Review: The Undertaking of Hart and Mercy by Megan Bannen

Review: The Undertaking of Hart and Mercy by Megan BannenThe Undertaking of Hart and Mercy by Megan Bannen
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, fantasy romance
Pages: 448
Published by Orbit on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness.  
Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. 
After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”. Much to his surprise, an anonymous letter comes back in return, and a tentative friendship is born.  
If only Hart knew he’s been baring his soul to the person who infuriates him most—Mercy. As the dangers from Tanria grow closer, so do the unlikely correspondents. But can their blossoming romance survive the fated discovery that their pen pals are their worst nightmares—each other?
Set in a world full of magic and demigods, donuts and small-town drama, this enchantingly quirky, utterly unique fantasy is perfect for readers of The House in the Cerulean Sea and The Invisible Library.

My Review:

Hart Ralston and Mercy Birdsall each think they have a fairly big problem when the story opens. Each other. And they are both so, so wrong, which is what makes this fantasy romance so cozily familiar even in the midst of all the dangerous creatures that are getting more numerous – and ever more dangerous – in nearby Tanria.

What makes their mutual enmity an even bigger problem is that they have to work together – sorta/kinda – in dealing with all of those dangerous creatures. Or at least in handling the remains of all of their victims.

Marshal Hart Ralston’s job is to go into Tanria and hunt down both the dangerous, deadly and also quite dead drudges – as well as get any illegal poachers out of the area before they become victims of those dead and deadly drudges and are turned into drudges themselves.

It’s a thankless job, but somebody has to do it. And lone wolf Ralston prefers to do it alone, so he doesn’t have to try to protect anyone else – and fail at it.

Mercy Birdsall is the only actual working member of Birdsall and Son, one of the undertaking companies in Eternity, just over the border from Tanria. It’s her company’s job to provide funeral rites for the dead victims – and occasionally for the dead monsters – that marshal’s like Ralston bring back from Tanria.

Hart and Mercy got on each other’s bad side the very first time they met over Birdsall and Son’s shop counter. And it’s been all downhill ever since.

Or has it?

Escape Rating B: The Undertaking of Hart and Mercy, besides being a very punny title, is one of those stories that invokes that question about whether two great tastes go great together. This is a fantasy romance, but romance readers may think it leans too much on the fantasy side and fantasy readers may have the same reaction to the romantic angle that Hart and Mercy initially had to each other.

Or, as in my case, this may seem like a strange setting for a reimagining of the Tom Hanks/Meg Ryan romcom classic movie You’ve Got Mail. Although it does work – particularly because of the marvelously sarcastic nimkilim that deliver the mail – there are a few scenes where it seems like the graft didn’t quite take. Or that the stitching of the graft is just a bit too obvious. Or both.

Not that the idea doesn’t work well in this setting because it does – with the help of the nimkilim. Hart is lonely and withdrawn. He desperately needs to reach out to someone but doesn’t know how and is afraid to try. Hence his anonymous correspondence with his nameless “friend”.

Mercy, on the other hand, is lonely in a crowd. She has family and some friends, but she’s carrying a boatload (literally in this case) of secrets and responsibilities that consume her energy while isolating her from anyone who might be able to help her in dealing with them. Which results in her responses to those letters addressed by heart, from Hart, to his nameless friend. Who turns out to be Mercy, the woman he believes is his worst enemy.

This is kind of a fence-straddling book, complete with the inevitable splinters up its ass. It was presented to me as a romance, and there certainly is a romance in it. But the fantasy setting is more than just setting. It’s an important enough element of the story that the book as a whole doesn’t sit comfortably in romance because it has more than a foot over that line into fantasy.

Even if that foot belongs to a dead body that has become a drudge.

At the same time, as much as I loved the banter between Hart and Mercy, there was something about Mercy’s situation that just didn’t sit right. I never fully got why she couldn’t take over the family business – at least until the villain of the piece took his villainy to heights (or depths) that the business couldn’t survive no matter who was in charge of it. I understood that her father wanted to pass it to her brother – who was not suited to the work AT ALL and did not want it under any circumstances whatsoever. Work that Mercy wasn’t merely suited for but actually loved.

A fact which Mercy’s family totally ignored. She does the work, she loves the work. She wants to keep doing the work. But her entire family decided that the business was a burden on her and that it would be best for her if it was sold. Without asking her what she wanted. (BTW Mercy is THIRTY YEARS OLD and very well able to decide what is best for her for her own damn self.) A lot of story water goes under that bridge before the Birdsall family stops assuming they know what’s best for each other and have an honest conversation about what each of them as an individual actually wants.

The story picked up its pace – or at least stopped frustrating the crap out of me – after that conversation finally happened.

For this reader, the thing is that this was presented to me as a romance, but it reads like a fantasy that includes a romance, which is a bit of a different beast. Both elements have to be present and fully-fleshed out for a fantasy romance to succeed. If only one is working, it falls over.

In the end, this doesn’t fall over. It works – although it does take a while to get all of its (auto)ducks in a row. In fact, it works a whole lot like Can’t Spell Treason without Tea and Legends & Lattes. Between the life of the town of Eternity and the Birdsall family dynamic – along with Mercy’s lovable big dog Leonardo – the fantasy is very cozy, with just the right amount of danger. The romance is angsty in a way that really works well, and the issues between Hart and Mercy feel real in spite of the fantasy setting, but also rising at least in part from elements that are integral to that fantasy setting.

Readers coming to The Undertaking of Hart and Mercy just for the romance may find this to be more fantasy than they bargained on. But if you loved Legends & Lattes or Can’t Spell Treason without Tea, or if you’re a fan of T. Kingfisher’s Saint of Steel series you’ll fall for The Undertaking of Hart and Mercy every bit as hard as Hart and Mercy eventually realize that they have for each other..

Review: The Bruising of Qilwa by Naseem Jamnia

Review: The Bruising of Qilwa by Naseem JamniaThe Bruising of Qilwa by Naseem Jamnia
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: fantasy
Pages: 176
Published by Tachyon Publications on August 9, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this intricate debut fantasy introducing a queernormative Persian-inspired world, a nonbinary refugee practitioner of blood magic discovers a strange disease that causes political rifts in their new homeland. Persian-American author Naseem Jamnia has crafted a gripping narrative with a moving, nuanced exploration of immigration, gender, healing, and family.
Firuz-e Jafari is fortunate enough to have immigrated to the Free Democratic City-State of Qilwa, fleeing the slaughter of other traditional Sassanian blood magic practitioners in their homeland. Despite the status of refugees in their new home, Firuz has a good job at a free healing clinic in Qilwa, working with Kofi, a kindly new employer, and mentoring Afsoneh, a troubled orphan refugee with powerful magic.
But Firuz and Kofi have discovered a terrible new disease which leaves mysterious bruises on its victims. The illness is spreading quickly through Qilwa, and there are dangerous accusations of ineptly performed blood magic. In order to survive, Firuz must break a deadly cycle of prejudice, untangle sociopolitical constraints, and find a fresh start for their both their blood and found family.
Powerful and fascinating, The Bruising of Qilwa is the newest arrival in the era of fantasy classics such as the Broken Earth Trilogy, The Four Profound Weaves, and Who Fears Death.

My Review:

On its quietly beguiling surface, The Bruising of Qilwa combines medical mystery with a Persian-inspired fantasy world to tell a story that seduces its reader into exploring the hidden depths of its world. As it tells the story of Firuz-e Jafari and their refugee family, it also manages to say quite a bit about immigration, refugees, and colonialism from the perspective of both the colonizers and the colonized.

But it all starts with Firuz doing their level best to support their family and practice their calling. Firuz is a healer, but there are so many hedges around that word that they almost can’t manage to separate the things they are allowed to say about themselves from the things they must keep hidden at all costs.

Firuz is a refugee in Qilwa. A despised refugee from a country that once upon a time ruled over Qilwa with a heavy, imperial hand. Those days are long gone, but the current refugee crisis has awakened all of the Qilwans old fears of being overwhelmed by masses of ‘others’.

That refugee crisis is exacerbated by a health crisis. Not just the old canard about refugees bringing disease, but an actual disease that is sweeping the overcrowded conditions in the slums that are the only housing the refugees are permitted to occupy. That the disease is making its way into the ‘better’ parts of the city has everyone on edge.

Firuz presents themselves to the only healer even bothering to treat the refugees, offering their services as an apprentice and assistant. Because Healer Kofi needs help every bit as much as Firuz needs both to help the Healer and to have a job to support their mother and brother.

Firuz and Kofi form what at first seems like an unlikely but quite fulfilling partnership. After all, Firuz is a refugee, their people are hated, feared and despised in Qilwa, and they are a secret practitioner of the forbidden science of blood magic.

Kofi is a native Qilwan, well-respected if not always liked, fully trained as an elemental healer and willing to go anywhere, do anything and work with anyone in order to fulfill his healing oaths. Including breaking them.

Escape Rating A+: This was a reread for me. I read this back in May for what turned out to be a STARRED Library Journal review. Because the book is awesome, and turned out to be even more so on the second go around.

The plot that powers the whole thing is the medical mystery. The first plague was just a disease of poverty and poor living conditions, malnutrition and hopelessness. But it spawns a second plague, and that’s the one that seems to drive Healer Kofi, Firuz, and Firuz’ friend Mortician Malika to desperation. Corpses of refugees are turning up that aren’t completely dead. Not that they are zombies, but that the person is dead while the body is still busily producing blood and other fluids. It’s weird, it’s wrong, and it’s a mystery that Malika and Firuz feel compelled to solve.

But the vehicle through which that story is told is the story of Firuz and their life in Qilwa – and the life of the city of Qilwa that surrounds them. Firuz’ story manages to say a whole lot of things without talking about them directly and certainly without lecturing about them. The reader is absorbed in their story rather than have it thrust at them, and it’s lovely and immersive.

As Firuz reveals themselves, we learn that they are ace, aromantic and trans. But those are things that just are in their world, as innate and unremarkable as what color eyes one has. They live in a world where those are all just a part of life and no one remarks on them.

And yet those factors still cause conflict, a conflict which intersects with their magic, which leads to all the other things the story makes the reader aware of, in a way that both points out the normalcy of Firuz’ person as they are and highlights the factors that make them different from their current neighbors. Their refugee status, their language and country of origin, the forbidden magic they practice and can’t hide well.

So, as Firuz looks into the medical mystery, the reader looks into Firuz’ perspective on their world, and we get a glimpse of just how the past of Qilwa’s colonization by Firuz’ people and the way that Firuz’ people interpret the world because they were once colonizers but no longer are has shaped current relations between the two countries and the refugee crisis that is straining that relationship to its limits.

Firuz, as they live their life in Qilwa, finds themselves at the crux of all those underlying issues of immigration, colonialism, and fear of change and fear of the unknown. But the medical mystery comes back to a bigger and more immediate question – that old one about whether the ends justify the means. Can evil ever be justified by the good that might result from its use? Who gets to decide? And who will be left to pick up the inevitable pieces?

The Bruising of Qilwa is one of those stories that makes the reader think, and feel, and think again, long after the last page is turned. As witnessed by my picking this back up months later to see if it was as good as my memory made it – only to discover that it was even better than I first thought.

Review: Into the Windwracked Wilds by A. Deborah Baker

Review: Into the Windwracked Wilds by A. Deborah BakerInto the Windwracked Wilds (The Up-and-Under, #3) by A. Deborah Baker
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, young adult
Series: Up-and-Under #3
Pages: 224
Published by Tordotcom on October 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Adventurous readers of Kelly Barnhill and Cat Valente's Fairyland books will be sure to soar among the dark marvels that can be found in Into the Windwracked Wilds, by Seanan McGuire's latest open pseudonym, A. Deborah Baker.
When the improbable road leaves Avery and Zib in the land of Air and at the mercy of the Queen of Swords, escape without becoming monsters may be impossible. But with the aid of the Queen's son, the unpredictable Jack Daw, they may emerge with enough of their humanity to someday make it home. Their journey is not yet over; the dangers are no less great.

My Review:

Looking back at my review of the first book in the Up-and-Under series, Over the Woodward Wall, I discovered that one of my early guesses was wrong. One of Zib and Avery’s companions does need to find a heart – a particular heart – after all.

They all need to find more than a bit of ‘the nerve’ by the time the Improbable Road whisks them off again, further away from who they were when they first climbed that wall but hopefully closer to getting home. Or deciding that they are already there.

Into the Windwracked Wilds makes no bones (although there are bones) about the fact that it is a middle book, with pretty much all of the darkness such books generally hold. A darkness that is not toned down all that much in spite of the series being theoretically aimed at middle grade and young adult readers.

Don’t let that fool you. The trappings of the story may make it seem like a book for younger readers – and it certainly can be read that way. BUT, like a more overtly dark version of Rocky and Bullwinkle, the seriousness of its story appeals equally, if not perhaps a bit more, to adults.

Well, certainly to this adult. Although adulting is both in the eye of the beholder and can be seriously overrated.

Howsomever, the lovely thing about the book acknowledging that it’s in the middle of a much longer story is that it does an equally lovely job of explaining why middle books are important for the journey of the protagonists – as well as giving the reader enough details about what came before to be going on with.

After climbing Over the Woodward Wall and traveling Along the Saltwise Sea with the pirates, Zib, Avery, Niamh the Drowned Girl and the Crow Girl with no name begin their journey Into the Windwracked Wilds by making the Improbable Road angry enough to dump them back into the Sea. And disappear – at least until they manage to do something improbable enough to bring it back.

Which is how they find themselves blown towards the Queen of Swords’ castle in the Land of Air. Doing their level best not to get turned into monsters. Or at least, Avery and Zib need to do their best, because monsterization has already happened to both Niamh and the Crow Girl.

In fact, the Crow Girl, whatever her name used to be, was turned into a monster by the very same Queen of Swords who has just swept them into her castle. And wants to keep them there.

This is the story of how this ragtag band of lost souls were forced into a castle of nightmares – and managed to find their way out again. With just a little bit of help from a new friend – by finding the one thing that none of them had thought to look for – the Crow Girl’s missing heart.

Escape Rating A-: From the beginning, it has seemed as if the direct progenitors of the Up-and-Under were Oz and Narnia. The similarities between the ‘Yellow Brick Road’ and the ‘Improbable Road’ are a bit hard to miss, after all.

But this particular entry in the series makes me think of Narnia. A lot. Not the Narnia of the great lion and Aslan saving the day, but the Narnia of choices of consequence made by uninformed children, and the lesson that adults are often cruel and that words and actions may have terrible consequences even if the words are said or the deeds are committed in ignorance of those consequences. The world where the kindly Mr. Tumnus plans to betray the children, refuses to do so, and is tortured for it. The island where dreams come true – and the realization that it does NOT refer to daydreams, but rather the monsters summoned from deep in the subconscious.

A place where children have to pay their own debts and forfeits – no matter how much they hurt or how often the adults cheat. The Up-and-Under feels like it’s filled with those same kinds of hard lessons – no matter how magical and even beautiful it might sometimes be.

But I think the return from the Up-and-Under to Zib and Avery’s ‘real’ world is going to be a lot more difficult than what the Pevensies encountered. Because the point of Zib and Avery’s journey in the Up-and-Under seems as if the entire point of it is change, not just for the Up-and-Under to impact them, but for them to impact it, as well.

Unlike Along the Saltwise Sea, which felt very much like a rest stop along their journey, Into the Windwracked Wilds reads like they are really getting somewhere – even if that somewhere is not the return home that Zib and Avery were originally seeking. This may eventually turn out to be a ‘There and Back Again’ story, but at this middle point it’s starting to feel like their journey and the changes it brings is infinitely more important than the destination.

As much as their travels have been clearly changing Avery and Zib all along, Avery and Zib are also changing the people and even the structure of the Up-and-Under in ways that we’ll probably only see the full picture of at the end. Which was originally planned to be the fourth book, which was originally planned to be published in October 2023. I hope that all holds true. At least that the next book comes out this time next year. If we get a bit more story in this world than was originally intended, this reader, for one, would not be in the least disappointed.

Review: Can’t Spell Treason Without Tea by Rebecca Thorne

Review: Can’t Spell Treason Without Tea by Rebecca ThorneCan't Spell Treason Without Tea by Rebecca Thorne
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: cozy fantasy, fantasy
Series: Tomes and Tea #1
Pages: 451
Published by Rebecca Thorne on September 15, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

All Reyna and Kianthe want is to open a bookshop that serves tea. Worn wooden floors, plants on every table, firelight drifting between the rafters… all complemented by love and good company. Thing is, Reyna works as one of the Queen’s private guards, and Kianthe is the most powerful mage in existence. Leaving their lives isn’t so easy.
But after an assassin takes Reyna hostage, she decides she’s thoroughly done risking her life for a self-centered queen. Meanwhile, Kianthe has been waiting for a chance to flee responsibility–all the better that her girlfriend is on board. Together, they settle in Tawney, a town that boasts more dragons than people, and open the shop of their dreams.
What follows is a cozy tale of mishaps, mysteries, and a murderous queen throwing the realm’s biggest temper tantrum. In a story brimming with hurt/comfort and quiet fireside conversations, these two women will discover just what they mean to each other… and the world.

My Review:

I picked this up because once I knew it existed, I couldn’t resist buying it and reading it instantly. Why? Because everything about this book practically screams that it’s following in the cozy fantasy footsteps of Travis Baldree’s completely marvelous Legends & Lattes – and I adored that book. It is absolutely the perfect comfort read for our very uncomfortable times.

But at the moment there’s no sequel on the horizon – and I very much wanted more of the same. At least more in the same vein. Which is when Can’t Spell Treason Without Tea poured its way into my reading consciousness.

When we first meet Reyna and Kianthe, they’ve been together for two years. Except not together being together. They both have important jobs with big responsibilities, so running away together to open their combined dream tea shop and bookstore is never more than just that – a dream.

But, as the saying goes, a good job won’t love you back. That’s particularly true in Reyna’s case. She’s one of Queen Tilaine’s elite guards – which sounds like a really awesome and important job. The problem is that Queen Tilaine is a tyrant to her people, a bully to her staff, and a sadistic psychopath to pretty much everyone pretty much all of the time. A psychopath with the power to indulge all of the worst traits of her psychopathy – so she does.

That someone comes to court to assassinate her isn’t exactly a surprise as it happens on the regular. That Reyna stops the would-be assassin is also par for this court’s course. That Reyna gets wounded in the process of stopping said assassin is all in a day’s work. That the Queen she has served all her life tells the assassin and the entire court just how little Reyna’s life is worth to her is also, unfortunately, all too “normal”.

But it’s the straw that breaks Reyna’s willingness to sacrifice herself for a Queen who will not only never appreciate her service, but will, in fact, actually send her into harm’s way even at times when it’s not necessary just because she can. Because she needs to remind everyone of her power over their lives at every single turn.

So Reyna runs away. From the Queen, from the Palace, from her duties as a guard. That’s treason in the Queendom, and Reyna knows it. She just hopes she can outrun it – at least for a little while.

Which is where Kianthe comes in. Kianthe, the most powerful mage in the entire world, loves Reyna every bit as much as Reyna loves her. While Kianthe has duties to that world that she can’t completely leave behind, she CAN leave behind all the bureaucracy that goes with it. They can live their dream, that dream of a bookshop for Kianthe that brews and sells specialty teas crafted by Reyna.

So they do. They run away to the tiny border town of Tawney, ‘appropriate’ a dilapidated house from a gang of dead bandits, and open their store. They expect trouble to find them eventually, and they’re ready for it.

The dragon invasion that comes first they weren’t expecting at all.

Escape Rating B+: The author calls out her debt to Legends & Lattes in her ‘Acknowledgements’ at the end of the book, so it seems right in line to compare the book in hand to the work that directly inspired it.

While there’s a romance at the heart of both stories, the romances themselves are very different. Reyna and Kianthe are an established couple when the story begins, so instead of seeing their tentative steps toward romance, what we have here is more of a hurt/comfort story – as one or the other of them is either wounded or emotionally wrecked at many points in the book. The relationship that they are navigating, sometimes well and sometimes very badly – as people do – is the metamorphosis from a long-distance relationship to a live-in one that also includes owning a business together. So those story beats are different but lovely in their own way.

The biggest difference between Treason and Legends is that Treason mixes a LOT more epic fantasy elements with its cozy story of opening a business in a small magical town. The ‘marriage’ between the coziness and the epic doesn’t always go as smoothly as the relationship between Reyna and Kianthe does.

At the same time, the overall arc of the series looks like it’s going to be powered by those dragons. They are both a huge – literally – menace to the town and the source of an equally deep mystery that Kianthe and Reyna will have to solve over subsequent books in the series.

The one – very large – fly in the otherwise honey sweetness of this book is Queen Tilaine herself. On the one hand, the border straddling nature of Tawney adds a lot to the setting of the story. It’s disputed territory between the Queendom and its neighbor Shepara. But it’s also far enough from both capitals that the inhabitants have made their own brand of peace with their neighbors, leaving the antipathy between the rulers AND the religions of the home countries far behind and well out of everyday life. Which is all absolutely fascinating and it should be fun to watch how that works out as the series continues.

But very much on the other hand, Queen Tilaine herself is a gigantic problem. She’s the real villain of this piece, and she suffers from serious villain fail. She’s so far over so many tops that she’s just BWAHAHA evil with no redeeming characteristics and nothing to let the reader see that she’s the hero of her own story – as villains generally see themselves. It’s not just that she’s evil, but the way that she’s evil means that her country is barely functioning and she has enemies on all sides looking to overthrow her. In other words, there are huge reasons why assassination attempts happen on the regular, and they’re all at least somewhat righteous.

Tilaine is a bigger looming threat over Reyna and Kianthe than the dragons – and that’s saying something. The dragons are actually more sympathetic and they make more sense!

As much as I enjoyed the story, Tilaine’s particular brand of BWAHAHA and the way it was dealt with didn’t work for me nearly as well as the dragons – or as well as every other part of the story. Your reading mileage may vary.

Overall, I have to say that while Treason doesn’t quite get the same amount of lightning into the bottle that Legends did, it is very much a worthy successor to it – especially as a second book in the Tomes & Tea series is already in the works. So it tided me over quite nicely for a few hours, and now I want more of both!

Review: Uncanny Times by Laura Anne Gilman

Review: Uncanny Times by Laura Anne GilmanUncanny Times (Huntsmen #1) by Laura Anne Gilman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook,
Genres: fantasy, historical fantasy, urban fantasy
Series: Huntsmen #1
Pages: 384
Published by Gallery / Saga Press on October 18, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Huntsmen, according to the Church, were damned, their blood unclean, unholy. Yet for Rosemary and Aaron Harker the Church was less important than being ready to stand against the Uncanny as not being prepared could lead to being dead.
The year is 1913. America—and the world—trembles on the edge of a modern age. Political and social unrest shift the foundations; technology is beginning to make its mark.
But in the shadows, things from the past still move. Things inhuman, uncanny.
And the Uncanny are no friend to humanity.
But when Aaron and Rosemary Harker go to investigate the suspicious death of a distant relative, what they discover could turn their world upside down—and change the Huntsmen forever

My Review:

Uncanny Times feels like it’s set in the ‘Weird West’, but it’s not. Still feels that way though. Rather, it’s set in a kind of alternate early-20th century New England, but the New England that grew out of Washington Irving’s creepy folklore-ish stories such as Rip Van Winkle and The Legend of Sleepy Hollow.

Rosemary and Aaron Harker might never have hunted a ‘headless horseman’ but whatever they’re after in tiny Brunson, New York, on the shores of Lake Ontario – in November! – is certainly equally uncanny. They just don’t know exactly what it is – at least not yet.

It’s their job to find out. The Harkers are Huntsmen, from a long line of people who have the ability to deal with the uncanny. They go where they are sent, figure out the nature of the threat they have to face – and eliminate it without involving local law enforcement or putting the local populace in danger – or at least in any more danger than they already are.

But this case is different from the beginning. They are summoned, not by one of their superiors in the Huntsmen but rather by an old family friend who always knew about the uncanny and those who are tasked with fighting it.

Or rather, by the man’s widow, who makes it clear that his death was as uncanny as the creatures that Rosemary and Aaron usually hunt. One of the man’s last requests was that if there was anything suspicious about his death that his wife ask the Harkers to come. There was and she has.

And the man was right – his death was at the hands of something uncanny. Something that doesn’t seem to be recorded in the rather extensive records of the Huntsmen. But whatever it is, or was, or wants to gorge itself into becoming, it’s up to Rosemary and Aaron to take it out – or go down trying.

Escape Rating B-: Uncanny Times is kind of a gothic version of historical and/or urban fantasy, with a bit of alternate history thrown in for bodies and spice. I call it gothic because the creeping horror is very slow burn, and it’s imbued in the atmosphere of the town long before we see it manifest as any sort of creature that the story can sink its teeth into – or that can sink its teeth into the characters.

This also doesn’t read like the version of 1913 that history records. Instead, it reads like the Weird West, an alternate version of the late 19th century – or what followed in this case – where the things that go bump in the night are real and history has gone down a different – and much creepier – leg of the trousers of time.

So this may be pre-World War I by our calendar, and Woodrow Wilson is President – but he’s no pacifist in this version of history. So it’s 1913 by way of something like Cherie Priest’s Boneshaker – we just haven’t seen what the equivalent of the massive earthquake was. At least not yet. The world of the Huntsmen reads more like that of Charlaine Harris’ Gunnie Rose, or Lindsay Schopfer’s Keltin Moore than it does the pre-WW1 world we’re familiar with. While the Huntmen organization and what it fights reads as very similar to the Circuit Riders of The Silver Bullets of Annie Oakley’s alternate world.

The story in Uncanny Times is a slow build of creeping horror mixed with more than a bit of confused investigation. It takes quite a while to get itself going, but that feels like its a necessary part of the entire story. Not only is this the first book in a projected series, but the creature that the Harkers are hunting for isn’t something that is supposed to exist even in their version of the world.

Added to that, they have to operate in plain sight while concealing pretty much everything they really are and really do. Most people don’t believe, and the ones that do mostly can’t be trusted. They even have to hide the true nature of their dog, because he isn’t just a dog. Botheration (best name ever!), besides being a VERY good boy, is also a hellhound and an expert tracker of both ordinary humans AND the creatures that the Huntsmen hunt.

And he steals pretty much every scene he’s in. Botheration is an awesome dog. (Don’t worry about Botheration, he’s bigger and stronger than most things that he hunts – and he comes out of this story every bit as fine as he went into it. I promise!)

I recognize that I’m a bit all over the map about Uncanny Times. I picked this up because I loved the author’s Retrievers series, which still has a place in my heart and on my physical bookshelf even 20 years later. But I have to confess that the lightning hasn’t struck again in that I’ve tried some of her later series but haven’t gotten hooked.

And I have to say that I liked Uncanny Times but didn’t love it as much as I hoped. It takes a long time to get itself going, and its two points of view characters are very private people. We don’t get to see nearly enough of what makes either of them tick. A lot of their investigation is obscured by fogs of various kinds and it makes the story murky as well.

But I loved Botheration. And the setting is fascinating because it feels like alternate history but the reviews don’t make it sound like it actually is – which really makes me wonder if I read the same thing everyone else did. So I’m torn, but whole in my conviction that I’ll pick up the next book in the series, whenever it comes out, at least to see what Botheration is bothering next!

Review: Silver Under Nightfall by Rin Chupeco

Review: Silver Under Nightfall by Rin ChupecoSilver Under Nightfall by Rin Chupeco
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, epic fantasy, fantasy, Gothic, horror, steampunk, vampires
Series: Reaper #1
Pages: 512
Published by Gallery / Saga Press on September 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Full of court intrigue, queer romance, and terrifying monsters—this gothic epic fantasy will appeal to fans of Samantha Shannon’s The Priory of the Orange Tree and the adult animated series Castlevania.
Remy Pendergast is many things: the only son of the Duke of Valenbonne (though his father might wish otherwise), an elite bounty hunter of rogue vampires, and an outcast among his fellow Reapers. His mother was the subject of gossip even before she eloped with a vampire, giving rise to the rumors that Remy is half-vampire himself. Though the kingdom of Aluria barely tolerates him, Remy’s father has been shaping him into a weapon to fight for the kingdom at any cost.
When a terrifying new breed of vampire is sighted outside of the city, Remy prepares to investigate alone. But then he encounters the shockingly warmhearted vampire heiress Xiaodan Song and her infuriatingly arrogant fiancé, vampire lord Zidan Malekh, who may hold the key to defeating the creatures—though he knows associating with them won’t do his reputation any favors. When he’s offered a spot alongside them to find the truth about the mutating virus Rot that’s plaguing the kingdom, Remy faces a choice.
It’s one he’s certain he’ll regret.
But as the three face dangerous hardships during their journey, Remy develops fond and complicated feelings for the couple. He begins to question what he holds true about vampires, as well as the story behind his own family legacy. As the Rot continues to spread across the kingdom, Remy must decide where his loyalties lie: with his father and the kingdom he’s been trained all his life to defend or the vampires who might just be the death of him.

My Review:

I wasn’t sure what I was getting myself into this book, and now that I’ve read it I’m still not entirely sure. Except that it was fantastic. Heart-pounding, fingernail-biting, stay up until 3 in the morning to finish fantastic.

But the question about whether this is fantasy or horror still feels a bit up in the air.

Let me explain…

Remy Pendergast is a Reaper. In this world that means vampire hunter. But Remy only hunts so-called “rogue” vampires – ones who are causing mischief in human-controlled countries like Aluria. Vampires also have fiefdoms of their own where the rules are undoubtedly different.

Where Remy wouldn’t exactly be welcome because he’s famous for hunting their kind.

Not that Remy is exactly welcome in his own country, either. And not because he’s a Reaper. There are plenty of Reapers in high positions in Aluria’s government. In fact, his father used to be one of them.

But his father, who is a cantankerous old bastard at the best of times – of which he has damn few – is also in the midst of a lifelong feud with the head of the Reaper’s Guild – who also happens to be the Royal Chancellor. A man who is just as big a bastard as Remy’s father, and who is taking his feud out on the son now that the father has publicly retired.

And that’s just the tip of the really massive and ugly iceberg of why Remy is persona non grata in his own country – unless they need something killed and everyone else is too scared or too prissy to get their hands dirty.

That’s where the zombies come in. Well, not really and not exactly zombies. But sorta/kinda and close enough.

Someone is creating monsters that at first seem to be super-duper enhanced vampires. But they’re not. They’re mindless husks who regenerate at will and seem to be impossible to kill. Upon closer scientific study (this world is steampunk-ish so there’s plenty of mad science at least of the medical variety) it’s revealed that these mindless husks were never vampires – and that vampires are immune to the infection that creates them.

Lord Malekh and Lady Song, leaders of the Third and Fourth vampire Courts, have come to Aluria to ally with its Queen in order to combat what they call “The Rot” and whoever is behind that threat.

They need a human liaison. They both want Remy (in more ways than one) – who isn’t at all sure what he wants except to get out of Aluria for a while. The political temperature is getting way too hot for him and his father’s demands are becoming even more outrageous than they always have been.

And he’s tempted. Even though becoming a vampire’s familiar is against the law. Even though he’s fought vampires all his life. Even though a vampire killed his mother and he was born from her corpse.

Even though Malekh and Song are clearly in love and engaged to marry each other. Remy can’t understand why either of them wants him when no one else has ever wanted to do anything except use him for their own purposes.

He has a chance at having the kind of happiness that he never expected to even get a glimpse of. And he’s so, so certain that someone will take it away from him – unless he does it to himself first.

Escape Rating A+: Clearly, the setup for this is ginormous. It’s also endlessly fascinating. I got stuck into this and absolutely could not get out until I finished the last page at about 3 AM. It was just that good.

To the point where I’ll probably be squeeing uncontrollably more than reviewing per se. But I did love it so, so hard.

While the blurbs reference the anime series (and videogame) Castlevania, I think that’s because of the vampires, the politics and the monsters. I haven’t played or watched that so it’s not where my mind went. Instead, I kept seeing Remy as a younger, less confident Geralt of Rivia, in a world where hunting magical creatures gone rogue is needed while the people who do it are reviled. I would call it a bit of a coming-of-age story for The Witcher but I’m not sure Remy is fully adulting even by the end of the story – although he’s finally getting there.

Where I started with this review was that I still wasn’t sure whether the book was horror or fantasy. It was presented to me as horror and the scientific experimentation with zombie-like monsters who roam the countryside and infect others definitely has that vibe. There’s even a Doctor Frankenstein who is entirely too proud of his work even if he doesn’t use electricity to achieve his goals.

And then there’s the vampires, both the rogue vampires and the sexy vampire nobility. Which pushes the whole thing towards the paranormal which is an offshoot of horror.

But the form of the story reads like a big, sprawling epic fantasy. The world is huge and vastly complicated. The political agendas have political agendas and everyone is trying to knife everyone else in the back. The grudges seem to last for centuries – and not just among the vampires who have the excuse of living that long.

Basically, the politics behind everything are beyond Byzantine – as much as that is still an understatement if I ever heard one.

All of that makes the story feel epic in scope in a way that horror seldom is. And most of what is truly horrible in this story isn’t the monsters. It’s all the endless betrayals. It feels like the foundations of Remy’s world get pulled out from under him over and over as he keeps learning that under the corruption of everything if you scrape it away there’s yet another layer of, you guessed it, rot and corruption. Nothing he thinks he knows turns out to have any bearing on any truth.

That the triad relationship between Malekh, Song and Remy becomes both his only source of solace and a never-ending well of betrayal AT THE SAME TIME is just the icing on what is an utterly decadently delicious devil’s food cake of a story.

Whether it’s horror or fantasy or gothic or all of the above it’s riveting and downright compelling every step of the way. But whatever genre it falls into, I’m absolutely thrilled that the story isn’t over. Silver Under Nightfall is the first book in a projected duology, so there’s more dark, deadly and decadent delights to come!

Review: Small Town, Big Magic by Hazel Beck

Review: Small Town, Big Magic by Hazel BeckSmall Town, Big Magic by Hazel Beck
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, paranormal romance, urban fantasy
Series: Witchlore #1
Pages: 416
Published by Graydon House on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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For fans of THE EX HEX and PAYBACK'S A WITCH, a fun, witchy rom-com in which a bookstore owner who is fighting to revitalize a small midwestern town clashes with her rival, the mayor, and uncovers not only a clandestine group that wields a dark magic to control the idyllic river hamlet, but hidden powers she never knew she possessed.

Witches aren't real. Right?

No one has civic pride quite like Emerson Wilde. As a local indie bookstore owner and youngest-ever Chamber of Commerce president, she’d do anything for her hometown of St. Cyprian, Missouri. After all, Midwest is best! She may be descended from a witch who was hanged in 1692 during the Salem Witch Trials, but there’s no sorcery in doing your best for the town you love.Or is there?
As she preps Main Street for an annual festival, Emerson notices strange things happening around St. Cyprian. Strange things that culminate in a showdown with her lifelong arch-rival, Mayor Skip Simon. He seems to have sent impossible, paranormal creatures after her. Creatures that Emerson dispatches with ease, though she has no idea how she’s done it. Is Skip Simon…a witch? Is Emerson?
It turns out witches are real, and Emerson is one of them. She failed a coming-of-age test at age eighteen—the only test she’s ever failed!—and now, as an adult, her powers have come roaring back.
But she has little time to explore those powers, or her blossoming relationship with her childhood friend, cranky-yet-gorgeous local farmer Jacob North: an ancient evil has awakened in St. Cyprian, and it’s up to Emerson and her friends—maybe even Emerson herself—to save everything she loves.

My Review:

Once upon a time (mostly in the 1980s and 1990s) there were a whole lot of books telling stories about people (usually young women) who discovered that the mundane world all around them hid secret places and even more secretive people filled with magic – and danger. And that the protagonist of those stories either belonged in those magical places or discovered them or had to save them.

Or all of the above.

Emerson Wilde used to read all of those books, tucked inside the safe and comforting shelves of her beloved grandmother’s bookstore, Confluence Books. But her grandmother has passed, and left the store, her quirky Victorian house, and her legacy to Emerson.

Even if Emerson doesn’t remember the full extent of that legacy or her family’s place in St. Cyprian Missouri, a beautiful little town that sits at the confluence of the Mississippi and Missouri Rivers.

Emerson thinks of St. Cyprian as a magical little town, one she’s proud to be a part of as a small business owner and president of its Chamber of Commerce. She doesn’t know the half of it.

But she’s about to find out.

Escape Rating B: Just like Emerson, I read all those books too, which meant that I sorta/kinda knew how this one was going to go. If you took a selection of those books and threw them in a blender with A Marvelous Light by Freya Marske, Witch Please by Ann Aguirre, Her Majesty’s Royal Coven by Juno Dawson and just a bit of Manipulative Dumbledore-style Harry Potter fanfiction you’d get something a lot like Small Town, Big Magic.

Not that that’s a bad thing, as each of those antecedents has plenty to recommend it. And if you like any of them you’ll probably like at least some parts of this first book in the Witchlore series.

But as much as I loved the premise – or most of the premises – that make up this story, there were a few things that drove me utterly bananas.

Many of those original urban fantasy-type stories focus on a relatively young protagonist who has their world view overturned when they learn that magic is real, all around them, and that they have at least some of it.

Emerson’s “unbusheling” as it’s called in A Marvelous Light isn’t like that at all. Because she did know about magic until she was 18 – and that’s where the Harry Potter fanfiction reference comes in. Emerson’s memory of magic was wiped because she failed a test of power – and that whole scenario is suspicious in a way that does not get resolved at the end of this first book in the series.

Second, she is an adult when her memories come back after an attack by a magical creature. The tragedy of this story is that her closest friends have all stayed with her, stayed her besties, for the decade or so that her memory has been gone. And they’ve all retained their magic, their complete memories, and have kept the secret. The thought of that compromise is kind of hellish, that they all loved her enough to stick by her – and that they all feared the witchy powers-that-be enough to keep her utterly in the dark about the truth of their world.

So when Emerson’s powers start coming back, her friends are equal parts scared and thrilled. Thrilled they can finally be their full selves around her. Scared that the powerful witch council will learn that she’s broken the memory block and that they’ve all told her all the things they promised not to tell under threat of their own memory wipes – or worse.

And they are collectively even more frightened because Emerson’s powers must have returned for a reason. A reason that is likely to be even bigger and more threatening than whatever that council will do to them.

What kept making me crazy was that in the midst of all this her friends were just as over-protective and condescending as any of the adults assisting a young first-time magic user are in any of those stories from the 80s and 90s. The situation frustrated the hell out of Emerson, and I was right there with her.

I also think it made her learning curve drag out a bit more than the story needed.

But there’s something else, and it looms even larger now that I’ve finished the book. There are two antagonists in this story. The first, and the largest by nature, is, quite literally, nature. An evil menace is filtering into the confluence of the rivers that sustain the magic of not just St. Cyprian, but the entire magical world. Emerson’s powers have emerged because it is her task to lead the coven that can stop it – even if she has to sacrifice herself in the stopping.

Howsomever, the focus through the entire story is on the other big bad – that leader of the local council who memory-wiped Emerson, exiled her sister Rebekah, drove her parents out of St. Cyprian and has generally been manipulating the entire town through her coven/council for some reason that has not yet been revealed.

And isn’t revealed by the end of the story. So everything ends on a ginormous freaking cliffhanger. The evil menace in the waters seems to have been dealt with – at least for now. But the council has just arrived to deliver what their leader believes is a well-deserved smackdown for saving everyone’s asses.

Literally just arrived as the book doesn’t so much end as come to a temporary and frustrating halt in mid-looming threat.

And we still don’t know what the root cause of that conflict even is. The ending isn’t satisfying. I need to know why the leader seems to have had it in for Emerson and her entire family long before the events of this book. The evil in the water, as much as it needed to be eliminated, wasn’t personal – at least as far as we know. It needed to be resolved but it’s difficult to get invested in. I’m invested in seeing that manipulative witch get exactly what’s coming to her. And I didn’t even get a hint.

Hopefully the answers – or at least some of them – will be revealed in the second book in the series, Big Little Spells. Because I’m salivating for some just desserts to be served.

Review: The Seventh Bride by T. Kingfisher

Review: The Seventh Bride by T. KingfisherThe Seventh Bride by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: fantasy, horror, retellings, young adult
Pages: 236
Published by 47North on November 24, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
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Young Rhea is a miller’s daughter of low birth, so she is understandably surprised when a mysterious nobleman, Lord Crevan, shows up on her doorstep and proposes marriage. Since commoners don’t turn down lords—no matter how sinister they may seem—Rhea is forced to agree to the engagement.

Lord Crevan demands that Rhea visit his remote manor before their wedding. Upon arrival, she discovers that not only was her betrothed married six times before, but his previous wives are all imprisoned in his enchanted castle. Determined not to share their same fate, Rhea asserts her desire for freedom. In answer, Lord Crevan gives Rhea a series of magical tasks to complete, with the threat “Come back before dawn, or else I’ll marry you.”

With time running out and each task more dangerous and bizarre than the last, Rhea must use her resourcefulness, compassion, and bravery to rally the other wives and defeat the sorcerer before he binds her to him forever.

My Review:

I picked up The Seventh Bride because I love T. Kingfisher’s work and especially because I love her stories of young women – often very, very young – who have found themselves in a seriously large and potentially deadly pickle of epic proportions. Who, instead of whining, “oh woe is me!” or their world’s equivalent, put on the big girl panties they may not even be old enough to actually have yet and set about the business of saving themselves and everyone around them.

Just like Mona in A Wizard’s Guide to Defensive Baking and especially Marra in Nettle & Bone, Rhea is a young woman who is forced to adult really hard because the adults around her are either not up to the job (Mona) or are in positions of powerlessness relative to the evil aristocratic villain who is pulling everyone’s strings (Marra).

Rhea knows there’s something seriously wrong in the whole idea of a nobleman sweeping in to marry a miller’s daughter. Not because fairy tales don’t occasionally happen, and not that this won’t be one someday, but she knows it doesn’t happen to relatively plain girls in working-class families without some kind of magical intervention.

She’s also all too aware that no matter how the mysterious Lord Crevan might phrase his proposal, neither Rhea nor her parents have any real choice in the matter. He’s manipulating them all and he’s enjoying it.

Rhea’s just as aware that her parents are doing their best to pretend that this mess isn’t as wrong as it really is. She’s angry and frustrated because she knows there’s something rotten going on, and she’s exasperated almost beyond bearing that her parents keep trying to pretend that things might be okay after all. It takes a long time and a lot of thought for her to acknowledge that they are basically whistling past the graveyard and that they are hoping that if they pretend hard enough that things might not be quite so bad – although they probably will be.

But when Rhea arrives at Lord Crevan’s hidden country estate she discovers that actually – the whole thing is much, much worse than she imagined. That there are fates worse than death and that six of Crevan’s previous wives have all landed in those situations. And that Rhea is next unless she can find a way to stop him before its too late for her- and her hedgehog – if not for them.

Escape Rating A: The Seventh Bride is right at the crossroads between fairy tales, fantasy, horror and young adult. Or it is if there’s a skeleton buried under that crossroads.

It also reads like a bit of a ‘dress-rehearsal’ for Nettle & Bone, having been originally published eight years before Nettle. The two stories have a lot of the same elements, but as they are all elements that I love, that’s an excellent thing.

Like Marra in Nettle & Bone, Rhea is in an impossible situation, one in which she knows she’s utterly powerless. At least in any traditional sense of power. She’s low born, she’s young, she’s female, her family is dependent on the local lord’s goodwill. Even if Lord Crevan mistreats her – as she expects he will – if she refuses him her family will, at best, be thrown out of their house and livelihood. At worst, they’ll all be killed. She’s in that squeeze between the rock and the hard place. She expects the hard place to be hard, but her parents will survive her going there and it might not be AS bad as she fears. The rock will crush them all for certain if she doesn’t.

But that’s where the magic of the tale comes in, in its horrible, beneficent, and human aspects. All at once. Because if there’s one thing Rhea is good at, it’s making the best of her situation. There’s a band of sisters waiting for her at Lord Crevan’s estate – his other wives. She has allies – and she gives them hope. She finds a way to fight back that is both underhanded and subversive.

And why shouldn’t she? It’s not as if Crevan is playing fair.

The more she sees of the horror that she’ll have to endure if she submits, or is ground under, the more determined she is to find a way out. And the more she shows that he can be subverted, the more of his other wives are willing to help her do so.

The creepy factor in this one is very high. The sense of a band coming together is very strong. And the possibility of a villain getting EXACTLY what’s coming to him is EXTREMELY satisfying.

So don’t let the idea that this might be YA-ish stop you from picking up this marvelously creepy story of magic, helpfully intelligent animals (Rhea’s hedgehog friend is adorable), found sisterhood and evil getting hoist on its own pointy petard. (Especially as the ebook is currently on sale for 99 cents. It’s an absolute STEAL!)

And if the author ever writes a bonus scene of Rhea, Marra and Mona sitting down for tea in some place between the worlds, I’d love to be a fly on that wall – or at least a reader of that story!

Review: Councilor by L.E. Modesitt, Jr.

Review: Councilor by L.E. Modesitt, Jr.Councilor (The Grand Illusion #2) by L.E. Modesitt Jr.
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy, gaslamp
Series: Grand Illusion #2
Pages: 528
Published by Tor Books on August 9, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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L. E. Modesitt, Jr., bestselling author of Saga of Recluce and the Imager Portfolio, continues his brand new, gaslamp, political fantasy series with Councilor the thrilling sequel to Isolate. Welcome to the Grand Illusion.
Continued poor harvests and steam-powered industrialization displace and impoverish thousands. Protests grow and gather followers.
Against this rising tide of social unrest, Steffan Dekkard, newly appointed to the Council of Sixty-Six, is the first Councilor who is an Isolate, a man invulnerable to the emotional manipulations and emotional surveillance of empaths.
This makes him dangerous.
As unknown entities seek to assassinate him, Dekkard struggles to master political intrigue and infighting, while introducing radical reforms that threaten entrenched political and corporate interests.

The Grand Illusion
Isolate

My Review:

The Grand Illusion of the series title seems to revolve around the illusion that political action can “fix” things, whether what needs fixing is a country or a system or a person’s circumstances. Even, in a peculiar way, the weather. Or at least the effects of that weather.

This second book in the series, after last year’s marvelous Isolate, continues to follow Stefan Dekkard on his journey from being a political outsider, merely a security aide to one of the 66 councilors of Guldor, to his new position as a councilor in his own right. In other words, Stefan has gone from being an observer of the process – albeit an active and sometimes intimate one – to someone who is part of how the sausage gets made.

There’s a reason why politics is such a dirty business that no one REALLY wants to learn the truth of the process. Which doesn’t mean that some people don’t have to – and that some people don’t enjoy manipulating that process as much as they are able.

The setup of Guldor as a country, and its government, is a fascinating one. The setting is gaslamp fantasy, so they have steam power and electric power, they can make some unfortunately high-powered military ordinance. They are also in the middle, maybe a bit later than that, into the throes of their Industrial Revolution. Meaning that there is a lot of change and a lot of damage as a result of that change. Land and farming don’t convey the power that they used to. Large commercial interests have large amounts of money and therefor large amounts of influence. Small businesses and artisan business are on the rise but have not yet caught up in the power games being played.

If one thinks of the Guldorian political parties; Landor, Commerce and Craft, as being (very) roughly analogous to the British Tories, Liberals and Labour parties respectively, that’s probably not TOO far off.

Stories that take place in times of great upheaval are always interesting, because there are so many opportunities to go both right and wrong and so many people lining up to push in one direction or another. Guldor is at such a crossroads. The Landor (traditional) party has lost some of its sway but still thinks they could get back to their “good old days”.

The Commerce party has been the ruling party for 30 years, and have gotten so used to being on the top of the heap that they seem to have stopped bothering to cover up their abuses of power. To the point where the monarch of this constitution monarchy was forced to call for new elections – and to the point where voters were so fed up that they were willing to make a radical choice and vote in a Craft Party administration.

A circumstance that the Commerce Party doesn’t merely want but absolutely NEEDS to discredit and outright reverse by ANY means necessary. Not merely the quiet assassinations of Craft Party councilors that has been going on for YEARS at this point, but outright terrorism and revolution.

After all, they have an existing scapegoat for all their actions in the subversive Meritorist movement. Or, perhaps, and much more likely, they created one for just such a potentiality. So far, it’s been working out well for them, even if badly for everyone else.

And the entire situation is about to get a whole lot worse.

Escape Rating A: Just as with the first book in the series, Isolate, the story in Councilor is a story about politics that is told through people. Stefan Dekkard is, on the one hand, a bit of an everyman, and on the other a very singular individual with a specific set of skills, strengths and weaknesses. He is very good at observing the world around him, reaching synthesis of disparate and often contrary bits of information and then swiftly acting on his conclusions. He’s also damn good at keeping himself alive in a situation where, maybe not everyone, but certainly entirely too many people really are out to get him.

At the same time, he’s been an actual Crafter, he attended the military academy and has been a security guard to an active councilor. He’s also an isolate, think psi-null, in a society where nearly everyone can be read by elite psi-users who can both read and influence everyone except Stefan and the relatively rare others like him.

We’re following him and his career because Stefan is always an outsider in his own society and can observe without being psychically influenced or read by anyone who might want to probe his secrets or control his actions. Which does not mean that he doesn’t feel emotions or that he can’t be swayed by them, just no more or less than any of us, and in the same ways that we’re used to. It makes him an excellent surrogate for the reader.

As a new councilor, Stefan faces all of the newbie insecurities, and also starts out not knowing nearly enough to do the job. As he learns, we learn how things are – and are not – working right along with him.

He’s also newly married – to his former security partner – as this book begins. Theirs has always been a relationship of equals, and that does not change now that they are married (The author generally does an excellent job of creating these kinds of relationships and making sure that females are equally represented and equally powerful throughout his stories.)

At the same time, their relationship is changing in ways that they have to adjust to – and we see them do it. All in all, the way this story is told is that we see both the exciting things and the prosaic things and we keep following along because we get involved with the people to whom these events are happening. The story literally pulls the reader along because we want to see how they cope with the next load of feces that hits the oscillating device, whether large or small.

So this is a story about watching people do the best they can in circumstances that are less than ideal but that they know they need to get through anyway. And it does its best, which is very well indeed, to pierce through the veil that obfuscates the grand illusion that politics or political action can make absolutely everyone happy and solve everyone’s problems every time.

While still presenting the idea that a government – and the people who are part of it – doing their very best to act to promote the common weal and not for the interests of themselves and their partisans, will, by its very nature, satisfy more of the population more of the time more fairly than anyone in the game for the pursuit of their own private interests.

This is the second book in the series, and it looks like we’re going to be following Dekkard’s political career wherever it might lead him, most likely, or perhaps hopefully, from his beginning as a security aide in Isolate through his first term as a Councilor and on up the ladder of achievements and setbacks until he reaches some pinnacle that we can’t see from here. But I hope we do in the future books in this series.

Howsomever, based on the title, it’s quite possible that the next book in the series will represent one-step-forward-and-two-steps-back. The title will be Contrarian according to the author’s blog, and I already can’t wait to read it.

Review: The Stardust Thief by Chelsea Abdullah

Review: The Stardust Thief by Chelsea AbdullahThe Stardust Thief by Chelsea Abdullah
Narrator: Nikki Massoud, Sean Rohani, Rasha Zamamiri
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, historical fantasy, retellings
Series: Sandsea Trilogy #1
Pages: 480
Length: 15 hours and 38 minutes
Published by Hachette Audio, Orbit Books on May 17, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Inspired by stories from One Thousand and One Nights, this book weaves together the gripping tale of a legendary smuggler, a cowardly prince, and a dangerous quest across the desert to find a legendary, magical lamp.
Neither here nor there, but long ago . . . 
Loulie al-Nazari is the Midnight Merchant: a criminal who, with the help of her jinn bodyguard, hunts and sells illegal magic. When she saves the life of a cowardly prince, she draws the attention of his powerful father, the sultan, who blackmails her into finding an ancient lamp that has the power to revive the barren land—at the cost of sacrificing all jinn.
With no choice but to obey or be executed, Loulie journeys with the sultan's oldest son to find the artifact. Aided by her bodyguard, who has secrets of his own, they must survive ghoul attacks, outwit a vengeful jinn queen, and confront a malicious killer from Loulie's past. And, in a world where story is reality and illusion is truth, Loulie will discover that everything—her enemy, her magic, even her own past—is not what it seems, and she must decide who she will become in this new reality.

My Review:

“Neither here nor there, but long ago…” or so the storytellers begin their best tales. Of which The Stardust Thief is most definitely one.

Loulie al-Nazari is the legendary Midnight Merchant, an infamous smuggler of magic relics left behind in the world of humans by the powerful, dangerous and deadly jinn. But she has a secret – of course she does. She finds the jinn relics that she sells to discerning buyers at extravagant prices with the help of a jinn relic of her own – along with the able assistance of her taciturn bodyguard, Qadir. Who is one of the hated and feared jinn, hiding in very plain sight. Only Loulie knows Qadir’s true identity – not that she knows even as much of that identity as she believes she does.

Mazen bin Malik is the second son of the Sultan. He’s been sheltered to the point of imprisonment for most of his life, while his older brother Omar has become their father’s heir, not just to the throne in the hazy future, but even now to their father’s position as the leader of the infamous ‘Forty Thieves’ – jinn killers who steal and murder on behalf of their leader, the prince they call ‘King’.

Mazen would rather be one of the storytellers in the souk. At least that way he’d have some freedom – and some purpose.

They shouldn’t have anything in common – a smuggler and a prince. But they are both people who hide their real selves behind masks; the Midnight Merchant is a persona Loulie puts on, while Mazen bribes the palace guard so he can escape the confining safety of his palace prison.

They meet in the souk, where Loulie is wandering incognito as Layla, while Mazen is pretending to be Yusuf the storyteller. Where Mazen is ensorcelled by a jinn, and Loulie can’t resist following their trail where it leads.

It leads to the palace. Not directly, and certainly not in a way that either expects. But the Sultan coerces the Midnight Merchant into finding a jinn king’s relic for him, deep in the desert, and sends his older son, Omar along to ‘protect’ her – and ensure she comes back with the prize.

But Omar has schemes of his own, so he trades places with Mazen, using a relic to switch their identities. He sends one of his ‘Forty Thieves’, Aisha bint Louas with the disguised prince as a bodyguard.

As the adventure bleeds into one danger after another, and their journey comes to feel more like a trap than a quest, they begin to learn the hidden truths about themselves and each other. Only to discover that not a single one of them is what they seemed, or what they thought they were, when they set out.

And that as many times as each of them promises themselves and each other that they will not run away – at least not this time – they are forced to accept the truth that “he (or she) who runs away lives to fight another day.” If only because they must in order to prevail against the powerful forces, both human and jinn, who stand in their way.

Escape Rating B+: I’m having the same kind of mixed reaction to writing this review as I did to reading this book. Which doesn’t explain anything at all, does it? The dilemma I’m having is that I loved the story, but did like or empathize with many of the characters, and it’s a real conundrum.

The story is utterly fascinating. The jinn (or djinn or genies) are such powerful mythical and mystical creatures. This story posits a much more nuanced interpretation of the jinn, and much of what happens is based on a fundamental dichotomy in that interpretation. Humans have been taught that jinn are dangerous and evil and hate humanity. Jinn, on the other hand, have an entirely different set of myths and legends about the first encounters between themselves and humans. Encounters in which the humans coveted the jinn’s powers and murdered them indiscriminately, as they still do. Some jinn do kill humans, but it’s more often in self-defense than outright murder.

As the story continues, it certainly seems like the jinn perspective is more likely the true one – particularly based on the behavior of the humans that Loulie and Mazen meet along the way.

But the story is a nearly endless ‘out of the frying pan into the fire’ kind of story, as one near-death adventure – and escaping therefrom – leads directly into another. Much as the tales that Shafia – who we know as Scheherazade – told to the Sultan to keep him from killing her. This adventure is clearly intended to remind readers of One Thousand and One Nights, as it should. Shafia was Mazen’s mother, and the Sultan of the famous story was his father.

It’s the truth of that tale, as well as so many other truths, that Mazen, Loulie and their companions must discover on their dangerous quest.

Speaking of the party, that’s where I felt conflicted. The story is told in the first person, from three different points of view; Loulie, Mazen and Aisha. I listened to the audio for about 90% of the book, and the three narrators made the differences in their perspectives quite clear. They all did an excellent job of portraying their respective characters. The problem I had was that I found that both Loulie and Mazen spent a lot of time wallowing in self-pity, self-flagellation and adolescent angst. Not that their situations weren’t more than worthy of some considerable wailing and gnashing of teeth – because they are in deep sand up to their necks. It’s more that because the story is told from inside their heads, it got repetitive. If I’d been reading instead of listening I’d have skimmed through those bits.

So I loved the adventure. This story is a thrill-a-minute ride with plenty of fascinating exploration of this world. The way that the legends come to life was absolutely riveting. But the one character I really liked and wished I had more of was Qadir, and he’s the one really important perspective we don’t have in the first person – or nearly enough of at all.

But I have hope – in a slightly twisted way. The Stardust Thief is the first book in a trilogy, although the second book doesn’t even have a title yet, let alone a publication date. It can’t come nearly soon enough because this first book doesn’t exactly end. Like the other adventures in this book, like the adventures Shafira told the Sultan, this one ends just as our heroes have jumped out of yet another frying pan but are still in freefall before they land in the inevitable fire.

It’s going to be a long, nail-biting wait to find out how hot things get in the next installment!