Review: Talk Bookish to Me by Kate Bromley

Review: Talk Bookish to Me by Kate BromleyTalk Bookish to Me by Kate Bromley
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, romantic comedy, women's fiction
Pages: 320
Published by Graydon House on May 25, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Inspiration can come from the most unlikely—and inconvenient—sources.
Kara Sullivan’s life is full of love—albeit fictional. As a bestselling romance novelist and influential bookstagrammer, she’s fine with getting her happily-ever-after fix between the covers of a book.
But right now? Not only is Kara’s best friend getting married next week—which means big wedding stress—but the deadline for her next novel is looming, and she hasn’t written a single word. The last thing she needs is for her infuriating first love, Ryan Thompson, to suddenly appear in the wedding party. But Ryan’s unexpected arrival sparks a creative awakening in Kara that inspires the steamy historical romance she desperately needs to deliver.
With her wedding duties intensifying, her deadline getting closer by the second and her bills not paying themselves, Kara knows there’s only one way for her to finish her book and to give her characters the ever-after they deserve. But can she embrace the unlikely, ruggedly handsome muse—who pushes every one of her buttons—to save the wedding, her career and, just maybe, write her own happy ending?
"A fun and sexy romp, with chemistry that gave me all the feels!" —Jennifer Probst, New York Times bestselling author of Our Italian Summer
"Add this book to your TBR list immediately!" —Sarah Smith, author of Faker

My Review:

Romance book tropes are not nearly as much fun to experience in real life as they are between the pages of the best-selling romance novels that Kara Sullivan writes. Or so she discovers when it seems like all of her favorite tropes are happening to her, all at once, when her muse is on strike and she runs into her ex in a meet-not-so-cute at her best friend’s pre-wedding party.

Some of Kara’s favorite tropes are enemies-to-lovers, forced proximity and forbidden love, and she gets all of those and more in this second-chance at love story. Which is, of course, yet another romantic trope.

Now that I think about it, Kara REALLY should have paid more attention to her list of favorite tropes from the very beginning. It would have saved her a lot of heartbreak – but it might have also prevented her chance at her very own HEA.

Not to mention keeping her from missing the deadline to submit her next book!

Escape Rating B: I’m putting the rating in really, really early because I really need to talk about this book and the myriad mixed feelings it gave me. Because there were lots. Bunches. Oodles.

A LOT.

For me, this didn’t read so much as a second chance romance as it did a kind of “unfinished business” romance. Kara and Ryan fell in love in college, and it was one of those stars blazing in the night overwhelming kinds of love that happens when we’re young and not yet jaded and haven’t felt anything quite like it before. It’s that first romance on the cusp of adulthood, when you can imagine spending the rest of your life with this person and you’re old enough for that to be real but you may not be quite mature enough to get through the hard parts.

Kara and Ryan didn’t so much break up as explode while both of them were dealing with terrible situations in their birth families. But it feels like when they broke up they weren’t really done with each other, so when they meet again ten years later, everything that wasn’t resolved back then comes back up now. Unfortunately along with bringing back all the feelings, they regurgitate the bad parts as well.

So Kara’s angst at seeing Ryan again is laid on top of her angst about her next book along with her long held grief and guilt at the sudden death of her father and the arguments they were having at the time he died.

(This was the part that gutted me. My dad also died suddenly, although thankfully not in the midst of us arguing. It’s been almost 30 years now and sometimes the grief still cuts like a knife. I was just so there for Kara that I almost couldn’t go on with the book.)

Also, I don’t know why, but I went into this one thinking that it would be a rom-com. It has all of the witty banter of a rom-com, but as funny as Kara’s and Ryan’s verbal interactions sometimes are, the story at its heart isn’t funny.

Now that I think about it, this might be verging on what some of my bookish friends are calling “sad fluff”. What happened between Kara and Ryan back in college ended sadly, and both of them have been sad about it for pretty much the entire intervening time – at least all of that time when they weren’t still seething with anger.

And what happens in the present, well it ends well. It ends with the chance of happiness. But it doesn’t end with a happy ever after because their relationship still isn’t ready for that. In some ways I’m glad to see a story that is set up as a romance not quite end romantically just because it’s a romance. An HEA at the point Kara and Ryan are at the end wouldn’t feel earned.

But it’s also weird to read a romance that doesn’t end in an HEA or HFN.

Talk Bookish to Me wasn’t quite as bookish as I was expecting, although her portrayal of just how much damn work it is to be a bookstagrammer made me glad that every time I investigated the possibility I backed off. Bookstagram is neat but I’m so much more about the words than about the pictures that I can’t even. So that bit made me perversely happy.

As I said earlier, this one gave me a ton of mixed feelings. Both while reading and after. Your reading mileage may vary but please be advised that emotions in bookish mirror may be closer than they appear.

Review: The Summer Seekers by Sarah Morgan

Review: The Summer Seekers by Sarah MorganThe Summer Seekers by Sarah Morgan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 432
Published by Harlequin HQN on May 18, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“The ultimate road-trippin’ beach read and just what we all need after the long lockdown.”Booklist
, STARRED REVIEW
for
THE SUMMER SEEKERS

The Summer Seekers is the ultimate road trip book.”—Susan Wiggs, #1 New York Times bestselling author
Get swept into a summer of sunshine, soul-searching and shameless matchmaking with this delightfully bighearted road-trip adventure by USA TODAY bestselling author Sarah Morgan!
Kathleen is eighty years old. After she has a run-in with an intruder, her daughter wants her to move into a residential home. But she’s not having any of it. What she craves—what she needs—is adventure.
Liza is drowning in the daily stress of family life. The last thing she needs is her mother jetting off on a wild holiday, making Liza long for a solo summer of her own.
Martha is having a quarter-life crisis. Unemployed, unloved and uninspired, she just can’t get her life together. But she knows something has to change.
When Martha sees Kathleen’s advertisement for a driver and companion to share an epic road trip across America with, she decides this job might be the answer to her prayers. She's not the world's best driver, but anything has to be better than living with her parents. And traveling with a stranger? No problem. Anyway, how much trouble can one eighty-year-old woman be?
As these women embark on the journey of a lifetime, they all discover it's never too late to start over…

My Review:

We’re all the products of our families, in one way or another. For some, it’s by imitation. We learned what to do by observing the people around us. For others, it’s in opposition. We learned what not to do by observing the people around us.

It’s pretty clear at the beginning of The Summer Seekers that Liza and her mother Kathleen exist in opposition. Kathleen’s life has been filled with wanderlust, spending most of Liza’s growing up years on the road filming her travel show, titled, just as this book is, The Summer Seekers.

What Liza learned from that experience is that she absolutely did not want that life for herself. She attached herself to home and hearth pretty much as soon as she could. Kathleen craved adventure, leaving Liza to crave the security she never felt she had.

But time has marched on. Kathleen still craves adventure, but at 80 her adventures are not quite as easy to arrange. While 40ish Liza wants above all for her mother, and all of her other loved ones, to be safe. Even though “safe” is the last thing that Kathleen was EVER built for.

There’s that saying about a ship in harbor being safe, but that not being what ships are built for. Kathleen is the ship. Her daughter Liza is the harbor, attempting to keep every ship not just safe but her own definition of safe and worrying so much over every ship – meaning every member of her family and their every need – that she’s worrying herself all the way to a permanent panic attack – if not worse.

And Kathleen and Liza, no matter how much they love each other, manage to just push each other further and further away. Liza wants to keep her mother safe, and she desperately needs to talk about her feelings about her mother’s absences, both physical and emotional, as she was growing up. While Kathleen wants to live the remaining years of her life by wringing out every day until every last drop has been squeezed out – and by never talking about or touching on anything deeply emotional at all.

They are on an emotional collision course when Kathleen announces that she is planning to take the one trip she always intended to but never quite managed. She intends to fly from London to Chicago and take a ride on storied, scenic Route 66. With an unemployed former barista named Martha as her driver, personal assistant and companion.

Liza is practically out of her mind with worry. Because that’s the person she’s become.

But just as Kathleen is about to fly away, just as she did so often during Liza’s childhood, they have one of those moments when they see each other clearly. A moment that puts a shaky bridge across the emotional chasm between them.

And in that moment they throw each other an emotional lifeline. As the miles increase between them, the distance, paradoxically, closes.

But is it too late?

Escape Rating A-: The Summer Seekers begins as Kathleen and Liza are in the midst of a seemingly life-long failure to communicate. Kathleen is emotionally distant – not just with her daughter but with, generally, everyone in her life. Liza, in reaction to her mother’s emotional distance during her childhood, has turned into her mother’s opposite – a woman who has tried to be so present and so involved in the lives of everyone she loves that she does everything for them – and has lost herself in the process.

Into the middle of that gulf steps, or rather drives, Martha. Literally as well as figuratively. Because Martha has the emotional intelligence that both Kathleen and Liza lack. (It’s clearly not in their family DNA!) It’s kind of a surprise that it’s in Martha’s, because her own family can’t seem to appreciate anything she has or is or does – and it’s killing her spirit one hour at a time.

But on this journey, Martha becomes the bridge between Kathleen and Liza. At 25, she’s not quite young enough to be Liza’s daughter, but she’s definitely of an age to be Kathleen’s granddaughter. In the forced intimacy of a very long car trip in a small but fast sports car, they open up to each other in a way that neither has done with their families.

So technology-savvy Martha facilitates the smartphone, email and video chat communication that links Kathleen with her daughter Liza. They share more over the longer distance than they ever have when close.

At the point where the story becomes about Kathleen’s, Liza’s and Martha’s physical and emotional journeys forward and towards each other, it becomes an absolute delight to follow. But the beginning, when Kathleen and Liza are at such cross purposes they are not having the same conversation even when they are in the same conversation, was a painful read for me because it hit much too close to home.

What makes this story is not the physical journey but rather the emotional journey. Martha, with just a bit of Kathleen’s help, learns to listen to the voice inside herself and not all of the naysayers that surround her at home. Kathleen, with a bit of help from Martha’s emotional intelligence, opens up to her daughter about the past Kathleen left behind long ago, and the betrayal that led to the emotional distance that affected both of their lives.

While Liza, with just a bit of prodding from her mother, finally snaps under the weight of all of the worries and obligations that she has buried herself under for so long. In the resounding echo of that snap she drops everything and takes back…herself. She puts herself, her own dreams and her own needs, back near the top of her gigantic to-do list. And every single person in her life is the better for it. Including, most especially Liza.

The “kicks on Route 66” in the Mustang convertible may be the thing that push the story forward, but it’s the emotional journeys that pull very successfully at the reader’s heart.

Spotlight + Excerpt: The Stepsisters by Susan Mallery

Spotlight + Excerpt: The Stepsisters by Susan MalleryThe Stepsisters by Susan Mallery
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, relationship fiction, women's fiction
Pages: 416
Published by Mira on May 25, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

#1
New York Times
bestselling author Susan Mallery pens a love story of a different sort…a heartfelt tale of friendship between two women who used to be sisters.
Once upon a time, when her dad married Sage’s mom, Daisy was thrilled to get a bright and shiny new sister. But Sage was beautiful and popular, everything Daisy was not, and she made sure Daisy knew it.
Sage didn’t have Daisy’s smarts—she had to go back a grade to enroll in the fancy rich-kid school. So she used her popularity as a weapon, putting Daisy down to elevate herself. After the divorce, the stepsisters’ rivalry continued until the final, improbable straw: Daisy married Sage’s first love, and Sage fled California.
Eighteen years, two kids and one troubled marriage later, Daisy never expects—or wants—to see Sage again. But when the little sister they have in common needs them both, they put aside their differences to care for Cassidy. As long-buried truths are revealed, no one is more surprised than they when friendship blossoms.
Their fragile truce is threatened by one careless act that could have devastating consequences. They could turn their backs on each other again…or they could learn to forgive once and for all and finally become true sisters of the heart.

Welcome to the Excerpt tour for The Stepsisters by Susan Mallery. She writes lovely filled with charming people in sometimes messy relationships that sweep me up, take me away, and put me right into the heart of stories that manage to be both heartwarming and heartbreaking at the same time. I’m looking forward to reading and reviewing The Stepsisters in the weeks ahead, so here’s a teaser to whet all of our reading appetites!

Excerpt from The Stepsisters by Susan Mallery (continued from Friday’s Excerpt at Jathan & Heather)

Someone knocked on her window. She rolled it down.

“You okay?” Sage asked.

“Not really. My car won’t start.”

“Want me to take you home?”

Daisy thought about saying she would call an Uber or Lyft or something, but figured that fate was messing with her and she might as well simply surrender. The sooner she got through whatever hell this was, the sooner it would be over. Later, when the kids were in bed and she had showered, she would review her life and try to decide where she’d messed up so much that she had to be punished. But for now, she had a sick kid and someone willing to give her a ride.

“Thank you,” she said through clenched teeth, looking into the beautiful green eyes of the one woman on the planet she hated more than anyone. “That would be great.”

“How long have you known my mom?” Krissa asked, suddenly sounding significantly better than she had five minutes ago. Yet more proof of Sage’s endless powers, Daisy thought bitterly as she buckled her seat belt.

“Since we were young,” Sage told her. “I think we were eight or nine.”

“I’m eight!” Krissa’s tone indicated there was magic afoot. “But I don’t understand. You were stepsisters. So Grandpa was married to…”

“Sage’s mother,” Daisy explained. “For about six years. Do you remember Aunt Cassidy?”

“I don’t think so.” Her tone was doubtful. “Is she pretty like Sage?”

“Yes.” Annoyingly so. “Cassidy is our half-sister. My father, your grandfather, is her dad and Sage’s mother is Cassidy’s mom. I’m sure you’ve met Cassidy at least once.”

She glanced over her shoulder and saw Krissa’s face scrunch up, as if she were trying to work it all out.

“She’s your aunt,” Sage offered.

“Then why don’t I know her?”

An excellent question, Daisy thought. One of the answers might be that since the divorce all those years ago, Cassidy had made it clear she preferred Sage to Daisy and once Cassidy had turned eighteen, she’d taken off to explore the world. She stayed in touch with Wallace, their mutual father, but not with Daisy.

“You don’t hear from her?” Sage asked, driving through one of the open gates that marked the entrance to Bel Air. “I’m surprised.”

Are you really? But Daisy didn’t actually ask the question. What was the point? In a battle of the sisters, she had always come in last. When she’d been a child herself, she hadn’t understood why she and Sage couldn’t be friends. Unlike many only children, she’d been delighted when her father had told her he was marrying Joanne and giving her a stepsister. She’d imagined having someone to play with, a friend to confide in. She’d wanted a connection, a best friend, a closeness that always seemed to exist between sisters she read about or saw on TV.

But Sage had rebuffed every overture. Even when she was friendly for an afternoon, the next day, she would be cold and distant. At school, she delighted in mocking Daisy. Sage might have been the new girl at their exclusive private school, but Daisy was the one who had felt left out.

Sage glanced in the rearview mirror. “Your aunt Cassidy is a travel writer. She goes all over the world and writes about interesting places and people. Right now she’s in Patagonia studying a group of women selling textiles.”

Krissa’s eyes widened. “She sounds cool.”

“Even saint-like,” Daisy murmured under her breath, before pointing to the street on the right.

“It’s just up there.”

Sage smiled. “I remember where the house is.”

“I wasn’t sure.”

It had been a long time—over twenty years since Wallace and Joanne had divorced, although they’d shared custody of their daughter. Cassidy had gone back and forth between the houses right through high school. Sage had probably dropped her off or picked her up more than once.

Daisy instinctively pointed toward the long driveway. Sage laughed and repeated, “I know where I’m going.”

Which made Daisy feel foolish—a usual state of being when Sage was around.

“I’m surprised you’re in Los Angeles,” she said, mostly to distract herself. “Aren’t you living in Italy?”

“Rome,” Sage corrected. “I was.”

“You live in Rome?” Krissa’s disbelieving tone made it sound as if her almost-aunt had a pied-à-terre on Jupiter. “That’s in the EU.”

“It’s very beautiful there.” She glanced at Daisy. “I came home a couple of weeks ago. My mom was dealing with a cancer scare.”

And just like that, all Daisy’s mad deflated, leaving her feeling small and mean-spirited.

“I’m sorry,” she said. “If you’d like a recommendation for an oncologist, I can get you some names.”

Something flickered across Sage’s perfect face. “Thank you, but it turned out just to be a scare. She’s fine now.”

She reached the end of the long driveway and stared up at the big house.

“It looks the same.”

The inside was different, Daisy thought. They’d updated the kitchen and family room. The master bedroom and bath had also been redone, a remodel completed when Wallace had moved out, allowing Daisy and Jordan to live in the big house. Not that she was going to discuss any of that with Sage.

 

Author Info:

#1 NYT bestselling author Susan Mallery writes heartwarming, humorous novels about the relationships that define our lives-family, friendship, romance. She’s known for putting nuanced characters in emotional situations that surprise readers to laughter. Beloved by millions, her books have been translated into 28 languages.Susan lives in Washington with her husband, two cats, and a small poodle with delusions of grandeur. Visit her at SusanMallery.com.

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Review: The Bookstore on the Beach by Brenda Novak

Review: The Bookstore on the Beach by Brenda NovakThe Bookstore on the Beach by Brenda Novak
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, women's fiction
Pages: 448
Published by Mira on April 6, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

"A page-turner with a deep heart."—Nancy Thayer, New York Times bestselling author of
Girls of Summer

How do you start a new chapter of your life when you haven’t closed the book on the previous one?
Eighteen months ago, Autumn Divac’s husband went missing. Her desperate search has yielded no answers, and she can’t imagine moving forward without him. But for the sake of their two teenage children, she has to try.
Autumn takes her kids home for the summer to the charming beachside town where she was raised. She seeks comfort working alongside her mother and aunt at their bookshop, only to learn that her daughter is facing a huge life change and her mother has been hiding a terrible secret for years. And when she runs into the boy who stole her heart in high school, old feelings start to bubble up again. Is she free to love him, or should she hold out hope for her husband’s return? She can only trust her heart…and hope it won’t lead her astray.
"A heart-tugging romance. Readers are sure to be sucked in.”—Publishers Weekly, starred review  

My Review:

The bookstore on the beach in Sable Beach belongs to, let’s call them late-middle-aged sisters Mary and Lauren. As this tumultuous summer opens, Mary is waiting for her grown-up daughter Autumn to arrive for one last summer with her kids, her daughter Taylor and son Caden.

There’s more than a bit of bittersweetness in Mary’s anticipation, and in Autumn’s as well as she makes the drive up from her home in Tampa. Taylor will be a senior in high school in the fall, and Caden will be a junior. This is probably the last summer of their, not exactly childhood, but the last summer when they’ll all be together as a family before Taylor and Caden accelerate their inevitable pull away into adulthood, with jobs, college and relationships speeding up that separation.

But it’s also a first summer for Autumn. This is the first summer she’s come home to the beach without even the prospect of her husband dropping in for a week or two of vacation. Not because they are divorced, and not because he’s dead.

At least not as far as Autumn knows.

Autumn is stuck in a hellish limbo. Her husband went on a business trip to Ukraine, the country his family immigrated to the U.S. from. He left 18 months ago, without telling Autumn he was going. He seems to have gone at the behest, or under the aegis, or at least with the knowledge of, the CIA and/or the FBI or one (or possibly more) of the alphabet agencies.

Nick Divac disappeared somewhere in Ukraine. Or in Russia. Or into an unmarked grave. Or a prison. Or a cave. Autumn doesn’t know and hasn’t been able to get anyone at any of those alphabet agencies to give her much in the way of information. Even the private investigator she hired in Ukraine has found nothing but dead ends. But also no confirmation of Nick’s actual death.

But this isn’t just Autumn’s story. All of the women in her family, her mother Mary, her daughter Taylor, and certainly Autumn’s self, have something huge hanging over them this summer. Some of those things, most of those things, are secrets. All of them have the power to change their lives, when, and not if, they come crashing down.

They can’t go back to the way things used to be. The only question is how they go forward, and whether they can manage to hold on to each other and do it together.

Escape Rating B-: The Bookstore on the Beach is one of those stories where not a whole lot happens, while at the same time a whole lot that might happen or probably will happen is being worried over or anticipated – if not exactly eagerly. The eventual happenings are more of a relief – mostly – than the waiting.

Every woman in the family spends the entire book waiting for the other shoe to drop. Not that the first shoe has actually dropped. They each have something HUGE hanging over their heads. I found myself looking for the collective noun for swords – like a murder of crows, a leap of leopards, an unkindness of ravens. Because this is story about a family walking around with their very own separate and individual Sword of Damocles hanging over their head and following them around.

A cache of Swords of Damocles? A store of Swords of Damocles? Perhaps even an Armory of Swords of Damocles?

Mary is on tenterhooks expecting someone to expose her past – a past she has never revealed to her daughter. Taylor is unsuccessfully pretending that she’s not avoiding even thinking about the secrets in her present. And Autumn lets herself start a new relationship with her biggest teenage crush, all the while caught between hoping and fearing that her missing husband will return – just when she’s given up and moved on.

All of their fears are very, very real, even if the situations that both Mary and Autumn are in stretch the bounds of credulity just a bit. Not that what happened to them doesn’t happen in real life, more that it’s a stretch that both things happened in the same family.

The size of the cria herd of drama llamas (yes, I looked it up, “cria herd” is the collective noun for llamas) is so large as to stretch the pasture that holds my willing suspension of disbelief.

Because this story begins with Autumn’s husband already missing, I felt a bit like I’d been dropped midway into a series. Like I should have read the earlier parts of Autumn’s story as background in someone else’s. But this is a standalone, so no.

Also, because Autumn’s husband has been gone for quite a while at the beginning, her memories of him and their life together have been overlaid or muted by time, confusion and grief. He’s not present enough even in memory for him to really be missed. And her descriptions of their life together, while they don’t paint him in exactly a bad light, don’t give the reader enough to really buy into the romance they are supposed to have had.

Unlike her romance in her present with Quinn, which is lovely and heartfelt and heartbreaking in all of its glory – of which there is quite a lot. The combination of these elements made the ending a bit abrupt. It’s the ending the reader wants, but it’s sharp and hard and doesn’t really feel earned. It’s a situation where a true HEA doesn’t feel quite right, because it’s they are caught up in a mess where someone is bound to end up very unhappy indeed.

But I really liked all three, Mary and Autumn and Taylor. I loved the town of Sable Beach, and felt very envious of the bookstore itself even though I know it’s a much harder and more precarious way to make a living than the book can or should get into. It’s a lovely place, a beautiful haven, and I wouldn’t mind visiting again.

Review: The Path to Sunshine Cove by RaeAnne Thayne

Review: The Path to Sunshine Cove by RaeAnne ThayneThe Path to Sunshine Cove by RaeAnne Thayne
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Series: Cape Sanctuary #2
Pages: 336
Published by Harlequin HQN on March 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

With the emotional pull of Debbie Macomber, Barbara Delinsky and Susan Wiggs, RaeAnne Thayne brings readers an uplifting, brand new story told with her trademark charm and heart.

She knows what's best for everyone but herself...

With a past like hers, Jessica Clayton feels safer in a life spent on the road. She's made a career out of helping others downsize--because she's learned the hard way that the less "stuff," the better, a policy she applies equally to her relationships. But a new client is taking Jess back to Cape Sanctuary, a town she once called home...and that her little sister, Rachel, still does. The years apart haven't made a dent in the guilt Jess still carries after a handgun took the lives of both their parents and changed everything between them.
While Jess couldn't wait to put the miles between her and Cape Sanctuary, Rachel put down roots, content for the world--and her sister--to think she has a picture-perfect life. But with the demands of her youngest child's disability, Rachel's marriage has begun to fray at the seams. She needs her sister now more than ever, yet she's learned from painful experience that Jessica doesn't do family, and she shouldn't count on her now.
Against her judgment, Jess finds herself becoming attached--to her sister and her family, even to her client's interfering son, Nate--and it's time to put everything on the line. Does she continue running from her painful past, or stay put and make room for the love and joy that come along with it?

My Review:

For the reader, the actual path to Sunshine Cove is lovely, charming and very, very scenic, although for the characters proceeding along that path there are plenty of metaphorical pebbles stuck in the shoes they are walking it in, and a few outright boulders being smuggled in their baggage.

And yes, I meant baggage and not luggage, because this is a story about the baggage that sisters Jess Clayton and Rachel McBride have been carrying since their childhood.

Jess is about to turn 30, Rachel is not far behind her at 28, and that baggage lays between them like a deep rut on that path. It’s also weighing both of them down and keeping them from finding their true happy ever after – no matter how much each of them is pretending to have already found it.

There’s a famous quote about parents and their children, the one that goes, “There are two things we should give our children: one is roots, and the other is wings.” Jess and Rachel are struggling because their parents gave them neither, and as a consequence Rachel’s life has become rooted in their old baggage, while Jess has taken permanent wing in an ultimately vain attempt to fly away from it all.

But as another old saying goes, “No matter where you go, there you are.”

So, as The Path to Sunshine Cove begins, Jess is literally on the road to Sunshine Cove, on her way to help Eleanor Whitaker declutter the house that her late husband and his family have owned for generations. It’s Jess’ job and her calling, helping people go through decades of accumulated “stuff”, whether just as a grand spring cleaning, in preparation for downsizing, or as a way of moving on with life after a death in the family as Eleanor says she is.

That Eleanor’s house on the California coast is just down the road from Jess’ sister Rachel’s home with her husband and three children is both the reason that Jess took the job and a source of internal stress and conflict. Jess wants to see her sister and her family. She wishes they were close – like they used to be when they were girls and it was them against the world.

But they haven’t been close for years, and it seems like what little connection they have is brittle and ready to shatter at any moment. They talk, but they don’t say anything. They can’t manage to reach across the great divide between them, and aren’t sure whether to keep trying or to finally let go.

The thing is, all that Rachel lets Jess see is the picture-perfect life she presents to her Instagram followers. And all that Jess lets Rachel see is the footloose and fancy-free surface of her satisfying but sometimes emotionally-wrenching job.

But Rachel’s life is falling apart, and Jess’ life is emotionally empty, and it’s all a consequence of that heavy baggage they are both carrying from a childhood that caused more damage than anything else.

On their path to Sunshine Cove, it’s time to see if they can find each other again – or if they’re both too scared to let go of their baggage to reach for happiness – and sisterhood.

Escape Rating A-  was an absolutely lovely read for a lazy Sunday afternoon – which is when I started – and finished the book. The characters were absolutely charming, the setting sounded utterly gorgeous, and the story was heartwarming every step of the way.

This is one of those books that sits quite comfortably on the border between women’s fiction – or relationship fiction as my colleagues call it – and contemporary romance. The story here is really about the relationship – and the initial fumbling lack thereof – between sisters Jess and Rachel. It’s also about Rachel’s faltering relationship with her husband, and the way that those fumbles are rooted in Jess’ and Rachel’s childhood trauma.

And it’s about Jess’ growing relationship with the entire Whitaker family, and not just the romantic relationship she develops, pretty much in spite of herself, with her client’s son Nate. This is one of those stories where I like to say that “a romance occurs” rather than the story being centered on the romance. Because it’s not.

Instead, it’s centered on Jess and her developing relationships with everyone around her during her job at Sanctuary Cove, including the relationship with her sister. Because just as Jess and Rachel have taken the opposite ends of that “roots and wings” paradigm, they’ve also taken positions that are at opposite ends of the spectrum in how they deal with the damage left by their parents.

Rachel has turned into a people-pleasing perfectionist, making sure she’s part of every volunteer opportunity in town, and that her life at least appears perfect all the time. Not just for her Instagram followers, but because she needs that perfection – just as her mother did.

While Jess has arranged her life so that she never stays anywhere very long, never has a chance to develop connections with anyone, just dropping into people’s lives, doing her job, doing it very, very well, but keeping her distance and then moving on. She’s afraid to need anyone because her mother needed way too much.

They both have way more emotional baggage than could possibly fit in Jess’ beloved Vera, the classic Airstream trailer that she lives in while she criss-crosses the country from one cluttered place to another.

Stopping in Sunshine Cove, letting herself become involved in the lives around her, not just her sister but also Eleanor Whitaker, Nate and Nate’s 13-year-old daughter Sophie, allows Jess to finally put down just enough roots to have a great – but not perfect – life. While Rachel, with just a bit of tough love from her sister, gives up on perfection in order to find the happiness she almost lost.

This is the second book that the author has set in and around beautiful Sanctuary Cove, after last year’s charming The Sea Glass Cottage. Although the two stories share the setting, and have similar themes, nothing happens in Sunshine Cove that will make a new reader think they missed something by not having read the other book. (I completely lost sight of this being a second book in series while I was reading it.) So if this story sounds like your cup of tea, feel free to start here, you won’t be disappointed.

But that also means you’ll love the first book, The Sea Glass Cottage, every bit as much as this one!

Spotlight + Excerpt: The Vineyard at Painted Moon by Susan Mallery

Spotlight + Excerpt: The Vineyard at Painted Moon by Susan MalleryThe Vineyard at Painted Moon by Susan Mallery
Formats available: hardcover, ebook, audiobook
Genres: Chick Lit, contemporary romance, women's fiction
Pages: 400
Published by HQN Books on February 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Step into the vineyard with Susan Mallery’s most irresistible novel yet, as one woman searches for the perfect blend of love, family and wine.
Mackenzie Dienes seems to have it all—a beautiful home, close friends and a successful career as an elite winemaker with the family winery. There’s just one problem—it’s not her family, it’s her husband’s. In fact, everything in her life is tied to him—his mother is the closest thing to a mom that she’s ever had, their home is on the family compound, his sister is her best friend. So when she and her husband admit their marriage is over, her pain goes beyond heartbreak. She’s on the brink of losing everything. Her job, her home, her friends and, worst of all, her family.
Staying is an option. She can continue to work at the winery, be friends with her mother-in-law, hug her nieces and nephews—but as an employee, nothing more. Or she can surrender every piece of her heart in order to build a legacy of her own. If she can dare to let go of the life she thought she wanted, she might discover something even more beautiful waiting for her beneath a painted moon.

Welcome to the Excerpt tour for The Vineyard at Painted Moon by Susan Mallery. She writes lovely and wonderful books that sweep me up, take me away, and put me right into the heart of relationships that manage to be both heartwarming and heartbreaking at the same time. I’m looking forward to reading and reviewing The Vineyard at Painted Moon in the weeks ahead, so here’s a teaser to whet all of our reading appetites!

Excerpt from The Vineyard at Painted Moon by Susan Mallery (continued from Friday’s Excerpt at Jathan & Heather)

The song ended and Rhys led her back to Giorgio, who was chatting with several guests. As Barbara walked over to the bar to get a glass of wine, her youngest joined her.

 “Barbara,” Catherine said pleasantly. “Wonderful party.” 

Barbara did her best not to bristle. At the beginning of high school, Catherine had insisted on changing her name to Four, of all things. As in the fourth child. Barbara had refused to accommodate her, so Catherine had started calling her by her first name, to be annoying.

 Barbara simply didn’t understand where things had gone wrong. She’d been loving but fair, had limited TV and made all her children eat plenty of greens. Sometimes parenting was such a crapshoot. 

She motioned to her daughter’s dress. “One of your own creations?” 

Catherine spun in a circle. “It is. Don’t you love it?”

 “With all my heart.”

 Catherine grinned. “Sarcasm? Really?”

 “What did you want me to say?”

 Catherine’s good humor never faded. “What you said is perfect.” 

As her daughter drifted away, Barbara moved closer to Giorgio. He put his arm around her waist, the pressure against her back both comforting and familiar. She nodded as he talked, not really listening to the conversation. Whatever he was saying would be charming. He was like that—well-spoken, always dressed correctly for the occasion. He had an enviable way with people and a natural charm she’d never possessed. She supposed that was what she’d first noticed—how easy he made everything when he was around. 

This night, she thought with contentment. It was exactly right. Her children and grandchildren were around her. Giorgio was here. The vines were healthy and strong and come September there would be another harvest.

 She spotted Avery, her oldest grandchild, talking to her father, Stephanie’s ex. Kyle was too smooth by far, Barbara reminded herself. Their marriage had been a disaster from the beginning, but Stephanie had been pregnant, so there had been no way to avoid the entanglement or the subsequent divorce. 

At least Avery and Carson hadn’t been scarred by the breakup. Barbara couldn’t believe Avery was already sixteen. She was going to have to remind Stephanie to keep a close eye on her daughter when it came to boys and dating. If she didn’t, there was going to be a second generation with an unplanned pregnancy, and no one wanted that.

 She often told people that children and vineyards meant constant worry. Just when you were ready to relax, a new season started with new challenges. 

Stephanie walked over to her. “Mom, it’s about time for the toast, if you’re ready.” 

“I am.”

 Barbara excused herself to follow her daughter toward the DJ and the small platform by the dance floor. She took the microphone the young man offered and stared out at the crowd. Stephanie called for quiet and it took only a few seconds for the party to go silent.

 “Thank you so much for joining me and my family at our tenth annual Summer Solstice Party,” Barbara said, pausing for applause, then holding up her glass of chardonnay. 

“To my children—may the next year be one of happiness for each of you. To my grandchildren—know that you are loved by all of us.” She turned and found her daughter-in-law, then smiled at her. “To my special daughter of the heart—the day you came into our lives was a magnificent blessing.” 

There was more applause. 

Barbara looked at Giorgio and smiled. They’d discussed whether or not she should mention him, and he’d asked her not to. After all, he was just the boyfriend and he’d said tonight was about family—yet another reason she loved him. The man understood her and wasn’t that amazing.

Author Info:

#1 NYT bestselling author Susan Mallery writes heartwarming, humorous novels about the relationships that define our lives-family, friendship, romance. She’s known for putting nuanced characters in emotional situations that surprise readers to laughter. Beloved by millions, her books have been translated into 28 languages.Susan lives in Washington with her husband, two cats, and a small poodle with delusions of grandeur. Visit her at SusanMallery.com.

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Review: You Had Me at Hola by Alexis Daria

Review: You Had Me at Hola by Alexis DariaYou Had Me at Hola by Alexis Daria
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, romantic comedy
Series: Primas of Power #1
Pages: 365
Published by Avon on August 4, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Leading Ladies do not end up on tabloid covers. 
After a messy public breakup, soap opera darling Jasmine Lin Rodriguez finds her face splashed across the tabloids. When she returns to her hometown of New York City to film the starring role in a bilingual romantic comedy for the number one streaming service in the country, Jasmine figures her new “Leading Lady Plan” should be easy enough to follow—until a casting shake-up pairs her with telenovela hunk Ashton Suárez. 
Leading Ladies don’t need a man to be happy
After his last telenovela character was killed off, Ashton is worried his career is dead as well. Joining this new cast as a last-minute addition will give him the chance to show off his acting chops to American audiences and ping the radar of Hollywood casting agents. To make it work, he’ll need to generate smoking-hot on-screen chemistry with Jasmine. Easier said than done, especially when a disastrous first impression smothers the embers of whatever sexual heat they might have had. 
Leading Ladies do not rebound with their new costars. 
With their careers on the line, Jasmine and Ashton agree to rehearse in private. But rehearsal leads to kissing, and kissing leads to a behind-the-scenes romance worthy of a soap opera. While their on-screen performance improves, the media spotlight on Jasmine soon threatens to destroy her new image and expose Ashton’s most closely guarded secret.
 

My Review:

I went looking for happy endings again. Is anyone surprised? In that search I discovered a whole bunch of friends’ recommendations for this book, as well as remembering that it had been on several best of the year lists – and that I had a copy! Problem solved for a day – not that I didn’t immediately go looking for more for the rest of this week.

While Jasmine and Ashton do have each other at “Hola”, it’s also true that the title is quite a bit catchier than the actual truth, which is more like a mutual “you had me when you spilled coffee on me” because that’s not half so romantic sounding – or succinct.

This is a story that works in multiple directions. One is that it’s a story of two people who both believe, and for very good but completely different reasons, that they need to concentrate on their careers and absolutely NOT on any possibility of romance.

Second, it’s a story about validation. Again, for entirely different reasons, both Jasmine and Ashton are laboring under the mistaken belief that they are not good enough, not doing enough, not accomplishing enough, not trying hard enough, not doing the right things rightly enough.

In other words, they both have serious cases of impostor syndrome. Some of that arises from their family situations, and some of it comes from the way that the entertainment industry which they are both involved in, suffers from a baked-in preference for actors AND people behind the camera and in the front office, who are not like them.

Both are Latinx and both have had plenty of barriers put in their way in their chosen profession. Which leads to the third thing about this story, in that it is a celebration, not just of Latinx culture in all of its own diversity, but also in the joy of being part of a team that has your back and helps you put forth your best everything because of what you all share – particularly in a world that tells you how “other” you are at pretty much every turn.

The romance is, in many ways, an opposites attract kind of love story. Jasmine is very open. She trusts easily and she falls in love easily – both to her own detriment. As a result, much too much of her personal life gets splashed on the tabloids, even if most of what they write is made up nonsense.

Ashton, on the other hand, is extremely private and closed off. He has a secret that he is desperate to keep, but keeping that secret also keeps him from opening himself up even to friendship, let alone anything more.

She’s public and he’s private. She’s gossip fodder and he ruthlessly suppresses publicity. It shouldn’t work. Neither of them really wants it to work, at least as the story begins.

But they’re playing the romantic leads in a made-for-streaming romantic comedy series. On screen, they have to generate serious chemistry, which means that off screen they need to at least be able to talk to one another.

Talking, as it so often does, leads to a whole lot more. A more that neither of them wants to reveal. Until the paparazzi take care of all of that for them in, of course, the worst way possible.

And very nearly destroy the best thing that’s ever happened to either of them.

Escape Rating B+: While this wasn’t quite as transportive as a couple of the romances from my week of happy endings – I’m thinking in particular of Take a Hint, Dani Brown and Spoiler Alert – a good reading time was definitely had by all. Or at least by moi.

I loved the romance between Jasmine and Ashton. It read like a variation of the fake-romance trope, but a variation that definitely worked. It wasn’t exactly that they were faking a romance, but they were faking a romance. It’s just that everyone knew it was a fake, because it was the onscreen romance between their characters.

Come to think of it, they were really faking NOT being a romance. A kind of double-fake. It worked, and the reasons for it worked.

While Ashton’s reason was more important, that he was a single father who was hiding his son in order to keep him safe, it was Jasmine’s reason that resonated most with me. As a middle child, she often felt overlooked between her overachieving older sister and her younger, always the baby sister. And so many of her family interactions, while well-meaning, intentionally or otherwise reminded her over and over (and over) that her goals and achievements weren’t as important or as successful, from her family’s perspective, as theirs. She felt overlooked and as a consequence looked for validation in romantic relationships – and looked too hard and all too often with men who didn’t value her either.

Jasmine’s feelings, and her response to them, will resonate with a lot of women who felt overlooked or overshadowed in their families and used similar methods to find validation, whether that overshadowing was the result of middle-child syndrome, workaholic parents or some other reason.

Ashton’s reasons, on the other hand, while they make sense were more the result of his understandable paranoia after a stalking incident than anything actually based in reality – as Jasmine pointed out. If he wants to be a famous actor and someday win an Oscar, he can’t keep his private life truly private. It’s understandable that he wants to but his goals are mutually exclusive.

In the story he clung to that overwhelming desire to keep his son a secret a bit too long. The point had been made, and made, and made to the point where it began to feel repetitive and I just wanted the story to get on with it. Your reading mileage may vary.

That being said, the story was lovely and I really enjoyed myself with Jasmine, her team and especially the Primas of Power, her terrifically supportive cousins who always had her back – especially when they needed to push her forward.

So a wonderful romance, a terrific story, and I’d love to see more about the Primas of Power and Jasmine’s entire clan!

Review: Take a Hint, Dani Brown by Talia Hibbert

Review: Take a Hint, Dani Brown by Talia HibbertTake a Hint, Dani Brown (The Brown Sisters, #2) by Talia Hibbert
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance
Series: Brown Sisters #2
Pages: 361
Published by Avon on June 23, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Talia Hibbert returns with another charming romantic comedy about a young woman who agrees to fake date her friend after a video of him “rescuing” her from their office building goes viral...
Danika Brown knows what she wants: professional success, academic renown, and an occasional roll in the hay to relieve all that career-driven tension. But romance? Been there, done that, burned the T-shirt. Romantic partners, whatever their gender, are a distraction at best and a drain at worst. So Dani asks the universe for the perfect friend-with-benefits—someone who knows the score and knows their way around the bedroom.
When brooding security guard Zafir Ansari rescues Dani from a workplace fire drill gone wrong, it’s an obvious sign: PhD student Dani and ex-rugby player Zaf are destined to sleep together. But before she can explain that fact, a video of the heroic rescue goes viral. Now half the internet is shipping #DrRugbae—and Zaf is begging Dani to play along. Turns out, his sports charity for kids could really use the publicity. Lying to help children? Who on earth would refuse?
Dani’s plan is simple: fake a relationship in public, seduce Zaf behind the scenes. The trouble is, grumpy Zaf’s secretly a hopeless romantic—and he’s determined to corrupt Dani’s stone-cold realism. Before long, he’s tackling her fears into the dirt. But the former sports star has issues of his own, and the walls around his heart are as thick as his... um, thighs.
Suddenly, the easy lay Dani dreamed of is more complex than her thesis. Has her wish backfired? Is her focus being tested? Or is the universe just waiting for her to take a hint?

My Review:

As my “week of happy endings” kicked off last Friday with the first book in the Brown Sisters trilogy, Get a Life, Chloe Brown – Dani’s older sister’s story – it is only fitting that I close the week with this book, all about the middle sister in the Brown family.

And what a story it is!

This story, and this series so far, is all about finding love a)when you are not looking for it and b) while you’re carrying baggage that you’re sure means that no one will ever really love you as you are except for family. Part of me is tempted to say these characters are all “positive” about their negative chances, because none of the protagonists so far begin their stories even remotely hopeful about their chances at finding anything resembling love and acceptance of the romantic kind.

And, as both of these stories show, it’s important to see people carrying emotional baggage finding happiness, because everyone is carrying some. Unless of course, they’re dead, and in paranormal romance even death doesn’t stop characters from finding their HEAs.

So this story, and this series so far, are about people who deal with their baggage and find love and happiness neither in spite of it nor because of it, but rather because they’re dealing with their own crap in constructive ways that make romance possible.

Love doesn’t magically cure what ails you – whether that ailing is physical or emotional – but it can help give you the strength to handle it a bit better. And that’s what is at the heart and soul of this series so far.

In the case of Dani Brown’s slightly flirty friendship with Zafir Ansari, both of them are carrying some pretty heavy baggage of the emotional kind. Nerdy, driven, single-minded and obsessively focused Dani has internalized the idea that she isn’t capable of the emotional work of maintaining a relationship. She’s happy to be friends-with-benefits with people, but relationships require work that she doesn’t believe she’s no longer interested in even attempting. So she has rules about getting involved with people outside the bedroom.

In Dani’s world, friendship is good, sex is great and romance is entirely off the table. She’s too busy pursuing her dream of becoming one of the relatively few black, female full professors in Britain to make the time for relationship maintenance and all of the compromises she knows it requires. Compromises she already knows that she’s very, very bad at.

Zafir Ansari is dealing with an entirely different set of emotional burdens. He’d love to find a happy ever after, and he’s more than willing to try, but whoever he becomes involved with has to be able to deal with his occasional panic attacks, uber-protective anxiety binges and his complete unwillingness to revisit whole swaths of his past because that way lies depression. He lost his father and his older brother in an accident and the resulting downward spiral caused his promising rugby career to implode.

But he has gotten his life mostly back on track, running a combination coaching and counseling program for boys who need help dealing with emotional and mental health issues without resorting to the dead end trap of toxic masculinity. As the program doesn’t pay the bills, he has a day job as a security guard at the university where Dani is an underpaid and over-driving teaching assistant and Ph.D. candidate.

Zafir wants a happy ever after, and Dani is just looking for a new fuckbuddy. They should restrict themselves to flirting, because they have entirely different relationship goals. Or at least they think they are.

When a recording of Zafir’s dramatic “rescue” of Dani from a trapped elevator during an evacuation drill goes viral, they decide, with eyes more or less wide shut, to embark upon a fake relationship, a classic of the romance genre, in order for the publicity to boost Zaf’s counseling program.

Oh, and they’ll be friends with benefits for the length of time it takes the social media craze to die down and the future for Zaf’s program to be secure.

Everyone knows just how fake relationships turn out in romance novels. Especially Zaf, who reads them voraciously. He’s all in, even if thought he wouldn’t be. The question is whether Dani can admit that she is, too. Before it’s too late.

Escape Rating A-: Dani’s story is even better than Chloe’s – and Chloe’s story was damn good.

But as much as I loved Chloe’s story, I found Dani’s to be just that extra bit easier to identify with because of her recognition and rejection of the performative nature of being part of a relationship. Women usually end up doing the emotional heavy-lifting in a heterosexual relationship, and some of us just aren’t equipped for it. Not that we don’t love the other person, but there are just some parts of relationship maintenance that we either don’t get or can’t be bothered with or that suffer in comparison to career or personal goals.

The latter of which is considered perfectly okay when a man feels – or doesn’t feel – that way but for which women get roundly and soundly criticized.

At the same time, part of what makes this romance so good is just what made Chloe’s story so good. In spite of often being emotionally clueless, Dani supports Zafir’s goals and his broken places, just as he does for her. They come to love each other as they are, not as the other wants them to be.

And the journey here for both of them is learning to deal better with their own shit. Zafir needs to be able to incorporate the good parts of his past with his present. He’s cutting himself off from both happiness and opportunities because he tries to maintain a hard line between the before – before the accident that took his father and brother – and the aftermath where he copes as long as that door isn’t opened.

Dani, on the other hand, needs to open the door in her own psyche to deal with a trauma that she hasn’t been willing to admit is there. That she’s afraid she can’t maintain a relationship so she refuses to try.

Like Chloe’s story, Dani’s romance with Zaf works because it feels real, and so do the tensions that nearly tear them apart. Get a Life, Chloe Brown was the perfect opening for my week of romance, and Take a Hint, Dani Brown was the perfect ending.

Even better, the Brown Sisters’ story is not over – which is wonderful because they’re part of a terrific family that continues to be marvelous to get to know. Youngest sister Eve’s story is coming up this spring in Act Your Age, Eve Brown. I can’t wait to see her try!

Review: Spoiler Alert by Olivia Dade

Review: Spoiler Alert by Olivia DadeSpoiler Alert (Spoiler Alert #1) by Olivia Dade
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance
Series: Spoiler Alert #1
Pages: 416
Published by Avon on October 6, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Olivia Dade bursts onto the scene in this delightfully fun romantic comedy set in the world of fanfiction, in which a devoted fan goes on an unexpected date with her celebrity crush, who’s secretly posting fanfiction of his own. 
Marcus Caster-Rupp has a secret. While the world knows him as Aeneas, the star of the biggest show on TV, Gods of the Gates, he's known to fanfiction readers as Book!AeneasWouldNever, an anonymous and popular poster.  Marcus is able to get out his own frustrations with his character through his stories, especially the ones that feature the internet’s favorite couple to ship, Aeneas and Lavinia. But if anyone ever found out about his online persona, he’d be fired. Immediately.
April Whittier has secrets of her own. A hardcore Lavinia fan, she’s hidden her fanfiction and cosplay hobby from her “real life” for years—but not anymore. When she decides to post her latest Lavinia creation on Twitter, her photo goes viral. Trolls and supporters alike are commenting on her plus-size take, but when Marcus, one half of her OTP, sees her pic and asks her out on a date to spite her critics, she realizes life is really stranger than fanfiction.
Even though their first date is a disaster, Marcus quickly realizes that he wants much more from April than a one-time publicity stunt. And when he discovers she’s actually Unapologetic Lavinia Stan, his closest fandom friend, he has one more huge secret to hide from her.
With love and Marcus’s career on the line, can the two of them stop hiding once and for all, or will a match made in fandom end up prematurely cancelled?

My Review:

Fanfiction, and for that matter fandom culture in general, tends to get a bad rap. But, if there are really only seven basic plots, and considering that there really is nothing new under the sun, everything is fanfiction. Every story is at least a tiny bit of a takeoff on something else. I read somewhere that John Milton’s Paradise Lost (published in 1667!) was fanfic about the Bible. Whatever you think of that particular variation of the concept, the idea of fanfiction has been around for a very long time.

And you’ve probably read some yourself, whether you considered it as such or not. After all, all Sherlock Holmes stories not written by Conan Doyle are fanfiction. It just happens to be legal fanfiction as most or all of the Holmes canon, depending on which side of the pond you are on, is out of copyright and can be played with or played upon at will.

But fanfiction in the context of this story has a specific meaning, it’s fiction written about someone else’s intellectual property, in this case a hit TV show based upon a best-selling book series that is, itself a kind of fanfiction, as it is a retelling of Homer’s Aeneid, a story that has been told, retold and sorta/kinda told since Virgil first wrote down his version between 29 and 19 BC. Over 2,000 years ago.

Plenty of time for lots of fanfiction to accrete around a story.

Much of contemporary fanfiction, as propagated on Archive of Our Own (AO3), Fanfiction.net and an ever increasing number of Discord servers, just like the fanfiction in the mimeographed fanzines that came before them, tend to be romances, whether explicit or not, although often very. Explicit, that is.

Fanfiction takes that age old question, “What if?” and applies it to someone else’s story. Often by pairing – or shipping – two characters who are not romantic partners in the original, no matter how many fans think they should have been.

The story in Spoiler Alert is a glorious chef’s kiss to fanfiction, a lovely story of wish-fulfillment that goes right, and then wrong, and then right again, and a beautiful romance between two people who no one would ever have shipped – but everyone should have.

Especially the two people who are the heart and soul of this surprising and wonderful romance.

Escape Rating A: I have to say that I absolutely adore fanfiction. It’s been a saving grace this year on days when I just could not get into a book. I could drop into a piece of fanfiction and let it whisk me away to a world I already knew with characters I already loved. For hours if not days. Rereading my favorites has been a comfort this year of everything going to whack.

I’ve also written a bit of fanfiction, a long time ago. There is no feeling like pouring your heart and soul into a piece of work and getting responses and kudos and occasional constructive criticism back. I still have friends from that part of my life.

So I understood where April was coming from on more than one level. Both in just how satisfying the writing is and just how difficult it can be to maintain an identity separate from your professional life because you know the reaction you will get. It was a release for her to find somewhere that allowed her to be her authentic self at work as well as in the fanfiction community.

Her story was also a beautiful piece of wish-fulfillment. Many, many, MANY fans of media properties have had that fantasy of meeting the actor playing their dream character and having a happy ever after romance with them, in spite of all the odds against it.

What made April’s story special was that her wish-fulfillment was wrapped around Marcus accepting her and loving her for exactly who she really is – not for some magical transformation to make her more acceptable or conventional in some way. And that her part of that journey was to put herself first and remove toxic relationships from her life, even if those relationships were with her parents. Even if that relationship was with the love of her life.

It was also great that Marcus’ life wasn’t perfect either. He also had toxic relationships to either cut off or change, and what made those relationships toxic was completely different, but every bit as real, as April’s. They both need to get to better places, more authentic places in their lives. And it was crucial that they don’t help each other get there directly but rather give each other the strength to walk their own paths in their own ways.

Even when that path forced them to part because they had – or rather Marcus had  – violated that authenticity with April.

In addition to the lovely, charming, beautiful romance between April and Marcus, there are also plenty of laugh out loud aspects to this story.

It’s easy to see the parallels between Gate of the Gods and Game of Thrones, and that’s obviously intended. From a certain perspective, Spoiler Alert is fanfiction about the entire production of GOT, and the tongue-in-cheek nods and send ups of GOT make the whole thing that much funnier. Especially when it seems like half the cast is writing fanfic under various pseudonyms in order to anonymously stick it to the douchecanoe showrunners.

The whole story is kind of an in-joke on an in-joke and all the funnier – and occasionally more poignant for it. So read Spoiler Alert for the romance, but stay for the tremendous fannish fun.

Just read this book, period, exclamation point, if you’re looking for a wonderfully nuanced romance! There’s a reason – actually there are LOTS of reasons, why Spoiler Alert has been on so many Best Books lists this year. See for yourself!

OMG there’s going to be a sequel! SQUEE!

Review: The Worst Best Man by Mia Sosa

Review: The Worst Best Man by Mia SosaThe Worst Best Man by Mia Sosa
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, romantic comedy
Pages: 359
Published by Avon on February 4, 2020
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A wedding planner left at the altar. Yeah, the irony isn’t lost on Carolina Santos, either. But despite that embarrassing blip from her past, Lina’s managed to make other people’s dreams come true as a top-tier wedding coordinator in DC. After impressing an influential guest, she’s offered an opportunity that could change her life. There’s just one hitch… she has to collaborate with the best (make that worst) man from her own failed nuptials.
Tired of living in his older brother’s shadow, marketing expert Max Hartley is determined to make his mark with a coveted hotel client looking to expand its brand. Then he learns he’ll be working with his brother’s whip-smart, stunning —absolutely off-limits — ex-fiancée. And she loathes him.
If they can survive the next few weeks and nail their presentation without killing each other, they’ll both come out ahead. Except Max has been public enemy number one ever since he encouraged his brother to jilt the bride, and Lina’s ready to dish out a little payback of her own.
But even the best laid plans can go awry, and soon Lina and Max discover animosity may not be the only emotion creating sparks between them. Still, this star-crossed couple can never be more than temporary playmates because Lina isn’t interested in falling in love and Max refuses to play runner-up to his brother ever again...

My Review:

Sometimes, families are the absolute worst. At other times, they’re the greatest! In Lina Santos’ experience as a wedding planner, they can be both, entirely too frequently on opposite sides of the aisle at one of the weddings she has planned. Or rescued. (Three little words, “chartreuse wedding gown”. Enough said)

But the one wedding she couldn’t rescue was her own. Not only was Lina left at the altar, but she was left with the task of letting all of the guests know that there wouldn’t be a wedding after all. Because the groom had bailed, leaving his brother to inform the bride and the bride to deal with all of the fallout.

Fast forward a few years. Lina has put the wedding-that-wasn’t behind her. In a lot of ways, fairly easily. She chose Andrew because he didn’t really touch her heart, so his runaway from the runway was more of a blow to her pride than any other part of her.

Which didn’t mean that she was overcome with joy to discover that Andrew and his brother Max, the best man forced to deliver the news to the no-longer-a-bride Lina, were the PR team for the luxury hotel chain that was looking to hire a full-time wedding coordinator.

A job that Lina desperately both wants and needs. What she doesn’t either want or need is to expose their collective and seriously messy past to a possible boss. So she panics and pretends she doesn’t know either of them.

Even better – or worse – or both, they go along with the ruse.

A ruse that Lina and Max are going to have to maintain for six weeks while the hotel’s new owner goes through a very thorough vetting process. A time period that is more than long enough to strain both the ruse and Max and Lina’s ability to tolerate each other for the length of time necessary for Lina to get the job and Max to prove to both the hotelier and his mother-the-PR-boss that Max is a different and separate person from his conniving, competitive older brother Andrew.

Not that Max is any less competitive, or possibly any less conniving where Andrew is concerned. But this level of connivance, deception and, surprisingly temptation is big enough to bite them all in the ass.

Especially once Max and Lina figure out that the heat in their back-biting is masking a desire to bite each other in an entirely different way!

Escape Rating B+: Max isn’t so much the worst best man as this scenario is the worst nightmare for a wedding planner – being forced to work with the erstwhile groom who left her at the altar and the almost-best man who was stuck giving her the news. Not that Max didn’t take some of the blame for Andrew’s actions, and not that Lina wasn’t more than willing at the time to shoot the damn messenger.

But in spite of the scenario beginning as soap opera worthy and descending from there, Max isn’t even the worst best man that Lina’s ever dealt with, on the job or off.

And they do begin this mess with something in common – they both want to get something over Andrew. In a whole lot of senses, he’s a professional embarrassment for both of them – Lina for the obvious reason, but Max because Andrew has been riding on his intellectual coattails their entire lives, and managing to take all the credit for Max’ hard work into the bargain.

This enemies to lovers romance is billed as a rom-com, and it is filled with the kind of witty banter that makes rom-coms so much fun. But underneath all of that, there’s more going on in this story than first meets the eye.

At the beginning, Max’ attitude towards Andrew, their mother, the job and Lina all come off as very manipulative. His desire to get one over on his brother seems to be driving his actions, and his thoughts are more than a bit on the ugly side.

Max’ relationship with his brother is toxic for both of them, and it seems as if their mother doesn’t see just how much poison she’s adding to that brew. The situation underpins the whole story, as Max is a bit unclear at the beginning whether he’s helping Lina or just using her. And it feels like a bit of both. Max’ manipulativeness soured me a bit on the story at that point, but so many people said so many good things about it that I stuck with it and I’m glad I did.

When Lina and Max become involved with each other, there are plenty of questions all around about whether their emotions are real or whether they’re both using the situation to get back at Andrew. There’s also a heaping helping of concern about whether any relationship they might have can get itself out from under Andrew’s shadow.

At the same time, there’s also a lot that gets said, and needs to be said, that doesn’t get clearly articulated near enough. Max wants Lina to show more of her emotions, but Lina – and every other woman reading this story – is very clear that being able to display your emotions in a professional setting is very much a male privilege. If she gets righteously upset, she’ll be seen as merely a stereotypical “angry black woman” or a typical “hot-blooded Latina as she is Afro-Latinx. If she cries in a work setting, she’s labelled as a “hysterical female” who can’t control her emotions. It’s happened to her. It’s cost her a job and a career. It’s happened to all of us so we do our best to clamp down our emotions at work. As Lina successfully does.

The resolution here is for them to find a way to deal with the very real situation that their relationship drags into the light. Not to paper them over, not to magic up a happy ending, but to earn one.

And that they definitely do!