Review: The Silver Bullets of Annie Oakley by Mercedes Lackey

Review: The Silver Bullets of Annie Oakley by Mercedes LackeyThe Silver Bullets of Annie Oakley (Elemental Masters, #16) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook
Genres: alternate history, fantasy, gaslamp, historical fantasy, steampunk
Series: Elemental Masters #16
Pages: 320
Published by DAW Books on January 11, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The sixteenth novel in the magical alternate history Elemental Masters series follows sharpshooter Annie Oakley as she tours Europe and discovers untapped powers.
Annie Oakley has always suspected there is something "uncanny" about herself, but has never been able to put a name to it. But when Buffalo Bill's Wild West Show goes on tour through Germany, Bill temporarily hires a new sharpshooter to be part of his "World Wide Congress of Rough Riders": a woman named Giselle, who also happens to be an Elemental Master of Air. Alongside this new performer, Annie discovers that she and her husband, Frank, are not simply master marksman, but also magicians of rare ability.
As they travel and perform, Annie must use her newfound knowledge and rare skill to combat creatures of the night scattered across the countryside, who threaten both the performers and the locals. Annie's got her gun, and it's filled with silver bullets.

My Review:

When I read the first few books in the Elemental Masters series – as they came out back in the early 2000s – I loved these retellings of classic fairy tales set in an alternate, slightly steampunkish late Victorian/early Edwardian era for the way that they mixed a bit of magic with a bit of alternate history to put a fresh face on a tale that was oh-so-familiar.

Now that I’m thinking about this the series is an alternate version of another of Lackey’s alternate ways of telling fairy tales, her Five Hundred Kingdoms series (begin with The Fairy Godmother) where the purpose of the story was to subvert the fairy tale to keep it from subverting someone’s life.

I digress.

I stopped reading the Elemental Masters series after Reserved for the Cat as a consequence of the “so many books, so little time” conundrum that all of us who live in books are faced with so often. But I came back when the series switched from fairy tales to legendary characters with A Study in Sable and the three books that followed (A Scandal in Battersea, The Bartered Brides and The Case of the Spellbound Child) because the legendary character that was introduced and followed in this subseries of the series was none other than Sherlock Holmes.

I can never resist a Holmes pastiche, and these were no exception.

But after following the “World’s Greatest Consulting Detective”, even an alternate version thereof, through an alternate version of Holmes’ London, the series took itself across the pond to the Americas while briefly turning to its roots of retelling fairy tales with Jolene. Which I have yet to read – even though just the title is giving me an earworm of Dolly Parton’s marvelous song – which I’m sure was the intention.

I was, however, all in to read this latest book in the series, The Silver Bullets of Annie Oakley, because I was wondering how the author would blend this historical character into this world where magic is hidden just beneath the surface.

It turns out that Annie Oakley herself, the real one, provided her own introduction to this world. As this story opens, we’re with Annie as she is in contracted servitude to a married couple she only refers to as “the Wolves” in her diary. Her real, historical diary.

The Wolves – whose identity has never been conclusively determined – starved her, cheated her, threatened her and physically and mentally abused her at every turn for two years, beginning when Annie was nine years old.

In this story, those two years of hell on earth become Annie’s introduction to the magic of this alternate world. Not just because the people she calls “the Wolves” turn out to be actual wolves – or rather werewolves – but because her desperate escape from the Wolves is facilitated by the magic of this alternate world – both the magic of the fairies AND magic of Annie’s very own.

After that shocking and heartbreaking beginning, the story shifts to Annie Oakley as an adult, the star of Buffalo Bill’s Wild West show, traveling in Europe.

Where she discovers that her childhood rescue by fairies was not the fever dream she tried to convince herself that it was. And that the magic she has hidden from herself all these years is hers to command – if she is willing to learn.

And that she’ll need all the training and assistance that she can get. Because the wolves are still after her.

Escape Rating A-: When I was growing up – back in the Dark Ages – there weren’t nearly enough biographies of women in my elementary school library. Honestly, there weren’t nearly enough, period. While there still aren’t, the situation has improved at least a bit.

Annie Oakley ca. 1903

One of the few that was always available was Annie Oakley. It was easy to find stuff about her, and as someone who read as much of that library as humanly possible, I found what there was. She’s a fascinating person, as a woman in the late 19th and early 20th century who was famous for what she herself DID, and not for who she married, who she killed (I’m looking at you, Lizzie Borden) or who or what she was victimized by. Nor was she famous for her beauty. (I’ve included a picture to let you judge for yourself on that score, but whether you like her looks or not they are not what made her famous.

Her ability to shoot a gun, accurately and at a distance, is what made her famous. It also put food on the table when she was young and her family was broke.

Blending her real history and real talents into this magical story, and keeping reasonably close to what is known about her while expanding it into this created world was fascinating and fun. This was also a terrific story to get new readers into this long running series, as Annie is an adult when she finds out that she has magic, and her training in her newly discovered powers helps the reader get on board with the way that this world works AND is fascinating in its own right.

So this story’s blend of history with magic just plain worked for me – even more than I expected it to. More than enough to make me not miss the Sherlock Holmes of the earlier stories in the series too much.

Obviously, I really enjoyed this particular entry in this long-running series. MORE than enough that I’ll be back the next time the author returns to it. In the meantime, I have plenty of entries in the series that I missed to dip into whenever I’m looking for this blend of magic, myth and history.

Review: Where the Drowned Girls Go by Seanan McGuire

Review: Where the Drowned Girls Go by Seanan McGuireWhere the Drowned Girls Go (Wayward Children, #7) by Seanan McGuire
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #7
Pages: 160
Published by Tordotcom on January 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Welcome to the Whitethorn Institute. The first step is always admitting you need help, and you've already taken that step by requesting a transfer into our company.
There is another school for children who fall through doors and fall back out again. It isn't as friendly as Eleanor West's Home for Wayward Children. And it isn't as safe.
When Eleanor West decided to open her school, her sanctuary, her Home for Wayward Children, she knew from the beginning that there would be children she couldn't save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school, where things are run very differently by Whitethorn, the Headmaster.
She will soon discover that not all doors are welcoming...

My Review:

We were introduced to Eleanor West’s Home for Wayward Children in the first book in this series, Every Heart a Doorway. The children aren’t “wayward” in the way that the word is usually meant. Rather, the children who come to the school, like Eleanor West herself, once upon a time opened a door from our world to another – a place their hearts called home.

They come to Eleanor after they, like she, found their way, or were forced or pushed or stumbled, back to the world they were born in, will they or nil they. It’s usually nil. Whatever world they went to, they’ve been gone a long time from their young perspectives, have grown and changed and adapted to their new circumstances in ways that don’t fit in the old ones.

They’ve left our world as children and come back as teenagers. They left as dependent children and come back after having been forced to look after themselves. They left as innocents and come back with experience that no one believes.

Their parents desperately want them to be “normal” again, unable or unwilling to recognize that they ARE normal for the life they led on the other side of their door.

The lucky ones find themselves at Eleanor West’s, a place where their experience is accepted as having been real – even if their hope for return to it is seen as extremely unlikely at best. Eleanor West gives them the chance, not so much to accept that they’re stuck as to find a way to live with their situation rather than pretend that it never happened.

Not all of the children are lucky enough to end up at Eleanor West’s Home. Some of them end up in psychiatric institutions, and/or drunk or drugged into insensibility, whether by themselves or others.

And some of them end up someplace worse. They get sent to the Whitethorn Institute. If for every action there is an equal and opposite reaction, then the Whitethorn Institute is that opposing reaction to Eleanor West’s. In every possible way.

Cora Miller, whom we met in Beneath a Sugar Sky and whose story continues in Come Tumbling Down (which I haven’t read and I seriously need to!) feels like the Drowned Gods she invoked in that second adventure have followed her back to Miss West’s. And that they’re coming for her.

In desperation, Cora turns to the one place where belief in the doors and the worlds on the other side of them is ruthlessly suppressed. She believes it’s done with the power of science and cold, hard logic. So she commits herself to the Whitethorn Institute in the hope that they will cure her of her longing for the worlds behind the doors – and of their hunger for her.

What she finds is something else altogether. And it’s just as hungry for her and her power as the Drowned Gods ever were.

Escape Rating A-: Where the Drowned Girls Go, at least so far, was the hardest read in this series. Not that any of them are easy, because much of the series is about accepting yourself for who and what you are, and finding a family that will accept you as the person you are and not the person they want you to be.

Overall, it’s a series about diversity and acceptance. That means two things. One, that it explores all types of diversity, not just race – actually not explicitly race at all – but rather the way that people don’t fit into stereotypical boxes at all and learning to celebrate those differences.

What makes this a particularly hard read is that the way the story showcases that acceptance is by first showing its lack – in intense and painful detail. Cora is already outside the box labeled “normal” because she came through a door. She’s asexual due to a birth anomaly. And she’s built tall and strong and plump, because she lived in water worlds where those were survival traits. And none of them are what girls in this world are supposed to be.

She’s already internalized the messages for girls to be “girly”, flirty and tiny and weak and thin, and has a lot of self-hatred because she’s none of the above. The Whitethorn Institute encourages the children in its dubious “care” to show the worst of themselves, so Cora is bullied and teased for being different – in addition to everything else that’s wrong at Whitethorn.

It starts out being a school where the mean girls seem to be pampered princesses and everyone else is either under their thumbs or outcast. It’s an environment that was hard to take before Cora starts digging deeper into just how wrong things really are.

The Institute’s methods are cruel and repressive, forcing the children to lie to themselves and each other about their experiences, punishing transgression and nonconformity through bullying, and as Cora discovers, using the magic of the doorways to suppress individuality and identity. Cora has a choice to make, to let herself be lost or to be a hero one more time.

And that’s the point where things finally start looking up.  Because that’s where the adventure aspect of the series kicks in, when Cora accepts that she can’t do it all alone and that she needs her friends from Miss West’s to help her get to the bottom of a situation that is way too big for one girl to solve alone.

Which is part of the message of the whole series. None of the stories so far have been just one person’s story. These are stories about accepting people for who they are, and learning to accept oneself the same. They’re adventures that require friends and found family to come out the other side, whole as part of a greater whole.

While this particular entry in the series turned out to be an unexpected readalike for A Spindle Splintered, the whole series interweaves back and forth in ways that make a bit of mockery of any concept of reading order and downright encourage readers to rove from book to book, from door to door, and back again.

I read Where the Drowned Girls Go in the middle of my exploration of Eleanor West’s Home for Wayward Children. I started with the first book first, Every Heart a Doorway, Then book 6, Across the Green Grass Fields (Cora finds the heroine of that story at Whitethorn’s), then this book, and finally books 2 and 3, Down Among the Sticks and Bones and Beneath the Sugar Sky.

The next book in this series, Lost in the Moment and Found, won’t be found on bookshelves and ereaders until a whole, entire year from now, so I’m lucky I still have In an Absent Dream and Come Tumbling Down to look forward to!

Review: Jade Legacy by Fonda Lee

Review: Jade Legacy by Fonda LeeJade Legacy (The Green Bone Saga, #3) by Fonda Lee
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, urban fantasy
Series: Green Bone Saga #3
Pages: 713
Published by Orbit on November 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Jade, the mysterious and magical substance once exclusive to the Green Bone warriors of Kekon, is now known and coveted throughout the world. Everyone wants access to the supernatural abilities it provides, from traditional forces such as governments, mercenaries, and criminal kingpins, to modern players, including doctors, athletes, and movie studios. As the struggle over the control of jade grows ever larger and more deadly, the Kaul family, and the ancient ways of the Kekonese Green Bones, will never be the same.
The Kauls have been battered by war and tragedy. They are plagued by resentments and old wounds as their adversaries are on the ascent and their country is riven by dangerous factions and foreign interference that could destroy the Green Bone way of life altogether. As a new generation arises, the clan’s growing empire is in danger of coming apart.
The clan must discern allies from enemies, set aside aside bloody rivalries, and make terrible sacrifices… but even the unbreakable bonds of blood and loyalty may not be enough to ensure the survival of the Green Bone clans and the nation they are sworn to protect.

My Review:

As the final book in the epic – but not necessarily epic fantasy – Green Bone Saga, the story here deals with resolving the past and turning towards the future. In other words, the legacy of the two rival Green Bone clans in Kekon; The Mountain and No Peak.

A legacy that both clans continue jockeying over and for every step of the way – until the bitter end of not one but two old tigers that we’ve watched fight for control through three marvelous books.

The story that began in Jade City centered on the hot war for the city of Janloon between the Mountain clan led by the master strategist Ayt Madashi and the Mountain’s former allies turned bitter enemies, the No Peak clan founded by the Kaul family and led in its current generation by the wartime chief, or Pillar as they are termed in Asian-inspired Kekon, Kaul Hilo with his sister Kaul Shae at his side as the business leader or Weather Man of the clan.

That Ayt Mada is the first female Pillar, while Kaul Shae is the first female Weather Man is part of the long struggle between the clans.

That hot war switches to a cold war in Jade War, as the two clans have become so large and control so much of their country that neither can manage to swallow the other. Instead they fight through foreign subsidiaries, mercenaries, and proxies.

By the time that Jade Legacy begins, that cold war has turned into a “slow war” with the Ayt and Kaul families on opposite sides of both local and international conflicts. They cooperate in small ways while backing up their international proxies with money, jade, and in the case of the Mountain, the drugs that allow non-Kekonese to master the Jade disciplines. The larger countries, the Republic of Espenia and Ygutan, believe that the Ayts and the Kauls are tributaries in their wars, when from the Kekonese and clan perspectives, both clans of Green Bones are using their allies instead.

The story of Jade Legacy takes place over a span of 20+ years, as Kaul Hilo and Ayt Mada mature and even begin to grow old as both adversaries and jade warriors. As the saying goes, “Jade warriors are young, and then they are ancient.” When the story began in Jade City, they were young, barely into adulthood, newly and unexpectedly the Pillars of their respective clans, still under the long shadow cast by their predecessors, the Spear and Torch of Kekon who threw out an attempted colonization by powers who thought they could not be defeated by barbarian savages.

Jade War is the story of both in their prime, while Jade Legacy is about the long, slow progression of Kekon in their wider world, and of the transition from their generation to the next as we see Hilo’s children and the children of his family and friends grow to take their places in the clan.

It’s an epic, uplifting and heartbreaking by turns. It’s a sprawling family saga, in the same way that The Godfather was a family saga. A story about multiple generations of a family, of people who do some very bad things for what they perceive or believe are good reasons. People who are often thought of as criminals by outsiders, and whom we feel for anyway. Deeply.

Escape Rating A++: This book, and this entire series, deserve all the stars. I picked this to be the last review of the year because I wanted to finish this year’s reading with a real bang of a winner, and Jade Legacy delivered all the highs and lows I could possibly have ever wanted.

I started with the audio on this, which was ,as usual, excellent. But I read a lot faster than I listen, and I desperately needed to know how this one ended so I finished in one epic, 5-hour reading binge. I still have the epic book hangover to go with that long binge followed by that bang of an ending.

As I look back on the whole thing, the Green Bone Saga feels like it’s Shae’s story. At the beginning, she’s on her way home from exile in Espenia to pay her respects to her dying grandfather, the old hero once known as the Torch of Kekon. In the wake of his passing, Kekon explodes, eventually leaving Shae as the first female Weather Man of her clan to her brother Hilo’s Pillar.

Shae is at the center of the whole saga. Hilo and Ayt Mada may grab all the attention in the foreground of the story as much of the action centers on the more active aspects of their feud, but Shae is always in the room where it happens – and is the cause of much of it happening. And in the end, Shae is the last one of her generation still standing. Even the formidable Ayt Mada has been brought low. Only Shae is left to tell their story. And I grieved with her at the ending of it all.

It began as a story about what happens to a family and a society after the revolution has been won. How do you keep the ideals alive in the second and third generations as the memory fades and the wider world seduces with new temptations and new shortcuts?

It ends as a story about moving forward into the future by setting aside the old grievances without leaving behind the old virtues.

Ultimately, the contest between the Mountain and No Peak was a war of differing perspectives on how to accomplish that feat. And the difference between them came down, not to a specific strategy or even a specific individual, but rather a contest between a leader who relied only on herself and accepted no vision and trusted no word other than her own – and a leader who was not afraid to gather the best and the brightest around himself, listen to them even when they disagreed with him, and let them do their damn jobs. One person’s vision of “the greater good” vs. the squabbling but ultimately unified vision of an entire family.

Watching them rise, and fall, and rise again is a journey very worth taking. If you have not yet had the pleasure, start with Jade City and be prepared for a wild, satisfying and heartbreaking ride. I envy you the journey.

Although the story of the Kaul family and the No Peak clan has come to a fittingly bittersweet ending, there is still one brief visit to Janloon to look forward to. The Jade Setter of Janloon, a prequel novella for the trilogy, will be out in the spring of 2022. And I’m glad because I’m not at all ready to let this family and this world go.

Review: The Untold Story by Genevieve Cogman

Review: The Untold Story by Genevieve CogmanThe Untold Story (The Invisible Library #8) by Genevieve Cogman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: fantasy, gaslamp, historical fantasy, steampunk, urban fantasy
Series: Invisible Library #8
Pages: 352
Published by Ace on December 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In this thrilling historical fantasy, time-traveling Librarian spy Irene will need to delve deep into a tangled web of loyalty and power to keep her friends safe.
Irene is trying to learn the truth about Alberich-and the possibility that he's her father. But when the Library orders her to kill him, and then Alberich himself offers to sign a truce, she has to discover why he originally betrayed the Library.
With her allies endangered and her strongest loyalties under threat, she'll have to trace his past across multiple worlds and into the depths of mythology and folklore, to find the truth at the heart of the Library, and why the Library was first created.

My Review:

Heist and caper stories often open at the close, meaning that the reader – or viewer in the case of TV and movies – comes into the story as the caper either appears to be succeeding or failing. Then the story jumps back to the beginning and we get to see how the situation and characters got into the rather large pickle that they were in when we joined the action.

This final book in the Invisible Library series closes at the open. When we first met Irene Winters all the way back in the first book, also titled The Invisible Library, as far as the existence of the Library and Irene’s place in it were concerned, the story is in medias res, the middle of the matter.

As the story has progressed, many of Irene’s adventures have been heists or capers or both, as she generally finds herself and her friends and companions not just jumping from the frying pan into the fire, but in messes where it’s frying pans and fires all the way down.

But part of the reason for all the perils that Irene finds herself facing is that the situation between the worlds is deteriorating. The Library and its librarians guard the balance between the absolute order of the Dragons and the utter chaos of the fae.

Because the worlds in the center, the worlds that have enough chaos to prevent tyranny and allow for growth, but that also have enough order for laws and organizations and society in general to manage to function, are the only worlds on which humans thrive.

And all the librarians, except for Irene’s former apprentice, the Dragon Prince Kai, and her current apprentice, the fae bibliophile Catherine, have been human.

Someone is eliminating worlds at the far ends of the spectrum, both worlds of extreme order and worlds of absolute chaos. Someone wants to destabilize the Library and the fragile peace it brokers between the Dragons and the Fae.

In order to figure out who or what is leading their entire system into destruction, Irene will have to go all the way to the beginning of things. To the lost myths of the foundation of the Library itself. And to the truth of her own origins.

Escape Rating A: The madcap misadventures of librarian Irene Winters come to a rollicking conclusion in this final book in the epic Invisible Library series.

While this series has been very much one caper after another, the lighthearted tone of the series has slipped towards a more serious turn as it has continued. After Irene’s discovery at the end of the previous book, The Dark Archive, that she’s not the biological daughter of the two librarians who raised her, the foundations of Irene’s world have taken more than a bit of a beating.

It’s not just that her adoptive parents lied to her – along with the collusion of the Library itself, but that while Irene may not exactly be the Library’s equivalent of Luke Skywalker, her sperm donor is very definitely the Library’s version of Darth Vader – and he is her father, a revelation that lands with the same “THUD” that it does for Luke in The Empire Strikes Back.

Vader is, at least at that point in the series, exactly the villain that everyone thinks he is. Alberich’s status is a bit less clear. Not that he hasn’t committed a lot of terrible acts, but that the reason behind those terrible acts is not nearly so simple – or so black and white – as Vader’s turn to the Dark Side.

Just as Irene’s discovery of her parentage – and the Library’s role in covering it up – lead to questions that no one wants to answer, so too do her questions about the true origin of the Library itself. A truth that is shrouded in myths and legends that no one really wants to examine.

But that’s what Irene does, because that’s who she is. Librarians don’t know everything. What librarians know, in real life as well as in fantastic stories like this one, is how to find things out. Even things that no one wants found. Even things that will shake the foundations of the world.

The Untold Story has been untold for centuries because too many beings have a vested interest in NOT exposing the truth at the heart of their world. But Librarian Irene Winters tells that story anyway. And it’s the wildest ride she’s ever taken us on.

This is an intensely compelling ending to a fascinating saga. If you haven’t yet visited the Invisible Library, start at the beginning and settle in for a wild, woolly and wonderful ride.

Review: Boundaries edited by Mercedes Lackey

Review: Boundaries edited by Mercedes LackeyBoundaries (Tales of Valdemar #15) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: epic fantasy, fantasy
Series: Valdemar (Publication order) #53, Tales of Valdemar #15
Pages: 368
Published by DAW Books on December 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

This fifteenth anthology of short stories set in the beloved Valdemar universe features tales by debut and established authors and a brand-new story from Lackey herself.
The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages--and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents--combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more--make them indispensable to their monarch and realm. Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

My Review:

After reading – and loving – Beyond, the opening book in the Founding of Valdemar prequel series, I was reminded of just how much I loved this world, and how many stories it still had to tell. So when Boundaries popped up, it seemed like a good time to see if that good feeling about Valdemar still held up.

Because there are so many stories yet to tell in this world, and Boundaries is the fifteenth book of a long-standing series of Tales of Valdemar told by writers who have fallen in love with this well-developed world and have been given the opportunity to explore a bit of it that has piqued their love and interest.

Some collections I dip into and out of in various places within the collection, looking for stories with certain features or certain characters. And not that I don’t love the Firecats, because cats. There’s a long, long ago Valdemar story where two Firecats, at the end of an adventure, have a taste for “field mice on toast” and are planning to go out and hunt for their field mice, admonishing their human on the way out the door that “Toast will be provided!” And isn’t that just cats all over?

The theme of this collection is, just like it says on the label, boundaries, particularly the boundary between Valdemar and Karse. A border that has been a tense place where two countries with conflicting views on just about everything – magic, religion, freedom and opportunity – observe an uneasy peace that is all too often neither easy or peaceful.

Borders are always interesting places, as they are where unlike things and people rub up against each other with interesting, and occasionally even incendiary, results. As it proves in several of the stories in this collection.

Escape Rating B+: Like all collections, some entries are stronger than others. And some work for more people than others. But it was still wonderful to visit Valdemar and its neighbors again, so I’m happy I picked it up.

My favorite story in the collection is “A Time for Prayer” by Kristin Schwengel as it manages to tell a story that both displays the fear in which the hierarchy of the Sunpriests of Karse is held by most people while at the same time showing the service of the priests at the local level to their communities and the surprising flexibility of how that service is performed. Priests are supposed to be men – and only men – in Karse. And yet this is the story of a woman who has been trained by the previous priest in this little village as his acolyte and who, in spite of all the laws and strictures against it, steps fully into his place upon his death. Who, in spite of her fears is not found wanting by her god, no matter what those who believe they speak in his name might believe.

There are also two lovely stories about healers, “Tides of War” by Dylan Birtolo and “Final Consequences” by Elizabeth Vaughan. The first is about a young soldier during and after his first battle (against Karse, of course!) discovering that in spite of what everyone else thinks, both he and his country would be best served if he became a battlefield medic rather than one of their patients.

While “Final Consequences” takes place far from a battlefield, it tells a lovely story about the life of a healer, the demands on their time, the joy of their work, and the way that their service leads to both a full life and just occasionally, a happy ever after. In a setting where not all battles involve obvious bloodshed.

And of course, last but not least for this reader, there’s a cat story. Not a Firecat story, but a cat story. “A Clutter of Cat” by Elisabeth Waters is just an adorable story, not entirely filled with kitten fluff, about a community centered around the ability to Mindspeak animals – and some of the resistance to that gift. Along with some resistance to the cats who are, after all, just being cats.

Review: When the Goddess Wakes by Howard Andrew Jones

Review: When the Goddess Wakes by Howard Andrew JonesWhen the Goddess Wakes (The Ring-Sworn Trilogy, #3) by Howard Andrew Jones
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Ring-Sworn Trilogy #3
Pages: 336
Published by St. Martin's Press on August 24, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In When the Goddess Wakes, the final book of the Ring-Sworn trilogy, Howard Andrew Jones returns to the five realms of the Dendressi to conclude his heroic, adventure-filled epic fantasy trilogy.
The Naor hordes have been driven from the walls, but the Dendressi forces are scattered and fragmented, and their gravest threat lies before them. For their queen has slain the ruling council and fled with the magical artifacts known as the hearthstones, and she is only a few days from turning them to her mad ends.
The Altenerai corps has suffered grievous casualties, and Elenai's hearthstone and her source of sorcerous power has been shattered. She and her friends have no choice but to join with the most unlikely of allies.
Their goal: to find the queen's hiding place and somehow stop her before she wakes the goddess who will destroy them all...
Praised for his ability to write modern epic fantasy that engrosses and entertains, Howard Andrews Jones delivers a finale to his trilogy that reveals the dark secrets and resolves the mysteries and conflicts introduced in the first two books of this series.

My Review:

“When last we left our heroes…” Seriously. When we last left the heroes of the Ring-Sworn Trilogy at the end of Upon the Flight of the Queen it was in the pause, stock taking and toting up of the butcher’s bill after the end of another epic battle to retake another city of the Realms by the remaining loyal corps of the legendary Altenerai.

In other words, the ending of Upon the Flight of the Queen is not all that different from the ending of the first book in the series, For the Killing of Kings, as it also ends in that same pause at the end of an epic battle after retaking a different city of the Realms.

In other words, if you enjoy really meaty epic fantasy, the place to start this series is with the first book, For the Killing of Kings. Which itself begins a bit in the middle of a story that has already been rotting the Realms from within. But by starting there, you have the opportunity to discover what’s gone wrong and who the real enemies are along with our heroes.

The titles of this series are surprisingly relevant to the story – if just a bit long-winded. For the Killing of Kings is all about the discovery that the legendary sword of the same name is NOT hanging safely on the walls of the Altenerai compound. That a fake has been mounted in its place. It’s the first signal that something is rotten, not in the state of Denmark, but in the state of the Five Realms of which Darassus is the seat of power.

The action in Upon the Flight of the Queen takes place, quite literally, as the result of the flight of Queen Leonara from Darassus to a formerly mythical paradise world where she plans to resurrect a goddess. In fact “THE Goddess” whose awakening is the key event in this final book in the series.

The Queen plans to wake the goddess believing that she has promised them a paradise. Our heroes hope to stop her, because any paradise that’s been built on as many lies as Queen Leonara has been telling is bound to be anything but.

But this has been, from the very beginning, a story of unlikely allies and unexpected betrayals.

The enemy of my enemy may not exactly be my friend, but when my enemy plans to destroy the entire world including both the enemy of my enemy and myself – and every other person, animal, place and thing in that entire world, the enemy of my enemy and I – or in this case the Altenerai, and the Naor, are more or less united in the face of the alternative.

But there is someone waiting in the wings, hoping to take advantage of the chaos that will ensue when the goddess wakes. And there’s a literal God of Chaos, waiting to have a few words with the Goddess who betrayed him at the beginning of the world – before she makes an end of it.

Escape Rating A: At the beginning, this series reminded me more than a bit of A Chorus of Dragons. That both series began with books named for swords prophesied to kill kings (The Ruin of Kings for A Chorus of Dragons) did kind of hit that resemblance on the nose a bit. That both series are ultimately about the neverending battle between order and chaos, and that the gods in both series are not exactly what anyone thought they were does keep that resemblance going.

And even though A Chorus of Dragons hits heights that the Ring-Sworn Trilogy never quite reaches, if you like this you’ll love that and vice versa. Particularly if you’re looking for an epic fantasy that isn’t quite as epically long and is already complete.

This story has a huge cast, but the many main characters have become distinct enough that it’s relatively easy to follow along and stay in touch with each of them as they move the action towards the conclusion. After a bit of a rocky start the audio narrator managed to get past her earlier mispronunciations and malapropisms to deliver a solid performance that does a good job of differentiating between the voices of the main characters. It also helps that by the point of this third volume, the story’s focus has shifted so that many of the points of view are female, and that the former squire Elenai has become a leader of the Altenerai and possibly the future Queen.

It works better for me if the reader’s voice matches the main character’s voice no matter how many other characters there are. This just was not true in the first book but became true in the second and is very clear and well done in this one.

The entire trilogy has been an “out of the frying pan into the fire” “things are always darkest just before they turn completely black” kind of story, and that’s still true in this book up until the nearly bitter end. And I did tear up a bit at some of the darkest and bitterest points. This is a story of snatching victory from the jaws of defeat, only to have that victory stolen in its turn by the epic betrayals that fuel so much of the action.

But it’s also a tense, gripping tale about unlikely heroes banding together in spite of all their differences and prior enmities. And it’s a story of companionship and found family found in the most unexpected of places.

In the end, the Ring-Sworn Trilogy’s epic conclusion is one of the rare occasions when what appears to be a deus ex machina ending not only involves very real dei, but that their involvement turns out to be the right way to bring the whole thing home, with an ending that manages to mix just the right touch of bitter into the sweet hurrah.

Review: Knot of Shadows by Lois McMaster Bujold

Review: Knot of Shadows by Lois McMaster BujoldKnot of Shadows (Penric & Desdemona #11) by Lois McMaster Bujold
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: epic fantasy, fantasy
Series: Penric and Desdemona #11
Pages: 111
Published by Spectrum Literary Agency on October 21, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & Noble
Goodreads

When a corpse is found floating face-down in Vilnoc harbor that is not quite as dead as it seems, Temple sorcerer Penric and his chaos demon Desdemona are drawn into the uncanny investigation. Pen’s keen questions will take him across the city of Vilnoc, and into far more profound mysteries, as his search for truths interlaces with tragedy.

My Review:

There’s a fine line between justice and vengeance. In the World of the Five Gods, that line is the white of the Fifth God, the Lord Bastard, the god of chaos, criminals and unexpected blessings, often of the “may you live in interesting times” and “be careful what you wish for” varieties. The Bastard is the god that Learned Penric, sorcerer and divine, serves in whatever way his god deems best – or whatever way will screw up Penric’s life the most at the time. If the White God has his way – and he usually does – it’s generally both at once.

After all, if Murphy’s Law has a god, it’s the Lord Bastard.

Penric gets called when uncanny things happen in the port and city of Vilnoc, or in the Court of the Duke of Orbas, which are the same place in summer. But not in winter when the port city is cold and the Duke retreats inland where it’s a bit less so, leaving Penric, who is also the court sorcerer, to concentrate on his other duties and avocations, like his growing family, his service to the Temple, and his scholarship.

But there are always interruptions, and this one is a bit of a mystery that gets bigger and has more profound implications as it goes along.

A corpse was washed ashore, not uncommon in a port city. The dead man was assumed to be a drowning victim, also not uncommon. Until he “woke up” and began knocking on the locked door of the hospice morgue – from the inside.

That’s not common at all. It’s also not all that rare in a world where rogue demons can possess the dead. When THAT happens, putting things to rights is the province of the Bastard, so Penric, as the highest ranked priest of the White God in Vilnoc, trudges to the hospice with the intent of sending the rogue demon to his god and letting the hospice deal with the funeral rites for the unnamed deceased.

But the case isn’t nearly that simple. The body has not been possessed by a demon, but it has been possessed. One of the many ghosts that naturally haunt a place where people meet their end has found a new home in the body. Which leaves Penric on the horns of a serious moral and ethical dilemma, as well as a chilly quest to discover both who the victim was and who wanted him dead so badly that they were willing to sacrifice their own life in order to achieve it.

The Bastard is, among his many other titles and attributes, the deliverer of justice when all justice fails. Worldly justice failed this man’s victims, but divine justice has not. It’s up to Penric to figure out who and how and why, to clean up any loose ends that his god might have left behind.

Escape Rating A-: OMG this was the right book at the right time. Last week’s reading ended on a major fail, so I was looking for something that I was even more certain would be a terrific read. I was also looking for a story of people being competent and accepted for their competence, as Penric finally has been. (He needed to grow up first, and he has.) What I especially loved about this entry in the series is that it’s both a puzzle to be solved AND displays the way that things in this world WORK, both in the sense of how things are done as well as in the way that justice is finally served. The way that even though human justice failed, divine justice was able to balance the scales.

The fascinating thing about this series is that we view the story from inside Penric’s rather crowded head. It’s not just Penric in there, it’s also his temple-trained demon Desdemona, and the memories of all the people (and a couple of animals) that Desdemona rode before she came to Penric. From Penric’s perspective, it’s rather like having a dozen older sisters living in his head, because all of Desdemona’s previous companions have been female. Even the animals.

Desdemona has a personality all her own. She doesn’t always agree with Penric, and she often knows best because her experience is considerably longer than his. They are partners and the relationship is deep and rich and frequently hilarious, because Desdemona sits on Penric’s shoulder like a demon of temptation, and Penric doesn’t need anyone to lead him in that direction. He already knows the way.

In this particular case, it’s Desdemona who is able to identify what’s going on, but it’s Penric’s logic and his legwork that discovers the solution to the mystery. Which turned out to be sad but ultimately cathartic.

Still, this is a story where the journey is what keeps the reader – or at least this reader – turning pages. It’s whodunnit and whydunnit wrapped into one tantalizing package, with just a bit of philosophy added for seasoning.

All the novellas in this series are wonderful little reading treats, just right for a change of pace or something to fill in the corners after a big epic book hangover. If epic fantasy by the mouthful appeals to you, start with Penric’s Demon – just as Penric himself did – and be prepared for a wonderful reading time.

Review: Elder Race by Adrian Tchaikovsky

Review: Elder Race by Adrian TchaikovskyElder Race by Adrian Tchaikovsky
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, science fiction, space opera
Pages: 176
Published by Tordotcom on November 16, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In Adrian Tchaikovsky's Elder Race, a junior anthropologist on a distant planet must help the locals he has sworn to study to save a planet from an unbeatable foe.
Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way.
But a demon is terrorizing the land, and now she’s an adult (albeit barely) and although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it).
But Elder Nyr isn’t a sorcerer, and he is forbidden to help, for his knowledge of science tells him the threat cannot possibly be a demon…

My Review:

No one believes there really is a demon attacking the borders of her mother’s kingdom, except for the Queen’s frequently ignored fourth daughter. Because Lynesse, the disrespected and disregarded Fourth Daughter of the Queen, believes in the old hero tales of her ancestors. So when a demon attacks the borders of the kingdom, Lynesse goes to the tower of Nyrgoth Elder, the great sorcerer who helped her great-grandmother defeat a demon over a century ago.

Because Nyrgoth, rather foolishly in his own opinion, promised Astresse that if she, or any descendants of her line, called upon him in his remote tower and requested his aid, he would answer. Even though he knows he shouldn’t.

Even though he secretly hoped that she would come herself, and soon, to rescue him from his profound loneliness. Just before he went back into the deepest of sleeps for another century, only to be awakened by the great-granddaughter of the woman he loved to face a promise he should never have made.

If this sounds like fantasy, it is. But it’s also science fiction, part of a long and storied list of works where Earth seeded other planets by sending out colony ships to far distant worlds – and then forgot about them, one way or another.

And those colony worlds, either deliberately or through the fullness of time, distance and absence, forgot that once upon a time their ancestors traveled the stars.

Like Pern, and Darkover, and Harmony and Celta, among many others, the descendants of those colonists lost the knowledge of how to use the high-tech that brought them, or deliberately buried that aspect of their history, until something happens to remind them. Either by discovering the wreck of the original ship, as occurred in both Pern and Celta, by rediscovering the documentation, a la Harmony, or by Earth ships returning to reclaim their lost colony – only to learn that their supposedly lost colony wants little or nothing to do with them, as was the case in Darkover.

Elder Race represents an entirely different possibility, one that will be familiar to anyone who remembers the Star Trek Next Gen episode “Who Watches the Watchers”, where a Federation science outpost is observing a proto-Vulcan culture as an anthropological study. The planetary inhabitants are not supposed to know they’re being watched, but technology glitches and damage control ensues in an attempt to minimize the cultural contamination that was never supposed to have happened in the first place.

Nyrgoth, actually Anthropologist Second Class Nyr Illim Tevitch, takes the place of the Federation in Elder Race. Earth sent a team of sociologists and anthropologists to Sophos 4 to observe the progress of the colony that had been implanted centuries before, had no knowledge of their high-tech origins, and had returned to a much lower level of technology than the one they came from.

But his team returned to Earth centuries ago. As often happens in lost colony stories, Earth was in a crisis and sent a recall. Nyr was left behind, in the belief that his teammates would return in the not too distant future. Which hasn’t happened yet and Nyr no longer has any expectation that it ever will.

He’s done his best to maintain his mission. Except that one time when Astresse banged on the door of his tower, dragged him out of said tower to fix something that was a direct result of the high-tech left behind by the original colonization, and pretty much broke his heart when she went to rule her now-safe kingdom and he took himself back to his lonely tower because that was what he was supposed to do.

Now one of Astresse’s descendants has banged on his door, intending to remind him of his promise but inadvertently reminding him that he’s all alone on this world and that his choices are limited to putting himself out of his own misery, going mad with loneliness, or admitting that his mission is over and it’s time to join the world he has instead of mourning for the one that has forgotten him.

If he can just find a way to get rid of this pesky bit of hybrid technology that is masquerading as a demon, before the situation gets more FUBAR’d than it already is..

Escape Rating A+: The story in   alternates from fantasy to SF and back again as it switches its point of view from Lynesse to Nyr and we see from inside their heads how vastly different their worldviews are.

But no matter whose eyes we’re using to see the world, their emotional landscape is surprisingly similar while being not just miles but actually lightyears apart at the same time. There’s a point in the story where Nyr attempts to tell Lynesse the unvarnished truth about her world and his place in it, but the chasm between their respective understandings is so huge that no matter what he says, she still hears his story in the terms that she understands, terms of myth and legend, tales of heroes and demons, and magic capable of changing or destroying her world.

While Nyr is constantly aware that the only magic he is capable of is of the Clarke variety, the kind that “all technology, sufficiently advanced, is indistinguishable from.”

In the end, this felt like a story about opposing beliefs and perceptions. She believes he’s a great wizard. He believes he’s a second-class and second-rate anthropologist. She believes he’s a hero out of legend. He believes that she’s the hero and that he’s a faker, a failure, or both. She believes that he can save her people, because she’s not capable of doing it herself. He believes that she’s every bit the hero that her great-grandmother was, and that he’s just along for the ride.

They’re both right, and they’re both wrong. They are also both, in spite of appearances, very, very human.

One of the best things about this story is the way that they manage to save the day, fight their own demons, and ultimately develop a strong and sustaining friendship that never trips over the line into the possibility of romance. Because it really, really shouldn’t. They’re too far apart and too unequal in too many ways for that to work. Instead, they hesitantly reach towards a friendship that is strong and true and forged in fire – and looks to be the saving of each of them.

And it’s a terrific read that manages to be both perfect in its relatively short length while still leaving the reader wishing there were more.

Review: Isolate by L.E. Modesitt Jr.

Review: Isolate by L.E. Modesitt Jr.Isolate (The Grand Illusion #1) by L.E. Modesitt Jr.
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, gaslamp, political thriller, steampunk
Series: Grand Illusion #1
Pages: 608
Published by Tor Books on November 16, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

L. E. Modesitt, Jr., bestselling author of The Mongrel Mage, has a brand new gaslamp political fantasy Isolate.Industrialization. Social unrest. Underground movements. Government corruption and surveillance.
Something is about to give.
Steffan Dekkard is an isolate, one of the small percentage of people who are immune to the projections of empaths. As an isolate, he has been trained as a security specialist and he and his security partner Avraal Ysella, a highly trained empath are employed by Axel Obreduur, a senior Craft Minister and the de facto political strategist of his party.
When a respected Landor Councilor dies of "heart failure" at a social event, because of his political friendship with Obreduur, Dekkard and Ysella find that not only is their employer a target, but so are they, in a covert and deadly struggle for control of the government and economy.
Steffan is about to understand that everything he believed is an illusion.

My Review:

The Grand Illusion of the series title is the illusion that the government (any government) can solve every problem and make everyone happy – all at the same time. But as the story unfolds it acknowledges that this is very definitely an illusion, that a government can possibly make nearly all of the people happy some of the time, that it can certainly make some of the people happy nearly all of the time, but that making all the people happy all the time is neither possible nor realistic.

Although good people in government can do their best to walk the tightrope, to do the best job they can for most people most of the time. If they devote their lives to it and are even willing to give those lives in order to do the most good for the most people most of the time – even in the face of those same people not recognizing that it’s being done while resenting that it isn’t being done nearly fast enough..

In other words, this is a political story, told through fascinating characters. It also reads like a story about how to potentially stage a coup from the inside – and how to stop it. That could just be reading the real-life present into the opening salvo in what I hope will be a long and fascinating series. But the interpretation feels right to me and your reading mileage may vary.

So Isolate examines the dirty business of politics, as seen through the eyes of someone with an intimate view of just how the sausage is made, as the saying goes, and finds himself on the inside of an attempt to make it better. Or at least tastier for considerably more people than is currently the case.

Isolate can be read as an exploration of how politics and government work as well as a continuous discussion about how they should work, but the story is wrapped around the characters and that both personalizes it and makes it easier to get swept up in the discussion right along with them. It can also be read simply as a “power corrupts” type of story and it certainly works on that level, but it’s also competence porn of the highest order and I absolutely could not put it down.

(Speaking of not being able to put this down, readers should be aware that the count of 608 pages is a serious underestimate. It’s 15,000 kindle locs. I know there’s not a direct translation from locs to number of pages, but as an example, Jade City by Fonda Lee, which is awesome, BTW, is 560 pages and 7684 kindle locs. No matter how loosely you do the math, based on my reading time Isolate is more likely 806 pages, or more, than it is 608, unless they are very large pages and the print is very, very small. It is absolutely worth reading, I loved every minute, but it will take more time than you might think it will from the page count.)

I recognize that I’m all over the map in this review. There is a lot to this book, and it’s one that made me think quite a lot as I was reading it.

As I said earlier, there were quite a few points where it felt like a story about how to stage a coup from the inside – and how to stop it. At first, I thought that those currently in power were setting up the kind of coup that nearly happened in the U.S. after the election, but it didn’t get to quite that level of skullduggery – not that there wasn’t plenty but it didn’t go quite that far in quite that direction.

But there’s also an element that the forces of “good” or at least the forces we follow and empathize with the most, are staging a coup from inside the government but outside of real power to make change. That feels kind of right, but as it’s handled in the story it’s legal and on the side of the “angels”.

While never glossing over the fact that politics is a dirty business, and even those on the side of the “angels” sometimes have to get their hands dirty – even if by proxy.

Escape Rating A+: What made this story work for me was the way that it completely embodied its political discussions and political maneuvering in its characters. There’s a lot of necessary exploration and explanation of what government can and can’t, and should and shouldn’t, do for its people, in this country that reads just enough like ours – or Britain – to feel relevant without feeling so close that it ends up being either a political treatise or a work of alternate history.

Instead, it ends up being the story of three people doing the best that they can to help their country in spite of everyone who tries to get in their way. In the process, they all rise above the place they expected to be, and that’s just the kind of story I love to sink into.

It takes a bit to get the reader firmly ensconced in this world with these characters, but once it does, it’s riveting. And it ends, not so much with triumph – although that element is there – but with the sure and certain knowledge that Steffan, Avraal and Obreduur have plenty of work left to do. They’re eager to get started, and I’m eager to read what happens next in Councilor, due in August 2022.

Review: Brothers of the Wind by Tad Williams

Review: Brothers of the Wind by Tad WilliamsBrothers of the Wind by Tad Williams
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy
Pages: 272
Published by DAW Books on November 2, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Set in the New York Times bestselling world of Osten Ard, this short novel continues the saga that inspired a generation of fantasists
Pride often goes before a fall, but sometimes that prideful fall is so catastrophic that it changes history itself.
Among the immortal Sithi of Osten Ard, none are more beloved and admired than the two sons of the ruling family, steady Hakatri and his proud and fiery younger brother Ineluki -- Ineluki, who will one day become the undead Storm King. The younger brother makes a bold, terrible oath that he will destroy deadly Hidohebhi, a terrifying monster, but instead drags his brother with him into a disaster that threatens not just their family but all the Sithi -- and perhaps all of humankind as well.
Set a thousand years before the events of Williams's The Dragonbone Chair, the tale of Ineluki's tragic boast and what it brings is told by Pamon Kes, Hakatri's faithful servant. Kes is not one of the Sithi but a member of the enslaved Changeling race, and his loyalty has never before been tested. Now he must face the terrible black dragon at his master's side, then see his own life changed forever in a mere instant by Ineluki's rash, selfish promise.

My Review:

It’s hard to believe that The Dragonbone Chair was published over 30 years ago. A whole lifetime ago. I read it as it was published, and I remember loving it and waiting impatiently for each book but don’t remember anything about the story. I DO remember attempting to read one of the author’s later series (Otherland) and failing miserably.

But that was a long time ago, and the past is another country, so when this book popped up on Edelweiss I thought, “Why not?” As this is a prequel to Memory, Sorrow and Thorn, the trilogy that began with The Dragonbone Chair, I figured that I didn’t NEED to remember anything at all to get into this one.

And I was right. The writing was as lush and descriptive as I sorta/kinda remembered, but I didn’t need to look up anything about the plot of the original books to get into this one – because none of those events had happened in this world. Not yet anyway.

So the story here stood alone. And thankfully didn’t stand nearly as long as the original trilogy, which I may remember fondly but also remember as doorstop-sized. Each. (Also, don’t worry about the designation of this book in some places as following or being part of the Last King of Osten Ard series. Last King is a sequel to Memory, Sorrow and Thorn and Brothers is a prequel.)

Brothers of the Wind is, as it says right there on the label, a story about brothers and brotherhood. But the brothers are immortal princes in their world, so the family dynamics and family squabbles and sibling rivalries are both neverending and potentially world-shattering in their impacts.

A shattering that is still being felt a thousand years later.

Escape Rating A-: More than anything else, Brothers of the Wind is a story about overweening pride going before a very big fall. And it’s a story about the difference between pride and honor. It’s also, playing into that pride, a story about the braying of privilege and the horrifying results of its exercise.

As I was reading, I found myself wondering if Ineluki was what we would call bipolar or something much too similar. He doesn’t have much of a brain-to-mouth filter, but that reads like a consequence of his overwhelming privilege. When Ineluki has a tantrum, which he does, frequently and often and with terrible consequences, he gets placated and indulged because he’s a prince which makes him powerful in his own right. He doesn’t face the consequences of his actions because everyone, especially his brother Hakatri, cleans up after him. Which just makes Ineluki resent him all the more.

But Ineluki really reads like someone who has a gigantic dose of impostor syndrome. He never seems to feel like he’s equal to his brother Hakatri in the hearts of either their parents or their people. The way that the brothers’ actions play out over the course of the story read very much like the dynamic between Thor and Loki in the Marvel Cinematic Universe, and wasn’t that a surprise?

I think it fits though. Hakatri, like Thor, is the golden favorite, the older brother who is beloved by absolutely everyone and seems utterly perfect to everyone he meets. While Ineluki is dark and always trying to make his own mark in a world where it seems like his older brother has already taken all the best bits. Ineluki is a resentful second son who nurses his grudges and his temper like a spoiled child.

A spoiled child whose tantrums remake the face of the world, and not for the better, with consequences that will ring down through the ages in the tolling of funeral bells.

But this isn’t just the story of the two brothers, because the perspective of the story is told by Hakatri’s faithful servant, Pamon Kes. While Brothers of the Wind isn’t quite as epic as The Lord of the Rings, The Dragonbone Chair and the whole of Memory, Sorrow and Thorn definitely are. Which means that this book reads very much as if The Lord of the Rings had been written by Sam Gamgee entirely from his first-person perspective. A perspective that shows that even the compassionate, golden Hakatri took a tremendous amount of advantage of the goodwill and hero worship of an awful lot of people, whether his motives were pure or not.

So Brothers of the Wind can be read on more than one level. It’s a story about brothers who can’t manage to escape the roles that have been ordained for them. It’s certainly a story about a whole lot of pride going before a huge, world-shattering fall. And it’s a fascinating prequel for one of the modern classics of epic fantasy, a story that will take lovers of the original straight back to Osten Ard, and will hopefully carry a new legion of readers off to those faraway shores.