Review: Paladin’s Faith by T. Kingfisher

Review: Paladin’s Faith by T. KingfisherPaladin's Faith (The Saint of Steel, #4) by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook
Genres: epic fantasy, fantasy, fantasy romance, romantasy
Series: Saint of Steel #4
Pages: 446
Published by Red Wombat Studio on December 5, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Marguerite Florian is a spy with two problems. A former employer wants her dead, and one of her new bodyguards is a far too good-looking paladin with a martyr complex.
Shane is a paladin with three problems. His god is dead, his client is much too attractive for his peace of mind, and a powerful organization is trying to have them both killed.
Add in a brilliant artificer with a device that may change the world, a glittering and dangerous court, and a demon-led cult, and Shane and Marguerite will be lucky to escape with their souls intact, never mind their hearts. . .

My Review:

There’s a classic saying about large organizations at cross-purposes within themselves, that the right-hand doesn’t know what the left hand is doing. Marguerite Florian’s problem with the Red Sail mercantile empire is that their “right hand does not know who the left is killing”.

This is Marguerite’s problem because the person that the Red Sail’s left hand intends to kill is her. Which she has some strenuous objections to. Most people would.

Marguerite has tried all sorts of methods for getting the Red Sail off her back. Most parts of the organization think that she’s just a loose end, someone who knows something they shouldn’t but who clearly has no plans for doing anything about it. Someone who can be watched but otherwise left alone.

Other parts of the organization want to use her life – or rather her death – to score points against the others. For every Red Sail branch she does enough favors for to earn amnesty, there’s another who hates that branch and wants to add her body to their tally of tit for tat.

A particularly appropriate cliché as Marguerite’s attributes in that regard are exceptionally noteworthy – as MANY of the characters in this fourth entry in the Saint of Steel series can’t help themselves from noticing. Notably Shane, one of the very few remaining Paladins of the dead god, that titular Saint of Steel.

And that’s where the nature of the secret and the remit of the White Rat, the god who has taken Shane and his fellow Paladins under their wing, comes into play.

The White Rat, in the able and energetic person of Bishop Beartongue, is the god who sees a problem and gets it fixed. One of the things that makes pretty much all of their relief efforts everywhere more expensive than they need to be is that the price of salt is also fixed, not in a good way and not by good people. Specifically the Red Sail organization which has a monopoly on the large scale mining, production and most importantly, shipping, of salt.

Marguerite has helped the Bishop and the Rat – and those Paladins – a time or two before this story. She needs their help now to hunt down that loose end the Red Sail keeps trying to kill her over.

All Marguerite needs to do is locate the artificer who has invented a method for large-scale salt production that the Red Sail will clearly do anything to keep from publicizing her work. Because once it’s known that circumventing their monopoly is possible, it WILL be done. It will bankrupt Red Sail, cause short term economic hardships for any economy that is dependent on either the high price of salt, the high taxes on salt, or receiving favors from Red Sail. But in the long term, salt will be cheaper, the Rat’s relief efforts will cost less money and therefore require less in the way of donations and tithes from their members, and a whole lot of people on the lower rungs of the economic ladder (the folks the Rat specifically serves) will be better off.

So Bishop Beartongue lends Marguerite Shane and Wren, two of the former Paladins of the Saint of Steel ,to be her bodyguards while she hunts through the cutthroat Courts of Smoke, a place where dirty deals get done both dirt cheap and VERY expensively. A place where someone is bound to brag that they have a pet artificer who does genius work. Or, if someone doesn’t brag, they’ll at least leave papers lying around.

Marguerite just has to stay alive long enough to find the artificer. For that, she’ll need bodyguards who can’t be bribed or bought, seduced or suborned. She needs a paladin – or two.

Little does she know that both of her bodyguards are quite capable of being seduced. Just not in any of the ways that she ever expected – and with none of the results that could ever have been imagined.

Escape Rating A-: I’ve written a LOT to get to the point where I can talk about what I thought of the book, which makes a good metaphor for the book itself. Because Paladin’s Faith is a very big story of ‘hurry up and wait’. Marguerite’s literal task is to hurry up and get to the Court of Smoke then to spend endless amounts of time hoping that teeny-tiny clues will drop into her waiting ear. Or Wren’s or Shane’s waiting ears. While not giving themselves away to any agents of Red Sail who are undoubtedly lurking in hopes of discovering the exact same information.

It’s the spy game and a lot of actual spying is waiting for the ‘click’ of the right clue. Hurrying just gives the game away – which will get them all killed. Also a LOT of other people killed, as Paladins of the Saint of Steel do NOT go either gently or quietly into that good night. They ALWAYS take a lot of their enemies with them when they go. It’s what they are, it’s what they do, it’s what their god chose them for in the first place.

So a huge part of this book is taken up in that waiting and watching, and the frustration of not finding much while Marguerite knows her enemy is hot on her heels. The frustration of waiting for clues is compounded by the sexual frustration of BOTH Marguerite and Shane. The heat they generate practically steams off the page, to the point where the reader wants to groan right along with Marguerite as Shane carries out a mental routine of self-flagellation because he believes he shouldn’t and he’s not worthy and he’ll only fuck things up even more than they already are. Which honestly isn’t even POSSIBLE but his guilty complex is so damn loud that he can’t hear anything except the voice in his head telling him he’s a fuckup and that’s all he’s ever been or will be.

One of the best parts of, not just this book but the whole, entire series so far is that it is told in the author’s inimitable voice, and her character development is both always excellent and done with absolutely oodles of snark and self-realization layered with frequent, self-deprecating humor on all sides.

Howsomever, by the nature of that waiting game a LOT of this story is extremely interesting character development with a fair bit of adding to the depth of the worldbuilding but one does, like one of the side characters, Davith, want them to just ‘get on with it’ one way or another, either to get a move on in their mission or just make a move on each other.

Once both of those things finally happen, the story is a race to a surprising and delightful finish.

In the beginning of this series, there were seven surviving Paladins of the messily departed Saint of Steel; Stephen, Istvhan, Galen, Shane, Wren, Marcus and Judith. Stephen’s story was told in the first book in the series, Paladin’s Grace, Istvhan’s in the second, Paladin’s Strength, Galen’s in the third, Paladin’s Hope, and now Shane’s in Paladin’s Faith. Which does lead on to the belief – or certainly to the HOPE, that there will be three more books in the series. Based on events in this book, Wren’s is likely to be next – which would be awesome. And Judith’s story is going to be a humdinger. But whatever or whoever’s story is coming next, I’m already looking forward to it!

Review: A Power Unbound by Freya Marske

Review: A Power Unbound by Freya MarskeA Power Unbound (The Last Binding, #3) by Freya Marske
Narrator: Josh Dylan
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy romance, gaslamp, historical fantasy, M/M romance
Series: Last Binding #3
Pages: 432
Length: 16 hours and 7 minutes
Published by Macmillan Audio, Tordotcom on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A Power Unbound is the final entry in Freya Marske’s beloved, award-winning Last Binding trilogy, the queer historical fantasy series that began with A Marvellous Light.
Secrets! Magic! Enemies to. . .something more?
Jack Alston, Lord Hawthorn, would love a nice, safe, comfortable life. After the death of his twin sister, he thought he was done with magic for good. But with the threat of a dangerous ritual hanging over every magician in Britain, he’s drawn reluctantly back into that world.
Now Jack is living in a bizarre puzzle-box of a magical London townhouse, helping an unlikely group of friends track down the final piece of the Last Contract before their enemies can do the same. And to make matters worse, they need the help of writer and thief Alan Ross.
Cagey and argumentative, Alan is only in this for the money. The aristocratic Lord Hawthorn, with all his unearned power, is everything that Alan hates. And unfortunately, Alan happens to be everything that Jack wants in one gorgeous, infuriating package.
When a plot to seize unimaginable power comes to a head at Cheetham Hall―Jack’s ancestral family estate, a land so old and bound in oaths that it’s grown a personality as prickly as its owner―Jack, Alan and their allies will become entangled in a night of champagne, secrets, and bloody sacrifice . . . and the foundations of magic in Britain will be torn up by the roots before the end.

My Review:

This series, The Last Binding, has always been a story about power, wrapped inside a bit of pretty fantasy romance and steeped in the verbal byplay of a comedy of manners. But at the heart of all the fluff and froth, of which there has been a delicious amount, is a core of cold, hard steel.

The question has always been whose, whose power, whose needs, who decides who are the many and who are the few, and who gets to wield all the power at the foundation of British magic.

Because there really is a crisis coming, not just to British magic but to the world as a whole. That crisis, based on timing, is World War I. So the looming threat on the horizon is all too real. The problem is that too many at the pinnacle of power have decided that they are the only people capable of wielding that power, and that anyone who stands in their way is to be cut down. Permanently – and all too often with malice aforethought.

That they’ll frankly be doing their enemy’s work for them doesn’t occur to any of them. That no one has had even a thought to how the power was intended to be held and wielded doesn’t even cross their minds.

But it does cross the minds of our ragtag group of, let’s call them questioners of whether any ends justify the means that are being gone to. Especially as ALL of them have been the victims of those means in one way or another.

A Power Unbound begins by answering the questions raised early in A Marvellous Light, the questions about how and why Jack Alston, Lord Hawthorn, lost his magic and his twin sister in the first place. The questions about just how long this nefarious plot has been going on, and just how early it sunk to its terrible depths.

Depths which are displayed on the grandest stage possible for all the magical world to see, as no one bats an eye as long as they get to keep their own power. But magic itself has a say, and it has finally found agents through whom it can be said.

Their world will never be the same. Nor should it be.

Escape Rating B: I am all over the map about this story, because it is such a wild mixture of historical fantasy, power tripping and political shenanigans, mystery, romance and comedy of manners. Whether any reader will fall in love with the series probably depends on which parts of the melange they are in this thing for.

Which is where all the reading mileage is going to end up varying. A LOT.

I got into the first book, A Marvellous Light, for the magical and political skullduggery. It begins as a murder mystery and then dives into the murky depths of magic and politics and starts the whole series on its meditations about power and its ultimate corruption. A marvelous queer romance also occurs during the course of that story, but it never took a backseat to the magic and the mystery.

But the balancing act between the romance and the magical mystery tour started to tip in the second book in the series. I did enjoy A Restless Truth for its shipboard antics and the way it moved the search for the Last Contract two steps forward and one step back, but it felt a bit like the romance got a bit in the way of the parts of the story I was there for.

From my perspective, A Power Unbound got a bit too bound up in the romance between Jack and Alan for the first half of the book. A reader who is in this series for its romances will probably feel a lot differently, but for this reader it felt like the story was spinning its wheels in endless setup as Jack and Alan teetered on the knife edge of ‘will they, won’t they’. In the first half of the story the romance was at the center of the story rather than the magical mystery political pot boiling over and scalding our entire band of heroes, and I had hoped for the reverse.

At about the halfway point, which is where I switched from audio to text because I needed the story to just get on with it, the pace picked up, the amount of feces hitting the oscillating device increased dramatically, the plots on both sides got ever more convoluted, Murphy’s Law rained all over everyone, and the whole thing galloped towards an epic conclusion that was not quite the one that anyone expected but was absolutely perfect as a way of bringing the runaway plot train to a satisfying stop.

(For anyone considering the audio, the narrator did an excellent job, I just wanted the whole thing to move along faster than audio naturally or even unnaturally does. I do listen to audio because I love the voices. Mickey Mouse’s voice is another thing entirely – although it would have been hilarious for the sex scenes, it would absolutely have set the wrong tone.)

I find myself back at my earlier statement. How much a reader will love A Power Unbound will depend on which parts of the story that reader is here after. If you’re here for the romance, this one is a delight. If you’re here for the magical power and politics contest, the second half is fantastic but the romance-centered first half gets in the way of figuring out all of the whos and why they done what they done. (The whos are mostly obvious, but the whys are considerably less so.)

No matter which side of that divide you fall on, anyone who has fallen for this marvelous cast of sinners with the occasional saintly impulse will be thrilled by the epic, world-shattering ending!

Review: Wings Once Cursed and Bound by Piper J. Drake

Review: Wings Once Cursed and Bound by Piper J. DrakeWings Once Cursed and Bound (Mythwoven, #1) by Piper J. Drake
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, urban fantasy
Series: Mythwoven #1
Pages: 304
Published by Sourcebooks Casablanca on April 11, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

For fans of Sarah J. Maas and Jennifer Armentrout comes a bold and captivating fantasy by bestselling author Piper J. Drake.
My wings unbound, I am the Thai bird princessThe kinnareeAnd no matter the cost,I will be free.
Bennet Andrews represents a secret organization of supernatural beings dedicated to locating and acquiring mythical objects, tucking them safely away where they cannot harm the human race. When he meets Peeraphan Rahttana, it's too late—she has already stepped into The Red Shoes, trapped by their curse to dance to her death.
But Bennet isn't the only supernatural looking for deadly artifacts. And when the shoes don't seem to harm Peeraphan, he realizes that he'll have to save her from the likes of creatures she never knew existed. Bennett sweeps Peeraphan into a world of myth and power far beyond anything she ever imagined. There, she finds that magic exists in places she never dreamed—including deep within herself.

My Review:

It’s fitting that Wings Once Cursed & Bound is the first book in the Mythwoven series, as it weaves beings and artifacts from myth and legend into a captivating story that mixes urban fantasy and found family with legends from around the world into a series that draws on familiar tropes and traditions while introducing plenty that is fresh and new.

This story opens when a vampire chases down an artifact from one of Hans Christian Andersen’s fairy tales and finds himself falling in love with a being out of Thai mythology. (It’s a rare urban fantasy world when a vampire is the most mundane creature around.)

Kinnaree Statue in Chiang Mai – Thailand

The red shoes are designed to seduce humans into putting them on – at which point the shoes are wearing the human until that human is worn to death dancing at the shoes’ command. But Peeraphan Rahttana is more than just human. She’s a kinnaree, a Thai bird princess. She feels the compulsion, but once she becomes conscious of it she can resist.

Not forever, but perhaps for long enough for vampire Bennet Andrews and the secretive Darke Consortium that he represents to find a way to get the damn things off her feet before it’s too late.

Neither the Darke Consortium nor Bennet Andrews himself knew about Peeraphan or her heritage – Bennet was on the track of the shoes. That’s what the Darke Consortium does, they hunt down powerful supernatural, mythical and legendary artifacts and store them safely out of reach. The Consortium reads like a supernatural version of Anna Hackett’s Treasure Hunter Security series or the TV series Warehouse 13.

Bennet Andrews may have found Peeraphan by accident – but those red shoes certainly did not. Someone wanted her dead or at least subdued, someone with unsavory motives and entirely too much money to in finding and even capturing supernatural creatures.

The Darke Consortium wants to put the shoes in a safe place. Peeraphan wants them off her feet before they kill her. Bennet Andrews isn’t quite willing to admit what he wants when it comes to the supernatural but probably not immortal woman with wings.

And someone is out to get them both.

Escape Rating A: This was my second read of Wings Once Cursed & Bound, as I read it several months ago for a Library Journal review and utterly adored it. I chose it in the first place because I loved the author’s science fiction romance back in the day (and it’s being re-released, YAY!), and was hoping this would be every bit as good if in a different genre.

Those hopes were most definitely realized.

What made this so much fun was the way that it was like “Old Skool” urban fantasy, Treasure Hunter Security and Simon R. Green’s Gideon Sable series had a book baby that blended all the familiar aspects of all those books and genres and mixed in fresh elements from classic fairy tales with new-to-me myths and legends with an otherworldly found family and a fantasy romance that eschewed the tried-too-many-times tropes and archetypes.

Bennet Andrews may be a vampire, but he’s not giving off any of that “I’m unworthy of love” vibe. Instead he’s heartbroken and grieving and not sure he can face another loss. That the Darke Consortium is run by a dragon is just too fantastic for words, especially when you acknowledge that the dragon, Bennet the vampire and Peerophan’s “cousin” Thomas the werewolf are the most mundane members of a rather eclectic household and crew.

The creepy villain is very creepy, and Peerophan’s situation gets very desperate, but in the end she rescues herself – which is always my favorite way for the heroine to get out of the jam the book has put her in.

There was just a lot to love in Wings Once Cursed & Bound, both in itself and as the opening of the Mythwoven series. I’m really looking forward to the author’s next forays into this magical version of our world. Her blog indicates that she has a novella series set in this world planned for later in 2023 and I’m highly hopeful for another magical read!

Review: The Scarlet Circus by Jane Yolen

Review: The Scarlet Circus by Jane YolenThe Scarlet Circus by Jane Yolen, Brandon Sanderson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fairy tales, fantasy, fantasy romance, Romance, short stories
Pages: 256
Published by Tachyon Publications on February 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Scarlet Circus, the fourth volume in Yolen’s award-winning short fiction series brings you passionate treasures and unexpected transformations. This bewitching assemblage, with an original introduction from Brandon Sanderson, is an ideal read for anyone who appreciates witty, compelling, and classic romantic fantasy.

A rakish fairy meets the real Juliet behind Shakespeare's famous tragedy. A jewelry artist travels to the past to meet a successful silver-smith. The addled crew of a ship at sea discovers a mysterious merman. More than one ignored princess finds her match in the most unlikely men.

From ecstasy to tragedy, with love blossoming shyly, love at first sight, and even love borne of practical necessity―beloved fantasist Jane Yolen’s newest collection celebrates romance in all its glory.

My Review:

This ended up being my Valentine’s Day review because, to paraphrase the author’s forward just a bit, while the stories contained within are not “Romances” with a capital R, each story does contain a romantic element – even if that element is not the center of the story and seldom results in anything like a happy ever after.

Then again, one does have to kiss a fair number of frogs – and a few outright toads – in order to find the person they’ve been looking for all along.

Many of the stories in this collection are twists on familiar themes – or at least they sound familiar upon reading. “San Soleil” is one of those. It sounds just like the kind of fairy tale we all used to read – with the same kind of sting in its tail about listening to warnings provided by witches and sorceresses. It starts as a love story but is also a bit of a ‘just desserts’ kind of story. Not that anyone is evil. A bit TSTL but not evil.

As the opening story in the collection, it certainly sets the tone for the many and varied ways that love can go off the rails.

I had a sneaking bit of admiration for “Dusty Loves” in the way it takes off on Romeo & Juliet. This is one where the ‘heroine’ really is Too Stupid To Live, and consequently doesn’t. Which is pretty much what happens in Romeo & Juliet which is, after all, a TRAGEDY and not a romance. That the teller of this particular version of the tale has their tongue very firmly in cheek as they relate it makes the whole thing work a bit better than it would on its own.

On that favorite other hand, in “Unicorn Tapestry” the heroine is really a heroine, and most definitely not TSTL. If you like stories where the underdog wins the day, then this one will be right up your reading alley. It certainly left me with a smile at the end.

My least favorite stories in the collection were “A Ghost of an Affair”, “The Sea Man” and “The Erotic Faerie”. “Ghost” because it had so much promise but ended a bit ‘meh’. I felt like I was set up for a better and happier ending than I got. “Sea Man” felt like it didn’t belong here, it gave me vibes of other, more horrific tales than fit in this collection. And “Erotic Faerie” was an interesting concept rather than an actual story, a concept I’ve seen done better in Kenneth Schneyer’s “Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer” in his Anthems Outside Time collection.

Those initial stories were interesting and fun but didn’t quite touch my heart – although “Dusty Loves” certainly tickled my funny bone a bit. These next ones, however, got a bit closer to the heart of the matter – or at least my heart.

“Dark Seed, Dark Stone” takes the idea of a warrior’s child picking up their weapons to defend their king and country and changes that child from the usual son to a daughter who uses more smarts than skills to defend her homeland. This one isn’t so much a romance as it is a story about duty and purpose – and I liked it better for that. It’s more a romance in the older meaning of the word than the current commercial definition, and I liked it all the better for it.

“Memoirs of a Bottle Djinn” takes the usual Aladdin-type story and gives it a twist that’s been seen before – but does it well. In this case, the savvy but desperate discoverer of the bottle is wary about spending his wish foolishly and without thought. At the same time, as a slave he’s all too able to empathize with the djinn’s plight. So he makes a wish they can both live with, happily ever after.

“Peter in Wonderland” was a delightful surprise. It’s clearly a takeoff on Alice in Wonderland, but shows that the real Alice Liddell still travels to Wonderland even in adulthood, and gives her a fellow-adventurer on her trip that leads to a happy ever after a bit different from the one she experienced in real life.

As much as I enjoyed the above stories, my two favorite entries in this Scarlet Circus were wonderfully entertaining indeed.

“Dragonfield” was wonderful because all of its characters are so very flawed in such human ways, and yet they manage to pull each other up and together to defeat the all too real dragon that is terrorizing the town and achieve a happy ever after that neither of them expected or thought they could ever deserve. It’s a romance and an adventure wrapped into one shiny, magical ball of a story and it’s just lovely.

Last, but not least, because the Matter of Britain can never be least of anything, is “The Sword and the Stone”, a much different story than The Sword in the Stone that you may remember from either the novel by T.H. White (part of The Once and Future King), or the Disney movie or even the episode of the British TV series Merlin. For an inanimate object, Excalibur sure does manage to get around.

This version of the tale is told from Merlin’s point of view, and he’s getting pretty jaded at this point in his long life of meddling with Britain. Arthur himself is also a bit older in this version than the more traditional versions of the tale. While he’s trying his best, he’s clearly better, and happier, at some things than others. To the point where he’d much rather fight the wars than wrangle the peace that he needs to secure and maintain. Merlin cooks up the idea of the sword in the stone to give Arthur’s rule the final stamp of popularity and legitimacy it needs. Arthur thinks it’s all mummery, magic and cheating, which it most definitely is. Until it isn’t.

Which makes the ending just that bit more magical.

Escape Rating A-: Like most collections, the stories are a bit all over the map. I adored a couple, liked quite a few more, and a small number just missed the mark for me in one way or another – as the above descriptions show. But overall I’m very glad I picked this up, and enjoyed the ways that it played with romances of many types and stripes and definitions. That “love is all there is is all we know of love” doesn’t have to mean that all loves are exactly the same type.

The author has published three previous collections in a similar vein to this one, not necessarily romances but rather whole entire circuses of fractured and reinterpreted fairy tales like How to Fracture a Fairy Tale, The Midnight Circus and The Emerald Circus. I’m sure I’ll be visiting those circuses the next time I’m looking for familiar tales with just a bit of a twist in their tails.

Review: Emily Wilde’s Encyclopaedia of Faeries by Heather Fawcett

Review: Emily Wilde’s Encyclopaedia of Faeries by Heather FawcettEmily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1) by Heather Fawcett
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, fantasy romance, historical fantasy
Series: Emily Wilde #1
Pages: 336
Published by Del Rey Books on January 10, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love, in this heartwarming and enchanting fantasy.Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world's first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party--or even get invited to one. And she prefers the company of her books, her dog, Shadow, and the Fair Folk to other people.
So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, get in the middle of Emily's research, and utterly confound and frustrate her.
But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones--the most elusive of all faeries--lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she'll have to unlock the greatest mystery of all--her own heart.

My Review:

Emily Wilde is writing/compiling an encyclopedia of all the faerie species in the world. That’s not exactly a spoiler as the title does rather give it away. But what is a surprise and a delight is the story that she tells about herself and her world in the process of researching what will be a weighty reference tome.

Emily’s story isn’t weighty or tome-like at all – even if it does very nearly lead her to her own tomb as she finds herself in the midst of one of the stories of the fae that she intended to merely tell and most definitely not participate in.

Although, considering the vast amount of research she has done in her speciality, she certainly should have known better.

Emily Wilde, PhD, MPhil, BSc, DDe is an Adjunct Professor of Dryadology at Cambridge in this slightly alternate, early 20th century story of fantasy and academe. The alteration to the world is that the study of faeries and the fae has become a real academic discipline, similar in many ways to anthropology and/or sociology, because the fae are real in this world. Hidden, elusive, all-too-frequently dangerous, but entirely real.

Studying them has been Emily Wilde’s lifework for half her life, since she arrived in Cambridge at 15 and is now 30. But the academic tropes feel all too real, as Emily’s trip to remote, frozen Ljosland to add one last chapter to the Encyclopedia on the subject of the equally remote and equally frozen native fae, the Hidden Ones.

The encyclopedia is not just a labor of love, or even just labor. The whole point is for Emily to publish what will be the foundational reference work of her speciality and gain tenure in the process so that she can, in future, remain comfortably in her rooms at Cambridge and study to her heart’s content.

She’s tired of field work, she’s tired of being the lowest person on the academic ladder (adjuncts still get no respect) and she’s tired of dealing with people outside of academic circles. So she goes off to Hrafnsvik, the remotest village in remote Ljosland to finish the work. Alone.

Really alone because she offends the villagers almost as soon as she arrives. Not intentionally, but she’s just not good with people. Or small talk. Or letting anyone help her.

Which is when her best friend, chief nemesis and fellow dryadology scholar, Wendell Bambleby, appears unannounced on her rather Spartan doorstep in very chilly Hrafnsvik and proceeds to turn both her world and her research upside down.

He’s there to protect her from his kin. His dangerous and deadly fae kin. As well as, more than a bit, from herself. And does she ever need it!

Escape Rating A-: Whether readers will fall in love with Emily Wilde’s story depends a lot on whether they fall in love with the meticulous, misanthropic genius that is Emily Wilde herself. This is her diary, so we view nearly all of the events from Emily’s sometimes-blinkered point of view. So if you like her voice, you’ll like her book.

Emily seems a LOT like Hermione Granger in the Harry Potter series. Both in her obsessive desire to learn ALL THE THINGS, her preference for getting lost in her books and her research, and especially for her inability to even see the real-life consequences of her actions – which I fully admit may come a bit more from fanfiction than from the actual books. But still, Emily is very much a Hermione grown up and slightly oblivious about other people.

Emily is also a bit of Regan Merritt from yesterday’s book, in that she’s not traditionally feminine and for the most part is totally okay with that. She’s used to taking care of herself and finding solutions for herself and most importantly, rescuing herself. She doesn’t fit into any of her society’s boxes that are labeled “female” and she’s at peace with that – if not always with her inability to deal with the unwritten social rules that provide a whole lot of lubrication in dealing with other humans.

It’s obvious from the beginning that Wendell is following Emily because he loves her – even if it’s not obvious to her. At all. On that other hand, it’s been obvious to Emily for quite some time that Wendell is probably fae and in hiding. What makes their interactions so much fun to watch is that he charms everyone – and she resents just how easily people fall for his charm – but he never attempts to charm her. Their relationship, in all its push-pull banter, mutual annoyances and attraction to the opposite, is grounded in who they each really are and not a charmed or better version of themselves.

I particularly loved that this is an academic fantasy that isn’t about dark academe the way that The Atlas Six and Babel are – even though Emily would probably make an excellent ‘Babbler’. At the same time, the story is rooted in some of the darker things about academia in the real world, that place where the politics are so vicious because the stakes can be so damn small. That her world’s academia feels rooted in the real even though the world is not grounds the whole story and lets the reader fully get aboard its flight of dark fantasy.

Because there is darkness here. Not in academia, but in the way that the fae intrude upon and exploit Emily’s real world and the real people within it. What makes Emily’s journey into dark places drag us along with her is that the mistakes she makes that get her into so much trouble are so very human and so much a part of her personality.

So many characters in fiction literally seem ‘Too Stupid to Live’. That’s never Emily. What makes her so easy to empathize with, at least for this reader, is that she believes she’s too smart to be taken in. And she’s almost, but not quite, right.

I adored this as I was reading it. I was charmed from the very beginning and that charm didn’t leave me when I turned the final page. Howsomever, now that I’ve had some time to think about it I’m wondering a bit about exactly how Emily’s and Wendell’s relationship is going to work in the future. He’s essentially immortal and she’s absolutely not. Whether he’s remotely capable of being faithful is a seriously open question. There’s a significant power imbalance just on the academic side even without him being fae. So I’m left with a whole encyclopedia full of questions.

Which means that I’m very pleased that this is billed as the first book in an Emily Wilde series. Hopefully I’ll get to find out the answers to those questions in the not too distant future.

Review: Sweep of the Heart by Ilona Andrews

Review: Sweep of the Heart by Ilona AndrewsSweep of the Heart (Innkeeper Chronicles, #6) by Ilona Andrews
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: fantasy romance, paranormal romance, science fiction, science fiction romance, urban fantasy
Series: Innkeeper Chronicles #6
Pages: 454
Published by NYLA on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the New York Times #1 bestselling author, Ilona Andrews, comes a fun and action-packed new adventure in the Innkeeper Chronicles! We invite you to relax, enjoy yourself, and above all, remember the one rule all visitors must obey: the humans must never know.

Life is busier than ever for Innkeeper, Dina DeMille and Sean Evans. But it’s about to get even more chaotic when Sean's werewolf mentor is kidnapped. To find him, they must host an intergalactic spouse-search for one of the most powerful rulers in the Galaxy. Dina is never one to back down from a challenge. That is, if she can manage her temperamental Red Cleaver chef; the consequences of her favorite Galactic ex-tyrant's dark history; the tangled politics of an interstellar nation, and oh, yes, keep the wedding candidates from a dozen alien species from killing each other. Not to mention the Costco lady.

They say love is a battlefield; but Dina and Sean are determined to limit the casualties!

My Review: 

Dina Demille is not exactly a typical innkeeper, and Gertrude Hunt is far from an ordinary inn of any stripe whatsoever. And that’s not just because Dina’s lover, partner and fellow innkeeper, Sean Evans, is an alpha strain werewolf.

The inn that Dina and Sean keep is both a portal and a crossroads, a place where worlds literally collide – and sometimes come for tea. Or sanctuary. No matter what species they are or what world they might have come from.

Inns like Gertrude Hunt are special in that their existence and their services keep Earth safe from all the many, many powers in the big, bad galaxy that would otherwise roll right over us – possibly even with the equivalent of hyperspace bypass à la The Hitchhiker’s Guide to the Galaxy.

The network of inns, and the Innkeeper Assembly exist to provide neutral ground for contentious groups that need a place to negotiate. And by their existence they cement Earth’s position in that wider galaxy as a protected planet not to be messed with, or conquered, or eradicated for interstellar highway construction.

But there is a great big galaxy out there which people on Earth are kept from being aware of. A galaxy that Dina, Sean and Gertrude Hunt are very much a part of. A galaxy that hosts at least one entity that is gobbling up inns and innkeepers, and seems to have a special hate on for Dina, her family, and her inn.

A vendetta that seems to have extended to anyone who has helped them, meaning that one of Sean’s friends and mentors out in that wider galaxy has been kidnapped and dragged to an utterly inhospitable planet as bait to lure them into a trap.

A trap that they know they’ll need to walk into with eyes wide open, once they manage to jump through all the hoops that will give them what they need to get there.

Not that those hoops don’t constitute an entirely different kind of trap. In order to go after their friend, first Dina, Sean and Gertrude Hunt will need to host an intergalactic edition of The Bachelor, so that Kosandrion, the Sovereign of the Seven Star Dominion, can find a spouse to become the other parent of the Heir (yes, you can hear the caps) to the Dominion. The game is rigged, the contestants all hate each other and everyone knows that Kosandrion is the quarry of multiple assassins.

All Dina and Sean have to do is keep the Sovereign and all of the various factions, contestants, security contingents and observers alive until the end of the ‘show’ even though each and every group has deadly plans to eliminate one or more of their rivals, the Sovereign and/or every single being on hand to watch the proceedings.

This is a job that absolutely nobody wanted, but Dina and her crew are the ones who have to complete it. Flawlessly. ALL their lives hang in the balance – or on the point of more than one very sharp knife.

Escape Rating A: The Innkeeper Chronicles, the series that began with Clean Sweep and is now six books and hopefully counting, sits on that border between science fiction and fantasy. On the one hand, the inns are magical and give their keepers a whole array of magical powers. And on the other, part of their magic is to host beings from other worlds who may very well arrive at the inn via spaceship – whether they are supposed to or not.

Spaceships, after all, can be hard to hide, and the first rule of the inns is that the humans must not know about the wider galaxy.

In addition to sitting on that science vs. magic divide, this particular entry in the series is caught between two plotlines that only relate to each other at the messy points. As in, Dina and Sean have to get through this mess to get what they really need out of the whole thing. But this isn’t part of their own whole thing – which is even messier in it’s own way.

So the framing story is their need to save their friend, which is part of the overarching plot of the series that Dina’s parents, also innkeepers, disappeared without a trace and that in the process of searching for them someone has started hunting her, Sean, anyone who helps them in general and other inns and innkeepers in particular. And all of that is fascinating but none of it is exactly lighthearted. It’s the complete opposite of fun and lighthearted.

Howsomever, the other – and the larger part of this entry in the series IS frequently lighthearted, even though it is not all fun and games. At all.

Instead, this intergalactic episode of The Bachelor embodies the whole “SF is the romance of political agency” concept in a way that is even more entertaining than the TV series could ever possibly be – as well as potentially more deadly.

Because the contest to become the spouse of the Sovereign isn’t only what it appears to be and that’s what gives the whole thing it’s sometimes gallows humor as well as the kind of wheels within wheels political machinations that I always love.

That it also manages to include an actual romance as part of its many plots and counterplots is just icing on a bittersweet cake that gives fans of the series the answers to questions they’ve been asking since the series began.

I had an absolute blast with Sweep of the Heart. For those who have been following the series, it’s a delight. The Bachelor plot has pretty much all the plots, counterplots and wry humor that any reader could ask for, while still pushing the overall story forward AND giving out a few more hints on what all that awfulness is truly about.

I think that a lot of readers will enjoy the intergalactic Bachelor game even if they are new to the series, but that overarching plot forms the beginning AND the end and may keep those readers from getting to what they would consider the juicy middle. On the other hand, series readers are going to eat the whole thing up with a spoon. Or at least this reader did.

Also be advised that, as much as I loved this book, it is not the novella that some of the blurbs make it out to be. It’s more like FOUR times that length. Not that its nearly 500 pages don’t go absorbingly fast, but it’s not a quick lunchtime read – more like an all afternoon binge. Although an absolutely glorious one.

It’s clear from the way that Sweep of the Heart ends that Dina and Sean’s adventures, trials and tribulations are far from over. It’s probably going to be a year or more likely two before we get to find out what happens next. And that’s going to be a damn long wait.

Review: The Undertaking of Hart and Mercy by Megan Bannen

Review: The Undertaking of Hart and Mercy by Megan BannenThe Undertaking of Hart and Mercy by Megan Bannen
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, fantasy romance
Pages: 448
Published by Orbit on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness.  
Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. 
After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”. Much to his surprise, an anonymous letter comes back in return, and a tentative friendship is born.  
If only Hart knew he’s been baring his soul to the person who infuriates him most—Mercy. As the dangers from Tanria grow closer, so do the unlikely correspondents. But can their blossoming romance survive the fated discovery that their pen pals are their worst nightmares—each other?
Set in a world full of magic and demigods, donuts and small-town drama, this enchantingly quirky, utterly unique fantasy is perfect for readers of The House in the Cerulean Sea and The Invisible Library.

My Review:

Hart Ralston and Mercy Birdsall each think they have a fairly big problem when the story opens. Each other. And they are both so, so wrong, which is what makes this fantasy romance so cozily familiar even in the midst of all the dangerous creatures that are getting more numerous – and ever more dangerous – in nearby Tanria.

What makes their mutual enmity an even bigger problem is that they have to work together – sorta/kinda – in dealing with all of those dangerous creatures. Or at least in handling the remains of all of their victims.

Marshal Hart Ralston’s job is to go into Tanria and hunt down both the dangerous, deadly and also quite dead drudges – as well as get any illegal poachers out of the area before they become victims of those dead and deadly drudges and are turned into drudges themselves.

It’s a thankless job, but somebody has to do it. And lone wolf Ralston prefers to do it alone, so he doesn’t have to try to protect anyone else – and fail at it.

Mercy Birdsall is the only actual working member of Birdsall and Son, one of the undertaking companies in Eternity, just over the border from Tanria. It’s her company’s job to provide funeral rites for the dead victims – and occasionally for the dead monsters – that marshal’s like Ralston bring back from Tanria.

Hart and Mercy got on each other’s bad side the very first time they met over Birdsall and Son’s shop counter. And it’s been all downhill ever since.

Or has it?

Escape Rating B: The Undertaking of Hart and Mercy, besides being a very punny title, is one of those stories that invokes that question about whether two great tastes go great together. This is a fantasy romance, but romance readers may think it leans too much on the fantasy side and fantasy readers may have the same reaction to the romantic angle that Hart and Mercy initially had to each other.

Or, as in my case, this may seem like a strange setting for a reimagining of the Tom Hanks/Meg Ryan romcom classic movie You’ve Got Mail. Although it does work – particularly because of the marvelously sarcastic nimkilim that deliver the mail – there are a few scenes where it seems like the graft didn’t quite take. Or that the stitching of the graft is just a bit too obvious. Or both.

Not that the idea doesn’t work well in this setting because it does – with the help of the nimkilim. Hart is lonely and withdrawn. He desperately needs to reach out to someone but doesn’t know how and is afraid to try. Hence his anonymous correspondence with his nameless “friend”.

Mercy, on the other hand, is lonely in a crowd. She has family and some friends, but she’s carrying a boatload (literally in this case) of secrets and responsibilities that consume her energy while isolating her from anyone who might be able to help her in dealing with them. Which results in her responses to those letters addressed by heart, from Hart, to his nameless friend. Who turns out to be Mercy, the woman he believes is his worst enemy.

This is kind of a fence-straddling book, complete with the inevitable splinters up its ass. It was presented to me as a romance, and there certainly is a romance in it. But the fantasy setting is more than just setting. It’s an important enough element of the story that the book as a whole doesn’t sit comfortably in romance because it has more than a foot over that line into fantasy.

Even if that foot belongs to a dead body that has become a drudge.

At the same time, as much as I loved the banter between Hart and Mercy, there was something about Mercy’s situation that just didn’t sit right. I never fully got why she couldn’t take over the family business – at least until the villain of the piece took his villainy to heights (or depths) that the business couldn’t survive no matter who was in charge of it. I understood that her father wanted to pass it to her brother – who was not suited to the work AT ALL and did not want it under any circumstances whatsoever. Work that Mercy wasn’t merely suited for but actually loved.

A fact which Mercy’s family totally ignored. She does the work, she loves the work. She wants to keep doing the work. But her entire family decided that the business was a burden on her and that it would be best for her if it was sold. Without asking her what she wanted. (BTW Mercy is THIRTY YEARS OLD and very well able to decide what is best for her for her own damn self.) A lot of story water goes under that bridge before the Birdsall family stops assuming they know what’s best for each other and have an honest conversation about what each of them as an individual actually wants.

The story picked up its pace – or at least stopped frustrating the crap out of me – after that conversation finally happened.

For this reader, the thing is that this was presented to me as a romance, but it reads like a fantasy that includes a romance, which is a bit of a different beast. Both elements have to be present and fully-fleshed out for a fantasy romance to succeed. If only one is working, it falls over.

In the end, this doesn’t fall over. It works – although it does take a while to get all of its (auto)ducks in a row. In fact, it works a whole lot like Can’t Spell Treason without Tea and Legends & Lattes. Between the life of the town of Eternity and the Birdsall family dynamic – along with Mercy’s lovable big dog Leonardo – the fantasy is very cozy, with just the right amount of danger. The romance is angsty in a way that really works well, and the issues between Hart and Mercy feel real in spite of the fantasy setting, but also rising at least in part from elements that are integral to that fantasy setting.

Readers coming to The Undertaking of Hart and Mercy just for the romance may find this to be more fantasy than they bargained on. But if you loved Legends & Lattes or Can’t Spell Treason without Tea, or if you’re a fan of T. Kingfisher’s Saint of Steel series you’ll fall for The Undertaking of Hart and Mercy every bit as hard as Hart and Mercy eventually realize that they have for each other..

Review: Fire of the Frost by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda Bouchet

Review: Fire of the Frost by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda BouchetFire of the Frost: A midwinter holiday fantasy romance anthology by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda Bouchet
Format: ebook
Source: author
Formats available: ebook
Genres: anthologies, fantasy romance, holiday romance, short stories
Pages: 368
Published by Brightlynx Publishing on December 22nd 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
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A midwinter holiday fantasy romance anthology…

From Darynda Jones, A Wynter Fyre a standalone novella set in a world where vampyres are hunted for sport. The only thing standing between them and total annihilation is Winter, a warrior bred to save them from extinction. Forbidden to fall in love, Winter cares only about her oaths… until she meets the devilish prince of the underworld.

Of Fate and Fire by Amanda Bouchet
The Kingmaker Chronicles meets modern-day New York City! Piers, an exiled warrior from Thalyria, finds himself in the Big Apple just before the holidays. The world and everything in it might be utterly foreign to him, but that won't stop Piers from helping to complete a vital mission for Athena and protect Sophie, a French teacher from Connecticut who's suddenly knee-deep in inexplicable phenomena, danger, and henchmen after an Olympian treasure that should never have ended up in her hands—or remained on Earth after the Greek gods abandoned it.

The King of Hel by Grace Draven
A novella-length expansion of a stand-alone short story in which a cursed mage-king from a frozen kingdom is obligated to marry a woman of high-ranking nobility but meets his soulmate in a lowly scribe.

Familiar Winter Magic by Jeffe Kennedy
It’s holiday time at Convocation Academy, but best friends Han and Iliana are finding it hard to celebrate. As a familiar, Iliana is facing her assignment to a life of servitude to a wizard, very soon. And Han… despite being tested by the oracle daily, he is still uncategorized. As Iliana and Han face being separated forever, they at last find the courage—or desperation—to break the rules and acknowledge their deeper feelings for each other. But it will take more than true love to save them from the laws of the Convocation…

My Review:

This holiday treat dropped into my lap this week and I couldn’t resist starting it immediately! Isn’t that what holiday treats are for? Immediate consumption for the yes! Especially as I’ve received earlier versions of this confection of a collection (Under a Winter Sky, Seasons of Sorcery and Amid the Winter Snow) and they’ve all been wonderful reading treats.

For the most part, this year’s collection of winter fantasy romances was a very sweet treat indeed – with just enough naughty in the mix to give Santa a blush or four.

My absolute favorite story this year was Grace Draven’s The King of Hel, and not just because it’s a standalone story that isn’t set in one of her other worlds. It’s the kind of fantasy romance that didn’t really have to be a fantasy romance. In fact, its real world inspiration was not. Inspired by the real life romance between Madame de Maintenon and Louis XIV of France, this is the story of Doranis, the magic-touched king of Helenrisia and his queen’s best friend, the modestly born Castil il Veras. What made this story so beautiful is the way that Castil’s deep, life-long friendship with Doranis’ queen is not broken by the romance. Rather, Castil is heartbroken when her best friend dies in childbirth yet still honors that friendship. But life goes on, and the queen’s death gives Doranis the freedom to marry the woman who is suited to him in all ways but birth, and lets Castil acknowledge her love for a man who was otherwise twice beyond her touch.

This was just a beautiful winter romance between two strong and surprisingly equal partners and I loved every page of it.

On the other hand, my least favorite story in this collection was Familiar Winter Magic by Jeffe Kennedy. It’s not that it’s not a good story, because it is, and it’s not that it’s not well done, because it is that as well. It’s that the protagonists of the story are fundamentally, by law and custom, absolutely powerless and their powerlessness gets rubbed like salt into their wounds and the reader’s psyche at every turn. This is just one of those cases where I know it’s good and I know there’s an audience for it and I’m just not it.

Of Fate and Fire by Amanda Bouchet was just plain fun, kind of in the way that the first Thor movie was fun. At points, literally in the way that the first Thor movie was fun, a fact that the heroine references more than once during the course of her whirlwind romance while running from bad guys story plays out. Although Piers of Thalyria, an exile from the world of the author’s Kingmaker Chronicles, has no godlike powers, it turns out that his heroine does and he’s been jerked across time and space in order to protect her while she figures out how to either use them or give them back. The story here is kind of a lighthearted romp – in spite of being chased down by evil entrepreneurs and their henchmen at every turn.

Last but not least, my second favorite story in the collection, Darynda Jones’ A Wynter Fyre. The beginning had a bit of an “aliens made them do it” start – not that any of the characters in this story are actually alien to this world. But there’s a common fanfiction trope for series like Stargate and its spinoffs where the characters are compelled by unbridled libidos to have sex because of “alien sex pollen”. The way this story begins, with vampyres biting Wynter in order to infect her with the equivalent of “vampyre sex pollen” had a very similar feel. Particular when the hero fends off the bad vamps in order to woo her for himself, once he’s helped her take the edge off, so to speak.

After that hot, heavy, creepy and slightly rapey beginning the story itself takes a surprising turn. Wynter has been awakened from 70+ years as a statue because her mother the demon (yes, the being she believes is her mother is an actual demon) needs her to rescue a kidnapped vampyre princess.

But it’s all a setup. Not that the princess hasn’t been kidnapped, but it’s all part of the plot to give Wynter the chance to do her job of protecting the vampyres properly – by killing the greatest threat to their existence – her demon mother. That the setup also manages to change the romance from a sex into love story into a second chance at love story is all part of its charm – something this one had absolutely oodles of.

Escape Rating B+: This collection is always a lovely holiday treat. But like any collection, some stories hit the mark with this reader – or any other – while others aren’t quite as close to the bullseye.

If I were giving individual ratings, A Wynter Fyre would get an A; Of Fate and Fire would receive a B; The King of Hel hits the high spot at A+ while Familiar Winter Magic just didn’t work for me at all. Your reading mileage – even through the snowy landscape of these winter tales – will definitely vary.

No matter which stories in the collection tickle your holiday reading fancy, the collection is definitely worth curling up with some hot chocolate and a cozy blanket for a delicious holiday read!

Review: A Marvellous Light by Freya Marske

Review: A Marvellous Light by Freya MarskeA Marvellous Light (The Last Binding, #1) by Freya Marske
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy romance, historical fantasy, M/M romance, gaslamp
Series: Last Binding #1
Pages: 384
Published by Tordotcom on November 2, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Robin Blyth has more than enough bother in his life. He's struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents' excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what's been operating beneath the unextraordinary reality he's always known.
Now Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it--not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else.
Robin's predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they've been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles--and a secret that more than one person has already died to keep.

My Review:

In many stories, magic serves as a brilliant light upon the world, a light that is often hidden from those who are unable to share in its wonders. In many of the worlds portrayed by those stories, that light is lit within some, or sometimes many, of the people who populate the world of the story.

But with the presence of light comes its absence – darkness. Humans, whether magical or not, already have more than enough of that within themselves. Magic, whether for good or for ill, is power. And as the cliché explains all too well, power corrupts and absolute power corrupts absolutely.

Thus, A Marvellous Light is a story about magic, and about the revealing of magic to someone who has none. But just as the light of magic is “unbusheled” for Robin Blyth, so too is the darkness that surrounds it – and him – cast into the darkest of shadows. Shadows that threaten to swallow him before he ever learns what is hidden within them.

But Robin has more experience with the darkness created by brilliant lights than anyone might ever suspect. And in the person of his reluctant guide, Edwin Courcey, he has a partner who has been battered by those shadows for far too long. Someone who might be willing to help Robin find his own light – and share it.

If they’re smart enough – well that’s Courcey’s department. If they’re brave enough – that’s Robin all over. And if they can find their way to the heart of the puzzle before it’s too late. For themselves. For their loved ones. For their country.

And for each other.

Escape Rating A-: A Marvellous Light is a story about power and privilege. Yes, it’s about the power of magic, but it’s also about the power of money, the power of knowledge, the power of social position and about all the privileges that power can buy, especially for those who are so steeped in its exercise that they can’t even see those with less power as people. Even when they are members of their own families.

It’s also a flamboyantly beautiful story, set in a world as complex and intricate as the Morris prints that Robin Blyth loves.

But it’s the “casual, unthinking malice” of nearly every person with magic that makes this book a frequently uncomfortable read, particularly in the early stages where it seems like all the jokes are on poor Robin and everyone else, including Edwin Courcey, is part of the circle laughing around him.

At least until the reader, along with Robin, figures out that Edwin’s cold, brusque manner is a defensive mechanism to cover up, well, pretty much everything that he feels about everything in his life, including, most especially, his casually, maliciously cruel family.

Because Edwin has been the butt of those exactly same painful “jokes” for his entire life, while Robin has only been suffering from them for a few days. And Robin has much, much better armor against them because the scars don’t run nearly so deep.

Someone has learned that objects of power in the magical world have resurfaced after centuries of quiescence. Forces are arrayed to procure those objects – no matter who or what stands in their way. Or how much collateral damage they do in the search. Starting with Edwin Courcey’s colleague and continuing through Robin, the civil servant assigned through malice – again malice – to take that man’s place.

Drawn to each other by happenstance, by circumstance, by affinity and by shared pain as well as shared inclinations, Edwin and Robin embark on a quest to thwart their opposition, never realizing that it will lead them to the highest circles of power – and back into the rotten heart of Edwin’s family.

But they’ll have each other – if they can just get past their own fears and their individual heartbreaks, and accept a bit of help from some surprising people along the way. It can be enough – if they just let it.

One final thing, something that took me until the next morning to figure out, and now I feel like I just got unbusheled. Or hit with a clue-by-four. Throughout the story, they’re all aware that something huge and terrible is coming, and much of what happens is due to too many people taking desperate and wrong-headed methods to stop that thing or overpower it. The “thing” that is coming, the doom that is hanging over all their heads, is World War I.

Which may not happen for quite a while during the course of this series, The Last Binding, of which A Marvellous Light is merely the first marvellous part. I searched high and low for a title and publication for the next book in this series, but it has not been “unbusheled”. At least not yet. But I live in hope that it will be soon.

Reviewer’s Note: I listened to the first third of this one, until it got past the really uncomfortable, tooth-gritting bits. Not that Edwin’s family got any better – actually they got worse – but once it heads towards Edwin and Robin against the world the pace picked up, the magic got even more fascinating and at least some of the awfulness became part of the much larger point. And I was hooked.

Review: The Golden Gryphon and the Bear Prince by Jeffe Kennedy

Review: The Golden Gryphon and the Bear Prince by Jeffe KennedyThe Golden Gryphon and the Bear Prince by Jeffe Kennedy
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: epic fantasy, fantasy, fantasy romance
Series: Heirs of Magic #1
Pages: 384
Published by Brightlynx Publishing on January 25, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A Legacy of Honor

Crown Prince Astar has only ever wanted to do the right thing: be a credit to his late-father’s legacy, live up to his duties as heir to the High Throne of the Thirteen Kingdoms, and cleave to the principles of honor and integrity that give his life structure—and that contain the ferocious grizzly bear inside. Nowhere in those guiding principles is there room for the fierce-hearted, wildly free-spirited, and dizzyingly beautiful shapeshifter, Zephyr. Still, even though they’ve been friends most of their lives, Astar is able to keep Zephyr safely at arm’s length. He’s already received a list of potential princess brides who will make a suitable queen, and Zephyr is not on it.

A Longtime Obsession

Zeph has wanted the gorgeous, charming, and too-good-for-his-own-good Astar for as long as she can remember. Not that her longing for him—and his perfectly sculpted and muscular body—has stopped her from enjoying any number of lovers. Astar might be honorably (and foolishly) intent on remaining chaste until marriage, but Zeph is Tala and they have no such rules. Still, she loves Astar—as a friend—and she wants him to at least taste life before he chains himself to a wife he didn’t choose. There’s no harm in him having a bit of fun with her. But the man remains stubbornly elusive, staving off all of her advances with infuriatingly noble refusals.

A Quest to Save the World

But things change when a new terror threatens the Thirteen Kingdoms. Following prophecy, Astar and Zeph—along with a mismatched group of shapeshifter, warrior, and sorceress friends—go on a quest to stop a magic rift before it grows beyond anyone’s ability to stop. Thrust together with Zephyr, Astar finds himself increasingly unable to resist her seductive invitations. And, in the face of life and death battles with lethal monsters, he begins to lose sight of why having her, just once, is such a terrible idea…

My Review:

Once upon a time, there was a marvelous epic fantasy romance series that is both epic fantasy and contains a romance in each story, titled The Twelve Kingdoms. It begins with The Mark of the Tala, and if you love fantasy romance, or if you love epic fantasy and don’t mind if romance happens within it, start there and be prepared for an utterly marvelous reading binge.

That series, with its sequelae and spin offs that spun back in, tells a story of the fall and rise of kingdoms, the creation of an empire, a war between magic and sorcery, and the triumph of good over evil.

But what happens after their richly deserved happily ever after? That’s the story that began with the novella The Long Night of the Crystalline Moon, in the Under a Winter Sky collection.

And the book we have here, The Golden Gryphon and the Bear Prince, picks up right where the cliffhanger at the end of Long Night left us. Welcome to The Twelve Kingdoms: The Next Generation.

I am so here for this!

This is a story about the heirs to the kingdoms that were established in the earlier series. And it’s so different but every bit as fascinating.

Part of what makes it so different is that it is the next generation. (Sorry to keep punning on that, but it’s just so true!) In the original series, all of the protagonists, but especially the three princesses of the Twelve Kingdoms, had all been raised in constant strife. Not with each other, but with their father the king.

Because the late King Uorsin was insane, driven mad by grief and sorcery. Growing up in his household was like growing up in an armed camp, always at war or at least on the verge of it. It made his daughters grow up hard and early, and their maturity for their ages was reflected in their stories and how they saw their world.

The time preceding this new story, however, was a time of peace and prosperity. Not that High Queen Ursula and her allies haven’t always been keeping a weather eye on the world around them, but there hasn’t been a war since their last enemy was defeated.

Also Queen Ursula is quite sane. That helps a lot – especially in comparison.

But as the story picks up, her heir and all of his generation have known nothing but peace during their lifetimes. Even though all of them seem to be 20 or thereabouts and considered adults, they’ve been allowed to BE children, to be foolish and more than a bit irresponsible, for most of their lives.

A situation that has just changed. Dramatically, drastically and unpredictably.

The children are sent out as ambassadors, envoys and spies in order to discover what has gone wrong in the northern reaches of the empire and see if they can fix it or at least figure it out before it overwhelms the land they will one day inherit.

They have an important and potentially terrible job to do. But the first thing they ALL need to do will be the most difficult task of all.

They have to grow up. A task that will turn out to be every bit as hard and fast as it was for their parents. If they survive it.

Escape Rating A-: First of all, let me just say that this entire series, from its beginning with The Mark of the Tala, through all of its various subseries, right on through the conclusion of the entire original series in The Lost Princess Returns, is absolutely, completely, utterly, awesomesauce, wonderful and epic.

It’s also a lot for new readers to get into. But if you love fantasy romance or epic fantasy with romance it is so worth it. While you wouldn’t need to read every single story to get up to speed for Golden Gryphon, you would need to read the main arcs of The Twelve Kingdoms and The Uncharted Realms for this story to have the resonance it should.

That being said, the story we have in this one combines, on the one hand, two themes into a single whole, while setting up the rest of the series. On the other hand, this is also the first of the four romances that are going to provide the individual happy for now stories that power each individual book.

Let me explain.

This is, first of all, a coming of age story, for all of the protagonists. They are all technically adults, but one thing that peacetime allows that the warfare their parents grew up under does not is the ability for children to not just have an actual childhood but for some of the irresponsibility of that childhood to extend into early adulthood.

Up until this crisis, two of Prince Astar’s companions and friends, Zephyr and Rhyllian, could both be seen as “failures to launch” into adulthood. By culture, by nurture, by inclination, both of them live very much in the “now” and let tomorrow worry about itself, if at all. Their irresponsibility and naivete reminded me a lot of Princess Ami in her original series entry The Tears of the Rose. I have to say that the new kids are, for the most part maturing quicker than Ami seemed to do, and that’s an excellent thing.

Both Zephyr and Rhy are in love, not with each other – because that would be hilarious and awful at the same time – but with people who are their opposites. People who are responsible, have responsibilities, take those responsibilities seriously, and worry about the present and the future ALL THE TIME.

So Zephyr (the Golden Gryphon)  is in hot pursuit of Prince Astar (the Bear Prince), a pursuit that he has resisted at every turn. At least so far. His approach to responsibility and authority is the direct opposite to hers. Also he knows himself better than she knows herself at the beginning of the story.

He knows if they have an affair that he’ll never want to let her go. And he knows that she is not suitable High Queen material because of her unwillingness to act responsibly or take much of anything seriously.

And of course in the face of the impending crisis all of their plans go completely pear-shaped.

A part of me wants to say that there’s a disturbance in the Force, because it does have that air to it. What is happening is a disturbance to magic that is causing parallel worlds to invade each other with disastrous results. As the story kicks off, the list of things that might go wrong is long and growing and potentially catastrophic.

And general panic-inducing if it becomes common knowledge.

So this group of heirs and friends are sent out to look like a bunch of spoiled noble youngsters in order to see if they can figure out what’s going on, or going wrong, and how to stop it – without alerting the people they’re visiting and observing that there is a serious purpose behind the visits.

No pressure.

This is a journey that is just beginning. A beginning that uncovers big problems, makes big changes, but is only the start. A fantastic one.

I’m already on tenterhooks for the next book in the series, The Sorceress Queen and the Pirate Rogue, coming in mid-April.