This fairy godmother's got claws.
When someone kidnaps the last surviving descendant of the Grandmaster of the Knights Templar, it's bad news. When the baby is the key to the tenuous alliance between a large werewolf pack and the knights, it's even worse news. They're at each other's throats before they've even begun to look for baby Constance.
But whoever kidnapped Constance didn't count on one thing: she's also the goddaughter of John Charming. Modern-day descendant of a long line of famous dragon slayers, witch finders, and wrong righters. John may not have any experience being a parent, but someone is about to find out that he can be one mean mother...
IN SHINING ARMOR is the fourth novel in a series which gives a new twist to the Prince Charming tale. The first three novels are Charming, Daring, & Fearless.

My Review:

Actually, John Charming is a knight in rather tarnished and bloodstained armor. It also seems to be covered in slime and shit all-too-frequently. But he’s still a knight, even if he is also a werewolf. And based on his adventures in his first three books, Charming, Daring and Fearless, that contradiction he embodies seems to be getting both more and less contradictory at the same time.

But the moral of this particular fairy tale (because the fae are always in the background in this series, somewhere, even if it’s fairly deep background) revolves around that tried and true old saw, “ Assume makes an ASS out of U and ME. Because everything that goes wrong in this story begins with John (and everyone else) making a very big assumption that turns out to be far from true.

Even professional paranoids, like the Knights Templar in general and John Charming in particular, occasionally can’t manage to be paranoid enough. And in this case it very nearly bites all of them, along with the werewolves, in their collective (and extremely well-muscled) asses.

At the end of Fearless, a very, very tenuous peace has finally broken out between the Knights Templar and the werewolves. It’s so tenuous because until very, very recently, the Knights’ first response to a werewolf was to kill it on sight as an automatic violation of the Pax Arcana that prevents us normals from finding out that there really is a whole lot of magic out there.

But most werewolves (and vampires, and even naga and gorgons) are just like everyone else, they want to live in peace, hold down a job, raise their kids and participate in the American dream. Or whatever the dream is wherever they happen to live. They have even less desire to reveal the magic in the world than the Knights do, because they know they’ll probably be first on the firing line when the mundanes bring out the contemporary equivalent of torches and pitchforks.

And the Knights have just realized (a very few of them, all at the top) that they are really only geas-bound to enforce the Pax, and that as long as any magical creatures don’t violate the Pax, there is no obligation whatsoever to hunt them down and kill them. And, of course, a lot of them don’t want to give up the status quo.

Human beings are still human, extra power, extra knowledge, extra whatever, or not. And some humans are still arseholes.

The literal embodiment of this tenuous peace is little baby Constance. She’s the last descendant of the Grandmaster of the Knights Templar. And she’s going to be a werewolf when she grows up. Just like John Charming, little Constance has a tiny foot in both worlds. And both the Knights and the werewolves have been pledged to protect her. She’s the hidden little darling of both camps.

Until someone nefarious and unknown decides to disrupt that detente for reasons that, while obviously nefarious, remain nebulous and hidden for most of the story. The (very bad) idea was to kidnap little Constance and make the werewolves look guilty and responsible. Detente instantly explodes, werewolves hide far away from the Knights and whatever the evildoer wants hidden.

But evil never seems to reckon on John Charming. And he intends to wreck a reckoning on them. Just as soon as he figures out who they are, what they want, and what’s the best way to kill them very, very dead.

If they don’t kill him first.

Escape Rating B+: I liked this, but saying I enjoyed it doesn’t feel quite right. There are a lot of points in the story where things are very, very dark, to that point where it feels like things are getting darker just before they turn completely black. Which doesn’t quite happen, but gets really, really close. And occasionally feels like it’s dragging its feet just a bit.

For anyone wondering about the baby being in danger through the book, it doesn’t work that way. Constance is the catalyst but not the point, and John rescues her fairly early on. It’s never really about the baby. It’s always about breaking up the tentative peace between the Knights and the werewolves, even if John can’t put his finger on why for nearly the entire book.

And the reader can’t either. The hidden motives remain hidden until the very end. The plot in this plot turns out to be incredibly convoluted, and unlike a mystery, in spite of the first person singular perspective the reader is not privy to everything that John Charming knows or does. In fact, he makes a habit of reaching his resolution and only then revealing all of the secret things he did to make it all work out in his favor. After they work. Sort of.

If he wasn’t one of the good guys, he’d be downright annoying. A fact which his partner reminds him of on frequent occasions. One of the great things about this book, and the series, is John’s relationship with his partner and lover, Sig. Who is a valkyrie, and therefore even more badass than John is, with powers (and problems) of her own. They balance each other out, support each other, protect each other, and sometimes drive each other crazy. It’s terrific to see an urban fantasy where the protagonist both manages to have a fairly successful and monogamous relationship, and where the woman is every bit the equal of the man. That mix still feels rare, and is always welcome.

But as straightforward as John’s and Sig’s relationship is, the plot (and counterplot, and counter-counterplot) in this one seems almost overly twisted. In the end, the reader is just along for the wild ride, without much ability to see the twists and turns or even process all the changes. There’s a LOT going on in this story. But once John and Sig and the Knights get to the final battle, it’s a race to see if the reader can turn the pages fast enough.

As someone who has read the entire series, I have to say that I really missed the gang that John and Sig created (or that grew around them) in the first three books. And I missed those people, and the feeling of family and friends that they developed. But even though In Shining Armor pulls them completely out of their trusted sphere, it is still very grounded in the world that has been created, to the point where I don’t think In Shining Armor is the best place for someone to start this series. The operation of the Knights Templar is very complicated, and seems to get more so all the time. So start with Charming.

But speaking of that group of familiar faces, I’m really looking forward to the next book, Legend Has It, so John and Sig can get back to their extremely motley band of monster hunters and do what they do best all together – try to out-snark each other while racing to eliminate the most (and worst) monsters they can find.