Review: Ogres by Adrian Tchaikovsky

Review: Ogres by Adrian TchaikovskyOgres by Adrian Tchaikovsky
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: dystopian, fantasy, science fiction
Pages: 144
Published by Solaris on March 15, 2022
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A bleak glimpse of a world of savage tyrants, from award-winning author Adrian Tchaikovsky in a beautiful signed, limited-edition hardcover.
Ogres are bigger than you.Ogres are stronger than you.Ogres rule the world.
It’s always idyllic in the village until the landlord comes to call.
Because the landlord is an Ogre. And Ogres rule the world, with their size and strength and appetites. It’s always been that way. It’s the natural order of the world. And they only eat people sometimes.
But when the headman’s son, Torquell, dares lift his hand against the landlord’s son, he sets himself on a path to learn the terrible truth about the Ogres, and about the dark sciences that ensured their rule.

My Review:

When I first saw the cover for Ogres, the image reminded me an awful lot of Mr. Hyde – as in Dr. Jekyll and Mr. Hyde. So I went looking for popular images and the resemblance is a bit uncanny – except for that helicopter in the background of the book’s cover.

Now that I’ve read Ogres, I’ve come to the conclusion that the image is kind of a tease – or a spoiler. Perhaps a bit of both. Because Ogres is very much a “we have met the enemy and he is us” kind of story, complete with that same AHA! moment in Robert Louis Stevenson’s classic, that the monster perceived as being “the other” is really the self within. Or in this case a possible self that can be released under the right – or wrong circumstances.

As we experience this tale through the eyes of Torquell, the spoiled son of the village headman who both envies and resents the wealthy and all-powerful ogres, this seems like a rather typical hero’s journey. Torquell manages to kill one of the supposedly unbeatable ogres who rule his world and everyone is punished for it.

Evil overlords are the same all over.

But that’s when the story starts turning a corner into “Come to the dark side, we have cookies.” Literally. The ogre who “owns” Torquell starts feeding him the same food that the ogres eat – and he becomes bigger, stronger and more aggressive – just like they are.

Those cookies are baked – not just with ingredients that are forbidden to the downtrodden serfs – but with fruit from the tree of knowledge of good and evil. An evil that Torquell recognizes when he tastes it – even as he plots to steal the knowledge of the ogres for himself.

That could have been the end of the story. But it’s not – and that’s what made it so much more fascinating than the all-too-typical hero’s journey it set out to be.

Escape Rating A-: That’s where this story, which up until this point has read as a fantasy, flips one of its switches and turns into science fiction. Because the ogres are Mr. Hyde, who once hid inside the more mild-mannered Dr. Jekyll. All it takes is a bit of genetic engineering – and a whole lot of generations to bake the system in place.

Then, just as the reader thinks they know where the story is finally going – a second switch is flipped. A switch that makes you rethink everything that came before. Because this IS a hero’s journey after all – just not the hero the reader thought it was. Not at all.

What made this story so compelling is that as much as I totally saw the first twist coming a mile away – I didn’t see the second one at all until it happened. Torquell is led very carefully along the path to discover the truth about the ogres, so once he starts learning about the history of his world that truth becomes obvious fairly quickly.

But that’s where things get interesting. Because then it starts to look a lot like a power corrupts tale, as Torquell is seduced by the equivalent of the dark side of the force that governs his world. Torquell rises – and then Torquell falls – but the story still manages to have a triumphant ending. Just not the one the reader thought they were going to get.

I usually say that books like this walk like a duck and quack like a duck because they read like fantasy right up until the point where we learn that they were science fiction all along. In the end, this one walked like a duck and quacked like a duck but somehow managed to be a platypus. It wasn’t what I expected, then it wasn’t what I expected again, and at the very end managed to surprise me yet one more time. That’s a lot of surprising plot twists to pack into one novella!

Review: Comeuppance Served Cold by Marion Deeds

Review: Comeuppance Served Cold by Marion DeedsComeuppance Served Cold by Marion Deeds
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: fantasy, gaslamp, historical fantasy, urban fantasy
Pages: 192
Published by Tordotcom on March 22, 2022
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Seattle, 1929—a bitterly divided city overflowing with wealth, violence, and magic.
A respected magus and city leader intent on criminalizing Seattle’s most vulnerable magickers hires a young woman as a lady’s companion to curb his rebellious daughter’s outrageous behavior.
The widowed owner of a speakeasy encounters an opportunity to make her husband’s murderer pay while she tries to keep her shapeshifter brother safe.
A notorious thief slips into the city to complete a delicate and dangerous job that will leave chaos in its wake.
One thing is for certain—comeuppance, eventually, waits for everyone.

My Review:

This story opens at the close. Literally. It begins at the end, then works its way backwards, just like all the best caper stories. Which this most definitely is.

When we first meet Dolly White, she is leaving the scene of the crime she has just committed, wearing a mask that allows her to appear as the man she has just framed for that crime. We don’t really know who she is, or more importantly why she has just gone to all this trouble to set this man up, why she wants to bring him down, or what led both of them to the place she has just left.

We just know it’s going to be fascinating.

The story moves backwards, inexorably, until we know who Dolly White is – as much as anyone ever does – and why it was so extremely necessary that Francis Earnshaw get his just desserts. His comeuppance. And why and how the mysterious Dolly White turned out to be the instrument of so many people’s justice.

Escape Rating A-: This one is a lot of fun, especially for readers who have been wondering where urban fantasy went. Because this feels a lot like it, to the point where I’m starting to wonder if the genre isn’t coming back with a slightly historical twist under the “gaslamp” moniker.

There’s also just a bit of Seanan McGuire’s Wayward Children here. Dolly White, or Comeuppance Rather as she was named at birth, seems to be one of those Wayward Children who came back from wherever her door took her and either never found it again, or never looked for it again. As this story takes place in 1929, it’s considerably before Miss West opened her school, and Dolly/Comeuppance seems to have the nightmares and missing pieces to fit her right into that series.

Dolly is also the Tin Man. She isn’t certain that the fae didn’t take her heart when they abducted her as a child. She’s certain she doesn’t have one now. Not even when she feels like it’s breaking.

Comeuppance Served Cold sits on that uneasy border between fantasy and historical mystery. The setting is Seattle in 1929, just as the Great Depression is about to rain on EVERYONE’s parade. The magic added to the setting is a fascinating, darkly sparkling gloss on the story, but this didn’t HAVE to be fantasy. All the elements would work just as well in a historical thriller, as the story is about rich men behaving very badly and using money, influence and lies to slither out from under the consequences. Only to have someone they don’t expect exert some surprising leverage. And comeuppance.

The magic makes the explicit commentary about rich people, abuse, political shenanigans and misdirection a bit easier to swallow. And also sucks the reader in and makes everything just that bit more fascinating.

So if you’re looking for a little bit of magical sparkle to liven up your historical thrillers, Comeuppance Served Cold is a lovely, chilly little treat. Especially as it feels like the opening to a series. Which would be especially magical.

Review: Engines of Empire by R.S. Ford

Review: Engines of Empire by R.S. FordEngines of Empire (The Age of Uprising, #1) by Richard S. Ford
Narrator: Alison Campbell, Ciaran Saward, Phoebe McIntosh, Ewan Goddard, Andrew Kingston, Martin Reeve, Stephen Perring
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, steampunk
Series: Age of Uprising #1
Pages: 624
Length: 22 hours, 3 minutes
Published by Orbit on January 18, 2022
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This epic fantasy tells the tales of clashing Guilds, magic-fueled machines, intrigue and revolution—and the one family that stands between an empire's salvation or destruction.
The nation of Torwyn is run on the power of industry, and industry is run by the Guilds. Chief among them are the Hawkspurs, and their responsibility is to keep the gears of the empire turning. It’s exactly why matriarch Rosomon Hawkspur sends each of her heirs to the far reaches of the nation. 
Conall, the eldest son, is sent to the distant frontier to earn his stripes in the military. It is here that he faces a threat he could have never seen coming: the first rumblings of revolution.
Tyreta’s sorcerous connection to the magical resource of pyrstone that fuels the empire’s machines makes her a perfect heir–in theory. While Tyreta hopes that she might shirk her responsibilities during her journey one of Torwyn’s most important pyrestone mines, she instead finds the dark horrors of industry that the empire would prefer to keep hidden. 
The youngest, Fulren, is a talented artificer, and finds himself acting as consort to a foreign emissary. Soon after, he is framed for a crime he never committed. A crime that could start a war. 
As each of the Hawkspurs grapple with the many threats that face the nation within and without, they must finally prove themselves worthy–or their empire will fall apart. 

My Review:

This was a first for me. Engines of Empire turned out to be a total rage read that I enjoyed anyway – and does that ever need a bit of an explanation!

The story is fascinating – and compelling. It’s a political story about empires – well, duh – rising and falling. This first book, at least, is about the fall. Or at least the fall-ing. Since this is the first book in the series, I expect the rising to happen later. Whether that will turn out to be the rising of the empire from its own ashes, or merely the rising of the family through whose eyes we saw this chapter of the saga, remains to be determined.

So far, neither of them deserve it. Which is where the rage part of my rage reading came into play.

The story of the falling of the empire maintained by the Guilds of Torwyn is told through the first person perspectives of five characters; Rosomon Archwind Hawkspur, her three adult children, Conall, Tyreta and Fulren, and her secret lover, Lancelin Jagdor.

And I hated all of them except Lancelin. I particularly detested Rosomon, to the point where I’d have been more than thrilled to read a book about her getting EXACTLY what she deserved – if there hadn’t been quite so much collateral damage in giving it to her.

Of those five characters, Lancelin is the only one who has ever had to face ANY of the consequences of his actions. It’s not just that the rest of them have led very privileged lives, it’s that they never seemed to have grasped the concept that their privilege comes on the back of just so damn many other people.

They are all arrogant and they are all thoughtless about that arrogance. This is particularly true of Rosomon – in spite of a whole bunch of crap that should have given her some insights into the ways that the other half lives.

Instead, she’s a narcissist, to the point that she only sees her children as extensions of herself and not so much as people in their own right. So a big chunk of this story is about how they all escape her very clutching clutches and how those escapes help to make their world burn.

But those escapes manage to send them to the far corners of Torwyn’s empire, which gives the reader the opportunity to see just how the whole empire is hanging by a thread. A thread that is fraying anyway and that can be all too easily snipped if someone provides the right pair of scissors.

Which of course is exactly what happens. With catastrophic results – and an aftermath that we’ll see in the future books in the series. Which I will be unable to resist reading, pretty much in spite of myself.

Escape Rating B: I hate most of the characters in this book SO HARD. But I still feel compelled to see what happens next.

Part of the fascination with this story is that it becomes clear early on that something is very rotten in the heart of Torwyn. A rot that is hidden so completely in plain sight that no one even suspects it is there until it is much, MUCH too late for pretty much everyone.

At the same time, the source of that rot, once it is revealed, turns out to be just the kind of villain that we’ve seen before, and that is so often effective and not just in fiction. It’s someone who truly believes that everything they are doing, no matter how morally repugnant in the moment, is in the service of some “Greater Good” that only they can see. So when the manipulator of events is finally revealed, it makes for a lovely, thoroughly disgusted AHA!  It’s obvious in retrospect, but as you’re going along, it’s only the barest whisper of a possibility.

One of the good things about the way this story is told is that in spite of my hatred of pretty much everyone, the voices are very distinct, and not just because the audiobook narrators (one for each POV character) did a damn fine job. Still, even in print it is impossible to mistake Conall’s voice for Tyreta’s or Fulren’s.

Howsomever, one of things about those distinctive voices was that it seems that both Rosomon’s and Tyreta’s roles are restricted to a significant extent BECAUSE they are women. And yet, we don’t see that in the female secondary characters, who seem to be everywhere doing everything. Conall’s own second-in-command in the military is female, and it’s clear that she has lower rank not because she’s female but because she’s of a lower caste in the social hierarchy.

So the quasi-secondary status of noblewomen may be because they are noble, or it maybe because Rosomon’s a bitch and she’s treating her daughter the way she herself was treated. But it’s left for the reader to assume because of our history – not theirs. It doesn’t have to be that way in a fantasy world and isn’t always. I didn’t like the transfer of assumptions – especially once self-indulgent Tyreta turned into a total badass.

Which, I think is part of the story being told, and what I hope will redeem the later books. That Rosomon may go on being the overbearing, thoughtless narcissist that she has always been, thinking she knows the one true right answer only to discover that she was led astray by her own hubris feels likely – as well as likely to lead to several falls before any ultimate rise. Conall’s future, whether he sinks or swims after his experiences in this book, still feel up in the air. But Tyreta looks like she’s set on a fascinating, redemptive and possibly even heroic path. The question is whether she will let her mother push her off it yet again.

I can’t wait to find out.

Review: Westside Lights by W.M. Akers

Review: Westside Lights by W.M. AkersWestside Lights (Westside #3) by W.M. Akers
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: alternate history, fantasy, historical fantasy, urban fantasy
Series: Westside #3
Pages: 288
Published by Harper Voyager on March 8, 2022
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The Alienist meets the magical mystery of The Ninth House as W. M. Akers returns with the third book in his critically acclaimed Jazz Age fantasy series set in the dangerous westside of New York City, following private detective Gilda Carr's hunt for the truth--one tiny mystery at a time.

The Westside of Manhattan is desolate, overgrown, and dangerous—and Gilda Carr wouldn’t have it any other way. An eccentric detective whose pursuit of tiny mysteries has dragged her to the brink of madness, Gilda spends 1923 searching for something that’s eluded her for years: peace. On the revitalized waterfront of the Lower West, Gilda and the gregarious ex-gangster Cherub Stevens start a new life on a stolen yacht. But their old life isn’t done with them yet.

They dock their boat on the edge of the White Lights District, a new tenderloin where liquor, drugs, sex, and violence are shaken into a deadly cocktail. When her pet seagull vanishes into the District, Gilda throws herself into the search for the missing bird. Up late watching the river for her pet, Gilda has one drink too many and passes out in the cabin of her waterfront home.

She wakes to a massacre.

Eight people have been slaughtered on the deck of the Misery Queen, and Cherub is among the dead. Gilda, naturally, is the prime suspect. Hunted by the police, the mob, and everyone in between, she must stay free long enough to find the person who stained the Hudson with her beloved’s blood. She will discover that on her Westside, no lights are bright enough to drive away the darkness.

My Review:

Westside is a place caught between “never was” and “might have been”. It’s a kind of road not taken made manifest in a world where “something” happened at the turn of the 19th century into the 20th that cleaved the west side of New York City away from not just the rest of the city – or even the rest of the country – but from reality itself.

Not completely. It is still possible to cross from one side to the other. But those crossings are regulated and controlled. There are fixed checkpoints between them. Because the shadowy darkness that looms over the Westside holds beasts and terrors that no one in the rest of the city wants to let slip through any cracks.

There are monsters on the Westside. Especially the two-legged kind that humans get reduced to when things get darkest – right before they turn completely black.

The first Westside story, simply titled Westside, was a surprise and a delight and a descent into darkness – all at the same time. The second book, Westside Saints – began with a real bang.

This third book, Westside Lights, begins with a whimper. It begins with Gilda Carr, solver of tiny mysteries, waking to the blood-soaked mess of a really big one. Leaving her to discover just who murdered all her friends and left her holding the quite literally bloody bag.

We start this story at seemingly the end. Gilda wakes up, everyone she’s been spending this strange, mysteriously light-saturated Westside summer with is dead all around her. As the only survivor of what looks like a massacre she is accused of the crime.

So she runs, intending to discover just who set her up to take this terrible fall – and turn it back on them before it’s too late for her.

But her search for the truth sees her examining the recent past, and the odd “miracle” that brought light back to the dark Westside – and tourists and pleasure seekers along with it.

Someone should have remembered that things that are too good to be true usually are, one bloody way or another. Especially in Westside.

Escape Rating A: Everything about the Westside is weird and weirdly fascinating. Also just weird. Did I say weird? The whole idea that part of NYC could just separate itself into another reality is weird, fascinating and a whole bunch of other bizarre things.

Even after three books we still don’t really know why it happened or how it happened, just that it did. And that the humans have self-sorted between the two sides – and even between the various criminal factions on the Westside itself since it happened.

But it’s every bit as complicated as it is fascinating. Which means that this series goes further down into the rabbit hole as it goes along. Meaning that Westside Lights is NOT the place to start. The place to start is Westside, where the reader gets introduced both to this place and to its denizens – especially Gilda Carr, that solver of tiny mysteries.

Tiny mysteries are the little things that make you wake up at 2 am – but aren’t so big that you won’t be able to get back to sleep. They’re niggling little questions that pop up at odd moments and just beg to be solved – even though the solution will have little to no effect on anything important.

Gilda solves tiny mysteries because she’s not crazy enough to pull at the threads of the big mysteries that lie under Westside. What makes these books so compelling is that no matter how much she tries to confine herself to the little things, she usually finds herself neck deep in the big things anyway.

Like Gilda’s previous “adventures” in this one she starts out investigating one thing – the death of the people she’s spent the summer with – and ends up looking into something entirely different. She starts out looking for a crazed, garden-variety murderer and ends up trying to figure out why the birds are dying.

But that’s part of Gilda’s charm, a charm that has carried her through three surprising adventures so far. I never expected this series to even BE a series, but I’m glad it is. And I’d love to follow Gilda as she solves as many “tiny” mysteries as she can find!

Review: Lost Worlds and Mythological Kingdoms edited by John Joseph Adams

Review: Lost Worlds and Mythological Kingdoms edited by John Joseph AdamsLost Worlds and Mythological Kingdoms by John Joseph Adams, James L. Cambias, Becky Chambers, Kate Elliott, C.C. Finlay, Jeffrey Ford, Theodora Goss, Darcie Little Badger, Jonathan Maberry, Seanan McGuire, An Owomoyela, Dexter Palmer, Cadwell Turnbull, Genevieve Valentine, Carrie Vaughn, Charles Yu, E. Lily Yu, Tobias S. Buckell
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: action adventure, fantasy, horror, science fiction
Pages: 384
Published by Grim Oak Press on March 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the legends of Atlantis, El Dorado, and Shangri-La to classic novels such as King Solomon’s Mine, The Land That Time Forgot, and The Lost World, readers have long been fascinated by the idea of lost worlds and mythical kingdoms.
Read short stories featuring the discovery of such worlds or kingdoms―stories where scientists explore unknown places, stories where the discovery of such turns the world on its head, stories where we’re struck with the sense of wonder at realizing that we don’t know our world quite as well as we’d thought.
Featuring new tales by today's masters of SF&F:
Tobias S. BuckellJames L. CambiasBecky ChambersKate ElliottC.C. FinlayJeffrey FordTheodora GossDarcie Little BadgerJonathan MaberrySeanan McGuireAn OwomoyelaDexter PalmerCadwell TurnbullGenevieve ValentineCarrie VaughnCharles YuE. Lily Yu

My Review:

Here there be dragons – or so say the old maps. Or so they say the old maps say – although not so much as people think they did.

Just the same, once upon a time the map of the ‘real’ world used to have more blank spaces in it. Long distance travel was difficult and time-consuming, long distance communication was an impossible dream, life was short and the road was too long to even be imagined. But speaking of imagining, I imagine that every place’s known and unknown stretches were different – but in the way back each city, country, people or location only had so much reach and stretch.

And then there was the era of European exploration and eventually industrialization. For good or ill, and quite frequently ill, those blank places on the map got smaller and were filled in. Which didn’t stop and probably downright inspired a whole library’s worth of stories about imaginary places that might exist whether on – or in – this planet or those nearby.

But as the terra become increasingly cognita, the well of those stories dried up. Which does not mean that the urge to explore what might be beyond the farthest horizon has in any way faded.

This is a collection intended to feed that human impulse to go where no one has gone before – and report back about it before we invade it with, well, ourselves. Some of the stories that explore that next frontier are fantasy, some are science fiction, and a few trip over that line from fantasy into horror.

And they’re all here, vividly described to make the reader want to be there. Or be extremely grateful that they are NOT.

Escape Rating B: Like nearly all such collections, Lost Worlds and Mythological Kingdoms has some hits, some misses and one or two WTF did I just read? in a convenient package for exploration.

Let’s get the WTF’ery out of the way so we can move on to the good stuff. The two stories that were set in strange hotels, Comfort Lodge, Enigma Valley and Hotel Motel Holiday Inn just did not land for me at all. The second made a bit more sense than the first but neither worked for me. Of course, YMMV on both or either of those particular trips.

Three stories were misses – at least from my perspective. They weren’t bad, they just didn’t quite live up to their premise. Or something like that. The Light Long Lost at Sea was a bit too in medias res. There’s a world there with lots of interesting backstory but what we got was more of a teaser than a story with a satisfying ending. The Expedition Stops for the Evening at the Foot of the Mountain Pass had some of that same feel, like there was huge setup for the story somewhere else and we weren’t getting it. But we needed it. The Return of Grace Malfrey is one that had a fascinating premise that kind of fizzled out.

One story in the collection hit my real-o-meter a bit too sharply. That was Those Who Have Gone. It does get itself into the “did I find a hidden civilization or was I dreaming?” thing very, very well, but the way it got there was through a young woman on a scary desert trip with her 30something boyfriend who she is rightfully extremely afraid of. That part was so real it overwhelmed the fantasy place she fell into.

There were a bunch of stories that I liked as I was reading them, but just didn’t hit the top of my scale. They are still good, still enjoyable, and hit the right note between teasing their premise and satisfying it. In no particular order, these were Down in the Dim Kingdoms, An Account, by Dr. Inge Kuhn, of the Summer Expedition and Its Discoveries, Endosymbiosis and There, She Didn’t Need Air to Fill Her Lungs.

Last, but very much not least, the stories I plan to put on my Hugo Ballot next year, because they were utterly awesome. The Cleft of Bones by Kate Elliott, a story about slavery, revolution and rebirth as seen through the eyes of an absolutely fascinating character. The Voyage of Brenya by Carrie Vaughn, which is a story about gods and heroes and the way that stories turn into myths and legends. Out of the Dark by James L. Cambias, one of two space opera stories, this time about a corporate hegemonies, a salvage crew consisting of lifelong rivals, and a pre/post spacefaring civilization in which Doctor Who’s Leela would have been right at home.

Three stories were utter gems from start to finish. Pellargonia: A Letter to the Journal of Imaginary Anthropology by Theodora Goss, which consists entirely of a letter written to the afore-mentioned journal by three high school students who took the founding principles of the journal – that imaginary anthropology could create real countries – and ran with it all the way into Wikipedia, the nightly news, and a civil war that has captured one of their fathers somewhere that never should have existed in the first place.

The Orpheus Gate by Jonathan Maberry reaches back to the Golden Age of lost kingdom stories by taking the utterly science driven great granddaughter of Professor George Edward Challenger (hero of Sir Arthur Conan Doyle’s The Lost World) and putting her on a collision course with a friend of her great grandmother’s – a woman who challenges the scientist’s belief in everything rational and provable in order to force the young woman to finally open her mind to a truth she does not even want to imagine, let alone believe.

And finally, The Tomb Ship by Becky Chambers, which is a story about a loophole, about the evil that humans do in the name of a so-called ‘Greater Good’, and just how easy it is to fall into the trap and how hard it is to even think of a better way. Or even just a way that lets the protagonist sleep at night with a somewhat clear conscience. That it also feels like a tiny bit of an Easter Egg for The Outer Wilds was just the right icing on this gold-plated cake of a story.

Review: Sword and Shadow by Michelle Sagara

Review: Sword and Shadow by Michelle SagaraSword and Shadow by Michelle Sagara
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, urban fantasy
Series: Wolves of Elantra #2,
Pages: 512
Published by Mira on February 22, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Beyond the Emperor's law
In the city of Elantra, the law is upheld by a few groups, and the most feared are the Wolves—the Emperor’s executioners. The newest member of this elite force is Severn Handred.
Granted a leave of absence to pursue information about his unknown past, Severn joins a mission to an enclave well outside the boundaries of the Empire. And he will be in danger the entire time. Still, the instincts that led him to the Wolves and the sense of duty that keeps him there can’t be discarded as easily as the tabard he wears.
While he's in the heart of the West March, enmeshed in a tangled web of mysteries that have been held for centuries, Severn's belief in justice is going to be tested. It's one mortal man and his single ally against a community of immortals who will kill to keep their secrets. But they don't know who they're up against.
“This world feels so complex and so complete.” —ReadingReality.net on The Emperor's Wolves
The Wolves of Elantra
Book 1: The Emperor's WolvesBook 2: Sword and Shadow

My Review:

cast in shadow by michelle sagaraOnce upon a time, there was a book. I remember reading the first book in the Chronicles of Elantra series, Cast in Shadow, at night, in a place we lived for just one year – among a string of such places. It was late in 2011, and I’d had the book, in fact the first half dozen books in the series, on my shelves since it was published in 2005.

I’d put off starting it, but once I was in, I was hooked. But those first ten or so were the best. Not because they are objectively better, but because the world of Elantra is complex and convoluted and densely packed and highly political. There are a LOT of threads to this multi-pronged story, and more with every single book. I read those first ten close enough together that I still remembered all the plot threads each time a new one came out. By the point of the latest, Cast in Conflict, I couldn’t get myself into that same mindset or bring back enough of everything to get deeply embedded again. I had to put it down for a later read.

And now I want to pick it back up again. Very much so. Because the Wolves of Elantra series, The Emperor’s Wolves and especially this latest book, Sword and Shadow, have brought me back to the beginning – actually before the beginning – of the series that I so loved. And instead of finding myself neck deep in complexities that I don’t remember, I’m back at the very beginning of things, where what I learned in the Chronicles gives some events future weight – but doesn’t depend on that knowledge to be immersive all over again.

Because this prequel series, especially this entry, Sword and Shadow, is the origin story for Severn Handred, the person who haunts Kaylin Nera’s past, protects her present and dimly hopes for some kind of future with her, even if that future is just to keep watch over her and the trouble she inevitably gets into for the rest of her life.

Up until now, all we’ve known of Severn is what Kaylin knows, that he, like her, was a child of the lawless fiefs. That he entered her life when they were children. That he was older and better equipped to survive and to keep her alive in a place where life was short and precarious. And that he killed the children she thought were her friends in order to save her from a magic that neither of them understood then and still don’t.

But we know nothing of Severn before he met Kaylin at the age of 10 or thereabouts. This is the story of what he was before, and how those origins shaped and influenced who he has become after. And still.

Escape Rating A+: I know, I haven’t said much about this story yet. And there are reasons for that, all of them tied up in the events here and the things that happened after. There’s always been an impression that whoever and whatever Severn was, he was definitely more than he seemed.

That’s an impression that turns into an exploration and eventually a reality in Sword and Shadow. It is certainly Severn’s origin story, as well as how he obtained the legendary magic-breaking weapon that he carries in the Chronicles.

But it’s also a very complex political story that dives deeply into the endless maneuverings of the Barrani who serve as the elves of this fantasy world. The Barrani are immortal, as are the Dragons who rule Elantra. The Dragons and the Barrani are eternal enemies who have made uneasy peace in order to maintain vigilance on the Shadows who want to destroy them both.

The Barrani approach to immortality is political and petty, where the Dragon approach is protective. Not that both races aren’t equally selfish and self-absorbed in their own ways, but the way that manifests in the Barrani is particularly destructive, both to themselves and others.

Their politics wrap around their immortality in that they spend it making themselves invulnerable, and the only way to do that is to cut themselves from anyone and anything who might become either a weakness, a rival or a weapon.

The story here is of Severn finding himself in the midst of a Barrani power struggle out of his own desire to find out where he came from, even if that knowledge will not affect who he is. The Barrani think they are using him for their own ends, and that he has little choice and less power.

Only to discover that little and less are not none, and that the force at the heart of the Barrani stronghold has a mind and heart of its own.

Readers who have loved the Chronicles of Elantra will fall in love with the series all over again with Sword and Shadow. Readers who enjoyed the game of politics played for high-stakes and to the death in Modesitt’s Isolate and his Imager Portfolio series will thrill to the kind of maneuvering that takes place in Sword and Shadow. Readers who like their fantasy full-to-the-brim of political shenanigans and endless power struggles will adore this world and the deftness with which its story has been woven.

While a part of me hopes that the author continues with Severn’s story, it also feels like his pre-Kaylin adventures might be done. But whichever way that question gets answered, I need to dive back into Cast in Conflict – not that all of Kaylin’s and Severn’s adventures aren’t cast in one sort of conflict or another. I can’t wait to see how things slot back into place now that I know so much more!

Review: In an Absent Dream by Seanan McGuire

Review: In an Absent Dream by Seanan McGuireIn an Absent Dream (Wayward Children, #4) by Seanan McGuire
Format: ebook
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #4
Pages: 204
Published by Tordotcom on January 8, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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This fourth entry and prequel tells the story of Lundy, a very serious young girl who would rather study and dream than become a respectable housewife and live up to the expectations of the world around her. As well she should.
When she finds a doorway to a world founded on logic and reason, riddles and lies, she thinks she's found her paradise. Alas, everything costs at the goblin market, and when her time there is drawing to a close, she makes the kind of bargain that never plays out well.

My Review:

As the story began, it was easy – very easy – for me to empathize with Katherine Lundy. In 1964, when Lundy was six years old, she was learning that the world had a very tiny box into which it shoved little girls – and that it was more than willing to lop off extra limbs – or at least what it called inappropriate thoughts, feelings, ambitions and ideas – in order to force those little girls to fit into the box labeled “womanhood” when the time came.

Lundy knew it wasn’t fair – and if there was one thing Lundy believed in, it was fairness – a fairness that this world did not provide.

So she found a door to a world where she could thrive – a world where fairness, absolute fairness – was enforced by an invisible but inexorable hand. Lundy found her door to the Goblin Market, a place governed utterly by the concept of “fair value”.

Which does not mean that there is not a price for everything in this fair and just community – just that the system is set up so that no one can take advantage of anyone else. Whether the Goblin Market takes advantage of everyone it claims as a citizen is a deeper philosophical question than six-year-old Lundy is capable of understanding.

Yet. Or possibly ever.

Unlike many of the worlds behind the doors in the Wayward Children series, the Goblin Market allows children – as long as they remain children – to jump between the Market and the world that gave them birth. In fact, it wants them to see both sides, to “Be Sure” of their choice, before that choice is forced upon them at age 18.

So Lundy jumps back and forth between the worlds, staying in each long enough for the consequences of her absences to be visited upon her when she returns. In the Goblin Market, a friend who loses her way in despair and almost gives up her humanity. In the “real” world, a family that loves her, hates her and misses her in equal measure, that pulls at her to stay and be part of them, and a younger sister who needs her to be her guide, mentor and above all, a sister who will put her first as no one else does. Just as no one ever put Lundy first before she went to the Goblin Market.

Lundy, being a person who likes rules because once she understands them it’s easy to find a way around, wants to, as the saying goes, “have her cake and eat it, too.” She wants to keep her promises on all sides, even though she knows that there is not world enough or time enough for that to be possible.

So she hunts for a loophole. And finds one. But loopholes are cheats. They do not provide the fair value that the Goblin Market enforces at every step.

“Cheaters never win and “winners never cheat.” – or so goes the quote. I remember this saying, or at least a version of it, being flung about during my childhood, which was at the exact same time as Katherine Lundy’s childhood.

It’s a lesson that Lundy should have taken to heart. Because when she finally does learn it – it takes hers.

Escape Rating B+: Everything I picked up this week struck me wrong in one way or another. Sometimes very wrong as yesterday’s book demonstrated a bit too clearly. In desperation I went looking for comfort reads that were short and punchy to get me out of my reading slump, and that’s something that the Wayward Children series has definitely provided.

So here we are at In an Absent Dream, the fourth book in the series that began with the bang of a slamming door in Every Heart a Doorway.

There were parts of this one that I really, really loved. It was terribly easy for me to empathize with Lundy and her total unwillingness to step into the box that society expected her to close herself into because she was female. Along with her frustration at her father who refused to look at her and see her and not just a biddable child he didn’t have to think about much – even though he could have helped make a Lundy-shaped space for her in the real world.

When both Katherine Lundy and I – I was seven in 1964 – were born, the world expected girls to become wives and mothers, have no career ambitions, only work at certain “acceptable” jobs until we married and had those expected children. We were born into the expectations of the 1950s.

Then the 1960s happened. Those expectations were still there, but, if you pushed hard enough, worked hard enough, tried hard enough and were stubborn enough, a space could be made that did not meet those expectations. It was hard, the pushback was intense, but the world for girls did start opening up. With Lundy’s father as a school principal he could have encouraged her academic ambitions and he just didn’t. Because it was hard and he didn’t want to make waves or upset his own personal applecart.

I loved the portrayal of the Goblin Market, and could easily understand why Lundy found it such a compelling place. What fell just a bit short for me was the way that Lundy’s biggest and most catastrophic adventures in the Market were glossed over. That glossing made the story lose a bit of its oomph every time she left.

The choice she had to make was an impossible one – which was something she refused to acknowledge. But the imposition of “fair value” in the Goblin Market doesn’t allow people to cheat. Searching for loopholes is a value of this world and not the world of the Market, because using a loophole is just another way of getting something over someone or something else. And that is not fair value.

But Lundy was young and not nearly as smart as she thought she was. In spite of her time in the Market, Lundy was much too used to having only herself to rely on because she was the only person she could really count on. Which meant that in the end, she cheats herself most of all. And it’s heartbreaking.

This series is special and awesome in a way that’s hard to describe. It’s as though the dreams of all of us who were bookish misfits as children dreamed all our dreams only to see those dreams come true in the form of nightmares. Some gifts come at just too high a price – and sometimes we’re desperate enough to pay that price anyway.

I’ve read the Wayward Children series mostly out of order, so now I have just one book left to catch up to myself before the new books in the series come out next year. Which means I’ll be reading Come Tumbling Down the next time I’m looking for a story with the power to cut me like knife.

Review: The Starless Crown by James Rollins

Review: The Starless Crown by James RollinsThe Starless Crown (Moon Fall, #1) by James Rollins
Narrator: Nicola Barber
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: dystopian, fantasy, post apocalyptic, science fiction
Series: Moon Fall #1
Pages: 560
Length: 22 hours and 5 minutes
Published by Macmillan Audio, Tor Books on January 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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An alliance embarks on a dangerous journey to uncover the secrets of the distant past and save their world in this captivating, deeply visionary adventure from number-one 'New York Times' best-selling thriller-master James Rollins.
A gifted student foretells an apocalypse. Her reward is a sentence of death.
Fleeing into the unknown, she is drawn into a team of outcasts:
A broken soldier, who once again takes up the weapons he's forbidden to wield and carves a trail back home.
A drunken prince, who steps out from his beloved brother's shadow and claims a purpose of his own.
An imprisoned thief, who escapes the crushing dark and discovers a gleaming artifact - one that will ignite a power struggle across the globe.
On the run, hunted by enemies old and new, they must learn to trust each other in order to survive in a world evolved in strange, beautiful, and deadly ways, and uncover ancient secrets that hold the key to their salvation.
But with each passing moment doom draws closer.
Who will claim the starless crown?
A Macmillan Audio Audio production from Tor Books
©2022 James Rollins (P)2022 Macmillan Audio

My Review:

“A fake fortune teller can be tolerated. But an authentic soothsayer should be shot on sight. Cassandra did not get half the kicking around she deserved.” At least according to Robert A. Heinlein in The Notebooks of Lazarus Long.

From that perspective, The Starless Crown is the story of Nyx, the authentic soothsayer – not that she would think of herself as such – receiving the full force of that kicking around. Deserved or not.

Definitely not – at least not in regards to anything that she personally has done. Not that she’s had a chance to do all that much when the story begins – as she seems to be just fifteen or thereabouts.

We meet her in school, in her astronomy class, as they study their “Urth’s” tidally locked rotation around the sun. A sun which they all refer to as the “Father Above,” the capital letters implied in the reverent way they speak of it. The Father Above is part of their pantheon of gods, along with the Mother Below (the Urth), the dark Daughter (the new moon) and the silvery Son (the full moon).

A catastrophe, shrouded in the mists of time, created the Urth that Nyx knows from the Earth that we now live on, locking our rotating world in a fixed position relative to the sun, so that only a relatively narrow circle is habitable for humans, in that relatively thin slice where the sun does not boil and its lack does not freeze. A circle that surrounds the Urth in just the same way that a crown surrounds the head of a monarch.

The story of The Starless Crown is Nyx’ story, as she breaks free of the shell she has been enclosed by her entire life. A story where she dreams of the destruction of her world – and the one thin chance where she might save something from the inevitable wreckage.

At a cost much higher than anyone is willing to pay.

Escape Rating A-: I listened to The Starless Crown from beginning to end. I enjoyed the listening – the narrator was very good and did an excellent job of differentiating the many, many voices of this story’s large cast.

At the same time, I didn’t feel compelled to finish it more quickly, so I didn’t pick up the ebook at all. The slower pace of listening worked better for me, because this is a slow burn kind of story. It takes a lot of chapters to get all the characters set up because they begin in far different locations under far different circumstances. We are seeing the plot come together from a great many disparate eyes.

And it takes a long time for all of those disparate – and sometimes desperate – parts to come together into the whole that is going to push this saga forward.

Part of my fascination with this story is that this is post-apocalyptic story that takes place in the far aftermath – an aftermath so far into the future that the people living it no longer recognize from whence they came – although we do.

Not that civilization as we know it wouldn’t break down and reform fairly quickly, messily and bloodily. In that sense it reminds me a bit of Aldiss’ Helliconia Trilogy, Stirling’s Emberverse starting with Dies the Fire, and the videogame Horizon Zero Dawn.

But the way the situation has evolved and devolved posits a corollary or an antonym to Clarke’s Law, the one that goes, “Any sufficiently advanced technology is indistinguishable from magic.” The Starless Crown is an example of something I’d want to call Harris’ Permutation if I were the person naming such things. Because this story is an example of a different principle, that “Any science sufficiently muddied by time or religious claptrap is indistinguishable from magic.”

They don’t know what they don’t know. Too much was lost in either the initial cataclysm or the long dark night that inevitably followed. What they’ve managed to find is now interpreted through a lens of religion, to which what we call science has become enslaved. And some of its methods are used to enslave others.

This is also a story of “Mother Nature bats last”. Whatever happened in the past that created the tidal lock, the coming moon fall feels like its inevitable result. The moon controls the tides. It can’t. So it keeps getting closer in order to try harder. Or something like that.

So we have a group that is not unlike the Fellowship of the Ring. A young seeress, a disgraced prince, a thief, an escaped slave, a living statue from the distant past on a quest to save their world – even if they don’t know it yet.

Arrayed against them are the forces of the powers that be. They’re not all evil, although some of them very much are. Some of them are willfully blind and some of them are just blind. There’s a lot of “power corrupts and absolute power corrupts absolutely”, but there’s a fair bit of “when the only tool you have is a hammer, everything looks like a nail.”

But the villains are fascinatingly – if occasionally stomach turning-ly – twisted, the heroes are plucky to the max and the escapes are nail-biting, hair-raising, edge of the seat last minute scrapes. The reveal of the past, the fear in the present and the desperate hope of even a fractured future are handled in lush descriptions and buckets of regrets, recriminations and tears.

I have no idea how this band of misfits is going to get themselves and their world out of the mess they are in, but I look forward to finding out.

Review: Obsidian by Sarah J. Daley

Review: Obsidian by Sarah J. DaleyObsidian by Sarah J. Daley
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: epic fantasy, fantasy
Pages: 400
Published by Angry Robot on January 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Shade Nox is a fiend, a rogue, and a wanted murderer, though her only true crime is that she chooses to dress like a man. Proud and defiant, she wears her tattoos openly as any bloodwizard would, and carries obsidian blades at her hips. Those who laughingly call her a witch to her face soon learn an unfortunate lesson: Shade Nox might be an abomination, but she wields her blades with devastating precision, gleefully shedding blood for elemental magic that matches any man’s.
Shade scratches out a dangerous living in the broken Wastes, but now that they are growing more unstable and dangerous, Shade and her people need their own Veil to protect them. She vows to raise one—a feat not accomplished in over a hundred years. But the Veils are controlled by the Brotherhood, who consider them sacred creations. They would sooner see all the Veils collapse into dust than allow a witch to raise one.
With the help of her friends and allies, and her own indomitable will, Shade stays one step ahead of her enemies. Her zeal is only tempered when she learns the true sacrifice required to raise a Veil—a secret even the centuries-old Brotherhood has forgotten. It is too high a price to pay. Nevertheless, she must pay it, or she will lose everything and everyone she loves…

My Review:

Obsidian is just WOW! There, I’ve said it. Now I have to attempt to be articulate – and it’s not going to be easy.

Think of this as a post-apocalyptic story, but this is NOT our world, so this wasn’t our apocalypse. Just that there’s a point in the past that’s distant enough that civilization has regrouped while still present enough that effects are still being felt.

Or felt again.

While the story opens with a somewhat disgraced former Captain of an Imperial Army, Raiden Mad is not our main character. That position is reserved for Shade Nox, who cuts her way into this story with her obsidian knives and holds onto the center of the narrative with hands dripping with blood – not all of it her own.

But some of it is, because the magic of this world is blood magic – blood magic that Shade, as a woman is not supposed to have or be able to wield. And doesn’t that sound all too familiar?

Especially since Shade seems to be much better at it than the blood wizards of either the corrupt church known as ‘The Brotherhood’ or the criminal ‘Capomaji’ who read like a protection racket run by Mafiosi – with magical enforcers along with the usual legbreakers.

Those traditional mages are losing their power – and, as the powerful often do – refusing to admit that loss while covering it up with even more repression of anyone of whom they do not approve.

Shade Nox is number one on all those lists.

But Shade has a secret. Of course, she has several, but one is big. HUGE. The size of an entire city. Or at least it will be IF she can manage to pull it off. And that’s where Raiden Mad and his Emperor come in – and why the Brotherhood is so desperate to take them all out.

Because at the same time the magic seems to be dying, the reason for that magic is becoming that much more of a threat.

Whatever the apocalypse was – it killed the ecology of the planet. The Brotherhood gained their power and their near-monopoly on so much more because their bloodmagic was the only thing that could carve out a safe bit of territory where life could thrive.

But power corrupts and absolute power corrupts absolutely. The Brotherhood has been so invested in maintaining their power that they’ve corrupted the way it is used for their own ends. Now it’s destroying them, the cities their power made possible, and the land that surrounds them.

Mother Nature bats last, and in this world she has a very big bat studded with thorns. So to speak.

Shade Nox has the power, most of the knowledge and all of the will to create a new, safe territory that won’t owe a damn thing to the Brotherhood. Who are bound and determined to stop her at all costs.

But not nearly so determined as Shade Nox is to beat them.

Escape Rating A+: If you’ve ever wondered what Dune would have looked like if someone took that climate catastrophe combined with precious resource planet and re-wrote the thing so that planet-native Chani was the protagonist instead of “white” imperial savior Paul you’d get something like Obsidian – although it probably wouldn’t be nearly as good. (I’m saying this and I loved Dune – at least the book versions.)

I think this is also going to remind readers more than a bit of the “Sapphic Saffron Trifecta” of 2021, The Jasmine Throne, She Who Became the Sun and The Unbroken, with their female-centered epic stories although Obsidian does not include much romance at all, queer or otherwise, until the very end.

There’s actually a bit of the Mage Winds of Valdemar series, in that the chaos magic that has wrecked most of this world seems to sweep in and alter everything it touches – people, plants and animals alike, with dangerous and deadly results. And it’s getting worse.

There’s also a bit of the blood magic of the Dragon Age series, although sideways a bit. Shade, and the magic she controls with her obsidian knives, is powered by her own blood willingly sacrificed. It does sound a bit bonzo when you read it, but it is self-limiting and those limits are dealt with. She can’t go too far or she’ll lose control, consciousness and die. She’s also not sacrificing anyone else to achieve her ends – which is one of the places where that Brotherhood has gone off the rails more than a bit.

The story here is about power, as epic fantasy so often is. The Brotherhood wants to keep the power they have. The Empire that Raiden Mad represents isn’t really a threat to local power, although they could be in the future. They just want to deal with some reasonable people – which the Brotherhood most certainly is not.

The empire could be a threat to local power later, but at this point, they’re at “the enemy of my enemy is my friend” stage of things. The Brotherhood has made itself the empire’s enemy. The Brotherhood is most definitely Shade’s enemy. So they are friends of expediency. The future may be different, but first they have to get there.

The heart of this story is Shade’s quest for the hidden knowledge that she needs to raise a protected territory of her own, and then making the sacrifices necessary to raise it. It’s a journey that takes her through a lot of dark places and even darker hearts – including her own.

And it’s not over when Obsidian ends. This feels like the start of a truly epic saga. I certainly hope so and am looking forward VERY MUCH to where the author takes us next!

Review: Servant Mage by Kate Elliott

Review: Servant Mage by Kate ElliottServant Mage by Kate Elliott
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: epic fantasy, fantasy
Pages: 176
Published by Tordotcom on January 18, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Fellion is a Lamplighter, able to provide illumination through magic. A group of rebel Monarchists free her from indentured servitude and take her on a journey to rescue trapped compatriots from an underground complex of mines.
Along the way they get caught up in a conspiracy to kill the latest royal child and wipe out the Monarchist movement for good.
But Fellion has more than just her Lamplighting skills up her sleeve…
In Kate Elliott's Servant Mage, a lowly fire mage finds herself entangled in an empire-spanning conspiracy on her way to discovering her true power.

My Review:

In the immortal words of humorist Lewis Grizzard, “If you ain’t the lead dog, the scenery never changes.” The story of the Servant Mage, Fellian the Lamplighter, shows just how much of a surprise it is to the lead dog – or the ass that thinks they’re in front of you – when one of those dogs in the back gets sick of viewing that ass and decides to take themselves out of the pack.

I’ve carried this metaphor far enough, but it is still the lingering image in my mind after reading Servant Mage.

Fellian is the servant mage of the title, a mage in forced indentured servitude – in other words enslaved – as all mages are in these lands ruled by the so-called “Liberationist Council”. They weren’t really “liberators”, of course, or anything even close to that. They’re a theocracy, a religious tyranny that blames mages for all the ills of the world and has forced them into slavery to keep their spirits diminished and their magic untrained so that they won’t rise up and overthrow the tyrants.

Which makes Fellian ripe for recruitment into a conspiracy to overthrow the Liberationists and bring back the monarchy. All she has to do is rescue a bunch of monarchists trapped in an underground mining complex.

The conspirators assume that Fellian will be grateful for her rescue. And she is. Who wouldn’t be? They assume that her gratitude will extend to her continuing to serve the rebellion as a second class citizen because that’s considerably better than the slavery-conditions she had been forced to serve under. And that’s all they think she’s worthy to be. A second-class citizen, useful to them but not as equal or worthy as themselves.

But Fellian considers a bargain to be a bargain. Once her work is done, she has plans for her own future. As far as the monarchists were concerned, Fellian was a means to an end. Aren’t they surprised to discover that in the end, they were EXACTLY the same thing to her!

Escape Rating B: Let me begin by indulging in my usual complaint about novellas; this book was too short. I know I say that all the time but this time I really, really mean it even more than I usually do.

It’s not that Fellian’s journey from “servant mage” to epic heroine isn’t wonderfully complex – because it is. And it’s not that the cause she is recruited for isn’t worthy even if it’s not exactly perfect – because it is. And it’s absolutely not because the worldbuilding in this story isn’t fantastic – because it certainly is that.

And that’s kind of where the too short complaint comes seriously into play. The worldbuilding feels even deeper than the mining complex where Fellian stages that all-important rescue that she was recruited/strong-armed into performing. We get so much about the way this world works – and mostly doesn’t at the moment – that it feels like we’re at the entrance to something much bigger and greater.

Like a truly epic epic fantasy.

Especially when we view the world through Fellian’s eyes and especially Fellian’s mind. Because Fellian is from a land with a surprisingly egalitarian political structure – a place she can’t wait to get back to once this job is done.

From our view of Fellian we can see that she notes every single microaggression and disrespect that she receives, not just from the people who have enslaved her, but from the people who have rescued her as well.

Which leads right back to paraphrase my opening quote, “If you’re not the lead dog, the view never changes.” Her rescuers are sure they are the lead dogs and that they don’t have to be anything more than barely kind to the ones they perceive as being in the back of the pack. Which makes their reaction all that much more satisfying when Fellian rejects their oh-so-kind offer to help them in their quest.

Their privilege makes them blind, which does make the reader wonder how that will bode for their quest to restore the monarchy. Which may make things better for them, but not necessarily for anyone else. At least not better enough.

All of which leaves the reader with all sorts of interesting and lingering questions. What is going on where Fellian came from? What does she face when she returns? What’s going to happen to the rebellion? Can it possibly succeed and on what terms?

And, and, and…ad infinitum. Not quite ad nauseum but reaching towards there – at least in the sense that the questions left unanswered in this too-short story are downright legion.

In the end Servant Mage read as the beginning of something that might be marvelous and fascinating. But I’d feel a whole lot better about it’s incompleteness if I had an inkling that more were on the horizon.