Format: eARC

Review: The Little Italian Hotel by Phaedra Patrick

Posted on by Marlene Harris | Author : | B Reviews> blog tours> book reviews
Review: The Little Italian Hotel by Phaedra PatrickThe Little Italian Hotel by Phaedra Patrick
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: relationship fiction, travel fiction, women's fiction
Pages: 320
Published by Park Row on June 6, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

When a relationship expert’s own marriage falls apart, she invites four strangers to Italy for a vacation of healing and second chances in this uplifting new novel from the author of 
The Messy Lives of Book People
.
Ginny Splinter, acclaimed radio host and advice expert, prides herself on knowing what’s best for others. So she’s sure her husband, Adrian, will love the special trip to Italy she’s planned for their twenty-fifth wedding anniversary. But when Ginny presents the gift to Adrian, he surprises her with his own very different plan—a divorce.
Beside herself with heartache, Ginny impulsively invites four heartbroken listeners to join her in Italy instead while live on air. From hiking the hills of Bologna to riding a gondola in Venice to sharing stories around the dining table of the little Italian hotel, Ginny and her newfound company embark on a vacation of healing.
However, when Adrian starts to rethink their relationship, Ginny must decide whether to commit to her marriage or start afresh, alone. And an unexpected stranger may hold the key to a very different future… Sunny, tender and brimming with charm, The Little Italian Hotel explores marriage, identity and reclaiming the present moment—even if it means leaving the past behind.
Look for Phaedra Patrick’s previous charming bestsellers! The Curious Charms of Arthur Pepper Rise and Shine, Benedict Stone The Library of Lost and Found The Secrets of Love Story BridgeThe Messy Lives of Book People

My Review:

There are a slew of really good reasons why doctors make the worst patients and lawyers who represent themselves have fools for clients. In both cases the practitioner, no matter how successful they are in their profession, are generally incapable of having the emotional distance necessary to do that job well when it comes to their own lives.

The same thing is true of therapists – and undoubtedly advice columnists. It’s easy to give advice to other people, but hard to see one’s own problems – even when they are staring you in the face.

And that’s where Ginny Splinter’s journey to The Little Italian Hotel begins, when a caller into her radio talk show/advice column tells her that her so-called ‘perfect life’ is anything but. A truth that Ginny has been trying to keep herself from looking into for a whole lot longer than she is willing to admit. Even to herself. Especially to herself.

Ginny’s marriage has, not a communications problem, but a communications chasm. She keeps trying to patch it over, while her husband Adrian has just detached himself from it and from her. Neither of them is innocent. Neither of them is particularly guilty – at least not yet – either.

Although there’s a vat of acid waiting for Adrian because he IS a real douche about the whole thing. But that’s attitude and not adultery – at least not yet.

When the feces hits the oscillating device Ginny is left with an empty house, a hole in her heart, an adult daughter she’s not ready to rip the emotional bandage off of just yet – and an over-the-top, romantic-to-the-max, totally non-refundable, three week holiday in Italy that she has no idea what to do with.

Her solution to that one practical part of her dilemma sits right on that fine line between genius and insanity – and could tip either way at a moment’s notice. She can’t get her money back, but she can switch the trip from expensive and uber-romantic for two to a much less expensive family-run small-town pensione for five. Since the trip is already paid for, she invites four of her listeners to come along with her on a trip to hopefully heal all of their broken hearts.

She has no plan, no itinerary, and no previous knowledge of ANY of her new traveling companions. It’s either going to be three weeks of wonder, three weeks of limbo, or three weeks of hell on Earth.

But it just might work. And it will absolutely, positively (or perhaps negatively) be an adventure!

Escape Rating B: The thing that struck me about The Little Italian Hotel, once we start getting to know the whole ensemble, is that the story doesn’t give any one kind of grief more weight than any other. And that was terrific because of the way it validates all the feelings in ways that we don’t often see jumbled together in one story.

While the group wasn’t as diverse as it could have or possibly should have been, it did represent a spectrum of the different ways that life can fall completely apart and just how hard it is to get out of your own head to get yourself on a positive trajectory after the fact.

Ginny, as is obvious from the blurb, is 50 and is looking at a marriage that wasn’t nearly as ‘perfect’ as she thought it was. A revelation that will change the course of the rest of her life, whether they patch things back together or go their separate ways. And I loved that even though some of the blurbs refer to this as a romance, it really isn’t. This is Ginny’s journey to finally learning what she wants out of her life for her ownself and that’s lovely.

Her travel companions range from 20 something Eric who has lost his best friend, to 80 something Edna who lost her husband and special needs daughter decades ago and has just sold her house full of memories to move to a retirement village. The griefs and losses weighing down 30 something Curtis and 40 something Heather are just as heartbreaking and completely different from each other’s and everyone else’s.

What makes the story fun is that it is a journey of discovery for everyone, including the pensione’s owner and his college-age daughter. The group as a whole grows together, sometimes drifts apart, drives each other crazy and individually and collectively goes places both emotionally and physically they never thought they’d go.

And wouldn’t have been able or willing to go alone.

This is also a bit of a slice-of-life/slice-out-of-life story, and like life itself, it doesn’t really come to a definitive ending, at least not for Ginny herself. She decides to continue her journey of discovery, but not by either traveling around the world or falling in love as happens in Eat, Pray, Love. (The whole thing is a bit of Eat, Pray, Love mixed with The Best Exotic Marigold Hotel, making it charming all the way around.) But it’s not quite a happy ever after, and it’s not exactly a romance, and it’s just a tiny bit equivocal in its finish that is not exactly an ending.

And isn’t that just like life?

Review: What Darkness Brings by C.S. Harris

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: What Darkness Brings by C.S. HarrisWhat Darkness Brings (Sebastian St. Cyr, #8) by C.S. Harris
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Sebastian St. Cyr #8
Pages: 349
Published by New American Library, Berkley on March 5, 2013
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

London, September 1812. After a long night spent dealing with the tragic death of a former military comrade, a heart-sick Sebastian learns of a new calamity: Russell Yates, the dashing, one-time privateer who married Sebastian’s former lover Kat Boleyn a year ago, has been found standing over the corpse of notorious London diamond merchant Benjamin Eisler. Yates insists he is innocent, but he will surely hang unless Sebastian can unmask the real killer. For the sake of Kat, the woman he once loved and lost, Sebastian plunges into a treacherous circle of intrigue. Although Eisler’s clients included the Prince Regent and the Emperor Napoleon, he was a despicable man with many enemies and a number of dangerous, well-kept secrets—including a passion for arcane texts and black magic. Central to the case is a magnificent blue diamond, believed to have once formed part of the French crown jewels, which disappeared on the night of Eisler’s death. As Sebastian traces the diamond’s ownership, he uncovers links that implicate an eccentric, powerful financier named Hope and stretch back into the darkest days of the French Revolution. When the killer grows ever more desperate and vicious, Sebastian finds his new marriage to Hero tested by the shadows of his first love, especially when he begins to suspect that Kat is keeping secrets of her own. And as matters rise to a crisis, Sebastian must face a bitter truth--that he has been less than open with the fearless woman who is now his wife.

My Review: 

The Hope Diamond in 1974

The Hope Diamond, the very real, very beautiful and very large Hope Diamond, is currently owned by the Smithsonian Museum and housed in the Smithsonian National Museum of Natural History.

Once upon a time, the Hope Diamond was just a bit bigger than the 45.52 carats it is today and was part of the Crown Jewels of France. Then there was that little historical incident known as the French Revolution, and the Crown Jewels were first put on display and then stolen in 1792.

At which point it disappeared from history, only to reappear in its current size and setting in 1839 as the Hope Diamond in a gem catalog from the banking family of that name.

So where did it go between 1792 and 1839? It’s not exactly the kind of thing that a person could hawk on a street corner – or even take to the usual dealers in stolen goods. Because of its unusual color, it was too easy to trace – even after cutting it down from its original OMG 115 carats to the (still OMG) 67.125 carat gem that was part of the French Crown Jewels.

When the noted art collector, diamond merchant, high-priced pawnbroker and all-around thoroughly disgusting example of humanity Daniel Eisler is killed in his own front parlor, it’s not a case that would normally involve Sebastian St. Cyr, Viscount Devlin. But the man accused of the murder is dear to a woman Devlin once loved. She claims her husband is innocent – of that crime at least.

Devlin agrees to look into the killing, as it’s pretty obvious that whatever else is going on, there’s been somewhat of a rush to judgment, to the point where it looks like a fix is in. A fix that has tentacles that reach all the way up to the highest powers in that land – whether one defines those high and mighty powers as the Prince Regent or Devlin’s father-in-law, the power behind Prinny’s shaky throne.

At first, it doesn’t seem possible that the famous blue diamond could have anything to do with the death of a dealer whose hands it may have passed through, once upon a time. After all, Daniel Eisler – at least in his fictional incarnation – is such a thoroughgoing bastard that most who hear of his death consider it an improvement to humanity as a whole.

(Daniel Eisler was based on a real person, Daniel Eliason, who really does occupy a place in the history of the Hope Diamond at the time this story takes place. However, the real person does not seem to have been anything like as poor an excuse for a human being as his fictional counterpart.)

But the deeper Devlin digs, the more the diamond – and the agents of Napoleon still hunting it after twenty years – appears to be at the center of a case that otherwise gets darker and murkier as it goes.

Revealing secrets and lies that have lurked in the shadows of the seemingly war with France – and have the potential to rock Prinny’s unstable Regency to its foundations.

Escape Rating A: It’s not much of a surprise that after Tuesday’s book reminded me SO MUCH of St. Cyr that I would be hearing the siren song of the next book in my catch-up read of the series. I kind of wish I’d listened to that voice a bit more readily, as once I started What Darkness Brings I fell right into it with a grateful sigh.

One of the things that I’ve loved about this series is the way that it blends real historical events and figures with a story that often feels “ripped from the headlines” of its own era’s newspapers and gutter press.

Nearly all the history of the Hope Diamond and the French Blue diamond from which it was cut really happened – especially the truly wild bits about the original theft. The speculation about why that theft occurred and just how it got to England are not just plausible but have been looked into as possibilities over the centuries. One part of that speculation and conjecture in Devlin’s time, however, has been verified. In 2005, when scientific testing confirmed that the Hope Diamond was, in fact, cut from the gem in the French Crown Jewels.

At first, I didn’t think the plots in this entry in the series were going to reach nearly as high as they did, but once you read even a bit of the true history and the conjectures that surround it, it made sense that it turned out the way it did.

The way the murder, the theft plot and the real history branched and intertwined made this entry in the series one hell of a wild ride, while still tying up loose ends from previous entries and opening up entirely new fields of questions for future books in the series – some of which have admittedly been answered by the point where the series as a whole rests – hopefully temporarily – after Who Cries for the Lost closed its own set of doors and opened yet more to keep us all on pins and needles until the next entry in the series.

Next up in my catching up/filling in read of the St. Cyr series will be Why Kings Confess. And I confess that I’ll be picking that up the next time I’m looking for a comfort read, or guaranteed competence porn, or just have the urge to see what I missed with these marvelous characters!

Review: A Thousand Recipes for Revenge by Beth Cato

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: A Thousand Recipes for Revenge by Beth CatoA Thousand Recipes for Revenge by Beth Cato
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, historical fantasy
Series: Chefs of the Five Gods #1
Pages: 411
Published by 47North on June 13, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Bookshop.org, Better World Books
Goodreads

A world on the brink of war and a mother and daughter on the run, in a thrilling novel of swashbuckling adventure, culinary magic, and just desserts.
Adamantine “Ada” Garland has an empathic connection to food and wine, a magical perception of aromas, flavors, and ingredients. Invaluable property of the royal court, Ada was in service to the Five Gods and to the Gods-ordained rulers of Verdania—until she had enough of injustice and bloodshed and deserted, seeking to chart her own destiny. When mysterious assassins ferret her out after sixteen years in hiding, Ada, now a rogue Chef, and her beloved Grand-mère run for their lives, only to find themselves on a path toward an unexpected ally.
A foreign princess in a strange court, Solenn unknowingly shares more with Ada than an epicurean gift. They share blood. With her newfound magical perception, she becomes aware of a plot to kill her fiancé, the prince. It’s part of a ploy by adversarial forces in the rival country of Albion to sow conflict, and Solenn is set up to take the blame.
As Ada’s and Solenn’s paths converge, a mother and her long-lost daughter reunite toward a common goal, and against a shadowy enemy from Ada’s past who is out for revenge. But what sacrifices must be made? What hope is there when powerful Gods pick sides in a war simmering to eruption?

My Review:

There are a thousand quotes about revenge and most of them are not kind to the person seeking it. But it’s possible that the one in the world of these particular five gods is the most bitter, literally and figuratively. “There are a thousand recipes for revenge, and they all taste like scat.”

In other words, revenge tastes like shit. In a world where the ability to perceive and even enhance the qualities of every single thing a person might eat or drink is the highest form of magic, that has to be one of its world’s greatest curses.

And a warning that entirely too many people have refused to heed in this fantastic story that has only just begun.

At first, we’re following two women who don’t seem to have much to do with each other. And even though we don’t know it yet, someone’s revenge has reached out, seemingly from beyond the grave, to do its best to turn both their lives into shit.

Or perhaps something a bit worse but surprisingly edible – even if it really, really shouldn’t be. Which is where this world’s magic comes in.

Ada Garland is one of the chefs blessed by Gyst, the God of Mysteries and Unknowns. Her tongue is literally magic. She can tell whether something is clean or polluted, poisonous or just badly prepared, too salty, too sweet, or perfectly balanced. Her magic allows her to make the dish that a person wants and needs most in that moment – and do it perfectly every time.

And she has the power to turn certain special ingredients, called epicurea, into magical items that will pass their magic on to whoever eats them.

It’s a gift and a curse at the same time, as all blessed chefs in her country are automatically conscripted into the royal service the moment their talents manifest. It’s a service that led Ada to her husband and their child. And it’s a service that split them apart when the alliance between their countries dissolved.

Ada is on the run, and has been for over a decade, taking care of her increasingly unstable grandmother while avoiding the grasping, greedy mother who wants to use her and her talent for ends that are even more unsavory than Ada first believed.

The revenge that reaches out for Ada, her friends and her family threatens to expose all of her secrets – and theirs. If it doesn’t get them all killed first. Or worse. Much, much worse.

Escape Rating A+: I picked this up because I was looking for something else with magical cookery after The Nameless Restaurant. Both stories do feature cookery as Magic with a Capital “M”, but that is the only thing they have in common. I’m still grateful for the push from the one to the other, because A Thousand Recipes for Revenge is just plain awesome and I’m so glad I read it, even if it is making me give the side-eye to pretty much everything I eat.

The magic system here is both fascinating and unsettling at the same time, because it’s all wrapped around magical foods, the ability to create them and the ability to taste them. This is a world where many people can cook, and unsurprisingly so or everyone would starve, but where it takes a gift from the actual gods to be a chef. But the silver lining of that gift comes with plenty of cloud wrapped around it, as both Ada and Princess Solenn discover to their cost.

This is also definitely one of those stories about being better off – or at least sleeping better at night – if one did not know how the sausage was made. It’s a secret that has been brutally suppressed in this world for excellent if entirely terrible reasons.

At first, this seems like a rather typical military type, gaslamp set fantasy. Ada is AWOL from her military service, while our second perspective on this story, Princess Solenn, is in the midst of being married off for a political alliance.

But then Ada’s old comrades start getting killed, Ada’s hidden existence is suddenly under threat, and it seems like she’s on the run from awful but otherwise mundane forces. Until things go completely pear-shaped and the gods start getting involved. At which point it’s off to the races – against time, against death, against the forces of oppression and most especially against petulant beings who would rather play with their food than either nurture it, treat it as a pet or kill it as prey.

And then things get really complicated.

I thought I knew where this was going. And then I thought I knew where this was going. But it didn’t go any of the places I thought it would, but where it did end up was both head spinning and stomach churning as well as a tremendous tease because there had to be more and at first I didn’t realize there was, but there is and oh thank goodness!

Ada and Solenn give readers two heroines to route for, as this is both Ada’s story of picking up the pieces of the life she left behind and Solenn’s coming of age story and both are fantastic. The world’s setup at first seems fairly standard epic fantasy and then goes to places that are fresh (if occasionally rotting) and new and unexpected. There are bits of Bujold’s World of the Five Gods and Jenn Lyons’ A Chorus of Dragons in the way that the gods of this world operate, as well as Guy Gavriel Kay’s and Jacqueline Carey‘s use of real world geography and history as a way of creating a fantasy world’s map and political divisions, but the magic system is just completely off a new wall and it’s marvelous in the way it suffuses the story.

Which, as I squeed earlier, thankfully isn’t done yet. There’s a second book in the Chefs of the Five Gods series, A Feast for Starving Stone, coming in January. And I can’t wait!

Review: The Benevolent Society of Ill Mannered Ladies by Alison Goodman

Posted on by Marlene Harris | Author : | B+ Reviews> blog tours> book reviews
Review: The Benevolent Society of Ill Mannered Ladies by Alison GoodmanThe Benevolent Society of Ill-Mannered Ladies (The Ill-Mannered Ladies, #1) by Alison Goodman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Ill-Mannered Ladies #1
Pages: 464
Published by Berkley on May 30, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A high society amateur detective at the heart of Regency London uses her wits and invisibility as an 'old maid' to protect other women in a new and fiercely feminist historical mystery series from New York Times bestselling author Alison Goodman.
Lady Augusta Colebrook, "Gus," is determinedly unmarried, bored by society life, and tired of being dismissed at the age of forty-two. She and her twin sister, Julia, who is grieving her dead betrothed, need a distraction. One soon presents itself: to rescue their friend's goddaughter, Caroline, from her violent husband.
The sisters set out to Caroline's country estate with a plan, but their carriage is accosted by a highwayman. In the scuffle, Gus accidentally shoots and injures the ruffian, only to discover he is Lord Evan Belford, an acquaintance from their past who was charged with murder and exiled to Australia twenty years ago. What follows is a high adventure full of danger, clever improvisation, heart-racing near misses, and a little help from a revived and rather charming Lord Evan.
Back in London, Gus can't stop thinking about her unlikely (not to mention handsome) comrade-in-arms. She is convinced Lord Evan was falsely accused of murder, and she is going to prove it. She persuades Julia to join her in a quest to help Lord Evan, and others in need—society be damned! And so begins the beguiling secret life and adventures of the Colebrook twins.
A rollicking and joyous adventure, with a beautiful love story at its heart, about two rebellious sisters forging their own path in Regency London

My Review:

Lady Augusta Colebrook is an ape-leader. She’s a 42 year old spinster with no prospects of marriage whatsoever – and she’s content in that state, living with her twin sister Julia in rather well-upholstered circumstances. Lady Augusta and Julia may still be under the control of the younger brother who inherited the title, but his control is limited to general opprobrium and ownership of the house they live in as they have independent means of their own.

What makes Lady Augusta (generally called Gus by her friends and intimates) an ape-leader? The term is from an old English adage which said that a spinster’s punishment after death, for failing to procreate, would be to lead apes in hell. Technically both Gus and Julia are ape-leaders, but Gus’ personality tends toward leading considerably more than Julia’s does or ever will.

Julia is a peacemaker who thinks the best of everyone. Gus is the person in whose wake Julia is generally trying to make peace after Gus has refused to kowtow to the behavioral expectations due to her gender.

The sisters should be content to sit on the sidelines of Regency society and mind their own behavior while observing the misbehavior (amorous and otherwise) of the younger and livelier members of the ton.

But there’s life in both of these “old girls” yet, and Gus at least is determined to make sure that both of them experience that life to the fullest – for whatever time her sister might have left. Which leads them to the kind of dangerous derring-do that neither of them ever expected.

The kind of adventure in the kinds of places that may very well get them killed – even as it opens their eyes to the kinds of things that no well-bred, well-behaved woman is expected to see or know.

But once they’ve seen, once they know, they can’t unsee. And they can’t help but try to fix what they can with as much benevolence as possible.

Escape Rating B+: “Well behaved women seldom make history” or so goes the famous quote by Laurel Thatcher Ulrich, which may be a quote from 1976 rather than the Colebrook sisters Regency – but very much still applies.

It’s also the reason I picked this book up.

The cover, and the blurb, both lead readers to the impression that this book is going to be on the light and frothy side, but that is far from the case. Rather than being a look at the frivolities and minor disgraces in the life of the ton, as so many Regency romances are, The Benevolent Society of Ill-Mannered Ladies shines its light in very dark places, in a way that is not dissimilar to C.S. Harris’ Sebastian St. Cyr series.

Both the Colebrook sisters and St. Cyr are conducting their investigations during the Regency period, in this book specifically 1812 – which is also the year in which books 4 through 8 of the St. Cyr series (Where Serpents Sleep, What Remains of Heaven, Where Shadows Dance, When Maidens Mourn, What Darkness Brings) take place. Both series expose the slimy underbelly of the glittering Regency, but they do it from different perspectives.

St. Cyr, as a member of the aristocracy, operates within the halls of power, while the Colebrook sisters, as disregarded females on the outskirts of the ton, expose the dangers that specifically affect women in that society merely for living while female. In a way, it’s as though Sebastian’s wife Hero, a social reformer in her own right, was the focal point of his series.

(This is all a very large hint that if you enjoy the one series you’ll probably enjoy the other, as they are shining their lights into the dark places of the same historical period. Just not the same dark places.)

What makes the dark places that the Colebrook sisters so chilling is that the places their so-called ill-behavior takes them were all much too real. And it’s much too easy for a reader to imagine themselves in those circumstances. Women really were not just their husband’s property in this era, but his to seemingly dispose of as he pleased, even into an early grave whether indirectly by way of an insane asylum or by an outright murder which was entirely too easy to cover up in a world where a man’s word was law, his wife was chattel and forensic science hadn’t even reached infancy yet.

It’s no wonder that Gus has no desire to marry – she’s too intelligent not to be aware that for a woman with both independent means and an independent streak a mile wide, the costs for her could be deadly.

The conditions that Gus and Julia investigate in the three stories that make up this book are dark, gruesome and inescapably real, to the point where this book needs a whole lot more trigger warnings than that blurb would lead one to believe.

Whether or not a reader will stick through those dark places is going to depend a lot on how one feels about Gus and Julia, because they, especially Gus, are the ones leading us through multiple valleys of the shadow of death, and if they aren’t people you’re willing to follow, then it doesn’t work.

I felt for Gus, and liked her intelligent observations of the conditions she was supposed to live under and decided to refuse from her position of relative privilege. I’m not totally sure she successfully walked that fine line between giving a historical-set heroine enough agency to do the things we need her to do to be the protagonist without making her more of a creature of our time than hers. Julia does feel like a woman of her times, which is why she drove me a bit crazy as a character as I couldn’t get into her head at all.

Your reading mileage may vary when it comes to Gus and Julia, but there seems to be no debate on the personality of their brother Duffy. Duffy is used to demonstrate just how circumscribed their lives are supposed to be by the lights of their society. He’s also a total arsehat, a person whose head is so far up their arse that they are wearing it for a hat. And in Duffy’s case, only the British spelling will do. He’s the character we all love to hate. If this were the froth that the cover picture leads you to believe, he’d be both the villain AND the comic relief.

Instead he’s a symbol of everything that’s wrong and just why Gus needs to fight back so damn much and so damn hard.

While there is a bit of a romance hinted at, this is far, far, far from being what is usually meant by a Regency romance – and it’s a much more interesting book for it, but perhaps not for the faint of heart.

Review: Light Chaser by Peter F. Hamilton and Gareth L. Powell

Posted on by Marlene Harris | Author : | book reviews
Review: Light Chaser by Peter F. Hamilton and Gareth L. PowellLight Chaser by Peter F. Hamilton
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera
Pages: 173
Published by Tordotcom on August 24, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In Peter F. Hamilton and Gareth L. Powell's action-packed sci-fi adventure Light Chaser, a love powerful enough to transcend death can bring down an entire empire.
Amahle is a Light Chaser - one of a number of explorers, who travel the universe alone (except for their onboard AI), trading trinkets for life stories.
But when she listens to the stories sent down through the ages she hears the same voice talking directly to her from different times and on different worlds. She comes to understand that something terrible is happening, and only she is in a position to do anything about it.
And it will cost everything to put it right.

My Review:

How to reboot the galaxy in 10 (or so) not so easy lessons. Because that first lesson includes the really heavy lifting of getting you to believe that the cushy, if a bit lonely, life you’ve been leading for millennia NEEDS to be rebooted in the worst way.

And that you’re the only one who can possibly do the job. If you can be convinced to deal with the heartbreak of both a completely epic betrayal on a galactic scale AND the heartbreak of un-forgetting the loss of the love of your artificially long life. Over and over again.

Amahle is the Light Chaser of the title. She, and all of her ilk, travel in endless repeating circuits of their little corner of the galaxy, distributing trinkets, treasures and carefully curated technology to dozens – or perhaps hundreds – of stagnant little planets in return for recordings of memories and experiences faithfully preserved in high-tech collars in the centuries since their previous visits.

There’s nothing sinister about the recordings themselves. In fact, the reverse. The Light Chasers are treated pretty much like deities, and the tech and the treasure that they bring is a boon to both the individual economies and the local planetary government. The collars keep records only, they don’t take anything from their wearers.

But the conditions of the planets. That’s where things get sinister. Because each planet is locked in whatever era of development it was created – whether their situation is bloody, medieval horror or post-scarcity techno-pampered ennui.

There’s no growth. There’s no change. There’s no evolution. Golden ages last forever – but so do Dark ones. To the point where Amahle, no matter how many times her memory has been wiped, is starting to notice.

Which is where Carloman comes in. Over and over again. Seemingly reborn on multiple planets in multiple eras, seeking out one of her collar-wearers so that he can deliver a message. Knowing that she will inevitably see that message in the long (at least relatively) journeys between the stars.

If he doesn’t manage to get the whole message across in one circuit, he’ll simply have to try again. Until he gets it right. Or she does.

Escape Rating B: As much as I LOVED yesterday’s Red Team Blues, I did go into it thinking I was going to get something SFnal – so I had still had a taste for that in my mind. (And I had another book just fail.) So I went looking for something short and SFnal that I already had – which is where Light Chaser comes in.

There are two threads to this story. The first one is hidden – at first. Because from one perspective, Light Chaser is the ultimate star-crossed, crosstime, long-distance romance. It’s so long distance and so far across time that initially Amahle doesn’t even remember that once upon a time, it happened. (And yes, there are hints of This is How You Lose the Time War if you squint a bit.)

Amahle’s been made to forget, repeatedly and often over the very long years, but her once and future love, Carloman, loves her so damn much that he’s managed to get around a veritable empire of AIs that are keeping them apart.

We never do find out how he does that, we only know that he has. And does. And possibly will again if it doesn’t work this time around.

The truly SFnal part of the story is the story of Amahle’s life in her here and now, as Carloman’s intrusions into the collars she has collected and viewed slowly but surely strips away her somewhat bored complaisance and wakes her up to a truth that seemingly only he can see. But once she’s seen it, she can’t unsee it, to the point where she tears her whole world apart to get it back.

It starts at the end and ends at the beginning, but along the way it portrays a far future world that isn’t what it ought to be – and tells the story of the painful stripping away of both illusion and self needed to get it back on track.

I finished Light Chaser wanting just a bit more of pretty much everything, as there is a LOT of handwavium involved in making the whole thing work. But within the constraints of a novella, it does a terrific job of making the reader think right along with Amahle. Digging this one out of the depths of the virtually towering TBR pile was absolutely the right thing to do!

Review: Red Team Blues by Cory Doctorow

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Red Team Blues by Cory DoctorowRed Team Blues (Martin Hench) by Cory Doctorow
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback ebook, audiobook
Genres: computer history, technothriller, thriller
Series: Martin Hench #1
Pages: 213
Published by Tor Books on April 25, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

New York Times bestseller Cory Doctorow's Red Team Blues is a grabby next-Tuesday thriller about cryptocurrency shenanigans that will awaken you to how the world really works.
Martin Hench is 67 years old, single, and successful in a career stretching back to the beginnings of Silicon Valley. He lives and roams California in a very comfortable fully-furnished touring bus, The Unsalted Hash, that he bought years ago from a fading rock star. He knows his way around good food and fine drink. He likes intelligent women, and they like him back often enough.
Martin is a―contain your excitement―self-employed forensic accountant, a veteran of the long guerilla war between people who want to hide money, and people who want to find it. He knows computer hardware and software alike, including the ins and outs of high-end databases and the kinds of spreadsheets that are designed to conceal rather than reveal. He’s as comfortable with social media as people a quarter his age, and he’s a world-level expert on the kind of international money-laundering and shell-company chicanery used by Fortune 500 companies, mid-divorce billionaires, and international drug gangs alike. He also knows the Valley like the back of his hand, all the secret histories of charismatic company founders and Sand Hill Road VCs. Because he was there at all the beginnings. He’s not famous, except to the people who matter. He’s made some pretty powerful people happy in his time, and he’s been paid pretty well. It’s been a good life.
Now he’s been roped into a job that’s more dangerous than anything he’s ever agreed to before―and it will take every ounce of his skill to get out alive.

My Review:

Martin Hench doesn’t really believe in that saying about the best defense being a good offense. Or rather, that it may work just fine in other fields, but it doesn’t work at all in his.

Martin would describe himself as a forensic accountant. And it’s true for certain definitions of all of the words. But what Martin really does is provide leverage – and yes, that’s “leverage” in the sense of the TV series. When someone has used dirty tricks – even if said tricks are technically legal – to hide someone else’s money, Martin has the skills with money, spreadsheets and investigative techniques to figure out where that money went and get it back for you.

For 25% of the value of what gets returned. Martin is very, very good at his freelance gig.

Which is why one of his oldest and dearest friends asks Martin to clean up a terrible costly mistake. Which leads Martin into the tangled, thorny weeds of cryptocurrencies, blockchains and governmental bureaucracies determined to look the other way as long as harm gets reduced to “acceptable” levels. Meaning that their allies, agents and patsies don’t get caught with their hands in the cybersecurity cookie jar.

Martin doesn’t believe in that old saw about defenses vs. offenses because people can’t switch their mindset between being the offense – red teamers like Martin – and being on the blue team defense. From Martin’s perspective, the blue team has to be perfect 24/7/365, while the red team just needs to find one, single mistake and exploit it for all it’s worth. Usually a lot with the kind of businesses that Martin generally deals with.

But helping his friend Danny, figuring out who stole the cryptokey generating laptop that Danny should never have put together in the first place, is exactly Martin’s kind of job. An investigation into the cracks to find something hidden. It should have been an easy $250 million – or thereabouts.

When his investigation leads to three dead 20somethings and a trail of double-crosses, it becomes the kind of trouble that has Martin on the run from both the feds who want to protect their assets and the very nasty people who want to blame Martin for the doublecross.

Forcing lifelong red teamer Martin straight onto the blue team, desperate for a way to save his own life, knowing that all it will take is one mistake for it all to be over just when it’s really getting to be interesting.

Escape Rating A+: I galloped through Red Team Blues in a single sitting. It wasn’t any of the things I was expecting it to be, but it was just so damn good – and utterly compelling from the first to the last.

To the point where I seriously hope this is the start of a series (I just found out that IT IS!), because I want more of both Martin Hench’s adventures and his wryly acerbic and somewhat self-deprecative point of view.

Red Team Blues has the feel of a caper thriller. Rather like Leverage, in fact, or any thriller where the hero is running as fast as they can to get away from people who are out to get them for something they aren’t even responsible for while desperately seeking a way out of a jam that they should not even be in.

Those kinds of stories are always fun when they are done right – and Red Team Blues is absolutely done right.

What this isn’t, and what one might expect considering the author’s body of work (and that it’s published by Tor Books) is science fiction. This isn’t set in even a relatively near future. It’s now. Crypto and blockchain may not currently be in exactly the same state that they are in this story, but otherwise, it’s just now.

Which makes the whole thing just that much more fascinating, as Martin’s techniques about investigating the case and finding where the money went by mining social media and poking into publicly available information are all entirely possible. So what makes this such a compelling read is how he goes about it.

Being set in the now provides opportunities for all kinds of social and political commentary, set in Martin’s sometimes sarcastic, often world-weary, voice. In the end, I followed him because I liked him and wanted to see where he went and how he got out of the pickle that is trying to swallow him – one way or another.

So Red Team Blues is a technothriller where you don’t have to understand all the ins and outs of the techno in order to get fully immersed in the thriller. I had a ball with this one, and I hope you will too.

Martin Hench will be back next February in The Bezzle. YAY!

Review: Dear Chrysanthemums by Fiona Sze-Lorrain

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: Dear Chrysanthemums by Fiona Sze-LorrainDear Chrysanthemums: A Novel in Stories by Fiona Sze-Lorrain
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction, literary fiction
Pages: 176
Published by Scribner on May 2, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads


A startling and vivid debut novel in stories from acclaimed poet and translator Fiona Sze-Lorrain featuring deeply compelling Asian women who reckon with the past, violence, and exile—set in Shanghai, Beijing, Singapore, Paris, and New York.

“Cooking for Madame Chiang” set in 1946: Two cooks work for Madame Chiang Kai-shek and prepare a foreign dish craved by their mistress, which becomes a political weapon and and leads to their tragic end. “Death at the Wukang Mansion” set in 1966: Punished for her extramarital affair, a dancer is transferred to Shanghai during the Cultural Revolution and assigned to an ominous apartment in building whose other residents often depart in coffins. “The White Piano” set in 1996: A budding Asian pianist from New York settles down in Paris and is assaulted when a mysterious piano arrives from Singapore. “The Invisible Window” set in 2016: After their exile following the Tiananmen massacre, three women gather in a French cathedral to renew their friendship and reunite in their grief and faith.
Evocative, vivid, disturbing, and written with a masterful ear for language, Dear Chrysanthemums renders both a devastating portrait of diasporic life and inhumanity, as well as a tender web of shared memory, artistic expression, and love.

My Review:

In the beginning, or at least the chronological beginning of this “novel in stories”, there are two women in a third woman’s kitchen. That story, “Cooking for Madame Chiang, 1946” manages to both tell a complete story AND weave together all the threads that permeate the entire work in a way that seems to achieve more depth and more interconnectivity the more I think about it.

The two women in that kitchen, Little Green and Chang’er, are cooking for Madame Chiang Kai-Shek in 1946 after the end of the Second Sino-Japanese War, known in the West as World War II and just prior to the Chinese Communist Revolution.

All the stories in this collected novel relate back to those three women and what they represent, sometimes figuratively, often literally as many of the stories are centered around Chang’er’s descendants.

So this is a collection of stories of women’s perspectives on 20th century China, as seen through the eyes of Chang’er and her daughters and granddaughters who became part of the Chinese Diaspora in Singapore, while Little Green’s story is hers alone as her service to the Westernized Madame Chiang made her a target of the Revolution.

Some of the stories’ connections to Chang’er and Little Green are not obvious at first (“Death at the Wukang Mansion, 1966” is one such story) and are only revealed as the reader follows the course of the braided novel back and forth through time.

It is also symbolic that all of these stories take place in years that end in the number six, from the 1946 of “Cooking for Madame Chiang” to the 2016 of “The Invisible Window”. The number six in Chinese divination signifies a “smooth life”, something that none of the women in these interconnected stories manages to achieve.

But in their less than smooth lives we get glimpses of the choppy seas that each of them navigated, whether they remained in China or fled to far-distant shores, and how the experiences that led or followed them impacted the rest of their lives – and their century.

Escape Rating B+: I left this collection feeling both enchanted and teased. Each story is a bit of a treasure hunt and a chef’s kiss wrapped into one. The treasure is figuring out how each woman connects to the others. The chef’s kiss is in the way that each story is complete in itself, beautifully told, but still leaves the reader wishing for more – not necessarily more of that story in particular, but more of the history and background in general. The way the stories are each told make it clear that there are vast depths to be explored that this collection can only hint at.

I was also struck by the way that Dear Chrysanthemums manages to achieve the result that last week’s Daughters of Muscadine fell short of. Both are attempts to tell a kind of braided, linked story through a collection of stories, but Daughters missed that connectedness where Dear Chrysanthemums achieved it in every story through that treasure hunt of hints and references and casting back on long lives lived after tragedy and loss.

While there were a couple of stories that either didn’t work for me at the initial read (“Death at the Wukang Mansion”) or didn’t work at all (“The White Piano”), for the most part this collection told fascinating stories of women’s lives that hinted at so much to explore beneath the surface. I was initially a bit reluctant (last week’s reads were really frustrating) but I’m happy I picked up this gem after all.

Review: You Are Here by Karin Lin-Greenberg

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B- Reviews> book reviews
Review: You Are Here by Karin Lin-GreenbergYou Are Here by Karin Lin-Greenberg
Narrator: Jennifer Aquino
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: literary fiction
Pages: 304
Length: 8 hours and 39 minutes
Published by Counterpoint, HighBridge a division of Recorded Books on May 2, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The inhabitants of a small town have long found that their lives intersect at one focal point: the local shopping mall. But business is down, stores are closing, and as the institution breathes its last gasp, the people inside it dream of something different, something more. You Are Here brings this diverse group of characters vividly to life.
The only hair stylist at Sunshine Clips secretly watches YouTube primers on how to draw and paint, just as her awkward young son covertly studies new illusions for his magic act. His friend and magician's assistant, a high school cashier in the food court, has attracted the unwanted attention of a strange boy at school. She tells no one except the mall's chain bookstore manager, a failed academic living in the tiny house he built in his mother-in-law's backyard. His family is watched over by the judgmental old woman next door, whose weekly trips to Sunshine Clips hide a complicated and emotional history and will spark the moment when everything changes for them all.
Exploring how the stories we tell ourselves about ourselves are inextricably bound to the places we call home, You Are Here is a keenly perceptive and deeply humane portrait of a community in transition, ultimately illuminating the magical connections that can bloom from the ordinary wonder of our everyday lives.

My Review:

You are here, in an America where the driving economic engine and social-type phenomenon called a “shopping mall” is clearly dying. All you have to do is look at the vacant storefronts in even the largest and seemingly busiest malls around you. Or at the vast acreage of sparsely populated parking lots that surround them.

There are lots of stories about what happens in small towns when the largest employer in the area leaves or dies. Stories about the economic depression and eventual death of the town it once supported.

But what happens when a shopping mall dies? (We’re probably in the process of finding out in real life, as they do seem to be dying all over.) Greenways Mall in upstate New York has been dying for years at the point where this book picks up its action.

Or rather, the lack thereof, which is the problem in a nutshell. There is very little going on at the mall. It’s dying and everyone knows it. It’s been dying for years, to the point where its actual demise won’t be much of a blip in the local economy. Not many stores are still open, not very many people still work there, not many people, even in the neighborhood, still shop there. It’s a vicious circle, cycling rapidly towards the drain.

But the lack of traffic in the mall, writ large, does not mean that the place isn’t the hub of several people’s lives and/or their economic mainstay. They are the central figures in You Are Here, Tina Huang who is the last stylist at Sunshine Clips and her little boy Jackson who spends his after school hours doing his homework at the salon. Kevin, the manager of the chain bookstore outlet, is killing time in a dead end job because he can’t make up his mind about what he really wants to be doing with his life. And all too aware that his wife is running out of patience with his lack of pretty much everything except crazy business ideas that will only eat up money they don’t have.

Then there’s Ro Goodson, an elderly widow who comes to the mall because she’s lonely. She’s Tina’s only regular customer, and she’s a fixture at Greenways. A disapproving one who bestows judgemental advice on everyone she meets, making it clear that none of them are measuring up to whatever standards have ossified inside her barely polite and unconsciously bigoted head.

The mall and its denizens all seem accepting of their fate, trapped in a cycle where nothing good ever seems to happen, until something truly terrible occurs to shake them out of their respective sloughs of despond. It may be the making of each of them. Or it may mow them under.

Time will, as it always does, tell.

Escape Rating B-: The premise of this book has a tremendous amount of potential. Shopping malls, once a bright fixture of the landscape, are dying pretty much everywhere. So there are lots of Greenways Malls out there and probably one near where you live just as there is here. So this sounded like it would have lots of story potential. Which it does.

The question for the reader is whether or not the book in hand lived up to that potential. As you might surmise from the rating, I ended up with very mixed feelings.

One of the parts that is done very well is that each of the individual characters, from 9-year-old Jackson Huang to 89-year-old Ro Goodson, is distinct and distinctly well portrayed. We get to know who these people are and how and why they’ve ended up in this crumbling place – and just how much of their lives will crumble with it.

But not a lot happens in You Are Here. It’s a slice-of-life kind of story, where every character is shuffling along in their rut – except for 9-year-old Jackson – and can’t see over the edges of the rut they’ve worn down for themselves.

Even the big event that knocks everything off course is downplayed as it happens very late in the book. The chapter with the most verve is actually an epilogue, where we learn the effects of that event nearly a decade later.

The story as it goes along is a story of quiet desperation told in plots and subplots that knit together well but don’t seem to go much of anywhere until that sharp break almost at the end.

And that was pretty much where this story fell down for me on not one but two fronts. As I said above, the characters are distinct and well-drawn, which should have made this a great book for audio. But it wasn’t, which was pretty jarring after the marvelous performance of The Wager earlier this week.

In the case of You Are Here the narrator is very precise but her reading is flat. She doesn’t voice the characters enough to make each one as distinct as they are in the text. I had to drop the audio and switch to text very early in the story just to keep going with this one, as my reading group recommended it and I wanted to see what all the fuss was about.

The other reason this didn’t work for me as well as it did for others in that group is that it is VERY much in the literary fiction tradition, which means that not much really happens but the characters angst about it a lot. If that’s your jam this will work for you, but if it’s not, it likely won’t.

Which is too bad, because this slow build of a novel confronts a whole lot of serious issues in 21st century life, and does a great job of making the reader feel those issues through those well-drawn, distinct, characters. For this reader, that made You Are Here an interesting but not compelling book.

Short and Unsatisfactory: Books and Reviews

Posted on by Marlene Harris | Author : | book reviews
Short and Unsatisfactory: Books and ReviewsThe Piano Tuner by Chiang-sheng Kuo, Howard Goldblatt, Sylvia Li-Chun Lin
Format: eARC
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: literary fiction
Pages: 168
Published by Arcade Publishing on January 3, 2023
Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Winner of every major literary award in Taiwan, an elegiac and deceptively quiet novel about love and loss, broken dreams and desolate hearts—and music   A widower grieving for his young wife. A piano tuner concealing a lifetime of secrets. An out-of-tune Steinway piano. A journey of self-discovery across time and continents, from a dark apartment in Taipei’s red-light district to snow-clad New York. At the heart of the story is the nameless narrator, the piano tuner. In his forties, he is balding and ugly, a loser by any standard. But he was once a musical prodigy. What betrayal and what heartbreak made him walk away from greatness? Long hailed in Taiwan as a “writer’s writer,” Chiang-Sheng Kuo delivers a stunningly powerful, compact novel in The Piano Tuner. It’s a book of sounds: both of music and of the heart, from Rachmaninoff to Schubert, from Glenn Gould to Sviatoslav Richter, from untapped potential to unrequited love. With a cadence and precision that bring to mind Thomas Mann’s Death in Venice, Kazuo Ishiguro’s Nocturnes, and Yasunari Kawabata’s Snow Country, this short novel may be a portrait of the artist as a “failure,” but it also describes a pursuit of the ultimate beauty in music and in love. 

I’ve been caught between two books this week that should not have anything in common – and yet they do. And not just my reaction to both of them. So here you have two short but not so sweet reviews.

The Piano Tuner by Chiang-Sheng Kuo

This is the story of one man, his late wife, her music career and the piano tuner who lovingly tends her pianos. Or at least that’s how it starts, as the man, the widower Lin, is in the throes of dealing with his late wife’s music studio. Which is where he comes upon the aforementioned piano tuner. There’s a reason the book is named for that piano tuner, as it is really his story, told backwards, forwards and sideways, about his life and especially the choices he made to become a tuner of pianos instead of the concert pianist his prodigal talents would have allowed him to be. Through his life, we see both the choices that he let slip away – and the ones that he never believed were truly his to begin with – as well as his acceptance of his role as the trusted person working in the shadows who makes genius possible for others.

Escape Rating C: As the story slips from past to present, and from the piano tuner’s past to the widower’s past, it speaks of both of them interchangeably both the first person and the third person in a way that never allows the reader to be certain who is “I”, that first-person voice, as the narrative continues. It’s a confusion that kept tripping me up and dropping me out of the story, even as I already felt distanced from it by its steeping in classical music and the performance thereof.

Daughters of Muscadine by Monic Ductan
Format read: eARC provided by the publisher via Edelweiss
Formats available: hardcover, ebook
Genre: Literary Fiction
Pages:144
Published by on November 14, 2023
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & Noble,  Bookshop.org
Goodreads

Two events tie together the nine stories in Monic Ductan’s gorgeous the 1920s lynching of Ida Pearl Crawley and the 1980s drowning of a high school basketball player, Lucy Boudreaux. Both forever shape the people and the place of Muscadine, Georgia, in the foothills of Appalachia. The daughters of Muscadine are Black Southern women who are, at times, outcasts due to their race and also estranged from those they love. A remorseful woman tries to connect with the child she gave up for adoption; another, immersed in loneliness, attempts to connect with a violent felon. Two sisters love each other deeply even when they cannot understand one another. A little girl witnessing her father’s slow death realizes her own power and lack thereof. A single woman weathers the excitement—and rigors—of online dating. Covering the last one hundred years, these are stories of people whose voices have been suppressed and erased for too Black women, rural women, Appalachian women, and working-class women. Ductan presents the extraordinary nature of everyday lives in the tradition of Alice Walker, Deesha Philyaw, James McBride, and Dorothy Allison in an engaging, engrossing, and exciting new voice.

My Review:

Daughters of Muscadine is another book that got derailed by that question of who is “I”. These are linked short stories, all taking place in a small town in northeast Georgia that is part of the Appalachian Region. The stories are linked by two events, the lynching of Pearl Crawley in 1920, and the drowning of Lucy Boudreaux in the 1980s. Both stories are told by one of Pearl’s descendants, as Pearl still haunts the area decades after her death.

The idea that all of the stories in this collection are linked into a sort-of novel is an interesting one, but the execution of that idea fell apart at “I”. Many of the stories are told in that first-person “I” voice, but the possessor of that “I” changes from story to story without explanation. So they didn’t link the way I (there’s that “I” again) expected. Or much at all.

Escape Rating D+: I shouldn’t have picked this up right now, because it won’t be published until November. But more than half of the short stories in this linked collection have been previously published so I don’t feel as bad about that as I otherwise might. But I got lost, over and over, because the speakers seemed to change without much warning and just didn’t link into a whole. I think this just needed something it didn’t have in the way of an introduction to each story to set them into the narrative as a whole. The description in the blurb was awesome, but the book unfortunately did not live up to it.

My two cents and your reading mileage may vary.

Review: The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann

Posted on by Marlene Harris | Author : | A Reviews> audio reviews> audiobooks> book reviews
Review: The Wager: A Tale of Shipwreck, Mutiny and Murder by David GrannThe Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann
Narrator: Dion Graham
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: history, nonfiction, true crime
Pages: 352
Length: 8 hours and 28 minutes
Published by Doubleday Books, Random House Audio on May 11, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

From the international bestselling author of KILLERS OF THE FLOWER MOON and THE LOST CITY OF Z, a mesmerising story of shipwreck, mutiny and murder, culminating in a court martial that reveals a shocking truth.   On 28th January 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s ship The Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While chasing a Spanish treasure-filled galleon, The Wager was wrecked on a desolate island off the coast of Patagonia. The crew, marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing 2,500 miles of storm-wracked seas. They were greeted as heroes.   Then, six months later, another, even more decrepit, craft landed on the coast of Chile. This boat contained just three castaways and they had a very different story to tell. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with counter-charges of their own, of a tyrannical and murderous captain and his henchmen. While stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.  

My Review:

Fiction has to be plausible, while nonfiction just has to be true. The story of HMS Wager – or more properly the story of her doomed voyage, disastrous wreck and the against all odds recovery of even a fraction of her crew – is so far over the top that we might not accept it as fiction – except possibly as sheer horror. That this voyage, and all of the extremes the crew passed through and even survived in the tiniest part, really happened carries the reader forward with them even when the conditions are so harrowing that many will want to turn their eyes away.

But man’s inhumanity to man – even without the type of disastrous conditions the crew of the Wager endured – is an oft told tale and not just of the sea. What carries this over the top is its denouement. Not just that some survived to be rescued, but that of those survivors, only ten men out of the original company of nearly three hundred lived to tell the tale. And they all seemed to tell entirely different tales, each attempting to justify their actions after the ship wrecked off the coast of present-day Chile.

The Wreck of the Wager, the frontispiece from John Byron’s account

The crew of the Wager mutinied after the terrible wreck. The Captain wanted to go forward with their original mission, in spite of having lost, at that point, 2/3rds of his crew, his ship, and quite possibly both his authority and a piece of his mind. One natural leader, the gunner John Bulkley, had a plan for navigating the Straits of Magellan in one of the smaller boats remaining to the castaways. Bulkley had drive, the trust of more of the men, a plan and a clear direction for safety, while Captain Cheap only had waning authority and wrecked trust.

Bulkley and his contingent sailed east. Cheap and his loyalists sailed west. Both returned home, with vastly differing accounts of the terrible events that took place on what the castaways had dubbed ‘Wager Island’. The court martial should have been epic – and it should have decided the truth – or at least a truth – for posterity.

But the jury on precisely what happened on Wager Island, whether the mutiny was justified or was even, technically, a mutiny at all isn’t even out because it never went in. The Admiralty chose not to pursue any of the possible charges against anyone who returned, outside of assigning blame for the wrecking of the Wager herself. Not because there were no charges to answer, but because those answers would have shot cannonballs through the British Navy’s reputation and its justifications for its so-called ‘civilizing’ conquests that do not hold up to the light of day now.

And clearly didn’t then, either, even if the Admiralty refused to acknowledge it.

Reality Rating A: The Wager is a terrible story told terribly, terribly well, made even better by the excellence of the voice narration by Dion Graham. His voice carried me through a story that, while compelling, was so very dark – all the more so for being a true story – that I would have turned aside without him.

There are three parts to The Wager’s epic narrative. It begins with the runup to the expedition that HMS Wager was intended to be a small part of. It reads as doomed from the beginning, an endless delay of money and bureaucracy, intending to be a salvo in a made-up war (the War of Jenkins’ Ear). The mission as a whole ended in a kind of pyrrhic victory, but by then the Wager had long since wrecked.

The heart – and heartbreak – of the story is in the conditions on Wager Island. Conditions that quickly break down into a chaos of failed discipline and desperation that recalls The Lord of the Flies. Not that conditions aboard HMS Wager weren’t desperate before the wreck, but the privation they had already experienced made the starvation, madness and despair while castaways just that much more difficult to bear.

As I listened to Dion Graham’s marvelous voice, the story kept building and building its recital of how truly awful the situation was, to the point where it reminded me of the privations described in Emma Donoghue’s Haven – without nearly as much reference to religion or G-d. By the time they left the island, there was no G-d to be found – no matter how much Bulkley searched for one.

What fascinated me was the rescue – or rescues as it turned out – and just how much the story morphed and changed when exposed to the light of ‘grub street’ journalism. There is very little ‘truth’ to be found by the time the conflicting accounts of the survivors and the even more sensational exaggerations of the press came into play. This is a story that leaves more questions than answers. Humans do not make reliable eyewitnesses – particularly in cases where each has a stake in saving their own skins – or necks.

The Wager isn’t the kind of adventure on the high seas that many of her crew read before they undertook the voyage. It’s an ultimately riveting, desperately tragic, terribly contentious account of a walk – or rather a sail – through the darkest places of men’s hearts and souls. A tale from which it is impossible to turn one’s eyes away, no matter how much one might be tempted to step aside. Which is only fitting, as the crew of HMS Wager could not either.