Review: Sentinel Security: Striker by Anna Hackett

Review: Sentinel Security: Striker by Anna HackettStriker (Sentinel Security #3) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure romance, contemporary romance, romantic suspense
Series: Sentinel Security #3
Pages: 276
Published by Anna Hackett on December 17, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & Noble
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He's a hot British billionaire.
The rich, muscled, former special forces soldier.
He's a temptation she doesn't want and can't afford, but now she's working undercover in his company to catch a rogue arms dealer.
Former MI6 agent Hadley "Striker" Lockwood found a new life in New York working for Sentinel Security. Her work fills a tired, jaded hole inside her. Life is just how she likes it, and she definitely has no desire for a man to mess that up.
When her next assignment sends her back to London to hunt a dangerous arms dealer, she finds herself not only face to face with a darkly tempting billionaire, but going undercover as his newest employee.
Bennett Knightley left the SAS with dark scars scratched on his soul and a determination to help in different ways. His successful company Secura makes high-tech gear for soldiers around the world, but now it's under attack. Shipments are going missing, and his people are being targeted.
Enter Hadley-intelligent, stubborn, beautiful, and with walls a mile thick. Bennett's never been tempted to mix business and pleasure, but with Hadley in the office he's torn between their mission and claiming the maddening woman for himself.As Hadley and Bennett close in on their enemy, they fight hard against their overwhelming attraction. She's been burned before but the hot billionaire is getting under her skin. With Hadley, Bennett feels parts of himself coming back to life-now he has to not only convince her to trust him, but convince himself he deserves her.

My Review:

Once a member of Britain’s elite SAS (Special Air Service (the UK’s equivalent – more of less – of the US SEAL Teams), when Bennett Knightley retired from service he took his skills and determination from the front lines and created a highly profitable, high-tech company that specialized in the business of making the best protective equipment on the market for the military and the people who support them who are fighting the same good fight that he once did.

It’s also his way of exorcising his own demons. In honor of the friends he couldn’t protect in the past, because there was never enough good equipment to go around, he’s providing the best protection he can in the present and the future and making sure it goes where it will do the most good.

But someone has Bennett’s company in their sights, diverting his shipments and corrupting his people, putting that same protective gear in the hands of the very forces that Bennett is desperate to protect people from.

And swaying the court of public opinion to make it seem like Bennett is just another money-hungry capitalist selling out to the highest bidder no matter how dirty their money might be.

That’s where Sentinel Security, in the person of Hadley Lockwood, codename Striker, comes into the picture. And into Bennett’s company Secura, working undercover as a communications executive so she can see where the place has been infiltrated and hopefully get a lead on who has a serious desire to hang Bennett out to dry in as many ways as possible.

They’re supposed to work together. And they do. Entirely too well and not just in the office. But Hadley refuses to trust any man with her heart, while Bennett is still paying penance for all the people that he could not save.

All the while, there’s clearly someone out there who thinks Bennett hasn’t paid nearly enough. In spite of the threat, neither Hadley nor Bennett can resist reaching out for a present neither of them ever expected – even though they both know that any future is far from guaranteed.

Escape Rating A-: The two types of this author’s stories that I like best, whether they are science fiction romances like her Galactic Kings series or action adventure romances like Sentinel Security. The first, and the one I always await eagerly, is the romance that features the leader of whatever group the series is following. In the case of Sentinel Security that’s Killian “Steel” Hawke and his book is up NEXT! YAY!

But the other type, and one that manages to happen more than once in each series – after all, when it comes to leaders there can usually be only one – are the romances where the female half of the impending duo is every single bit the elite operator that the male half is – if not a bit more so as in The Medic.

Those elite operators who are so deliciously often the hero of her romances are just so kickass and badass that any woman who tangles romantically with them who is not just as badass in her own right sometimes gets a bit damselfied. Not because she really is, but because in comparison she really does need protection and a lot of it for whatever fix she’s stuck in.

Sentinel Security agent, formerly of MI6, Hadley “Striker” Lockwood does not need protection. She’s an expert either in providing that protection or in making sure that the villains wish they had a whole lot more of it than they actually do.

So Hadley doesn’t need Bennett to protect her from danger just as he doesn’t need Hadley to protect him. But they each are more than capable of watching each other’s backs in the middle of an operation as well as stealing each other’s hearts in their all too brief downtime.

Which makes Striker just the kind of romance of equals that I always enjoy. In this story, they’re both equally capable of taking down the villains. And they are both equally wary of putting their hearts on the line.

So if you love the kind of romance where everyone kicks ass, takes names and puts down the villains on their way to a well-earned happy ever after, Striker is a winner.

And I’m utterly thrilled that the head badass at Sentinel Security, Killian Hawke, is going to be forced to acknowledge that he’s met his match in every possible way in Steel, coming in January. That’s next month. YAY!

Review: Shenanigans by Mercedes Lackey

Review: Shenanigans by Mercedes LackeyShenanigans (Tales of Valdemar, #16) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #16, Valdemar (Publication order) #55
Pages: 336
Published by DAW Books on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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This sixteenth anthology of short stories set in the beloved Valdemar universe features tales by debut and established authors and a brand-new story from Lackey herself.
The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages--and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents--combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more--make them indispensable to their monarch and realm. Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

My Review:

Last week’s Into the West – and Beyond before it – focused on the very serious adventure of the Founding of Valdemar. Kordas Valdemar and Company’s epic journey gave series fans a much better idea of just how much blood, sweat and tears went into the creation of the place that we all love. But that’s certainly not all there is to Valdemar.

Shenanigans, the sixteenth book in the Tales of Valdemar subseries (after last year’s Boundaries), presents series readers with a treat of a present for this holiday season, as the stories within are exactly what the title names them – shenanigans.

While there’s a bit of derring-do, Shenanigans is a collection of marvelous, funny and often marvelously funny stories set in all the periods of Valdemar history among all of the many peoples and creatures that make the place so much fun to read about for so many glorious years.

In spite of the blurb, most of the stories in Shenanigans do not revolve around the Companions and their Chosen. Some do, of course, or it wouldn’t be a Valdemar collection, but quite a few of the shenanigans in the collection thereof are more slice of life stories, and there are a fair number that feature people with telepathic “gifts” that are not Chosen and may not even wish to be.

Of course, there are also several stories set among the students of the Collegium, because, well, students and pranking make for a fun story no matter what world they’re set in.

Which leads to my two favorite stories in the collection, “Pranks for the Memories” by Dee Shull and “Fool’s Week” by Anthea Sharp. The stories are similar, but they are still both excellent. It’s spring. The students are restless. (Probably every teacher everywhere is nodding their head at THAT idea). In “Pranks” one student mentions a family tradition of a week of pranking. In “Fool’s Week”, someone remembers that there used to be a traditional “fool’s week” at the Collegium until the practice, not unsurprisingly, got out of hand.

It’s suddenly in hand again, to the point where even the teachers are participating. And it’s hilarious!

The other standouts – at least for this reader – come in pairs. “All Around the Bell Tower” by Stephanie Shaver and “A Bouquet of Gifts, or The Culinary Adventures of Rork” by Michele Lang. Both are stories about young girls who have gifts that the people around them can’t quite identify – and that give them each more than a few problems. What each child needs is someone to both listen and understand. The story in “Bell Tower” is a bit more traditional Valdemar in that it’s her Companion that finally brings help in the persons of both themself and their accompanying Heralds. In “A Bouquet of Gifts” we get a much fuller than usual portrait of the helpful hertasi as Rork the chef, as he sets up a feast for a returning friend, also makes a new one – along with a menagerie of mischievously ‘helpful’ creatures and animals.

We saw a lot of the hertasi in Into the West and it’s lovely to see them again here.

And then there are the two stories that include both romance and adventure in equal measure – if on nearly opposite ends of the socioeconomic strata. “A Cry of Hounds” by Elisabeth Waters and “One Trick Pony” by Diana Paxson. “Hounds” is set in the King’s Court of Valdemar. Lord Repulsive’s father is dead, and Lord Repulsive himself is trying to marry off his 12-year-old stepdaughter. In reality, he’s selling his 12-year-old stepdaughter and trying to keep the King from finding out that the child is only 12. Because he will not approve the marriage once he learns, and he will not be amused when he discovers the deception. And he is not. Lord Repulsive gets what’s coming to him with the help of his castoff brother, his sister-in-law and every dog she talks to with her AnimalSpeech. And he deserves every bit of it. (Lord Repulsive really is repulsive. It’s not his real name but “if the shoe fits” or in this case, more like “if the Foo shits”…)

Last but not least there’s, Diana Paxson’s “One Trick Pony”, which mixes a bit of the bittersweet memory of heartbreak and the horrors of war into its story about a man who has found peace after grief and war by gardening, and the way that peace is invaded by a woman who reopens his heart and a newly born Companion who is learning the limits of their own power one prank at a time.

Escape Rating B: After the necessary seriousness of Into the West, the mostly lighthearted tales of Shenanigans were an absolute delight. As with most collections, not every single story hits its mark, but more than enough of them to make Shenanigans a treat for Valdemar fans. Certainly something to tide us all over as we wait for Gryphon in Light, coming in June.

Review: Secrets Typed in Blood by Stephen Spotswood

Review: Secrets Typed in Blood by Stephen SpotswoodSecrets Typed in Blood: A Pentecost and Parker Mystery by Stephen Spotswood
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Pentecost and Parker #3
Pages: 384
Published by Doubleday Books on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In the newest entry into the Nero Award-winning Parker & Pentecost Mystery series (my new favorite sleuthing duo-- Sarah Weinman, The New York Times Book Review), Lillian and Will are hot on the trail of a serial killer whose murders are stranger than fiction.

New York City, 1947: For years, Holly Quick has made a good living off of murder, filling up the pages of pulp detective magazines with gruesome tales of revenge. Now someone is bringing her stories to life and leaving a trail of blood-soaked bodies behind. With the threat of another murder looming, and reluctant to go to the police, Holly turns to the best crime-solving duo in or out of the pulps, Willowjean "Will" Parker and her boss, famed detective Lillian Pentecost.
The pair are handed the seemingly-impossible task of investigating three murders at once without tipping off the cops or the press that the crimes are connected. A tall order made even more difficult by the fact that Will is already signed up to spend her daylight hours undercover as a guileless secretary in the hopes of digging up a lead on an old adversary, Dr. Olivia Waterhouse.
But even if Will is stuck in pencil skirts and sensible shoes, she's not about to let her boss have all the fun. Soon she's diving into an underground world of people obsessed with murder and the men and women who commit them. Can the killer be found in the Black Museum Club, run by a philanthropist whose collection of grim murder memorabilia may not be enough to satisfy his lust for the homicidal? Or is it Holly Quick's pair of editors, who read about murder all day, but clearly aren't telling the full story?
With victims seemingly chosen at random and a murderer who thrives on spectacle, the case has the great Lillian Pentecost questioning her methods. But whatever she does, she'd better do it fast. Holly Quick has a secret, too and it's about to bring death right to Pentecost and Parker's doorstep.

My Review:

The first book in the Pentecost and Parker series, the utterly marvelous Fortune Favors the Dead, won the 2021 Nero Award for “the best American Mystery written in the tradition of Rex Stout’s Nero Wolfe stories.” And it’s probably the most on-the-nose recipient of the award since it was won by Murder in E Minor by Robert Goldsborough, which was an actual Wolfe story.

Why? Because Pentecost and Parker are very much in the style of Nero Wolfe and his right hand – and frequently leg-man Archie Goodwin, along right along with their shared East Coast brownstone setting.

One of the many eccentric things about Wolfe was that he endeavored to never leave the brownstone. Goodwin went everywhere for him, gathered all the clues and evidence at his boss’ behest, and then genius Wolfe put it all together.

Wolfe could leave the brownstone, he just very strongly preferred not to and was more than enough of a genius that he generally got his way.

Lillian Pentecost, on the other hand, probably shouldn’t leave her brownstone nearly as much as she does. She has multiple sclerosis, MS, and the progressive disease is progressing in fits and starts. She’s not going to get better and she knows it. The best she can do is hold it at bay, and one of the best ways to accomplish that is to reduce the stress in her life.

Something which she is utterly incapable of. What she attempts to do instead is send Willowjean Parker out and about as her right hand and leg woman, to bring those same clues and evidence back to her brownstone to help her put it all together.

And there’s more to put together in this case than Will Parker first has a handle on, starting with the client. On a case that Parker can’t even figure out why Ms. Pentecost took. Along with the reason her boss is willing to not just put up with but actually honor all the very strange and downright hamstringing conditions that said client wrapped around it.

Holly Quick writes crime stories. As those are just the kind of thing that Will Parker likes to read, it’s not a surprise that Parker has read quite a few of Quick’s stories, even if she didn’t know Quick was writing them.

In the 1940s, writing crime stories was not exactly a field open to women. (Rather like writing science fiction stories.) The pulp magazines of the time knew better than to present a whole bunch of blood and guts under a female byline. So they didn’t. In fact, Holly Quick wrote under a veritable plethora of pen names, both to disguise how much of a single issue was actually the product of a single pen, and to let readers believe that all those stories about evil lurking in the hearts of men were written by one.

But Holly Quick had a third reason for hiding her identity – one that Lillian Pentecost sees immediately but that Will Parker has not yet sussed out. And it’s that hidden reason that convinces Pentecost to take the case, and keeps her from keeping her partner as informed as she should be about what they are really investigating.

What they have is fascinating enough. Someone is taking Holly’s stories and re-enacting them as real murders. To paraphrase Ian Fleming, “Once is happenstance, twice is coincidence, three times is enemy action,” or in this case the pattern of a serial killer.

The question is whether Pentecost and Parker can figure out who is doing it without letting Holly Quick’s real secret out of its old and rather fraying bag. Or whether it’s already too late – whether for one, the other or both.

Escape Rating A-: Both of Pentecost and Parker’s previous cases, Fortune Favors the Dead and Murder Under Her Skin, have dealt rather explicitly with Parker’s past as an abused child who literally ran away and joined the circus. It’s the knife-throwing skills she learned there that saved Pentecost’s life and led to their partnership.

But by this point in Parker’s life, she is fully invested in her career with Pentecost as a licensed private detective. Which doesn’t mean that she doesn’t still suffer from impostor syndrome when Pentecost starts keeping secrets about the case from her. Because we view the story from inside Parker’s head, her discomfort and self-doubts become ours, and make the middle of the case a bit hard to read.

(I desperately wanted to be reassured that all would be well but didn’t want to spoil the ending. Fortunately, the worst of that bit didn’t last long and then it was off to the races – against death – again.)

What made this case interesting wasn’t the obvious case. The whole ‘life imitates art imitates life’ thing, where a serial killer recreates an author’s or an artist’s work through murder is not exactly a new face on the barroom floor. It’s been done before, and countless times at that. This was an interesting take on that trope, but not a unique one.

What was interesting was the case underneath the case, the reason why Lillian Pentecost took it in the first place. And that kept me guessing not just because Holly Quick’s secret was fascinating, but because of the way she dealt with her own life in keeping that secret. And the way that Lillian Pentecost was willing to help her keep it and what that hinted at in Pentecost’s own past.

So come for the mystery. Stay for the stresses and strains on this fascinating partnership. And try not to think too hard about their cook, Mrs. Campbell, and her preparation methods for haggis – which make the backyard look rather like a crime scene. All part of a day’s – or more likely several night’s – work for Pentecost and Parker.

It’s clear from the ending of Secrets Typed in Blood that there are plenty more cases on the horizon for this duo. And I can’t wait to read them.

Review: The Ballad of Perilous Graves by Alex Jennings

Review: The Ballad of Perilous Graves by Alex JenningsThe Ballad of Perilous Graves by Alex Jennings
Narrator: Gralen Bryant Banks
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, magical realism, urban fantasy
Pages: 456
Length: 17 hours and 15 minutes
Published by Redhook on June 21, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Music is magic in this novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song.
Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home.
In a world of everyday miracles, Perry might not have a talent for magic, but he does know Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry realizes trouble is afoot.
Nine songs of power have escaped from the piano that maintains the city’s beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing, and the Haint of All Haints is awake. Nola’s time might be coming to an end.

My Review:

While it seems likely that every city whose biggest industry is attracting tourists has two sides, the carefully curated tourist destination and the place where real people live, there is something about New Orleans that has made it a liminal place in more ways than that usual, particularly in fantasy and magical realism.

After all, New Orleans, with its historical transformations from French to Spanish to American, and its equally subversive retentions of everything it wants to hold dear from each iteration, whether on the literal surface, the figurative underground, or its signature combination of the two in its haunting but necessary above ground cities of the dead is just ripe – if not a bit too much so – for stories where the past and present collide, where the dead visit the living and where one version of the city lies on top of, underneath, or side by side any or all of the others.

In other words, the concept that New Orleans has either managed to split itself or has been split into two cities, the “real” New Orleans we know and the “realer than real” Nola is not so farfetched. At least not when it comes to this particular city.

What makes The Ballad of Perilous Graves both fascinating and fun is the way that it teases the reader with its two perspective that combine into one epic coming-of-age and coming-into-power quest, led by two characters who may or may not exactly be separate and may or may not be seeing the same – or even similar – cities.

But who must find their way somehow into the same quest to save the same place, the city that they both love – no matter who or what they have to sacrifice along the way.

Escape Rating A-: I am a sucker for stories about New Orleans so I was all set to love The Ballad of Perilous Graves. Which in the end I did, although it took awhile to get me there. This is one of those books where the audiobook, as read by Gralen Bryant Banks, carried me over to the point where the story got its hooks into me and didn’t let go.

At first, there’s just a lot of setup to get the reader into this version/vision of the city. Part of the reason it took me a bit to get there was that the initial point-of-view character is rising sixth grader Perilous (Perry) Graves. The Graves family, Perry, his little sister Brendy and his parents, Deacon and Yvette, live across the street from Peaches Lavelle, who seems to be 12 or so and seems to be the strongest person in the world – or at least in Nola. Peaches and her VERY magical adventures at first made me wonder if Perry was dreaming this whole thing, whether he was making it up, or whether he was seeing what he wanted to see instead of what actually was. Because his Nola didn’t quite match up to reality and Peaches was kind of the icing on that particular cake.

It was only when the perspective switched to the adult Casey Ravel that I figured out that whatever was happening was “real” for the story’s own version of reality. Also, Casey’s reality matched up to real reality considerably more than Perry’s did. Which should have clued me in that their realities were not exactly the same reality – at least not at first – but it took me an embarrassingly long time to get there.

The quest is really Perry’s quest, and it begins in Nola. Someone is killing the songs that are the foundation of the city’s identity, and havoc is being wrecked on both sides of that divide. So the overarching story is Perry’s hero’s journey, his coming of age as he takes on the mantle of his family’s inherited magic to save his friends and family, and his city.

It is, of course, a journey that leads him through some very dark places, to versions of Nola that are even more magical than his own and to places that exist on no map that has ever been printed. Because New Orleans is that liminal place where all versions of the city link, from the magical to the mundane, from the living to the dead, and everywhere in between.

It’s also a quest to find his grandfather, who was kidnapped at the beginning of the story by a haunted man – or ghost, or song – on a mission to retrieve something that Daddy Deke doesn’t even remember that he has.

There is a LOT going on in this story. So much. I’m sure there are parts I didn’t quite get, or parts that I thought I did because this isn’t my first trip to a magical version of New Orleans BUT that I got completely wrong but got enough to keep me in the story. And that’s both fine and fantastic. Not every book has to be for me (and shouldn’t be) for me to enjoy the hell out of it.

This is a magical, mystery tour of the city. It’s a hero’s journey both for Perry and for Casey, and both young men – because Casey is still young and Perry may be very young but is a man by the end of the book – it’s a coming into power story. For Perry it’s a coming of age story as well. For Casey it also feels like an acceptance story, but we don’t get nearly as much of Casey as we do of Perry, as much as Casey serves to ground the story in a bit of the real in its early stages.

But it’s also such a wild ride to so many wild and diverse visions of New Orleans that, as unique as the author’s voice is – and it most definitely is – the ingredients in this gumbo reminded me of other urban fantasies and especially other New Orleans stories. So if you’re looking for something that recalls bits of The Ballad of Perilous Graves, here’s my list of books it made me go looking for: The Map of Moments by Christopher Golden and Tim Lebbon, The City of Lost Fortunes by Bryan Camp, The Sentinels of New Orleans by Suzanne Johnson, Chasing the Devil’s Tail by David Fulmer, with a bit of The City We Became by N.K. Jemisin, Edinburgh Nights by T.L. Huchu, Last Exit by Max Gladstone and No Gods, No Monsters by Cadwell Turnbull for embodied cities, extra dead bodies and talking thereto, ways to get into alternate worlds and hiding monsters in plain sight.

The Ballad of Perilous Graves is the author’s debut novel, which I had to look up because OMG it’s wonderful and crazy and I’m expecting more marvelously wild and great things. And hopefully more New Orleans.

Review: Into the West by Mercedes Lackey

Review: Into the West by Mercedes LackeyInto the West (The Founding of Valdemar, #2) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: The Founding of Valdemar #2, Valdemar (Publication order) #54, Valdemar (Chronological) #5
Pages: 496
Published by DAW Books on December 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The long-awaited founding of Valdemar comes to life in this second book in the new series from a New York Times-bestselling author and beloved fantasist.
Baron Valdemar and his people have found a temporary haven, but it cannot hold all of them, or for long. Trouble could follow on their heels at any moment, and there are too many people for Crescent Lake to support. Those who are willing to make a further trek by barge on into the West will follow him into a wilderness depopulated by war and scarred by the terrible magics of a thousand years ago and the Mage Wars. But the wilderness is not as empty as it seems. There are potential friends and rapacious foes....
....and someone is watching them.

My Review:

We already knew the destination. What Valdemar is, what it became, seemed fully formed all the way back in Arrows of the Queen, which takes place almost 1400 years after the founding of Valdemar and was originally published in 1987. We’ve known the destination for a very long time.

This is the journey. Literally. Just as Beyond was the final push to start that journey, Into the West is the journey itself. Complete with all the cold, mud AND bugs that any adventure requires.

But, where Beyond was a story of running away, Into the West is a story about running towards.

As high as the stakes were, and still are, in the events that opened the way for Valdemar and his people to leave the corrupt Eastern Empire, the story itself built to a big climax – even bigger than Kordas Valdemar himself expected.

That part’s over. They’ve gotten away – at least for the moment. They believe that they left enough of a mess behind that it will take some time for the Empire to get its political shit into a big enough and unified enough pile to come after them.

Leaving a crater where the capital used to be should keep things back in the Empire in disarray for quite some time. At least until the surviving nobles and warlords and military commanders shake out which of them is going to be in charge and possibly charge after the fleeing Valdemarians.

If they can even find them after however much time that’s going to take.

So the big thing that everyone was working towards has been accomplished. Everyone was willing to unite towards that gigantic and hugely dangerous common goal. Into the West is the story of what happens next.

On the one hand, it’s an adventure. They are headed, as the title proclaims, into the west. To the place where the Mage Wars magically corrupted the land and everything on it centuries before. Kordas Valdemar knows that the land is still dangerous, but hopes that the intervening centuries have allowed the land to recover enough to make it habitable for his people.

On the other hand, it’s every bit as much of a political story as Beyond. But like the difference between running away and running towards that is the lynchpin of each book, Beyond’s portrait of the Eastern Empire was a lesson in what NOT to do and what NOT to be. It’s up to Baron Valdemar, the man who will be Valdemar’s first king, to figure out what his country and its people should do and will be in the centuries to come.

All they have to do is get past all the things and people that want to kill them along the way.

Escape Rating B: If you’ve read Beyond – and I highly recommend it – Into the West picks up just where Beyond leaves off. That Valdemar and his people are now beyond the reach of the Empire and are headed into the west.

Which makes this a much different type of story than the previous book – one that isn’t quite as exciting – but is very much necessary – in the opening several chapters.

The big story, of course, centers around Kordas Valdemar, the man who will be the first king of the country that will be named after him. If one has even read a cursory summary of the previous published books in the Valdemar series – which nearly all come AFTER this one in the internal chronology – one already knows that Kordas succeeded. He did become the legendarily good king that the history books talk about nearly a millennium later in The Last Herald-Mage series.

Which, by the way, doesn’t mean you have to have read any of the series previously in order to enjoy Beyond and Into the West. And certainly not that you have to have read any of them recently. Like even in this century recently.

But Into the West is the story of Kordas, not as a myth or a legend, but as a man facing a seemingly impossible job with an all-too-real case of impostor syndrome. He has to do this, He promised his people he’d do this. He’s in over his head and knows it – not that anyone wouldn’t be over their head under the circumstances.

He’s doing the best he can to make the best decisions he can to save not just the most people but the most people with the right ethics and the right moral compass along the way.

So this is the portrait of the legend as a real man, with all his flaws and all his virtues. And by the nature of that portrait, it is also an up close and personal view of how the sausage of government gets made.

For a lot of the story, their journey reads as more of a series of vignettes than a continuous narrative. While there are hints of the everyday drudgery of getting this mass of folks moving, the high points of the story naturally occur when things happen. Sometimes disastrously but just as often when conflicts are avoided or when kindness is paid forward and back along the way.

And then at the end they learn just what it is they’ve let themselves into – and it’s explosive and page-turning and even brutally epic.

But the getting there has a couple of hitches that Beyond didn’t, one which deals with the story in its present, and one which has its impact because of the future that is known but hasn’t happened yet. And one bittersweet heartbreaker to tempt us all to keep reading or go back and read again.

There’s a piece of Into the West that is a coming of age story for Kordas’ much younger sister-in-law Delia. In order to help her get over her entirely too obvious and cringeworthy crush on him, Kordas assigns her to a forward scouting party. It’s the making of her and gives the story a way of seeing the perils, trials and tribulations of this big journey at a much smaller and more easily encompassed scale. But her mooncalf obsession over Kordas really slowed the story down until she finally started to get over it.

The second hitch was the expedition’s winter rescue by the Hawkbrothers. As it occurs, it reads very much like a deus ex machina that shortcuts past a lot of what would have been a hard, killing winter even without the surrounding monsters. Once it happens, it does feel like something that had to have happened because it already did. It also provides a touching pause between disasters just before the newly fledged Valdemarians discover that their oh-so-convenient rescuers weren’t nearly as all-knowing as they pretended to be.

When Into the West wraps up after a truly epic concluding battle, the story is at a point where it could be the end of this Valdemar subseries. But I hope it isn’t, and that’s because of that bittersweet little heartbreaker at the end.

The one signature feature of the entire Valdemar series that we do not see in either Beyond or Into the West are the marvelous, magical, horse-like Companions who serve as guides, friends and even consciences of the best and brightest that Valdemar the country has to offer. But I think we’ve met the people who will become them, and in a scene that just about breaks the heart we get just a hint of what depth of love and kind of sacrifice was needed to make the Companions possible. And I want there to be a third book in the Founding of Valdemar so I can find out if I’ve guessed right.

But in the meantime there’s a new collection of Valdemar stories, Shenanigans, that I’ll be reviewing next week followed by a new novel about Valdemar’s legendary gryphons, Gryphon in Light, coming this summer.

Review: Pets of Park Avenue by Stefanie London

Review: Pets of Park Avenue by Stefanie LondonPets of Park Avenue (Paws in the City, #2) by Stefanie London
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, romantic comedy, women's fiction
Series: Paws in the City #2
Pages: 336
Published by HQN Books on December 6, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

"One of the year's most delightful rom-coms."—New York Times bestselling author Julia London on The Dachshund Wears Prada
The perfect romcom for dog lovers! Pets of Park Avenue is the story of a self-confessed hot mess who learns that life is more fun when things don't go according to plan.

What do you do when The One is also the one who broke your heart?

Self-proclaimed hot mess Scout Myers is determined to prove she’s finally got her act together. Raised by grandparents who saw her as her wayward mother’s wayward daughter, Scout’s used to being written off. So when the opportunity for a promotion arises at Paws in the City, the talent agency where she works, Scout is desperate to rise to the occasion. With shared custody of her little sister also on the line, Scout can’t afford a single mistake…like suddenly needing a canine stand-in for an important photoshoot. Luckily (or not) she knows the owner of the perfect pup replacement: the estranged husband she walked out on years ago.
On the surface, it appears Lane Halliday’s life has been blissfully drama free without Scout, but she suspects her handsome-as-ever not-quite-ex-husband doth protest too much. Working together even feels like old times—except for all that lingering, unresolved tension. But Scout’s not sure she’s ready to confront the reasons she left Lane, and when their plans to finalize the divorce become very real, Scout starts to wonder whether second chances might be worth a little hot mess.
Paws in the CityBook 1 - The Dachshund Wears Prada

My Review:

Pets of Park Avenue combines a second chance at love romance with a bit of a comedy of errors wrapped around the paws of an adorably fluffy little Bichon Frisé who seems to be experiencing nearly as much sad fluff as her people.

Both the one she still has and the one that only thinks she got away.

This followup to The Dachshund Wears Prada follows the second member of the Paws in the City media team, that self-proclaimed hot mess – and Isla’s best friend – Scout Myers. When the small agency’s star Bichon Frisé, Sasha, is accidentally dyed hot pink in the middle of a big opportunity for both the dog and the agency, Scout is the one sorta/kinda in charge of their canine charge.

At least, she’s the one who feels responsible for the accidental dye-job. Because being held responsible for every accident that happens in her vicinity and taking the blame for all the fallout is just what her cold, rule-bound, hidebound grandparents have conditioned her to do.

Theirs was not a house in which the phrase “shit happens” was ever even uttered, let alone believed. If Scout was nearby, it must have been her fault – whether it was or not. Because Scout was just like her mother, their wayward daughter, and had to be straight-jacketed into proper behavior no matter how much it broke her spirit.

Reining Scout in was the only way her grandparents could hope to save Scout’s little sister Lizzie from her terrible influence. So they did. At every opportunity. Until they kicked her to the curb at age 21. For not being properly obedient and respectful and for not following every last one of their stifling and arbitrary rules.

So Scout feels responsible for the temporarily pink Bichon, and needs a well-behaved substitute until the dye and the resulting buzz-cut grow out. Which is where her not-exactly-ex-husband, and his suddenly not-exactly-perfectly-behaved Bichon come in.

Scout ran out on both the man and the dog five years ago because, well, reasons. Reasons that they never told each other. They were together for one glorious month and have been separated for five years of limbo but Scout needs a dog just like Sasha, and Twinkle Stardust (yes, really) is her best chance to fix what’s broken.

With the agency and possibly with herself.

What she really needs is to either put her past behind her or, perhaps, put it back in front of her again. She’s a bit older, possibly wiser, and trying to be more responsible. Because she wants custody of her teenage sister. Because she needs to start adulting.

And because she’s never found anyone to remotely match the one that she left behind.

Escape Rating B: The thing about Pets of Park Avenue that made this one so interesting was that it’s Scout’s discovery that she doesn’t need to get it together because she’s had it together all along. It’s also about the difference between what is said and what is meant, and that’s a sad and often hard lesson to learn.

In other words, Pets of Park Avenue isn’t as light and fluffy as one of the Bichon Frisés. I missed The Dachshund Wears Prada, at least the social media account that both establishes Isla as a media influencer AND gets her in so much trouble. Because the voice of the Dachshund that Isla puts out there is wry, funny and so very sharply observant that it gives the book a lighter tone than this one in spite of just how much Isla also needs to overcome.

Scout IS a hot mess in this book, but not for any of the reasons she thinks she is. She’s a hot mess because that’s all she’s ever been told she can be, and she’s taken that lesson so very much to heart. Throughout the story, it seems as if her grandparents are the villains of the piece. And they kind of are.

But they also kind of aren’t. Or at least, they didn’t intend to be. But what they meant versus what they said and how they said it, how much they saw AND treated Scout as if she was a carbon copy of her mother, sent their relationship and Scout herself off in some terrible directions that she spends the whole story dealing with.

The second-chance-at-love romance was, at first, heartbreaking. But as the story continues, they are both forced to acknowledge that they were just too young and too impulsive. The bitter turns to sweet as they look back at themselves and look now at each other in order to figure out what direction they need to go, together or apart. Either way would have made a satisfying ending, but I preferred the direction they chose – if only to give Twinkle Stardust her own happy ever after.

So The Dachshund Wears Prada had a whole lot more lightness in it. Pets of Park Avenue was leavened with a bit more bittersweet. I’m looking forward to seeing what just what kind of canine and human drama we’ll get in Confessions of a Canine Drama Queen next summer!

Review: Hide by Tracy Clark

Review: Hide by Tracy ClarkHide (Detective Harriet Foster #1) by Tracy Clark
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Detective Harriet Foster #1
Pages: 380
Published by Thomas & Mercer on January 1, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

From acclaimed author Tracy Clark comes a page-turning mystery featuring hard-boiled Chicago detective Harriet Foster, who’s on the hunt for a serial killer with a deadly affinity for redheads.
When a young red-haired woman is found brutally murdered in downtown Chicago, one detail stands out: the red lipstick encircling her wrists and ankles.
Detective Harriet Foster is on the case, even though she’s still grieving the sudden death of her partner. As a Black woman in a male-dominated department, Foster anticipates a rocky road ahead acclimating to a new team—and building trust with her new partner isn’t coming easily.
After another victim turns up with the same lipstick markings, Foster suspects she’s looking for a serial killer. Through a tip from a psychiatrist, Foster learns about Bodie Morgan: a troubled man with a twisted past and a penchant for pretty young redheads with the bluest eyes. As Foster wades into Morgan’s sinister history, the killer continues their gruesome assault on Chicago’s streets.
In her desperate race to catch the murderer before they strike again, Foster will have to confront the darkest of secrets—including her own.

My Review:

When we first meet Harriet Foster, we know two things. She’s a Chicago cop, and she’s a survivor. And at the moment, the one is inextricably linked to the other, both in the sense that it’s being a cop that gives her the tenacity to keep on living, and it’s being a cop that makes it necessary to have that sheer, driven stubbornness in the first place.

It’s late in the fall, it’s Chicago, it’s cold, and she’s having a damn hard time getting herself across the threshold of her new precinct. She’s just back from eight weeks leave after the senseless killing of her son, the subsequent death of her marriage and the suicide of her police partner in the parking lot of her previous precinct.

She’s thrown right into the deep end as soon as she gets through the door. Her new ‘partner’ is the department’s hard case, and they’ve just caught one. A naked, dead, butchered woman badly hidden under a pile of leaves in a park just off the Riverwalk.

It’s a spectacular mess, the scene is already a spectacle, and the lookie-loos and media are already out in force right along with CPD. Her partner is just so sure that the killer is the young black man who was found sleeping nearby with a single bloodstain on his lapel. Harriet is pretty sure it wasn’t him, because if he’d been the murderer there’d be way more than a single bloodstain on his clothes. He’d be drenched in the stuff.

And she’s certainly unwilling to rush to any judgment. Not just because the young man is the same age as her dead son. Harriet Foster just isn’t the kind of cop who rushes to judgment – even on her worst day.

Which this is already shaping up to be. Worst day, worst week, worst month, worst case. Someone is out there eviscerating redheads, managing to stay just one step ahead of the cops. The news media are baying for somebody’s blood and City Hall is looking for a scapegoat.

But Harriet Foster keeps putting one step in front of the other, one long day and even longer night after the other, using the frustrations of the case to keep her own demons at bay. In the end, she’ll at least have put one monster to rest – even if it’s not one of her own.

Escape Rating A+: This one absolutely had me from the very first page. While some of that was because I can still see most of the settings in my head, it was mostly because of Harriet Foster herself. She’s trapped like an insect in amber, still processing – slowly and badly – her recent losses and hoping that something in going back to the job is going to get her through the day and the one after that and the one after that.

At the same time, she is exactly the kind of protagonist that I read mysteries for, in that she’s questioning and human and oh-so-capable all at the same time. It’s so clear that she hasn’t remotely got her life figured out, but once the case begins she’s all there for it.

That she’s experienced enough to know when to push back on a shit-talking so-called partner and when to suck it up and stand in solidarity with the rest of the cops in her new cop shop just felt right.

And then there’s the case, which is just the type of twisted, humdinger that reminded me so much of the kind of case that Eve Dallas ends up trying to unravel in the In Death series. The bodies are gruesome, the clues are few, the perpetrator is clever and the media vultures are circling.

At the same time, we have alternating perspectives from people who might, or might not, be involved in the mess, from childhood memories of a murderous daddy to adult children trying to pretend they’re normal to a rogue psychologist looking for her next star psychopath. They bring both perspective and confusion to the mystery, allowing the real perpetrator to hide in plain sight.

As much as the case reminded me of many in the In Death series, Harriet Foster only resembles Dallas in her dogged determination to solve the mystery and put the guilty party either away or under. There’s no romance even hinted at here and there shouldn’t be. Harriet’s personal story is about her determination to find a way forward and to spot the light at the end of her personal tunnel of grief. She’s far from there yet, which bodes well for future entries in the series.

What we have in Hide is a case of one person unraveling, and one person, well, raveling. When the murderer starts coming apart, their descent is swift and sprays lots of collateral damage. Harriet Foster, on the other hand, is oh-so-slowly raveling herself back together, one day, one clue, and one paper clip at a time. And her progress, both on the case and on herself, is utterly absorbing to watch.

Hide is the first book in what looks to be a compelling mystery suspense series. While it isn’t officially out until January 1, it is available NOW to Amazon Prime members as one of the Amazon First Reads books this month. So if you are as impatient to read it as I was there is a way to get it this month.

The second book in the series, Fall, will be out one year from now. And I can’t wait to see how and what Harriet will be doing next winter. In the meantime, if you’re on the hunt for a series with a similar vibe, take a look at Harriet’s British counterpart, Inspector Anjelica Henley, solving the case of The Jigsaw Man.

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Review: The Socialite’s Guide to Murder by S.K. Golden + Giveaway

Review: The Socialite’s Guide to Murder by S.K. Golden + GiveawayThe Socialite's Guide to Murder by S.K. Golden
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebbok, audiobook
Genres: cozy mystery, historical mystery, mystery
Series: Pinnacle Hotel Mystery #1
Pages: 320
Published by Crooked Lane Books on October 11, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The hotel was her refuge, but scandal is afoot—and a killer stalks the halls in this charming series debut perfect for fans of Rhys Bowen and Ashley Weaver.
It’s 1958 and Evelyn Elizabeth Grace Murphy has not left the Pinnacle Hotel in fourteen months. She suffers from agoraphobia, and what’s more, it’s her father’s hotel, and everything she needs is there. Evelyn’s always been good at finding things, she discovered her mother dead in a Manhattan alleyway fifteen years earlier. Now she’s finding trouble inside her sanctuary. At a party for artist Billie Bell, his newest work is stolen, and Evelyn’s fake boyfriend (and real best friend), movie star Henry Fox, is accused of the theft. But just as Evelyn sets out to prove Henry’s innocence, she finds Billie Bell dead.
The murder weapon links the crime to the hotel’s chief of security. But why would he use a knife with his initials on the handle? With her beloved home in disarray, Evelyn joins up with hotel employee (and her secret crush) Mac Cooper to get to the bottom of the case.
As Mac picks locks and Evelyn snoops around the hotel, they discover the walls around them contain more secrets than they previously knew. Now, Evelyn must force herself to leave the hotel to follow the clues—but when she and Mac set off to chase a lead, their car crashes and they barely escape with their lives. Someone snipped Evelyn’s brake lines, and now the stakes have become dangerously high.
Evelyn’s knack for sleuthing—and her playful imagination—are always hard at work, and she throws an elaborate party at the hotel where every guest is a suspect. But will the killer emerge from the glamorous lineup? If not, Evelyn just might find herself…next in line for murder.

My Review:

The socialite of the title, is Evelyn Elizabeth Grace Murphy, the daughter of the owner of the Pinnacle Hotel in Manhattan. Her penchant for finding missing items, such as a diplomat’s daughter or a supposedly stolen necklace lead to the search for a murderer when that murder occurs in her home and sanctuary – her father’s hotel where she lives in a top-floor suite designed and decorated just for her.

And her little purse dog Presley. Mustn’t ever forget Presley.

As a socialite, Evelyn lives to be seen, especially with her society page boyfriend, actor Henry Fox. Which is a bit of a problem, because Evelyn hasn’t left the Pinnacle in months. She can, but she can’t. When she was a little girl, she found her mother’s dead body just outside the hotel. The trauma has been drawing her in ever since, to the point where agoraphobia keeps her from leaving her sanctuary – the Pinnacle.

But Evelyn’s whole world teeters on a tightrope. Her romance with Henry Fox is a ruse, concocted of her need to be featured in the society columns and his need to keep the world from discovering that he’s gay. They’re the best of friends.

Howsomever, Evelyn is also friends with Mac Cooper, one of the bellhops at her father’s hotel. Mac walks the dog, keeps Evelyn up with all the hotel gossip, and is entirely too good at more than a little bit of kiss and canoodle.

So when a high-profile artist is murdered in the hotel, Mac is the perfect person to help her stage distractions, pick the locks of rooms the police have closed off, and generally assist her with her own investigation into the crime. Because Henry Fox is the prime suspect, at least until the ham-fisted police latch onto someone even better – the hotel’s head of security.

But Evelyn isn’t going to let things rest. The sanctity of her sanctuary must be restored, and she’s just the woman to do it. All she has to do is juggle Mac, Henry and whatever other secret Henry is keeping long enough to figure out whodunnit.

Escape Rating B: The Socialite’s Guide to Murder isn’t quite a cozy, but it is a light and bubbly mystery that has much of the same appeal. The Pinnacle, while not a small town, does a surprisingly good job of functioning as one for the purpose of the story.

Evelyn as a heroine embodies both the “poor little rich girl” and “bird in a gilded cage” tropes. What’s a bit different is that her cage is completely self-imposed. There’s a lot of trauma hiding behind her ditzy, spoiled persona. She’s aware that the ditziness is an act, although she’s a bit oblivious about just how spoiled she is.

Which is reflected in her relationship with Mac. They may be, probably are, falling in love with each other. And it is more than a bit frothy and bubbly, but there’s an undertone to it that gave me more than a bit of pause while reading. There’s a rather vast power imbalance between them as she’s paying him $10 or $20 every single time he does something for her. $10 doesn’t sound like that much, but it’s the equivalent of $100 in today’s terms. It adds up to a lot of money. She’s initially not at all sure whether he’s her friend because he likes her or because she’s paying him and it doesn’t feel like she worries about it nearly enough.

(If that shoe were on the other foot it would be an extremely squicky situation. It’s not less squicky because of the role reversal even if it’s intended to feel that way.)

Once I was able to let my willing suspension of disbelief set all of that aside, the mystery itself is a lot of fun. I did guess that the initial art heist that kicks things off wasn’t exactly what it seemed, but the murder that followed had plenty of tasty red herrings to fish for and tempting would-be clues to sent this reader on many an enjoyable wild goose chase.

The setting of the mystery within the confines of this great and grand hotel was a treat. It still felt like a cozy in a setting that isn’t really cozy at all. More like elegant and opulent, and it was a pleasure to read the way it all worked and how Evelyn’s world came together.

So the mystery is appropriately puzzling, the setting is different in a delicious way and the heroine and her little dog are fun to follow. If you like your mysteries with more than a bit of bubble and froth The Socialite’s Guide to Murder is a lovely little read.

And for anyone who enjoyed The Three Dahlias, Evelyn Elizabeth Grace Murphy the amateur sleuth would fit right into their crime solving shenanigans – once she is able to leave the Pinnacle. Maybe in the next book in the series.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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Review: A Wish for Winter by Viola Shipman

Review: A Wish for Winter by Viola ShipmanA Wish for Winter by Viola Shipman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, holiday fiction, holiday romance, relationship fiction, women's fiction
Pages: 416
Published by Graydon House on November 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

“I love this book—funny, perfect and wonderfully good. A not-to-be-missed delight.” —New York Times bestselling author Susan Mallery
With echoes of classic Hollywood love stories like Serendipity and An Affair to Remember, Viola Shipmans latest winter charmer following the USA TODAY bestseller The Secret of Snow is sure to tug on heartstrings and delight readers who love books about books, missed connections and the magic of Christmas.
Despite losing her parents in a tragic accident just before her fourteenth Christmas, Susan Norcross has had it better than most, with loving grandparents to raise her and a gang of quirky, devoted friends to support her. Now a successful bookstore owner in a tight-knit Michigan lakeside community, Susan is facing down forty—the same age as her mother when she died—and she can’t help but see everything she hasn’t achieved, including finding a love match of her own. To add to the pressure, everyone in her small town believes it’s Susan’s destiny to meet and marry a man dressed as Santa, just like her mother and grandmother before her. So it seems cosmically unfair that the man she makes an instant connection with at an annual Santa Run is lost in the crowd before she can get his name.
What follows is Susan and her friends’ hilarious and heartwarming search for the mystery Santa—covering twelve months of social media snafus, authors behaving badly and dating fails—as well as a poignant look at family, friendship and what defines a well-lived and well-loved life.
“Viola Shipman has written a captivating story for anyone whose memories run deep… This book keeps faith and hope alive!” —New York Times bestselling author Sherryl Woods

A Country Living Magazine Best Christmas Book to Read This Holiday Season!

My Review:

First of all, A Wish for Winter is a heartfelt love letter to the entire Mitten State of Michigan. Every single square inch and winter snowflake of it, from the hungry lakes to the deep bays to the very rocks, specifically the Petoskey stones that are foundation, the bedrock, the official state rock and the name for the tiny tourist town where the Claus family, officially known as the Norcross family, make their home.

Second, this is very much a paean to the spirit of Christmas – not necessarily in the religious sense but rather in the faith and belief that is strangely but sometimes beautifully displayed by the more ‘Hallmark-y’ aspects of the season. The idea that with a bit of belief in the magic of the season, it is more than possible to reach out and pluck a star – or at least a happy ending – down from the heavens, the top of a tree, or the place where dreams really do come true.

It is also a sometimes heartbreaking but ultimately uplifting story of Susan Norcross, the owner of the Sleigh by the Bay bookstore in beautiful Petoskey, Michigan, where her grandparents play the part of Mr. and Mrs. Claus every December in the front window of the store she inherited from them.

Susan’s grandparents may keep Christmas in their hearts all year round, and display it pretty much every chance they get, but Susan hasn’t felt all the joy of the holiday since she was ten years old. Because that’s the holiday season when her parents were killed by a drunk driver. Susan is now forty, the age her mother was when she died, and she’s been stuck cycling through the first four stages of grief (denial, anger, bargaining and depression) for the past thirty years without ever reaching acceptance.

Without ever managing to forgive either the drunk driver – in a coma all these years – or herself.

Not that Susan hasn’t had her own version of a wonderful life. Her grandparents are everything anyone could ever have wanted in mentors, parents AND grandparents. She’s an integral part of a town that loves and supports her and her bookstore, she’s respected in the publishing industry to the point where authors, their agents and their publishers court her for appearances at her store and cover quotes.

And she has the best, most supportive even if sometimes a bit too up in her business best friend in the world. Along with excellent colleagues who have become the greatest found family she could ever have imagined.

As her 40th year approaches she’s becoming aware that there’s something missing. Both her mother and her grandmother met their perfect matches when said matches were wearing Santa suits. As a child, Susan expected to do the same. Then her parents were taken from her and she walled herself off from getting too involved and being too hurt.

But those friends, those wonderful, loving, a bit too intrusive friends, have a solution to Susan’s missing ‘Single (Kris) Kringle’ by putting Susan’s search for the Santa of her dreams on social media and inviting the entire country to watch her hunt for her very own one true Santa.

They’re going to pull Susan out of her uncomfortably comfortable rut – no matter how many likes and ‘thumbs up’ emojis it takes to make it happen.

Escape Rating B: If you’ve ever heard of “sad fluff” and wondered what it was, look no further because A Wish for Winter is a perfect example of the type. “Sad fluff” is a story where a whole lot of sad stuff happens but at the same time there’s an earned happy ending – whether romantic or not – and there are plenty of happy or even funny bits in the story. There’s lots of good support for the main character, but that character is still going through the story with a sucky place inside and the tone of the book is ultimately just a bit, well, sad.

And that’s A Wish for Winter in a nutshell. Susan has plenty of reasons to be sad, reasons that still overwhelm her at times even after 30 years. And there’s no one process or amount of time needed for an individual to process their grief, which in Susan’s case is not just real but also overwhelming. Because Susan suffered such a big loss so young, it has affected her entire life. It’s not something she’s ever going to get over or get past, nor should she. But she’s well past the point where she needs to reach the acceptance stage of grief and not hold onto it quite so tightly because the only person it’s hurting is herself.

The story of Susan taking those two steps forward, one step back towards that acceptance is a bit halting – not in the pacing sense but because her journey is supposed to be halting and uncertain. Still, her journey through that slough of despond hangs over all of the lighter moments in the book.

Although there certainly are plenty of those lighter moments. Her friends are an absolute delight even as they are invading her comfort zone, pushing her out of it and making her hesitant search for her HEA go viral.

I also adored the love of books and reading and bookstores, and the transformative power of all of the above that practically shines through every page. This story has all the elements of being a book lover’s delight from the very beginning.

As a reader, I found the sadness of the sad fluff took a bit too much of the joy out of a story that is ultimately joyful. For me, that pall took a bit too long for the book to process – making no comments whatsoever on how long it took the character to process it because no one can go there for another.

In the end, I liked the book, I liked some aspects of it quite a lot, but didn’t quite love it as much as I did my first exposure to the author’s work in The Clover Girls. Your reading mileage, of course, may vary.

Review: The Twist of a Knife by Anthony Horowitz

Review: The Twist of a Knife by Anthony HorowitzThe Twist of a Knife (Hawthorne and Horowitz Mystery, #4) by Anthony Horowitz
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Hawthorne and Horowitz #4
Pages: 384
Published by Harper on November 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

'Our deal is over.'
That's what reluctant author Anthony Horowitz tells ex-detective Daniel Hawthorne in an awkward meeting. The truth is that Anthony has other things on his mind.
His new play, Mindgame, is about to open in London's Vaudeville theatre. Not surprisingly Hawthorne declines a ticket.
On opening night, Sunday Times critic Harriet Throsby gives the play a savage review, focusing particularly on the writing. The next morning she is found dead, stabbed in the heart with an ornamental dagger which, it turns out, belongs to Anthony and which has his finger prints all over it.
Anthony is arrested, charged with Throsby's murder, thrown into prison and interrogated.
Alone and increasingly desperate, he realises only one man can help him.
But will Hawthorne take his call?

My Review:

In this fourth outing of the extremely unlikely duo of Daniel Hawthorne and his reluctant scribe – and all too frequently foil – Anthony Horowitz (yes, the author, really, truly and probably sorta/kinda all at once), it’s Horowitz himself who is accused of murder and quite thoroughly stitched up into the bargain.

He needs Hawthorne, which puts Hawthorne very much in the catbird seat of their strange partnership. Horowitz, referred to as ‘Tony’ in the book to differentiate himself as character from his real self as author, has just turned down Hawthorne’s request that they pair up for yet a fourth book, after The Word is Murder, The Sentence is Death and A Line to Kill.

Tony feels like he’s both out of punny titles and out of patience with Hawthorne. The former, obviously not as it turns out. The latter, frequently and often.

But Hawthorne is sure they have an entire series in them, and lo and behold, they do!

Escape Rating A+: The Hawthorne and Horowitz series is a quirky read. If you like it, you really, really like it (obviously I do), but if its quirks don’t quite set your tastes on fire, they don’t. It’s a break the fourth wall kind of series, with a heaping helping of art imitating life rather a lot.

The Horowitz of the series title is the author of the book, Anthony Horowitz. He’s a version – at least I presume it’s a version – of his real-life self, Anthony Horowitz the novelist and playwright, the creative mind behind the still totally awesome TV series Foyle’s War, etc., etc., etc. But he is far, far from the hero of this series.

He plays Watson to the Sherlock of ex-London Metropolitan police detective Daniel Hawthorne. And it’s a bumbling Watson who sometimes makes the most vapid and insipid portrayals of Watson look like absolute geniuses. (Edward Hardwicke’s wonderful and intelligent take on Watson in the Granada TV series with Jeremy Brett ‘Tony’ most certainly is NOT.)

In other words, the author resisted what must have been a great temptation to make himself the hero of this series and instead turned himself into its everyman substitute for the audience, the character who is not able to follow the ‘great detective’, in this case Hawthorne, and requires that every clue be explained to him – and therefore to the audience as well.

Which is part of the charm of this series, and also part of why it runs so much against type for me as a reader and yet I still adore the damn thing. Because I usually read mysteries for their competence porn aspects. The investigator in the series usually demonstrates extreme competence in order to solve the twisty murder. And that’s not exactly what happens here.

Tony is far from competent as an amateur detective, in spite of the many mysteries he’s written. He’s always at least two steps behind Hawthorne. Which actually isn’t too bad as the real police are at least three or four steps behind him. But still, he’s made his own character a bit of a nebbish and I can’t help but wonder if that reflects real life AT ALL. I suspect not or he wouldn’t be half as successful as he is.

But I digress.

Hawthorne, on the other hand, is über-competent. He’s just a secretive asshole about it. So we don’t get to see what he’s really doing or thinking until the very end when he makes everyone involved look like utter fools. Because they were. So he’s extremely competent but we don’t get to enjoy it because he’s such a jerk about pretty much everything.

Like most mysteries where the official police are more interested in scoring off the private detective – in this case Hawthorne and by extension his ‘associate’ Tony – than solving the crime, the first suspect is never the real murderer. So it can’t be Tony, no matter how the evidence seems stacked against him.

That the victim was a vile individual that had made a career out of publicly venting their spleen should have led even the dimmest bulb to the possibility that the line of possible murderers would be long enough to circle the country at least twice. To the point where I was beginning to wonder if it was going to turn out to be a Murder on the Orient Express situation.

In the end, the solution is ingenious, the motive was both simple and complex at the same time, the killer was exposed but no one got their just desserts except the woman who was already dead. And that was exactly right.

While Hawthorne got his series after all. Which is fantastic!

While I can’t find any word on when the projected fifth, sixth and seventh (!) books in the Hawthorne and Horowitz series will be out, or even the next book in the Susan Ryeland series which I also love (even when it’s driving me crazy), the first book in that series, Magpie Murders, is now available as a 6-episode TV series. And I’m off to watch it ASAP!