A- #BookReview: Feuds edited by Mercedes Lackey

A- #BookReview: Feuds edited by Mercedes LackeyFeuds (Tales of Valdemar#18) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #18, Valdemar (Publication order) #59
Pages: 368
Published by DAW on November 26, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This 18th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.

The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.

Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My (very long) Review:

The individual volumes in the long-running Tales of Valdemar series (this is the EIGHTEENTH collection!) each center around a theme. The theme of this one is clear – as it says so right there on the label. Each of the stories herein centers on a feud. Not a battle, not a war, but a feud.

Think of the infamous Hatfields and the McCoys, names that we only still recognize because they had, you guessed it, a feud that lasted so long it made it into history and legend.

Feuds are usually not fun – and a lot of these stories are not. The collection is very good, but it isn’t nearly as lighthearted as the Shenanigans collection. Howsomever, there is still plenty to savor for repeat visitors to this fascinating world, while newcomers are sure to find something that will leave them thirsting for more – even if it’s not another story about food and drink as there are several of those in this year’s mix!

I picked this up because Valdemar is a world I knew I could slip into and be comforted as well as entertained – even though the theme of the collection isn’t necessarily comforting at all. And that’s exactly what happened.

Because I had such a good time – and ripped right through the whole thing without even bothering to come back to the ‘real world’ until I was finished, this is one of those times when each story is going to get a rating of its own and then I’ll attempt some very fudgy math to rate the whole.

“The Price of Anger” by Brigid Collins
This was a great story to kick off the collection of feuds because it’s a story about the costs of feuding. It’s also a story on two levels, as a young Farseer keeps seeing the ghosts of earlier students feuding while she dodges current students who can’t stop trying to exploit her gift. It’s only when she sees the results of the old feud that she understands that she’s falling into the same trap. Escape Rating A-

“Consequences” by Dylan Birtolo
It’s a stupid feud and an even stupider fight. Not that the story is remotely stupid, but the reader gets the same urge as the Herald – to knock some heads together in the hopes that some sense will break loose. It’s only when we see how things got this way, that a good idea once upon a time is having terrible consequences in the present that we see exactly how this particular road to hell got paved. Escape Rating B because it takes a bit to figure out that we’re seeing the story peel back in history for the point to come through.

“A Bad Business” by Jeanne Adams
A direct follow-up to the book Take a Thief (which I admit I have not read yet), this is a story about what happens in the aftermath of a horrific case. Just because the central villain has been removed from the equation it doesn’t mean that there aren’t still a whole lot of dirty loose ends to clean up. Even though I hadn’t read the case being wrapped up, this story is complete in itself and an appropriately messy clean up to a horrific case. Escape Rating B+

“A Tale of Two Cooks” by Charlotte E. English
This was one of the few relatively light-hearted stories in this collection and it made a refreshing change from the darker stories. Not that this couldn’t have turned dark as well, as it’s a case of too many cooks deliberately spoiling the soup – and the rest of the meal – in ways that could have been deadly. But the poisonous plans of the feuding foodies are thwarted by the quick decisions of one smart and able assistant and her cousin – a savvy Herald. Escape Rating A- because of the excellent way it relies on wits and banter to see its way clear to the solution.

“A Bite and a Pint” by Louisa Swann
Home may be the place that when you have to go there, they have to take you in. But that doesn’t mean they have to listen to you, not even when you come home after a year’s absence as a Herald Trainee on your way to the Collegium in Haven. A feud has broken out between the new Brewmistress of Petril’s tiny village and, unfortunately for him, his own mother. Each believes the other woman has poisoned her best goods, and it’s up to a boy that no one is quite yet willing to acknowledge is a man to find his way to the truth. This was another light story, the solution wasn’t really a surprise but it was a lot of fun getting there. Escape Rating B+

“Dueling Minstrels” by Jennifer Brozek and Marie Bilodeau
This is one of several stories about minstrels and minstrel rivalry in the collection. Minstrels Ozan and Aimar bring out both the best and the worst in each other. The worst behavior, and the best of their Bardic Gifts. But those gifts, combined with their ever-present feud, threaten to set their town literally on fire if they can’t find a way to make their rivalry work for them instead of against each other. Escape Rating B

“A Scold of Jays” by Elisabeth Waters
This is a story about karma being a right bitch – and deservedly so. A nobleman basically throws away his older son after an injury that will leave him with a limp – and not a single bit of other damage. That the nobleman disowns this boy as useless while continuing to indulge his self-indulgent, utterly villainous and downright murderous younger son results in exactly the situation one would hope for. Everyone involved gets EXACTLY what they deserve – many times over. This story is a direct follow-up to one that appeared in the earlier collection, Shenanigans, “A Cry of Hounds” and is even more fun as the karma continues to flow exactly where it should. Escape Rating A.

“Future-Proof” by J.L. Gribble
The feud in this particular story is a tragedy based on a fraud – with two young men paying the price for their elders’ evil deeds. Duri Phran and Cam Aylmer are both persona non grata among the unaffiliated noble students in the Collegium, forced to pretend to hate each other to keep their respective families from punishing them further. It’s only when they’re forced to work together that they realize that there is more wrong in both of their terrible situations that either imagined – and that salvation is waiting for them both if they can just manage to reach beyond what they’ve been taught. I had mixed feelings about this one because the ending felt a bit more deus ex companion than I wanted so Escape Rating B

“A Single Row of Vines” by Brenda Cooper
The setup for this story is similar to the one in Future-Proof, but this time it’s two young women on opposite sides of a village feud who are afraid to put that feud aside as Herald Trainees in Haven. This one worked better for me because the Companions refuse to solve their humans’ problem, instead the girls have to work it out in spite of the tremendous amount of indoctrination they’ve heard for their entire lives. Two girls alone can’t end 40 years of feuding – but they can make a start – and they do. Escape Rating A-

“Most True” by Kristin Schwengel
This one combines the minstrel rivalry of “Dueling Minstrels” with the “consequences” of the story of the same name. In this story, however, it’s those consequences that bring about the ending of the feud, as two gifted bards learn that they are only gifted enough to reach mastery if they reach for it together, and only AFTER the consequences of their feud have nearly ended one if not both of their careers before they’ve truly begun. Escape Rating B.

“Detours and Double Crosses” by Angela Penrose
A story about the cleverness of Bards, the foolishness of people who try to use those Bards in their own nefarious schemes and the stubbornness of one Bard Trainee who proves to herself that she’s more than good enough to become a full bard by saving a young heir from a deadly plot by chasing a villain down no matter how fast he runs. This story was typical of these collections in all the best ways and I fell right into it. Escape Rating A-

“Trade is Trade” by Fiona Patton
As an earlier story was all about food – it’s fitting that this one is all about drinks. Or at least the bragging rights thereto. The feud is entirely predictable – as are the results. The Crown is planning to give a plaque to the oldest pub in Haven. The Guards really, really, really want the Crown to get on with it, because the rash of trouble-making and sign-stealing is driving them to more drink than they can collectively afford. As this story reminds me a great deal of the Discworld  City Watch  subseries AND it’s a loose follow-up to one of my favorite stories in the Anything with Nothing collection, “Look to Your Houses”, Escape Rating A.

“By the Ticking of My Thumbs” by Rosemary Edghill
A really interesting take on feuding as the feud is, literally, all in their heads. There’s no precipitating event, no history, and the participants have never even met. But they really, really should have. The whole feud is based entirely on their assumptions about each other, and those assumptions have thoroughly made asses out of both of them. It’s sad but fascinating to watch them assign motives to each other that have no basis in anything – and such a beautiful catharsis when they finally figure out where they both went so terribly wrong. Escape Rating A.

“Harmony” by Anthea Sharp
Another story about feuding, dueling bards, there isn’t much harmony in this story – which is the point. Because this is very much a story about pride going before a really, really big fall, and how beautiful music can only be made out of, well, harmony. Not just the harmony of the notes and the melody, but the harmony among the people – ALL THE PEOPLE – who take part in the performance. That age and experience manage to outwit youth, skill and hubris added just the right bit of tartness to an excellent story. Escape Rating A

“Playing Peacemaker Once More” by Dee Shull
Considering the title, it’s a bit of a surprise that this is actually a story about boundaries. Specifically about defending one’s own even as one does their best to get others to examine the placement of theirs. Like the final story in this collection, Uncivil Blood, there’s a bit of a Romeo and Juliet aspect – or perhaps that should be Romeo and Tybalt – to this one that gets worked out much better than Shakespeare’s famous tragedy. Escape Rating B

“Pairmates” by Ron Collins
This one didn’t quite work for me, which I was really sad about as it’s the one story in this collection that features nonhuman protagonists. I think it just passed me by a bit because I couldn’t place it in Valdemar history and wasn’t quite sure how it fit to the overall world or when. I wanted to like it more than I did but I had too many nagging questions at the end. Escape Rating C.

“Battle of the Bands” by Dayle A. Dermatic
This battle of the bands is a family feud, as brothers Eldriss and Davon haven’t spoken to each other in years because Davon claimed that Eldriss stole his sweetheart and married her. Beyond the fact that Shalna isn’t an object to be stolen, that claim is more of an excuse than a reason. Eldriss just wants his brother back, and a mixup at a musical contest – where the brothers enter as the leaders of competing bands – gives them the opportunity they’ve been waiting for for over a decade. A good story with a happy but not surprising ending. Escape Rating B.

“Tangles” by Diana L. Paxson
The feud in this particular instance is a feud between rival shopkeepers who are determined to keep far away from each other in spite of being located in the save Haven district. However, this is also a story about two determined – and somewhat magical – pieces of furniture that make a matched set that are equally determined to be put back together. To the point where they throw a bit of magic in the way of the best person to untangle a web that goes back decades. There are several Romeo and Juliet-type stories in this collection and this one is another, but it’s marvelously twisted because the feud happened because they didn’t marry – although it’s still not too late to fix things the way they should have been! Escape Rating A

“Payment in Kind” by Stephanie Shaver
The title is in reference to what happens when a cheating landholder stiffs a bard for her fee. But underneath that is the saddest story in this collection on multiple fronts as the problem set before that bard and her Herald twin-brother is about a whole village being oppressed by that rapacious landholder – who is also a liar and a cheat – a healer caught between her oaths and her duty, child labor and child murder, and one woman with cancer who wants one last day in the sun – even as she keeps her condition a secret from those she loves the most. Escape Rating A+.

“A Determined Will” by Paige L. Christie
This is a story about going home and discovering that the things you remember aren’t quite what you thought they were – unless they are and someone is trying to swindle you. This one was surprisingly fun in spite of itself, as Guard Trainee Teig has come home to bury the closest thing she had to a father. That he left her everything he had isn’t really the point – it’s more of the last note of a memory. But when someone arrives out of nowhere and attempts to cheat her out of it, she puts all of that Guard training to excellent use! Escape Rating A.

“The Ballad of Northfrost” by Phaedra Weldon
This is a hard, bitter story with an excellent satisfying ending. Reyes fate reads like many of the videogames I love. He’s wounded, near death, in the dark, between a rock and a very hard place, determined to get justice for people long dead who once saved him and set him on his path. That his own ghosts rise to help him take the final steps to safety, freedom and resolution was a bright candle in a very dark story with just the right and necessary ending. Escape Rating A+

“Uncivil Blood” by Mercedes Lackey
A much better version of Romeo and Juliet, with more political shenanigans, considerably fewer deaths, a more sensible ending, and the reappearance of one of Valdemar’s favorite characters who has not graced the stage for entirely too many years. This was my favorite story in the collection, Escape Rating A+.

Escape Rating Overall A-: This was as grand a trip to Valdemar as I hoped it would be. My favorite story in the collection was “Uncivil Blood” by Mercedes Lackey herself, followed by “The Ballad of Northfrost” by Phaedra Weldon and “Payment in Kind” by Stephanie Shaver. If you’ve EVER visited Valdemar this is a great time and a great way to go back for a return trip!

A+ #BookReview: The Teller of Small Fortunes by Julie Leong

A+ #BookReview: The Teller of Small Fortunes by Julie LeongThe Teller of Small Fortunes by Julie Leong
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, fantasy
Pages: 336
Published by Ace on November 5, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A wandering fortune teller finds an unexpected family in this warm and wonderful debut fantasy, perfect for readers of Travis Baldree and Sangu Mandanna.
Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells "small" fortunes: whether it will hail next week; which boy the barmaid will kiss; when the cow will calve. She knows from bitter experience that big fortunes come with big consequences…
Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a knead for adventure, and—of course—a slightly magical cat.
Tao sets down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past are closing in—and she’ll have to decide whether to risk everything to preserve the family she never thought she could have.

My Review:

Tao tells small fortunes. Only small fortunes. Just as it takes a big risk to win a big reward, it takes big magic to tell big fortunes. Which also results in big risks that Tao is simply not willing to, well, risk.

The only big fortune Tao ever told resulted in a big disaster. Her father was killed, her village was destroyed, her mother married a foreigner, took Tao away from home and raised her among strangers who could never get past her origins. And who seemingly could never forgive the girl for the turn in the family’s, well, fortunes.

So Tao took to the road, with her small cart and her small fortunes, doing her best to make enough money to keep body and soul together and on the road, touring small towns, never touching the greater magics that would foretell death and disaster and bring the empire’s witchfinders down upon her bowed head.

The rounds of Tao’s quiet and unassuming life are disrupted when she tells what she believes is a small fortune for a traveling mercenary. She sees him greet his little girl in front of what appears to be their home. A simple, everyday sort of fortune.

But the little girl has been missing for months and months, and her father and his friend – a semi-reformed thief – have themselves taken to the roads in search of the little girl’s whereabouts – or at least her fate.

This seemingly small fortune is huge. It is life-altering. Finding his little girl safe and sound will change everything for the mercenary – and he is determined to stick with Tao until that vision becomes truth.

The linking of his quest to her vision is the seed of change. As her vision leads him from clue to clue and village to village, their little band turns into a found family – a family that in turn is found by a series of small fortunes with big implications as the wheels of her cart grind their way to the fortune that Tao has been avoiding for all of her journeying.

It takes her home – to the home she never thought she could go back to – and to the one she never imagined she’d ever be able to make even for herself.

Escape Rating A+: This OMG DEBUT novel is just marvelous. I went into it expecting something light and cozy and certainly got that, but it’s just such a terrific story that hits so many excellent notes and is deeper than I was expecting by a whole lot.

It’s like every time the story takes just a bit of a twist it also digs more deeply into the heart – both Tao’s and the reader’s at the same time.

A big part of the story, and certainly the form of it, is the journey. Tao is traveling, endlessly traveling, because she’s rootless. She has no place that calls her home. So a big part of her starting out is an immigrant’s journey. Her mother brought her out of their country of Shinn to the country of their rival, Eshtera. Tao is never accepted as Eshteran because of her Shinian (read Asian) appearance, but she and her mother drifted apart so she doesn’t remember the culture of her origins. She’s lost without a true place of her own.

Her Esteran stepfather tried to forcibly graft her into Eshtera through marriage, but that was doomed to fail – so she fled. Her magic marks her as dangerous but the power of it is coveted – so she hides from the Empire.

She’s alone and feels doomed to remain so.

Her journey, that thing that keeps her isolated, is her salvation, and the story becomes Tao picking up a band of ‘strays’ much like herself and becoming the center of a found family – a family that she is willing to step WAY out of her comfort zone to protect, which in turn saves her as well as them.

And as the members of her little tribe each find their way into her heart, they all find their way into the reader’s as well.

A surprising readalike for this book is A Psalm for the Wild Built, which isn’t fantasy at all. But the journeys and the discoveries and the found family aspects are very similar, as is the way that Sibling Dex in Psalm becomes a big part of each of the places she visits even as she makes her own found family with the robot.

More than Legends and Lattes, which seems to be listed as the go-to readalike for every cozy fantasy, The Teller of Small Fortunes reminded me a whole lot more of the Mead Mishaps series. Not the romantic aspects of that series, but rather the way that both stories start out at a very light level and turn out to be important quest journeys with much larger implications and big found family elements by the time they reach their HEAs.

Very much like the other cozy fantasy series(es), however, The Teller of Small Fortunes is a story where there is not a villainous villain in sight. Instead, there are bad things that have happened to good people that get resolved through mostly human agency even as those humans make human mistakes along the way.

This isn’t a BIG story. There’s no big bad and there’s no big battle and it’s not a big contest between good and evil. Instead it’s a gentle story about people finding their way and finding that their way goes better when they go together.

It’s lovely and you’ll turn the last page with a smile and some days those are just the kind of stories we all need. When it’s your turn to need one of those kinds of stories, pick up this book. I’ll be eagerly awaiting her next.

A- #BookReview: The Bloodless Princes by Charlotte Bond

A- #BookReview: The Bloodless Princes by Charlotte BondThe Bloodless Princes (The Fireborne Blade, #2) by Charlotte Bond
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: dragons, fantasy
Series: Fireborne Blade #2
Pages: 160
Published by Tordotcom on October 29, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Orpheus meets A Natural History of Dragons in a tale of death, honor and true love's embrace.
It seemed the afterlife was bustling.
Cursed by the previous practitioner in her new role, and following an... incident... with a supremely powerful dragon, High Mage Saralene visits the afterlife with a boon to beg of the Bloodless Princes who run the underworld.
But Saralene and her most trusted advisor/champion/companion, Sir Maddileh, will soon discover that there's only so much research to be done by studying the old tales, though perhaps there's enough truth in them to make a start.
Saralene will need more than just her wits to leave the underworld, alive. And Maddileh will need more than just her Fireborne Blade.
A story of love and respect that endures beyond death. And of dragons, because we all love a dragon!

My Review:

The road to hell isn’t paved with good intentions – it isn’t paved at all. Instead it’s a dropkick off of a VERY high bridge into a pit that the evil exilarch from The Fireborne Blade is trying to avoid by dragging his successor, Saralene, into the afterlife in his place.

This follow-up to The Fireborne Blade is a book that this reader never expected at all. Because at the end of The Fireborne Blade it seemed like the story was all wrapped up.

The dragon was dead, to begin with.

The dragon was dead, the disgraced knight Maddileh was redeemed, the Fireborne Blade was restored, the evil exilarch was dead, Maddileh’s betraying, body-stealing squire was dead – in exchange for Maddileh herself – and the true High Mage Saralene is back on her throne and in her office, with Maddileh as her bodyguard and captain.

All is right with their world – or would be if all of the above were as true as Maddileh and Saralene believed them to be at the end of that first book.

The adventures of this second book are necessary because those things are not true. In fact they are mostly not true. Especially the parts that have the worst potential outcomes.

The dragon is not really dead – only hibernating. The evil exilarch is dead – but he’s scheming from the afterlife to take Saralene’s body and her position and go right back to being the oppressive tyrant he was when he was alive. Because he will be. Again.

Unless Maddileh and Saralene can stop him – with the surprisingly willing assistance of the dragon they believed they killed.

All they have to do is convince the ‘Bloodless Princes’ who control the Underworld to let Saralene go – before she’s dead forever.

Escape Rating A-: The pattern of the way both books in this series are written is fascinating and more than a bit different. This story – as did The Fireborne Blade – works on two tracks that feed into each other in ways that the reader does not initially expect.

A piece of this story is told through tales that are myths and legends to Maddileh and Saralene – and then the actions they are actually performing move the story forward. Then it circles back to more legends – which inform the action to come.

What made the tales part of the action work was that those tales are told from two perspectives, the human and the dragon. Those points of view permeate these stories that talk about the same basic event but come to rather different conclusions and teach different lessons beyond the obvious one that whoever controls the recording of history sets the agenda for what history is believed to be – as opposed to what it really was.

All of which comes fully into play when Maddileh, Saralene and the dragon Mienylyth reach the Underworld, because the legends of the ‘Bloodless Princes’ have conflated order with good and chaos with evil, when in truth a LOT of time has passed, both princes’ attitudes have become set in very hard stone and either condition taken to extremes is no good for humans or other thinking creatures.

The whole, entire story kicks off with Maddileh and Saralene learning that the righteous ending they believed they’d earned at the end of their first adventure wasn’t an ending at all. This second adventure takes that fruit-basket upset and turns it into a story of adventure and upended assumptions that crosses the Greek myth of Orpheus and Eurydice with Lady Trent’s memoir, A Natural History of Dragons (by Marie Brennan) and turns it into a romance of longing and unfulfilled hopes and dreams that can only become an HEA if all the characters hold true to their oaths and their promises.

As much as the story is told from Maddileh’s and Saralene’s perspectives – as much as their human hopes and dreams drive the narrative forward – it’s the lonely dragon Mienylyth who steals the story and the reader’s heart.

I think this is the end of this saga – but then I thought that last time. If we get to see more of Maddileh and Saralene after all, I really hope that Mienylyth flies back as well. Because she was absolutely chock full of awesome – even when she was pretending to be a cat.

#BookReview: The City in Glass by Nghi Vo

#BookReview: The City in Glass by Nghi VoThe City in Glass by Nghi Vo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Pages: 216
Published by Tordotcom on October 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this new standalone, Hugo Award-winning author Nghi Vo introduces a beguiling fantasy city in the tradition of Calvino, Mieville, and Le Guin.
A demon. An angel. A city that burns at the heart of the world.
The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot.
And then the angels come, and the city falls.
Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned.
She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever.
Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.
The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to burn a world to ashes and build it anew.

My Review:

Azril isn’t on any map. It never was – and not just because of what happened to it. But before we get to that, we have to begin at the beginning, because Vitrine happened to it first.

Vitrine was a demon. And in some ways she’s very demonic indeed. She’s immortal and powerful. She’s mischievous and capricious. She’s possessive and she’s protective. And in that combination of forces and attributes she’s not anything like the demons of popular mythology.

Because the way that Vitrine occupies herself down the centuries and the millenia isn’t chaotic and isn’t destructive – at least not in the fire and brimstone sense of destruction and not that those things don’t happen anyway.

The city of Azril is the thing of which Vitrine is the most possessive and protective. The city is HERS. She planted its seeds, she nurtured it, she’s watched it grow. She takes care of it and the people in it. Not by keeping them like children, but rather by allowing them to grow. Which means that people are born and they die, some of them leave and some of them return, some live good lives and others don’t. She lets them be what they are and helps the city as a whole to flourish.

Until the angels came, self-righteous, obedient and above all, destructive. The freedom she gave her people, freedom of both thought and action, may have been too much for Heaven to allow.

The angels leave Azril a smoking wreck, a tomb for all she held dear and all the people she loved. In her grief she cursed one of them. The proudest, the haughtiest, the one who expected her to beg even as he admitted that no pleading of hers would ever matter.

So she cursed him. And just as she was damned – so was he.

Escape Rating B: I picked this book up because I love the author’s Singing Hills Cycle and was hoping for something like that even though I knew this wasn’t part of that.

What I actually got was something completely unexpected – in a way I’m still not sure how I feel about it.

At the beginning, the immovable, implacable, rigidly self-righteous angels seemed straight out of Simon R. Green’s Nightside or some world adjacent to it. They’re like some of the avatars of justice in Max Gladstone’s Craft Sequence. They’re entirely too much like the angels in Diablo 3 – which was a weird thing to think of. These are all varieties of angels where the stick up their collective asses has taken root and shoved out their brains.

But as the story progresses, the angel is forced to bend. He’s been exiled from heaven because he’s now flawed. He has a tiny bit of demon-stuff in him. But Vitrine isn’t a demon the way that we tend to think of demons, so what that demon stuff does is make him think and feel – and initially he’s pretty bad at both.

While Vitrine goes through all the stages of grief and he tries to ‘help’. And fails. Badly, frequently and often.

But Vitrine grieves and rebuilds. He hangs around and tries to help because he’s got nothing else to do. And they circle each other and drive each other mad and feel things they can’t articulate until I decided that this book is what you get when you combine This is How You Lose the Time War with Good Omens. Which shouldn’t even be possible and wouldn’t work at all if Vitrine was anything like what we think of when we hear ‘demon’.

The ending, in its own way, is just as equivocal as This is How You Lose the Time War – although it’s also entirely different. Whether it’s done out of love or hate is something that the reader is left to decide for themselves. I loved the form it took, and I certainly enjoyed the way they rebuilt the city, but this was as much metaphor as it was story and I’m still mulling it over.

#BookReview: The Mountain Crown by Karin Lowachee

#BookReview: The Mountain Crown by Karin LowacheeThe Mountain Crown (The Crowns of Ishia, #1) by Karin Lowachee
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: dragons, epic fantasy, fantasy
Series: Crowns of Ishia #1
Pages: 150
Published by Solaris on October 8, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Méka must capture a king dragon, or die trying.
War between the island states of Kattaka and Mazemoor has left no one unscathed. Méka’s nomadic people, the Ba’Suon, were driven from their homeland by the Kattakans. Those who remained were forced to live under the Kattakan yoke, to serve their greed for gold alongside the dragons with whom the Ba’Suon share an empathic connection.
A decade later and under a fragile truce, Méka returns home from her exile for an ancient, necessary rite: gathering a king dragon of the Crown Mountains to maintain balance in the wild country. But Méka’s act of compassion toward an imprisoned dragon and Lilley, a Kattakan veteran of the war, soon draws the ire of the imperialistic authorities. They order the unwelcome addition of an enigmatic Ba’Suon traitor named Raka to accompany Méka and Lilley to the mountains.
The journey is filled with dangers both within and without. As conflict threatens to reignite, the survival of the Ba’Suon people, their dragons, and the land itself will depend on the decisions – defiant or compliant – that Méka and her companions choose to make. But not even Méka, kin to the great dragons of the North, can anticipate the depth of the consequences to her world.

My Review:

This story feels like it began LONG before the book does. This story reads like it has been years in the making, and that the slice of it that we are getting is a bit in the middle in a world that has been going to hell in a handcart for quite some time, and has now reached a level of FUBAR that STILL isn’t anywhere near as bad as things are likely to get before the end.

And that’s a fascinating way to write a story, because worlds generally DO exist before a particular story in them gets told, and go on existing after the last page of a particular story in them gets turned.

Méka has returned to the land where she was born. A land that once belonged to her people, but no longer does. Even worse, a land that has been conquered by a rapacious empire that has chosen to act as if her people aren’t people at all – merely slaves for their use.

Including the dragons that her people, and only her people, have the capacity, not to control, but to bond with. A bond that the greedy, rapacious Kattakans exploit in order to use both Méka’s people, the Ba’Suon, and the dragons, the Suon, to strip mine the land for gold.

The Kattakans have turned a beautiful place into a steaming, belching wasteland on a par with Mordor. (Auditions for the part of this world’s Sauron are possibly ongoing – I jest but not nearly enough.)

Méka has come to this once-home for a right of both passage and preservation. It is her time to bond with one of the Suons that still live free in the mountain crowns far to the north. Both to refresh the dragons in her adopted homeland and to prevent a single king dragon from taking over too many herds and reducing the genetic diversity in the crowns.

Of course, the powers that be to rape and pillage interfere with her quest – even though it has been sanctioned by her adopted country and the court of the, shall we say, greedy bloodsuckers.

She is duty bound on a quest to bond a dragon. She is being coerced to retrieve a dragon for a criminal’s nefarious purposes. But control of any dragon is illusory at best – and a dangerous illusion at that. As the greedy bloodsuckers are about to discover in fire and blood.

Escape Rating B: The Mountain Crown is an ‘in media res’ story. In other words, it feels like it starts in the middle of things. It’s a method of storytelling that CAN get the reader caught up in the action from the very first page. Howsomever, it can also give the reader the feeling that they’re missing something, or a whole lot of somethings, and not feel like they have what they need to get stuck into the story.

The Mountain Crown read like it straddled that fence, where the problem with straddling a fence is that one gets splinters in the ass. I had a difficulty time, at first, getting into the story because I didn’t feel like I had enough to figure out how the situation reached this pass in the first place. It does not help at all that the primary characters of this story, Méka and her companions Lilley and Raka, are all parsimonious with their words – even when they are speaking to one another.

There’s a LOT that doesn’t get said – even when something is being said at all.

All of which led to my brain attempting to spackle over the bits that were missing with analogies to other stories and other places. The ramshackle mining monstrosity where Méka first arrives sounds a lot like the gold rush encampments of the Klondike, including the weather conditions. The nomadic nature of Méka’s people read like an amalgam of many nomadic cultures around this globe – even if this story isn’t set on any version of our world.

In the end, what brought the story together was the way that it reflected on colonialism and empire, shone a light on cultures whose fundamental principles are greed and acquisition and then explored the possibilities of another way – a way of stewardship and community.

And took the problem of might making right to a whole different level by adding dragons into the mix in a way that both put a temporary check on the ‘evil empire’ AND sowed the seeds for further contention between peoples who were once one.

I have to say that by the end, I really did enjoy The Mountain Crown and that I’m looking forward to the next book in the series, The Desert Talon, coming in February, as well as the third book, A Covenant of Ice, arriving in June. (There’s an irony that the desert book is coming in the depths of winter and the ice book is coming as summer heats up.)

I’m hoping that the rest of this novella trilogy will not just continue this fantastic story but also fill in the blanks and answer my many, many questions about this particular world came to this particular pass – because it has to be a doozy. I can’t wait to find out ALL the answers

 

Grade A #BookReview: Fangs So Bright and Deadly by Piper J. Drake

Grade A #BookReview: Fangs So Bright and Deadly by Piper J. DrakeFangs So Bright & Deadly (Mythwoven, #2) by Piper J. Drake
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, urban fantasy
Series: Mythwoven #2
Pages: 304
Published by Sourcebooks Casablanca on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A Kitsune, a Kumiho, a Witch, and a danger not even their combined magic is strong enough to defy. 
Marie Xiao lives a double life, moonlighting as a freelance consultant in corporate Seattle even as she dedicates herself—and her powers as a witch—to chasing down objects of myth and magic before they can be used to harm humankind. She carefully guards the bridges between worlds and has never once been tempted to stray.
Until she catches the eye of a pair-bonded kitsune and kumiho and her whole world is thrown into chaos.
Japanese and Korean fox spirits Yamamoto Kuro and Joseph Choe have been hoping to cross paths with Marie since their first chance meeting at an artifact retrieval gone decidedly wrong. They may work for Marie's enemy, but they don't see any reason why they can't mingle a little work and play…especially when a (literal) dead man waltzes into their impromptu reunion, raising intriguing questions about a deeper magic that may be afoot. Temporarily teaming up, the trio investigate the unusual unrest…but as loyalties begin to shift and lines blur, Kuro, Joe, and Marie may find themselves at the precipice of something none of them are prepared to face…or deny.

My Review:

This second book in the Mythwoven series, after last year’s Wings Once Cursed and Bound, is every bit as fascinating and downright captivating as its predecessor.

We met Marie Xiao, nature witch and member of the Darke Consortium family, in the spellbinding – and spell breaking – conclusion of that first book, as the members of the Consortium came to rescue of kinnaree Peeraphan Rahttana from a collector who planned to ‘acquire’ the rare Thai bird princess for nasty and nefarious purposes.

As it turned out, during that operation, Marie needed a bit of rescue of her own, provided by two beings she knew had been working for Babel, an organization dedicated to acquiring magical objects for the purpose of sowing chaos among the human population.

She was grateful for the rescue but didn’t trust the two nine-tailed foxes who helped her – out of either the goodness or the mischief in their hearts. Whatever made the kitsune and gumiho come to her aid – she wasn’t able to forget how much the two male supernatural creatures captivated her senses. Even though she ALSO couldn’t forget that were present on the scene at the behest of her own organization’s enemies.

So when she encounters Kuro and Joe on the streets of Seattle, she’s more than a bit wary of their motives. And so she should be.

She’s just learned that the client she believed was mundane is, in fact, playing with dangerous artifacts they shouldn’t have ever had access to – an access that the Darke Consortium will need to revoke at the first opportunity.

It’s clear that Kuro and Joe are on the trail of the artifacts that Marie has just discovered – but for a much less benign reason. Or so it seems.

But Joe and Kuro haven’t forgotten Marie any more than she has them. Unfortunately for all of them, Babel hasn’t forgotten that the foxes’ protection of Marie may have obeyed the letter of their contractual obligations but certainly violated the spirit of it. And that the fox spirits need to pay for that transgression – with the very thing that makes them who and what they are – and as painfully as possible.

In that pain, and in their desperate need to be rid of the curse AND Babel, Kuro, Joe and Marie find a common cause, a common purpose – and the possibility of something even more precious. All they need to do is hoodwink Babel while revealing the deepest of truths to each other.

Escape Rating A: The fun thing about this series so far is the way that it manages to take the formulas for urban fantasy and paranormal romance – formulas that are tried and true and familiar – and make them fresh and new by adding in the panoply of mythical creatures and legends from places that weren’t touched on back in urban fantasy’s heyday AND then combining those legends with romantic possibilities that just weren’t publishable back then.

And then adds just a touch of cozy by bringing it all back to a found family where the vampire and the werewolf are the most mundane members of the crew. While Marie doesn’t get stuck in that dreadful ‘torn between two lovers’ melodrama, nor does she fall into the terrible romantic triangle trap. Instead, their happy ever after is a triad – and it’s wonderful!

But this isn’t just a romance, it’s also very much part of both urban fantasy and action adventure. If Anna Hackett’s Treasure Hunter Security and Simon R. Green’s Gideon Sable series(es) had a book baby, Mythwoven would be it. The Darke Consortium hunts down the weird and the mystical and gets it out of the hands of people who either have no clue or have entirely too much of one.

What made this entry in the series particularly fun was that it was a bit of both, with a heaping helping of a fascinating new magical system, a touch of Egyptian mythology, and references to not one but two great movies, Ladyhawke and The Sting. A combination that should not even be possible but works oh-so-well.

The Mythwoven series is clearly not done – and this reader is VERY glad of it. So, even though the next book isn’t yet on the horizon, I’ll certainly be looking to put it on my TBR pile the moment it appears!

#BookReview: Shoestring Theory by Mariana Costa

#BookReview: Shoestring Theory by Mariana CostaShoestring Theory by Mariana Costa
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: cozy fantasy, fantasy, fantasy romance, romantasy, time travel romance
Pages: 400
Published by Angry Robot on October 8, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A queer, madcap, friends-to-lovers-to-enemies-to-lovers time travel romance with the future of the world at stake, this charming fantasy tale is sure to satisfy fans of Legends and Lattes by Travis Baldree.
The kingdom of Farsala is broken and black clouds hang heavy over the arid lands. Former Grand-Mage of the High Court, Cyril Laverre, has spent the last decade hiding himself away in a ramshackle hut by the sea, trying to catch any remaining fish for his cat familiar, Shoestring, and suppressing his guilt over the kingdom’s ruin. For he played his part – for as the King, Eufrates Margrave, descended further and further into paranoia, violence and madness, his Grand-Mage – and husband – Cyril didn’t do a thing to stop him.
When Shoestring wanders away and dies one morning, Cyril knows his days are finally numbered. But are there enough left to have a last go at putting things right? With his remaining lifeblood, he casts a powerful spell that catapults him back in time to a happier period of Farsalan history – a time when it was Eufrates’s older sister Tig destined to ascend to the throne, before she died of a wasting disease, and a time when Cyril and Eufrates’s tentative romance had not yet bloomed. If he can just make sure Eufie never becomes King, then maybe he can prevent the kingdom’s tragic fate. But the magical oath he made to his husband at the altar, transcending both time and space, may prove to be his most enduring – and most dangerous – feat of magic to date…
Featuring a formidable Great Aunt, a friends-to-lovers-to-enemies-to-lovers romance, an awkward love quadrangle and a crow familiar called Ganache, this charming story is imminently easy to read and sure to satisfy fans of fanfiction who like their fantasy lite.

My Review:

I picked this one up for the cat. Which is fair, because from a certain perspective, this whole story is, in fact and for real, all about Shoestring the cat. Even though, like Jacob Marley in A Christmas Carol, Shoestring is dead, to begin with.

If you’re also here for the cat, I will give you one spoiler, a spoiler that I seriously wished I had at the beginning. Because at the end, Shoestring will be just fine. Really, truly. (Not knowing that gave me some terrible approach/avoidance problems when I began reading the story. I was having as hard a time dealing with Shoestring’s apparent death as Cyril was.)

In a terrible future that should never have been, Cyril has been barely surviving as what used to be the Kingdom of Farsala literally rots all around him. It’s been years with bad air, almost no sun, and a starvation diet for both himself and poor Shoestring.

Cyril’s only reason for continuing this meager, guilt-ridden existence is to catch fish for his familiar, Shoestring. Everyone else he ever cared about is dead. From a certain perspective – namely Cyril’s – it’s all his fault.

But Shoestring’s passing is the cosmic kick in the pants that Cyril needed. Without Shoestring, he’s faced with two choices. He can either wither away into death, as all mages do when their familiars die, or he can get off his magical ass and go back and fix things.

Or at least try, making this whole marvelous story a fix-it fic, set in a magical world that needs a hell of a lot of fixing. The only problem is that Cyril isn’t really the right person to get the job. But he is the right person to keep his loved ones alive – and they absolutely are.

Escape Rating B: I had some mixed feelings about this book, in spite of how much I generally adore fix-it fics. Part of that can be laid at the feets of poor Shoestring, as I was nearly as heartbroken at his early, first-chapter death as Cyril was.

And, I’ll admit, I’m used to the protagonists of fix-it fics – which I usually love – being somewhat more competent hot messes than it seems Cyril could ever possibly be. He does not look before he leaps. It often seems as if he doesn’t even look after he leaps. Or at all. He doesn’t act – he reacts – and generally cluelessly at that.

Which is how his country got in the mess it did in the first place. Because Cyril is the heir to the Grand Mage of the whole entire kingdom and he’s supposed to be a whole lot more capable than he has ever demonstrated being. His great-aunt, Heléne, the current high-court witch, is that great and it seems from Cyril’s barely-adult perspective that she always has been.

But Heléne is slowing down, and Cyril hasn’t been stepping up. Which is why everything went pear-shaped. Because he didn’t see the rot in the kingdom at a point where it could be stopped. This time around, he has to do better, to be better, and at the beginning, he isn’t.

He does, eventually, and with frequent application of several boots to his ass, get better enough to figure out what went wrong the first time around – but he’s a bit slow on the uptake. Frequently. Often.

Which is why the comparisons between Shoestring Theory and Legends & Lattes fall spectacularly apart. They are both cozy fantasies – but they take vastly different approaches to both the coziness and the fantasy.

For one thing, Viv in Legends & Lattes is very competent and gets shit done. It’s just that what she wants to get done is very cozy in that her goal is to open a coffee shop. She has doubts, she has fears, she backslides in her ambition to eschew her old, violent ways as a mercenary – but she gets the job done because of herself.

Cyril gets the job done in spite of himself. In the end he does get there, but he faffs around a LOT. If it wasn’t for his friends he wouldn’t manage to get his head on straight. He IS, actually, quite capable – but he’s never been pushed to apply himself until now and it takes him a LONG time to get out of that mindset.

A lot longer than it took this reader to figure out who the true villain of the piece really was, and that Shoestring’s restoration would be part of Cyril’s reward for finally getting his act together.

In the end, I liked Shoestring Theory, but not nearly as much as I expected to. There just wasn’t enough of Shoestring himself in the story, and Cyril turned out to be a surprisingly incompetent protagonist for a fix-it story.

But I did enjoy the way the story turned itself inside out, that all of Cyril’s intentions and memories of that first, terrible, time around turned out to be not what he thought they were, and that he did manage to get to the truth and the whole truth of what went wrong the first time – and that it wasn’t ALL his fault.

So, in spite of Cyril’s frequent faffing around, the one thing he always was that shone through was that he loved deeply if not always wisely, that he had a huge capacity for trust even if it was sometimes misplaced, and that the story, the kingdom and even Cyril himself are finally saved by the depth of his loyalty to those he loves – and the reciprocation of that love and loyalty in full measure in return.

A- #BookReview: Fear the Flames by Olivia Rose Darling

A- #BookReview: Fear the Flames by Olivia Rose DarlingFear the Flames (Fear the Flames, #1) by Olivia Rose Darling
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, romantasy
Series: Fear the Flames #1
Pages: 384
Published by Delacorte Press on September 17, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An exiled princess teams up with the last man she thought she could trust in the start of a dazzling and unforgettable epic fantasy romance series.As a child, Elowen Atarah was ripped away from her dragons and imprisoned by her father, King Garrick of Imirath. Years later, Elowen is now a woman determined to free her dragons. Having established a secret kingdom of her own called Aestilian, she’s ready to do what’s necessary to save her people and seek vengeance. Even if that means having to align herself with the Commander of Vareveth, Cayden Veles, the most feared and dangerous man in all the kingdoms of Ravaryn.
Cayden is ruthless, lethal, and secretive, promising to help Elowen if she will stand with him and all of Vareveth in the pending war against Imirath. Despite their contrasting motives, Elowen can’t ignore their undeniable attraction as they combine their efforts and plot to infiltrate the impenetrable castle of Imirath to steal back her dragons and seek revenge on their common enemy.
As the world tries to keep them apart, the pull between Elowen and Cayden becomes impossible to resist. Working together with their crew over clandestine schemes, the threat of war looms, making the imminent heist to free her dragons their most dangerous adventure yet. But for Elowen, her vengeance is a promise signed in blood, and she’ll stop at nothing to see that promise through.
An immersive fantasy filled with a sizzling reluctant-allies-to-lovers romance, a world to get lost in, dangerous quests, dragon bonds, and an entertaining band of characters to root for, Fear the Flames marks the stunning debut of Olivia Rose Darling.

My Review:

Historically and fictionally speaking, there seem to be two types of prophecies. Some prophecies are vague and mysterious and mysteriously vague – think of Nostradamus – and resemble 20/20 hindsight, in that they are only able to be interpreted after the fact – which one would think would be a bit beside the point by that point!

Then there’s the other kind, the prophecies that seem really specific – which they kind of are. But they’re specific because they are self-fulfilling. The classic example is Oedipus Rex. The poor man was prophesied to kill his father and marry his mother – but it only comes about because dear old dad tries to prevent it from coming about. There’s also that truly dreadful prophecy about Harry Potter and He-Who-Must-Not-Be-Named that totally and utterly derails Potter’s whole, entire life.

I’d say I’m digressing but I’m actually not, because Princess Elowen of Imirath’s life was thrown into an equal and equally painful amount of chaos and destruction by an equally terrible prophecy that was brought about by the direct actions of her very own dear old dad attempting to thwart it.

At the celebration of her first birthday, Elowen was gifted with a quintet of dragon eggs. The eggs were positively ancient and assumed to be merely curious fossils at this point in their long existence.

But we wouldn’t have a story if that were true – so of course it’s not. The eggs hatch into not one or two but FIVE baby dragons who instantly imprint on and bond with the equally tiny princess. The prophecy that goes along with the event foretells that the bond between the little princess and her dragons will either doom her country, or bring it to even greater heights of glory – and nothing in either of those fates says anything about the fate of her father, the man who currently sits on the throne of Imirath. Whether doom or glory is coming – he seems to have no part in it at all.

Out of fear and jealousy, to save his country and his throne – or so he believes – King Garrick of Imirath, little Elowen’s father – does his absolute worst to thwart the prophecy. He should have known better.

Fear the Flames is the story of more-than-once-beaten and bloodied Princess Elowen coming home to deliver a brutal lesson that she’s spent her entire life preparing. In many stories, revenge is a dish best served cold, but for Elowen, the only way to achieve both justice and vengeance is in a blast of dragon fire.

Escape Rating A-: Romantasy as a genre, like its sister from another mister Science Fiction Romance, has to straddle the line between its two genres and has to dig itself deeply into that fence line to the point where its feet touch the ground on both sides. Which, all too often, ends up with splinters in some VERY uncomfortable places – even when it’s successful at that endeavor.

Which is pretty much the case in Fear the Flames. I have a couple of tiny quibbles, but for the most part Fear the Flames works and it works well. From my own personal perspective, it seemed that although it does successfully straddle that line between fantasy and romance, the foot on the romance side of the equation is just a bit more firmly planted. Your reading mileage, of course, may vary. I certainly found it impossible to put down!

The Elowen we meet at the beginning of her story is the product of long years of torture and darkness at the hands of her father and his henchmen – as well as a daring and desperate escape. She’s reached adulthood as queen, not of her birthright Imirath, but of the tiny hidden kingdom of Aestilian. But her little kingdom is a refuge for many fleeing from her father’s increasing tyranny, and with each new immigrant comes greater danger of either discovery or simple starvation. Or both.

To protect her people, Elowen leaves her kingdom to forge an alliance with neighboring Vareveth, seemingly in a case of the enemy of my enemy is my friend as the hand of Imirath’s tyranny stretches further each year.

All of the above is political, and very. Just the kind of epic political warfare that epic fantasy is known for. Elowen’s rise from prisoner to power has the shadows of grimdarkness looming over it in the grandest of style.

And then there’s the romance, a fantastic – in more ways than one – story of enemies to lovers, with all the steamy intensity of forbidden passion and ringed round with the spikes and thorns of an epic betrayal.

That all of this – and it’s compelling pretty much every step of the way – is just the beginning of a truly sweeping story of love and revenge will leave readers panting for more. Which they’ll get in Wrath of the Dragons, coming not nearly soon enough in 2025.

A- #BookReview: Haunt Sweet Home by Sarah Pinsker

A- #BookReview: Haunt Sweet Home by Sarah PinskerHaunt Sweet Home by Sarah Pinsker
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, horror, paranormal
Pages: 161
Published by Tordotcom on September 3, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

On the set of a kitschy reality TV show, staged scares transform into unnerving reality in this spooky ghost story from multiple Hugo and Nebula Award-winning author Sarah Pinsker.
“Don’t talk to day about what we do at night.”
When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along—is herself.
Eerie and empathetic, Haunt Sweet Home is a multifaceted, supernatural exploration of finding your own way into adulthood, and into yourself.

My Review:

This wasn’t the book I planned to read this week, but after yesterday’s book I needed something with a bit harder of an edge, or a bit more adventure in its heart, or something other than cozy relationship fiction. I also needed something short because I flailed a bit.

I picked this out of the virtually towering TBR pile because I read the author’s “One Man’s Treasure” as part of my Hugo reading this year. I didn’t think it stuck the dismount but the story was a whole lot of fun as it went along.

And the premise of this one also looked like a whole lot of fun. I’m not sure whether it’s more fun or less fun if you believe, as I do, that “Reality TV” is an oxymoron, an inherent contradiction in terms. (And come to think of it, there’s another recent horror-adjacent story with a similar premise, The Holy Terrors by Simon R. Green – but Haunt Sweet Home is a much better, and more original, story.

Haunt Sweet Home lies at a surprising intersection of tropes and genres. OTOH, it’s a bit of an exposé of how the not-so-ghostly sausage of spooky reality TV shows get made. On a second hand, it’s about the grind of clinging by one’s fingernails to the lowest rung of the entertainment ladder – and discovering that the work is the thing one has been looking for all along.

And then there’s that third, ghostly hand, which really surprised me by circling back to Susan M. Boyer’s Liz Talbot series and thereby tying itself to yesterday’s book, as the protagonist, Mara, seems to have manifested or acquired or midwifed or all of the above, a sort of family ghost of her very own. By a method that owes more than a bit to Pygmalion – not the play or any of the adaptations of the play including the movies, but the original Greek myth about the man who sculpted his perfect woman and brought her to life.

Mara doesn’t sculpt a perfect paramour. Instead, she sculpts a perfect – or at least a more functional – version of her very own self. A version of herself that is a bit better at people, a bit less of an indecisive screw-up, much less of the family joke, and a whole lot better at believing in herself.

And very nearly decides to throw it all away. Because she’s started to believe entirely too many of her family’s so-called jokes than any one person can stand.

Escape Rating A-: I liked this a whole lot, and in fact a whole lot more than I expected to. Clearly, I don’t believe “Reality TV” has anything to do with actual reality, so reading a story that lampooned that genre at every turn was a good choice for me.

I also liked the horror-adjacency of this one, even though that’s why I had passed it by earlier in the month. I wasn’t sure how adjacent the horror was, but as it turns out the answer is – VERY. The TV series is simulating horror, manipulating or editing reactions to make it seem like horrors are happening – but everyone involved is very aware that it isn’t. Except for a bit of a tease at the end which just makes the whole damn thing work even better!

What really makes this story work is the character of Mara. She seems to be an afterthought for her whole family, the butt of every joke and the person voted least likely to succeed at every turn, to the point where she’s internalized all of that attitude.

It hurts her but she can’t make it stop. Every single thing she says or does goes through the family story editing machinery until it comes out that Mara is always lifeless, feckless and useless. She’s become entirely self-effacing because it no longer matters what she does – not even to herself.

At least not until her alter ego, her creation, her ghost avatar, Jo, comes into the picture. Because Jo IS Mara every bit as much as she is her own self. Jo sees Mara for who she really is on the inside – and isn’t in the least bit shy about telling Mara all about herself – no matter how much Jo KNOWS it’s gonna hurt. Because it needs to.

Someone needs to make Mara listen to the truths she doesn’t want to hear, and who better to make herself listen to those truths than herself? So Jo’s very existence, and Mara’s family’s reaction to a ‘better’ version of Mara forces Mara to confront those truths and do something about them. Which they do. Together. Even if it broke my librarian heart to watch them destroy most of a library to get there.

In spite of the terrible treatment of that poor library, it was still a terrific end to a really fun story.

A++ #AudioBookReview: The Daughters’ War by Christopher Buehlman

A++ #AudioBookReview: The Daughters’ War by Christopher BuehlmanThe Daughters' War (Blacktongue, #0) by Christopher Buehlman
Narrator: Nikki Garcia
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, grimdark
Series: Blacktongue #0
Pages: 416
Length: 13 hours and 14 minutes
Published by Macmillan Audio, Tor Books on June 25, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Enter the fray in this luminous new adventure from Christopher Buehlman, set during the war-torn, goblin-infested years just before The Blacktongue Thief .
The goblins have killed all of our horses and most of our men.
They have enslaved our cities, burned our fields, and still they wage war.
Now, our daughters take up arms.
Galva ― Galvicha to her three brothers, two of whom the goblins will kill ― has defied her family’s wishes and joined the army’s untested new unit, the Raven Knights. They march toward a once-beautiful city overrun by the goblin horde, accompanied by scores of giant war corvids. Made with the darkest magics, these fearsome black birds may hold the key to stopping the goblins in their war to make cattle of mankind.
The road to victory is bloody, and goblins are clever and merciless. The Raven Knights can take nothing for granted ― not the bonds of family, nor the wisdom of their leaders, nor their own safety against the dangerous war birds at their side. But some hopes are worth any risk.

My Review:

I finished The Daughters’ War for the second time over the weekend, but I was so deeply into the story, the characters and simply the world between the pages that I had to sit on even attempting to write a review for a bit – to let the SQUEE calm down some. But I also felt compelled to reread the first book set in this world, The Blacktongue Thief – which I did. Which didn’t tone the SQUEE down AT ALL.

The book hangover was huge after my first read of Blacktongue, and after my first read of The Daughters’ War earlier this year for Library Journal, but this time I listened to the thing – and the book hangover is absolutely epic.

Now let me attempt an explanation – which is still going to have a LOT of SQUEE in it. Because damn I loved this book – and I fell hard into Blacktongue again, too. So hard.

The title of this book immediately tells the reader just how badly this world is totally wrecked. You see, the first war between humans and goblins was the Knights’ War, because the noble Knights beat the goblins back on their swift and equally noble horses. So the goblin mages created a poison, a bioweapon, that killed all the horses. The second war, not even a decade later, was the Threshers’ War, because the goblins cut the untrained farm boys sent to fight it like they were threshing wheat. This war is the Daughters’ War because that’s pretty much all that’s left to fight this time around, less than a decade after the end of the Threshers’.

This is one of the rarest of rare cases where the old saying that “There never was a good war or a bad peace” doesn’t feel strictly true. Because the goblins USED those brief years of peace while the humans WASTED them.

Readers of The Blacktongue Thief will remember Galva as she will be, as in that story she’s 30 years old, a hard-bitten, cynical, heart-sore veteran of the Daughters’ War, on a mad quest to save her queen, her country, and quite possibly her whole entire species from the idiocy of the so-called powers that be who seem to be wasting yet another peace.

The story of this book, The Daughters’ War, is the story of how this Galva got to be that Galva. How the 20 year old swordswoman and newly fledged Corvid (read that as war-raven or murder-bird) knight came of age, lost her innocence and her naiveté, as well as her faith in pretty much everything she once believed, including her family and her country – or at least the king who usurped its throne.

So this is Galva’s story, which means it’s a story about the cost of war and the price of peace, and the question of which one is higher than the other and whether either will prevent the actual extinction of the human race. Because it’s also a story about the damage a small man can do to shield himself from the knowledge that he is truly small and the way that power and privilege can blind a whole society to the destruction that is happening all around them because they rather maintain their power than save everyone’s future – including their own.

And over and under and through all of that, The Daughters’ War is a poignant, lyrical, heartbreaking paean to times and places that are no more, told by someone who develops a truly cynical perspective on command and control and the lack thereof and the high price that may be paid because humans are gonna human even if it kills them all.

Escape Rating A++: I don’t give A++ ratings often as that’s kind of the point of the thing, but The Daughters’ War absolutely earned one – as did The Blacktongue Thief three years ago. My one and only disappointment with this book is that I can’t seem to find any information on whether or not the author will be returning to this world – but that was also true after Blacktongue so I still have hope.

After all, Galva’s – and Kinch’s – world is so FUBAR’d that there are plenty of possibilities for more stories where these two came from. And I want them. BAD. Seriously BAD.

Ahem…

I keep talking about the two books, The Daughters’ War and The Blacktongue Thief, as though they are intertwined. Only because they are. Blacktongue was published first, but Daughters’ War comes first in the internal chronology. So it doesn’t matter which one you read first. Whichever one you can get first will be fine – especially if you like your epic fantasy with more than a bit of grimdark – because their world is very grim – and both Galva and Kinch are VERY cynically aware of that grimness.

Although I have friends who don’t like grimdark who STILL enjoyed Blacktongue, that I think I’ve convinced to read Daughters’ War. The author does such an excellent job of getting inside his characters’ heads to let the reader – or especially listener – see the world from their point of view that he carries the reader through the grimdark exceedingly well. I fully admit, however, that I got so into the characters and their perspectives that both books made me cry more than once each.

The stories are a bit different in tone, as Kinch is an extremely unreliable narrator and Galva is the exact opposite. She hates lies, lying and liars, while he can’t stop any of the above – sometimes not even to himself. He’s also a bit of an optimist in spite of his circumstances, while she’s definitely a pessimist.

Both stories are told in the first-person singular, so we spend the entire story inside each of their heads. Which does serve as a kind of a hint that they each survive their own adventures. It’s the audiobook that really got me in both cases, not just that we see the world from their perspectives, but that excellent choices were made for narration in both cases (the author chose himself for Kinch which says something about several somethings but absolutely worked). So if you like audiobooks these are excellent and Nikki Garcia did every single bit as fantastic a job “being” Galva as the author did Kinch.

I have to conclude this review and I honestly don’t want to. I simply do not want to be done with this world and these characters. I hope that this review and my general, overall squee about the marvels of this series will convince you to give it a try as well. Because both books are seriously awesome and well worth a read – or even better – a listen.