Review: The Madness of Crowds by Louise Penny

Review: The Madness of Crowds by Louise PennyThe Madness of Crowds (Chief Inspector Armand Gamache, #17) by Louise Penny
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Chief Inspector Armand Gamache #17
Pages: 448
Published by Minotaur Books on August 24, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Chief Inspector Armand Gamache returns to Three Pines in #1 New York Times bestseller Louise Penny's latest spellbinding novel
You're a coward.
Time and again, as the New Year approaches, that charge is leveled against Armand Gamache.
It starts innocently enough.
While the residents of the Québec village of Three Pines take advantage of the deep snow to ski and toboggan, to drink hot chocolate in the bistro and share meals together, the Chief Inspector finds his holiday with his family interrupted by a simple request.
He's asked to provide security for what promises to be a non-event. A visiting Professor of Statistics will be giving a lecture at the nearby university.
While he is perplexed as to why the head of homicide for the Sûreté du Québec would be assigned this task, it sounds easy enough. That is until Gamache starts looking into Professor Abigail Robinson and discovers an agenda so repulsive he begs the university to cancel the lecture.
They refuse, citing academic freedom, and accuse Gamache of censorship and intellectual cowardice. Before long, Professor Robinson's views start seeping into conversations. Spreading and infecting. So that truth and fact, reality and delusion are so confused it's near impossible to tell them apart.
Discussions become debates, debates become arguments, which turn into fights. As sides are declared, a madness takes hold.
Abigail Robinson promises that, if they follow her, ça va bien aller. All will be well. But not, Gamache and his team know, for everyone.
When a murder is committed it falls to Armand Gamache, his second-in-command Jean-Guy Beauvoir, and their team to investigate the crime as well as this extraordinary popular delusion.
And the madness of crowds.

My Review:

There are four sentences that Chief Inspector Armand Gamache tells to every Sûreté du Québec officer who becomes a part of his team. He often ticks them off on his fingers as he recites them, and even though the order changes, the totality never varies.

“I’m sorry. I was wrong, I don’t know. I need help.”

Those four brief sentences may not be the path to wisdom, but they seem to be the path to being a good officer when taken to heart. And, as we all know in real life, any of them can be difficult to say, especially in the moments when they are most needed.

And they form an important backdrop to this seventeenth entry in the series, as Gamache finds himself saying the first three parts pretty much over and over again in this case that reaches back so far and has so many twists and turns that he is often forced to backtrack from his current course in his latest attempt to figure out exactly who did what in the past that lead to the dead woman in the snow in the present.

Not that there aren’t plenty of motives in the present as well, but those reasons don’t seem to apply to this particular corpse. A question that haunts and confuses Gamache’s entire investigation from its very beginning.

Deborah Schneider is in Three Pines with her childhood best friend Abigail Robinson. And there are PLENTY of reasons for people to want Robinson dead. Reasons that are rooted in the pandemic that has just passed. And it has passed in Three Pines, and seemingly even in the Province of Québec and Canada as a whole by the time this story takes place.

It seems that the Canadians, certainly the fictional ones, have been more reasonable about getting vaccinated and were more reasonable about wearing masks as well.

What people are not being at all reasonable about are the discoveries in the aftermath of the pandemic. Just as the aftermath of Hurricane Katrina uncovered more than one long term care institution whose patients had been abandoned to the flood, the receding tide of the pandemic in Canada has uncovered many too many care homes, particularly for the elderly, where the patients were left to die by the people who were supposed to be caring for them.

How the Light Gets In by Louise PennyAnd Abigail Robinson, with her Ph.D. in statistics and her sterling reputation, has produced a technically correct but morally repugnant study that claims that Canada, in its entirety, will be unable to fully recover from the pandemic or any future such calamities if it doesn’t triage out of its population those who have the least chance of recovery and the greatest chance of becoming a long-term burden on the system and the rest of the population.

There are plenty of tired and scared people willing to follow her recommendations, a course of action that would transform the right to die into an obligation to die at a point predetermined by the government.

The recommendations are so morally repugnant that the Canadian government agency that funded the study has refused to endorse it or publish it. But in these days of instant internet communication, the report is everywhere and support for it is gaining ground.

If someone had killed Abigail Robinson, who has become an all-too-excellent and savvy representative of her terrible theory, no one would be terribly surprised. But Robinson is not dead. Instead, the woman who was her right-hand was bludgeoned to death with a fireplace log.

Was it just a case of mistaken identity? Or does the crime, and the reason for it, stretch back into the past – right along with the true origins of Robinson’s heinous proposal?

Escape Rating A-: On the one hand, I was very glad for this story to return to the series’ heart and home in Three Pines. And on the other, the pandemic hangs over everything like a bad smell, making this dark story even darker. Not that the story is bad, in fact it’s very, very good, but there’s a darkness in the past that needs to be uncovered, actually more than one such darkness, and a darkness in the present and the entire situation gets more than a bit murky.

So much of what makes this series work are its characters, not just Gamache himself but his close colleagues at the Sûreté du Québec and his friends and neighbors in the village of Three Pines. But it felt like there was maybe one too many new people, or people who weren’t fully integrated into the story, and it diffused the story a bit.

And the heart of the story was so damn personal. It’s clear from pretty much everyone’s reading of Robinson’s report that while it’s initial implementation is intended to force the elderly, particularly those with long-term health issues, to feel obligated to die – or that there will be literal death panels. But the implication is that the concept will be expanded to include anyone with permanent disabilities of any kind no matter what their age. People like Gamache’s infant granddaughter Isola who was born with Down syndrome.

Anyone who has a loved one with long term care issues has plenty of reasons to want to kill Robinson. But she’s not the one who is dead.

The case that Gamache must solve drags him out of his comfort zone, and into another governmentally sanctioned road to hell that links Robinson, the poet Ruth Zardo, and Three Pines’ resident “Asshole Saint”.

I started this one afternoon and finished it later that evening, because I couldn’t put the damn thing down. But it is a walk through dark places, and there are points where it seems like the twisty passages are all like. The origins of everything are so far back and the character holding a big chunk of the information Gamache needs is pretty much a lying liar every step of the way and I wanted a confrontation that needed to happen multiple times but never quite does. It also felt like there was one completely extraneous character, although who I felt that was shifted a bit. Rather like one of those large ensemble cast TV series that needs to lose one or two people to tighten up right and really zing.

But it still gave me an epic book hangover because I love these characters, felt for them, and wanted to spend more time with them. And I will, hopefully sometime next year with the OMG 18th book in the series!

Review: Down Among the Sticks and Bones by Seanan McGuire

Review: Down Among the Sticks and Bones by Seanan McGuireDown Among the Sticks and Bones (Wayward Children, #2) by Seanan McGuire
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #2
Pages: 187
Published by Tordotcom on June 13, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children.
This is the story of what happened first…
Jacqueline was her mother’s perfect daughter—polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline.
Jillian was her father’s perfect daughter—adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you've got.
They were five when they learned that grown-ups can’t be trusted.
They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

My Review:

I’ve read this series completely out of order, at least once I read the first book, Every Heart a Doorway, first. I’m coming into this book, the second book in the series, after having read the sixth, Across the Green Grass Fields, and the seventh, Where the Drowned Girls Go.

There are a few messages that permeate the series, lessons about learning to march to the beat of your own drummer, recognizing that conformity is a trap, that magic is real and that there is no one right way to be a girl, or a boy, or a human, or a monster, or all of the above at the same time.

But the number one lesson is that adults can’t be trusted. It’s a lesson that Jacqueline and Jillian Wolcott seem to have absorbed along with their parents’ continuously reinforced messages about being who their parents want them each to be and not anything about who they really are. Except twins, and sisters, and forced into opposing straitjackets.

Unfortunately, they don’t seem to have applied that number one lesson nearly broadly enough.

Escape Rating A-: Jack and Jill Wolcott are just two of the Wayward Children that we met in Every Heart a Doorway. This is the story of how they got to be the people we met in that first book, and it’s a doozy.

This is a story about the power of choice and also about the force of choice denied. Jacqueline was expected to be the girliest of girls, a perfect fairy tale princess, because that’s what her mother planned for her daughter to be. Jillian was the scruffiest and most adventurous of tomboys, because that’s what her father decided to settle on when he got a second daughter instead of the son he expected.

The problem with their childhood wasn’t that either of those roles are either right or wrong, just that neither of them got to try out anything except their parent’s expectations, and neither of them ever got to experiment or deviate from the role they had been assigned just about at birth.

When they stepped through their door into the dangerous world of the Moors, they were each faced with a choice. And they each chose to have the experience they’d been denied. Jill became a pampered princess, and Jack became a hard-working apprentice.

But this is the Moors, where everything follows the pattern of stories about monsters. The pampered princess was enthralled by her vampire master, and the apprentice was learning her trade from a mad scientist.

So each got to explore the parts of their nature that their parents refused to even acknowledge, letting Jill finally be pretty, pampered and cruel, while Jack was scrupulous, intelligent and practical. Until Jill’s ruthless cruelty destroyed Jack’s hard-won life and they both had to return to the world of their birth.

A world that isn’t ready to take either of them back, leading them to their residence at Miss West’s Home for Wayward Children and bringing the entire story full circle.

Down Among the Sticks and Bones could be read before Every Heart a Doorway, but they probably work better in the proper order. It feels deeper to learn about how Jack and Jill got to be who they are after seeing the place they end up. We’re also able to appreciate the tragedy of their story, not just because Jack loved and lost in the Moors, but because Jack really had found a home that was perfect for her, a home she was forced to give up to save her sister.

But the lessons are still there. Jack and Jill couldn’t trust their parents before they left and can’t trust them after their return either. Jill shouldn’t have trusted her Master on the Moors, where Jack’s skepticism served her very well. The choices of their own hearts served them better, for select definitions of better in Jill’s case, than did the expectation of their parents. That happiness and fulfillment can be found in the unlikeliest of places.

And that love is all there is is all we know of love.

Review: Dead with the Wind by Miranda James

Review: Dead with the Wind by Miranda JamesDead with the Wind (Southern Ladies Mystery, #2) by Miranda James
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Southern Ladies Mystery #2
Pages: 304
Published by Berkley on September 29, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The New York Times bestselling author of Bless Her Dead Little Heart and the Cats in the Stacks mysteries brings back the Ducote sisters, two spry Southern sleuths.
An’gel and Dickce Ducote tend to stay put in Athena, Mississippi, but a wedding is a good reason to say a temporary farewell to Charlie Harris’s cat Diesel and go visit relatives. But while their stay in Louisiana is scorching hot, the atmosphere at the wedding is downright cold, with bride-to-be Sondra Delevan putting her trust fund above little things like love and loyalty.
When a violent storm supposedly sweeps Sondra off a balcony to her death, the sisters discover that many of the guests attending the wedding had major reasons to object to Sondra’s marriage. Now, it’s up to An’gel and Dickce to use their down-home instincts to expose dubious alibis, silver-plated secrets, and one relentless murderer who lives for “till death do us part.”

My Review:

On what was feeling that Mondayest Monday ever, I needed a comfort read. Since I’m currently caught up with the Cat in the Stacks series, I turned to the same author’s Southern Ladies Mystery series to sink into a whole lot of cozy, with animal companions both around me and between the pages – along with just a couple of dead bodies to add a bit of excitement. But not too much.

Dead with the Wind is a story about family ties. The ones that bind get the Ducote Sisters into this situation, but it’s the ties that strangle that lead to the murder. Not that someone shouldn’t have strangled Sondra Delevan a long time ago.

The Ducote Sisters are in St. Ignatiusville, Louisiana at their cousin Mireille’s antebellum city mansion for Sondra’s wedding. An occasion that does not get off to an auspicious start when An’gel Ducote righteously dumps a vase filled with water on Sondra’s overreacting head.

I’d say Sondra was a bridezilla, but that implies that she’s normally a halfway reasonable human being and is only being such a demanding bitch because of the wedding, and that’s not remotely the case. Sondra is demanding bitch 100% of the time and always has been. She’s one of those adults that people other than her immediate family look at and think that the universe would have been better off if she’d been disciplined instead of indulged a few – possibly a lot – of times in her childhood when it would have done some good.

So when Sondra is murdered, it’s not so much that the reader is surprised that someone killed her as amazed that it didn’t happen a whole lot sooner.

But the circumstances of Sondra’s death are rather suspicious, because her death and the manner of it fall all too closely on the heels of the housekeeper proclaiming that the wedding is ill-omened as it resembles a long-ago tragedy much too much. There’s a long arm of coincidence here that is way too long to convince either of the Ducote Sisters.

That before her death Sondra was such a heartless little bitch as to stage a scene that drove her grandmother, the Ducotes’ Cousin Mireille, into a heart attack and her grave does not help anyone to think well of the recently and spectacularly departed Sondra, but it does make the Sisters wonder just who benefits from both of those deaths.

There’s something rotten in Cousin Mireille’s beautiful mansion. It looks like there’s someone close to the family circle determined to bump off everyone in their way. But in the way of what, exactly?

The Sisters – along with the local police – follow that first rule of investigation. They follow the money, and it leads them straight to the killer. Or does it?

Escape Rating B-: I went into this because I wanted something familiar but not quite so familiar that I’d know every single thing before it happened. And that is kind of what I got. The Ducote Sisters of Athena, Mississippi, introduced in the author’s Cat in the Stacks series, are the power behind nearly everything going on in Athena, and have been for decades. An’gel is 84 and Dickce is 80. They live in a palatial family mansion, they’re the last of their direct family, never married, never had kids, and pretty much keep Athena running, sometimes it seems all by themselves.

So it was fun to see them out of their element in this story, which is kind of a locked-room mystery. Not that the room or the house is literally locked, but rather that everything that happens seems to happen in the house and inside the rather tight family circle. Even if all the members of the family aren’t related by blood.

What made this story a bit less fun than I usually find this author, or even the first book in this series, Bless Her Dead Little Heart, is that no one involved is all that likeable except for Sondra’s little girl Tippy and the family butler and general factotum, Grayson. All the rest of them are pieces of work, from Sondra the spoiled sociopath to her on-again-off-again fiancé to her stepfather and unfortunately but definitely including her mother and grandmother (Cousin Mireille). The mansion seems to be a veritable hothouse of all sorts of -pathy. Except sympathy as there really isn’t a whole lot of that going around.

Also, a big part of the story is that Sondra is marrying Lance because, frankly, Sondra is looking for someone she can control, getting married gets her control of the substantial fortune she inherited from her father, and there’s something not quite right about Lance. There are multiple things about Lance that aren’t quite right, but his maturity level and that of Sondra’s three-year-old daughter are about on a par. The family treats it as an open joke, but are still allowing the marriage because no one wants to cross Sondra. The situation did not sit well, or rather the way everyone treated did not sit well.

This turned out to be one of those stories about families that pretend everything is fine but where things are really, really wrong. Like Sondra’s extremes of behavior and self-centeredness. And Lance’s undiagnosed but joked about issues.

So I felt a bit more discomfort than desired for something I picked up as a comfort read. Even though Sondra’s death was very cathartic. Some characters just need to be let out of a story at the very first opportunity. By the time the killer’s identity was revealed it wasn’t much of a surprise – nor was I expecting it to be as this is not that kind of book.

But the way it got revealed – now that was a surprise. And it made a wonderful ending for a story that had a few more downs than ups.

I’m glad that the next book in this series, Digging Up the Dirt, places the Sisters back home in Athena where they belong!

Review: Into the Thinnest of Air by Simon R. Green

Review: Into the Thinnest of Air by Simon R. GreenInto the Thinnest of Air (Ishmael Jones, #5) by Simon R. Green
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, large print, paperback, ebook, audiobok
Genres: horror, suspense, urban fantasy
Series: Ishmael Jones #5
Pages: 167
Published by Severn House Publishers on March 1, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


Dinner at an ancient Cornish inn leads to one baffling disappearance after another in the latest intriguing Ishmael Jones mystery.

"It's just a nice weekend, in a nice country inn. Nothing bad is going to happen ..."
Ishmael Jones and his partner Penny are attending the re-opening of Tyrone's Castle, an ancient Cornish inn originally built by smugglers. Over dinner that night, the guests entertain one another with ghost stories inspired by local legends and superstitions. But it would appear that the curse of Tyrone's Castle has struck for real when one of their number disappears into thin air. And then another . . .
Is the inn really subject to an ancient curse? Sceptical of ghost stories, Ishmael believes the key to the mystery lies in the present rather than the past. But with no bodies, no evidence and no clues to go on, how can he prove it?

My Review:

There’s a version of Murphy’s Law for adventurers and investigators, and after everything that’s happened to Penny Belcourt since she met Ishmael Jones in the first book in this series, The Dark Side of the Road, she should definitely know better than to invoke it.

(I’ve just realized that Penny is the “final girl” of that story. The concept behind The Final Girl Support Group seems to be a gift that just keeps on giving…)

As this adventure opens, Penny asks her investigative and romantic partner, alien-turned-mostly-human Ishmael Jones, to come with her to a celebratory dinner for some old friends of her late parents that she’s been invited to. In Cornwall. At the restoration of a haunted smuggler’s inn with a bloody history.

Because she wants to spend a quiet, vacation-type weekend with him, doing normal couple things and pretending to be a normal couple, instead of spending all of their weekends at creepy places cleaning up even creepier happenings for their secretive employers, the mysterious “Organization”.

The number of ways that Penny should have known better absolutely beggar the imagination. Penny and Ishmael may be romantically involved, but “normal” just isn’t in either of their wheelhouses.

That the place they are intending to visit has a long and bloody history of murder, smuggling, poisoning, crazy murderers doing what the “Voices” in their head tell them to do, mysterious disappearances and don’t forget the murders is pretty much a guarantee that something about this weekend is going to shift in shape from normal to pear.

And so it proves when the first member of the group disappears into thin air. But that’s only the beginning, as one-by-one every member of the uncomfortable and increasingly frightened party disappears from seemingly plain sight in places where there’s no possible exit – but only when the remaining potential victims are distracted or have their backs briefly turned.

Or when someone is in the loo, with the door, quite naturally, closed.

As the number of “guests” winds down, the speculation ratchets up. Some claim that it must be ghosts, or the spirit of a long-dead murderer still haunting the scene of his crimes. Ishmael is firmly convinced that whatever is happening, there’s a real, live, most likely human agency involved.

After all, a ghost wouldn’t need to get their victims alone in order to whisk them away. Only the living need to hide the evil that they do behind smoke and mirrors.

Unless, of course, they’ve all been played from the very beginning.

Escape Rating B+: Just as the guests disappear into the thinnest of air, that also seemed to be what the plot of this story was made out of. Not that it’s not a fun read, because it certainly was, but this isn’t a big story. Also not a terribly long one, so if you’re looking for just a bit of horror-barely-adjacent urban fantasy-type storytelling with oodles of snark, this entire series might be your jam.

It certainly is mine, especially when the mood for snarkasm strikes.

Part of what makes this particular story one of the “thinner” plots of the series – so far at least – is that all the participants were being extremely obvious that this reunion of old friends – with Penny invited in place of her late father – was absolutely boiling over with long-buried resentments. And that there was a not-very-well-hidden agenda involving Penny herself.

Ishmael’s presence as Penny’s plus-one was neither expected nor desired. The tensions among the group were so obvious and so high that when the disappearances began Ishmael should have been checking every circumstance out for himself. But he wasn’t, and that felt a bit out of character although it was necessary to make the whole thing work.

What was interesting was the ongoing discussion about the difference between “paranormal” and “supernatural”. The participants became increasingly credulous and superstitious as their numbers were reduced. Many of them wanted to believe in a supernatural explanation, because the presence of a ghost would have made them feel better. For slightly weird interpretations of the word – and feeling – better.

There was certainly plenty of bloody history to have created a ghost on the spot – if one believes that ghosts are real. Or if one simply subscribes to the belief that there are no atheists in a foxhole, and that some belief in something was better than nothing.

But Ishmael, who is not exactly human, doesn’t believe in the supernatural. He does, however, believe in the paranormal. In other words, he doesn’t believe in things that science will never be able to explain at all (supernatural) but does believe in things that science can’t explain yet (paranormal). After all, he is one. And he’s met plenty of others.

If you’ve read previous books in this series, it’s obvious from the beginning that the perpetrator is certainly corporeal and most likely human. The trick in this little puzzle is figuring out both who done it and why, and that’s just the kind of puzzle that Ishmael and Penny are best at.

Normal weekends doing normal couple things are totally outside their wheelhouse – but it’s still a lot of fun watching them try. But I expect to see them back to their usual in the next book in the series, Murder in the Dark, the next time I’m looking for a bit of snark served up with my paranormal problem solving!

Review: Practical Boots by C.E. Murphy

Review: Practical Boots by C.E. MurphyPractical Boots (The Torn #1) by C.E. Murphy
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: portal fantasy, urban fantasy
Series: Torn #1
Pages: 101
Published by Miz Kit Productions on June 4, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

These boots are made for walking...

The disappointing daughter of a Lord of the Torn, Cat Sharp was dumped in the shapeless Waste to prove herself or die. Seven years later, she's honed the Artificer magic that saved her in the Waste, and her courier business is booming: after all, no one else can step from one location to another almost instantaneously, as Cat can with her seven league boots.

Each passage through the Waste takes her one step closer to the only thing she's ever wanted to find...but even the Torn-born become careless at times. When Cat's father catches up with her again, Cat must make a choice between her own dreams and an innocent's future...or try once more to forge her own way through two worlds, neither of which she quite belongs in....

My Review:

The practical boots that Cat Sharp fashioned for herself out of the stuff of the Waste have existed in folklore and fiction for centuries, but in real life, not so much. They’re the “seven-league boots” that have cropped up – or strode across – stories ranging from Jack the Giant Killer to The Innocents Abroad to Howl’s Moving Castle to even trip The Light Fantastic of the Discworld.

But Cat made her own when her aelfen father (they don’t call themselves “elves” thankyouverymuch) tossed her out of the Torn – the fae lands where she was born – into the Waste. The Waste is what lies between the truly magical lands of the Torn and the World – the world that we humans live in.

Cat is neither and both. Her mother was human, her father was Torn, and Cat’s half-and-half nature allows her to be a bit of both but fully a part of neither. When her sperm donor – or whatever it is the aelfen actually have – tossed her aside into the Waste – she made her boots and walked her way into our world.

Where she became a high-priced, highly sought after, highly exclusive courier. Being able to go from New York to LA in one step and the blink of an eye is a lucrative talent in a world where time is all too often literally money.

When the story begins, the courier job that Cat has taken turns out to be a trap that leads directly to her manipulative father. She’s barely finished – even on a temporary basis – dealing with that asshole, when she’s jerked into another trap. Which pushes her right into – you guessed it – a third trap.

Getting out of THAT leads her right back to where this journey began – chasing her sperm donor into yet one more…trap.

But as Cat jumps out of the frying pan and into the fire, we learn what makes her tick, how her walks between the worlds work and even a little bit of just what it is that makes Cat so special that so many people are trying to use her for their own ends.

Or to create the means that they can use for those ends.

All Cat wants to do is stay out of everyone’s clutches – especially her father’s. So she can keep on hunting – for her mom.

Escape Rating B: When I saw Practical Boots on this month’s Must Haves over at The Book Pushers I grabbed it immediately. Because I have fond memories of reading the author’s urban fantasy series, the Walker Papers (start with Urban Shaman) a long time and several cities ago. I still have them.

But when I read Practical Boots I kept having the feeling that I’d read it before – and not in the Walker Papers, as the setups are completely different. Practical Boots just came out, so I can’t have read this before but I have read things that have bits of this plenty of times. The father/daughter relationship is very like the one in House of Earth and Blood by Sarah J. Maas – and every bit as manipulative and abusive. The mechanism, the travel between the World, the Torn, and the Waste has echoes of the travel between the worlds in Charlie Stross’ Merchant Princes series.

Practical Boots also feels like it has echoes of other urban fantasy series, like Lindsay Buroker’s Death Before Dragons (start with Sinister Magic), and Ilona Andrews’ Innkeeper Chronicles – particularly Sweep of the Blade as well as Andrews’ Edge series that begins with On the Edge.

And it could just be that this is a portal fantasy, where people move between our world and semi-attached magical realms, and that’s been done many times because it has so much potential for terrific stories.

Practical Boots certainly lives up to that potential, even in the relatively small bite we get of it here. It works – and admittedly for some readers it won’t – because we experience the whole story through Cat Sharp’s very sharp and snarky perspective. We know what she’s thinking, we know what she’s feeling. We also know that she’s an unreliable narrator who lies to herself most of all.

She is stuck in a situation that she’s trying to make herself believe is temporary – but probably isn’t. She’s trying to make sure that her talent serves herself first, her friends and loved ones best, and her enemies as little as possible. But she might not succeed.

Through her eyes and her mind we get enough of a flavor of all of her worlds to understand who she is and what she wants – even if her explanations of how her magic works seem either arbitrary, deceptive, self-serving or all of the above.

Cat is on a quest to find her mother. A quest I suspect is going to take a long time and is not going to end happily. But I do expect her to have plenty of fascinating adventures along the way!

Review: Her Scottish Scoundrel by Sophie Barnes + Giveaway

Review: Her Scottish Scoundrel by Sophie Barnes + GiveawayHer Scottish Scoundrel (Diamonds in the Rough, #7) by Sophie Barnes
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Diamonds in the Rough #7
Pages: 424
Published by Sophie Barnes on May 25, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Destined for the hangman's noose, love is a dream he cannot afford to have...
When Blayne MacNeil agrees to be Miss Charlotte Russell's bodyguard, he doesn't expect her to expand the job description to fake fiancé. After twenty years in hiding, announcing his engagement to a viscount's daughter could prove fatal. For if anyone were to recognize him, he'd be charged with murder.
Determined to keep her independence in order to safeguard her writing career, Charlotte must avoid marriage. After all, no respectable gentleman would ever permit his wife to pen outrageous adventure novels. But when her most recent manuscript disappears, the roguish Scotsman posing as her fiancé becomes her closest ally—and the greatest threat to her freedom.

My Review:

I picked this up because I fell in love with this series all the way back at its very beginning, with A Most Unlikely Duke. Because he was, and because the way that story worked was just lovely.

I’ve stuck with the series because I’ve enjoyed every single one of these unsuitable romances, admittedly some more than others as is generally the case with a series that is 8 books and happily counting.

Or at least I’m happily counting, and I’m sure that other readers are too.

What makes this series so much fun in general, and this entry in particular, is that all of the matches that occur are not just unlikely, but are completely unsuitable and generally downright scandalous into the bargain. And that the reason for the unlikeliness, unsuitability and scandalousness shifts and changes from one story to the next and from the spear side (male) to the distaff side (female) and back again as the series continues.

(I had to look up just what the opposite of “distaff” actually was.)

The other thing that makes these so fascinating, and something that was a big part of this particular story, is that the women have agency in an era when we didn’t used to expect that in a romance, and, even better, that their agency feels at least plausible – if not necessarily likely – for their time and place.

BUT, and this is a huge but that provides a lot of both realism and tension, their agency is always precarious, even if they aren’t necessarily aware of it. They have agency at the sufferance, benign neglect or downright absence of their fathers. And that agency can be taken away at any point.

That’s what happens in this particular story. Now in her late – very late – 20s, Charlotte Russell is very firmly on the shelf. She’s happy with that fate, and believes that her parents are resigned to it. Charlotte, because of her on-the-shelf designation, has a fair bit of freedom, and she has used that freedom to become a best-selling author of the slightly scandalous adventures of a rakehell spy.

Of course, those stories are written under a male nom-de-plume, and published by a friend who owns a small publishing company. Keeping her secret is of paramount importance to Charlotte, as the scandal that would result from her exposure would taint not just her own non-existent chances of marriage but also her parents’ reputation in society as well as that of her two sisters and their husbands.

And it would absolutely kill sales of her books, which she is counting on to secure her own freedom.

But everything Charlotte believes about her life and her parents’ acceptance of it all goes down the drain when her father announces that he’s invited an American businessman to London to not just meet her but to marry her, will she or nil.

In response to being essentially bought and sold, Charlotte makes an arrangement with the entirely unsuitable owner of a dangerous pub and boxing establishment in the East End to be her bodyguard and fake fiance. Not that she’s consulted him about the second part of the arrangement before she springs it on him in front of her parents!

So Charlotte Russell finds that she was always much less free than she thought. She has no idea that Blayne MacNeil is much more unsuitable than she believed.

And neither of them expects to fall in love.

Escape Rating B+: What made this story for me was, honestly, Charlotte. Because she wants the same two things that many of us still want – love and purpose. And she’s honest enough with herself to understand that those two desires may lie in opposition to each other.

Not that fulfillment through marriage and children is not a noble or worthwhile purpose, but it isn’t Charlotte’s purpose. Her dream is to write, and she is aware that in order to be free to achieve that dream she’ll most likely have to be a spinster. And she’s okay with that choice.

Her parents don’t know about her writing, because it’s too scandalous to reveal, and don’t understand or don’t care that she is willing to quietly flout societal expectations in order to make her own way in the world.

Her mother, honestly, just wants what’s best for her and isn’t able to make that leap that what most people think is best just isn’t what is best for Charlotte. But her father doesn’t care what Charlotte wants and further doesn’t care that he initially treated her as a son because he didn’t have any, and his expectation that she will now be obedient like a daughter is supposed to be is more than a bit shortsighted.

And he needs the money that her marriage to the American businessman will bring – because he screwed up the family finances – and can’t bring himself to give a damn about any dissenting voices from anyone.

Charlotte’s crisis is that she just didn’t see how easily all of her freedom could be taken away if she didn’t tow the line. That diminishing of freedom diminishes her spirit and in turn, herself.

Where Blayne gets himself in trouble is that he can’t bear to watch that diminishment, no matter how dangerous it makes his own situation. And it IS dangerous. Because he is not what he seems.

This is a big part of the reason that this entire series reminds me of the Maiden Lane series by Elizabeth Hoyt, in that many of the characters either live and work on the wrong side of the law abiding fence or are caught in criminal circumstances not of their own making. In Blayne’s case it’s both.

And the resolution of that part of the scenario was a bit of a surprise. It’s not a surprise that Blayne and Charlotte manage, in spite of several rather desperate circumstances, their HEA, because this is after all a romance and they’re supposed to reach it. What’s surprising is the way it’s achieved.

Blayne has to choose between being right and being happy. In real life that can be a harder choice than it ought to be, and it’s not easy here, either. But it makes that ending very much earned.

Diamonds in the Rough will be back later this year when The Dishonored Viscount (of course through no fault of his own!) makes his own way to his own kind of honor – and falls in love along the way.

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Review: Slough House by Mick Herron

Review: Slough House by Mick HerronSlough House (Slough House, #7) by Mick Herron
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook, audiobook
Genres: espionage, mystery, thriller
Series: Slough House #7
Pages: 312
Published by Soho Crime on February 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Brexit is in full swing. And due to mysterious accidents, the Slough Houses ranks continue to thin. The seventh entry to the Slough House series is as thrilling and bleeding-edge relevant as ever.
A year after a calamitous blunder by the Russian secret service left a British citizen dead from novichok poisoning, Diana Taverner is on the warpath. What seems a gutless response from the government has pushed the Service's First Desk into mounting her own counter-offensive—but she's had to make a deal with the devil first. And given that the devil in question is arch-manipulator Peter Judd, she could be about to lose control of everything she's fought for.
Meanwhile, still reeling from recent losses, the slow horses are worried they've been pushed further into the cold. Slough House has been wiped from Service records, and fatal accidents keep happening. No wonder Jackson Lamb's crew are feeling paranoid. But have they actually been targeted? With a new populist movement taking a grip on London's streets, and the old order ensuring that everything's for sale to the highest bidder, the world's an uncomfortable place for those deemed surplus to requirements. The wise move would be to find a safe place and wait for the troubles to pass.
But the slow horses aren't famed for making wise decisions. And with enemies on all sides, not even Jackson Lamb can keep his crew from harm.

My Review:

In case you’re wondering, “Slough” should be pronounced the same as “Slow” – even though it technically isn’t. Because the “slow horses” that used to race in the spy games at Regent’s Park – home of Britain’s security services – now plod along at Slough House, still on the payroll but just marking time. Until they retire, or die. Or just fade away.

As this story opens, they’re dying. Alone. One by one. In accidents. Or in circumstances made to look like accidents.

But, as an old master of the spy game, Ian Fleming, once said, “Once is happenstance. Twice is coincidence. Three times is enemy action.” Jackson Lamb, while he’s not nearly as suave as Fleming or the character he created, is definitely a master of the spy game and well aware of this dictum – even if he doesn’t always show it. Or show much of anything except contempt for the entire human race – himself included.

He’s also the manager, or the general factotum, or the head inmate, or all of the above, of Slough House. He knows, even if neither the reader nor the ranks of his slow horses do, that some enemy is taking out his agents.

He just needs to figure out who the enemy is who is authorizing these actions – and make them stop. Even if the enemy is someone who is supposed to be on the same side. Especially if that person is supposed to be on the same side, because that makes it treason.

Escape Rating A-: Slough House is an ironically slow-building thriller – but that situation is also utterly fitting for the title and especially for the characters and set up.

A set up which at first seems like a combination of the TV series New Tricks and the movie RED, but upon reading doesn’t quite fit into the mold of either, although there are elements of both.

The slow horses of Slough House aren’t so much retired as they are exiled. Slough House is kind of a “last chance saloon” for agents who have screwed up badly but who are too young to retire and perhaps know too much to be let go of, but are safe enough to keep corralled together and just might, occasionally uncover something real out of the busywork they usually end up doing. After all, even a stopped clock is right twice a day. And as far as Regent’s Park is concerned, the slow horses are consigned to the same scrap heap as those relics would be.

From the perspective of the racers at Regent’s Park, the situation is designed to keep those slow horses docile and dreaming of a potential return to Regent’s Park and “real” spywork – a return that will never happen.

Jackson Lamb, on the other hand, is far from docile. Or, frankly, even domesticated. Instead, he reads like a variation of Daniel Hawthorne from The Word is Murder, only even more egotistical and enigmatic and considerably less savory or salubrious. It’s pretty clear that he’s been assigned to run Slough House not because he’s not good at the spy game but because he’s really, really bad at making nice or playing office politics.

I suspect that there is a lot more about Jackson Lamb, the denizens of Slough House, the relationship between Slough House and Regent’s Park and the entire setup in the previous books in the series. But I haven’t read them and didn’t feel the lack. I mean, I’m intensely curious about the whole thing but didn’t feel like I was missing anything I needed in order to get firmly stuck into this story.

As much as the setup intrigued me, and as ill assorted as Lamb and his band of misfits are, I picked this up because I was very interested in just how the whole concept of a 21st century spy thriller would even work without the 20th century staple of Cold War maneuvering to underpin the whole structure.

The answer turned out to be really, really well, but not in a direction that I was expecting – which made it even better.

Because this turned out to be a kind of “who watches the watchers” story that plays into 21st century realities when too many of the watchers are much too busy watching the people on their own side to pay attention to operatives and operations preying on them from without.

It’s also a story about just how greasy the skids are at the top of the slippery slope of corruption, and how easy it is for even people with the most honorable of intentions to find themselves halfway down that slide before they are even aware of the incline. Something that is clearly going to be the fodder for future books in the series.

Not that there weren’t plenty of “bad actors” (for plenty of definitions of “bad” and “actors” and absolutely for “bad actors”) in this book, but Bad Actors is also the title of the next book in the series. And I’m more than curious enough to see what happens to the “slow horses” next!

Review: The Halo Conspiracy by Michael Murphy

Review: The Halo Conspiracy by Michael MurphyThe Halo Conspiracy by Michael Murphy
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: mystery, science fiction
Series: Lucas Nash #1
Pages: 254
Published by Michael Murphy on April 15, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In mid-twenty-first century, solving murders hasn't become any easier. Cutting edge science has created more opportunities for crime than offered solutions.

A ruthless technology company threatens to reveal Project Halo, a scientific breakthrough that will change humanity forever. Layers of secrecy conceal cutting-edge robotics, artificial intelligence and even rumors of synthetic humans. Before scientists can correct flaws that threaten the program, someone or something murders the brains behind the project.

Michael Murphy's witty fast-paced sci-fi mystery introduces Lucas Nash, a gritty, by the book homicide detective thrust into a world he always avoids, high tech. He sifts through a maze of suspects; Rachel, a spirited intern, a brute of a security chief, a treacherous woman, the murdered man's partner, and two ambitious Army officers, one found dead in the arms of a married schoolteacher, and a Colonel who can't be found.

A media starved religious leader warns the world against the evils of technology with his beautiful assistant, Lucas's one-time flame. Before uncovering the killer's identity, an unlikely romance threatens to derail the investigation and end Lucas's career. With pressure mounting from his superiors and the government, Lucas must set aside his feelings and solve the murder before technology makes him and humanity the next victims.

My Review:

This near-future mystery/technothriller begins in the way that all mysteries do – with a dead body. And then another. Along with, of course, a detective to investigate whodunnit.

It turns out to be “who done them?”, because the long arm of coincidence doesn’t stretch to two unrelated deaths at the opening of a detective story.

It’s with that second death, however, that the story draws the second arrow in its metaphorical quiver. The first case looks pretty ordinary, at least at first with its fairly obvious triangle of absent husband, cheating wife and dead one-night stand lying in a pool of his own blood with two gunshot wounds.

But that second body that Detective Lucas Nash goes to examine – that’s entirely different. Because it looks like natural causes, but sets enough of the hairs rising on the back of Lucas’ neck to make him suspicious that it isn’t.

Of course it isn’t. And that’s where this case really begins to twist in the mind of both Nash and the reader.

We’re all presented with a series of red herrings that at first don’t look even slightly pink.

The late Dr. Beltran works for an ultra-secretive and highly profitable company that creates artificial intelligence solutions for both computers and robotics. The company is the financial mainstay of the little town of Green River, and an economic engine for the entire country, with its automated and artificial intelligence tentacles in many, many places. They even have big contracts with the Department of Defense and the Department of Homeland Security.

And they have a crack security team that is out sweeping the late Dr. Beltran’s house in the middle of the night in order to cover up something really big. Something possibly really illegal, or unethical, or immoral, or all of the above.

Lucas Nash is determined to get to the bottom of this mess – no matter what he has to compromise along the way. Or what might try to compromise him.

Escape Rating B: I picked this one up because I really enjoyed the author’s Prohibition Era Jake and Laura mystery series (start with The Yankee Club because the whole series is a lot of fun!) So I knew going in that I’d like this one.

What I didn’t expect was how much the setup would remind me of J.D. Robb’s In Death series.

It’s that Lucas Nash’s world, like Eve Dallas’, is set in a future so close that we can see it from here, while being just far enough out that extrapolating future technology from present development creates a world that is recognizable enough to not need a whole lot of technobabble while being just far enough away that the differences that do exist don’t feel so much science fictional as simply logical.

Or to put it another way, this book takes place in 2038. All of the adult characters in the story have already been born. Not just born, but many of them are in high school during the pandemic that we all sincerely hope is ending right now in the real world.

So a future we can see from here and imagine living in fairly easily, and that makes a lot of the SF in the story easily accessible to readers who don’t read much SF.

At the same time, one way of looking at the case is that it’s wrapped around some very high tech concepts that already exist today – artificial intelligence and robotics. Along with a real-world application that has been the stuff of SFnal-tinged nightmares for decades. If AI and robotics get to be good enough, will the government use them to create supersoldiers? Can anyone seriously imagine that they won’t?

After that, the question of how fast we get to Skynet and the Terminator starts to loom pretty large. But we’re not there yet even in 2038 – not that it stops everyone from thinking about it. And making terrible jokes about it.

The technology here is just a means to an end. It’s fascinating and it’s very easy to get wrapped up in it but it’s the human dimension of the suspense that keeps the reader turning pages. Because all those red herrings at the beginning that aren’t even pink? This story is red herrings all the way down, to the point where Lucas – and the reader – go haring off on one false lead after another, thinking that we know what’s REALLY going on only to learn that we’ve been heading down a primrose path – AGAIN – and that we have to re-think everything we thought we had figured out.

In the end, all of the motives are human ones, whether the perpetrators are themselves all human or not. And in the middle of it all, there’s Lucas Nash, who doesn’t do all that well with the technology that surrounds him.

But who can figure out what makes people tick – or what ticks them off into murder – perfectly well with his own, purely human, intelligence. No matter how anyone ends up defining “people”.

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Review: The Assassins of Thasalon by Lois McMaster Bujold

Review: The Assassins of Thasalon by Lois McMaster BujoldThe Assassins of Thasalon (Penric and Desdemona #10) by Lois McMaster Bujold
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: epic fantasy, fantasy
Series: Penric and Desdemona #10
Pages: 244
Published by Spectrum Literary Agency on May 10th 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & Noble
Goodreads

An unholy attack upon his brother-in-law General Arisaydia pitches sorcerer Learned Penric and his Temple demon Desdemona headlong into the snake-pit of Cedonian imperial politics. But they will not travel alone. The mission from his god brings Penric some of his strangest new allies yet, and the return of some of his most valued old ones.

This novel-length story takes place two years after the events of “The Physicians of Vilnoc”.

My Review:

Reading The Assassins of Thasalon, I’m reminded that the full title for this series probably ought to be “Scenes from the Life of Penric and Desdemona,” rather than just Penric and Desdemona.” The series is absolutely about Learned Penric and his demon Desdemona, but it’s not told in order from beginning to end – long may THAT evil day get delayed.

And not that it didn’t begin at the begin in the first book in the series (in both publication order AND internal chronological order!) Penric’s Demon. It’s just that the books after that terrific beginning have been all over the map as far as Penric’s life with Desdemona is concerned. But , while this book is the 10th in both publication and chronological order, the book before it in chronological order, The Physicians of Vilnoc, was the 8th book in publication order, while Masquerade in Lodi, the 9th book in publication order, was actually the 4th book in chronological order.

Confused? So am I, a bit. Although I was more confused by Masquerade in Lodi because it took place so much earlier in Penric’s life.

But the mixing up of internal chronology vs. publication does mean that a reader can pick this series up in pretty much any order after the first book and slide right in. That there are now enough books to make the entire series into a lovely little binge read is icing on that particular cake.

I’m digressing, a bit, but then this series does lead into digression, every bit as much as Penric’s and Desdemona’s internal dialog, along with both of their curious natures and scholarly bents, leads them into frequent digressions and down innumerable intellectual rabbit holes at pretty much every turn.

If you’ve not had the pleasure of traveling with Penric and Desdemona, you might be thinking that they are spouses or lovers but their relationship is both more intimate and less physical than that,

Penric is a Learned Divine of the Fifth God of his world’s pantheon. The god he serves is the Lord Bastard, the “master of all disasters out of season”. In other words, Penric serves this world’s chaos avatar, their version of Loki, or Coyote.

Desdemona is, as the title of that first book implies, Penric’s Demon. She is a chaos spirit who grows in power the longer she remains in the world, attached to an animal or a human. She changes partners when her current host dies, but she retains the memories of her long “life” and all of her previous hosts, which in turn she uses to both teach and assist Penric.

I call Desdemona she, and Penric refers to her as female not because demons have gender per se but because all of Desdemona’s previous hosts have been female – including the animals who were her first hosts. Over the centuries of her existence, Desdemona has come to think of herself as female so Penric does as well. It’s like having an entire host of older sisters living inside his head.

And Penric is going to need every single bit of pretty much everything that he and Desdemona have between them in order to fix everything that is going wrong in the neighboring country of Cedonia before the sixth set of assassins finally succeeds in murdering Pen’s brother-in-law.

It is particularly important that Pen and his rather assorted party reach Thasalon, the capital of Cedonia, and fix what’s gone wrong before said brother-in-law arrives. Because if Pen can’t fix things his way, Adelis will have to take matters into his own hands – with a conquering army at his back.

Escape Rating A: I’ve enjoyed this entire series so far, but like any series that’s 10 books in, some have been merely good – not that THAT isn’t an achievement in and of itself – while others have been great. The Assassins of Thasalon is one of the great ones in the series.

What I loved about this one so much is the way that it mixes theology and politics, rather to the detriment of both the country and many of the characters. It’s also kind of a “fix-it” fic, and I always love those.

It’s been clear since Penric met Nikys and her brother Arisedya back in the third book in the series, Penric’s Mission, that there was something seriously rotten in the state of Cedonia. Five years after Nikys and Adelis fled their homeland to the neighboring country of Orbas for shelter, it’s apparently time to fix at least the worst of what’s wrong.

Penric’s god, the Lord Bastard, makes it clear to Penric that it is his duty to fix things in Cedonia. Because it’s not just dirty politics that they all thought it was at the beginning. Dirty politics may amuse the White God, but they are not his domain. Howsomever, someone in the Bastard’s service has been misusing the gifts that his god gave him, and the Bastard has just ordered Penric to be his hands and work his will upon the whole sorry lot of them.

They may not be sorry yet, but someone is certainly going to be. Hopefully not Penric.

While Penric has his orders, what he doesn’t have is much in the way of instructions. And that’s where the politics come in. And that’s a big part of what I loved about this story.

Adelis is returning home to either serve the country, save the country, conquer the country or all of the above, depending on what he finds when he gets there. And finally marry his betrothed, who has been waiting for him – and plotting and scheming in the BEST style – while she waits.

So there are assassinations, and political skullduggery, threats of invasion and bits of romance wrapped around this story of a world where the gods are REAL and where one god in particular is about to take back his gifts with extreme prejudice.

It’s all in a day’s – or month’s – work for Penric and Desdemona. And it’s a blast – sometimes literally – every step of the way.

Review: The Gentle Art of Fortune Hunting by KJ Charles

Review: The Gentle Art of Fortune Hunting by KJ CharlesThe Gentle Art of Fortune Hunting by K.J. Charles
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: historical romance, M/M romance, regency romance
Pages: 276
Published by KJC Books on February 24, 2021
Purchasing Info: Author's WebsiteAmazonKoboBookshop.org
Goodreads

Robin Loxleigh and his sister Marianne are the hit of the Season, so attractive and delightful that nobody looks behind their pretty faces.
Until Robin sets his sights on Sir John Hartlebury’s heiress niece. The notoriously graceless baronet isn’t impressed by good looks, or fooled by false charm. He’s sure Robin is a liar—a fortune hunter, a card sharp, and a heartless, greedy fraud—and he’ll protect his niece, whatever it takes.
Then, just when Hart thinks he has Robin at his mercy, things take a sharp left turn. And as the grumpy baronet and the glib fortune hunter start to understand each other, they also find themselves starting to care—more than either of them thought possible.
But Robin's cheated and lied and let people down for money. Can a professional rogue earn an honest happy ever after?

My Review:

Like their namesakes, Robin Loxleigh and his sister Marianne (from Nottinghamshire, no less!) have entered the ton’s Marriage Mart to steal from the rich and give to the poor. The difference all lies with who the later Robin and his sister have put in the positions of ‘rich’ and ‘poor’ and just how they intend to accomplish that ‘steal’.

That’s also where all the tropes, along with everything we ever thought about Regency romance, get turned on their heads.

Because Robin and Marianne, in spite of their carefully constructed appearances and personas, know themselves to be the poor – especially in comparison with the high-flyers and high-sticklers of the ton’s elite. Who are, in this scenario, the rich that the Loxleighs are planning to steal from.

Not directly. They are not pickpockets or jewel thieves – although Robin does cheat more than a bit at cards in order to help keep their precarious gamble afloat. What they plan to steal is not so much a thing but rather a place – each – among the upper crust who would spit on them – quite possibly literally – if they managed to see behind the pair’s carefully constructed facade.

They are well on their way to using their exceptional good looks and exceptional well-crafted images to find themselves rich – and if possible titled – spouses to provide them with the financial security they’ve craved.

It all seems to be going entirely too well. Marianne has a marquess well in hand while Robin has been making steady progress with an awkward but intelligent young woman eager to marry and finally gain access to the money her father left for her.

And that’s where the carriage of their intentions comes to a screeching halt, as a protector comes to town to save the young lady that Robin has been pursuing from any designs on her fortune.

At first, Sir John Hartlebury casts himself as the enemy that no plan survives contact with. But all is not as it seems. Not Robin’s plans to marry, not John’s plans to interfere, and not even the young lady’s plans to marry.

It’s damnably difficult for Robin to continue his pursuit of the young lady’s fortune when what he’d really rather chase are her protector’s muscled thighs!

Escape Rating A: The Gentle Art of Fortune Hunting is an absolutely delightful Regency romp, if not exactly the kind that Georgette Heyer made so much her own.

There’s so much that gets completely turned on its head – and that’s what makes the whole thing such an absolute pleasure to read.

At first Robin and Marianne seem like grifters, out to take what they can get. But as the layers peel back we see that what they really are is fairly young and desperate for security. Money and position buy a lot of security so that’s what they are hunting for when they hunt those fortunes.

The story also exposes the darkness underneath the glitter of the ton. As long as they pretend to be impoverished but well-born, they can be accepted. Any exposure of who and what they really are will get them kicked out the door. But they are the same people either way.

While it’s Robin’s enemies-to-lovers romance with Sir John that strikes all the romantic sparks in this story – and are they ever explosive together! – the character I really felt for was young Alice, the bride that Robin initially pursues.

Because Alice has her own plans. She wants to be a mathematician. She has the capability, the capacity and the talent. What she doesn’t have is the money to pursue her studies, at least not without marrying so she can get the money set aside for her. She’s looking for a deal, or a steal, every bit as much as Robin is and is just as willing to use him to get what she wants as he initially was willing to use her.

In the end, there are a whole lot of witty and intelligent characters who finally discover ways to reach towards their own happiness by learning to ignore all the voices that tell them they shouldn’t have it.

This is one of those times when I know I’m not quite conveying it well. My words feel about as awkward as the brusque and blunt Sir John. Describing what I liked about this book so much feels like trying to capture the effervescence of champagne.

A dry champagne, a bit tart, but with plenty of sparkle and lots of bubbles – of happiness and joy. So if you’re looking for a romance filled with heat, bubbling with laughter and having just a bit of a bite, this one is a winner.