Review: Putting the Science in Fiction by Dan Koboldt vs. The Science of Science Fiction by Mark Brake

Putting the Science in Fiction: Expert Advice for Writing with Authenticity in Science Fiction, Fantasy, & Other Genres by by Dan Koboldt, Chuck Wendig , Gareth D. Jones, Bianca Nogrady, Kathleen S. Allen, Mike Hays, William Huggins, Abby Goldsmith, Benjamin Kinney, Danna Staaf, Sylvia Spruck Wrigley, Judy L. Mohr, Anne M. Lipton, Jamie Krakover, Rebecca Enzor, Stephanie Sauvinet, Philip Kramer, Gwen C. Katz
Format read: eARC
Source: publisher via NetGalley
Formats available: paperback
Genre: science, science fiction
Pages: 266
Published by Writer’s Digest Books on October 16th 2018
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & NobleBook Depository
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Science and technology have starring roles in a wide range of genres–science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers.

This book brings together scientists, physicians, engineers, and other experts to help you:
Understand the basic principles of science, technology, and medicine that are frequently featured in fiction.
Avoid common pitfalls and misconceptions to ensure technical accuracy.
Write realistic and compelling scientific elements that will captivate readers.
Brainstorm and develop new science- and technology-based story ideas.
Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction.

Putting the Science in Fiction collects articles from “Science in Sci-fi, Fact in Fantasy,” Dan Koboldt’s popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.

 

The Science of Science Fiction: The Influence of Film and Fiction on the Science and Culture of Our Times by Mark Brake
Format read: eARC
Source: publisher via Edelweiss
Formats available: paperback, ebook
Genre: science fiction, history
Pages: 272
Published by Skyhorse Publishing on October 9th 2018
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & Noble, Book Depository
Goodreads

We are the first generation to live in a science fiction world.

Media headlines declare this the age of automation. The TV talks about the coming revolution of the robot, tweets tell tales of jets that will ferry travelers to the edge of space, and social media reports that the first human to live for a thousand years has already been born. The science we do, the movies we watch, and the culture we consume is the stuff of fiction that became fact, the future imagined in our past–the future we now inhabit.

The Science of Science Fiction is the story of how science fiction shaped our world. No longer a subculture, science fiction has moved into the mainstream with the advent of the information age it helped realize. Explore how science fiction has driven science, with topics that include:

Guardians of the Galaxy Is Space Full of Extraterrestrials? Jacking In: Will the Future Be Like Ready Player One?
Mad Max Is Society Running down into Chaos? The Internet: Will Humans Tire of Mere Reality?
Blade Runner 2049 When Will We Engineer Human Lookalikes? And many more!
This book will open your eyes to the way science fiction helped us dream of things to come, forced us to explore the nature and limits of our own reality, and aided us in building the future we now inhabit.

My Review:

I have served on various book judging committees over the years. Recently I was part of a group picking the best science fiction for the year. I’m not going to say where or when, but it’s a list where the jury is still out.

But it made me think about what makes good science fiction – and conversely what doesn’t. Which led me to not one but two books in the virtually towering TBR pile, Putting the Science in Fiction and The Science of Science Fiction, both of which have been released this month.

It seemed like a golden opportunity to do a compare and contrast instead of a more traditional review.

I thought that these books would work together well. Putting the Science in Fiction was all about the inputs. It is exactly what I expected it to be. Much fiction, both written and filmed, includes some science in some form. Police dramas and mysteries deal with forensic science. Medical dramas – and not a few mysteries – deal with medical science. Science fiction, of course, is all about taking science out to the nth degree and then playing with it.

But lay people often get things wrong. There are lots of things about science that get shortchanged or simplified in order to make better drama. Anyone who is an expert in whatever has just gotten completely screwed up will cringe and just how far off-base the writer or director has just taken the science in their story.

We all do it for our own fields. And when it happens it throws the knowledgeable reader out of the story – no matter how good the rest of it might be.

Putting the Science in Fiction turns out to be a surprisingly readable collection of essays by science and engineering experts explaining the very, very basics of their fields to those of us whose expertise is somewhere else. It serves as a terrific guide for any writer who wants to follow the dictum of “write what you know” by learning more so they know more so they have more to write about.

On my other hand, The Science of Science Fiction is not what I expected it to be. I was kind of expecting it to be about SF that did well – not necessarily in the science aspect at the time so much as in the way that it captured the imagination – even to the point where the SF created the science it postulated.

There is a famous story about Star Trek: The Original Series and the invention of the cell phone that comes to mind.

But that’s not where this book went. Although that would be a great book and I hope someone writes it.

Instead, The Science of Science Fiction reads more like a history of SF written thematically rather than chronologically. It takes some of the basic tenets and tropes of SF and lays out where they began – sometimes surprisingly long ago – to where they are now.

It’s an interesting approach but it didn’t quite gel for this reader.

By way of comparison, both books talk about the science and the influences of Michael Crichton’s classic work of SF, Jurassic Park.

Putting the Science in Fiction does two things, and it does them really well. First, it conveys that “sensawunder” that SF does when it is at its best. The author of the essay is a microbiologist, who puts the science of the book in context – both the context of what was known at the time it was written (OMG 1990!) and what has been discovered since, and comes to the conclusion that he didn’t do too badly based on what was known at the time. Discoveries since have made his science fictional extrapolation less likely than it originally seemed. It’s hard to fault the author for that.

But what the author of the essay also does is to show how the book not only grabbed his interest and attention but continues to hold it to the present day, even though he knows the science isn’t remotely feasible. The book does a great job of taking just enough of the science in a direction that we want to believe is possible.

After all, who wouldn’t want to see a real live dinosaur? Under very controlled conditions. Much more controlled conditions than occur in the book, of course.

The Science of Science Fiction also discusses Jurassic Park. (A classic is a classic, after all) But instead of talking about the science of cloning the author goes into a couple of other directions. First he sets Jurassic Park within the context of other “lost world” works of science fiction. That’s a tradition that goes back to Jules Verne and even further. But it feels like the fit of Jurassic Park as part of that lost world tradition doesn’t quite fit.

The other part of this Jurassic Park discussion has to do with the way that scientists are portrayed in SF. Science makes the story possible. Scientists in fiction tend to work toward proving they can do something – in this particular case proving they can clone dinosaurs from preserved DNA. It takes a different kind of scientist, someone dealing in chaos theory, to posit that just because it CAN be done doesn’t mean it SHOULD be done. That’s a discussion I would love to see expanded. And I’d have liked this book more if it had been expanded here.

Reality Ratings: These two books struck me completely differently. Putting the Science in Fiction is both readable and does what it sets out to do – excellent points for a work designed to help writers do a more informed job of including science in their fiction. I therefore give Putting the Science in Fiction a B+.

Howsomever, The Science of Science Fiction doesn’t work nearly as well. It reads much more like a history of SF than it treats with the science of SF. That it breaks that history up into themes rather than treat it chronologically makes it jump around a bit. As SF history, it’s not nearly as readable as Astounding or An Informal History of the Hugos or What Makes This Book So Great?. While I will be tempted to dip back into Putting the Science in Fiction again when I need some explanatory material on a particular science in SF, I won’t be inclined to go back to The Science of Science Fiction. I give The Science of Science Fiction a C+

One final recommendation. Do not read the chapter in Putting the Science in Fiction about plausible methods for kicking off the Zombie Apocalypse at breakfast. Or any other meal!

Review: The Library Book by Susan Orlean

Review: The Library Book by Susan OrleanThe Library Book by Susan Orlean
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: books and reading, history, libraries, true crime
Pages: 336
Published by Simon & Schuster on October 16, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Susan Orlean, hailed as a “national treasure” by The Washington Post and the acclaimed bestselling author of Rin Tin Tin and The Orchid Thief, reopens the unsolved mystery of the most catastrophic library fire in American history, and delivers a dazzling love letter to a beloved institution—our libraries.

On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had been cleared out of the building realized this was not the usual false alarm. As one fireman recounted later, “Once that first stack got going, it was Goodbye, Charlie.” The fire was disastrous: It reached 2,000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed 400,000 books and damaged 700,000 more. Investigators descended on the scene, but over thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who?

Weaving her life-long love of books and reading with the fascinating history of libraries and the sometimes-eccentric characters who run them, award-winning journalist and New York Times bestselling author Susan Orlean presents a mesmerizing and uniquely compelling story as only she can. With her signature wit, insight, compassion, and talent for deep research, she investigates the legendary Los Angeles Public Library fire to showcase the larger, crucial role that libraries play in our lives. To truly understand what happens behind the stacks, Orlean visits the different departments of the LAPL, encountering an engaging cast of employees and patrons and experiencing alongside them the victories and struggles they face in today’s climate. She also delves into the evolution of libraries across the country and around the world, from a metropolitan charitable initiative to a cornerstone of national identity. She reflects on her childhood experiences in libraries; studies arson and the long history of library fires; attempts to burn a copy of a book herself; and she re-examines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the library over thirty years ago. Along the way, she reveals how these buildings provide much more than just books—and that they are needed now more than ever.

Filled with heart, passion, and unforgettable characters, The Library Book is classic Susan Orlean, and an homage to a beloved institution that remains a vital part of the heart, mind, and soul of our country and culture.

My Review:

This is Banned Books Week. As part of my own personal Banned Books Week celebration I read and review at least one book about libraries, or books, or a book that has been banned. Or Fahrenheit 451 which kind of hits the trifecta.

The Library Book is not about book banning. Instead, it’s about book burning. Not the kind of book burning that occurs in Fahrenheit 451, but something less political but unfortunately just as deliberate.

It’s about a real-life case that definitely involved the perfect temperature, and conditions, for burning books. An awful lot of books.

But that’s not the only thing in The Library Book. A big part of the story revolves around that calamitous fire, the ultimately inconclusive investigation into its cause, and the massive amount of effort required in its aftermath for the Los Angeles Public Library’s Central Library to open for business once more.

In the process of investigating the fire, the author also took a deep dive into the current operations of LAPL. In the end, this book serves as a love letter to one of the great public libraries in the United States, and ultimately to all public libraries.

The process of looking at and into LAPL as it is today, the way that its mission has changed and adapted, and all of the many ways that it continues to serve its rich and varied community, showcases the vital work that libraries perform in the 21st century. And makes the case, yet again, that libraries are not dusty repositories of books.

That the author also rediscovered her own love of libraries, and the sweetness of the childhood memories she had wrapped around them, was the icing on the cake.

Reality Rating A: When I first picked this up I was expecting more than a bit of “insider baseball” – but I’m happy to report that is not the case. The author is looking at the library’s operation from the point of view of an interested bystander, a user of libraries, and not someone on the inside.

That being said, the operations she described will be familiar to anyone who has ever worked in a library, particularly those of us who have worked in some of the large urban libraries. While the Los Angeles community served by LAPL is different from Chicago, many of the internal workings of a large urban library seem to be the same.

The story of the fire is fascinating and heartbreaking. Like the author, I wondered why I did not remember the events when they occurred. I was a working librarian at the time. But the fire, as big as it was (and it was HUGE) could not eclipse the news of the Chernobyl disaster. Not much can compete with the potential end of the world as we know it.

Readers will find the investigation frustrating, as did investigators at the time. The story has all the elements of a true crime thriller – but with no definitive ending. Somebody set this fire, but we’ll never know who. This part of the story lacks closure but is true to life. There was a strong suspect with a weak alibi, but ultimately it’s a mystery.

What emerges from The Library Book, along with smoke that can still be sniffed between the pages of those books that survived the fire, is a portrait of libraries as community institutions, and just how vital they can be when they reach out and serve.

In the end, the story in some ways reminds me of the recent events in Brazil and the fire that consumed the National History Museum in Rio de Janeiro. Both fires were the largest of their kind. Both took place in buildings that were known to be firetraps – places where maintenance and prevention had been neglected for years. And both were conflagrations that caused incalculable losses of knowledge and history.

LAPL rose from its ashes, with a lot of blood, sweat, tears and above all, effort. Perhaps someday the National History Museum of Brazil will as well.

Review: I Met a Traveller in an Ancient Land by Connie Willis

Review: I Met a Traveller in an Ancient Land by Connie WillisI Met a Traveller in an Antique Land by Connie Willis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: books and reading, fantasy, science fiction
Pages: 88
Published by Subterranean Press on April 30, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Jim is in New York City at Christmastime shopping a book based on his blog—Gone for Good—premised on the fact that “being nostalgic for things that have disappeared is ridiculous.” Progress decides for people what they need and what’s obsolete. It’s that simple. Of course, not everyone agrees. After Jim bombs a contentious interview with a radio host who defends the sacred technology of the printed, tangible book, he gets caught in a rainstorm only to find himself with no place to take refuge other than a quaint, old-fashioned bookshop.

Ozymandias Books is not just any store. Jim wanders intrigued through stacks of tomes he doesn’t quite recognize the titles of, none with prices. Here he discovers a mysteriously pristine, seemingly endless wonderland of books—where even he gets nostalgic for his childhood favorite. And, yes, the overwhelmed and busy clerk showing him around says they have a copy. But it’s only after Jim leaves that he understands the true nature of Ozymandias and how tragic it is that some things may be gone forever…

From beloved, multiple-award-winning, New York Times best-selling author Connie Willis comes I Met a Traveller in an Antique Land, a novella about the irreplaceable magic of books.

My Review:

If you love books, this is a terrific story.

Although the blurbs say it’s all about the magic of books, and it is about that, it feels as if it is also, and possibly first and foremost, a book about obsession. And nostalgia. And obsolescence. And definitely books.

I say that it is about obsession because of the main characters reaction to his discovery of and at the strange and mysterious Ozymandias Books.

The name of the bookstore, Ozymandias, probably sounds familiar, but you probably couldn’t place it unless you googled it, as I did. Ozymandias is the title of a poem by Percy Bysshe Shelley, which begins with the line, “I met a traveller from an antique land”.

Ironically, the theme of the poem is hubris, overweening pride, that comes before an inevitable fall. In the case of the poem, it references the inevitable fall of once great empire. One Ozymandias’ other famous lines references that directly, “Look on my works, ye Mighty, and despair!”

But our protagonist Jim is not mighty. His work, his blog Gone for Good, is all about the inevitable obsolescence of pretty much everything, including printed books, and the way that societies routinely toss things they no longer find needful into the scrapheap of history. And that the things being tossed should not be mourned in their passing, because if they were truly needed they wouldn’t be tossed in the first place.

People, however, have an emotional attachment to those things being tossed, as well as the times they represent. People particularly have an emotional attachment to books, because they represent both the escape of reading their contents and the times and places where we read them. For those of us who are readers, those memories are indelible.

When Jim sneaks his peek into the depths of Ozymandias Books, he finds himself re-captured by that love of books and his own particular memories of the books of his childhood. In other words, he finds the magic and wonder of books and reading all over again, and realizes that their passing away is something to be mourned, and if possible prevented.

But he is ejected from this book lovers paradise, and in the end sacrifices everything to find his way back.

Can we blame him?

Escape Rating B+: I’m pretty sure that most librarians and book lovers are going to love this story. Particularly the people who love books as objects, and not just those who love books for the stories they contain but don’t care as much about the container.

Ozymandias Books, the store, reminds me of two of the libraries in Terry Pratchett’s Discworld. As Jim plumbs the depths of Ozymandias, its neverending row upon row and floor upon floor of bookstacks, it is clear to the reader that he is in a magical space that is not limited by the constraints of geography, geology, logic or common sense. Like a TARDIS, Ozymandias Books is infinitely bigger on the inside. Or, and more likely, it connects to the L-space created in the Discworld, where all great libraries flow into one another by magic.

But the nature of the collection at Ozymandias Books, and the way it is acquired, seem more like Death’s two libraries. One is the library of all the books that were ever written, whether or not those works were lost to the mists of time, fate, or mold. The other, and infinitely larger library, is the collection of all the books that were never written. (I probably have a couple of volumes in there myself)

Unlike many of this author’s other short works, I Met a Traveller is not a funny story. It is ultimately sad. It is a story about the death of books as objects. It is also the story of Jim’s growing obsession with finding this place where it seems like books go to die. As the story ends, it looks like he’s going to devote his life to the search, without leaving the reader feeling as if he has a chance at success.

This is a story that asks questions, and does not provide answers. It will make you think. And leave you with more than a bit of nostalgia for those good old days when books were objects that readers carried around proudly, and that carried readers away.

Review: Dear Fahrenheit 451 by Annie Spence

Review: Dear Fahrenheit 451 by Annie SpenceDear Fahrenheit 451: A Librarian's Love Letters and Break-Up Notes to the Books in Her Life by Annie Spence
Formats available: hardcover, ebook, audiobook
Pages: 288
Published by Flatiron Books on September 26th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A Gen-X librarian's snarky, laugh-out-loud funny, deeply moving collection of love letters and break-up notes to the books in her life.

Librarians spend their lives weeding--not weeds but books! Books that have reached the end of their shelf life, both literally and figuratively. They remove the books that patrons no longer check out. And they put back the books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties—everywhere. In Dear Fahrenheit 451, she addresses those books directly. We read her love letters to The Goldfinch and Matilda, as well as her snarky break-ups with Fifty Shades of Grey and Dear John. Her notes to The Virgin Suicides and The Time Traveler’s Wife feel like classics, sure to strike a powerful chord with readers. Through the lens of the books in her life, Annie comments on everything from women’s psychology to gay culture to health to poverty to childhood aspirations. Hilarious, compassionate, and wise, Dear Fahrenheit 451 is the consummate book-lover's birthday present, stocking stuffer, holiday gift, and all-purpose humor book.

My Review:

There’s a song in this book, or at least a subtitle, “To All the Books I’ve Loved Before”. And that observation also nicely encapsulates the level of snarky librarian attitude displayed throughout.

And this is also a terrific book to highlight Banned Books Week this week, as so many of the classics (and definitely less than classics) that the author pens her virtual missives to have been banned or challenged at one point or another.

Her letter to Fahrenheit 451 is every bit as meta as it should be. This absolutely timeless story about banning books has itself been banned multiple times in multiple places. Reading it reminds all of us librarians and our allies what it is we fight for when we fight for the freedom to read. And it’s a damn good book.

But the letter I particularly loved was her love letter to To Kill a Mockingbird, which has also been banned and challenged for decades. She loves it, because To Kill a Mockingbird is responsible for her lifelong love affair with books and reading. Not because she herself has read it, but because it is the book that turned her older sister into a lifelong reader. And it is her older sister who passed that gift that keeps on giving, to her.

There are love letters, and sometimes hate letters and snark-filled letters, to some other books that may not be classics, but still get regularly challenged. Like Twilight, which is as far from classic as it gets. Many people loved it, but that does not mean it will survive the test of time that makes a classic. Its derivative, Fifty Shades of Grey, also comes in for its fair share of that same attitude.

They’ve both been banned, Twilight for its witchcraft, and Grey for its sexuality. Having read both, these are books that I personally will be happy to see fall into the scrap-head of history – or the weeding pile of many libraries, but not as banning. They’ll always, and they should always, be available to whoever wants to read them. Which doesn’t mean that I’ll ever think they’re great lit – or even terribly entertaining lit. And yes, I read them both.

While her letter to Fahrenheit 451 is the author’s chance to talk about book challenges and book bans, many of her other letters and comments get into some of the nitty gritty of being a librarian surrounded by books. And involves some of the things that librarians have to do to maintain the libraries that surround them. Her letters to and about books that she is weeding, and the reasons that it may be time for some books to go, speak directly to the librarian in all book lovers.

And last but not least, of course, she makes book recommendations. It’s something we all do, because none of us can resist trying to matchmake every reader (and non-reader) with the perfect book for them.

Reality Rating B: I didn’t expect to read this cover to cover. It looks like the perfect book to dip in and out of. But the letters are like potato chips, you can’t read just one.

At the same time, I found myself wanting to quibble and argue with the author – as all book lovers are wont to do about what books they love best – and least. And it does have a bit of a feeling of “insider baseball”. I enjoyed Dear Fahrenheit 451 because it spoke directly to me as a librarian and reader. I have to wonder whether it will have that same effect on someone who is not both.

Except for Agatha Christie, who has definitely transcended her genre and become a “Classic”, the author doesn’t seem to be big on genre fiction. So if you’re looking for letters to science fiction, mystery or romance books, you won’t find much here. (If you’re looking, let me help. I’d be thrilled!) However, there are plenty of YA books that get a mentioned. Which is good, because there are plenty of challenges to YA books.

But the book does say a lot about the book lovers love of reading. And for that it’s awesome. And her letter to The One Hour Orgasm will absolutely leave you in stitches.