#AudioBookReview: The Most Human by Adam Nimoy

#AudioBookReview: The Most Human by Adam NimoyThe Most Human: Reconciling with My Father, Leonard Nimoy by Adam Nimoy
Narrator: Adam Nimoy
Format: audiobook, ebook
Source: purchased from Amazon, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: autobiography, biography, memoir, Star Trek
Pages: 272
Length: 9 hours and 18 minutes
Published by Chicago Review Press on June 4, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Living with Dad was like living with a stranger—as a kid I often had trouble connecting and relating to him. But I was always proud of him.
Even before Star Trek I'd see him popping up in bit roles on some of my favorite TV shows like Get Smart, Sea Hunt, and The Man From U.N.C.L.E. And then one night he brought home Polaroids of himself in makeup and wardrobe for a pilot he was working on. It was December 1964 and nobody had heard of Star Trek. Still, the eight-year-old me had watched enough Outer Limits and My Favorite Martian to understand exactly what I was looking at.
Spock's popularity happened quickly, and soon the fan magazines were writing about dad's personal life, characterizing us as a "close family." But the awkwardness that defined our early relationship blossomed into conflict, sometimes smoldering, sometimes open and intense. There were occasional flashes of warmth between the arguments and hurt feelings—even something akin to love—especially when we were celebrating my father's many successes. The rest of the time, things between us were often strained.
My resentment towards my father kept building through the years. I wasn't blameless, I know that now, but my bitterness blinded me to any thought of my own contribution to the problem.
I wanted things to be different for my children. I wanted to be the father I never had, so I coached Maddy's soccer, drove Jonah to music lessons, helped them with their homework—all the things dads are supposed to do. All the things I wanted to do. So what if my Dad and I had been estranged for years? I was living one day at a time.
And then I got his letter.
That marked a turning point in our lives, a moment that cleared the way for a new relationship between us.

My Review:

It’s an iconic line, isn’t it? “Of all the souls I’ve encountered in my travels, his was the most human.” In my head, I still hear it with all of the Shatnerian pauses, and it still brings a tear to my eye, even though Star Trek: The Wrath of Khan came out more than 40 years ago – and we all know that wasn’t the end for either Spock or the man who made that ‘pointy-eared Vulcan’ a cultural icon.

But Spock was a fictional character, played by a very human man, filled with all of the virtues and flaws that are part and parcel of that human condition. This is a bit of the story of that humanity, as seen through the eyes of someone who was up close and personal with the virtues, and caught – or at least held onto – the brunt of entirely too many of the flaws.

And in this introduction, I’m doing exactly what the author has done – used the memory of his famous father to get at the story of his son. A role reversal of something that Leonard Nimoy once alluded to, that someone – actually someone looking for money in particular – would use his son to get at him.

So this isn’t a Star Trek story. And it explicitly isn’t a biography of Leonard Nimoy. Rather, it tells the story of the family that lived in, as the author referred to it, ‘the house that Star Trek bought’ in LA’s Westwood Village in 1968, how they got there, where they came from, and especially what happened after to the boy pictured on the book’s cover, Leonard Nimoy’s son Adam.

This is Adam’s journey, not Leonard’s. But, as with all families, the lives of the parents – who they were, where they came from, their reactions to the ways that their own parents raised them, and how they internalized that upbringing – reflect on their children, for better and for worse.

This is THAT story.

Reality Rating B: If you come to this book expecting a ‘Making of Star Trek’ story, you’re going to be disappointed. If you’re expecting a ‘warts and all’ biography, you’re not actually going to get that either. Not that both the father and the son didn’t have plenty of those.

This is, admittedly, a story about a man who was a hero and/or a touchstone for more than one generation of fans that shows that he had feet of clay up to the knees – but then so do most humans, which is kind of the point.

Circling back around again – because it is irresistible to talk about the father when this is a book by and about the son – it’s about a dad’s impact, both good and bad, on the life of one man who just so happens to be the son of someone famous.

Once one throws out the preconceived notions about what one expected in this autobiography, it’s something entirely different. At first, I had a bit of a difficult time connecting to the story and the author, but then it started to feel a whole lot more familiar than I expected.

His story resonated with me because our fathers were both products of the same Eastern European, Jewish immigrant, Depression-era generation. Both were workaholics who financially supported their families but weren’t physically around, were often in their own heads when they were, and as a result had strained relationships with their children. Adam Nimoy is my age, so we were viewing the world of the 1970s and 1980s from similar ages and from familiar backgrounds and expectations.

There are times when I wonder if ‘daddy issues’ are what makes the world go around, but I digress, just a bit.

I’m saying that once I found a way into his perspective a little, it made the whole thing work better for me. I listened to the audio, and even his speech cadences felt familiar – not because he sounds like his famous father – he doesn’t – but because those cadences arise from a similar time and place and culture. It was kind of like listening to a cousin.

His story is very much, at points, a walk through dark places, of taking heavy blows from sometimes self-inflicted wounds, and then walking a hard and frequently lonely path through recovery. It becomes a story about what happens after a person stops medicating their emotional pain away and starts feeling their feelings.

Which was something that resonated a hell of a lot more than I expected – as did the parts about how easy it is to hold onto old hurts and older grudges and how difficult it is to let them go.

Rating an autobiography feels different from rating a work of fiction, because even though I’m rating the story as it’s told, that can’t help but feel a bit like rating the life of the person telling it – no matter how much I try not to.  And rating someone else’s life is just wrong. It was what it was and it is what it is and what needs to matter here is how good a job the author AS AN AUTHOR does of telling the story they decided to tell – even though it’s theirs.

Which is where that B rating comes in. It did take me awhile to get into this book, and there were times when it felt like he was kind of whiney in a way that came out in the audio as well. The story is way more about the author’s recovery from addiction than it is about anything else in a way that’s good and important and feels real in its length and its details but also felt a bit long and repetitive as he had to repeat some of the steps – as one so frequently does. It also reads as a kind of ‘slice of life’ story that mostly hits the highlights – and lowlights – but doesn’t dwell on the everyday too much, but a little went a long way when it came to dealing with the family dysfunction – of which there was plenty.

Coming into this expecting one thing and getting another may throw off more than a few readers – although if they stick with it they’ll find a whole lot more than they originally expected. Anyone looking for a story that personalizes the ‘Twelve Steps of Recovery’ will likely find this fascinating, inspiring and helpful as he pulls it down to earth and makes it very real even as he’s invoking a ‘Higher Power’. And in the end, the audio works better than the text because the audio helps to make the story feel authentic. It’s him, and he’s telling his story – warts and all.

Review: Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World’s Ugliest Sweater by Peggy Orenstein

Review: Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World’s Ugliest Sweater by Peggy OrensteinUnraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World's Ugliest Sweater by Peggy Orenstein
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: autobiography, biography, history, memoir, women's history
Pages: 224
Published by Harper on January 24, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch--shearing, spinning, dyeing wool--and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone.
The Covid pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater.
Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn't expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women's rights, the impact of technology, sustainability, and, ultimately, the meaning of home.
With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker--and teaches us all something about creativity and connection.

My Review:

Looking back – and oh how happy I am to be able to do that – we all unraveled a bit during COVID. At its simplest, Unraveling is one author’s story of how she dealt with that “Great Unraveling” by, well, raveling. Technically by knitting, but if the sheep baas, shear it.

So the framework of Unraveling is centered on what turned out to be the author’s pandemic project. People did all sorts of things to help them through the lockdown, or to provide structure while doing so, or perhaps a bit of both.

The author, who was an author in the Before Times whose in-progress book tour dissolved in the lockdowns, did not adopt a new pet as many people did. Although her project did involve animals – just not in any of the usual ways.

As a lifelong knitter, she decided to go deeper into a hobby she learned from her mother. SLFHM for short, as she learned that many, many fiber artists learned their craft from their mothers.

Orenstein went very deep, even though her shears often didn’t go nearly deep enough. She decided to experience the entire process of knitting from the first stage of the work to its final product by learning how to shear sheep, take the sheared wood through cleaning and carding, spin it into yarn, dye it using natural dyes and last but not least, knitting a sweater from the fruits of her labor. Which was also, naturally (pun intended) a fruit of her labor.

The steps of her project, frustrating, messy, aching and all too often colorful – whether from bruises or yarn going through the color spectrum, form the backbone of the book.

But each step and stumble along that way turned the author’s mind, and followed by the reader’s, down the myriad byways of history, science, sociology, ecology and pretty much anywhere and everywhere else that the human experience takes us.

Spinning thread leads to thoughts about the rise of civilization, the development of language and the independence generated by women’s work along with excoriations about the patriarchy that all too often suppresses it. Dyeing leads to the history of the chemical industry. The handwork – and hard work – of producing one’s own clothing gets into a discussion of the rapaciousness of the clothing industry and its effects on the environment.

One thought leads to another. Inevitably. As humans do.

Mixed in with a fascinating meander through history and sociology are personal elements, as Unraveling is kind of a journal of one woman past midlife dealing with all that life throws at us when we realize that there are more days behind us than in front of us. That our parents are going or gone. That our children – if we have them – are moving out and away. And all of that in the midst of quarantines where the rituals that usually surround those milestones are out of reach, as are the loved ones who are leaving us behind, one way or another.

Reality (and Escape) Rating A-: I’m calling it both, as this is a nonfiction book about the author’s way of escaping from the unstructured, amorphous nature of life under lockdown. Sometimes, finding purpose is the best thing we can do for ourselves as humans, and Unraveling is one person’s story about that journey.

Unraveling turns out to be a thoughtful book combining a lightness of heart with the heaviness of a sweater produced by hands filled with a lot of love and no small measure of grief. The exploration of the process of creating the sweater and all of the sweat equity that went into each step will draw in many readers – particularly those with some interest or experience in any of the fiber arts – whether they were taught by their mothers or not.

The explorations into history, culture and science will remind readers of some of Mary Roach’s work, or even Caitlin Doughty’s work about the death industry (Smoke Gets in Your Eyes), that same idea of using a process to explore a concept and its history in depth. Whether the depth of the research in Unraveling goes as far or as deep is a question that this reader can’t answer, but I found it all utterly fascinating – even though I’m not a knitter.

I suspect there will be some mixed feelings among readers about the more personal issues the author brings to this work, especially her grief over the final loss of her mother and the everyday loss of little pieces of her father as he succumbs to Alzheimer’s. As someone in the same age cohort, her thoughts about her losses resonated with me, as did her considerations – and still considering – the inevitable changes coming to her own life as she and her husband face retirement and what lies beyond. That part of her story may not work for every reader, but it certainly did for this one.

Review: Fan Fiction by Brent Spiner

Review: Fan Fiction by Brent SpinerFan Fiction: A Mem-Noir: Inspired by True Events by Brent Spiner, Jeanne Darst
Format: audiobook
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: autobiography, humor, mystery, noir
Pages: 256
Published by Macmillan Audio on October 5, 2021
Publisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From Brent Spiner, who played the beloved Lieutenant Commander Data on Star Trek: The Next Generation, comes an explosive and hilarious autobiographical novel.
Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one.
Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance.
Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life.
Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”

My Review:

There’s a fine line between parody and farce, and it feels like Brent Spiner tap-danced over it in both directions, multiple times, during the course of this story. If that dance turned out to be set to one of Frank Sinatra’s greatest hits, or something else from the “Great American Songbook” I wouldn’t be in the least bit surprised.

It might be best to go into this story not really thinking of it as, well, a story. It’s more of a combination of homage and love letter. The “mystery” part of the story reads like an homage to the noir films of the Golden Age of Hollywood, complete with a reference to that classic image of noir, the painting Nighthawks by Edward Hopper.

Nighthawks by Edward Hopper, 1942 courtesy of the Art Institute of Chicago

It’s also a love letter, to his friends and fellow crew members of Star Trek: The Next Generation, and to all of us who vicariously voyaged with them aboard the Enterprise-D.

But as a story, it goes over the top so much and so often that it pratfalls down the other side. At the same time, it mixes events from his real life in a way that intentionally blurs the line between fact and fiction to the point where the reader just has to hang on for the ride without attempting to figure out which is which.

So the story is grounded in what feels like the real, the real traumas of Spiner’s childhood with his abusive stepfather, the real grief over the death of Gene Roddenberry which occurs during the course of the story. But the picture that hangs within that real framing is the story of a crazed fan stalking the actor and making his life his misery, while his attempts to find help to keep him safe and find his stalker send the story way over the top into the land of make believe.

At least I hope they do, because some of what happens can’t possibly be real. Can it?

Escape Rating B: I’ll confess that as much as I’m still a Star Trek fan, particularly the original series and Next Generation, I had no intentions of reading this book, until I saw the audio. The full cast audio with appearances by several of the Next Gen cast playing themselves – albeit a slightly exaggerated version thereof. And that’s what got me to pick up the audio – and eventually the book because I needed to doublecheck more than a few things.

There is still plenty of animosity among the remaining members of the original series cast, even after 50+ years, but there were no such rumors about the Next Gen cast, and the idea that they would get together and do this for one of their members after all these years says a lot about the group dynamic. A dynamic that was on full display in this recording.

So the audiobook is both a blast and a blast from the past and I was all in for that. Fan Fiction is a tremendously fun listening experience, and hearing everyone play themselves made the whole thing a real treat even when the story itself doesn’t quite hold up to examination.

I also have to say that, as weird as it is in yesterday’s book where the author is a character in his own fictional story, it’s even weirder when the author is a real-life character in a story that is basically fan fiction about his own life. Particularly in the bits where he alludes to his own romantic escapades. (He’s married now, but he hadn’t even met his wife in 1991 when this story takes place. So it’s weird and meta but not quite THAT weird and meta.)

There’s a saying about the past being another country, that they do things differently there. Fan Fiction, in addition to its bloody animal parts in the mail, bombshell twin detectives who BOTH have romantic designs on the author AND the stalker who gets stalked by yet another stalker, is also a trip down memory lane back to 1991.

That’s 30 years ago, and we, along with the world, were a bit different then. Next Generation was in its 5th season, and still not all that popular in the wider world of TV no matter how huge a hit it was among science fiction fans. Next Gen was in syndication only at a time before the streaming juggernauts were even a gleam of a thing in a producer’s eye. It was the author’s really big break as an actor, and that was true for all of the cast except Patrick Stewart and LeVar Burton.

So we were all a lot younger then, childhood traumas were a lot closer in the rearview mirror and still being worked on and worked out, and no one knew then that Star Trek would become a multimedia colossus to rival Star Wars. None of us knew then what we know now, and that’s true of the author and his attitudes towards his own celebrity.

Back to this story. The mystery/thriller aspects push the willing suspension of disbelief well past the breaking point. I half expected this to turn out to have all been a dream like The Wizard of Oz. But the full cast recording turns the whole thing into a delightful trip down memory lane as well as a hilarious send-up of acting and fame and celebrity and fandom. .

If you’re a Star Trek fan, get the audio and settle in to hear some of your favorite characters tell you just one more story. Bits of it might even be true!

Review: Becoming Superman by J. Michael Straczynski

Review: Becoming Superman by J. Michael StraczynskiBecoming Superman: My Journey from Poverty to Hollywood by J. Michael Straczynski
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: autobiography, biography, science fiction
Pages: 460
Published by Harper Voyager on July 23, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

With an introduction by Neil Gaiman!

In this dazzling memoir, the acclaimed writer behind Babylon 5, Sense8, Clint Eastwood's Changeling and Marvel's Thor reveals how the power of creativity and imagination enabled him to overcome the horrors of his youth and a dysfunctional family haunted by madness, murder and a terrible secret.

For four decades, J. Michael Straczynski has been one of the most successful writers in Hollywood, one of the few to forge multiple careers in movies, television and comics. Yet there's one story he's never told before: his own.

Joe's early life nearly defies belief. Raised by damaged adults--a con-man grandfather and a manipulative grandmother, a violent, drunken father and a mother who was repeatedly institutionalized--Joe grew up in abject poverty, living in slums and projects when not on the road, crisscrossing the country in his father's desperate attempts to escape the consequences of his past.

To survive his abusive environment Joe found refuge in his beloved comics and his dreams, immersing himself in imaginary worlds populated by superheroes whose amazing powers allowed them to overcome any adversity. The deeper he read, the more he came to realize that he, too, had a superpower: the ability to tell stories and make everything come out the way he wanted it. But even as he found success, he could not escape a dark and shocking secret that hung over his family's past, a violent truth that he uncovered over the course of decades involving mass murder.

Straczynski's personal history has always been shrouded in mystery. Becoming Superman lays bare the facts of his life: a story of creation and darkness, hope and success, a larger-than-life villain and a little boy who became the hero of his own life. It is also a compelling behind-the-scenes look at some of the most successful TV series and movies recognized around the world.

My Review:

I jumped at the chance to read this book and be on this tour because, well, basically because Babylon 5. Which I’ve watched more than once, and have frequently cited in regards to its treatment of chaos vs. order in the Shadow War. Because that dichotomy rears its head, over and over, in SF, in Fantasy, in life.

It’s what makes Loki such a fascinating character, because he represents chaos. While the MCU may equate chaos with evil, it ain’t necessarily so. There’s a reason why seemingly every mythology has a chaos avatar – because chaos and the response to it pushes us forward.

It’s what makes Ben Franklin’s quote about sacrificing freedom to obtain security so powerful, as freedom is generally a bit chaotic, while security generally aligns with order. But too much of either, no matter how well intentioned, is always a bad thing.

The surprising thing about this autobiography is just how much chaos swirled around the author’s early life. And that his adult response seems to have been, not to fight against the chaos, but to embrace it. To grow stronger from the fight – no matter how much it hurt.

And it’s a fascinating journey from beginning to end – even if – or especially because – it (and the author) took a very long walk through some very dark places.

Reality Rating A+: I opened this book, fell completely into it, and didn’t emerge until I turned the last page. Sort of like the first time I watched Babylon 5, somewhere in Season 3, and got so deeply entranced – or entrenched – that I went back to the beginning to catch up then waited with the proverbial bated breath for each episode thereafter.

One of the fascinating things about the author’s life is the way that he knows and addresses the fact that he might not be the most reliable narrator of the early parts of it. Not because of lies or embellishments – or at least not because of his own lies or embellishments. Rather because the people whose memories he is forced to rely on for the parts that take place before his birth or during his early childhood were themselves far from reliable. His family’s story is a story of lies and coverups hiding multiple essential and nasty truths.

All families have secrets. All families centered around any kind of abuse have particular kinds of secrets designed to protect the abuser from the consequences of their actions. All of that is in this life story.

But the dark heart hidden underneath all of that is even more rotten than most people have to deal with in one lifetime. And it left the kind of damage that makes all too many people not merely dysfunctional, but sets them up for a lifetime of perpetuating their abuse.

What makes this story so special? For one, the book is compulsively readable. I started and absolutely couldn’t put it down until about 2:30 in the morning – and not just because I wanted to get to the good parts. I felt so compelled because the man is a consummate storyteller, no matter how painful the story is. I was hooked and I stayed that way for 5 hours of reading, just as I stayed that way for 5 years of B5.

The story begins as a shitshow of epic proportions, travels inexorably from endless defeats to seeming victories to yet more defeats, only to rise and fall again and again, until the end is, not so much a triumph as a paean of gratitude for all the chances that came, and for all of the million-to-one shots that surprisingly and delightfully paid off.

And it’s an absolutely marvelous read every step of the way. Even the hard parts. Especially the hard parts. Because the author spares no one, particularly not himself.

My one and only regret about this book is that I didn’t have time to listen to the audio, which is read by the actor who played the clown-turned-emperor Londo Mollari on Babylon 5. The only way that could have been better would be if G’Kar were still with us to participate. And now, I think it’s time for a rewatch.

TLC
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Review: The Upside by Abdel Sellou

Review: The Upside by Abdel SellouThe Upside (You Changed My Life) by Abdel Sellou, Caroline Andrieu
Formats available: paperback, ebook, audiobook
Pages: 224
Published by Hachette Books on February 6th 2018
Publisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The true story of a charismatic Algerian con-man whose friendship with a disabled French aristocrat inspired the record-breaking hit movie The Intouchables (American remake, The Upside, starting Kevin Hart and Bryan Cranston, coming March 2018).


The story of Abdel Sellou's surprising friendship with aristocrat Philippe Pozzo di Borgo has been told and retold around the world-most recently in the major motion picture The Upside, with comedian and movie star Kevin Hart portraying Abdel and his edgy charm. In this appealing memoir, Sellou shows us the real man behind Kevin Hart's smiling face. The book takes us from his childhood spent stealing candy from the local grocery store, to his career as a pickpocket and scam artist, to his unexpected employment as a companion for a quadriplegic. Sellou tells his story with a stunning amount of talent, humor, style, and-though he denies that he has any-humility.

My Review:

The original title of this book was You Changed My Life, and that’s probably a more accurate description of the contents than the new title. The ways of marketing are clearly mysterious to behold.

No matter what the title, this book is kind of a cross between a buddy-movie and a bromance. It’s already been a movie, The Intouchables, filmed in France where the real story takes place. And it will be again – the American version is titled The Upside and seems to have been filmed in 2017, although I’m not sure it was ever in theaters. Considering that the movie was supposed to have come out in October of 2017 as the Harvey Weinstein scandal was breaking, and that the movie was produced by his company and the new edition of the book was supposed to be published by his publishing company, it’s not really a surprise that things got a bit, let’s call it delayed.

However, the story existed long before either the movie or the scandal. But this true story was originally told by only one of the partners in this bromance. This version, the one that I read, is told by the other. And it isn’t quite as fictionalized as the original movie seems to have been.

Not that the author doesn’t tell plenty of stories on himself, because he certainly does. And he is not the most reliable narrator, not even of his own life. Perhaps especially of his own life.

In 1993, French businessman (and noble) Philippe Pozzo di Borgo was severely injured in a paragliding accident, becoming a quadriplegic. In 1995 he hired Abdel Sellou, the author of this book, as his “life auxiliary” or caregiver.

Sellou was an Algerian immigrant to France, having been given by his Algerian parents to his aunt and uncle in Paris when he was a child. A child who was young enough to adapt but old enough to remember where he came from. And he was given to people who had never been parents and seem to have no idea of how to be parents. Or perhaps its that Abdel had no idea that rules or limits ever applied to him.

By his own account, Sellou grew up fairly wild on the streets of Paris, becoming a thief and a con artist. He saw himself as the king of his little corner of the world, and felt like nothing could stop him, not even jail. As he was always a completely nonviolent offender, jail mostly seemed like a bit of a vacation. The rules never applied to him.

He met “Pozzo” when he was basically scamming the unemployment office. He came to pretend to apply for that job as Pozzo’s life auxiliary. He ended up staying for over ten years in a job he never expected to take, and remained as Pozzo’s unpaid caregiver thereafter.

All of Pozzo’s rich friends were certain that the conman was there to take Pozzo for a ride, and bilk him out of all the money he could manage to scam. It never happened.

Instead, they formed an unlikely but life altering and life sustaining friendship. This is the story of that friendship from Sellou’s point of view (as Pozzo has already told his version of the story in A Second Wind)

Reality Rating B: The Upside, by whatever title, is a surprisingly quick read. It’s also not a very deep one, because the author skims over the surface of his life, and never seems willing to dive deeply into his thoughts or feelings.

The story that we’re left with is still interesting. Sellou seems to have grown up without a care in the world, or perhaps a better way of describing it would be not caring much about the world or anyone else in it.

It’s also clear that this story couldn’t be told until the statute of limitations had run out on his youthful crime spree, which seems to have lasted into his 20s. Mostly Sellou was a thief and even a bit of a shakedown artist. He was also a successful small-time conman. His goal never seems to have been to get rich, just to get enough to last until the next day. He saw the world as free for the taking, and if he got caught, well, jail seems to have been mostly a vacation.

There have to have been darker parts to this part of the story, but the author never dwells on them. He seems to be a character who always looks on the bright side, and does not worry much if at all about tomorrow.

Going to work for Pozzo was a life-altering event for both of them. Sellou’s ability to always find a bright side seems to have been just what Pozzo needed to keep him going. It’s not that Sellou wasn’t all-too-well acquainted with everything that did not work in Pozzo’s paralyzed body. It’s that Sellou never seems to have let it stop him from pushing whatever boundaries could be pushed so that Pozzo was able to get outside of himself as much as possible, which turned out to often be a surprising amount.

It’s also obvious from the story that the two men moved relatively quickly from an employer-employee relationship to a friendship to a partnership – even if most of Pozzo’s family and friends never fully come to trust Sellou even after years of being there for Pozzo at every hour of the day and night.

That Sellou seems to feel no bitterness at that lack of distrust is surprising. Or it may be part of his ability to always see the sunnier side of every situation, even the terrible ones.

I find myself wondering how some aspects of the story that seem particularly French are going to translate to American audiences. Perhaps I’ll find out if the movie ever shows up on Netflix.

Review: Forty Autumns by Nina Willner

Review: Forty Autumns by Nina WillnerForty Autumns: A Family's Story of Courage and Survival on Both Sides of the Berlin Wall by Nina Willner
Formats available: hardcover, paperback, large print, ebook, audiobook
Pages: 416
Published by William Morrow on October 4th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In this illuminating and deeply moving memoir, a former American military intelligence officer goes beyond traditional Cold War espionage tales to tell the true story of her family—of five women separated by the Iron Curtain for more than forty years, and their miraculous reunion after the fall of the Berlin Wall.
Forty Autumns makes visceral the pain and longing of one family forced to live apart in a world divided by two. At twenty, Hanna escaped from East to West Germany. But the price of freedom—leaving behind her parents, eight siblings, and family home—was heartbreaking. Uprooted, Hanna eventually moved to America, where she settled down with her husband and had children of her own.
Growing up near Washington, D.C., Hanna’s daughter, Nina Willner became the first female Army Intelligence Officer to lead sensitive intelligence operations in East Berlin at the height of the Cold War. Though only a few miles separated American Nina and her German relatives—grandmother Oma, Aunt Heidi, and cousin, Cordula, a member of the East German Olympic training team—a bitter political war kept them apart.
In Forty Autumns, Nina recounts her family’s story—five ordinary lives buffeted by circumstances beyond their control. She takes us deep into the tumultuous and terrifying world of East Germany under Communist rule, revealing both the cruel reality her relatives endured and her own experiences as an intelligence officer, running secret operations behind the Berlin Wall that put her life at risk.
A personal look at a tenuous era that divided a city and a nation, and continues to haunt us, Forty Autumns is an intimate and beautifully written story of courage, resilience, and love—of five women whose spirits could not be broken, and who fought to preserve what matters most: family.
Forty Autumns is illustrated with dozens of black-and-white and color photographs.

My Review:

Forty Autumns is a very personal story. It is one woman’s account of the history of her own family, separated by the Iron Curtain that fell across Europe in general and Germany in particular post-World War II. While it may be possible to generalize from this one woman’s family to the history of East Germany as a Soviet-bloc country and to the circumstances of many families that were kept apart over those forty years, the power in this story comes from that personal touch. We feel for the author, her mother, and her family because it is easy to see ourselves in their shoes. On both sides of that impenetrable wall.

This is a story of courage across generations. It is easy to see the courage of the author’s mother Hanna, a young woman who took her life in her hands and literally ran across the border before it turned into deadly barbed-wire – with gun towers. But there was also courage in staying. Hanna’s mother, Oma, exhibited that kind of courage, as she strove to keep her family together and keep them from turning on each other, as so many families did, during the long dark years when the Secret Police seemed to have a spy in every house and every factory.

And it is, in the end, a story of survival. Because the family, on both sides of that once formidable divide, remained intact in spite of the dictatorial regime’s best and worst efforts. This is their personal story of that long, twilight struggle. And it’s marvelous.

Reality Rating A: Forty Autumns turned out to be a book that I just plain liked. I fell into the author’s story, and found myself picking it up at odd moments and sticking with it at points where I only intended to read a chapter, which turned into two, then three, without my being aware of it. The prose is spare, and it simply works, even though I’m having a difficult time articulating exactly why.

Forty Autumns also reminds me of two books I read recently. The history it contains reads like a nonfictional account of the history that is also covered by the marvelous, but fictional, On the Sickle’s Edge. Both are stories about families that are separated by the Soviet regime, and detail the ways that those trapped behind the Iron Curtain manage to survive even the harshest repression with just a little bit of hope.

It also touches a bit on the history in Sons and Soldiers. It felt obvious, at least to this reader, that the American G.I. that Hanna marries, the author’s father, was one of the “Richter Boys” whose history is outlined in that book.

This is very much a story about women – their courage, their tenacity, their perseverance. In this family, it is the women who cling to love and hope when all seems lost, as it so often does. This is a story that takes the political and makes it compellingly personal. Through the author’s story of her family, we get a glimmer of understanding of what life was like during those very dark years.

Part of what made this so readable is the way that the author managed to bring out the experiences of both sides of this struggle. So often, this kind of story is told only from the perspective of those who made it out, while those who were left behind recede into the shadows.

That is not the case here. Instead, we see Hanna’s struggle to make a place and a life for herself alone in the west, while the family she left behind struggles equally if differently to survive repression and stay together, with the State always looking over their shoulders, not just because that’s the way it was, but especially because Hanna’s defection left the rest of her family under a life-long cloud.

I found this story to be eminently readable. The author’s prose is spare, but she does a terrific job of telling the story without inserting additional drama or melodrama. There was plenty of both without needing to manufacture any!

In the end, the reader feels for this family, and joins in their triumphant celebration that they made it through, and were reunited at last.

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Review: Leonard by William Shatner with David Fisher

Review: Leonard by William Shatner with David FisherLeonard: My Fifty-Year Friendship with a Remarkable Man by William Shatner, David Fisher
Formats available: hardcover, paperback, ebook, audiobook
Pages: 278
Published by Thomas Dunne Books on February 16th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Leonard Nimoy and William Shatner first crossed paths as actors on the set of The Man from U.N.C.L.E. Little did they know that their next roles, in a new science-fiction television series, would shape their lives in ways no one could have anticipated. In seventy-nine television episodes and six feature films, they grew to know each other more than most friends could ever imagine.
Over the course of half a century, Shatner and Nimoy saw each other through personal and professional highs and lows. In this powerfully emotional book, Shatner tells the story of a man who was his friend for five decades, recounting anecdotes and untold stories of their lives on and off set, as well as gathering stories from others who knew Nimoy well, to present a full picture of a rich life.
As much a biography of Nimoy as a story of their friendship, Leonard is a uniquely heartfelt book written by one legendary actor in celebration of another.

My Review:

Yesterday was NASA’s Day of Remembrance, in honor of all those who lost their lives in the quest for space, particularly the tragic losses of Apollo I and the Space Shuttles Challenger and Columbia.

Because so many people have entered the space program and the aerospace industry because they fell in love with the idea of space travel while watching Star Trek, William Shatner’s semi-biographical, semi-autobiographical book about his friendship with the late and very much lamented Leonard Nimoy seemed like an appropriate book for this week.

shatner nimoy youngTo this reader, it felt as if the book, while purporting to tell the story of Leonard Nimoy’s life, ends up combining autobiography with biography. These two men knew each other very well for a very long time, came from somewhat similar backgrounds, and found themselves yoked together, whether they liked it or not (and sometimes they did and sometimes they didn’t) by their performances in what everyone expected would be a short-lived TV program.

Instead, Star Trek became a phenomenon and none of the lives that it touched were ever the same. Particularly theirs.

Because Star Trek altered the trajectory of both their lives in ways that were both bizarre and profound, this book also serves as a personal recollection of the production of the original series. While many of these stories have been told before, it is still interesting to hear them again from someone who lived through those events.

A group which gets smaller and smaller every year. Dammit.

The other story that is told here is that of the life and occasionally hard times of a working actor in what is now considered the “Golden Age” of television. There is never a good time to be an actor. It’s a lot of tiny parts, short run work, and cab driving (in Nimoy’s case) or waiting tables or some other job that can be dropped and picked up on the whim of a casting director.

And even though these stories are now more than 50 years in the past, that struggle still resonates. The reader can see how those years formed the characters of the men who performed those iconic characters, and how much those characters both represented pieces of their core selves, and how much those characters influenced who they became.

For a fan, this is a fascinating story, all the more so because it rings so true in the author’s voice.

Escape Rating B+: Sometimes I talk about what I think about a book, sometimes I talk about what I feel. Fair warning, this is one of those “feelie” reviews.

I’ve been a Star Trek fan since the end of the original series. I watched some of those early episodes with my dad, so there are a lot of memories tied up in this for me. Also, the stories that Shatner tells at the very beginning of the book, about his and Nimoy’s shared background as first-generation Americans (or Canadians) in Jewish immigrant families is also the story of my parents’ generation. With very little alteration, my mother could tell similar stories.

As a fan, I read a lot of the “making of Star Trek” books that came out in the 1960s and 1970s. Many of the stories that Shatner relates were also a part of those books, but they are told slightly differently from one participant’s perspective than they were in those more “reporting style” books. Different both in the sense that we all remember things differently, and that it seems as if Shatner glosses over some of his behavior that drove his colleagues crazy at the time, and for years later. Some of the more contentious incidents seem to have faded from memory a bit.

We are all the stars of our own stories, possibly in this case more literally than for the rest of us.

This was a book where I both read the book in ebook, looked at the pictures in the hardcover, and listened to the audio. I would have the audio on in the car, and then pick up with the book at lunch and after I got home. One of the things that comes through on the audio is that the author often sounds tired. He frequently ran out of breath on the longer sentences. I kept wanting to tell him to take a breath in the middle, or grab a glass of water. I wanted to be there as he told his story.

shatner nimoy laughing lateIn the end, this is a book for the fans.It is way more about the history of Star Trek than any other single topic. As a fan, I found the story interesting and often charming. Perhaps I should say “fascinating” as Spock often did.

For readers who are not fans, or for later readers who are looking to find out what all the fuss was about, this is not a book that analyzes the influence of Star Trek or its characters on pop culture and the explosion of science fiction into movies, TV and mainstream literature. That’s a book for someone else at some other time.

But for those of us who loved those men and the show that they created, and which created them, this book is a marvelous way to remember them both.

As his most famous saying goes, Leonard Nimoy lived long and prospered. And he is missed.

Review: Spaceman by Mike Massimino

Review: Spaceman by Mike MassiminoSpaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe by Mike Massimino
Formats available: hardcover, ebook, audiobook
Pages: 320
Published by Crown Archetype on October 4th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Have you ever wondered what it would be like to find yourself strapped to a giant rocket that’s about to go from zero to 17,500 miles per hour? Or to look back on the earth from outer space and see the surprisingly precise line between day and night? Or to stand in front of the Hubble telescope, wondering if the emergency repair you’re about to make will inadvertently ruin humankind’s chance to unlock the universe’s secrets? Mike Massimino has been there, and in Spaceman he puts you inside the suit, with all the zip and buoyancy of life in microgravity.
Massimino’s childhood space dreams were born the day Neil Armstrong set foot on the moon, but his journey to realizing those dreams was as unlikely as it is captivating. Growing up in a working-class Long Island family, Massimino catapulted himself to Columbia and then MIT, only to flunk his qualifying exams and be rejected twice by NASA before making it to the final round of astronaut selection—where he was told his poor eyesight meant he’d never make the cut. But even that couldn’t stop him from finally earning his wings, making the jump to training in T-38 Air Force jets and preparing his body—and soul—for the journey to the cosmos.
Taking us through the surreal wonder and beauty of his first spacewalk, the tragedy of losing friends in the Columbia shuttle accident, and the development of his enduring love for the Hubble telescope—which he’d be tasked with saving on his final mission— Massimino has written an ode to never giving up and the power of teamwork to make anything possible. Spaceman invites us into a rare, wonderful world where the nerdiest science meets the most thrilling adventure, and pulls back a curtain on just what having “the right stuff” really means.

My Review:

Reading Spaceman feels like the next best thing to going to space oneself. As someone who also dreamed that dream more than a little bit, reading Mike Massimino’s account of his seven-year-old self in Astronaut Snoopy pajamas reaching for that dream of becoming an astronaut with all his heart certainly touched mine with both envy and awe.

And it’s difficult to separate my own wishing self from the life story of someone who got to live that dream. There were plenty of points where I teared up.

Massimino was a boy when Neil Armstrong landed on the moon, but that historical journey became his own North Star. He set his heart on becoming an astronaut. And he did.

But one of the fascinating things about the author’s reach for space is that it isn’t about the glory for him. Not at all. It’s only partly about the journey. Instead, it’s about the team. Not merely in the sense of the cliche that “there is no I in TEAM”, but mostly in the sense that becoming an astronaut was about joining the best and closest knit team (also one of the smallest) in the world.

It wasn’t just about “boldly going”, it was also about becoming part of something greater. And that’s the part of the story that resonates. In the end, it’s all about the people. Not just, and often not primarily, the person who wrote the story, but all the people involved in this great and wondrous endeavor.

Read Spaceman, and feel like you’re almost there.

Escape Rating A: If you are looking for a book about space flight and astronauts that doesn’t just pick out the usual suspects, Spaceman is a winner. The author does a fantastic job of taking the reader with him on his journey from seemingly average boy on Long Island to one of the last people to fix the Hubble Space Telescope. While on a spacewalk 350 miles above the Earth.

It’s also a just plain inspiring life story. Massimino saw Neil Armstrong walk on the moon, and decided that he wanted to be an astronaut more than anything. In spite of the fact that his dream had no real-world relationship to anyone he knew, he hung onto that dream. Even as he scrambled to figure out to reach it.

This is the story of someone who dreamed even bigger than he was, and managed to make that dream come true. Not smoothly, not easily, not without plenty of fits and starts, but come true it did. And it’s awesome. Especially because it tells the story of someone who gets knocked down and comes back up over and over, until he achieves his dream. One of  things that is great about this book is that it doesn’t end with the achievement of that dream as so many stories do. Instead, he goes on and talks about what a person does when they’ve spent their entire life up to that point in the pursuit of a goal that has been achieved. He talks about his joy in his second act, and that’s incredibly important.

It also tells a story that we all have heroes, that we all need them, and that they all suffer the same doubts and fears that the rest of us do. Reading about an astronaut going through his own bout of “imposter syndrome” puts my own day-to-day twinges of that same feeling into perspective.

The book ends with a heartfelt paean to the future of the space program. Today is a struggle, but we will get back out there. As another intrepid space explorer once said, “Risk is our business.” We’ll go back out to see what’s over the next horizon, and what’s in the next galaxy, because that’s what humans do. That’s what we’re made for.

Review: Carry On by Lisa Fenn

Review: Carry On by Lisa FennCarry On: a Story of Resilience, Redemption, and an Unlikely Family by Lisa Fenn
Formats available: hardcover, ebook, audiobook
Pages: 256
Published by Harper Wave on August 16th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the spirit of The Blind Side and Friday Night Lights comes a tender and profoundly moving memoir about an ESPN producer’s unexpected relationship with two disabled African-American wrestlers from inner-city Cleveland, and how these bonds—blossoming, ultimately, into a most unorthodox family—would transform their lives.
When award-winning ESPN producer Lisa Fenn returned to her hometown for a story about two wrestlers at one of Cleveland’s toughest public high schools, she had no idea that the trip would change her life. Both young men were disadvantaged students with significant physical disabilities. Dartanyon Crockett, the team’s best wrestler, was legally blind as a result of Leber’s disease; Leroy Sutton lost both his legs at eleven, when he was run over by a train. Brought together by wrestling, they had developed a brother-like bond as they worked to overcome their disabilities.
In their time developing the segment together, Fenn formed a profound connection with Dartanyon and Leroy. After earning their trust and their love, she realized she couldn’t just walk away when filming ended. These boys had had to overcome the odds too many times. Instead, Fenn dedicated herself to ensuring their success long after the reporting wqs finished and the story aired—and an unlikely family of three was formed.
The years ahead would be fraught with complex challenges, but Fenn stayed with the boys every step of the way—teaching them essential life skills, helping them heal old wounds and traumatic pasts, and providing the first steady and consistent support system they’d ever had.
This powerful memoir is one of love, hope, faith, and strength—a story about an unusual family and the courage to carry on, even in the most extraordinary circumstances.

My Review:

This isn’t the kind of book I usually read. But I heard the author speak at the American Library Association Annual Conference this year, and something about her story grabbed me. I picked up an ARC, and when the opportunity to join this tour came up, I remembered her speech, and her passion, and decided it was time to find out what she was talking about.

I didn’t watch the original video until just before writing this review. I think it is even more poignant now than it would have been earlier, knowing what I know about the story behind the story. It is a captivating film, and well worth watching. But it is only the beginning of the story, and not the end.

We see a brief portrait like the one that Lisa Fenn did of Dartanyon Crockett and Leroy Sutton back in 2009 and think that it tells us enough to find a way to solve the problem. In some ways, it’s like seeing footage of a natural disaster, and being moved to donate money to help the survivors.

Because that’s what Dartanyon and Leroy both are, survivors. But the often disastrous circumstances that made up their lives were not so easily solved. As Lisa Fenn discovered.

There are two stories in this book. One is the history that led up to Lisa going back home to Cleveland with her ESPN camera crew to film this amazing story of friendship and turn it into an award winning documentary. In order to tell the story of who the two young men had come to be, she had to dive back into all the circumstances that made them who they are. Not just Leroy’s tragic accident and Dartanyon’s congenital blindness, but the circumstances that made life so often precarious in poverty. A cycle that, even with the best will in the world, and all the resources made available by people touched by the video, proved incredibly resistant to cracking. And that’s the second story.

Lisa was supposed to remain distant and unattached. That’s what journalists do. She was supposed to tell the story, not become the story. They touched her heart in ways that she never expected, and she broke all the rules to help give them a chance to succeed beyond their wildest expectations.

It wasn’t easy for any of them, and it was often a journey of two steps forward and one step back, and sometimes the other way around. But it is a journey that compels the reader to follow, every step of the way.

Escape Rating A-: I didn’t expect to like this as much as I did. Instead of picking it up and putting it down for a couple of days, instead I picked it up and never put it down until I reached the end of the story. Which isn’t really an end. All of the principals in Carry On live on, in lives that have changed dramatically because of the events told here.

Having heard the author speak, I knew the trajectory of her account before I read it, and I still found it completely absorbing. This is not an easy story, and it is a story that will make you think, but it will draw you in and spit you out at the end, wrung out with emotion.

There was one thing that put this reader off. It is something that many readers will probably feel for, or believe more. Belief being the key. There is an evangelical tone to some of the story. The author commits herself to this cause at some points because she believes it is what she is called to do. Her faith is tangible to her, and a significant part of her story. But while I accept that this is what she believes, it is so far out of my own worldview that I find these points a bit jarring. Your mileage, of course, may vary.

If you are looking for a heartbreaking, heartwarming and uplifting story, Carry On is a great one.

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Review: The World Between Two Covers by Ann Morgan

Review: The World Between Two Covers by Ann MorganThe World Between Two Covers: Reading the Globe by Ann Morgan
Formats available: hardcover, ebook, audiobook
Pages: 326
Published by Liveright on May 4th 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A beguiling exploration of the joys of reading across boundaries, inspired by the author's year-long journey through a book from every country.
Following an impulse to read more internationally, journalist Ann Morgan undertook first to define "the world" and then to find a story from each of 196 nations. Tireless in her quest and assisted by generous, far-flung strangers, Morgan discovered not only a treasury of world literature but also the keys to unlock it. Whether considering the difficulties faced by writers in developing nations, movingly illustrated by Burundian Marie-Thérese Toyi's Weep Not, Refugee; tracing the use of local myths in the fantastically successful Samoan YA series Telesa; delving into questions of censorship and propaganda while sourcing a title from North Korea; or simply getting hold of The Corsair, the first Qatari novel to be translated into English, Morgan illuminates with wit, warmth, and insight how stories are written the world over and how place-geographical, historical, virtual-shapes the books we read and write.

The World Between Two Covers is a book about thinking about what you read, and why you read it. By thinking about “why you read it” I don’t mean which genres you love (or don’t). The “why” in this instance is much more about “why are particular books available to you (or not)” than why you find a particular book or genre engaging.

Not that the author of The World Between Two Covers was not engaged with many of the books she read, and not that I wasn’t engaged in reading about her journey. Because she was, and I certainly was.

The story here is about her journey through books. She goes from what made her decide to take this journey, through her process of actually managing it. And along the way she dives into the realms of why certain books are and are not available, and what effect the overwhelming preponderance of the the Western, anglophone marketplace juggernaut may have on literature and its availability in the future.

It’s a lot to wrap into one book.

This is not a collection of her reviews of the books she read during her figurative year abroad. The reviews are available on the author’s website, appropriately named, A Year of Reading the World, which she did in 2012. This is her story about doing it.

Part of the fascination of the project is in the sleuthing. When one is exclusively a reader in the English language, one of the first hurdles one must climb over is that one needs to find English translations for everything one plans to read.

It turned out that an even bigger hurdle for the author was in determining what exactly constituted her “world” and then finding some work, sometimes finding any work, from a particular country. Not merely finding an English translation of a work, but finding a work at all.

Not every voice is heard. Some places don’t have a written literary tradition. Some places don’t have a publishing tradition. Everyone, everywhere has access to American and British lit, or at least they do if they have some access to the internet. But the converse is certainly not true. She found herself relying not just on the recommendations of strangers to find material, but also on the kindness of strangers to find, or in one memorable case, create, translations for her.

As someone who is part of the world of reading and reviewing, I found this glimpse into another writer’s process absoluting fascinating. As a librarian, I found her thoughts on the publishing and reading landscape gave me insight into conditions that we don’t think about too much.

But perhaps we should.

Reality Rating B: There are the books. Then there is the process of getting the books. And finally, there is the writing about books and reading and publishing and what it means when we stay within our own comfortable little houses of mirrors. And what it feels like when we don’t.

Each of the aspects of this book will have its proponents. And for those who are disappointed that the reviews are not included, the joy of the internet means that they are all still available at A Year of Reading the World.

For this reader, the heart of the book was in the way that the author thought about what she read and about the circumstances that made certain books available, and works by other countries very nearly impossible to track down.

In the U.K., where the author is based, only 4% of the books available are works in translation from other languages. In the U.S., that figure is estimated to be 3%. In other “First World” countries where English is not the dominant language, those numbers rise to 30% or 40%. Everyone consumes our product, but ours is not cross-pollinated by much material from anyone else. There are questions about the effect of this imbalance on literature as a whole. We read in an echo chamber, and it’s an echo chamber that we increasingly export to the rest of the world. And writers in languages other than English are increasingly writing to what they perceive as the U.K./U.S. Western market because that’s where the money is. But the question of what voices are being lost echoes throughout the book.

The author also speaks to the way that the books that we are used to support our Western-centric worldview, a perspective that often reinforces the view of the West as conquering heroes and bringers of civilization to places that are seen as less-enlightened. Stories from other parts of the world present a different and sometimes uncomfortable perspective for us, that we have created messes in places where we chose to tromp on the existing culture instead of understanding and working with it.

For a small and not too uncomfortable sample of this view, as a U.S. reader watch or listen to BBC News for a few days. The BBC reports on a lot of parts of the world that U.S. news doesn’t bother to cover, and for the BBC, the U.S. is quite naturally NOT the center of the universe. But I digress.

On the one hand, the internet is what made this book possible. Without the ability to contact people from all over the globe at the click of a “Send” button, and without the ability for people around the world to see her project and want to help, this book could not have happened. At the same time, the internet can be seen to a homogenization of culture and literature that may not be good for anyone, as the voice of the internet becomes more and more Western centric, anglophone, and increasingly controlled by corporate interests.

If you care about what you read, this book will make you think about it. Hard. And that’s an excellent thing.