Review: Anything with Nothing edited by Mercedes Lackey

Review: Anything with Nothing edited by Mercedes LackeyAnything With Nothing (Tales of Valdemar #17) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #17, Valdemar (Publication order) #57
Pages: 368
Published by DAW on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This 17th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.
The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.
Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.
Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My Review:

A huge part of the charm of the Valdemar series is that, after so many years of chronicles, the world is large in scope, both in geography and in history, and there are plenty of times and places in which to set stories about how it came to be, what makes it tick – and the times and places when, in spite of everyone’s best efforts – situations have gone off the rails.

At the same time, it seems like a relatively livable place, allowing for stories where humans – with or without the help of magical, horse-like Companions – manage to fix what’s gone wrong or at least make a good stab at.

Or, when necessary, a good stab at whoever has done the wrong.

The stories in this SEVENTEENTH collection of Tales of Valdemar cast a wide net over Valdemar’s history, from not long after the Founding we’ve seen in the new Founding of Valdemar trilogy, all the way up to Selenay’s time, while geographically the stories spread across Valdemar and into the borderlands with Hardorn and Karse – if not just a bit over.

And it’s an absolute delight from beginning to end for anyone who has ever spent time in Valdemar, whether they’ve been visiting from the very beginning, back in Arrows of the Queen, just discovered Valdemar with the marvelous Founding of Valdemar trilogy (Beyond, Into the West, and the upcoming Valdemar) or who have dipped in here and there and then over the years.

Anything with Nothing, both the collection and the specific story by Lackey herself that closes out this collection, turned out to be the perfect way to get familiar with this world, once again, in preparation for discovering the final pieces of how Valdemar came to be in the soon-to-be-released book of the same title, Valdemar.

Escape Rating A-: The previous Tales of Valdemar collection, Shenanigans, featured stories that were all centered around the title theme, meaning that in one way or another they all featured tricks or pranks.

Likewise, the stories in this collection all center around the theme of making do or doing without, of persevering in the face of not having nearly enough. In other words, about creating pretty much anything out of not very much at all.

My favorite story in this collection is “Look to Your Houses” by Fiona Patton. It’s a slice of life story, as many of the stories in these collections often turn out to be, but in this case it’s the slice of a particular life, that of a City Guardhouse Sergeant caught between the rock of how things are supposed to be done and the hard place of how things actually get done when he’s forced to reconcile those two frequently opposing states of being in preparation for a new commander’s assignment to his station. The way that particular dilemma was handled, and the dichotomy between the rules and real life, gave me vibes of Sam Vimes and the City Watch in the Discworld. This story could have just as easily been part of the Discworld  City Watch subseries and it would have fit right in.

My favorite purely Valdemar story turned out to be the title story, “Anything, with Nothing” by Mercedes Lackey, for the way that the town comes together, the way that Herald Tadeus steps up, the way that his Companion manages to insert her own bit of shenanigans AND the way that the mercenaries got completely flummoxed by a ‘Ghost Squad’ of well-led villagers and the instant communication that Companions make possible.

Many of the stories in this collection take place either as magic was fading or after it was already gone. In other words, in the run up to the Last Herald Mage trilogy and in the centuries after of managing without the big, flashy magic gifts.

Quite a few of the stories center around characters who, because of that lack of magic, have more than a bit of imposter syndrome, as Herald Tad does in “Anything, with Nothing”. Those stories include “In Memory’s Vault” by Kristin Schwengel, “Warp and Weft” by Diana Paxson, “Enough” by Louisa Swann, “Wooden Horses” by Rosemary Edghill, “Intrigue in Althor” by Jeanne Adams, and “Old Wounds” by Terry O’Brien.

Even though the purpose of the Companions is to help keep Valdemar on the straight and narrow, to keep it working for most of its people most of the time, humans are still gonna human, especially when they believe they are away from the eyes and eyes of the Companions and their Heralds.

Meaning that several stories focus on the problems that result when, as the old saying goes, “power corrupts and absolute power corrupts absolutely,” regardless of whether that power is ‘might makes right’ or ‘they who have the gold make the rules’ or the power of social opprobrium and the morality police.

Those stories include “Good Intentions” by Stephanie D. Shaver, “Beebalm and Bergamot” by Cat Rambo, and “What a Chosen Family Chooses” by Dee Shull.

There are also several stories about folks have either fallen into hard times or onto mean streets, both in Haven and outside it, or have otherwise been abused by the system in general, their fellow humans in particular, or a bit of both. “A Day’s Work” by Charlotte E. English and “Wooden Horses” by Rosemary Edghill are both particularly heartbreaking in this regard.

Last but not least, there are several marvelous stories in this collection that would have been equally at home in Never Too Old to Save the World, that marvelous collection of fantasy and SF stories that feature protagonists who become the ‘Chosen One’ in middle age or later. I particularly want to give a shoutout to four of these stories, “Needs Must When Evil Bides” by Jennifer Brozek, “What You Know How to See” by Dayle A. Dermatitis, “Warp and Weft” by Diana Paxson, and “Once a Bandit” by Brigid Collins.

While I haven’t listed every story in this collection, I did absolutely enjoy them all. And I’m aware that I’ve mentioned a few of the stories more than once, which hopefully gives you the idea that I liked them a LOT, because I absolutely did – even the ones that went to the darkest places and broke my heart.

So, if you’ve missed Valdemar the place and are looking for something to tide you over until Valdemar the final book in the Founding of Valdemar trilogy comes out between Christmas and New Year’s, I highly recommend picking up Anything with Nothing to get you in the mood for that truly epic story coming SOON!

Review: Best American Science Fiction and Fantasy 2023 edited by R.F. Kuang

Review: Best American Science Fiction and Fantasy 2023 edited by R.F. KuangThe Best American Science Fiction and Fantasy 2023 by R.F. Kuang, John Joseph Adams
Format: eARC
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: anthologies, fantasy, science fiction, short stories
Series: The Best American Science Fiction and Fantasy
Pages: 320
Published by Mariner Books on October 17, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

“Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be.

The Best American Science Fiction and Fantasy 2023 includes Nathan Ballingrud • KT Bryski • Isabel Cañas • Maria Dong • Kim Fu • Theodora Goss • Alix E. Harrow • S. L. Huang • Stephen Graham Jones • Shingai Njeri Kagunda • Isabel J. Kim • Samantha Mills • MKRNYILGLD • Malka Older • Susan Palwick • Linda Raquel Nieves Pérez • Sofia Samatar • Kristina Ten • Catherynne M. Valente • Chris Willrich

My Review:

This collection begins with a kind of a story getting into a bit of the nitty-gritty of just how this collection of stories was assembled. After all, it’s a fairly big ask and an equally large task to distill one year’s ENTIRE SF/F short fiction output into a book that has to be, if not all things to all (SF/F) people, at least serve as a representative sampling of the best works of an entire year in a genre that ranges from the dark heart of a monstrous villain’s soul – if they have one – to the furthest reaches of the stars – and covers everywhere and everywhen in between.

Not all stories will work for all readers, something that is especially true in such an encompassing genre, one filled with niches that may or may not even all occupy the same literary planet.

All of that being said, this collection is guaranteed to have its delightful moments for any reader of science fiction, fantasy, or any of the times, places and spaces in between.

For sheer reading pleasure, my favorites in this year’s collection were fantasy or at least fantasy-ish. Notice I said for reading pleasure, as other stories in the collection in other niches hit different places in my reading brain.

The story I loved most and hardest is, far and away, Alix E. Harrow’s “The Six Deaths of the Saint”. A story that reads like fantasy even though in the end it has SFnal elements. I loved this one because it’s a story about myths and mythmaking, but it’s told through the perspective of the person being made into a myth who finally breaks free of the legend that has accreted around them. That it happens with the aid of a love so great it makes Westley in The Princess Bride seem like he’s not even trying just adds to both the glory and the heartbreak of the story.

While Alix Harrow’s story blew me away, there were two other stories, just a bit lighter in tone, that I also adored.

Pellargonia: A Letter to the Journal of Imaginary Anthropology” by Theodora Goss sits on the border between fantasy and SF, and I’m still not sure where it falls. This is fun because it begins as an exercise in imagination that becomes real, at least for situations where The Velveteen Rabbit is an imaginary country instead of a child’s toy. A group of high school students create an imaginary country, send scholarly papers to scholarly journals about the imaginary country, add Wikipedia pages about the imaginary country they’ve created – and it starts turning up in the news, the real news, and suddenly everyone remembers Pellargonia as if it’s always been there. The story is about the kids confessing what they’ve done, as though they can put the Pellargonia genie back in it’s magical bottle after it’s already become the center of a possible war.

The last of my fun favorites is “Cumulative Ethical Guidelines for Mid-Range Interstellar Storytellers” by Malka Older which is, at least in setting, actual science fiction. But it reads as if it’s in the same voice as the author’s wonderful SF/steampunk/mystery series, The Investigations of Mossa and Pleiti, with its tones of otherworldly academia where the politics and the strictures are still awfully vicious because the stakes are awfully small. It’s a story about what should be done instead of getting it done, and it’s just a lot of fun.

As much fun as those three stories were, there’s a second set of stories that captured me because they speak to the present moment in ways that chilled me to the bone. Because everything seems to come in threes, there are three stories in this category, at least for this reader, as well.

“Rabbit Test” by Samantha Mills and “The CRISPR Cookbook” by MKRNYILGLD read as responses to the overturning of Roe v. Wade in that they extend the loss of bodily autonomy represented by that decision and slide it down the slippery slope as far and as frighteningly as possible into the ramifications of that loss and the many future restrictions it might lead to.

Last, but equally not least, and also in response to the current events surrounding AI being taught to take the place of humans and human interactions, “Murder by Pixel” by S.L. Huang takes a deep dive into just how toxic and downright disgusting AI chatbots can become – and just how humans made them that way.

Escape Rating A-: It’s always difficult to rate collections like this one, because reading mileage varies widely, one person’s meat is another’s poison, etc., etc., etc. Howsomever, there was only one story in this collection that I bounced off hard, and that’s rare for me. Usually there are several. And I loved “The Six Deaths of the Saint” really, really hard, and a whole bunch of the other stories I either really enjoyed or really stuck with me, so I’m rounding this one up to an A- for all of those reasons.

To make a long story short – as is this collection’s whole, entire purpose – if you don’t generally read SF/F in the short form (it’s not usually my jam) but want to get a picture of what happened last year, this collection is a great place to read!

Review: Shenanigans by Mercedes Lackey

Review: Shenanigans by Mercedes LackeyShenanigans (Tales of Valdemar, #16) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #16, Valdemar (Publication order) #55
Pages: 336
Published by DAW Books on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This sixteenth anthology of short stories set in the beloved Valdemar universe features tales by debut and established authors and a brand-new story from Lackey herself.
The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages--and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents--combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more--make them indispensable to their monarch and realm. Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

My Review:

Last week’s Into the West – and Beyond before it – focused on the very serious adventure of the Founding of Valdemar. Kordas Valdemar and Company’s epic journey gave series fans a much better idea of just how much blood, sweat and tears went into the creation of the place that we all love. But that’s certainly not all there is to Valdemar.

Shenanigans, the sixteenth book in the Tales of Valdemar subseries (after last year’s Boundaries), presents series readers with a treat of a present for this holiday season, as the stories within are exactly what the title names them – shenanigans.

While there’s a bit of derring-do, Shenanigans is a collection of marvelous, funny and often marvelously funny stories set in all the periods of Valdemar history among all of the many peoples and creatures that make the place so much fun to read about for so many glorious years.

In spite of the blurb, most of the stories in Shenanigans do not revolve around the Companions and their Chosen. Some do, of course, or it wouldn’t be a Valdemar collection, but quite a few of the shenanigans in the collection thereof are more slice of life stories, and there are a fair number that feature people with telepathic “gifts” that are not Chosen and may not even wish to be.

Of course, there are also several stories set among the students of the Collegium, because, well, students and pranking make for a fun story no matter what world they’re set in.

Which leads to my two favorite stories in the collection, “Pranks for the Memories” by Dee Shull and “Fool’s Week” by Anthea Sharp. The stories are similar, but they are still both excellent. It’s spring. The students are restless. (Probably every teacher everywhere is nodding their head at THAT idea). In “Pranks” one student mentions a family tradition of a week of pranking. In “Fool’s Week”, someone remembers that there used to be a traditional “fool’s week” at the Collegium until the practice, not unsurprisingly, got out of hand.

It’s suddenly in hand again, to the point where even the teachers are participating. And it’s hilarious!

The other standouts – at least for this reader – come in pairs. “All Around the Bell Tower” by Stephanie Shaver and “A Bouquet of Gifts, or The Culinary Adventures of Rork” by Michele Lang. Both are stories about young girls who have gifts that the people around them can’t quite identify – and that give them each more than a few problems. What each child needs is someone to both listen and understand. The story in “Bell Tower” is a bit more traditional Valdemar in that it’s her Companion that finally brings help in the persons of both themself and their accompanying Heralds. In “A Bouquet of Gifts” we get a much fuller than usual portrait of the helpful hertasi as Rork the chef, as he sets up a feast for a returning friend, also makes a new one – along with a menagerie of mischievously ‘helpful’ creatures and animals.

We saw a lot of the hertasi in Into the West and it’s lovely to see them again here.

And then there are the two stories that include both romance and adventure in equal measure – if on nearly opposite ends of the socioeconomic strata. “A Cry of Hounds” by Elisabeth Waters and “One Trick Pony” by Diana Paxson. “Hounds” is set in the King’s Court of Valdemar. Lord Repulsive’s father is dead, and Lord Repulsive himself is trying to marry off his 12-year-old stepdaughter. In reality, he’s selling his 12-year-old stepdaughter and trying to keep the King from finding out that the child is only 12. Because he will not approve the marriage once he learns, and he will not be amused when he discovers the deception. And he is not. Lord Repulsive gets what’s coming to him with the help of his castoff brother, his sister-in-law and every dog she talks to with her AnimalSpeech. And he deserves every bit of it. (Lord Repulsive really is repulsive. It’s not his real name but “if the shoe fits” or in this case, more like “if the Foo shits”…)

Last but not least there’s, Diana Paxson’s “One Trick Pony”, which mixes a bit of the bittersweet memory of heartbreak and the horrors of war into its story about a man who has found peace after grief and war by gardening, and the way that peace is invaded by a woman who reopens his heart and a newly born Companion who is learning the limits of their own power one prank at a time.

Escape Rating B: After the necessary seriousness of Into the West, the mostly lighthearted tales of Shenanigans were an absolute delight. As with most collections, not every single story hits its mark, but more than enough of them to make Shenanigans a treat for Valdemar fans. Certainly something to tide us all over as we wait for Gryphon in Light, coming in June.

Review: Fire of the Frost by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda Bouchet

Review: Fire of the Frost by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda BouchetFire of the Frost: A midwinter holiday fantasy romance anthology by Darynda Jones, Jeffe Kennedy, Grace Draven, Amanda Bouchet
Format: ebook
Source: author
Formats available: ebook
Genres: anthologies, fantasy romance, holiday romance, short stories
Pages: 368
Published by Brightlynx Publishing on December 22nd 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

A midwinter holiday fantasy romance anthology…

From Darynda Jones, A Wynter Fyre a standalone novella set in a world where vampyres are hunted for sport. The only thing standing between them and total annihilation is Winter, a warrior bred to save them from extinction. Forbidden to fall in love, Winter cares only about her oaths… until she meets the devilish prince of the underworld.

Of Fate and Fire by Amanda Bouchet
The Kingmaker Chronicles meets modern-day New York City! Piers, an exiled warrior from Thalyria, finds himself in the Big Apple just before the holidays. The world and everything in it might be utterly foreign to him, but that won't stop Piers from helping to complete a vital mission for Athena and protect Sophie, a French teacher from Connecticut who's suddenly knee-deep in inexplicable phenomena, danger, and henchmen after an Olympian treasure that should never have ended up in her hands—or remained on Earth after the Greek gods abandoned it.

The King of Hel by Grace Draven
A novella-length expansion of a stand-alone short story in which a cursed mage-king from a frozen kingdom is obligated to marry a woman of high-ranking nobility but meets his soulmate in a lowly scribe.

Familiar Winter Magic by Jeffe Kennedy
It’s holiday time at Convocation Academy, but best friends Han and Iliana are finding it hard to celebrate. As a familiar, Iliana is facing her assignment to a life of servitude to a wizard, very soon. And Han… despite being tested by the oracle daily, he is still uncategorized. As Iliana and Han face being separated forever, they at last find the courage—or desperation—to break the rules and acknowledge their deeper feelings for each other. But it will take more than true love to save them from the laws of the Convocation…

My Review:

This holiday treat dropped into my lap this week and I couldn’t resist starting it immediately! Isn’t that what holiday treats are for? Immediate consumption for the yes! Especially as I’ve received earlier versions of this confection of a collection (Under a Winter Sky, Seasons of Sorcery and Amid the Winter Snow) and they’ve all been wonderful reading treats.

For the most part, this year’s collection of winter fantasy romances was a very sweet treat indeed – with just enough naughty in the mix to give Santa a blush or four.

My absolute favorite story this year was Grace Draven’s The King of Hel, and not just because it’s a standalone story that isn’t set in one of her other worlds. It’s the kind of fantasy romance that didn’t really have to be a fantasy romance. In fact, its real world inspiration was not. Inspired by the real life romance between Madame de Maintenon and Louis XIV of France, this is the story of Doranis, the magic-touched king of Helenrisia and his queen’s best friend, the modestly born Castil il Veras. What made this story so beautiful is the way that Castil’s deep, life-long friendship with Doranis’ queen is not broken by the romance. Rather, Castil is heartbroken when her best friend dies in childbirth yet still honors that friendship. But life goes on, and the queen’s death gives Doranis the freedom to marry the woman who is suited to him in all ways but birth, and lets Castil acknowledge her love for a man who was otherwise twice beyond her touch.

This was just a beautiful winter romance between two strong and surprisingly equal partners and I loved every page of it.

On the other hand, my least favorite story in this collection was Familiar Winter Magic by Jeffe Kennedy. It’s not that it’s not a good story, because it is, and it’s not that it’s not well done, because it is that as well. It’s that the protagonists of the story are fundamentally, by law and custom, absolutely powerless and their powerlessness gets rubbed like salt into their wounds and the reader’s psyche at every turn. This is just one of those cases where I know it’s good and I know there’s an audience for it and I’m just not it.

Of Fate and Fire by Amanda Bouchet was just plain fun, kind of in the way that the first Thor movie was fun. At points, literally in the way that the first Thor movie was fun, a fact that the heroine references more than once during the course of her whirlwind romance while running from bad guys story plays out. Although Piers of Thalyria, an exile from the world of the author’s Kingmaker Chronicles, has no godlike powers, it turns out that his heroine does and he’s been jerked across time and space in order to protect her while she figures out how to either use them or give them back. The story here is kind of a lighthearted romp – in spite of being chased down by evil entrepreneurs and their henchmen at every turn.

Last but not least, my second favorite story in the collection, Darynda Jones’ A Wynter Fyre. The beginning had a bit of an “aliens made them do it” start – not that any of the characters in this story are actually alien to this world. But there’s a common fanfiction trope for series like Stargate and its spinoffs where the characters are compelled by unbridled libidos to have sex because of “alien sex pollen”. The way this story begins, with vampyres biting Wynter in order to infect her with the equivalent of “vampyre sex pollen” had a very similar feel. Particular when the hero fends off the bad vamps in order to woo her for himself, once he’s helped her take the edge off, so to speak.

After that hot, heavy, creepy and slightly rapey beginning the story itself takes a surprising turn. Wynter has been awakened from 70+ years as a statue because her mother the demon (yes, the being she believes is her mother is an actual demon) needs her to rescue a kidnapped vampyre princess.

But it’s all a setup. Not that the princess hasn’t been kidnapped, but it’s all part of the plot to give Wynter the chance to do her job of protecting the vampyres properly – by killing the greatest threat to their existence – her demon mother. That the setup also manages to change the romance from a sex into love story into a second chance at love story is all part of its charm – something this one had absolutely oodles of.

Escape Rating B+: This collection is always a lovely holiday treat. But like any collection, some stories hit the mark with this reader – or any other – while others aren’t quite as close to the bullseye.

If I were giving individual ratings, A Wynter Fyre would get an A; Of Fate and Fire would receive a B; The King of Hel hits the high spot at A+ while Familiar Winter Magic just didn’t work for me at all. Your reading mileage – even through the snowy landscape of these winter tales – will definitely vary.

No matter which stories in the collection tickle your holiday reading fancy, the collection is definitely worth curling up with some hot chocolate and a cozy blanket for a delicious holiday read!

Review: The Tangleroot Palace by Marjorie M. Liu

Review: The Tangleroot Palace by Marjorie M. LiuThe Tangleroot Palace: Stories by Marjorie M. Liu
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: anthologies, fantasy, horror, short stories
Pages: 256
Published by Tachyon Publications on June 15, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

New York Times bestseller and Hugo, British Fantasy, Romantic Times, and Eisner award-winning author of the graphic novel, Monstress, Marjorie Liu leads you deep into the heart of the tangled woods. In her long-awaited debut story collection, dark, lush, and spellbinding short fiction you will find unexpected detours, dangerous magic, and even more dangerous women.
“The Tangleroot Palace is charming and ruthless. Tales that feel new yet grounded in the infinitely ancient, a mythology for the coming age.”—Angela Slatter, author of The Bitterwood Bible
“Marjorie Liu is magic! Her writing is passionate, lyric, gritty, and riveting. She belongs high on everyone’s must-read list.”—Elizabeth Lowell, author of Only Mine
Briar, bodyguard for a body-stealing sorceress, discovers her love for Rose, whose true soul emerges only once a week. An apprentice witch seeks her freedom through betrayal, the bones of the innocent, and a meticulously-plotted spell. In a world powered by crystal skulls, a warrior returns to save China from invasion by her jealous ex. A princess runs away from an arranged marriage, finding family in a strange troupe of traveling actors at the border of the kingdom’s deep, dark woods.
Concluding with a gorgeous full-length novella, Marjorie Liu’s first short fiction collection is an unflinching sojourn into her thorny tales of love, revenge, and new beginnings.

My Review:

I picked this up not for her multiple award-winning Monstress, which I haven’t read yet, but for Dirk & Steele and Hunter’s Kiss, her marvelous urban fantasy/paranormal series that I read when they came out back in the late 2000s. I loved both of those series, but I’m kind of astonished that they came out way more than a decade ago.

But it has been a while, so I was happy to see this collection as a way of renewing my acquaintance with an author I very much loved. And I’m glad I did. There’s even a prequel for Dirk & Steele in this collection, at least if you squint a bit.

My favorite stories in this collection were The Briar and the Rose, Call Her Savage and the title story, The Tangleroot Palace.

The Briar and the Rose takes the fairytale of Sleeping Beauty, adds in a bit of magical possession and body-swapping, and wraps it in a bodyguard romance. Except that this takes place in a world of myth and legend, where an evil sorceress is maintaining her youth and beauty by possessing pretty young women and discarding their corpses. That sorceress is defeated by the love that develops between her female bodyguard and the true personality of the body being possessed in stolen moments when the sorceress sleeps. And it’s a powerful story about just how strong people can be when they have something, or someone to fight beside and to fight for.

Call Her Savage was fascinating because it hints at so much world and such a rich history that we don’t get to see in this story. There’s alternate history and revolution and wars and flawed heroines and politics and lost causes and fighting the long defeat. It reminds me a bit of Nghi Vo’s The Empress of Salt and Fortune, but with an alternate 19th or 20th century instead of alternate early history. This is the one I wish there were more of. A lot more.

The Tangleroot Palace was lush and lovely and kind of perfect. On its surface its about a princess who runs away from home to find magic in order to save herself and hopefully save her kingdom from subservience to a brutal warlord. And underneath that it’s a romance about hiding behind masks to protect one’s true self, about the power of illusion and the power of agency. And of course nothing about the warlord or the kingdom or the subservience turns out to be quite what the princess was expecting. But the magic at the heart of the forest is all too real, even if, or especially because, it too is based on an illusion.

Of the rest of the collection, Sympathy for the Bones, Where the Heart Lives and The Last Dignity of Man were interesting and I’m glad I read them but they weren’t quite up there with my faves. After the Blood played with a supernatural/paranormal take on a post-apocalyptic story but didn’t give enough details to really hang together. Not that some characters weren’t hung or otherwise eliminated, but this one felt like it had been done before, and better, elsewhere.

Still and all, I’d have read this for those three favorite stories, and I’m glad I stuck around for the whole thing. It was just the right amount of lovely and romantic and creepy to while awhile a rainy evening with a cat on my lap.

Escape Rating A-: This is a strong collection, filled with stories that grip the heart, ramp up the adrenaline and occasionally wring the tear ducts. They’re not new stories, but they were all new to me, and I got completely wrapped up in every single one. They have the feel of feminist fairy tales, in that all but one of the stories are led by women, and are from mostly female perspectives. So these are heroine’s journeys – and occasionally villainess’ journeys, rather than told from the point of view that such stories are usually told.

Although the one story that is told from a male perspective, The Last Dignity of Man, while it was not among my favorites was one of the most purely lonely stories I have ever read. It was so sad and so heartbreaking and had so much possibility but the monsters, and there certainly were monsters, were more disgusting than scary, not that they weren’t scary too. Still, the idea of someone emulating a supervillain in the hopes that a superhero would arise to thwart them, just like in the comic books, was a great idea that I’d love to see explored more fully with less puking. Seriously.

The Tangleroot Palace reminded me just why I loved this author so much, and has made me resolve to get stuck into Monstress at the earliest opportunity!

Review: Beyond by Mercedes Lackey

Review: Beyond by Mercedes LackeyBeyond (The Founding of Valdemar #1) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: epic fantasy, fantasy, anthologies
Series: The Founding of Valdemar #1, Valdemar (Publication order) #46, Valdemar (Chronological) #4
Pages: 384
Published by DAW Books on June 15, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The long-awaited founding of Valdemar comes to life in this new series from a New York Times bestselling author and beloved fantasist

Within the Eastern Empire, Duke Kordas Valdemar rules a tiny, bucolic Duchy that focuses mostly on horse breeding. Anticipating the day when the Empire’s exploitative and militant leaders would not be content to leave them alone, Korda’s father set out to gather magicians in the hopes of one day finding a way to escape and protect the people of the Duchy from tyranny.

Kordas has lived his life looking over his shoulder. The signs in the Empire are increasingly dire. Under the direction of the Emperor, mages have begun to harness the power of dark magics, including blood magic, the powers of the Abyssal Planes, and the binding and "milking" of Elemental creatures.

But then one of the Duchy’s mages has a breakthrough. There is a way to place a Gate at a distance so far from the Empire that it is unlikely the Emperor can find or follow them as they evacuate everyone that is willing to leave.

But time is running out, and Kordas has been summoned to the Emperor's Court.

Can his reputation as a country bumpkin and his acting skills buy him and his people the time they need to flee? Or will the Emperor lose patience, invade to strip Valdemar of everything of worth, and send its conscripted people into the front lines of the Imperial wars?

My Review:

Time flies whether you’re having fun or not. Come to think of it, that kind of applies in the story, too, as there are certainly times when Kordas Valdemar is not having any fun at all, but time is flying because he and his duchy have way, way, way too much to do to get the hell out of, not exactly Dodge, but out of the corrupt Eastern Empire before it either wipes them out or topples from within under the weight of its own corruption.

I read what became the first book in the very long running Valdemar series, Arrows of the Queen, when it first came out back in 1987. My initial paperback copies crumbled to dust long ago, but I still have the Science Fiction Book Club hardcover omnibus edition of that original trilogy. It feels like that was a lifetime ago and very far away.

I remember the series fondly, because at the time it was published there wasn’t much like it at the time. It was female-centered, it was a heroine’s journey, the worldbuilding was deep and fascinating and felt like a place that one would want to live. It all just worked and I loved the whole thing and seem to have read the first 30 books or so before it fell under the wheels of “so many books, so little time”.

So it had been a long time since I traveled to Valdemar, but remembered it so fondly, that when the eARC for Beyond popped up I was, well, beyond interested. I love foundational stories anyway, and here was a foundational story for a world I still sorta/kinda knew. That it was set at a time in that world’s history that hadn’t really been touched on before meant that I could pick back up here and not feel the compulsion to go back and read the 15 or so books in the series that I missed before reading this one.

Not that I might not take a look at them afterwards! But events later don’t usually impact events before – and Beyond was certainly before pretty much everything else.

So here we are, in the far past, before Arrows of the Queen or Magic’s Pawn, and, as it turns out, headed beyond the borders of the Eastern Empire that Valdemar and his people came from. This story is the story of the leave-taking, and very much the story of why they left.

And it’s a doozy. If you have fond memories of Valdemar, as I very much did, Beyond is a fantastic way to go back. If you’ve never been, it’s a terrific time, and place, to start.

Escape Rating A-: One of the things that I remember from my previous reading is that, in spite of more than a few crises along the way, Valdemar as a place felt livable. Like Pern and Celta and Harmony but surprisingly few other fantasy (or fantasy-ish) realms, the world seems to be functional. Not that humans aren’t more than occasionally idiots – because we are – but the foundations seem to be solid and the place seems to work, more or less, most of the time.

The story in Beyond is the beginning of the story of why Valdemar mostly works. The Eastern Empire is the horrible warning of what happens when bad follows worse in endless succession for centuries. At the point we meet Kordas Valdemar, it’s not a matter of if the empire will fall, its when – and how much collateral damage that fall will do.

What we have, in a way, is kind of a fix-it fic. Not that Kordas can “fix” the empire, because it is way too late, the corruption is much too thorough. There have been too many generations trained and “nurtured” in the belief that all the corruption is the way that things are supposed to be.

Rather, this is the story of a whole bunch of people from all walks of life who have said, “enough” and have the means and the method to find a way out. Beyond is the story of a PLAN, definitely all caps on plan, and the implementation of that plan. It’s about the last coming together, of the getting of all the ducks in their rows, and of all the things and people and events that conspire to make it happen AND that get in the way.

And I loved the two-steps forward, one-step back of the whole thing. The meticulous organization running headlong into the desperate measures. And I especially loved the people making it happen in spite of the odds and the risks and the strong possibility that it will all go pear-shaped.

Which it kind of does, but in the best way possible.

So if you enjoy watching a plan coming together, if you like watching people work hard and sweat much in order to bring off the work of decades, if you don’t mind just a bit of villain monologuing and love a story of unlikely heroes, Beyond is a delight.

Especially if you’ve never been to Valdemar or are, as I was, looking for an excuse to go back.

The one thing I missed in Beyond that was part of the magic of the original series are the magical, fascinating, horse like Companions. I kept waiting for them to appear because they were such a marvelous part of the original stories. There are beautiful and intelligent horses, because that’s what Valdemar-as-a-duchy was famous for, but no Companions – at least not yet.

Therefore, it made me very, very happy to learn that Beyond is the first book in The Founding of Valdemar trilogy. The Companions are coming, and I can’t wait for them to get here!

Review: Dragon Age: Tevinter Nights edited by Patrick Weekes

Review: Dragon Age: Tevinter Nights edited by Patrick WeekesDragon Age: Tevinter Nights by Patrick Weekes, John Epler, Brianne Battye, Courtney Woods, Ryan Cormier, Sylvia Feketekuty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: anthologies, fantasy, sword and sorcery
Pages: 496
Published by Tor Books on March 10, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

An anthology of original stories based on the dark fantasy, role-playing video game series from Bioware.

Ancient horrors. Marauding invaders. Powerful mages. And a world that refuses to stay fixed.

Welcome to Thedas.

From the stoic Grey Wardens to the otherworldly Mortalitasi necromancers, from the proud Dalish elves to the underhanded Antivan Crow assassins, Dragon Age is filled with monsters, magic, and memorable characters making their way through dangerous world whose only constant is change.

Dragon Age: Tevinter Nights brings you fifteen tales of adventure, featuring faces new and old, including:

"Three Trees to Midnight" by Patrick Weekes
"Down Among the Dead Men" by Sylvia Feketekuty
"The Horror of Hormak" by John Epler
"Callback" by Lukas Kristjanson
"Luck in the Gardens" by Sylvia Feketekuty
"Hunger" by Brianne Battye
"Murder by Death Mages" by Caitlin Sullivan Kelly
"The Streets of Minrathous" by Brianne Battye
"The Wigmaker" by Courtney Woods
"Genitivi Dies in the End" by Lukas Kristjanson
"Herold Had the Plan" by Ryan Cormier
"An Old Crow's Old Tricks" by Arone Le Bray
"Eight Little Talons" by Courtney Woods
"Half Up Front" by John Epler
"Dread Wolf Take You" by Patrick Weekes

My Review:

If this is your jam, if Dragon Age is your jam, then Tevinter Nights is the jammiest jam that ever jammed. But I have to say upfront that if you’re not already into Thedas, this collection is not the place to get there. The place to begin is the awesome, absorbing videogame Dragon Age Origins, which premiered in 2009 and has, so far, spawned two sequels, the under regarded, boringly named but eminently playable Dragon Age II, and the later Dragon Age Inquisition. Those of us who love the series and replay it endlessly are now in year 6 of waiting for Dragon Age 4, which looks like it’s going to be titled The Dread Wolf Rises and not rise in real life until 2022 at the earliest.

I’m not sure whether the Tevinter Nights collection is designed as a teaser, as a hint of things to come, or just to drive us even crazier waiting. Whatever the case, for fans the collection is a terrific way of seeing parts of Thedas we have heard of but not seen much of – at least not yet – catch a few glimpses of beloved characters, and just generally have a good time in a place we’ve come to know and love.

And the stories themselves, well, if you’re familiar with where they’re coming from, the collection is a rollicking good time. Maybe not all of the stories are quite worthy of a Tethras (Hard in Hightown) but a good time is certainly had by all, especially if you’re also into the sword and sorcery school of fantasy, because that’s where this collection mostly falls. With a couple of toe dips into the very dark fantasy edges of horror.

Dragging myself back from the squeeing to talk about the stories themselves, as I said, they are all pretty much playing in the sword and sorcery end of the fantasy pond, so there are lots of assassins, lots of dastardly plots and LOTS of murders. Then again, several of the stories feature the Antivan Crows, and assassination is their business.

The story I found to be the absolute most fun was Down Among the Dead Men by Sylvia Feketekuty. While part of that fun was that it is set in Nevarra, a place we haven’t been, and in the Grand Necropolis, under the purview of Nevarra’s Mortalitasi, the mages who maintain the Crypts and their dead and demonic denizens of whom we’ve heard much but not met many.

On the surface this story reads like a dungeon crawl into a dungeon full of creepy, crawly undead monsters, but it subverts itself in the end. The “I see dead people” is expected, the “I be dead people” is rather a shock for our guardsman hero. That he achieves his lifelong dream of becoming a librarian as a dead person turns the gallows humor into a smile.

The two stories that edge the closest to outright horror are the aptly named The Horror of Hormak by John Epler and The Wigmaker by Courtney Woods. While their portraits of previously unseen parts of Thedas are fascinating, it’s the evils faced by the protagonists that make both of these stories sing their creepy songs. It wouldn’t have taken much for either of these stories to be just plain horror in any setting, but Thedas gives both of them a bit of extra gruesome spice. That The Wigmaker can also be read as a scathing commentary on the real-life fashion industry just adds to the chills it engenders.

The two stories that dealt most directly with characters that fans are familiar with from the series are Callback and Genitivi Dies in the End, both by Lukas Kristjanson. Both of his stories rely on readers’ knowledge of the series, and both take that knowledge and use it to tell stories that pull the reader right back into this beloved world while telling new stories with old friends. Callback is a particularly poignant post-Inquisition story, while the story around Genitivi, while “enhanced” by knowing the character and the world, is actually a well-done version of an often told type of story, one about storytellers and storytelling and the way that so-called history can be embellished – or not – as the tale-teller decides. Or as the tale-teller requires in order to get out of town with a whole skin.

Last, but not least, the one that sent chills up my spine not for its creepy or horrific elements but for the way that it continues the post-Inquisition story by giving us a view of exactly what the Dread Wolf has been up to since the end of Dragon Age Inquisition. The final end of the Trespasser DLC when he announced that he planned to essentially destroy the world in order to save his own people and correct the wrong he committed Ages ago. He’s just as proud, self-deluded and self-serving as ever, and just as hot and just as cold, all at the same time. I can’t help but hope that his original name might be prophetic in some way. And that this time “Pride” will go before a very big fall. He certainly has the hubris for it.

We’ll see. Eventually. In 2022 or 2023. Not nearly soon enough. But if you love epic fantasy of the somewhat grimdark persuasion, enjoy experiencing a story through videogaming, and have not yet had the pleasure of going to Thedas, you have plenty of time to work your way through the entire series before The Dread Wolf Rises.

If you have already fallen in love with Thedas as I have, we have these stories to tease us and tide us over.

Escape Rating A-: I loved this collection. Fans will love this collection. Everyone else will wonder what the fuss is about. But for those of us who already know what the fuss is about, Tevinter Nights is a very fun read.

Review: Pets in Space 4 by S.E. Smith and others

Review: Pets in Space 4 by S.E. Smith and othersPets in Space® 4 by Alexis Glynn Latner, Anna Hackett, Cassandra Chandler, Donna McDonald, E.D. Walker, J.C. Hay, Kyndra Hatch, Laurie A. Green, Pauline Baird Jones, Regine Abel, S.E. Smith, Tiffany Roberts, Veronica Scott
Format: eARC
Source: publisher
Formats available: ebook
Genres: anthologies, science fiction romance
Series: Pets in Space #4
Pages: 1480
Published by Cats, Dogs and Other Worldly Creatures on October 8, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

For a limited time only! Pets in Space® 4 is proud to present 13 amazing, original new stories! Join the adventures as today’s leading Science Fiction Romance authors take you on a journey to another world. Pets in Space® proudly supports Hero-Dogs.org, a non-profit charity that provides service animals to veterans and first responders in need. Join New York Times, USA TODAY and Award-winning Bestselling authors S.E. Smith, Anna Hackett, Tiffany Roberts, Veronica Scott, Pauline Baird Jones, Laurie Green, Donna McDonald, Regine Abel, Alexis Glynn Latner, JC Hay, E.D. Walker, Kyndra Hatch, and Cassandra Chandler for another exciting Pets in Space® anthology. Get the stories before they are gone!

Proud supporters of Hero-Dogs.org, Pets in Space® authors have donated over $7,100 in the past two years to help place specially trained dogs with veterans and first responders. Open your hearts and grab your limited release copy of Pets in Space® 4 today!

My Review:

Some of the pets featured in this series may be small, but every book in the collection – and every story in it – is huge. Sometimes literally and sometimes figuratively.

This is a BIG book. At over 1400 pages, it’s a really, really, really big book. Like 30+ HOURS of book. There’s plenty here to sink your reading teeth – or your own pet’s actual teeth, into. Not that all of the pets featured in this series necessarily HAVE teeth, you understand.

And then there’s the supposedly cursed rock, but it isn’t one of the pets. Only the quarry of one.

Like all of the previous books in this series, Pets in Space 4 is a limited run, so if you love science fiction romance as much as I do, it’s worth getting while it’s available, for extended reading pleasure. This isn’t a book you can tackle in one sitting – except possibly on a trans-Pacific flight – if you read very, very fast. There’s a lot of book here to love.

Also, calling the entries in this book “stories” doesn’t really do them justice. The works in this collection are nearly all novella or novellette length. In other words, they are all long enough and meaty enough to have each been released on their own. Reading Pets in Space 4, or any of the Pets in Space collections, is like reading a whole bunch of generally excellent short novels all in one swell foop.

I’ll admit that I haven’t read the whole thing – at least not yet. I’ve been following this series since its inception, and it’s a collection for savoring and dipping into when the mood strikes or when one needs a reading pick-me-up.

So I attacked this the way I usually do. First I dive into the stories that are set in worlds that I’m already familiar with. Which led me to Dark Guard by Anna Hackett, set in her Galactic Gladiators series, Spydog by Laurie A. Green in her Inherited Stars series, Winter’s Prince in Alexis Glynn Latner’s Starways series, and that one with the cursed rock, Star Cruise: Idol’s Curse in Veronica Scott’s Sectors SF series.

They are all excellent, and also completely different. And feature different pets as well. Dark Guard is an exile story. There’s a temporary wormhole, long since closed, and a couple of tribes of slavers that have a lot to answer for. The day is saved in this one by a cyborg cat, named Cat, with that feline tendency to be disobedient and protective at the same time.

Winter’s Prince is all about an amusement park planet, a quest gone wrong, a search for true love and a genetically engineered unicorn. It’s also an excellent followup to my favorite story from the Pets in Space 4 Sampler, The Magic Mountains.

The cybernetically enhanced Spydog Maura, in the story that is of course named for her, knows what’s best for her human and isn’t the least bit shy about making sure it happens – whatever he might think!

And last, but not least from my perspective, the marvelous Star Cruise: Idol’s Curse – my favorite story so far. The story is lovely, the dog Charrli is adorably bouncy, but the rock is ugly. And cursed. Also blessed. Sometimes at the same time. It’s complicated. The rock is complicated. The setting on the intergalactic cruise ship is marvelous, and the romance between the cruise’s events director and the Third Officer is just a perfect little cocktail of a story – complete with paper umbrella.

I’m far from done with this book. I’ve got a couple more entries from familiar series to get into. Then I’ll look for the rest of the cat stories – because my own cats would accept no less. Then I’ll finish with the series entries that I’m less familiar with just to see what new worlds I want to dive into next!

All in all, Pets in Space 4 is an excellent reading time and a more than worthy companion to its predecessors in the series.

Escape Rating A for this out-of-this-world collection!

Review: The Eagle Has Landed edited by Neil Clarke

Review: The Eagle Has Landed edited by Neil ClarkeThe Eagle Has Landed: 50 Years of Lunar Science Fiction by Neil Clarke
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: anthologies, science fiction, short stories, space opera
Pages: 600
Published by Night Shade on July 16, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


The lone survivor of a lunar crash, waiting for rescue in a solar powered suit, must keep walking for thirty days to remain in the sunlight keeping her alive . . . life as an ice miner turns ugly as the workers’ resentment turns from sabotage to murder . . . an astronaut investigating a strange crash landing encounters an increasing number of doppelgangers of herself . . . a nuclear bomb with a human personality announces to a moon colony that it will soon explode . . . hundreds of years in the future, art forgers working on the lunar surface travel back in time to swap out priceless art, rescuing it from what will become a destroyed Earth . . .  

On July 20, 1969, mankind made what had only years earlier seemed like an impossible leap forward: Apollo 11 became the first manned mission to land on the moon, and Neil Armstrong the first person to step foot on the lunar surface. While there have only been a handful of new missions since, the fascination with our planet’s satellite continues, and generations of writers and artists have imagined the endless possibilities of lunar life.

The Eagle Has Landed collects the best stories written in the fifty years since mankind first stepped foot on the lunar surface, serving as a shining reminder that the moon is a visible and constant example of all the infinite possibility of the wider universe.

Table of Contents

Introduction

Bagatelle by John Varley The Eve of the Last Apollo by Carter Scholz The Lunatics by Kim Stanley Robinson Griffin’s Egg by Michael Swanwick A Walk in the Sun by Geoffrey A. Landis Waging Good by Robert Reed How We Lost the Moon by Paul McAuley People Came From Earth by Stephen Baxter Ashes and Tombstones by Brian Stableford Sunday Night Yams at Minnie and Earl’s by Adam Troy Castro Stories for Men by John Kessel The Clear Blue Seas of Luna by Gregory Benford You Will Go to the Moon by William Preston SeniorSource by Kristine Kathryn Rusch The Economy of Vacuum by Sarah Thomas The Cassandra Project by Jack McDevitt Fly Me to the Moon by Marianne J. Dyson Tyche and the Ants by Hannu Rajaniemi The Moon Belongs to Everyone by Michael Alexander and K.C. Ball The Fifth Dragon by Ian McDonald Let Baser Things Devise by Berrien C. Henderson The Moon is Not a Battlefield by Indrapramit Das Every Hour of Light and Dark by Nancy Kress In Event of Moon Disaster by Rich Larson

My Review:

Just in time for the 50th Anniversary of Apollo 11 comes The Eagle Has Landed, a collection of stories, set on the Moon, that were written sometime AFTER that historic voyage.

One of the interesting things, at least from the editor’s perspective, is how relatively few lunar-set stories there actually were, particularly in the immediate post-Apollo years. His speculation is that changing the first lunar landing from fiction to history moved lunar-set stories too close to a potential and seemingly reachable very-near-future pushed the concept out of science fiction.

And while we know from the perspective of hindsight that Apollo 11’s achievement marked the beginning of the end rather than the end of the beginning that we hoped for, no one knew it at the time. Possibly were afraid of that possibility, but didn’t know for certain. And hoped their fears were wrong.

Another possibility thrown out was that Heinlein’s classic, and at the time relatively recent The Moon is a Harsh Mistress (1966), had, at least temporarily, taken all the air out of the fictional lunar room and no one wanted to jump in after the master. Even though Heinlein’s attitudes about women seem antediluvian 50 years later, I reread the thing not long ago and a surprising amount of it still holds up. And the ending still makes me tear up.

But the thing that struck me about this collection, particularly in contrast with some of Heinlein’s pre-Apollo lunar stories, not just Moon but also Gentlemen, Be Seated and even in a peculiar way The Man Who Sold the Moon, is just how dark the post-Apollo stories are in comparison to the pre-Apollo stories.

There was a lot of hope in those earlier stories. Not remotely scientifically based as we know now, but a buoyancy of spirit. We were going to get “out there” and it was going to be at least as good, if not better, than the present. Even if it took a revolution to get there.

Escape Rating B: The first several stories in this collection are seriously bleak. Either the moon is a wasteland, the Earth is, or both. Those dark futures probably mirror the state of the world at the time. Having lived through the 1970s, they seemed more hopeful in a lot of ways, but there were plenty of clouds were looming on the horizon – and some of those clouds were filled with acid rain.

And as far as the space program was concerned, all the air had been let out of its tires after the lunar landing. The uphill drive to reach the moon had been exhilarating, but the downhill slide was pretty grim.

A couple of the stories really got to me in their bleakness, A Walk in the Sun by Geoffrey A. Landis and Waging Good by Robert Reed.

One of the other notable things about this collection is that, until Kristine Kathryn Rusch’s fascinating story, SeniorSource (2008), all of the stories were written by men. And that reflects the genre at the time. Female science fiction writers were thin on the ground until this century, as were writers of color – who are also singularly absent in the collection until that point.

I loved SeniorSource because it reminded me so much of the author’s Retrieval Artist series, which is also set on the moon (and which I now have a yen to reread). SeniorSource is a combination of SF with mystery, as is the Retrieval Artist series as a whole. But what I enjoyed about it in comparison with the earlier stories is that it’s a life goes on story. It’s set in a future that seems both plausible but not catastrophic. Life goes on, humans do human, and there is a future that is not bleak, but different.

From there the collection does look up. It’s an excellent sampling of post-Apollo lunar fiction, and a view of just how much the genre has changed over time. That being said, if you’re already blue, there’s a bit too much to depress you further in this book. But definitely an interesting read, and well worth savoring – possibly in bits to lighten the darkness a bit.

Review: If This Goes On edited by Cat Rambo

Review: If This Goes On edited by Cat RamboIf This Goes On by Cat Rambo, E. Lily Yu, Aimee Ogden, Rachel Chimits, Cyd Athens, Scott Edelman, Jack Lothian, Gregory Jeffers, Conor Powers-Smith, Priya Sridhar, Andy Duncan, Lynette Mejía, Hal Y. Zhang, Nick Mamatas, Steven Barnes, Kitty-Lydia Dye, Tiffany E. Wilson, Nisi Shawl, Kathy Schilbach, Zandra Renwick, Chris Kluwe, Sarah Pinsker, Calie Voorhis, Marie Vibbert, James Wood, Jamie Lackey, Paul Crenshaw, Langley Hyde, Judy Helfrich, Beth Dawkins, Sylvia Spruck Wrigley
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, dystopian, post apocalyptic, science fiction, short stories
Pages: 304
Published by Parvus Press LLC on March 5, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonKoboBookshop.org
Goodreads

A bold new anthology born of rage and sorrow and hope. 30 writers look at what today's politics and policies will do to shape our world a generation from now. Some of today's most visionary writers of science fiction project us forward to the world of the future; a world shaped by nationalism, isolationism, and a growing divide between the haves and have nots. This anthology sits at the intersection of politics, speculative fiction, and American identity. The choices we make today, the policies of our governments and the values that we, as people, embrace are going to shape our world for decades to come. Or break it. Edited by Cat Rambo, the current President of the Science Fiction and Fantasy Writers of America, the stories of If This Goes On invite you to worlds very like this one-- but just a little different.

Table of contents:Green Glass: A Love Story by E. Lily YuTwelve Histories Scrawled in the Sky by Aimee OgdenDead Wings by Rachel ChimitsWelcome to Gray by Cyd AthensThe Stranded Time Traveler Embraces the Inevitable by Scott EdelmanGood Pupils by Jack LothianAll the Good Dogs Have Been Eaten by Gregory JeffersThe Sinking Tide by Conor Powers-SmithMustard Seeds and the Elephant’s Foot by Priya SridharMr. Percy’s Shortcut by Andy DuncanA Gardener’s Guide to the Apocalypse by Lynette MejíaBut for Grace by Hal Y. ZhangHurrah! Another Year, Surely This One Will Be Better Than The Last; The Inexorable March of Progress Will Lead Us All to Happiness by Nick MamatasThe Last Adventure of Jack Laff: The Dayveil Gambit by Steven BarnesThree Data Units by Kitty-Lydia DyeOne Shot by Tiffany E. WilsonKing Harvest (Will Surely Come) by Nisi ShawlCounting the Days by Kathy SchilbachMaking Happy by Zandra RenwickThe Machine by Chris KluweThat Our Flag Was Still There by Sarah PinskerThe Editor’s Eyes by Calie VoorhisFree WiFi by Marie VibbertDiscobolos by James WoodFine by Jamie LackeyBulletproof Tattoos by Paul CrenshawCall and Answer by Langley HydeA Pocketful of Dolphins by Judy HelfrichTasting Bleach and Decay in the City of Dust by Beth DawkinsThe Choices You Make by Sylvia Spruck Wrigley

My Review:

I picked this up around the same time I received Cory Doctorow’s Radicalized to review for Library Journal. Just from the descriptions, it seemed that these two books either springboarded off the same event, were in dialog with each other, or both. (This is also a giant hint that if this book interests you that one will too!)

They’re not exactly in dialog with each other, but they certainly arose out of the same event – the 2016 election. Both are wrapped around the question about what the state of the US – and by extension the world – will be in the future if the hateful politics and policies that were given voice and force by the election of 45 continue into the future relatively unchecked.

That premise is explicit in If This Goes On, and implicit in Radicalized, but it is definitely there in both books.

They are very different collections, however. Radicalized consists of four novellas by a single author, where If This Goes On is a collection in the broader sense, of relatively short stories by 30+ authors around the single theme.

A theme that the collection is screaming about – loudly and with metaphorical expletives. As far as the authors and editor are concerned (and this reader) the policies of those elected in that mess are undoing much of the good that the US has done and are making both the country and the world into a worse place than it was.

None of the writers want the situation to continue – and have done science fiction’s usual excellent job of extending the present out into the possible, even plausible, end point of the contemporary mess in order to show just how awful things can be.

In the hopes that we will band together and do something about it before it is too late.

Escape Rating B+: My feels are all over the place on this one.

First, because it bothered the hell out of me and presumably will other people, the title of the collection sounds familiar because it is. If This Goes On— is the title of a novella by Robert A. Heinlein, a novella which would itself feel at home in this collection.

Whether the title of the collection is in homage or not, there is still plenty of resonance between the two.

This is not a collection to be read late at night, particularly with only the light of one’s screen to push back the darkness. Because there’s plenty of darkness in these stories. While some of them border on horror in the traditional sense, most of the stories give the reader the sense that they are looking at something horrible. And I was appropriately – and shudderingly – horrified.

There is some humor in some of the stories, but it is primarily humor of the “gallows” persuasion. These futures are all bleak in one way or another. While the stories themselves are excellent, the overall tone is fairly dark.

Each story is followed by an editor’s note that tends to hit that dark tone over the head with a baseball bat. The stories generally speak for themselves so that repeated emphasis felt a bit like being bludgeoned with the point of the collection – over and over again. I was already metaphorically bleeding so this was a case where the beatings didn’t need to continue until morale improved because it wasn’t going to happen. But there’s something about the reference to that t-shirt saying that seems appropriate just the same – possibly because hearing the news these days does feel a bit like that proverbial beating.

As much as I agreed with the authors’ and the editor’s perspectives, I’ll admit to getting tired of having it beaten into my head over and over again. YMMV.

These stories stand on their own. Sometimes swaying in the wind from the apocalypse, but they do stand. And the collection is well worth reading. If you read nothing else from this collection, look for Mustard Seeds and the Elephant’s Foot by Priya Sridhar – it’s lovely.

As the saying goes, in reference to the collection as a whole, “Read ‘em and weep.”