A- #BookReview: Feuds edited by Mercedes Lackey

A- #BookReview: Feuds edited by Mercedes LackeyFeuds (Tales of Valdemar#18) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #18, Valdemar (Publication order) #59
Pages: 368
Published by DAW on November 26, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This 18th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.

The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.

Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My (very long) Review:

The individual volumes in the long-running Tales of Valdemar series (this is the EIGHTEENTH collection!) each center around a theme. The theme of this one is clear – as it says so right there on the label. Each of the stories herein centers on a feud. Not a battle, not a war, but a feud.

Think of the infamous Hatfields and the McCoys, names that we only still recognize because they had, you guessed it, a feud that lasted so long it made it into history and legend.

Feuds are usually not fun – and a lot of these stories are not. The collection is very good, but it isn’t nearly as lighthearted as the Shenanigans collection. Howsomever, there is still plenty to savor for repeat visitors to this fascinating world, while newcomers are sure to find something that will leave them thirsting for more – even if it’s not another story about food and drink as there are several of those in this year’s mix!

I picked this up because Valdemar is a world I knew I could slip into and be comforted as well as entertained – even though the theme of the collection isn’t necessarily comforting at all. And that’s exactly what happened.

Because I had such a good time – and ripped right through the whole thing without even bothering to come back to the ‘real world’ until I was finished, this is one of those times when each story is going to get a rating of its own and then I’ll attempt some very fudgy math to rate the whole.

“The Price of Anger” by Brigid Collins
This was a great story to kick off the collection of feuds because it’s a story about the costs of feuding. It’s also a story on two levels, as a young Farseer keeps seeing the ghosts of earlier students feuding while she dodges current students who can’t stop trying to exploit her gift. It’s only when she sees the results of the old feud that she understands that she’s falling into the same trap. Escape Rating A-

“Consequences” by Dylan Birtolo
It’s a stupid feud and an even stupider fight. Not that the story is remotely stupid, but the reader gets the same urge as the Herald – to knock some heads together in the hopes that some sense will break loose. It’s only when we see how things got this way, that a good idea once upon a time is having terrible consequences in the present that we see exactly how this particular road to hell got paved. Escape Rating B because it takes a bit to figure out that we’re seeing the story peel back in history for the point to come through.

“A Bad Business” by Jeanne Adams
A direct follow-up to the book Take a Thief (which I admit I have not read yet), this is a story about what happens in the aftermath of a horrific case. Just because the central villain has been removed from the equation it doesn’t mean that there aren’t still a whole lot of dirty loose ends to clean up. Even though I hadn’t read the case being wrapped up, this story is complete in itself and an appropriately messy clean up to a horrific case. Escape Rating B+

“A Tale of Two Cooks” by Charlotte E. English
This was one of the few relatively light-hearted stories in this collection and it made a refreshing change from the darker stories. Not that this couldn’t have turned dark as well, as it’s a case of too many cooks deliberately spoiling the soup – and the rest of the meal – in ways that could have been deadly. But the poisonous plans of the feuding foodies are thwarted by the quick decisions of one smart and able assistant and her cousin – a savvy Herald. Escape Rating A- because of the excellent way it relies on wits and banter to see its way clear to the solution.

“A Bite and a Pint” by Louisa Swann
Home may be the place that when you have to go there, they have to take you in. But that doesn’t mean they have to listen to you, not even when you come home after a year’s absence as a Herald Trainee on your way to the Collegium in Haven. A feud has broken out between the new Brewmistress of Petril’s tiny village and, unfortunately for him, his own mother. Each believes the other woman has poisoned her best goods, and it’s up to a boy that no one is quite yet willing to acknowledge is a man to find his way to the truth. This was another light story, the solution wasn’t really a surprise but it was a lot of fun getting there. Escape Rating B+

“Dueling Minstrels” by Jennifer Brozek and Marie Bilodeau
This is one of several stories about minstrels and minstrel rivalry in the collection. Minstrels Ozan and Aimar bring out both the best and the worst in each other. The worst behavior, and the best of their Bardic Gifts. But those gifts, combined with their ever-present feud, threaten to set their town literally on fire if they can’t find a way to make their rivalry work for them instead of against each other. Escape Rating B

“A Scold of Jays” by Elisabeth Waters
This is a story about karma being a right bitch – and deservedly so. A nobleman basically throws away his older son after an injury that will leave him with a limp – and not a single bit of other damage. That the nobleman disowns this boy as useless while continuing to indulge his self-indulgent, utterly villainous and downright murderous younger son results in exactly the situation one would hope for. Everyone involved gets EXACTLY what they deserve – many times over. This story is a direct follow-up to one that appeared in the earlier collection, Shenanigans, “A Cry of Hounds” and is even more fun as the karma continues to flow exactly where it should. Escape Rating A.

“Future-Proof” by J.L. Gribble
The feud in this particular story is a tragedy based on a fraud – with two young men paying the price for their elders’ evil deeds. Duri Phran and Cam Aylmer are both persona non grata among the unaffiliated noble students in the Collegium, forced to pretend to hate each other to keep their respective families from punishing them further. It’s only when they’re forced to work together that they realize that there is more wrong in both of their terrible situations that either imagined – and that salvation is waiting for them both if they can just manage to reach beyond what they’ve been taught. I had mixed feelings about this one because the ending felt a bit more deus ex companion than I wanted so Escape Rating B

“A Single Row of Vines” by Brenda Cooper
The setup for this story is similar to the one in Future-Proof, but this time it’s two young women on opposite sides of a village feud who are afraid to put that feud aside as Herald Trainees in Haven. This one worked better for me because the Companions refuse to solve their humans’ problem, instead the girls have to work it out in spite of the tremendous amount of indoctrination they’ve heard for their entire lives. Two girls alone can’t end 40 years of feuding – but they can make a start – and they do. Escape Rating A-

“Most True” by Kristin Schwengel
This one combines the minstrel rivalry of “Dueling Minstrels” with the “consequences” of the story of the same name. In this story, however, it’s those consequences that bring about the ending of the feud, as two gifted bards learn that they are only gifted enough to reach mastery if they reach for it together, and only AFTER the consequences of their feud have nearly ended one if not both of their careers before they’ve truly begun. Escape Rating B.

“Detours and Double Crosses” by Angela Penrose
A story about the cleverness of Bards, the foolishness of people who try to use those Bards in their own nefarious schemes and the stubbornness of one Bard Trainee who proves to herself that she’s more than good enough to become a full bard by saving a young heir from a deadly plot by chasing a villain down no matter how fast he runs. This story was typical of these collections in all the best ways and I fell right into it. Escape Rating A-

“Trade is Trade” by Fiona Patton
As an earlier story was all about food – it’s fitting that this one is all about drinks. Or at least the bragging rights thereto. The feud is entirely predictable – as are the results. The Crown is planning to give a plaque to the oldest pub in Haven. The Guards really, really, really want the Crown to get on with it, because the rash of trouble-making and sign-stealing is driving them to more drink than they can collectively afford. As this story reminds me a great deal of the Discworld  City Watch  subseries AND it’s a loose follow-up to one of my favorite stories in the Anything with Nothing collection, “Look to Your Houses”, Escape Rating A.

“By the Ticking of My Thumbs” by Rosemary Edghill
A really interesting take on feuding as the feud is, literally, all in their heads. There’s no precipitating event, no history, and the participants have never even met. But they really, really should have. The whole feud is based entirely on their assumptions about each other, and those assumptions have thoroughly made asses out of both of them. It’s sad but fascinating to watch them assign motives to each other that have no basis in anything – and such a beautiful catharsis when they finally figure out where they both went so terribly wrong. Escape Rating A.

“Harmony” by Anthea Sharp
Another story about feuding, dueling bards, there isn’t much harmony in this story – which is the point. Because this is very much a story about pride going before a really, really big fall, and how beautiful music can only be made out of, well, harmony. Not just the harmony of the notes and the melody, but the harmony among the people – ALL THE PEOPLE – who take part in the performance. That age and experience manage to outwit youth, skill and hubris added just the right bit of tartness to an excellent story. Escape Rating A

“Playing Peacemaker Once More” by Dee Shull
Considering the title, it’s a bit of a surprise that this is actually a story about boundaries. Specifically about defending one’s own even as one does their best to get others to examine the placement of theirs. Like the final story in this collection, Uncivil Blood, there’s a bit of a Romeo and Juliet aspect – or perhaps that should be Romeo and Tybalt – to this one that gets worked out much better than Shakespeare’s famous tragedy. Escape Rating B

“Pairmates” by Ron Collins
This one didn’t quite work for me, which I was really sad about as it’s the one story in this collection that features nonhuman protagonists. I think it just passed me by a bit because I couldn’t place it in Valdemar history and wasn’t quite sure how it fit to the overall world or when. I wanted to like it more than I did but I had too many nagging questions at the end. Escape Rating C.

“Battle of the Bands” by Dayle A. Dermatic
This battle of the bands is a family feud, as brothers Eldriss and Davon haven’t spoken to each other in years because Davon claimed that Eldriss stole his sweetheart and married her. Beyond the fact that Shalna isn’t an object to be stolen, that claim is more of an excuse than a reason. Eldriss just wants his brother back, and a mixup at a musical contest – where the brothers enter as the leaders of competing bands – gives them the opportunity they’ve been waiting for for over a decade. A good story with a happy but not surprising ending. Escape Rating B.

“Tangles” by Diana L. Paxson
The feud in this particular instance is a feud between rival shopkeepers who are determined to keep far away from each other in spite of being located in the save Haven district. However, this is also a story about two determined – and somewhat magical – pieces of furniture that make a matched set that are equally determined to be put back together. To the point where they throw a bit of magic in the way of the best person to untangle a web that goes back decades. There are several Romeo and Juliet-type stories in this collection and this one is another, but it’s marvelously twisted because the feud happened because they didn’t marry – although it’s still not too late to fix things the way they should have been! Escape Rating A

“Payment in Kind” by Stephanie Shaver
The title is in reference to what happens when a cheating landholder stiffs a bard for her fee. But underneath that is the saddest story in this collection on multiple fronts as the problem set before that bard and her Herald twin-brother is about a whole village being oppressed by that rapacious landholder – who is also a liar and a cheat – a healer caught between her oaths and her duty, child labor and child murder, and one woman with cancer who wants one last day in the sun – even as she keeps her condition a secret from those she loves the most. Escape Rating A+.

“A Determined Will” by Paige L. Christie
This is a story about going home and discovering that the things you remember aren’t quite what you thought they were – unless they are and someone is trying to swindle you. This one was surprisingly fun in spite of itself, as Guard Trainee Teig has come home to bury the closest thing she had to a father. That he left her everything he had isn’t really the point – it’s more of the last note of a memory. But when someone arrives out of nowhere and attempts to cheat her out of it, she puts all of that Guard training to excellent use! Escape Rating A.

“The Ballad of Northfrost” by Phaedra Weldon
This is a hard, bitter story with an excellent satisfying ending. Reyes fate reads like many of the videogames I love. He’s wounded, near death, in the dark, between a rock and a very hard place, determined to get justice for people long dead who once saved him and set him on his path. That his own ghosts rise to help him take the final steps to safety, freedom and resolution was a bright candle in a very dark story with just the right and necessary ending. Escape Rating A+

“Uncivil Blood” by Mercedes Lackey
A much better version of Romeo and Juliet, with more political shenanigans, considerably fewer deaths, a more sensible ending, and the reappearance of one of Valdemar’s favorite characters who has not graced the stage for entirely too many years. This was my favorite story in the collection, Escape Rating A+.

Escape Rating Overall A-: This was as grand a trip to Valdemar as I hoped it would be. My favorite story in the collection was “Uncivil Blood” by Mercedes Lackey herself, followed by “The Ballad of Northfrost” by Phaedra Weldon and “Payment in Kind” by Stephanie Shaver. If you’ve EVER visited Valdemar this is a great time and a great way to go back for a return trip!

#BookReview: The Mountain Crown by Karin Lowachee

#BookReview: The Mountain Crown by Karin LowacheeThe Mountain Crown (The Crowns of Ishia, #1) by Karin Lowachee
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: dragons, epic fantasy, fantasy
Series: Crowns of Ishia #1
Pages: 150
Published by Solaris on October 8, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Méka must capture a king dragon, or die trying.
War between the island states of Kattaka and Mazemoor has left no one unscathed. Méka’s nomadic people, the Ba’Suon, were driven from their homeland by the Kattakans. Those who remained were forced to live under the Kattakan yoke, to serve their greed for gold alongside the dragons with whom the Ba’Suon share an empathic connection.
A decade later and under a fragile truce, Méka returns home from her exile for an ancient, necessary rite: gathering a king dragon of the Crown Mountains to maintain balance in the wild country. But Méka’s act of compassion toward an imprisoned dragon and Lilley, a Kattakan veteran of the war, soon draws the ire of the imperialistic authorities. They order the unwelcome addition of an enigmatic Ba’Suon traitor named Raka to accompany Méka and Lilley to the mountains.
The journey is filled with dangers both within and without. As conflict threatens to reignite, the survival of the Ba’Suon people, their dragons, and the land itself will depend on the decisions – defiant or compliant – that Méka and her companions choose to make. But not even Méka, kin to the great dragons of the North, can anticipate the depth of the consequences to her world.

My Review:

This story feels like it began LONG before the book does. This story reads like it has been years in the making, and that the slice of it that we are getting is a bit in the middle in a world that has been going to hell in a handcart for quite some time, and has now reached a level of FUBAR that STILL isn’t anywhere near as bad as things are likely to get before the end.

And that’s a fascinating way to write a story, because worlds generally DO exist before a particular story in them gets told, and go on existing after the last page of a particular story in them gets turned.

Méka has returned to the land where she was born. A land that once belonged to her people, but no longer does. Even worse, a land that has been conquered by a rapacious empire that has chosen to act as if her people aren’t people at all – merely slaves for their use.

Including the dragons that her people, and only her people, have the capacity, not to control, but to bond with. A bond that the greedy, rapacious Kattakans exploit in order to use both Méka’s people, the Ba’Suon, and the dragons, the Suon, to strip mine the land for gold.

The Kattakans have turned a beautiful place into a steaming, belching wasteland on a par with Mordor. (Auditions for the part of this world’s Sauron are possibly ongoing – I jest but not nearly enough.)

Méka has come to this once-home for a right of both passage and preservation. It is her time to bond with one of the Suons that still live free in the mountain crowns far to the north. Both to refresh the dragons in her adopted homeland and to prevent a single king dragon from taking over too many herds and reducing the genetic diversity in the crowns.

Of course, the powers that be to rape and pillage interfere with her quest – even though it has been sanctioned by her adopted country and the court of the, shall we say, greedy bloodsuckers.

She is duty bound on a quest to bond a dragon. She is being coerced to retrieve a dragon for a criminal’s nefarious purposes. But control of any dragon is illusory at best – and a dangerous illusion at that. As the greedy bloodsuckers are about to discover in fire and blood.

Escape Rating B: The Mountain Crown is an ‘in media res’ story. In other words, it feels like it starts in the middle of things. It’s a method of storytelling that CAN get the reader caught up in the action from the very first page. Howsomever, it can also give the reader the feeling that they’re missing something, or a whole lot of somethings, and not feel like they have what they need to get stuck into the story.

The Mountain Crown read like it straddled that fence, where the problem with straddling a fence is that one gets splinters in the ass. I had a difficulty time, at first, getting into the story because I didn’t feel like I had enough to figure out how the situation reached this pass in the first place. It does not help at all that the primary characters of this story, Méka and her companions Lilley and Raka, are all parsimonious with their words – even when they are speaking to one another.

There’s a LOT that doesn’t get said – even when something is being said at all.

All of which led to my brain attempting to spackle over the bits that were missing with analogies to other stories and other places. The ramshackle mining monstrosity where Méka first arrives sounds a lot like the gold rush encampments of the Klondike, including the weather conditions. The nomadic nature of Méka’s people read like an amalgam of many nomadic cultures around this globe – even if this story isn’t set on any version of our world.

In the end, what brought the story together was the way that it reflected on colonialism and empire, shone a light on cultures whose fundamental principles are greed and acquisition and then explored the possibilities of another way – a way of stewardship and community.

And took the problem of might making right to a whole different level by adding dragons into the mix in a way that both put a temporary check on the ‘evil empire’ AND sowed the seeds for further contention between peoples who were once one.

I have to say that by the end, I really did enjoy The Mountain Crown and that I’m looking forward to the next book in the series, The Desert Talon, coming in February, as well as the third book, A Covenant of Ice, arriving in June. (There’s an irony that the desert book is coming in the depths of winter and the ice book is coming as summer heats up.)

I’m hoping that the rest of this novella trilogy will not just continue this fantastic story but also fill in the blanks and answer my many, many questions about this particular world came to this particular pass – because it has to be a doozy. I can’t wait to find out ALL the answers

 

Grade A #BookReview: Fangs So Bright and Deadly by Piper J. Drake

Grade A #BookReview: Fangs So Bright and Deadly by Piper J. DrakeFangs So Bright & Deadly (Mythwoven, #2) by Piper J. Drake
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, urban fantasy
Series: Mythwoven #2
Pages: 304
Published by Sourcebooks Casablanca on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A Kitsune, a Kumiho, a Witch, and a danger not even their combined magic is strong enough to defy. 
Marie Xiao lives a double life, moonlighting as a freelance consultant in corporate Seattle even as she dedicates herself—and her powers as a witch—to chasing down objects of myth and magic before they can be used to harm humankind. She carefully guards the bridges between worlds and has never once been tempted to stray.
Until she catches the eye of a pair-bonded kitsune and kumiho and her whole world is thrown into chaos.
Japanese and Korean fox spirits Yamamoto Kuro and Joseph Choe have been hoping to cross paths with Marie since their first chance meeting at an artifact retrieval gone decidedly wrong. They may work for Marie's enemy, but they don't see any reason why they can't mingle a little work and play…especially when a (literal) dead man waltzes into their impromptu reunion, raising intriguing questions about a deeper magic that may be afoot. Temporarily teaming up, the trio investigate the unusual unrest…but as loyalties begin to shift and lines blur, Kuro, Joe, and Marie may find themselves at the precipice of something none of them are prepared to face…or deny.

My Review:

This second book in the Mythwoven series, after last year’s Wings Once Cursed and Bound, is every bit as fascinating and downright captivating as its predecessor.

We met Marie Xiao, nature witch and member of the Darke Consortium family, in the spellbinding – and spell breaking – conclusion of that first book, as the members of the Consortium came to rescue of kinnaree Peeraphan Rahttana from a collector who planned to ‘acquire’ the rare Thai bird princess for nasty and nefarious purposes.

As it turned out, during that operation, Marie needed a bit of rescue of her own, provided by two beings she knew had been working for Babel, an organization dedicated to acquiring magical objects for the purpose of sowing chaos among the human population.

She was grateful for the rescue but didn’t trust the two nine-tailed foxes who helped her – out of either the goodness or the mischief in their hearts. Whatever made the kitsune and gumiho come to her aid – she wasn’t able to forget how much the two male supernatural creatures captivated her senses. Even though she ALSO couldn’t forget that were present on the scene at the behest of her own organization’s enemies.

So when she encounters Kuro and Joe on the streets of Seattle, she’s more than a bit wary of their motives. And so she should be.

She’s just learned that the client she believed was mundane is, in fact, playing with dangerous artifacts they shouldn’t have ever had access to – an access that the Darke Consortium will need to revoke at the first opportunity.

It’s clear that Kuro and Joe are on the trail of the artifacts that Marie has just discovered – but for a much less benign reason. Or so it seems.

But Joe and Kuro haven’t forgotten Marie any more than she has them. Unfortunately for all of them, Babel hasn’t forgotten that the foxes’ protection of Marie may have obeyed the letter of their contractual obligations but certainly violated the spirit of it. And that the fox spirits need to pay for that transgression – with the very thing that makes them who and what they are – and as painfully as possible.

In that pain, and in their desperate need to be rid of the curse AND Babel, Kuro, Joe and Marie find a common cause, a common purpose – and the possibility of something even more precious. All they need to do is hoodwink Babel while revealing the deepest of truths to each other.

Escape Rating A: The fun thing about this series so far is the way that it manages to take the formulas for urban fantasy and paranormal romance – formulas that are tried and true and familiar – and make them fresh and new by adding in the panoply of mythical creatures and legends from places that weren’t touched on back in urban fantasy’s heyday AND then combining those legends with romantic possibilities that just weren’t publishable back then.

And then adds just a touch of cozy by bringing it all back to a found family where the vampire and the werewolf are the most mundane members of the crew. While Marie doesn’t get stuck in that dreadful ‘torn between two lovers’ melodrama, nor does she fall into the terrible romantic triangle trap. Instead, their happy ever after is a triad – and it’s wonderful!

But this isn’t just a romance, it’s also very much part of both urban fantasy and action adventure. If Anna Hackett’s Treasure Hunter Security and Simon R. Green’s Gideon Sable series(es) had a book baby, Mythwoven would be it. The Darke Consortium hunts down the weird and the mystical and gets it out of the hands of people who either have no clue or have entirely too much of one.

What made this entry in the series particularly fun was that it was a bit of both, with a heaping helping of a fascinating new magical system, a touch of Egyptian mythology, and references to not one but two great movies, Ladyhawke and The Sting. A combination that should not even be possible but works oh-so-well.

The Mythwoven series is clearly not done – and this reader is VERY glad of it. So, even though the next book isn’t yet on the horizon, I’ll certainly be looking to put it on my TBR pile the moment it appears!

A- #BookReview: Fear the Flames by Olivia Rose Darling

A- #BookReview: Fear the Flames by Olivia Rose DarlingFear the Flames (Fear the Flames, #1) by Olivia Rose Darling
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, romantasy
Series: Fear the Flames #1
Pages: 384
Published by Delacorte Press on September 17, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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An exiled princess teams up with the last man she thought she could trust in the start of a dazzling and unforgettable epic fantasy romance series.As a child, Elowen Atarah was ripped away from her dragons and imprisoned by her father, King Garrick of Imirath. Years later, Elowen is now a woman determined to free her dragons. Having established a secret kingdom of her own called Aestilian, she’s ready to do what’s necessary to save her people and seek vengeance. Even if that means having to align herself with the Commander of Vareveth, Cayden Veles, the most feared and dangerous man in all the kingdoms of Ravaryn.
Cayden is ruthless, lethal, and secretive, promising to help Elowen if she will stand with him and all of Vareveth in the pending war against Imirath. Despite their contrasting motives, Elowen can’t ignore their undeniable attraction as they combine their efforts and plot to infiltrate the impenetrable castle of Imirath to steal back her dragons and seek revenge on their common enemy.
As the world tries to keep them apart, the pull between Elowen and Cayden becomes impossible to resist. Working together with their crew over clandestine schemes, the threat of war looms, making the imminent heist to free her dragons their most dangerous adventure yet. But for Elowen, her vengeance is a promise signed in blood, and she’ll stop at nothing to see that promise through.
An immersive fantasy filled with a sizzling reluctant-allies-to-lovers romance, a world to get lost in, dangerous quests, dragon bonds, and an entertaining band of characters to root for, Fear the Flames marks the stunning debut of Olivia Rose Darling.

My Review:

Historically and fictionally speaking, there seem to be two types of prophecies. Some prophecies are vague and mysterious and mysteriously vague – think of Nostradamus – and resemble 20/20 hindsight, in that they are only able to be interpreted after the fact – which one would think would be a bit beside the point by that point!

Then there’s the other kind, the prophecies that seem really specific – which they kind of are. But they’re specific because they are self-fulfilling. The classic example is Oedipus Rex. The poor man was prophesied to kill his father and marry his mother – but it only comes about because dear old dad tries to prevent it from coming about. There’s also that truly dreadful prophecy about Harry Potter and He-Who-Must-Not-Be-Named that totally and utterly derails Potter’s whole, entire life.

I’d say I’m digressing but I’m actually not, because Princess Elowen of Imirath’s life was thrown into an equal and equally painful amount of chaos and destruction by an equally terrible prophecy that was brought about by the direct actions of her very own dear old dad attempting to thwart it.

At the celebration of her first birthday, Elowen was gifted with a quintet of dragon eggs. The eggs were positively ancient and assumed to be merely curious fossils at this point in their long existence.

But we wouldn’t have a story if that were true – so of course it’s not. The eggs hatch into not one or two but FIVE baby dragons who instantly imprint on and bond with the equally tiny princess. The prophecy that goes along with the event foretells that the bond between the little princess and her dragons will either doom her country, or bring it to even greater heights of glory – and nothing in either of those fates says anything about the fate of her father, the man who currently sits on the throne of Imirath. Whether doom or glory is coming – he seems to have no part in it at all.

Out of fear and jealousy, to save his country and his throne – or so he believes – King Garrick of Imirath, little Elowen’s father – does his absolute worst to thwart the prophecy. He should have known better.

Fear the Flames is the story of more-than-once-beaten and bloodied Princess Elowen coming home to deliver a brutal lesson that she’s spent her entire life preparing. In many stories, revenge is a dish best served cold, but for Elowen, the only way to achieve both justice and vengeance is in a blast of dragon fire.

Escape Rating A-: Romantasy as a genre, like its sister from another mister Science Fiction Romance, has to straddle the line between its two genres and has to dig itself deeply into that fence line to the point where its feet touch the ground on both sides. Which, all too often, ends up with splinters in some VERY uncomfortable places – even when it’s successful at that endeavor.

Which is pretty much the case in Fear the Flames. I have a couple of tiny quibbles, but for the most part Fear the Flames works and it works well. From my own personal perspective, it seemed that although it does successfully straddle that line between fantasy and romance, the foot on the romance side of the equation is just a bit more firmly planted. Your reading mileage, of course, may vary. I certainly found it impossible to put down!

The Elowen we meet at the beginning of her story is the product of long years of torture and darkness at the hands of her father and his henchmen – as well as a daring and desperate escape. She’s reached adulthood as queen, not of her birthright Imirath, but of the tiny hidden kingdom of Aestilian. But her little kingdom is a refuge for many fleeing from her father’s increasing tyranny, and with each new immigrant comes greater danger of either discovery or simple starvation. Or both.

To protect her people, Elowen leaves her kingdom to forge an alliance with neighboring Vareveth, seemingly in a case of the enemy of my enemy is my friend as the hand of Imirath’s tyranny stretches further each year.

All of the above is political, and very. Just the kind of epic political warfare that epic fantasy is known for. Elowen’s rise from prisoner to power has the shadows of grimdarkness looming over it in the grandest of style.

And then there’s the romance, a fantastic – in more ways than one – story of enemies to lovers, with all the steamy intensity of forbidden passion and ringed round with the spikes and thorns of an epic betrayal.

That all of this – and it’s compelling pretty much every step of the way – is just the beginning of a truly sweeping story of love and revenge will leave readers panting for more. Which they’ll get in Wrath of the Dragons, coming not nearly soon enough in 2025.

A++ #AudioBookReview: The Daughters’ War by Christopher Buehlman

A++ #AudioBookReview: The Daughters’ War by Christopher BuehlmanThe Daughters' War (Blacktongue, #0) by Christopher Buehlman
Narrator: Nikki Garcia
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, grimdark
Series: Blacktongue #0
Pages: 416
Length: 13 hours and 14 minutes
Published by Macmillan Audio, Tor Books on June 25, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Enter the fray in this luminous new adventure from Christopher Buehlman, set during the war-torn, goblin-infested years just before The Blacktongue Thief .
The goblins have killed all of our horses and most of our men.
They have enslaved our cities, burned our fields, and still they wage war.
Now, our daughters take up arms.
Galva ― Galvicha to her three brothers, two of whom the goblins will kill ― has defied her family’s wishes and joined the army’s untested new unit, the Raven Knights. They march toward a once-beautiful city overrun by the goblin horde, accompanied by scores of giant war corvids. Made with the darkest magics, these fearsome black birds may hold the key to stopping the goblins in their war to make cattle of mankind.
The road to victory is bloody, and goblins are clever and merciless. The Raven Knights can take nothing for granted ― not the bonds of family, nor the wisdom of their leaders, nor their own safety against the dangerous war birds at their side. But some hopes are worth any risk.

My Review:

I finished The Daughters’ War for the second time over the weekend, but I was so deeply into the story, the characters and simply the world between the pages that I had to sit on even attempting to write a review for a bit – to let the SQUEE calm down some. But I also felt compelled to reread the first book set in this world, The Blacktongue Thief – which I did. Which didn’t tone the SQUEE down AT ALL.

The book hangover was huge after my first read of Blacktongue, and after my first read of The Daughters’ War earlier this year for Library Journal, but this time I listened to the thing – and the book hangover is absolutely epic.

Now let me attempt an explanation – which is still going to have a LOT of SQUEE in it. Because damn I loved this book – and I fell hard into Blacktongue again, too. So hard.

The title of this book immediately tells the reader just how badly this world is totally wrecked. You see, the first war between humans and goblins was the Knights’ War, because the noble Knights beat the goblins back on their swift and equally noble horses. So the goblin mages created a poison, a bioweapon, that killed all the horses. The second war, not even a decade later, was the Threshers’ War, because the goblins cut the untrained farm boys sent to fight it like they were threshing wheat. This war is the Daughters’ War because that’s pretty much all that’s left to fight this time around, less than a decade after the end of the Threshers’.

This is one of the rarest of rare cases where the old saying that “There never was a good war or a bad peace” doesn’t feel strictly true. Because the goblins USED those brief years of peace while the humans WASTED them.

Readers of The Blacktongue Thief will remember Galva as she will be, as in that story she’s 30 years old, a hard-bitten, cynical, heart-sore veteran of the Daughters’ War, on a mad quest to save her queen, her country, and quite possibly her whole entire species from the idiocy of the so-called powers that be who seem to be wasting yet another peace.

The story of this book, The Daughters’ War, is the story of how this Galva got to be that Galva. How the 20 year old swordswoman and newly fledged Corvid (read that as war-raven or murder-bird) knight came of age, lost her innocence and her naiveté, as well as her faith in pretty much everything she once believed, including her family and her country – or at least the king who usurped its throne.

So this is Galva’s story, which means it’s a story about the cost of war and the price of peace, and the question of which one is higher than the other and whether either will prevent the actual extinction of the human race. Because it’s also a story about the damage a small man can do to shield himself from the knowledge that he is truly small and the way that power and privilege can blind a whole society to the destruction that is happening all around them because they rather maintain their power than save everyone’s future – including their own.

And over and under and through all of that, The Daughters’ War is a poignant, lyrical, heartbreaking paean to times and places that are no more, told by someone who develops a truly cynical perspective on command and control and the lack thereof and the high price that may be paid because humans are gonna human even if it kills them all.

Escape Rating A++: I don’t give A++ ratings often as that’s kind of the point of the thing, but The Daughters’ War absolutely earned one – as did The Blacktongue Thief three years ago. My one and only disappointment with this book is that I can’t seem to find any information on whether or not the author will be returning to this world – but that was also true after Blacktongue so I still have hope.

After all, Galva’s – and Kinch’s – world is so FUBAR’d that there are plenty of possibilities for more stories where these two came from. And I want them. BAD. Seriously BAD.

Ahem…

I keep talking about the two books, The Daughters’ War and The Blacktongue Thief, as though they are intertwined. Only because they are. Blacktongue was published first, but Daughters’ War comes first in the internal chronology. So it doesn’t matter which one you read first. Whichever one you can get first will be fine – especially if you like your epic fantasy with more than a bit of grimdark – because their world is very grim – and both Galva and Kinch are VERY cynically aware of that grimness.

Although I have friends who don’t like grimdark who STILL enjoyed Blacktongue, that I think I’ve convinced to read Daughters’ War. The author does such an excellent job of getting inside his characters’ heads to let the reader – or especially listener – see the world from their point of view that he carries the reader through the grimdark exceedingly well. I fully admit, however, that I got so into the characters and their perspectives that both books made me cry more than once each.

The stories are a bit different in tone, as Kinch is an extremely unreliable narrator and Galva is the exact opposite. She hates lies, lying and liars, while he can’t stop any of the above – sometimes not even to himself. He’s also a bit of an optimist in spite of his circumstances, while she’s definitely a pessimist.

Both stories are told in the first-person singular, so we spend the entire story inside each of their heads. Which does serve as a kind of a hint that they each survive their own adventures. It’s the audiobook that really got me in both cases, not just that we see the world from their perspectives, but that excellent choices were made for narration in both cases (the author chose himself for Kinch which says something about several somethings but absolutely worked). So if you like audiobooks these are excellent and Nikki Garcia did every single bit as fantastic a job “being” Galva as the author did Kinch.

I have to conclude this review and I honestly don’t want to. I simply do not want to be done with this world and these characters. I hope that this review and my general, overall squee about the marvels of this series will convince you to give it a try as well. Because both books are seriously awesome and well worth a read – or even better – a listen.

A- #BookReview: A Dark and Drowning Tide by Allison Saft

A- #BookReview: A Dark and Drowning Tide by Allison SaftA Dark and Drowning Tide by Allison Saft
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: dark academia, epic fantasy, fantasy mystery, fantasy romance, romantasy, gaslamp
Pages: 384
Published by Del Rey on September 17, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A sharp-tongued folklorist must pair up with her academic rival to solve their mentor's murder in this lush and enthralling sapphic fantasy romance from the New York Times bestselling author of A Far Wilder Magic.
Lorelei Kaskel, a folklorist with a quick temper and an even quicker wit, is on an expedition with six eccentric nobles in search of a fabled spring. The magical spring promises untold power, which the king wants to harness to secure his reign of the embattled country of Brunnestaad. Lorelei is determined to use this opportunity to prove herself and make her wildest, most impossible dream come to become a naturalist, able to travel freely to lands she’s only ever read about.
The expedition gets off to a harrowing start when its leader—Lorelei’s beloved mentor—is murdered in her quarters aboard their ship. The suspects are her five remaining expedition mates, each with their own motive. The only person Lorelei knows must be innocent is her longtime academic rival, the insufferably gallant and maddeningly beautiful Sylvia von Wolff. Now in charge of the expedition, Lorelei must find the spring before the murderer strikes again—and a coup begins in earnest.
But there are other dangers lurking in the forests that rearrange themselves at night, rivers with slumbering dragons waiting beneath the water, and shapeshifting beasts out for blood.
As Lorelei and Sylvia grudgingly work together to uncover the truth—and resist their growing feelings for one another—they discover that their professor had secrets of her own. Secrets that make Lorelei question whether justice is worth pursuing, or if this kingdom is worth saving at all.

My Review:

While it’s true that “academic politics are so vicious because the stakes are so small”, that insight is merely the start of this epic sapphic romantasy. Lorelei Kaskel and Sylvia von Wolff have been rival proteges of Professor Ingrid Ziegler for years, vying for their mentor’s time, attention and praise even as they follow slightly different academic paths to the same goal.

A goal that is about to be realized, only for that realization to fall into another familiar saying, that “having a thing is not so pleasurable as wanting”. Both women should have been careful what they wished for, because this particular “ring” comes with a very large and deadly curse.

The kingdom of Brunnestaad has just, seriously just, extremely recently and still somewhat resentfully, been united under its young ruler into a slightly shaky and somewhat fractious union of formerly independent kingdoms that, for the most part, would much rather go back to being independent and all too frequently at war with one another.

King Wilhelm needs a project that will rally all those factions under his banner. Alternatively, he needs a common enemy to accomplish the same thing. A royally sponsored, scientific/magical expedition to find a legendary source of magic and power SHOULD do the trick – and make him unstoppable after all that power is, naturally and of course, delivered to him on a silver platter by the members of the expedition.

All of whom are his best friends, the aristocratic children he grew up with, who all banded together against their feuding, warring parents. He trusts them and he is counting on their personal loyalty even more than their oaths to his unsteady crown.

“Back in the days when wishes still held power”, this story’s lyrical equivalent of “once upon a time”, all of his friends would have been utterly loyal, all of the members of the expedition would have been completely trustworthy, and the fabled Ursprung would have been found easily and without delay and its power would have been granted to him immediately and its presence alone would have been more than enough to solve all of his kingdom’s problems without need for war or bloodshed.

But wishes no longer have such power – not even a king’s.

Howsomever, two members of the expedition are not even among the king’s trusted intimates. The expedition leader Ziegler, who Wilhelm has pretty much held hostage in the capital for years of planning – and her protegee Lorelei Kaskel, a prodigious and prickly scholar who Ziegler plucked from the ghetto her people have been forced to live in for centuries. Kaskel herself is is the ultimate outsider, her people are hated, feared and reviled at every turn, their status is the backbone of nearly every bit of the folklore that she studies, and no one ever lets Kaskel forget it.

In other words, Kaskel is a Jew – although her people are never quite called by that name – this world is in the equivalent of the Middle Ages in its pervasive anti-Semitism, and Kaskel is never allowed to forget that she is at the university on sufferance and is a ready scapegoat for anything that might go wrong.

Only it won’t just be Kaskel who will pay for her mistakes. Her friends, her family, her entire community can be put to the torch if she fails or falls. It’s happened before, and it will inevitably happen again.

When Ziegler is murdered on the very first evening of travel, all the responsibility and all the consequences fall hard on Kaskel’s shoulders. She knows the murderer was one of their company. She knows she’ll be executed if the expedition fails, and she knows that every single person has multiple motives for the crime and that they will all seek to undermine her authority and her decisions at every turn.

She has one hope – and it comes from a source that she isn’t sure she can trust with anything except the sure and certain knowledge that neither of them killed their mentor. Her only ally is her academic rival, Sylvia von Wolff. Together they will find both the source of magic AND the murderer.

All they have to do is stick together – a task that is both much easier and much, much harder than even their long-standing and bitter rivalry would ever have led them to expect.

Escape Rating A-: This book is a lot – and a lot of it is very, very good. Like staying up half the night to finish good. But there were just enough things that drove me crazy to keep it from tripping over the line from A- to A.

Which is going to require more than a bit of explanation.

Both what made this work, and what didn’t, was in the characters. On that one famous hand, we have Lorelei Kaskel and her rival turned frenemy and eventual lover, Sylvia von Wolff. We see the story from inside Kaskel’s head, and we get to see what makes her tick – as well as what ticks her off – from the opening of the story.

But the more we learn from her and of her, the deeper both she, and the story, get. It was clear to this reader that Kaskel’s Yevani people were this fantasy world’s equivalent of the Jews. It’s in the in-world history, in the treatment of her people at this point in world time, it’s in the pervasiveness of anti-Yevani (read as anti-Semitic) folklore. And the language they speak in the ghetto is definitely Yiddish.

In other words, these are my people and it was easy for me to see Kaskel’s perspective and even share it.

That she sees the ease with which Sylvia von Wolff, not merely an aristocrat but the descendant of actual kings, moves through the world, the way that opportunities are handed to Sylvia on a platter and seemingly all her transgressions are swept away, and that it all makes her downright angry is totally understandable. That she believes that everyone looks down on her all the time and that it makes her encase herself in ice as the only defense mechanism she has feels all too real, because they all DO look down on her and her ability to fight back is very much limited by her circumstances.

Which is exactly what makes the romance between Lorelei and Sylvia so much of an opposites attract, wrong side of the tracks affair and makes it so hard for Lorelei to believe is even possible. It has that darkly delicious air of the forbidden and taboo with actually being either of those things in any moral sense.

On that infamous other hand, the thing that made this story not quite hit that “A” mark was the other characters. The story is so focused on Lorelei’s and Sylvia’s dance of romance and hate that the other characters don’t get enough “air time” to be anything more than archetypes – and generally hateful ones at that.

This story is, among its many other parts, a fantasy mystery, and we don’t get enough of any of the other characters to even care whodunnit and why as long as we get to watch Lorelei and Sylvia play “come here go away” games.

At the end, the solution to the mystery felt a bit anticlimactic, while the solution to the political shenanigans didn’t have quite as much depth as it might have because we just don’t have enough outside of the romance.

So if you’re here for the sapphic romantasy aspects of the story – this is one that will keep you up half the night just to see if they manage to get past the obstacles in their way. If you’re here for either the mystery or the epic fantasy, you’ll still be glad to know whodunnit and why, but the romance is definitely the more satisfying side of the story.

A+ #BookReview: The Dead Cat Tail Assassins by P. Djeli Clark

A+ #BookReview: The Dead Cat Tail Assassins by P. Djeli ClarkThe Dead Cat Tail Assassins by P. Djèlí Clark
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy, urban fantasy
Pages: 208
Published by Tordotcom on August 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Dead Cat Tail Assassins are not cats.
Nor do they have tails.
But they are most assuredly dead.

Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins.
Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins―resurrected, deadly, wiped of their memories―have only three unbreakable vows.
First, the contract must be just. That’s above Eveen’s pay grade.
Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark.
The third and the once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

My Review:

Consider it 50/50 on the name. They’re not cats, they don’t have tails, (they’re also not wearing cat’s tails) but they absolutely are assassins and they are most definitely dead.

They are also not supposed to have a single, solitary memory of who they were when they were alive, or whatever caused them to swear themselves to Aeril, the Matron of Assassins and goddess of knives. And chefs, because knives.

Our story begins with a member of the Dead Cat Tail Assassins, Eveen the Eviscerator, taking a contract on behalf of her goddess. At first, it seems above board – or at least as above board as any contract to assassinate someone can be.

And that’s where things get interesting. And absorbing. And compelling. And utterly profane in the best way possible.

Because the person that Eveen is contracted to and absolutely MUST kill on pain of her own eternal torment is herself. Her old self. Her former self. The self she must have been twenty or so years ago, before she died and pledged herself to her goddess.

A self she is not supposed to be able to remember, because that’s the way the contract with the Matron of Assassins is supposed to work.

Someone clearly found a loophole. A big one. Eveen can’t kill herself, not even her rule-following, goody-two-shoes former self. Because seeing the person named Sky that she once was gives Eveen the one thing she’s not supposed to have – memories.

Not that either her past memories or her present ones explain not just how someone managed to tear this gigantic hole in the contract between Aeril and her contracted assassins, but a hole in the whole, entire, space time continuum.

And as big a question as that how is in a magical sense, an even bigger question is why anyone would go to this much trouble to torment one assassin, because this is way too big a mess to create for shits and giggles, and Eveen is merely one assassin among many.

But whether the motive behind this magical mess is in Sky’s long-dead past or Eveen’s recently dead past, this once and perhaps future assassin has until dawn to solve the mystery.

Or face consequences that this time she hasn’t even earned. Or has she?

Escape Rating A+: I picked this up because I adored the author’s Dead Djinn Universe, particularly the utterly marvelous A Master of Djinn. I wasn’t expecting this to be quite like that, although I certainly wouldn’t mind another foray into the Dead Djinn Universe, but I knew that whatever this turned out to be, it would be awesome. And it absolutely was.

Also cats. I fully admit he had me at cats. Even though I knew going in that there weren’t any actual cats.

What I was not expecting was a world that had some surprising resemblances to Max Gladstone’s Craft Sequence/Craft Wars series, but it’s certainly there in the contractual obligations between gods and their agents, either or both of whom may be dead but still working and still bound by their contracts.

What makes this story work so well, so damn well in fact, is the relationship that develops between Eveen and Sky. They are day and night in so many ways, and yet, they are each other’s past and future and neither knows what caused the one to make the choices that led to the other.

In their mirror imaging of each other, they manage to reach through the silvered glass and work towards each other while still remaining who they are and it’s fascinating to watch. (It’s a bit like one of the Doctor Who episodes where the past Doctors get dragged into the present Doctor’s current dilemma, which was a lot of fun to see. Because it is.

At the same time, Sky’s astonishing advent into Eveen’s world lets Eveen show it to us as well. It’s a world that, for all its differences to ours, works both surprisingly well and every bit as badly in some of the same ways. Clearly, humans are gonna human, even when they’re dead. Or all powerful. Or both.

While the motives behind this whole mess are not, in the end, all that original, the execution (pardon all the puns) most definitely is, in a way that kept this reader at least on the edge of her seat until the bittersweet end. Which could, possibly, hopefully, lead to a new beginning.

Because if this turned out to be the start of a series, I absolutely would not mind AT ALL.

#BookReview: In the Shadow of the Fall by Tobi Ogundiran

#BookReview: In the Shadow of the Fall by Tobi OgundiranIn the Shadow of the Fall (Guardians of the Gods, #1) by Tobi Ogundiran
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Guardians of the Gods #1
Pages: 160
Published by Tordotcom on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A cosmic war reignites and the fate of the orisha lie in the hands of an untried acolyte in this first entry of a new epic fantasy novella duology by Tobi Ogundiran, for fans of N. K. Jemisin and Suyi Davies Okungbowa.
" The novella of the year has arrived!" ―Mark Oshiro, #1 New York Times bestselling author
Ashâke is an acolyte in the temple of Ifa, yearning for the day she is made a priest and sent out into the world to serve the orisha. But of all the acolytes, she is the only one the orisha refuse to speak to. For years she has watched from the sidelines as peer after peer passes her by and ascends to full priesthood.
Desperate, Ashâke attempts to summon and trap an orisha―any orisha. Instead, she experiences a vision so terrible it draws the attention of a powerful enemy sect and thrusts Ashâke into the center of a centuries-old war that will shatter the very foundations of her world.

My Review:

It’s not really a surprise that the story begins with Ashâke defying all the rules she’s lived by for her entire life. It’s more of a surprise that she’s been stewing for FIVE whole years about it.

Because something is clearly, maybe not rotten but certainly wrong, in the temple of Ifa that Ashâke has dedicated her life to. She should have been raised from acolyte to priest five years ago. She should have heard the orisha speak to her.

It may sound contradictory that she should have expected the gods to speak to her, but, well, they’re generally not that picky. They’ve spoken to EVERYONE else who has made it that far, EXCEPT Ashâke. Her inability to progress is notable and entirely too noticeable.

That the priests who rule the temple can neither explain her lack nor do something about the rising levels of bullying and abuse that Ashâke has suffered, as increasing numbers of her juniors pass her over for promotion, is the kind of problem that many people would feel compelled to rectify, sooner or later.

Unfortunately, now that Ashâke has disobeyed all the rules and learned much – but not all – of the things she was not supposed to ever discover, she’s only made things a whole lot worse. Not just for herself, but for everyone at the temple.

And for everyone she touches. Along with, quite possibly, the whole, entire world.

Escape Rating B: I generally love novellas for the way that they tell a complete story in a non-doorstoppy length. Tordotcom usually does an excellent job of producing novellas that are exactly the length they’re meant to be and don’t feel like too much got left out in the editing to make a word count that isn’t right for the story being told. Howsomever, In the Shadow of the Fall is the exception to that rule. It’s more of an interesting start to a story than the actual story.

This is intended to be the first half of a duology, and it shows a bit too much. I felt like I got half a book rather than a complete novella that has revealed plenty but has more to come. The ending of In the Shadow of the Fall, with its drumbeat of lie after lie being revealed and Ashâke’s bitter need to adjust her entire worldview, wasn’t so much a cliffhanger as running headlong off the whole entire cliff.

Where this reader is left in a heap on the horns of a HUGE dilemma, in that I was absolutely fascinated by the story that I got, up until it came to a screeching halt.

I’m saying that and I generally love stories where the twist is as unexpected as this one is and the truth – no matter how painful – sets the protagonist free to make a new course and right the wrongs they’ve finally been apprised of.

Something which I’m sure is intended to happen in the second book in the duology, At the Fount of Creation, which is not coming out until JANUARY – making the situation doubly frustrating for the reader. Or at least for this reader.

I hoped I’d feel better about the whole thing once the second book was announced – which has turned out to be true. But I must confess that I finally have an eARC which I will be reading ASAP, because I NEED TO KNOW what happens to Ashâke and her world. 

As I said, the ending of In the Shadow of the Fall wasn’t so much of a cliffhanger as it was running headlong off the cliff and/or slamming headfirst into that cliff’s base. A painful and sudden stop. My personal recommendation would be to save yourself that frustration and wait to read the entire duology in one go as soon as you can grab copies of both books in January.

Because this first book is a real gut-punch of a story – it honestly HURTS not to know how it’s all going to work out. And based on the first half, once we do find out in At the Fount of Creation – it’s going to be grand and heartbreaking in equal, glorious measure.

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X Chang

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X ChangTo Gaze Upon Wicked Gods (Gods Beyond the Skies, #1) by Molly X. Chang
Narrator: Natalie Naudus
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, paperback, ebook, audiobook
Genres: coming of age, dystopian, epic fantasy, historical fantasy, science fiction, space opera
Series: Gods Beyond the Skies #1
Pages: 368
Length: 10 hours and 41 minutes
Published by Del Rey, Random House Audio on April 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

She has power over death. He has power over her. When two enemies strike a dangerous bargain, will they end a war . . . or ignite one?
Heroes die, cowards live. Daughter of a conquered world, Ruying hates the invaders who descended from the heavens long before she was born and defeated the magic of her people with technologies unlike anything her world had ever seen.
Blessed by Death, born with the ability to pull the life right out of mortal bodies, Ruying shouldn’t have to fear these foreign invaders, but she does. Especially because she wants to keep herself and her family safe.
When Ruying’s Gift is discovered by an enemy prince, he offers her an impossible deal: If she becomes his private assassin and eliminates his political rivals—whose deaths he swears would be for the good of both their worlds and would protect her people from further brutalization—her family will never starve or suffer harm again. But to accept this bargain, she must use the powers she has always feared, powers that will shave years off her own existence.
Can Ruying trust this prince, whose promises of a better world make her heart ache and whose smiles make her pulse beat faster? Are the evils of this agreement really in the service of a much greater good? Or will she betray her entire nation by protecting those she loves the most?

My Review:

I picked this up because I had the opportunity to get the audiobook from Libro.fm, saw that the narrator, Natalie Naudus, is one of my faves, looked at the summary and thought to myself that this had terrific possibilities and figured I’d be in for a decent if not outright excellent listening/reading time.

It was not to be. It was not to be so hard that I bailed on the audio at the 30% mark and it’s not the narrator’s fault. Really, truly, seriously, it’s not her fault. Natalie Naudus, as always, does a great job with the first person perspective of a protagonist who is expected to be kickass or at least grow into that role. (In this case, it may have been a bit too good of a job, as it felt like I was right there with her in a story where I’d have much preferred to be at a remove or ten.)

That decent to excellent time is not what I got. What I got for that first 30% felt like torture porn, and experiencing that neverending torment from inside the character’s own head was literally more than I could take. To the point where, if you’ve followed my comments about the book I flailed and bailed on that set nearly a whole week of reviews off-kilter, you’ve found it. This was it.

And damn was I surprised about that.

So I flailed, and bailed – also ranted and raved (not in a good way) – but in the end I finished in text. Because when I looked at the text to see where I stopped the audio, to figure out if the situation got redeemed at all, I learned that in the very next sentence – which of course I couldn’t see in the audio – the thing that nearly made me turn this book into a wallbanger in spite of a) the potential for having to replace my iphone and b) I was driving – didn’t actually happen.

Not that the character and I hadn’t already been tortured plenty at that point. But it was enough to bring me back if only to find out whether the situation got better – or worse.

The answer, as it turned out, was both.

Escape Rating D: If The Poppy War and Babel had an ugly, squalling bookbaby, To Gaze Upon Wicked Gods would be it. I loved The Poppy War, but had deeply serious issues with Babel which pretty much sums up my feelings about To Gaze Upon Wicked Gods in a desicated, unsightly, possibly even poisonous nutshell.

And that requires some explanation. Possibly a whole lot of it.

This story sits uneasily on a whole lot of crossing points. It’s right on the border between YA and Adult AND it’s at the intersection of historical fantasy with science fiction as well as at least hinting at being a romantasy – which it absolutely is not in spite of those hints in the blurb – even as it turns out to be post-apocalyptic and utterly dystopian in ways that are not hinted at anywhere at all.

And it’s torture porn. By that I mean that the entire first third of the story focuses on a protagonist whose entire life seems to be made of various axes on which she is ground, tortured and punished.

She’s female in a society that makes her property of the male head of household – in a line where those men squandered the family fortune on gambling and drugs one after another. She has magic powers that make her a target for people who want to use her gifts until those gifts use her up – and people who want to destroy her where she stands for a gift that many deem anathema.

Her entire world is under the boot heel of an overwhelming empire – in this I believe the story is intended to reference the Opium Wars and their oppressors are intended to stand in for the British Empire even if they are called Romans.

That her sister is addicted to a substance named “Opian”, provided by the Romans and engineered by the Romans to bring their society down even faster adds to that resemblance as well as to the protagonist’s torture.

That she’s 19, her sister’s and her grandmother’s only real support, and that her cultural conditioning has her blaming herself for everything wrong in their lives – including the invasion by the Romans before she was even born – is just terrible icing on an already unsightly cake overflowing with oppression and self-flagellation.

Ruying, her family and her whole entire world are in deep, deep trouble with no way out that anyone can see. I got that. I got that LONG before the story didn’t so much come out of the mire as it did finally start sloshing through the muck to the even more epically fucked up political shenanigans that are at the heart of everything that’s gone wrong for Ruying’s people.

Once the story finally, FINALLY started to reveal what was really happening and why and how, the situation got more interesting even as Ruying wallowed even more deeply in her personal angst and kept right on torturing herself every literally bloody step of the way.

At the very, very end, after all the blood and gore and guts and not very much plot movement forward, the story finally shows a glimpse of the light at the end of the tunnel, reveals that the light is an oncoming train, and at least displays a glimmer of a hint of action in this book’s sequel, titled either Immortal the Blood or  To Kill a Monstrous Prince, which will be coming out this time net year.

This reader, at least, has no plans to be there for it. I’ve been tormented enough. Your reading mileage (and/or listening mileage) may vary.

A+ #BookReview: How to Become the Dark Lord and Die Trying by Django Wexler

A+ #BookReview: How to Become the Dark Lord and Die Trying by Django WexlerHow to Become the Dark Lord and Die Trying (Dark Lord Davi, #1) by Django Wexler
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: action adventure, epic fantasy, fantasy
Series: Dark Lord Davi #1
Pages: 432
Published by Orbit on May 21, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Groundhog Day meets Guardians of the Galaxy in Django Wexler’s laugh-out-loud fantasy tale about a young woman who, tired of defending humanity from the Dark Lord, decides to become the Dark Lord herself.
Davi has done this all before. She’s tried to be the hero and take down the all-powerful Dark Lord. A hundred times she’s rallied humanity and made the final charge. But the time loop always gets her in the end. Sometimes she’s killed quickly. Sometimes it takes a while. But she’s been defeated every time.
This time? She’s done being the hero and done being stuck in this endless time loop. If the Dark Lord always wins, then maybe that’s who she needs to be. It’s Davi’s turn to play on the winning side.
Burningblade & SilvereyeAshes of the Sun Blood of the Chosen Emperor of Ruin

My Review:

The blurb for this title – a title just full to the brim with snarky, contradictory glory – is a bit more on point than the one for next month’s Service Model, which I read in the same weekend and was just really, really off.

But it’s still not quite there. This isn’t Groundhog Day meets Guardians of the Galaxy. It could, sorta/kinda be a take on the very motley crew of Guardians and their very snarky leader with his love for 1980s music and pop culture, but isn’t really Groundhog Day because there really isn’t a redemption arc – at least not so far – because Davi doesn’t need to be redeemed.

What Davi, wannabe Dark Lord Davi, needs to do is figure out how to survive the fantasy world she’s been dumped into, nearly 300 damn times so far. Because her previous attempts have all ended more or less the same way, with her being killed by some bwahaha spitting orc bastard who has just taken over the world and killed all the humans he or she can find.

It’s not always been the SAME bwahaha bastard, but does that really matter?

Davi has decided that it absolutely does not. If she’s going to survive this clusterfuck, she’s going to have to change the rules. Starting with pounding the smug, lying manipulative bastard wizard who starts her down the path of inevitable destruction into the rocks that surround the pool she always emerges from until his head is paste.

Davi has had enough. Clearly.

(If the idea of this story sounds familiar, it is. Alix E. Harrow’s “The Six Deaths of the Saint”, included in the Best American SF/F of 2023 collection, has a VERY similar premise – taken much more seriously and without the snark.)

Davi has had enough of being the shining light of goodness and humanity, because all it gets her is dead. She may have a destiny on this world, but so far all she’s been destined to do is die.

Since her journey always restarts, always in that same pool, always listening to that same wizard’s crap when she inevitably dies again, this time she’s going to do an asshole playthrough – even though she’s already determined that whatever this is, it isn’t a videogame world.

Still, this is a concept she hasn’t tried before. It might work. It might be interesting. It might be good, just this once, to be bad.

Escape Rating A+: How to Become the Dark Lord AND Die Trying (the title absolutely needs to put some emphasis on that ‘AND’ because WOW those things should be contradictory), is a snarktastic romp, a wild, exuberant page-turning knock out of an epic fantasy and a complete and utter send up of the whole entire genre AND the horse it rode in on all at the same time.

That it isn’t the redemption story the blurb’s reference to Groundhog Day might lead you to believe doesn’t matter in the grand scheme of things – and Dark Lord Davi certainly does have some VERY grand schemes – but it misses one of the points just a bit that would add to the sheer WTF’ery of the fun of the thing.

Because it’s not Groundhog Day, it’s Edge of Tomorrow. You remember THAT movie, the one where Tom Cruise has to repeat his terrible, horrible, no good, very bad day, over and over and over again, each and every time he gets killed – frequently and often – so that eventually he and Emily Blunt can put the pieces together fast enough to kill the alien invaders before they decimate Earth.

Part of the fun of that movie was watching Cruise get killed. Part of the fun of How to Become the Dark Lord is watching the Dark-Lord-in-Waiting fake it until she makes it, over and over and over again – knowing that death is just the excuse for another restart.

But Davi isn’t an evil dark lord, which becomes part of her problem as her journey towards dark-lord-dom continues. Davi really does care about her people – admittedly some more intimately than others. She takes care of her people. She’s reasonable and responsible and nurturing and does her best to avoid needless killing and senseless violence.

Emphasis on needless and senseless. She’s aware that some eggs are going to get broken in making this Dark Lord omelet but she’s never reckless with anyone except herself.

All that she’s done by switching sides is changing which people she’s willing to protect and defend. She’s changed who it is that she counts as ‘us’ in her calculus of war. It’s very much the perspective of Jonathan French’s The Grey Bastards, or Jacqueline Carey’s Banewreaker and Godslayer in that the orcs – and the other wilder-folk and non-humans – are the people she – and we – root for while the humans are off being inhumane to everyone not human and Davi is no longer there for that.

What makes this romp so very much of a romp is that Davi is snarky to the max, rather like one of John Scalzi’s, Simon R. Green’s or especially K.J. Parker’s and T. Kingfisher’s anti-hero-ish heroes. She never meets a quip she can’t make, a dig she can’t take, or an attitude she can’t cop, sometimes all at the same time. She’s a bit like Murderbot would be if Murderbot let it all hang out.

She’s also, manifestly, an epic fantasy hero who does not have all the answers – nor does she have any advisors who do, think they do or pretend they do. She’s faking it until she makes it – only to discover that once she’s made it there’s yet another hill to climb and yet another army to defeat.

Dark Lord Davi is simply awesome, as well as laugh out loud funny and occasionally downright embarrassing to herself and her minions. She’s a great hero to spend a long dark evening with! So I’m very glad that I did, and I can’t wait to do it again when she comes back for (cue the EXTREMELY apropos ‘80s earworm) Everybody Wants to Rule the World.