inquisition to Madame Defarge cackling at the feet of Madame Guillotine.

The equivalent of the sans culottes in this world’s Revolution hate and kill mages every bit as much and often as they do aristos – made much simpler for VERY bloody meanings of the world simple – by the fact that so many of the aristos ARE mages who have been using their magical power to increase their political and socio-economic power for centuries.

Ardainne, just like France, was ripe for some kind of plucking. Our story begins with Marquese Enid d’Tancreville, running before the wind and away from the Theocrats (just call them Rats because EVERYONE does) now in charge of the Revolution, on an Albion merchant ship that is outmanned and outgunned but nevertheless rescued in the nick of time by Captain Rue Nath and his outclassed frigate, the Alarum.

Once the smoke clears, Nath is victorious but in need of a replacement Magister – meaning Ship’s Mage – as his previous ‘Spells’ died in the recent skirmish. Enid needs a better protected way to Albion, so that she can offer her services to people who are at least doing something about the filth that has taken over her beloved homeland.

Nath and Enid strike a win-win bargain – she’ll become his temporary new Magister, he’ll convey her and her worldly goods to the place where she intended to go, and in the meantime the Alarum will at least be able to fight if another Rat ship finds them on the open sea.

And thereby, as that very old saying goes, hangs an absolutely marvelous tale of wooden ships, iron men and women, deeds of derring-do and dastardly betrayals from within.

Escape Rating A+: The Napoleonic Wars absolutely are the gift that keeps on giving, at least in the fictional sense. You’ve even seen and or read plenty of stories that used it as a base – even if some of those stories hide the base pretty well.

But one of the most respected AND popular ‘spin offs’ from this particular war is the Aubrey and Maturin series by Patrick O’Brian that begins with Master and Commander, where Jack Aubrey is in the exact same position as Rue Nath – he’s the commander of a ship, called ‘Captain’ by courtesy while in command, but whose true rank is Lieutenant. The journey of the first book in both series is for the ‘Captain’ by courtesy title to make ‘Post’ – to be commissioned as a Captain by rank and clamber onto first rung of the ladder to the Admiralty.

Both the Honor Harrington series by David Weber and the Temeraire series by Naomi Novik used Aubrey and Maturin as their jumping off points, taking their inspiration from the Napoleonic wars into SF (Weber) and fantasy (Novik, but with dragons).

One of the things that the Aubrey and Maturin series did extremely well, that is absolutely a part of The Price of Redemption, is the way that the story takes the reader through the perspective of a previously (land)lubberly point of view character – Enid here and Maturin in the original series – and uses their instruction by beautifully descriptive but still fascinating details to draw the reader into the arcane mysteries of the sea.

The story, the part that keeps the reader frantically turning pages, is, on the one hand, the story of the plucky underdog – in this case Albion – fighting the mighty empire of Ardainne. On the other hand, it’s a very intimate story about one man’s fight to protect his crew, his career, and his country against all comers – particularly the forces arrayed against them all. And on the third hand, possibly the one on the rudder steering this ship, the story of a woman desperate to find a new place in the world – one from which she can strike a blow at her own enemies, find a new perspective on what she left behind that brought her and her country to this terrible pass, and a help create a future that she can live on, and with, and into.

It’s marvelous and riveting and a compulsive page-turner every single league of its way. That this story is not over yet, that there are two more books on the horizon for this cast and crew, is the absolute best news any reader could possibly receive.

#BookReview: Daughters of Olympus by Hannah M. Lynn

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: Daughters of Olympus by Hannah M. LynnDaughters of Olympus by Hannah M. Lynn
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, mythology, retellings
Pages: 336
Published by Sourcebooks Landmark on July 9, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A daughter pulled between two worlds and a mother willing destroy both to protect her...
Gods and men wage their petty wars, but it is the women of spring who will have the last word...
Demeter did not always live in fear. Once, the goddess of spring loved the world and the humans who inhabited it. After a devastating assault, though, she becomes a shell of herself. Her only solace is her daughter, Persephone.
A balm to her mother's pain, Persephone grows among wildflowers, never leaving the sanctuary Demeter built for them. But she aches to explore the mortal world--to gain her own experiences. Naïve but determined, she secretly builds a life of her own under her mother's watchful gaze. But as she does so, she catches the eye of Hades, and is kidnapped...
Forced into a role she never wanted, Persephone learns that power suits her. In the land of the living, though, Demeter is willing to destroy the humans she once held dear--anything to protect her family. A mother who has lost everything and a daughter with more to gain than she ever realized, their story will irrevocably shape the world.

My Review:

Whether gods make men in their own image, or the other way around, either way it’s NOT a compliment. But it does explain a whole damn lot about the behavior of Zeus and his Olympians.

This is not a pretty story. It’s a reminder that the versions of Greek mythology we all read in school were sanitized to the max and absolutely written from a male perspective. That’s pretty much the only reason I can think of for the cavalier treatment of Zeus’ utter lack of faithfulness to his wife. Not to mention how many of the females who bore his demi-god and demi-goddess offspring said “NO” and ran as far and as fast as they could – even if that wasn’t enough.

So it’s not a stretch to believe that Zeus raped his sister Demeter to create Persephone. It’s all too typical of his behavior. Also utterly infuriating.

Which made Daughters of Olympus a fascinating rage read, because it made me look at something that was a familiar and even beloved part of my childhood reading in an entirely new and retrospectively furious way.

Escape Rating B: I ended up with mixed feelings about this book. At first, I was all in with Demeter’s point-of-view of the way things worked in her world – or rather, the way they mostly didn’t and she always ended up suffering at the hands of her brothers and fellow Olympians. Particularly Zeus. ESPECIALLY Zeus.

To the point where she spends centuries hiding away from her brother, her fellow Olympians, and the whole damn world. As much as I wanted her to stand up and take charge of at least her own fate and destiny – that’s not the way the myths go.

It’s only when the story switches to Persephone and after she is kidnapped by Hades at that, that we start seeing something different emerge – even as Persephone rails against Hades and the fate her father Zeus’ bargains have condemned her to.

What makes this retelling of Greek mythology work is that we see the old familiar stories from the perspective of characters who don’t have their own voices in the versions we originally learned. However, this is a feminine perspective and not a feminist one – regardless of which one the reader might prefer.

Meaning that Demeter and Persephone may be the predominant voices of this retelling, but their agency is still significantly limited. They can run, they can hide, but they can’t overpower – at least not until Demeter takes the reins of her own power to enact a different but still traditional feminine aspect – that of the protective, and if necessary avenging – mother.

So, if you’re looking for a retelling of familiar stories from a different perspective – but not expecting a different ending, Daughters of Olympus has an interesting tale to tell – particularly after Demeter finally breaks through her isolation to find her daughter and Persephone picks up the reins of the power that Hades is willing to give her.

Just don’t expect the story to end differently than we already know that it does. In that respect it’s similar to Kaikeyi by Vaishnavi Patel, in that a traditional story is told from the perspective of an often overshadowed female character, but the outcomes are not and cannot be changed.

Dammit.

A+ #BookReview: Ivy, Angelica, Bay by C.L. Polk

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
A+ #BookReview: Ivy, Angelica, Bay by C.L. PolkIvy, Angelica, Bay by C.L. Polk
Format: ebook
Source: supplied by publisher via Hugo Packet
Formats available: ebook, emagazine
Genres: fantasy, historical fantasy
Pages: 51
Published by Tor Books on January 17, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo
Goodreads

When Hurston Hill is threatened by a suspiciously powerful urban development firm, Miss l'Abielle steps up to protect her community with the help of a mysterious orphaned girl in this charming follow up to "St. Valentine, St. Abigail, St. Brigid," featured on LeVar Burton Reads.

My Review:

This was intended to be my review of Ivy, Angelica, Bay as the next in my series of Hugo nominee reviews. And it will be.

Howsomever, when I looked at the author’s website I discovered something marvelous. That this novelette is the follow-up to St. Valentine, St. Abigail, St. Brigid, a short story that was published in February 2020 at Reactor Magazine, formerly known as Tor.com. Even better, the short story was read, in full, by Levar Burton on his podcast, Levar Burton Reads. (Which I highly recommend, not just this story but the whole beautiful thing!)

I loved Ivy, Angelica, Bay. I needed something short to listen to at the end of a long week. And thereby hangs the proverbial tale, so this review ended up being a bit of both.

Both of these stories are about the price of magic, which is really about that combination of being careful what you wish for because you might get it, the way that the magic ring always comes with a curse, and that having a thing may not be so pleasurable as wanting it – referring back to last Friday’s book just a bit.

St. Valentine, St. Abigail, St. Brigid is the setup for Ivy, Angelica, Bay. The young, unnamed, first-person narrator of St. Valentine may be the adult in Ivy, or may be one of her many predecessors as the magical – and magically adopted – Miss l’Abielle. That we don’t know – although we don’t really need to – in Ivy does make me curious about how the magic at the end of that first story worked out – but that’s just my curiosity bump itching.

The story in St. Valentine is a coming of age and into power story. It’s also a bit of a story about selfishness – as coming of age stories are wont to be. But it also foreshadows both the narrator’s desire to keep what is hers – no matter the cost and no matter how benevolent she might be in that keeping – and the way that the magical power in these stories is maintained and passed on.

You don’t have to read or listen to St. Valentine in order to get stuck right into Ivy, but I’m glad I found it because listening to it was marvelous and it made the story I’d just finished that much deeper.

In Ivy, Angelica, Bay we get a story that reminds me a LOT of two of Leslye Penelope’s recent books, The Monsters We Defy and Daughter of the Merciful Deep, in that both are centered around protecting black communities from, let’s call it economic encroachment although that’s not all of what’s happening. The Monsters We Defy hits more of the same notes as Ivy, as both stories feature young black women as magical practitioners who protect their communities but also assist individuals who are willing to pay both a magical and a mundane price for that assistance. And that all too often the magical price is much too high.

But there’s also more than a bit of T. Kingfisher’s forthcoming A Sorceress Comes to Call in Ivy – as that turns out to be exactly what happens in both cases. The surprise is that in Ivy, there’s more than a bit of, of all surprising stories, The Velveteen Rabbit.

Escape Rating A+: Consider that rating for the overall experience as well as for all the parts that are combined into this whole. At this point I’ve read four of the six nominees for this year’s Best Novelette and I’m at the “eeny, meeny, miny, moe” point for selection and I still have two to go.

What makes these stories work, but particular for Ivy, Angelica, Bay because it has a bit more time and heft to it – also that St. Valentine has done a bit of its setup for it – is the way that it combines its elements and then tells its story through its protagonist, the current Miss l’Abielle, so that even though we don’t know her name  we still feel the horns – and thorns – of all of her dilemmas.

She is charged with protecting her community – but that charge has just fallen on her shoulders fully at the death of her mother. She’s spent too much of her magical energy in recent weeks and months keeping her mother on this side of death’s door – and now the price of that keeping has come due. Maybe even past due.

And she’s a bit desperate and a lot heartsore and easily gulled by a likely story – to the point where she nearly brings about the downfall of all she holds dear. A catastrophe that is made all that much clearer to the reader as she dives into what has gone wrong and we see who will pay that price – and is already paying – if she falls. Because the community will fall with her.

Her salvation – and theirs – comes in the most unlikely form. Which is where that Velveteen Rabbit hops into the story in a way that is surprising, delightful and perfect. And still requires a price to be paid – but one that the Misses l’Abielle and their community can bear more than well enough to continue the fight for another day.

Grade A #BookReview: On the Fox Roads by Nghi Vo

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Grade A #BookReview: On the Fox Roads by Nghi VoOn the Fox Roads by Nghi Vo
Format: ebook
Source: supplied by publisher via Hugo Packet
Formats available: ebook
Genres: fantasy, historical fantasy, urban fantasy
Pages: 38
Published by Tor Books on October 31, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo
Goodreads

A new novelette from Hugo Award-winning author, Nghi Vo!
While learning the ropes from a crafty Jazz Age bank robber, a young stowaway discovers their authentic self, a hidden gift, and that there are no straight lines when you run the fox roads. . .

My Review:

Unlike the popular image of the infamous Bonnie and Clyde, “Chinese Jack” and “Tonkin Jill” didn’t ENTER banks with guns blazing. That didn’t mean they didn’t EXIT that way, but the guns weren’t the point.

Jack and Lai were merely following the rule laid down by their contemporary Willie Sutton, they robbed banks because that’s where the money was. Even if the kind of small-town banks that the Chinese duo robbed had a lot less of the green stuff and a lot more of other kinds of paper than either of the robbers would have liked.

That’s where the third member of this duo turned trio enters the picture, a young Chinese-American girl who stows away in their getaway car intending to steal back the deed to her parents’ store from one of the “Jack and Jill’s” earlier scores.

A seemingly magical deed that will re-open the store as soon as the deed is laid down on the ground it belongs to.

The question is whether that stowaway wants to go back to belonging to it, to being the girl their parents want them to be, prim, proper and most of all – obedient – or whether that girl wants to undergo more than one transformation – robbing banks, driving getaway cars, getting to see the big, wide world, living as a man instead of the woman that fate originally intended.

All things are possible on the magical, mysterious, ever-changing fox roads that travel no known path and go in no known direction except for the will and the whim of anyone who is on the run from a hard chase and desperate enough to drive fast and trust to fate.

Escape Rating A: This is one of those stories where my only complaint is that I wanted just a bit more than I got. Every single bit of this one is terrific, but I wish it had qualified as a Hugo nominee in the Novella category (between 17,500 and 40,000 words) instead of as the Novelette it is (between 7,500 and 17,500 words). Not that I actually WANT more options in the Novella category because it’s going to be a really hard choice for me.

On the Fox Roads is one of those book baby situations, where it feels like it owes some of its DNA to several books I’ve read – and probably more that I haven’t – but at the same time is still a thing of itself meaning that the blend creates something new and marvelous.

Bonnie and Clyde in a photo from around 1932–33 that was found by police at an abandoned hideout

In this particular case it reads like it owes something to, first of all, the real Bonnie and Clyde, Bonnie Parker and Clyde Barrow, both in the way that Jack and Lai operate and in the setting, small-town America during the Great Depression just as Prohibition is about to change everything.

But the story also has a bit of The Fox Wife by Yangsze Choo in that one of the characters is a fox masquerading as a human, who is someone with a somewhat different set of morés and values than the human narrator and the fox’s human partner Jack.

And then there’s that third element, the fox roads themselves, which read a lot like the roads to alternate realities traveled by the magical muscle car in Max Gladstone’s Last Exit.

Those impressions were what I brought into this story, what I got while I was reading it was considerably more, as the narrator has the opportunity to try out a much different life than they thought could possibly be available to them as a young Chinese-American woman in racially-stratified 1930s America.

The way that the magic mixed into the heady brew of the story and swept it off down mysterious roads and sometimes equally mysterious and magical cities blended the whole delicious melange into something delightful and unexpected and yes, magical.

To the point where I’m oh-so-grateful that this got nominated for the Hugo, because I’m not much of a short fiction reader and probably wouldn’t have found this otherwise. But I’m glad that I did, even if it does make my Hugo voting that much harder.

A- #BookReview: The Fireborne Blade by Charlotte Bond

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: The Fireborne Blade by Charlotte BondThe Fireborne Blade (The Fireborne Blade, #1) by Charlotte Bond
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: dragons, fantasy
Series: Fireborne Blade #1
Pages: 176
Published by Tordotcom on May 28, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Kill the dragon. Find the blade. Reclaim her honor.
It’s that, or end up like countless knights before her, as a puddle of gore and molten armor.
Maddileh is a knight. There aren’t many women in her line of work, and it often feels like the sneering and contempt from her peers is harder to stomach than the actual dragon slaying. But she’s a knight, and made of sterner stuff.
A minor infraction forces her to redeem her honor in the most dramatic way possible, she must retrieve the fabled Fireborne Blade from its keeper, legendary dragon the White Lady, or die trying. If history tells us anything, it's that “die trying” is where to wager your coin.
Maddileh’s tale contains a rich history of dragons, ill-fated knights, scheming squires, and sapphic love, with deceptions and double-crosses that will keep you guessing right up to its dramatic conclusion. Ultimately, The Fireborne Blade is about the roles we refuse to accept, and of the place we make for ourselves in the world.

My Review:

The story of The Fireborne Blade initially appears to be a more traditional, or perhaps I should say scholarly, account of dragons and the slaying thereof by knights who generally think too much of their own prowess – after all, they are reporting on their own exploits and they slew a dragon!

But then even more scholarly, and slightly SFnal or at least technomagical aspects come to the fore. Because the knights have recorded those exploits, and the mage council gets to watch those recordings and critique the process – which ends in the knight’s death more often then the knights would care to admit.

Then the story shifts, not to reports of dragon-slayings past, but into the middle of what one disgraced knight is hoping will be a dragon-slaying present. With, hopefully for the knight, the acquisition of the titular Fireborne Blade, the redemption of her disgrace and the consequent reinstatement of her good standing.

So we follow along with that disgraced knight, Maddileh, as she wends her way through the dark and dangerous caverns that lead to the dragon’s lair, along with her mysteriously magical and not at all trusty squire, while in the background we learn how Maddileh ended up in her present predicament and why it is unlikely to achieve the result she desires.

Because in contests between knights and dragons, all those stories about previous dragon hunts show us – and should have shown her – that the odds ALWAYS favor the dragon. Which does not prevent the knight from doing their damndest to stack the deck in their favor.

Unless someone else has beaten them to it.

Escape Rating A-: Initially, this seemed like a rather traditional knight vs. dragon story, with one of two inevitable endings. Either the knight dies or the dragon does. Or occasionally both in a blaze of mutual glory. So there’s three inevitable endings.

But I knew it couldn’t be nearly that simple – and it wasn’t, and not just because the knight in this particular story was female. That may not be the way these stories used to always work, but it has been done before, and done well if not nearly often enough, for the past 40 years at least. (Tamora Pierce’s epic Song of the Lioness quartet began in 1983. For a more recent example, take a look at Spear by Nicola Griffith.)

Those weren’t the only stories it felt like this was calling back to, as the detached, pseudo-scientific nature of the critiques of previous knight’s performances and the cataloging thereof gave me hints of the Lady Trent series by Marie Brennan although I’m not sure that’s completely accurate. Still, it felt that way.

As we get the history of dragon hunting in this world, we get to understand that it’s even more dangerous than our own legends tell it, because it’s not just fire that the knights have to worry about. In fact, fire is pretty much the last thing they have to worry about, if it all, because for the dragon to breathe fire on them they have to get relatively up close and personal. Most don’t make it nearly that far.

Instead of being a story about killing or being killed by a dragon, this is a story about forging your own path against seemingly impossible odds, over and over and over again, no matter how much that deck is stacked against you. And has been, over and over and over.

And in the process of telling its story about the knight and the dragon, it asks some surprising questions about change vs stability and striking that balance, and makes that discussion personal in ways that change every single thing we thought we knew going in.

Which made for a completely fruit-basket-upset of an astonishing ending.

One final note, and a bit of a digression. If you remember the plot of the video game Final Fantasy X fondly, or at all, although the ending is very different, from a certain slightly twisted perspective Maddileh is Auron and the evil hierarch who turns out to be the villain of the piece is Maester Mika with all the same questions and a not all that different set of answers.

Which is really messing with my head a bit, because I was expecting that The Fireborne Blade was a standalone. It’s not. The second book in The Fireborne Blade series, The Bloodless Princes, will be coming in October – and I’m really, really curious to see how this manages to continue.

#BookReview: One Man’s Treasure by Sarah Pinsker

Posted on by Marlene Harris | Author : | B- Reviews> book reviews
#BookReview: One Man’s Treasure by Sarah Pinsker"One Man's Treasure" by Sarah Pinsker in Uncanny Magazine Issue 50, January-February 2023 by Sarah Pinsker
Format: ebook
Source: supplied by publisher via Hugo Packet
Formats available: magazine, ebook
Genres: fantasy, short stories
Series: Uncanny Magazine Issue 50
Pages: 29
Published by Uncanny Magazine on January 3, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo
Goodreads

The January/February 2023 issue of Hugo Award-winning Uncanny Magazine .

Our landmark Issue 50, a double sized issue! Featuring new fiction by Ken Liu and Caroline M. Yoachim, Mary Robinette Kowal, P. Djèlí Clark, A. T. Greenblatt, A.M. Dellamonica, Eugenia Triantafyllou, Sarah Pinsker, E. Lily Yu, Marie Brennan, Christopher Caldwell, John Wiswell, and Maureen Mchugh. Essays by Elsa Sjunneson, John Picacio, Annalee Newitz, A.T. Greenblatt, Diana M. Pho, and Javier Grillo-Marxuach, poetry by Neil Gaiman, Terese Mason Pierre, Sonya Taaffe, Betsy Aoki, Theodora Goss, Ali Trota, Abu Bakr Sadiq, Elizabeth Bear, and Brandon O'Brien, interviews with Ken Liu and Caroline M. Yoachim by Tina Connolly; interviews with Eugenia Triantafyllou, E. Lily Yu, and Christopher Caldwell by Caroline M. Yoachim, a cover by Galen Dara, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Meg Elison.

My Review:

This second entry in my very informal and scattered series of reviews of this year’s Hugo nominated works is focused on one of the nominees in the Novelette category – meaning a story between 7,500 and 17,500 words.

The title isn’t quite as evocative as last week’s “How to Raise a Kraken in Your Bathtub” – which is absolutely one of the most attention grabbing TITLES on the entire ballot. But this one came next because it’s from the same issue of Uncanny Magazine so I decided “Why not?”

For my next pick from the ballot I may have to resort to “Eeny, meeny, miny, moe” – or I will once I get through all the works by my faves that are on the list.

The title of this story, while not quite the claxon warning that Kraken should have been, does bring a scenario to the top of one’s mind – even if it’s a much different scenario – as well as a potentially less dangerous one.

“One man’s trash is another man’s treasure” as the old proverb goes. There’s also a variation about “one man’s meat being another man’s poison” but that’s not nearly as applicable in this story.

Because this is a story about the way that the trash gets taken out in a magically powered world, as seen through the eyes of the garbage collectors.

It’s kind of a “lower decks” story, in other words, a view of the world, not from the top where the movers and shakers do their moving and shaking and where stories are often set, but rather from much nearer to the bottom, where the nitty gritty is very gritty indeed and where shit gets done and disposed of – in this case one truckload at a time.

But this particular story is also a story about class and labor organizing and the rich being different from you and me, and especially from Aden, Blue and Nura.

And it’s a story about karma being a real bitch – but in a way that might just possibly teach someone a few lessons as she goes.

Escape Rating B-: It’s lucky for this story that it is not in the same category as Kraken because in spite of having potentially twice as much space to tell its tale, One Man’s Treasure doesn’t stick the dismount half as well.

The best part of One Man’s Treasure is the world creation and character creation by way of slice of life. On the one hand, it’s fantastically familiar on multiple levels.

While we might not think about how the Wizarding World in Harry Potter gets rid of its trash, it does have to happen somehow. In a magical world where everyone has a bit of magic, and a leisure class that has even more leisure, there would be neighborhoods where more magical detritus got thrown in the trash because there was more available to waste.

The potential of magical trash to be magically dangerous seems high once you think about it for a minute. That the ritzy neighborhoods would be paying good money to make sure that THEIR trash got taken away quietly and with minimal fuss seems obvious. That’s just humans being human in their ugliness.

The garbage collectors themselves, Aden and Blue along with Aden’s girlfriend Nura, represent an entirely different perspective. They’re the ones at the sharp end of the danger. They resent the waste of material and money that could make their lives better – AND they are frustrated by government budgeting – set by those very same rich people who don’t want to see them – that refuse to fund even basic safety equipment for their very dangerous jobs.

The situation is ripe for some kind of labor organizing and class action – which is exactly what happens. The way that situation comes about is woven into every thread of the story – even if the exact triggering point is a disgusting surprise.

But the denouement of the whole story felt a bit rushed, as though the words were running out – they possibly were – and it had to get wrapped. The character who has been lying all along – and for disgusting reasons – gets found out and gets punished. He seems to have an epiphany but we don’t get the chance to find out whether that’s real or whether it stuck.

So I was happily reading along, really liking the characters and loving the way the whole thing was working out and then BOOM it was over but not in a way that really felt like closure. This is a story where the world is terrifically built and just the right balance between familiar and new – but if you want to feel like it came to a solid conclusion you’ll need to decide that in your own head after you’ve finished – even as you wonder whether or not Aden ever lost the fox ears.