Review: Evergreen Chase by Juneau Black + Giveaway

Review: Evergreen Chase by Juneau Black + GiveawayEvergreen Chase: A Shady Hollow Mystery Short Story by Juneau Black
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: cozy fantasy, cozy mystery, holiday fiction
Series: Shady Hollow #3.5
Pages: 32
Published by Vintage Crime/Black Lizard on November 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

It’s the winter solstice in Shady Hollow, that magical time of year when creatures of all shapes and sizes come together to honor the season and eat as much pie as possible. Reporter Vera Vixen is eager to experience her first holiday in town and is especially looking forward to the unveiling of the solstice tree. But then disaster strikes. The year’s tree—the tallest in the forest—has disappeared without a trace. Can Vera, her best friend, Lenore, and Deputy Orville Braun find the tree and save the season? Or will this year’s solstice be especially dark?

My Review:

Today is Black Friday in the U.S., that unofficial holiday after the official Thanksgiving Day holiday.

Traditionally, this was the day when holiday decorating ‘officially’ kicked off, and anyplace that had not already started playing Xmas carols started doing so with a vengeance. So, as this feels like the right day, at least to me, to start reviewing holiday books, I’m kicking off my holiday season with this Shady Hollow winter solstice story.

This is explicitly not a Christmas story, just as Phantom Pond was not explicitly a Halloween story. The historical and religious underpinnings of both of those holidays in our world don’t exist in the animal-centric world of Shady Hollow.

But that doesn’t mean that something like those holidays wouldn’t, doesn’t or hasn’t arisen in other cultures – and that particularly applies to the winter solstice. Many, many traditions have holidays around the solstice, and Shady Hollow wouldn’t be exceptional in marking the shortest day of the year – even if they might be a bit exceptional in just how they do that marking.

Along with the touch of mystery that makes the series so very much fun!

The tradition in Shady Hollow is to ‘walk’ the specially chosen Solstice tree from the surrounding woods to the center of town, where it will be decorated and feted and brightly lit to chase away the darkness of the longest night.

The trees are chosen decades in advance and tended lovingly by specially appointed treekeepers until their appointed day as the center of the whole town’s attention and celebration.

But someone has stolen this year’s tree – all FIFTY FEET of it – the night before its celebratory walk. The whole town is enraged, incensed, and practically in mourning over the loss of their tree.

It will take the efforts of every animal in town, from Police Bear Orville Braun to ace investigative reporter Vera Vixen to all the birds around town, led by night-owl Professor Heidegger and bookstore owner Lenore the Raven to find the tree in time.

The longest night comes early in Shady Hollow, and time is running out.

Escape Rating B: Shady Hollow may sound a bit twee, but it’s really a LOT more like Zootopia – at least if the movie had been set in Judy Hopp’s rural Bunnyburrow instead of Nick Wilde’s big city. A reflection that reporter Vera Vixen frequently makes herself, as she used to be a resident of one of those big cities but has found cozy Shady Hollow to be a lot more to her taste.

The Shady Hollow series as a whole, are lovely, charming, and very cozy mysteries – and Evergreen Chase is no exception. At the same time, the use of animals as people gives the author all sorts of opportunities to include comments about human behavior hiding in plain sight – or under the bare covering of a pawkerchief.

Like many of the stories in this series, there’s a mystery, but it’s a gentle one. No one is dead, no one is likely to end up dead, but the town’s collective anguish is still VERY real, as someone has literally stolen one of their beloved traditions right out from under them.

That the town pulls together to celebrate the solstice with or without the tree is all part of the series’ charm. That they have their own solstice miracle just adds to the sweetness of both the story and the holiday season – both theirs and ours.

So this feels like its a short story for the many fans of the series, of which I am mostly definitely one. And it turned out to be the perfect start for my holiday reading. (As much as I enjoyed The Wishing Bridge reading it last week made me want to give myself a ‘ten-yard penalty for rushing the season.’ Reading Evergreen Chase felt like a ‘proper’ start to the season.)

It did also remind me of another lovely holiday story that uses animals to tell an entirely different but equally charming human story. If Shady Hollow sounds charming but you’ve never watched Emmet Otter’s Jug-Band Christmas, well, let this be the season to get the song, “There Ain’t No Hole in the Washtub” stuck in your head, just like it is in mine this time of year!

~~~~~~ GIVEAWAY ~~~~~~

Black Friday is just a weird day. It’s not a holiday, but it still feels like part of a holiday. Unless one works in retail, because it’s most definitely, absolutely not a holiday under those conditions! Also weird, but along the U.S./Canadian border, even though there is no Thanksgiving Thursday in Canada (Canadian Thanksgiving is in mid-October), there is mostly definitely a Black Friday complete with Black Friday sales.

But it’s a day when not many people may be reading blogs – possibly because in the U.S. they are either still in a turkey coma or because they’re off trying to grab the best Black Friday deals. So, for those who are staying home, I have a bit of a giveaway for you.

It’ll just be a little something to put in someone’s holiday stocking, but it’s just a way to say ‘THANKS!’ to all of you who have spent a bit of time with me over the year at chez Reading Reality.

a Rafflecopter giveaway

Review: Some Danger Involved by Will Thomas

Review: Some Danger Involved by Will ThomasSome Danger Involved (Barker & Llewelyn, #1) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Barker & Llewelyn #1
Pages: 290
Published by Touchstone on May 18, 2004
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his apprentice, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar.
When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

My Review:

Fair warning, this review is going to be LONG, even for me. I really, truly, seriously LOVED this book – even more than I expected. And I had pretty high hopes going in.

We first meet our protagonists in a tried-and-true manner that does an excellent job of hinting at the mysteries and the reveals yet to come.

Cyrus Barker is a ‘private enquiry agent’ (read as private detective), in search of a new assistant, while down-so-low-bottom-looks-like-up Thomas Llewelyn, formerly of both Oxford University and Oxford Castle & Prison, has nothing left either to live for or to live on. He sees Barker’s advertisement as a decision point. Either he’ll get the job or he’ll throw himself in the Thames.

Of course, he gets the job – otherwise we wouldn’t have this marvelous book to read, let alone the series that follows.

But the job that he gets is nothing like he expected. On the one hand, his new employer likes to hold all his cards VERY close to his vest. Llewelyn is constantly flying blind, expected to figure things out by the seat of his pants.

Pants – along with every other stitch of clothing he has on – purchased for him by his employer, who is also providing food, board, education, and all the books the former scholar can read in his spare time – of which there is admittedly little.

Most important, Barker gives him purpose, keeps his mind fully engaged, and sets him to the task of learning the ins and outs of his new job while thinking on his feet and occasionally employing his fists.

But the ‘Help Wanted’ listing said that there was ‘some danger involved’ in the job, as the title of the book indicates. Barker’s previous assistant was killed while performing that job. Llewelyn will have to keep his wits about him every second to make sure that he doesn’t suffer the same fate.

Working with Cyrus Barker promises to be the making of him, IF he manages to survive it. We’ll certainly see how well he manages in the books ahead!

Escape Rating A+: I generally require my comfort reads to have a bit of body to hold my interest. I mean that literally, as my comfort reads tend to be historical mysteries, preferably in series, so that when I have a ‘bail and flail’ day – or week – there’s always another known quantity of a book to sweep me into its world.

Buuuut, I’m caught up with one series I was using as comfort reading, the Sebastian St. Cyr series. And I’m nearly caught up with its readalike series, Wrexford & Sloane. Which left me scrabbling for another, which is very much where Barker & Llewelyn came in.

This first entry in the Barker & Llewelyn series turned out to be a comfort read on not just one but multiple levels, which is pretty amazing.

Most importantly, the partnership of Barker & Llewelyn is at its very beginning in this book, and they are fascinating – partly because of the second reason. The period in which this series takes place is the Victorian era, the bailiwick of the Great Detective and his equally famous amanuensis. In other words, Barker & Llewelyn could easily find themselves in competition with Sherlock Holmes – even more than they already are.

It’s not difficult to see Barker as Holmes and Llewelyn as his Watson, but that famous duo serves mostly as a jumping off point for our protagonists in this series. This isn’t a true Holmes pastiche as the Lady Sherlock or The Daughter of Sherlock Holmes series, or the TV series Sherlock and Elementary, are.

Not that Barker doesn’t have similarities to Holmes, but more in the sense that any capable senior partner in a detective duo shares at least some characteristics with the Great Detective. What sets Barker apart is the way that Barker is, well, set apart.

Detectives are often outsiders in their own cultures, it’s what gives them the ability to observe in detachment and solve the case. Sherlock Holmes is an outsider because of his idiosyncrasies, as is made extremely apparent in the modern interpretations. However, from what little we know of Holmes’ earlier life, he’s at least a member of the squirearchy and was raised in at least upper middle class comfort with all of its privileges.

Barker has been an outsider all of his life, an English orphan abandoned in China, making his way around the globe from a rough start as a cabin boy, initially seeing the world from outside the British Empire and from the bottom up. He’s earned his place by working his way into it.

He’s also a considerably more human character than Holmes frequently is. Barker often hides the real depths of his humanity to outsiders, but it is always present to his intimates. It’s a much fuller portrait of a Victorian detective, and also one that, through Barker’s haphazard but global education, manages to credibly eschew the common prejudices of his day that Holmes exhibits in the original text.

Llewelyn is just as fascinating a character as Barker, and just as much of an outsider, although he comes at that perspective from an entirely different direction. He’s very much the apprentice in this first book, and so it should be. We’re just starting to get hints of how he ended up in depths of the slough of despond he is in when he arrives as Barker’s office for the first time, and his education in the arts of the ‘enquiry agent’ as Barker prefers to be called provide an in-depth introduction to their world.

On a personal note, part of what made this such a special comfort read for this reader is that the story takes place among the Jewish community of London in 1884 as a gruesome murder causes the leaders of that community to fear that a pogrom just like the ones that they or their families fled in Eastern Europe is about to boil over in London.

Much of the story is steeped in that community, and requires Barker to display his own familiarity with its customs and ways AND his respect for its people to Llewelyn. Even more importantly, the inside/outsiderness of the Jewish community in London, and Llewelyn’s open-mindedness to learning about it lets readers into a time and a place that history often sweeps under the carpet.

(Although my own family was still spread across Eastern Europe at this time period, I have pictures of my great-grandfather, and this would have been his generation, letting me connect to this story on a deeper level than I expected – which is where those multiple levels of comfort read come comfortably in.)

So I began Some Danger Involved in the hopes that the danger promised would lead me to a book and a series that would hold me in its thrall until the very last page, and give me something to look forward to whenever I next need a reading pick-me-up.

This first of Barker & Llewelyn’s investigations more than delivered, and I expect to dive back into their world in the next book in the series, To Kingdom Come, sometime over the holidays. If I can make myself wait even that long!

Review: Murder at the Royal Botanic Gardens by Andrea Penrose

Review: Murder at the Royal Botanic Gardens by Andrea PenroseMurder at the Royal Botanic Gardens (Wrexford & Sloane, #5) by Andrea Penrose
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Wrexford & Sloane #5
Pages: 353
Published by Kensington on September 28, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


The upcoming marriage of the Earl of Wrexford and Lady Charlotte Sloane promises to be a highlight of the season, if they can first untangle--and survive--a web of intrigue and murder involving the most brilliant scientific minds in Regency London...

One advantage of being caught up in a whirl of dress fittings and decisions about flower arrangements and breakfast menus is that Charlotte Sloane has little time for any pre-wedding qualms. Her love for Wrexford isn't in question. But will being a wife--and a Countess--make it difficult for her to maintain her independence--not to mention, her secret identity as famed satirical artist A.J. Quill?
Despite those concerns, there are soon even more urgent matters to attend to during Charlotte and Wrexford's first public outing as an engaged couple. At a symposium at the Royal Botanic Gardens, a visiting botanist suffers a fatal collapse. The traces of white powder near his mouth reveal the dark truth--he was murdered. Drawn into the investigation, Charlotte and the Earl learn of the victim's involvement in a momentous medical discovery. With fame and immense fortune at stake, there's no shortage of suspects, including some whose ruthlessness is already known. But neither Charlotte nor her husband-to-be can realize how close the danger is about to get--or to what lengths this villain is prepared to go...

My Review:

This fifth book in the Wrexford & Sloane series represents a kind of an ending. Absolutely not the ending of the series, as there are two books in the series after this one, Murder at the Serpentine Bridge and this year’s Murder at the Merton Library. And I sincerely hope there will be more after that.

Nevertheless, Murder at the Royal Botanic Gardens, besides being at least one specific someone’s personal ending – after all, this is a murder mystery – still represents a kind of closure to the first part or cycle of the Wrexford & Sloane series, as so many of the chickens who were barely eggs in the first book, Murder on Black Swan Lane, come home to roost in this one.

It begins, as always, with a murder. A murder that we see – as we often do in this series – enough to be certain that it is foul play and not merely a natural death without being able to identify the perpetrator.

Who does a dastardly clever job of hiding their identity through most of the story. Meaning that this is one of those mysteries where I’m happy to say that I was every bit as confused about who really done what as Wrexford, Sloane and ALL of their friends and colleagues turned out to be.

It’s only the motive that’s clear from the very beginning. As they say, the love of money is the root of all evil, and this is a case where entirely too many someones are willing to do some very dastardly deeds in order to cultivate much deeper roots of the stuff.

This case is one that both Wrexford and Sloane had hoped to pass to their friend and colleague, Head Bow Street Runner Griffin, as they’re doing their damndest not to incite any more scandals in the final weeks before their wedding.

But once one of the many villains stirring this nefarious pot – or plot – directly threatens not just Charlotte Sloane but also her ‘weasels’ – her adopted sons Raven and Hawk – there is absolutely no way that Charlotte will let go of this case until her own personal nemesis is finally brought to justice.

One way or another.

Escape Rating B+: It’s probably not a surprise to anyone that I went looking for a comfort read to round out this week, BUT, perhaps I was just a bit too quick to pick this up as it’s been less than a month since I read the last Murder at Queen’s Landing. There are REASONS I try to keep them spaced apart.

Also, Charlotte has a lot of angsty thoughts in this one. Angst that is very real, completely understandable, and doesn’t come to pass in any of the worst ways that she fears, but still, a lot of angst. As she’s our point-of-view character, it meant that the story bogged down a bit when she got lost inside her head.

Still, there ARE reasons for that angst, and they all have to do with this book circling back to all the demons raised in Murder on Black Swan Lane and resolving them – one way or another. Charlotte’s whole, entire existence is about to change with her upcoming marriage to Wrexford and he’s the only part of that situation she’s certain about. She’s going to lose a lot of freedom when she becomes his Countess, not because he’ll clip her wings, but because society will be watching her every move. A position that she ran away from when she eloped with her first, entirely unsuitable husband and isn’t at all keen to return to.

Still, where a young, unmarried woman can ruin her reputation and her prospects all too easily, a wealthy, married, Countess will merely be considered eccentric – at least as long as no one susses out her secret identity as the satirical cartoonist A.J. Quill.

Charlotte began this series as an impoverished widow with two unofficially adopted guttersnipes, an ability to blend into the shadows as another guttersnipe right alongside them, a house on the edge of dilapidation and a secret identity barely keeping the not-nearly-well-enough-patched roof over their heads. But she was free. No one noticed her, either as a poor widow or in her masquerade as Magpie the dirty orphan boy.

Everything we learned about Charlotte has changed since that first story. She was disowned by her family, but her hoped-for reconciliation with her brother is in the offing. She was exiled from society, but her marriage to Wrexford will put her right back in the thick of it.

And one of the villains in that first adventure threatened her boys, nearly got her murdered, was responsible for the death of her husband – and got away scot-free. Now that villain is back and threatening Charlotte’s life and happiness yet again.

Before Charlotte can be truly happy, all of those swords hanging over her head have to be carefully taken down, while she and Wrexford are in the midst of solving a criminal conspiracy that turns out to have more heads than Hydra. That the sheer tangle of threats coming their way makes both of them realize just how many hostages to fortune they have gathered around themselves over the course of their investigations adds to Charlotte’s worry and angst.

But also to the relief when it all, finally manages to come round right.

While I may not have fallen head over heels into this entry in the series quite as much as I have the others, I still very much enjoyed the mystery, the way it tangled its roots in both the science AND the social issues of its day, and put paid to the ‘will they, won’t they’ question once and for all.

Which means I’ll be back, maybe not the very next time I need a comfort read but certainly the one after that, with the next book in the series, Murder at the Serpentine Bridge.

Review: Warriorborn by Jim Butcher

Review: Warriorborn by Jim ButcherWarriorborn: A Cinder Spires Novella (The Cinder Spires) by Jim Butcher
Narrator: Euan Morton
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: fantasy, gaslamp, steampunk
Series: Cinder Spires #1.5
Pages: 146
Length: 3 hours and 1 minute
Published by Podium Audio on September 5, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

Benedict Sorellin-Lancaster hasn’t even broken in his lieutenant’s insignia when he’s summoned to meet with the Spirearch of Spire Albion himself for a very special—and very secret—purpose. The Spirearch needs Benedict to retrieve a bag he’s “misplaced” on the Colony Spire known as Dependence, which has strangely cut off all contact with the outside world. It’s a delicate mission at best, a potential bloodbath at worst.

To this end, the Spirearch has supplied Benedict with backup in the form of three Warriorborn. But unlike the courageous lieutenant, this trio has formerly used its special gifts for crime, carnage, and outright bloody murder. And all of them were caught and imprisoned because of Benedict. Now, if they behave—and make it back alive—they’ll go free.

But when the odd squad reaches Dependence, they soon discover something waiting for a horrific weapon that could shatter the balance of power among the Spires. And Benedict will have to bring his own Warriorborn skills to bear if he, his team, and Spire Albion are to have any hope of survival . . .

My Review:

Warriorborn is the perfect method for readers who remember the first book in the Cinder Spires, The Aeronaut’s Windlass, fondly but may not remember the details of its vast array of political shenanigans all that clearly to get back into this series.

It’s perfect, not just because it’s much, much shorter than that first book, but mostly because it glosses over those major political shenanigans – although I’m sure they’ll be back in The Olympian Affair – in order to tell a sharp, compelling story about a military/espionage mission that goes FUBAR in every possible way that it can.

And keeps the reader on the edge of their seat for the entire wild ride.

Our hero in Warriorborn is one of the many point-of-view characters from Windlass, but the way that this story is told it doesn’t matter whether you remember that much or at all. I kind of vaguely did, but not in any detail. It doesn’t even matter if you know or remember the start of the current conflict between our protagonists from Albion and their enemies from Aurora.

This story is all about one singular encounter. One of the Spirearch’s (read as king) covert operatives in a far-flung province has communicated that there’s trouble brewing – but with no details. Guard Lieutenant Benedict Sorellin-Lancaster is being sent from the capital to said remote province to investigate the situation, not with a squad of his fellow guards but rather with a group of convicted criminals who have been promised a commutation of their sentences and a pardon for the rest if they get him there and back again in one piece WITH the information they’ve been sent to retrieve.

Benedict doesn’t expect the job to be easy. Neither he nor the reader are exactly surprised to discover enemy agents have infiltrated the tiny provincial town. But he doesn’t expect the acid slime monsters who have literally eaten all the townsfolk, the dragon parked on the only way out of town, or the tribe of sentient cats who save Benedict’s mission and his own clawed up ass – even as he saves theirs.

Just barely and with a whole lot of luck – all the way around. Even though most of that luck was worse than Benedict ever imagined.

Escape Rating A-: I picked this up this week because I was having a “flail and bail” kind of day. Post Halloween, I was horror’ed out. Even at the horror-adjacency level I’m more comfortable in. I hit the “I can’t evens” and went looking for something a bit more comforting. This would not, I admit, normally have filled that bill, but the NetGalley app was having a flail of its own which is now fixed, but at the time was knocking me out of the book I’m listening to.

I had picked up Warriorborn in both text and audio for a couple of reasons. That it was short is the reason it’s being reviewed here and now, but the main reason was the upcoming publication of the second book in the author’s Cinder Spires series, The Olympian Affair. It’s been EIGHT whole years since the first book in the series, The Aeronaut’s Windlass, came out. That’s a long time in book years, and I was wondering more than a bit whether I’d remember enough of how this world is put together to be able to get stuck back in this series.

As Warriorborn is both rather short and takes place after The Aeronaut’s Windlass but before The Olympian Affair, it seemed like a good book to solve all three problems; both NetGalley and my own flailing, and that niggling question about whether I could jump back into the series without at least a serious skim of that once upon a time series opener.

There’s a bit in Warriorborn where Benedict tells the story of an uncle of his who claimed that “if you have one problem, you have a problem. If you have two problems, you might have a solution. And if you can’t craft a solution out of that, what are you even doing?”

I fell right back into this world. We get just the tiniest hint about Benedict’s role in the first book, just enough info to understand why the Spirearch trusts him with this mission, wrapped in a whole bunch of bantering misdirection between himself and his king. It’s a setup, he knows it’s a setup, the Spirearch knows it’s a setup, but everything has to seem above board until the ship lifts and Benedict and his crew are out of reach of meddling politicians.

The true story in Warriorborn is about the mission itself, and that is utterly FUBAR from the outset and EVERYONE knows it. We see just enough of Benedict’s internal perspective to be aware that as calm as he appears on the surface, he’s paddling as fast as he can under the roiling waters.

Which are roiling pretty damn hard as the whole thing becomes a series of out of the frying pan into the fire maneuvers that just keeping getting worse and worse as the mission goes to hell, his crew mostly falls apart and his own chances of survival get smaller with each passing moments.

At which point, just as in The Aeronaut’s Windlass, the mission is saved by sentient cats. I’d be tempted to read the whole damn series – possibly more than once – for more of Rowl of the Nine Claws, the one character I truly remember from the first book and hope to see more of in the second, and Saza and Fenli and the entire clan of Swift Slayers in this one.

One final note, one that is in danger of making this review longer than the actual book. I did have this both in audio and in text. I switched back and forth from one to the other as my circumstances shifted over the course of the day, and I enjoyed it both ways. The text moves compellingly, from one near-disaster to another, while the audio narrator, Euan Morton, did an excellent job of differentiating between a cast of several different characters and personalities to the point where I ended up playing solitaire for an hour just so I could finish the book listening to his narration.

A good reading – and listening – time was absolutely had by this reader no matter which way I absorbed this story!

Review: Phantom Pond by Juneau Black

Review: Phantom Pond by Juneau BlackPhantom Pond: A Shady Hollow Halloween Short Story by Juneau Black
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: cozy fantasy, cozy mystery
Series: Shady Hollow #4.5
Pages: 32
Published by Vintage on September 26, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

In the woodlands around Shady Hollow, there’s a legend about a mysterious creature known as Creeping Juniper. According to local lore, she’s a sort of witch who dwells deep in the woods, casting spells on the shore of Phantom Pond. It’s a harmless old tale, until a prank goes wrong. When a young creature goes missing, all the clues point to Creeping Juniper. But to solve the mystery and rescue an innocent victim, Vera Vixen and her friends need to find a place that doesn’t appear on any maps. Can they discover the location of Phantom Pond before it’s too late?

My Review:

Every society seems to invent a holiday where its denizens can let their hair down, or at least loose the stays on the stricter rules of society, for a day or two – even if they don’t turn those rules completely topsy-turvy.

That’s what Halloween with its trick-or-treating and fake-scary haunted houses – along with the occasional TP’ing of selected houses – has come to be today. However seriously it might have started.

After all, ghost stories are fun as long as no one takes them TOO seriously!

Which leads to Phantom Pond overlooking Shady Hollow, that very cozy little mystery town where all the citizens are anthropomorphized animals. It’s very charming, and so are they. But they are very definitely people, no matter their species, and they are capable of and subject to all the foibles and peccadillos that we are.

Phantom Pond is set on Mischief Night – a VERY accurate re-naming of Halloween – which begins just like one would expect, with decorations and trick-or-treaters and activities for the children as the adults look on indulgently while sipping adult beverages.

Just as our Halloween has its folktales both new and old, and presents a fine opportunity for telling the creepiest stories in the potentially scariest circumstances, Shady Hollow has its own such tales, the most popular and prevalent of which is the story of the witch ‘Creeping Juniper’ who has been stealing adventurous and/or misbehaving children for a century or more.

When one of the little Mischief Night revelers doesn’t turn up the following morning, not at home, not at her best friend’s house, not anywhere – and a vaguely threatening missive from Creeping Juniper is found in her place – everyone fears the worst.

Especially ace reporter Vera Vixen, off on a not so mad quest to comb through ALL the legends of Creeping Juniper to figure out just where the witch’s lair might be hidden.

Only to discover that this year’s Mischief Night has played one last trick on the unsuspecting residents of Shady Hollow.

Escape Rating A-: The premise of the entire Shady Hollow series might seem like a bit of a Mischief Night prank, but it’s honestly adorable, and sits right at the intersection between cozy small town mysteries and cozy fantasies like Legends & Lattes. If Zootopia had taken place in rural Bunnyburrow instead of the metropolis it might look a bit like Shady Hollow.

And if that all sounds like as terrific of a reading time to you as it did to me, start with the first book in the series, Shady Hollow. You won’t be disappointed.

What makes Phantom Pond in particular both so cute, so cozy and such a wonderful Halloween story is the way that it manages to showcase the close-knit coziness of the town and lampshade the creepy, kooky, mysterious, spooky and all together ooky vibe of the best scary stories. Once Mischief Night is over, the story shifts seamlessly but oh-so-realistically scarily into a bit of a thriller, as the whole town searches for a missing little girl and it seems like time is running out.

Then it turns the whole scenario on its head, one more time, into the best kind of cathartic happy ending about mysterious misunderstandings until all their, and our, fears are laid peacefully to rest but no character is left under a ‘Rest in Peace’ marker.

If you’re looking for a Halloween story with just the right amount of scares but not too much, Phantom Road is perfect. If you love small town mysteries with just a touch of magic, Shady Hollow might be your jam, and very tasty jam it is indeed.

I’ve visited Shady Hollow every time there’s a new mystery, and I’ve loved the place each and every time. Which means I have plenty of treats in store this holiday season. The next full-length mystery in Shady Hollow is coming early next month at Twilight Falls, and I have a winter solstice story to catch up with this season at Evergreen Chase.

Happy Holidays!

Review: The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. Swarns

Review: The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. SwarnsThe 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. Swarns
Format: ebook
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: African American History, history, U.S. history
Pages: 326
Published by Random House on June 13, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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“An absolutely essential addition to the history of the Catholic Church, whose involvement in New World slavery sustained the Church and, thereby, helped to entrench enslavement in American society.”—Annette Gordon-Reed, Pulitzer Prize–winning author of The Hemingses of Monticello and On Juneteenth
In 1838, a group of America’s most prominent Catholic priests sold 272 enslaved people to save their largest mission project, what is now Georgetown University. In this groundbreaking account, journalist, author, and professor Rachel L. Swarns follows one family through nearly two centuries of indentured servitude and enslavement to uncover the harrowing origin story of the Catholic Church in the United States.
Through the saga of the Mahoney family, Swarns illustrates how the Church relied on slave labor and slave sales to sustain its operations and to help finance its expansion. The story begins with Ann Joice, a free Black woman and the matriarch of the Mahoney family. Joice sailed to Maryland in the late 1600s as an indentured servant, but her contract was burned and her freedom stolen. Her descendants, who were enslaved by Jesuit priests, passed down the story of that broken promise for centuries. One of those descendants, Harry Mahoney, saved lives and the church’s money in the War of 1812, but his children, including Louisa and Anna, were put up for sale in 1838. One daughter managed to escape. The other was sold and shipped to Louisiana. Their descendants would remain apart until Rachel Swarns’s reporting in The New York Times finally reunited them. They would go on to join other GU272 descendants who pressed Georgetown and the Catholic Church to make amends, prodding the institutions to break new ground in the movement for reparations and reconciliation in America.
Swarns’s journalism has already started a national conversation about universities with ties to slavery. The 272 tells a bigger story, demonstrating how slavery fueled the growth of the Catholic Church in America and bringing to light the enslaved people whose forced labor helped to build the largest religious denomination in the nation.

My Review:

The 272 is a book that asks the questions, “What does the past owe to the present?” with the inevitable follow-up, “If a debt is owed, how and to whom does it, can it, should it, get paid?” Putting it another way, it’s a book that exemplifies the famous quote from William Faulkner, “The past is never dead. It’s not even past.”

That Faulkner, at least according to his Wikipedia page, was “a towering figure in Southern literature” adds more than a bit of irony to the mind-boggling appropriateness of the quote, as the history that is detailed in The 272 and the issues that history raises, are very things that Southern literature often dealt with through stereotyping and/or sweeping narratives dealing with issues of race and racism under the biggest rug they could find.

The 272 lifts that rug, on the slaveholding and slave trading history of the Catholic Jesuit Order in the United States and the early years of the Jesuit’s first American college, now Georgetown University – and their creation of all the Jesuit colleges that followed. It does so by taking the reader into the history of one family, the Mahoneys, who were owned by the Jesuits, sold by them, broken apart by them, and tracing that family’s history through sales, relocations, forced separations and joyous reunions, from the first documented member of that family, a woman whose freedom was easily stolen because she was black, all the way down to a man who is sitting in his own office at Georgetown University as his distant cousin relays to him that his employer once owned his ancestors.

There are two “stories’ being told in The 272 that weave together in a braid that begins with one indentured black woman on a Maryland plantation in 1676 (during this period both blacks and whites came to America as indentured servants to be freed at the end of their term of indenture) and ends with her hundreds of living descendents learning that they are all part of one family that was bought, sold, twisted and torn by a single institution. An institution that still exists and was able to survive to the present day because of the money that institution received for selling the crops and goods their direct ancestors produced and finally selling their ancestors themselves in one massive slave sale that was hidden in plain sight in Georgetown University’s records.

And there’s the flip side of that story, of the priests and the church that they served, mendaciously espousing the idea that it was more important to save those same slaves’ souls than it was to care for their bodies or, most especially, to grant them the freedom that their very order had come to America for. And to never see the contradiction and the hypocrisy in their teaching and their practices. To only see the money that could be made by selling their labor or their bodies. That money kept Georgetown itself financially afloat after years of mismanagement AND provided the seed money for the network of Jesuit colleges that exists to this day.

“The past is a foreign country; they do things differently there.” Or so goes the other famous quote about the past, attributed to L.P. Hartley. Which leads to the questions raised at the very beginning of this review, the question of what does that past owe to its descendants in the present? What does Georgetown University, the institution that still exists today because of that mass slave sale back in 1838, owe to those people in that past, and re-sold and torn apart by that same institution, even though that debt can only be paid to their descendants in this present day? It’s a question that is still in the process of being answered.

Reality Rating A-: Nonfiction is always hard to rate, because there are two factors involved. There’s the story being told, and then there’s the way that story is being told. The two parts don’t have to be in sync, and they aren’t quite here.

The story that’s being told in The 272 is a compelling one. It deals with racism and history and politics and money and religion. That’s not merely lot but any of those topics are more than meaty all by themselves to have the potential for a thought-provoking or even mind-altering book. And The 272 certainly does both.

The history, although in the main the story follows a pattern that is well-known, by focusing that pattern of promises made, promises broken, families broken, freedom sought, sometimes found and always abrogated by the reality of who holds power over whom on a single family traced through history the reader is made to feel its effects in the way that the dry recitations of history often do not.

That being said, the story as written is still just a bit dry. It is history and it does relate a lot of archival details that I personally found interesting. But the author resisted the temptation to put words or feelings into the heads of people whose words and feelings were not left in the historical record. (Which has the potential to be a whole discussion of its own.) That choice makes the history feel authentic, but also puts the reader at more of a distance from the narrative.

What does, however, add to the compulsion to read The 272 in pretty much one sitting is that the words and thoughts of the Jesuit priests who conducted this, let’s call it a legal atrocity and crime against humanity were recorded in their own words, and that racism, self-serving stereotyping and self-dealing hypocrisy ring off every page. It’s a drumbeat that echoes in the reader’s head long after the last page is turned.

The sale was never hidden, because it never needed to be. Which should be a crime in and of itself. But it faded into the shadows of history and seems to have been quietly swept under that rug until the mid-2010s. That’s when buildings named for the two perpetrators of this heinousness were being remodeled and research blew the dust off the archives sheltering the reputations of those ‘founding fathers’ of the University. Which led to a series of articles in the New York Times, the renaming of the buildings, this book, a family reunion of the Mahoney family from all parts of their eventual diaspora, and an ongoing series of dialogs between the University and the descendants on that question of what does that past owe to this present.

What brought me to this book this week is Banned Books Week. Not because this book has been banned or challenged – at least not yet – if only because it was just published in June 2023. However, this is a book that absolutely has the potential to be challenged and even banned because of the very questions that it addresses. The book challenges the ‘accepted’ narratives not just around slavery but also around the Catholic Church, which is the single largest denomination in the U.S. today. (There are more Protestants, but the Protestants are split among multiple denominations.)

The common thread among the books that get banned and challenged is that they tell stories that question accepted narratives and history. There are ongoing attempts to rewrite the history of slavery in the United States, trying to reframe it in ways that make it seem anywhere from less awful to downright benevolent, that have the goal of erasing the proven concept that the history of racism and slavery in the U.S. has a continued effect in this country and especially on the People of Color within it to the present day that still needs to be addressed.

The 272 asks questions, similar to the questions raised in The 1619 Project, which has been banned and challenged repeatedly in the years since it was published. The 272 has a tighter focus, but will still cause the same discomfort among the same people who The 1619 Project made uncomfortable. As a consequence, I will not be surprised, although I will be frustrated, disappointed and angry, to see The 272 on the list of banned and challenged books in the years to come – even if this is one of those times when I would very much prefer to be wrong.

Review: The Hunter’s Apprentice by Lindsay Schopfer

Review: The Hunter’s Apprentice by Lindsay SchopferThe Hunter's Apprentice: A Keltin Moore Adventure (The Adventures of Keltin Moore #4) by Lindsay Schopfer
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: adventure, fantasy, steampunk
Series: Keltin Moore #4
Pages: 275
Published by Lindsay Schopfer on May 25, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
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Can the beast hunter's apprentice prove his worth?

Professional monster hunter Keltin Moore has worked hard to teach his trade to Jaylocke, his good friend and apprentice. But the time for teaching is over when Jaylocke receives word that the woman of his dreams may marry someone else if he cannot prove to his people that he has mastered his trade.

Together, master and apprentice must assemble their friends and travel the fabled Salt Road to the annual Gathering of the Weycliff wayfarers. But there's more than a simple test of skill awaiting them among the mysterious, nomadic people. Bitter rivalries and titanic beasts will put Keltin's talents as hunter, teacher, and friend to the test as Jaylocke struggles to prepare for the most important trial of his life.

This is the fourth installment of the award-winning Adventures of Keltin Moore, a series of steampunk-flavored fantasy novels. If you love compelling characters, fantastic creatures, and intense action then you will love these stories!

My Review:

Keltin Moore’s fourth adventure represents a turning point for the famous Beast Hunter AND his family of choice in this fantasy-tinged, steampunk-powered series. When his story began in The Beast Hunter, Moore was very much a lone wolf – in the best Western tradition – relying on himself and his trusty weaponry to make a living out in the wilds, only returning to his rented room in his tiny hometown to rest, refuel, resupply, and of course pick up new jobs so that he can pay for all of the above.

Over the course of Keltin’s subsequent adventures, Into the North and Dangerous Territory, we’ve seen the boundaries of Keltin’s world AND his circle of trusted friends and found family expand to include his business partners and friends, Bor’ve’tai and Jaylocke, his office manager and the love of his life Elaine Desnov (the heroine of The Beast Hunter) and a new business in a bigger town that he hopes will support them all – so that he can finally propose to Elaine.

But Jaylocke isn’t just his friend and his business partner, Jaylocke is also Keltin’s apprentice as a Beast Hunter, and that’s where this story comes in and gives the reader a much deeper dive into the places and peoples that make up Keltin’s not-quite-Weird-West world.

Not all the inhabitants of that world are ‘Original Recipe’ humans. (Which makes a whole lot of assumptions, but I have to start somewhere). Keltin’s partner Bor’ve’tai is a loopi, who look a bit like Sasquatch but are sentient, sapient and have magic. Jaylocke, on the other hand, is a Weycliff wayfarer. His people appear to be a combination of Native American and Romani, but again, I’m using analogies that may not be 100% on any front but helped to get me into the story.

Jaylocke’s people also have magic, but it’s a kind of generational magic that allows adults to tap directly into the knowledge, memories and experiences of their direct ancestors. It’s magic that only comes fully into use when each individual is declared an adult by proving that they have brought a new branch of expertise into their family line. It’s time for Jaylocke to prove that he has become a Beast Hunter in his own right so that he can be declared an adult and marry the girl of his dreams.

The question is whether or not Jaylocke is ready, both to declare himself an adult and a master of his craft – AND to prove it. So, the story of this fourth book in the series, The Hunter’s Apprentice, is all about that apprentice’s quest to stop being one. And it’s about the trials and tribulations he faces as he looks into his own heart to decide whether or not he’s worthy of it after all.

Escape Rating A: I read the second book in this series, Into the North, first. Between the remoteness of the setting, the whole ‘frozen northlands’ vibe of the thing, and the gold rush in the background of the story, in that book it seemed like the author was channeling Jack London’s Alaskan adventure stories into a place that was not Alaska as it was, or even as London portrayed it was, but somewhere very like it in a world not our own.

As I’ve continued through the series – which I just devour every time around – it’s not so much that Keltin’s world resembles ours as it was but that it reads like an even further out there Weird West. His world isn’t ours, it isn’t a fantastic version of ours in the way that Weird West stories generally are, but it still has that feel to it.

So if you liked Cherie Priest’s Boneshaker or Laura Anne Gilman’s Huntsmen series (starting with Uncanny Times and continuing with Uncanny Vows later this year), or if the upcoming collection The Good, the Bad, and the Uncanny sounds like it might be your jam, you’ll love Keltin Moore and his fantasy-ish, steampunk-like, world.

This particular story, set in that world, does a bunch of things really, really well for a story that isn’t all that long but does manage to pack a LOT of story into its pages.

First, it’s a road story. Keltin and company take a trip WAY outside Keltin’s comfort zone, giving the reader the opportunity to see more of his world, both geographically and culturally as we get to see Jaylocke’s people at their most removed from so-called civilization and at the peak of their ceremonial celebrations.

It’s an outsider’s inside view and the reader learns as much as Keltin does.

It’s also a view of a world that lets nature and the creatures within it be who and what they are in a kind of live and let live symbiosis that is as appealing as it is dangerous – which is how we get caught up in Jaylocke’s quest. As very much does Keltin.

At the same time, it’s a particular part of the hero’s journey, intentionally for Jaylocke but also for Keltin. It’s Jaylocke’s chance to prove he has become an adult, but it’s also Keltin’s chance to learn to let go. Their journey, separately and together is harrowing – as it should be.

The story ends with the hope of a brighter – but different future. One that I hope we get to explore in future books in the series. May they come soon!

Review: Forgotten History by Christopher L. Bennett

Review: Forgotten History by Christopher L. BennettForgotten History (Star Trek: Department of Temporal Investigations, #2) by Christopher L. Bennett
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction, space opera, Star Trek, time travel
Series: Star Trek: Department of Temporal Investigations #2
Pages: 350
Published by Pocket Books on May 1, 2012
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The agents of the Department of Temporal Investigations are assigned to look into an anomaly that has appeared deep in Federation territory. It's difficult to get clear readings, but a mysterious inactive vessel lies at the heart of the anomaly, one outfitted with some sort of temporal drive disrupting space-time and subspace. To the agents' shock, the ship bears a striking resemblance to a Constitution-class starship, and its warp signature matches that of the original Federation starship Enterprise NCC-1701--the ship of James T. Kirk, that infamous bogeyman of temporal investigators, whose record of violations is held up by DTI agents as a cautionary tale for Starfleet recklessness toward history. But the vessel's hull markings identify it as Timeship Two, belonging to none other than the DTI itself. At first, Agents Lucsly and Dulmur assume the ship is from some other timeline . . . but its quantum signature confirms that it came from their own past, despite the fact that the DTI never possessed such a timeship. While the anomaly is closely monitored, Lucsly and Dulmur must search for answers in the history of Kirk's Enterprise and its many encounters with time travel--a series of events with direct ties to the origins of the DTI itself. . . .

My Review:

Today is Star Trek Day. Why? Because, once upon a time in a galaxy not far away at all, on this day in 1966, the very first episode of Star Trek, now referred to as Star Trek: The Original Series, because it WAS, premiered on television thanks in no small part to the efforts of Gene Roddenberry AND Lucille Ball.

Today is also, and coincidentally, the 50th anniversary of the premiere of Star Trek: The Animated Series.

Those combined anniversaries make this the perfect day to review the second book in the Star Trek: Department of Temporal Investigations series, Forgotten History. Because, as you might have guessed from the cover, this pseudo-history takes a deep, deep dive into the many, many times that Captain James T. Kirk either created or was caught up in a temporal disturbance.

From the perspective of DTI Agent Gariff Lucsly, the ENTIRE purpose of the DTI was to prevent anyone else, particularly any other starship captain, from messing about with time as much or as often as Kirk did.

Because Kirk had so damn many up close and personal encounters with time travel that it could be said they had a ‘friends with benefits’ relationship. Or, considering the events involving the Guardian of Forever, perhaps that relationship might be better referred to as ‘frenemies with benefits’.

There certainly WERE benefits – as even the DTI generally considers saving the planet to have been a benefit. They just wish that they didn’t owe it to their departmental nemesis so many damn times.

The story in Forgotten History begins with what seems to be incontrovertible evidence that Kirk played fast and loose with the stability of the Federation’s timeline on at least one more occasion, and a much bigger occasion at that, than the SEVENTEEN times that the DTI was previously aware of.

But Kirk, for all of his temporal escapades, and in spite of the way that DTI investigates the ways and means in which time looks back on itself, is more than a century in their rear view mirror. So to speak. And as DTI Agents Lucsly and Dulmur discovered in the first book in the DTI series, Watching the Clock, the events that make it into the history books – or the official records – may have only the barest resemblance to what really happened.

So the story that we, and the DTI Agents, begin with is a tale about a captain who ran roughshod through history and established procedure and was allowed to get away with it. (Which he very often did and was.)

But perhaps not in this case. Only time will tell.

Escape Rating B: The story of Forgotten History, and the history that was deliberately forgotten, is wrapped around the creation of not one but two legends, and the purpose the creations of those legends was intended to serve.

Which means that this is a story that goes back in time to show just the events which shaped both of those legends.

One, of course, is the legendary career of Captain (later Admiral, later Captain again) James Tiberius Kirk and the successful completion of the USS Enterprise’s five-year mission under his command. A five-year mission where even in its first year the ship had three encounters with time travel – at least by the DTI’s count.

They’d already set the record – and they hadn’t even gotten started.

Which is where the other legend came in. Because the Enterprise and her crew were playing with things that no one understood, Starfleet needed to get a handle on time travel before it got a handle on them. Leading, eventually and in a more roundabout and bureaucratic way than anyone imagined, to the formation of the Department of Temporal Investigations under the direction of its Founder and first Director, Dr. Meijan Grey.

How those two legends, and their legacies, impacted each other AND Starfleet is what lies at the heart of this book.

In order to reach the point in the ‘present’ that gives that impact its full weight, the book puts itself and the reader through a LOT of the history of Kirk, Grey and the DTI. In the process of putting that history into the hands and minds of the readers, there’s a heaping helping of infodumping to cover every temporal infraction Kirk and the Enterprise ever committed, every DTI response, and every bit of political and bureaucratic shenanigans going on behind the scenes and under the table to serve agendas that Kirk turns out not to be nearly as on board with as legend would have it.

Unfortunately, that necessary infodump really drags the pace of the story for the first half. It was a terrific bit of nostalgia, and I enjoyed a fair bit of it, but it takes the action and adventure out of a series that has always been blissfully full to the brim with both – even when the plot of the episode was humorous, thought-provoking, or both.

Which means that, while I did like Forgotten History quite a bit, a good bit of that is due to the high nostalgia factor in going back to the era of The Original Series, both in the stories and characters themselves and that I watched the final season as it was broadcast in 1968-69 with my dad.

But as a story, Forgotten History wasn’t nearly as much fun as Watching the Clock, which just plain moved a whole lot faster and enjoyed a tighter focus on its central mystery in spite of its greater length. Still, I liked them both more than enough that I just picked up the rest of the DTI series, and will probably dive into the next book, The Collectors, whenever I’m next in the mood for a bit of Trek.

Review: Where the Dead Lie by C.S. Harris

Review: Where the Dead Lie by C.S. HarrisWhere the Dead Lie (Sebastian St. Cyr, #12) by C.S. Harris
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Sebastian St. Cyr #12
Pages: 334
Published by Berkley on April 4, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The gruesome murder of a young boy takes Sebastian St. Cyr from the gritty streets of London to the glittering pleasure haunts of the aristocracy . . .
London, 1813.Sebastian St. Cyr, Viscount Devlin, is no stranger to the dark side of the city, but he's never seen anything like this: the brutalized body of a fifteen-year-old boy dumped into a makeshift grave on the grounds of an abandoned factory.
One of London's many homeless children, Benji Thatcher was abducted and tortured before his murder—and his younger sister is still missing. Few in authority care about a street urchin's fate, but Sebastian refuses to let this killer go unpunished.
Uncovering a disturbing pattern of missing children, Sebastian is drawn into a shadowy, sadistic world. As he follows a grim trail that leads from the writings of the debauched Marquis de Sade to the city's most notorious brothels, he comes to a horrifying realization: someone from society's upper echelon is preying upon the city's most vulnerable. And though dark, powerful forces are moving against him, Sebastian will risk his reputation and his life to keep more innocents from harm . .

My Review:

The dead lie in multiple meanings of the word AND in multiple places in this twelfth entry in the long-running, utterly marvelous Sebastian St. Cyr series.

The dead, and their deaths, circle around three points: a serial killer, a supposedly lost work from the pen of the late Marquis de Sade, and lost, missing or abandoned children. Those are three topics that sit uneasily in the mind separately, together they are a nightmare.

Or rather, Sebastian St. Cyr, Viscount Devlin’s nightmares – and he already has PLENTY of those to keep him awake on entirely too many nights.

It begins with a child’s dead body, as a midnight burial is interrupted by an old soldier with a long-standing grudge. But it’s only the first body that’s found in this frequently macabre tale of murder and privilege. Benji Thatcher, abandoned, abused, stabbed, raped and killed, was not the first body to be murdered in such a heinous manner – only the one whose accidental discovery leads to more.

Too many more as Devlin discovers. Even more horrific, there are also too many people in the circle he is supposed to be a part of who don’t give a damn. Along with at least one who is adding to the body count even as Devlin does his damndest to see him hanged.

That he fails isn’t on Devlin, but rather, on the privileges of a society that protects both him and the killer – even as it fails to protect those without that privilege. Those like the children abandoned on London’s streets because their parents have been transported to remote penal colonies such as Georgia, or Botany Bay.

As well as those who have the misfortune to have been born female – no matter their class – not even the most privileged. Not even Devlin’s own niece who could still be saved – but refuses to let herself be.

Escape Rating A-: This one is a really hard read. It’s excellent, just as the entire St. Cyr series is, but this one is difficult because there’s just so much tragedy and horror uncovered within its pages.

At its heart, this is a story about lost children, and all the ways that society (not just his but also, frankly, ours) allows children to be lost, abandoned and abused. These children are being preyed upon because no one will miss them and the killer knows it.

And has exploited their position, over and over again, because they know they are so privileged and so protected that even if they are suspected, which they are and have been long before St. Cyr becomes involved, few will believe they could possibly be guilty of such heinous crimes and even then there are people in very high places who will guarantee they never pay.

Wrapped around the ongoing horror of finding not one but three mass burial sites, there’s a story about a lost child who is found, an adult child who loses a parent to an untimely death, a formerly lost child who recognizes that he has found a home, and a lost child who finds his way back to a home he once rejected.

With one child’s, as well as their mother’s, tragedy yet to come in the later books in the series.

This entry in the series is of the ‘read ‘em and weep’ variety, as everyone in Devlin’s true circle is as harrowed and horrified as the reader – which is made infinitely worse by the people who are informed but simply refuse to care. If “The only thing necessary for the triumph of evil is for good men to do nothing” then there is more evil in the world than even Devlin can fix – and he is made all too aware of that in this entry in the series.

My reading of Where the Dead Lie completes my ‘catch-up’ read of this series, so I’ll be waiting with the proverbial ‘bated breath’ for the forthcoming new entry, What Cannot Be Said, currently scheduled for publication in April of 2024. And in the meantime, I have the readalike Wrexford & Sloane series to catch up with, as it reads quite a bit like the St. Cyr, series would read if we were viewing the Regency from Hero Devlin’s perspective rather than Sebastian’s.

Review: Wild Spaces by S.L. Coney

Review: Wild Spaces by S.L. ConeyWild Spaces by S.L. Coney
Narrator: Nick Mondelli
Format: audiobook, ebook
Source: purchased from Amazon, supplied by publisher via Libro.fm
Formats available: paperback, ebook, audiobook
Genres: coming of age, horror
Pages: 122
Length: 2 hours and 28 minutes
Published by Dreamscape Media, Tordotcom on August 1, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Robert R. McCammon’s Boy’s Life meets H. P. Lovecraft in Wild Spaces, a foreboding, sensual coming-of-age debut in which the corrosive nature of family secrets and toxic relatives assume eldritch proportions.
An eleven-year-old boy lives an idyllic childhood exploring the remote coastal plains and wetlands of South Carolina alongside his parents and his dog Teach. But when the boy’s eerie and estranged grandfather shows up one day with no warning, cracks begin to form as hidden secrets resurface that his parents refuse to explain.
The longer his grandfather outstays his welcome and the greater the tension between the adults grows, the more the boy feels something within him changing —physically—into something his grandfather welcomes and his mother fears. Something abyssal. Something monstrous.

My Review:

Wild Spaces is the story of one boy’s coming of age. It’s the story of a summer that sharply divides a young man’s life between ‘BEFORE’ and ‘AFTER’. And it’s the story of something straight out of Lovecraft Country oozing its destructive way out of a cave on the coastal plains of South Carolina to wreak havoc on that boy and everyone and everything he holds dear.

On its surface, on the surface of the murky water that hides a monster, this is the story about the summer the boy’s grandfather came and outstayed his welcome. It’s about the summer that destroyed the family’s idyll and particularly the boy’s idyllic childhood.

It’s obvious to everyone, the boy, his parents and even his dog, that there’s something not right about his grandfather and this visit. In this summer of his 12th birthday, the boy is aware enough of his family’s dynamic to see that the advent of his grandfather is destroying them from the inside, fractured peace by broken piece.

The boy trusts his parents to fix things – as adults are supposed to do – as they’ve always done. But they don’t. And he can’t. He can’t even articulate what’s wrong, even though he knows the old man has broken something important within them all.

And then it’s too late.

Escape Rating B: Wild Spaces is a story about creeping dread creeping creepily along until it overwhelms the story, the family at its center, the soul of the boy at its heart and the life of the dog at his.

The dog, Teach, who may be the hero of this story because he’s the only character referred to by name, dies at the end, so take this as a trigger warning. Even more triggery, the first time the boy thinks his dog is dead, he isn’t, which makes the point where the dog really does die just that much more devastating at a point where the entire story has become a howl of devastation.

For a story that isn’t normally in my wheelhouse, I ended up with a whole lot of thoughts about the whole thing – sometimes as I was listening to it with no good way to write stuff down.

The narrator did an excellent job of adding to the creeping creepiness because his reading was in what felt like what would be the boy’s slight drawl of cadence. This was, on the one hand, perfect for the story and for being inside the boy’s head, and on the other, it drove me bonkers because I wanted things to happen faster – which leads to this being one of the few audiobooks where I raised the narration speed a bit.

I wanted things to go faster because it was obvious what was coming. That creeping horror is part of the story, it’s supposed to work that way, but I had reached the point where I was shouting at the adult characters to wake the eff up and stop effing up and get the old man out because it was obvious that he was bent on destroying them. And even worse, that they knew it and weren’t doing anything about it – because family.

The old man didn’t have to become a sea monster – which he does – because he is already a monster in human form and would have been a monster if he hadn’t transformed. It was also super obvious that he was trying to groom his grandson to become a monster just like him. Which could have been true and horror-filled horror with or without the actual transformation.

Which leads me straight to the boy transforming into the monster his heredity has doomed him to be. Which still could have been a metaphor for puberty, and going from last week’s Shark Heart, where a man turns into a Great white shark straight to this book, where a boy in the throes of puberty turns into a monster straight out of the Cthulhu Mythos (don’t all teenagers turn just a bit into monsters as puberty ravages them?) was a segue I just wasn’t expecting.

So if you’re in the mood for a short coming-of-age story that will drive you crazy and scare the crap out of you in a slow creeping kind of way, this might be your jam. I was more than interested enough to finish it – and I’m still thinking about it because damn! – but it’ll be awhile before I pick something like this up again. Not because this wasn’t good as what it was, but because it confirmed for me yet again that it just isn’t my reading wheelhouse.