#BookReview: Daughters of Olympus by Hannah M. Lynn

#BookReview: Daughters of Olympus by Hannah M. LynnDaughters of Olympus by Hannah M. Lynn
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, mythology, retellings
Pages: 336
Published by Sourcebooks Landmark on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A daughter pulled between two worlds and a mother willing destroy both to protect her...
Gods and men wage their petty wars, but it is the women of spring who will have the last word...
Demeter did not always live in fear. Once, the goddess of spring loved the world and the humans who inhabited it. After a devastating assault, though, she becomes a shell of herself. Her only solace is her daughter, Persephone.
A balm to her mother's pain, Persephone grows among wildflowers, never leaving the sanctuary Demeter built for them. But she aches to explore the mortal world--to gain her own experiences. Naïve but determined, she secretly builds a life of her own under her mother's watchful gaze. But as she does so, she catches the eye of Hades, and is kidnapped...
Forced into a role she never wanted, Persephone learns that power suits her. In the land of the living, though, Demeter is willing to destroy the humans she once held dear--anything to protect her family. A mother who has lost everything and a daughter with more to gain than she ever realized, their story will irrevocably shape the world.

My Review:

Whether gods make men in their own image, or the other way around, either way it’s NOT a compliment. But it does explain a whole damn lot about the behavior of Zeus and his Olympians.

This is not a pretty story. It’s a reminder that the versions of Greek mythology we all read in school were sanitized to the max and absolutely written from a male perspective. That’s pretty much the only reason I can think of for the cavalier treatment of Zeus’ utter lack of faithfulness to his wife. Not to mention how many of the females who bore his demi-god and demi-goddess offspring said “NO” and ran as far and as fast as they could – even if that wasn’t enough.

So it’s not a stretch to believe that Zeus raped his sister Demeter to create Persephone. It’s all too typical of his behavior. Also utterly infuriating.

Which made Daughters of Olympus a fascinating rage read, because it made me look at something that was a familiar and even beloved part of my childhood reading in an entirely new and retrospectively furious way.

Escape Rating B: I ended up with mixed feelings about this book. At first, I was all in with Demeter’s point-of-view of the way things worked in her world – or rather, the way they mostly didn’t and she always ended up suffering at the hands of her brothers and fellow Olympians. Particularly Zeus. ESPECIALLY Zeus.

To the point where she spends centuries hiding away from her brother, her fellow Olympians, and the whole damn world. As much as I wanted her to stand up and take charge of at least her own fate and destiny – that’s not the way the myths go.

It’s only when the story switches to Persephone and after she is kidnapped by Hades at that, that we start seeing something different emerge – even as Persephone rails against Hades and the fate her father Zeus’ bargains have condemned her to.

What makes this retelling of Greek mythology work is that we see the old familiar stories from the perspective of characters who don’t have their own voices in the versions we originally learned. However, this is a feminine perspective and not a feminist one – regardless of which one the reader might prefer.

Meaning that Demeter and Persephone may be the predominant voices of this retelling, but their agency is still significantly limited. They can run, they can hide, but they can’t overpower – at least not until Demeter takes the reins of her own power to enact a different but still traditional feminine aspect – that of the protective, and if necessary avenging – mother.

So, if you’re looking for a retelling of familiar stories from a different perspective – but not expecting a different ending, Daughters of Olympus has an interesting tale to tell – particularly after Demeter finally breaks through her isolation to find her daughter and Persephone picks up the reins of the power that Hades is willing to give her.

Just don’t expect the story to end differently than we already know that it does. In that respect it’s similar to Kaikeyi by Vaishnavi Patel, in that a traditional story is told from the perspective of an often overshadowed female character, but the outcomes are not and cannot be changed.

Dammit.

A- #BookReview: This Great Hemisphere by Mateo Askaripour

A- #BookReview: This Great Hemisphere by Mateo AskaripourThis Great Hemisphere by Mateo Askaripour
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: dystopian, science fiction, speculative fiction, political thriller
Pages: 432
Published by Dutton Books on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the award-winning and bestselling author of Black Buck : A speculative novel about a young woman—invisible by birth and relegated to second-class citizenship—who sets off on a mission to find her older brother, whom she had presumed dead but who is now the primary suspect in a high-profile political murder.
Despite the odds, Sweetmint, a young invisible woman, has done everything right her entire life—school, university, and now a highly sought-after apprenticeship with one of the Northwestern Hemisphere’s premier inventors, a non-invisible man belonging to the dominant population who is as eccentric as he is enigmatic. But the world she has fought so hard to build after the disappearance of her older brother comes crashing down when authorities claim that not only is he well and alive, he’s also the main suspect in the murder of the Chief Executive of the Northwestern Hemisphere. 
A manhunt ensues, and Sweetmint, armed with courage, intellect, and unwavering love for her brother, sets off on a mission to find him before it’s too late. With five days until the hemisphere’s big election, Sweetmint must dodge a relentless law officer who’s determined to maintain order and an ambitious politician with sights set on becoming the next Chief Executive by any means necessary.
With the awe-inspiring defiance of The Power and the ever-shifting machinations of House of Cards , This Great Hemisphere is a novel that brilliantly illustrates the degree to which reality can be shaped by non-truths and vicious manipulations, while shining a light on our ability to surprise ourselves when we stop giving in to the narratives others have written for us.

My Review:

Shakespeare said it best, but the Bard said an awful lot of things very, very well, which is why we keep quoting him. In The Merchant of Venice (Act 1, Scene 3), there’s a famous proverb that says that, “The devil can cite Scripture for his purpose.” It’s something the reader is forced to reckon with in This Great Hemisphere – even if the characters for the most part don’t have the education to recognize the phenomenon.

They’re not supposed to. That’s part of the story. In fact, a more accurate paraphrase of that quote as it applies to This Great Hemisphere would be that “the devil can WRITE Scripture for his purpose.” because that is exactly what has happened during the five centuries between our now and the future experienced by Sweetmint and her people.

As Sweetmint discovers over the course of this story, there’s another quote that applies even more, from a part of the Bible that the powers-that-be of the Northwestern Hemisphere have undoubtedly excised as part of their thoroughgoing revision of Scripture to suit their purposes. It’s the one from Ecclesiastes (1:9) that goes: “What has been will be again, what has been done will be done again; there is nothing new under the sun.” Or as it was put more succinctly in Battlestar Galactica, “This has all happened before. All of this will happen again.”

But Sweetmint and her friends do not know any of this when her story begins. It may have all happened before – in fact it has all happened before – but it hasn’t happened before TO HER and her perspective is what carries the story from hope and compliance to desperation, rebellion and tragedy. And maybe, just maybe, back to hope – or at least a brief approximation thereof.

But what is it that has happened before? Sweetmint’s story – or the story that takes place around her and through her, is just the kind of metaphor that science fiction does well when it takes an issue that is real and present – and generally terrible – and shifts it in time and space, alters just a few of the parameters – and forces the reader to see an obscured truth for what it really is.

This Great Hemisphere is set on Earth, five centuries into a future where a portion of the human population is born invisible. Because humans are gonna human, and governments always need a common enemy to class as less than human to keep everyone else in line, invisibles have been cast as a threat and dehumanized in every way possible. They are denied higher education, voting rights, land ownership, good jobs, good housing, etc., etc., etc. Denied all of those things by law and forced to live in remote villages so that the dominant population can never really know them so that they can be more easily demonized.

Sweetmint is supposed to be a “model Invisible” and has earned a place as an intern – not a servant, but an actual intern – with one of the men responsible for the creation of this system. He’s using her for the next step in his “great plan”.

But we see this broken society through Sweetmint’s eyes as the scales are removed from them. She learns that nothing she believes bears much of any resemblance to any objective truth and that the system is rotten from within – always has been and intends to always be so.

What makes the story so compelling is that even as we watch it unravel, we’re still riveted by her attempts to force a new way through. That even though it may be hopeless in the long run, there can be a reprieve in the short run – and possibly more. And we’re there for her and for it – even if the specific future she hoped for is not.

Escape Rating A-: I obviously had a lot of thoughts about this as I was reading it, and I have more. It’s that kind of book.

It does absolutely fly by. The author has done an excellent job of creating a world that is firmly rooted in the history we know and yet manages to shine a light on it from a different corner. Using invisibility as a metaphor for race allows the reader to be firmly grounded in our own historical perspective and yet provides a vector by which anyone can imagine themselves as Sweetmint because there are circumstances in which anyone can be rendered invisible.

I’m all over the map on what I thought and felt about this book, and it’s making writing it up all kinds of difficult. On the one hand, as I said, it’s compelling to read. On a second hand, I felt like the social issues part was a bit heavy-handed – but at the same time, I recognize that my own background makes me more familiar with some of the issues – albeit from a slightly different angle, and as someone whose read a lot of history the repetitive patterns are not exactly news.

From the point of view of someone who reads a lot of science fiction, this very much fits into the spec fic, SFnal tradition of exploring an all too real past and present issue by setting it in either a time or place away from the here and now. Something that even the original Star Trek series did both well and badly – sometimes at the same time – and there’s an episode that’s particularly on point in this regard, Let That Be Your Last Battlefield.

In other words, in yet another attempt to make a long story short and probably fail at it again, This Great Hemisphere is a compelling story, both because of Sweetmint’s originally naive perspective and because the actual political machinations going and increasing enmeshment in the consequences of them – sometimes intentionally but often not. And the ending – oh that was a stunner in a way that just capped off the whole thing while still leaving just a glimmer of possibility – if not necessarily a good one – for the world in which it happens.

A- #BookReview: The Mummy of Mayfair by Jeri Westerson

A- #BookReview: The Mummy of Mayfair by Jeri WestersonThe Mummy of Mayfair (An Irregular Detective Mystery #2) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Irregular Detective #2
Pages: 224
Published by Severn House on July 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Private investigators Timothy Badger and Benjamin Watson take on another unusual and baffling case in Victorian London when a mummy unwrapping party takes a chilling turn.London, 1895. Although their last high profile case was a huge success, private detectives Tim Badger and Benjamin Watson know they can't afford to turn down any work, despite financial assistance from their mentor, Sherlock Holmes.So when the eminent Doctor Enock Sawyer of St Bart's Hospital asks Badger if the duo will provide security for a mummy unwrapping party he is hosting, Badger doesn't hesitate to take the job. After all, how hard can guarding the doctor's bizarre Egyptian artefacts be? But with Doctor Sawyer running late for his own party, the 'genuine' ancient sarcophagus of Runihura Saa is unravelled to reveal the remains of . . . Doctor Sawyer! Suddenly, the pair are drawn into a new case that's stranger and twister than they could ever have imagined.

My Review:

The “irregularity” of the Irregular Detective series is in the person of one of its protagonists, Timothy Badger of the Badger and Watson Detecting Agency. Once upon a time, Badger was one of the “invisible” children who operated as Sherlock Holmes’ eyes and ears on the streets of Victorian London. In other words, Tim Badger was one of Holmes’ Baker Street Irregulars.

But when Badger aged out – or grew up – out of the Irregulars, he still needed to make his living. Which is where his partner, jack-of-all-trades Benjamin Watson comes into the picture. Both from the “wrong side of the tracks” in the East End, without a shilling between them, they set up as private detectives in the mode of Badger’s former ‘Guv’, the Great Detective himself.

As seen in the first entry in this series, The Isolated Séance, after five years of struggle to keep body and soul together, Sherlock Holmes himself gave these ‘apprentices’ a bit of a leg up. Their perseverance was rewarded with rooms in Soho – several steps up the economic ladder from their previous lodgings and office – and a seemingly magical refilling box of money for expenses.

They’re doing well for themselves. It’s a lot of hard work and shoe leather – but their successes seem to outnumber their failures. They have as much work as they can handle – and even their own chronicler in the person of newspaper reporter Ellsie Littleton.

Which leads to this second sensational case, The Mummy of Mayfair. A moniker that seems ripped, not from the headlines, but from the titles of the penny dreadful fiction that Badger loves to read. Watson prefers the newspapers and scientific journals.

After all, someone in this partnership needs to keep their feet on the ground, especially with a case that has so much potential to ascend – or perhaps that’s descend – into flights of fantasy and mythology.

It begins with a mummy unwrapping party. An all too common event among the upper crust in the 1890s. It was the heyday of ‘Egyptomania’, with all of the implications of madness the word mania implies.

Badger and Watson were hired by Dr. Enoch Sawyer to provide security for his mummy unwrapping party. A party that takes an even more macabre turn when the mummy is finally unwrapped to reveal that it’s not the mummy of Runihura Saa. It’s the much more recent mummy of Dr. Enoch Sawyer – their client – who is clearly not going to be able to pay them for the job they are about to do on his behalf.

And the game is afoot!

Escape Rating A-: First, I loved this every bit as much as the first book in this series, The Isolated Séance. Second, I need to kick myself for not figuring out that the series title is a pun until now. I sorta/kinda thought the cases were “irregular” and they are that – from a séance in the first book to a mummy in the second. But it’s the DETECTIVES – or at least one of them – that are irregular. As in, the Baker Street Irregulars. 🤦🏻

Now that I’ve got that out of my system, what makes this case so much fun is the way that it blends the real with the fictional.

Mummy unwrapping parties were a very real thing in the 1890s – as shown in the painting below by artist Paul Dominique Philippoteaux circa 1890. The scene may seem macabre to 21st century readers, but such parties were all the rage in 1895, when The Mummy of Mayfair takes place.

Rage also being an important factor – at least in this particular case – as the ‘mania’ led people to strange rivalries and illegal behaviors – as humans are wont to do in the throes of a craze, fad, or mania. It still happens now, and humans haven’t changed all that much in just a bit over a century.

As much as the insanity of this particular mania turns out to be the impetus for the actions of the characters, what is making the series work are the characters and the way they manage to fit into – and take off from – the canon of Sherlock Holmes and ITS well-known and loved protagonists.

The best detectives, whether amateur or professional, are outsiders. It’s nearly impossible for humans to set aside their preconceived notions and biases in regards to people they know. A fact which very nearly sends the entire case on a wild goose chase, as one of the possible suspects is one of Badger’s former colleagues in the Irregulars.

But the triumvirate necessary to fill all of the roles that in the original canon were filled by just two changes the structure of the investigation even as it challenges the reader to see Holmes’ Victorian age from a considerably less lofty perspective.

Timothy Badger grew up in the East End, living by his wits and the nimbleness of his fingers. His accent clearly marks him as being of a “lower class” to the toffs among whom he now finds himself – and he has to grow into his role without giving up who he essentially is.

Benjamin Watson is a black man in a white world. The first thing that anyone sees when they meet him is the color of his skin. He has the intelligence and the drive to have been anything within his reach, but his reach in the late Victorian era is circumscribed by his race.

Miss Ellsie Moira Littleton is a woman in a man’s world. Much like Charlotte Sloane in the Regency-set Wrexford and Sloane series, Ellsie has been forced by circumstances to be self-supporting, and is on the outside of the society to which she was born. As an intelligent, educated, woman who needs to make her own way, she is also an outsider but with an entirely different perspective on the society of which she was once a member.

From its sensational beginning, the case is a deeply puzzling mess. Badger and Watson’s preconceived notions about their clients and their former associates, as well as their lack of knowledge of the precise ways the rich spend their time and money and protect their positions frequently send them haring off in the wrong directions – and we follow them eagerly even as they frequently caution each other.

As I’ve said frequently within these pages, I’m a sucker for Sherlock Holmes pastiches, and that’s why I initially started this series. Now I’m hooked! I’m really looking forward to the next book in this series, The Misplaced Physician, where we’ll finally get to meet Sherlock Holmes’ Watson, as Badger and his Watson will be on the case of rescuing him! It’s a good thing that investigative reporter Ellsie Littleton will be on hand to record the adventure, as the original Watson may be too embarrassed – or too injured – to write it up himself.

We’ll certainly see, hopefully this time next year!

#BookReview: Requiem for a Mouse by Miranda James

#BookReview: Requiem for a Mouse by Miranda JamesRequiem for a Mouse (Cat in the Stacks, #16) by Miranda James
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery
Series: Cat in the Stacks #16
Pages: 282
Published by Berkley on June 25, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Librarian Charlie Harris and his ever-intuitive feline friend Diesel must catch a killer in a deadly game of cat and mouse where no one is who they seem to be…
At last, Charlie and Helen Louise’s wedding is only a month away. They’re busy preparing for the big day, and the last thing Charlie needs is a new mystery to solve. Enter Tara Martin, a shy, peculiar woman who has recently started working part-time at Helen Louise’s bistro and helping Charlie in the archive. Tara isn’t exactly friendly and she has an angry outburst at the library that leaves Charlie baffled. And then she abruptly leaves a catered housewarming party Charlie’s son Sean is throwing to celebrate his new home in the middle of her work shift. Before ducking out of the party, Tara looked terrified and Charlie wonders if she’s deliberately trying to escape notice. Is she hiding from someone?
When Tara is viciously attacked and lands in the hospital, Charlie knows his instincts were correct: Tara was in trouble and someone was after her. With the help of his much beloved cat, Diesel, Charlie digs deeper, and discovers shocking glimpses into Tara’s past that they could never have predicted. Will they catch the villain before Charlie’s own happily ever after with Helen Louise is ruined?

My Review:

As today marks the start of the American Library Association Annual Conference, it’s the perfect day to review the latest entry in the Cat in the Stacks series, Requiem for a Mouse, featuring librarian Charlie Harris and his large and lovable Maine Coon cat Diesel.

While the possessive should probably be in the other direction, that Charlie belongs to Diesel and not the other way around, as a librarian himself Charlie would have attended many ALA conferences over the course of his career, especially back when he was one of the Branch Managers at the Houston Public Library.

Charlie’s current position, as the part-time cataloger and rare book librarian for his hometown – and alma mater’s – tiny Athena College Library in Athena, Mississippi – generally doesn’t have the budget to make Charlie schlep to wherever the conference happens to be each year. (This year it’s San Diego.)

Which is just fine with him, as he’s been there, done that, and probably has thrown away the conference t-shirts quite some time ago.

Besides, Charlie has much more interesting things to do. Such as ‘help’ the local police solve murders. A help that Athena P.D.’s Chief Deputy generally thinks of as poking his nose in where it doesn’t belong and beating her detectives to the clues a bit too often.

This time around, Charlie’s nose DOES belong in the case – because it happened at the desk right across from his. Not literally, but certainly more than figuratively enough that he feels compelled to help discover who murdered the intensely private, socially maladroit woman who had been his part-time assistant.

Tara Martin may have been rude and tactless – and she certainly was – but that certainly wasn’t enough reason for someone to drive deliberately onto the sidewalk to run her over. But the cops’ certainty about her cause of death is the one of only two sure things in this entire case – and the victim’s identity is not the other.

But Charlie can’t let it rest until he knows both whodunnit and the truth of who it was done to – even when that puts him squarely in the killer’s sights.

Escape Rating B: I’m here for Diesel. Not just because I’ve always wanted a Maine Coon, but because he’s just sweet and charming – and large – but also because he’s intelligent and empathetic but on a cat scale and not a human one. There are quite a few cozy mystery series that feature cats – and why not? – but it’s refreshing that the cat in this series doesn’t solve the mysteries on his own and doesn’t mysteriously help his person solve them.

Which leads back to Diesel’s person, Charlie Harris. One of the things I love about this series is not just that Charlie is a librarian, but that he feels like ‘one of us’ and not merely the result of some cursory research. (This is not a surprise as the author is themself, one of us.) But it’s lovely not just to see one’s own profession represented in a story but to have it done correctly – which is far from always the case.

This series is a very cozy series. Athena is a small town, Charlie has a charming and well-developed ‘Scooby Gang’ who help him, worry about him, and occasionally rescue him from his own folly. The portrait of the town as a whole turns it into the kind of fictional small town that makes readers want to live there – except in the hot, muggy Mississippi summers.

So this is a series I pick up because I’m always happy to see Diesel and I love catching up with Charlie and his friends and family.

That being said, the beginning of this one is particularly rough. Tara Martin, whoever she is, puts everyone off with her tactlessness and her inability to pick up on social cues. When the story opens, as much as many of the characters want to help her out, there’s a surprising amount of backbiting and general verbal nastiness. There’s not even a suggestion that she might be neuroatypical – which was my first thought. It’s only after she’s struck down that people begin to treat her situation with any real understanding. But the initial impression that people were badmouthing her behind her back stuck with me and stained my impression of the book.

The mystery was a lot of sad fun, as it was very twisty and filled with lots of delicious red herrings for Diesel and his little buddy Ramses to beg for – even though every reveal about the victim’s true circumstances made her life and her death just that much sadder. (She’s certainly the ‘Mouse’ of the title) Those twists and turns, along with a whole cast of characters using false names and fake pretenses made this a very quick read as .well. But that initial impression meant that in the end I liked it rather than loved it as I had expected to.

But I’m still Team Diesel, so I’ll still be back to check up on how he’s doing the next time there’s a Cat in the Stacks mystery.

#BookReview: Pets and the City by Amy Attas

#BookReview: Pets and the City by Amy AttasPets and the City: True Tales of a Manhattan House Call Veterinarian by Amy Attas
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, audiobook
Genres: animals, memoir, nonfiction
Pages: 320
Published by G.P. Putnam's Sons on June 18, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Hilarious, jaw-dropping, and heartfelt stories from New York City’s premier “house-call veterinarian” that take you into the exclusive penthouses and 4-star hotel rooms of the wealthiest New Yorkers and show that, when it comes to their pets, they are just as neurotic as any of us.

When a pet is sick, people—even the rich and famous—are at their most authentic and vulnerable. They could have a Monet on the wall and an Oscar on the shelf, but if their cat gets a cold, all they want to talk about are snotty noses and sneezing fits. That’s when they call premier in-home veterinarian Dr. Amy Attas.

In Pets and the City , Dr. Attas shares all the shocking, heartbreaking, and life-affirming experiences she’s faced throughout her 30-year career—like the time she saw a naked Cher (no, her rash was not the same as her puppy’s); when she met a skilled service dog who, after his exam was finished, left the room and returned with a checkbook in his mouth; and when she saved the life of a retired, agoraphobic Hollywood producer during a monthly treatment for his cat, Amos. In these moments Dr. Attas noticed key insights about animal, and human, nature—like how humans attach to one another through their love of animals, or how animals don’t have pride, ego, or vanity that their humans seem to value so much, sometimes to their detriment.

To Dr. Attas, she doesn’t just heal animals. She witnesses how they and their humans help and heal each other, and how the special bond between pet and owner might actually make us better people.

My Review:

Once upon a time in 1980, there was a book. To be fair, there’s always a book. But the book in this particular case was All My Patients Are Under the Bed by Louis J. Camuti. I still have a copy – even if one or more cats have gnawed on it a bit.

Dr. Camuti, like Dr. Attas, the author of Pets and the City, was a house call veterinarian in Manhattan, in the decades before Dr. Attas finished her training. Dr. Camuti’s practice was just a bit different, however, even for his own time, as he was one of the first vets to specialize in cats.

Dr. Attas, taking up, or finding herself in, her own visiting vet service in Manhattan, takes on all comers, as the stories in her book joyously and sometimes heartbreakingly attest.

To paraphrase the classic Law and Order intro, so apropos because that series is also set in NYC, these are her stories – and the stories of the animals and their people that she has treated along her way.

Reality Rating B: The author does several things in this collection of cat tales and not-necessarily-shaggy dog stories. First she tells her own tale, her origin story, not just how and why she became a vet, but how she fell – or was pushed, she was definitely pushed – into opening her peripatetic Manhattan practice.

Second, she tells oodles of sometimes funny, sometimes sad, occasionally downright heartbreaking stories about the animals – and their people – that she treated along the way. Those stories, even when they absolutely break your heart as they did hers, are THE BEST part of the whole book.

Even if the dogs did outnumber the cats.

Howsomever, as the blurb implies that there will be stories of the rich and famous of Manhattan, the third thing is that there is more than a bit of name-dropping. Unfortunately that part of her story is already starting to seem a bit dated as some of her early famous clients – as ultra-famous as a few of them were back in their day – have since passed away in the decades since Dr. Attas’ career began.

And occasionally the author gets up on her soapbox about animal and/or pet-related causes that are near and dear to her heart. But as this book is squarely aimed at animal lovers of all types and stripes and spots, most readers will empathize with her convictions.

To make a not very long story even shorter, Pets and the City, as much as the title titillates with its resemblance to Sex and the City, isn’t really about the rich and famous, and doesn’t dish dirty secrets on some of the city’s more famous and/or infamous residents. So if that’s what you are here for, this probably isn’t the book for you.

Also if you’re really, really, seriously a cat lover, the dogs are definitely having their day in this book. Personally, I always want more cat stories but the dogs ARE adorable – even when something noxious is gushing out of one of their orifices.

Ultimately, Pets and the City is a collection of (true but the names have been changed to protect the guilty) stories about the pets whose people live and work in Manhattan. No matter how palatial – or how down at heel – the place where their person lives and/or work, it’s the pets and THEIR stories that always takes center stage.

Which is exactly how it should be.

#BookReview: Unexploded Remnants by Elaine Gallagher

#BookReview: Unexploded Remnants by Elaine GallagherUnexploded Remnants by Elaine Gallagher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: artificial intelligence, science fiction
Pages: 111
Published by Tordotcom on June 25, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An A.I. wages war on a future it doesn't understand.

Alice is the last human. Street-smart and bad-ass.

After discovering what appears to be an A.I. personality in an antique data core, Alice undertakes to find its home somewhere in the stargate network, or lay him to rest. Her find is the control unit of a powerful ancient weapon system.

But releasing the ghost of a raging warrior for whom the war is still under way is as much of a mistake as the stories tell, and Alice finds herself faced with an impossible choice against an unstoppable foe.

My Review:

Alice is the last human in the galaxy. As far as she’s concerned, she’s definitely in Wonderland – even when it seems like the whole, entire ‘verse is out to get her.

There are two stories packed into Unexploded Remnants, and that’s a lot of packing for a novella. First, there’s Alice’s whole backstory – which must be huge and fascinating but we only get glimpses which are not NEARLY enough.

She’s literally the last of her kind and the reason she got to be that and what happened after and how she’s coped with her singularity in the big wide galaxy at large has to have been a huge story of awakening and culture shock – and I wish that was the story we had. Or I wish we’d get it someday.

Or both. Definitely both.

Instead, we get hints and dribbles, because the story we actually have is an entirely different big story. Alice is kind of an intergalactic treasure hunter. An archeologist of lost civilizations and an explorer of lost cultures – much like her own.

That she freelances for ‘The Archive’ in this vocation/avocation reminded this reader quite a lot of Genevieve Cogman’s Invisible Library series. So if you loved that you might have a hook to this.

So Alice is a bit of a bazaar and flea market aficionado who has more than enough knowledge to get more than occasionally lucky. Or unlucky, as the case might be. And certainly is here.

She barters for a trinket that looks a lot like a 20th century Earth lava lamp – although it’s certainly not that. It might have a system inside its dirty and unprepossessing carapace that she might be able to tease out and communicate with. It should be worth something – if only to the Archive.

It turns out to be a whole lot more than Alice bargained for – both literally and figuratively. As soon as she closes the deal, it seems like a whole, entire platoon of dishonorable warmongers close in on her position in an attempt to steal whatever it is out of her grasp. A platoon that doesn’t seem to care in the least about collateral damage to the marketplace, the crowd of shoppers, or Alice herself.

So she runs. And as she runs from planet to planet through a vast network of transportation gates, she has the opportunity to make friends with the system inside the ‘lava lamp’, an entity she names ‘Gunn’. The question is whether Gunn is a soldier or just a weapon. Her pursuers believe he’s merely a weapon. Alice is convinced that he’s more.

But whichever he is, the war he was made for or recruited into is over – and has been for 10,000 years. His people – and their bitter enemy – committed mutual genocide. And her pursuers seem all too eager to employ Gunn’s expertise in their own bitter conflict without thought or care about how his ended.

Escape Rating B: The reason that I picked this up – and its biggest drawback – are the same. It’s short. Unexploded Remnants is a novella. In fact, it’s the author’s debut novella. It’s supposed to be short. But the story it contains is too big for the length of the format. Or there should have been two of them. One for Alice’s backstory – which sounds absolutely fascinating if more than a bit heartbreaking. And then a second novella for this ‘adventure’ which gives readers a tantalizing glimpse of the universe that saved her and made her whole, while telling a story about the price of peace and the cost of war.

As I was reading, the SFnal elements struck a lot of familiar chords. I mentioned the Invisible Library series earlier, because that is certainly part of this story.  Irene’s job in the Invisible Library series, is to acquire cultural artifacts and knowledge for the Library, while the Library’s purpose for those artifacts is to use the knowledge gained to preserve the balance between order and chaos for all the worlds it touches.

Howsomever, not only is Alice’s job very similar to Irene’s, but Alice’s Archive does the same job as Irene’s Library, using the knowledge it has gained from the artifacts and databases it has collected to preserve the balance between order and chaos, specifically by keeping the galaxy on the knife edge between outright war and an occasionally aggressive peace.

While the vastness of the galaxy – along with its system of interstellar gate travel – recalled Stargate, Babylon 5 and especially Mass Effect, there was a feel to this story that gave me a lot of the same vibes as This Is How You Lose the Time War, except that in this instance that war has already been lost and Gunn is the only survivor. I also had rather mixed feelings about Time War, so the analogy works on that level as well, although a LOT more people adored Time War than seem to have Unexploded Remnants – at least so far – so your reading mileage may vary.

Personally, I found Alice’s rapid exploration of her adopted universe fascinating if a bit of a tease. I enjoyed her sprinkling of 20th and 21st century pop culture references – which seemed to serve her as both a reminder of where she came from and a personal code that defied automated translators without seeming deliberately clandestine.

Howsomever, as much as I liked the way the story ended, that ‘Gunn’ was treated as an old soldier instead of as merely a weapon – and as much as I agreed with the overt political message – that message was very overt to the point where it breaks the fourth wall even though I believe the theories posited are more plausible than anyone likes to think about.

In the end, some mixed feelings. I loved the universe, I liked Alice, the chases were riveting, but the message was a bit heavy-handed and the whole thing should have been longer or this should have been a duology.

But this is a DEBUT novella, and it packed in a lot of good stuff – if just a bit stuffed. I’m looking forward to seeing what the author comes up with next.

#BookReview: A Ruse of Shadows by Sherry Thomas

#BookReview: A Ruse of Shadows by Sherry ThomasA Ruse of Shadows (Lady Sherlock, #8) by Sherry Thomas
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Lady Sherlock #8
Pages: 368
Published by Berkley on June 25, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Charlotte Holmes is accustomed to solving crimes, not being accused of them, but she finds herself in a dreadfully precarious position as the bestselling Lady Sherlock series continues.
Charlotte’s success on the RMS Provence has afforded her a certain measure of time and assurance. Taking advantage of that, she has been busy, plotting to prise the man her sister loves from Moriarty’s iron grip.
Disruption, however, comes from an unexpected quarter. Lord Bancroft Ashburton, disgraced and imprisoned as a result of Charlotte’s prior investigations, nevertheless manages to press Charlotte into service: Underwood, his most loyal henchman, is missing and Lord Bancroft wants Charlotte to find Underwood, dead or alive.
But then Lord Bancroft himself turns up dead and Charlotte, more than anyone else, meets the trifecta criteria of motive, means, and opportunity. Never mind rescuing anyone else, with the law breathing down her neck, can Charlotte save herself from prosecution for murder?

My Review:

A Ruse of Shadows is a fascinating study in contradictions. It’s a story about paying it forward, payback, and revenge served ice cold. It’s a yarn spun out of a tissue of lies and a truth that literally sets several people free. All the while it’s a game of three-handed chess that only one player understands is being played in 3D while both of the other players assume it’s being played in only two – and who consequently suffer the fate of those who assume.

This eighth entry in the Lady Sherlock series is also a bit of a caper story, as it begins, not at the beginning, but rather at what at first seems to be the end. Charlotte being in the midst of being questioned by the police in regards to the death of Lord Bancroft Ashburton in the immediate aftermath of his escape from the prison to which he had been remanded after his perfidy and treason were unveiled – by Charlotte and her friends – in the previous book in the series, A Tempest at Sea.

(This is a hint, by the way. Theoretically the books in this series could be read as standalone, but I wouldn’t recommend it. It’s not just that the endings of each book flow into the next, but that there’s a vast, interconnected and rather sticky web between all of the cases – at least so far. I’m glad I began at the beginning with A Study in Scarlet Women – and I think many readers are or will be as well.)

What makes the plot of this particular entry in the series so sticky – and so convoluted – is that it seems as though every past case is tied into this present one – particularly the most recent pair, Miss Moriarty, I Presume? and A Tempest at Sea.

It’s those cases that give Charlotte her motives for both facilitating Bancroft’s escape AND murdering the man – at least in the minds of the police investigators.

But Charlotte has a bland, banal and utterly blameless answer for every single one of their questions – at least on the surface. While she relates the story that she has prepared, the reader, however, is presented with the truth behind that fiction and the story switches between Charlotte’s innocuous tale and a vast and far-reaching plot of much more interesting but considerably less innocent truths.

Along with a few switches in perspective from Charlotte’s part of the story to accounts by some of her other agents in her grand plan to thwart Bancroft’s and Moriarty’s equally grand plots to trap her and her friends – one way or another.

Each of her enemies believes that they have her – and their counterpart – firmly within their grasp. The police believe that they have her “dead to rights” as well. But, particularly when it comes to outsmarting ‘Sherlock’ Holmes their beliefs don’t hold a candle to Holmes’ strategies, their intelligence, or the vast circle of friends and even frenemies willing to help them against any forces arrayed against them.

Escape Rating B+: I have consistently found this series to be fascinating and frustrating in equal measure – and this entry in the series is no exception.

On the one hand, as Bancroft, Moriarty and the police in the persons of Inspector Treadles and Chief Inspector Talbot all know that Charlotte is Sherlock is Charlotte, she doesn’t need to pretend to consult a fictitious brother – which certainly removes one of my chief sources of consternation with the series.

Charlotte does, however, make plenty of use of both male and female disguises – but then so did the original Sherlock. She has little need to protect her own supposedly delicate femininity – but is forced to kowtow to society’s restrictions and assumptions on behalf of some of the other women involved in the case. Still, it makes the story considerably less frustrating for the reader as Charlotte is finally able to just get on with the case by the employment of a suitable change of face and costume.

Howsomever, the way that this story is told, with its framing story of Charlotte pretending innocence to Chief Inspector Talbot while telling the reader the truth behind her bland answers – does occasionally get more than a bit muddled, a muddling that is not helped by the additions of Olivia’s point of view as Olivia’s part of this charade isn’t revealed until the end.

Which, admittedly, was exactly as it should have been, as Olivia is the chronicler of her sister’s cases.

This story is also a bit of a mirror image to Miss Moriarty, I Presume? in that this time around it’s Lord Bancroft Ashburton (the disgraced former Mycroft after the events of A Tempest at Sea) who holds Charlotte’s hostages to fortune even as he attempts to maneuver Charlotte and her friends into a trap with the more-than-willing assistance of Moriarty. Her enemies are not friends, but are willing to collude with each other to get her, as she’s been a consistent thorn in both their sides.

The case itself, as we finally get the full picture – was every bit as twisty and convoluted and purely confounding and compelling as this reader has come to expect in this series. At the very same time the corkscrews that those twists have turned themselves into feel like they’ve been winding and tangling since the very first book in the series – only because some of them have.

In the end, I found the case fascinating, even though the way the story got told felt like a bit of a muddle, particularly at the beginning. But when it came to the reveal at the end, the whole thing wrapped up marvelously and even though we’d seen most of how Charlotte got there she still had plenty of secrets left to uncover at the finish.

A finish which doesn’t remotely feel like an end to the series. I’m not sure what Charlotte and Company will be up to next – but I can’t wait to find out!

A- #BookReview: The Comfort of Ghosts by Jacqueline Winspear

A- #BookReview: The Comfort of Ghosts by Jacqueline WinspearThe Comfort of Ghosts (Maisie Dobbs, #18) by Jacqueline Winspear
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, World War II
Series: Maisie Dobbs #18
Pages: 361
Published by Soho Crime on June 4, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A milestone in historical mystery fiction as Maisie Dobbs takes her final bow!
Psychologist and investigator Maisie Dobbs unravels a profound mystery from her past in a war-torn nation grappling with its future.
London, 1945: Four adolescent orphans with a dark wartime history are squatting in a vacant Belgravia mansion—the owners having fled London under heavy Luftwaffe bombing. Soon after a demobilized British soldier, ill and reeling from his experiences overseas, takes shelter with the group, Maisie Dobbs visits the mansion on behalf of the owners.
Maisie is deeply puzzled by the children's reticence. Their stories are evasive and, more mysteriously, they appear to possess self-defense skills one might expect of trained adults in wartime. Her quest to bring comfort and the promise of a future to the youngsters and to the ailing soldier brings to light a decades-old mystery concerning Maisie’s first husband, James Compton, who was killed while piloting an experimental aircraft. As Maisie picks apart the threads of her dead husband’s life, she is forced to examine her own painful past and question beliefs she has always accepted as true.
The award-winning Maisie Dobbs series has garnered hundreds of thousands of followers around the world, readers who are drawn to a woman who is of her time, yet familiar in ours—and who inspires with her resilience and capacity for endurance at the worst of times. This final assignment of her own choosing not only opens a new future for Maisie Dobbs and her family, but serves as a fascinating portrayal of the challenges facing the people of Britain at the close of the Second World War.
Over seventeen previous books in the Maisie Dobbs series, hundreds of thousands of readers worldwide have fallen in love with this fearless, compassionate woman—this final adventure not only ties up all Maisie’s loose ends, but also serves as a fascinating portrayal of life in Great Britain after the close of the second World War.

My Review:

As seems fitting for this final book in the Maisie Dobbs series, A Comfort of Ghosts begins with an ending. One of the towering – literally as he was quite tall – secondary figures in this long-running series, Lord Julian Compton, originally Maisie’s employer, once-upon-a-time her father-in-law, later and last her friend, has died, Leaving Maisie to mourn, to comfort his widow, to be the executor of his estate and to clean up his last act in the late war.

Sending a group of young squatters to her empty house in London, to protect some of Britain’s most hidden and secretive wartime operatives from a false charge of murder. They are a loose end, and entirely too many ‘boffins’ in the war offices have become so accustomed to death being the only tool in their toolbox to take care of such loose ends that they are willing to send four adolescents to the hangman for a crime that wasn’t really a crime that they had the misfortune to witness.

This final story of Maisie’s adventures shows her doing what she has always done best – discovering a problem and getting to the bottom of a situation that someone doesn’t want to be found while protecting as many innocents – and even some of the guilty – along the way.

That, in the middle of this investigation she has the opportunity to finally lay to rest the ghosts of her own past as well as bring her dearest friend back from the brink of disaster and help not one but two dear and deeply scarred veterans out of their very own pits of despair while searching for yet one more complicated truth hidden behind a scrim of convenient lies makes The Comfort of Ghosts, and the solace that Maisie has finally learned to take from her own, a perfect ending to the series.

Escape Rating A-: This story closes all the circles that were opened back in the very first book in this series, the titular Maisie Dobbs, finds all the dangling threads that have been left hanging through the course of EIGHTEEN BOOKS, and ties each and every one of them off. So it’s a book about endings.

At the same time, because of its setting, it’s also a book about beginnings. The series began in the years just before the opening of the ‘Great War’, when young Maisie became an under-housemaid in the household of Lord Compton at the age of thirteen. Maisie’s midnight raids of the great house’s great library were discovered by the mistress of the house, Lady Rowan Compton, and Maisie’s life took a different direction than it otherwise might, leading to all of the marvelous if sometimes fraught adventures and heartbreaks of the series.

But this story takes place in 1945. The second World War has just ended, the recovery and reconstruction has barely begun. Britain is no longer the seat of empire, and the U.S. – and Russia – have taken center stage as a new thing – superpowers.

Maisie and her generation of friends and frenemies are middle aged or older, retiring, returning to home and hearth, or lying dead on a battlefield from one war or the other. This last story, this reckoning of all her accounts, is her swansong.

Which is a hint and a half not to start the series here. It’s not necessary to real all of the previous 17 books to get into this one – I have a few I never got around to but probably will eventually – but this story has so much more resonance if you’ve read at least some and have gotten to know Maisie’s circle of friends and colleagues and contacts and the myriad ways that their lives have become interconnected over the decades.

For those, like this reader, who have gotten to know Maisie over the years and books, this story is a bittersweet delight. It also feels right that Maisie leave the stage at this historical juncture, as the world she knew is not the world that is to come – as we know and as hints are shown in the story.

But, in that desire to get every thread tied off with a neat bow and foreshadow the changes in the world as it will be, it may have lingered just a bit too long and found a way to tie that last bow just a bit too coincidentally. Your reading mileage may vary.

Still and absolutely all, a marvelous and utterly fitting ending to a captivating series, leaving this reader with both that smile because it happened and a tear or two because it ended.

A+ #AudioBookReview: Ghostdrift by Suzanne Palmer

A+ #AudioBookReview: Ghostdrift by Suzanne PalmerGhostdrift (Finder Chronicles #4) by Suzanne Palmer
Narrator: Paul Woodson
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #4
Pages: 384
Length: 13 hours and 37 minutes
Published by Blackstone Publishing, DAW on May 28, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The fourth and final installment of the Finder Chronicles, a hopepunk sci-fi caper described as Macgyver meets Firefly, by Hugo Award–winner Suzanne Palmer

Fergus Ferguson, professional finder, always knew his semi-voluntary exile wouldn’t last, but he isn’t expecting a friend to betray him. One of the galaxy’s most dangerous space pirates, Bas Belos, wants him, and what Belos wants, he gets. Belos needs help finding out what happened to his twin sister, who mysteriously disappeared at the edges of space years ago, and he makes Fergus an offer he can’t refuse.

Mysterious disappearances and impossible answers are Fergus’s specialties. After he reluctantly joins Belos and his crew aboard the pirate ship Sidewider, he discovers that Belos is being tracked by the Alliance. Seeking to stay one step ahead of the Alliance, Fergus and Belos find themselves marooned in the middle of the Gap between spiral arms of our galaxy, dangerously near hostile alien territory, and with an Alliance ship in hot pursuit.

That’s just the beginning of the complications for Fergus’ newest—and possibly last—job. The puzzle is much bigger than just Belos’s lost sister, and the question of his future, retirement or not, depends on his ability to negotiate a path between aliens, criminals, and the most powerful military force he’s ever encountered. The future of entire planets hangs in the balance, and it remains to be seen if it’s too big for one determined man and his cranky cat.

My Review:

I couldn’t resist. Even though I knew going in this was one of those situations where you don’t know whether to cry because it’s over or smile because it happened, I had to find out just what happened to Fergus Ferguson that led to Ghostdrift being the final book in the utterly awesome Finder Chronicles.

Over the course of the series (Finder, Driving the Deep, The Scavenger Door and now Ghostdrift), Fergus has proven to be the consummate survivor. Not because he’s particularly good at any one thing except finding the stuff he’s been contracted to find, but because no plan seems to survive contact with Fergus – not even his own. No matter how big and how scary the villains are, no matter how many layers within layers of plans they have to get away with whatever it is they think they’re getting away with, the minute Fergus happens to them Murphy’s Law arrives in his wake and the shit keeps hitting the fan – both theirs and his – until he emerges from the wreck of everything they expected.

It’s a gift. It’s also a curse. A judgment that does not depend on whether you are on the side of Fergus or his enemies. As I said, Fergus’s own plans don’t survive contact with him either.

But it does explain why his friend (or sometimes frenemy) Qai doesn’t feel all that terrible about kidnapping Fergus and delivering him – alive and unharmed, along with his cat Mister Feefs – into the custody of notorious space pirate Bas Belos in exchange for the safe return of Qai’s partner Maha – yet another of Fergus’s friends.

Qai knows Fergus can handle himself and knows that Belos’ plan isn’t likely to survive Fergus either. She’s basically delivering her revenge on Belos for kidnapping her partner in a Fergus Ferguson shaped form and isn’t sorry about it in the least.

She’s sure she’s brought Belos more trouble than even an interstellar space pirate can handle. And she’s right. It’s the way in which she’s right and the places that right takes the pirate, his ship, his crew, Fergus AND Mister Feefs, that makes the whole entire story.

Fergus’s story. Belos’s story. And quite possibly the whole damn universe’s story – again – if Fergus doesn’t manage to pull off one more doggedly determined find.

Escape Rating A+: June is Audiobook Month, and this final book in the Finder Chronicles was the perfect audiobook to listen to this month, particularly as I listened to the first book in the series, Finder, in June of 2019.

Even though I didn’t want this story to end – I desperately needed to know how it ended, so I started alternating between audio and text just past halfway – as much as I hated to miss out on the totality of narrator Paul Woodson’s perfect read of Fergus Ferguson’s universe-weary, ‘been there, done that, got all the t-shirts’ voice.

(Fergus really does have all the t-shirts – and he wears them throughout the series. The man has definitely been around.)

The series as a whole rides or dies on that voice, to the point that if you like Fergus you’ll love the series but if he drives you as insane as he does the people he runs up AGAINST you probably won’t. Also, if you like a universe-weary, first-person or first-person focused protagonist, you’ll probably also love Michael Mammay’s Carl Butler in his Planetside series. (I digress, just a bit.)

What about this particular entry in the series? It combines some really classic tropes into one single terrific story.

First there’s the whole ‘White Whale’ angle. Actually, it’s two of those angles. On the one hand, pirate captain Bas Belos just wants to find out what happened to his twin sister and her crew. It’s been ten years since she disappeared, he knows that the ‘Alliance’s’ claim that they killed her and hers was a lie. He’s kidnapped/hired Fergus to lead him towards closure – no matter what it takes.

And then there’s the real Captain Ahab of this story, an Alliance captain for whom Bas Belos is his white whale, and he’ll trail the pirate literally past the end of the galaxy to catch him – even if he’s leading his crew straight to their demise. And wasn’t that Ahab all over?

But then there’s the third corner of this delicious story, the one where Belos and his crew, the Alliance captain and his, all end up stranded in the gap between galaxies, on a little tiny planet that threatens to be their own ‘Gilligan’s Island’ – because it already has.

Together, those three plots, Belos’ need for closure, Captain Ahab – actually Captain Todd – following Belos where no one REALLY should have gone before, or again, and all the crews stuck on their very own tiny Gilligan’s Island planetoid, doing their best – or worst – to get along well enough to get back home.

With Fergus in the middle, knowing his personal goose is cooked either way. Unless he can find a really, truly, seriously out-of-the-box solution for his own dilemma as well as theirs.

I loved this last adventure in the Finder Chronicles. On top of this beautiful layer cake of a story, there was also a bit of marvelous icing in Fergus’ relationship with Mister Feefs that will add extra feels for anyone who has ever loved a companion animal and grounded their very existence on that love. (Don’t worry about Mister Feefs, he comes out of this adventure just fine – it’s Fergus we have to worry about. As usual.)

The only sour note in this whole thing is in the author’s note at the end, where she declares that this really is Fergus’ last recorded adventure. And it could be, she left him in a good place – WITH MISTER FEEFS – and they’ll be just fine. But she also left them in a place where it’s clear that Fergus will manage to make his way back to his own galaxy, one way or another, given enough time and supplies. And he has the supplies. So he could come back. We could come back at some point in the future to see whose plans Fergus is destroying at that point in his life. I don’t expect we will, but I can still hope.

A- #BookReview: The Hero She Craves by Anna Hackett

A- #BookReview: The Hero She Craves by Anna HackettThe Hero She Craves by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure romance, contemporary romance
Series: Unbroken Heroes #3
Pages: 248
Published by Anna Hackett on June 13, 2024
Purchasing Info: Author's WebsiteAmazon
Goodreads

The last thing he expects on his ship is the off-limits woman he can’t stop thinking about—his best friend’s daughter.
After a tough military career as a Navy SEAL, and a member of a covert Ghost Ops team, Lorenzo “Ren” Santoro now calls a research ship home. The ocean, very few people, and solitude…it’s all he needs.
Then as a favor to his best friend, he agrees to take a research team to sea to test a top-secret Navy project. He’s shocked to discover his best friend’s daughter is one of the scientists. The beautiful Halle Bradshaw who Ren once kissed, who ignites a powerful craving inside him. She’s too young, too innocent, and too off-limits.
When strange things start happening to Halle, Ren suspects she’s in danger…and he’ll do anything to keep her safe.
Marine biologist Halle loves the ocean, her work…and Ren Santoro. Being aboard his ship, she finally has the chance to show the stubborn man how good they could be together.
But someone is targeting the highly classified project she’s working on. One she can’t let fall into enemy hands.
The only person she can trust is Ren. Forced to abandon their ship, they will face the danger of the sea and the wilds of a jungle-covered island, all while being hunted by a relentless enemy.
Ren and Halle will no longer be able to hide from their white-hot desire or their demons. She’s determined to convince him to take a chance on love…but first, they have to survive.

My Review: 

Some tropes are classics for a reason, and The Hero She Craves wonderfully illustrates every single one of those reasons for one of my absolute faves.

There’s a bit of an age gap between former Navy SEAL Lorenzo “Ren” Santoro and Halle Bradshaw. And so there should be, as Halle’s dad is Ren’s mentor AND best friend. Tom Bradshaw saved Ren’s life when a young, tough, and let’s face it, dumb Ren tried to steal the older man’s car.

Instead of turning him in, Tom Bradshaw turned Ren’s life around, which means that Ren was around to watch Halle turn from a sulky, grieving teen after the loss of her mom in an automobile accident, to a beautiful woman that he knows he should keep his hands off of.

At her 20th birthday party, he didn’t. It’s been three years and neither of them has ever been able to forget that one, searing kiss. The one that marked both of their hearts – even if Ren is too caught up in guilt – and the damn ‘bro code’ to admit it – while Halle is just a bit too innocent to go out and get her man.

But those  three years later, Halle’s tired of waiting for Ren to quit avoiding her and the tension simmering between them. She’s a marine biologist, he’s the second-in-command of the research ship her team has contracted with for their latest round of experiments with a highly experimental – and sought after – submersible.

She thinks she’ll have all the time in the world to pin him down. He thinks he only has to avoid spending too much time with his greatest temptation for four days and then he can go back to avoiding the inevitable.

The forces that want to steal the submersible – a device that is even more revolutionary than Ren and his captain were originally told – have put Halle in their crosshairs as the weak link in the device’s security.

But Halle’s not weak at all – not with Ren to protect her from the very, very bad guys. Especially when he finally gets hit with the clue by four that the last thing he ever needs to protect her from is himself.

Escape Rating A-: Three books in, I have to say that I’ve enjoyed the first two books in the Unbroken Heroes series, The Hero She Needs and The Hero She Wants, but this is the first one where I’ve got to admit that this time around I fell hard for the cover, too.

That being said, the story in this entry in the series combines something that has been a feature in the whole series so far with one of my favorite romance tropes.

Not a single one of the heroines in the Unbroken Heroes series has been any kind of damsel. It’s true that they’ve each experienced more than their fair share of distress, but they’ve each participated 100% in their own rescues – often by rescuing themselves first. Halle doesn’t quite have that opportunity, but she keeps up with Ren through every step and stroke and kick of their dangerous escape, doing her part to make it deadly for the other guys and not for them.

No matter how kickass Halle turns out to be – and she does – the tension that lies at the heart of Ren’s bad case of “I’m not worthy” revolves around two very real problems. Ren is her dad’s best friend – and her dad is not going to be happy that someone at least a decade older than his daughter can’t keep his hands off of her. And there’s that decade or so itself. I adore an age gap romance because the problems involved are very real – and they are here as well.

It’s not that Halle isn’t an adult and doesn’t know her own mind or heart, it’s that they are at different points in their lives, have different-sized trains of emotional baggage behind them, and will need to reconcile those differences to have a decent chance at a future.

Of course, first they have to deal with the villains chasing them, otherwise they won’t have a future to worry about. And it’s that realization that gets Ren to finally acknowledge what’s been between them for so long.

I had a terrific time with this latest entry in the Unbroken Heroes series, and I have plenty to look forward to. The author’s next book will be a wrap-up novella in her Sentinel Security series, Stone. I’ve already read it and it was a terrific finale for that series! After that, it’ll be back to New Orleans for the Fury Brothers, which I’m very much looking forward to because I always enjoy books set in that fantastic city!