Review: Bookshops and Bonedust by Travis Baldree

Review: Bookshops and Bonedust by Travis BaldreeBookshops & Bonedust (Legends & Lattes, #0) by Travis Baldree
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy
Series: Legends & Lattes #0
Pages: 352
Published by Tor Books on November 7, 2023
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When an injury throws a young, battle-hungry orc off her chosen path, she may find that what we need isn't always what we seek.
In Bookshops & Bonedust, a prequel to Legends & Lattes, New York Times bestselling author Travis Baldree takes us on a journey of high fantasy, first loves, and second-hand books.
Viv's career with the notorious mercenary company Rackam's Ravens isn't going as planned.
Wounded during the hunt for a powerful necromancer, she's packed off against her will to recuperate in the sleepy beach town of Murk—so far from the action that she worries she'll never be able to return to it.
What's a thwarted soldier of fortune to do?
Spending her hours at a beleaguered bookshop in the company of its foul-mouthed proprietor is the last thing Viv would have predicted, but it may be both exactly what she needs and the seed of changes she couldn't possibly imagine.
Still, adventure isn't all that far away. A suspicious traveler in gray, a gnome with a chip on her shoulder, a summer fling, and an improbable number of skeletons prove Murk to be more eventful than Viv could have ever expected.

My Review:

Legends & Lattes was all about Viv fulfilling a dream that she’s had for a very long time, to retire from the mercenary life and open a coffee shop, a place where she can hang up her sword (literally) and dispense peace and life-giving liquid in equal measure – instead of dealing death to people who generally deserved it.

The story in Bookshops & Bonedust is the story of way back when Viv was considerably younger and a whole lot dumber (as we often are) and first caught the inkling of that dream. Not in bustling Thune but in tiny, tacky, tawdry Murk, a seaside town that has certainly seen better days.

But it’s the most convenient place for Rackham’s Raiders, the mercenary company that young Viv is signed up with, to deposit her after she gets herself ahead of her team in a fight and gets skewered in the leg for her trouble. Or her hubris. Or just her belief that as a young orc in her first big skirmish she’s both immortal and indestructible.

Of course she’s neither, and has the bleeding holes in her leg to prove it. So she’ll be rusticating and recovering in Murk while Rackham’s Raiders are off to bring down Varine the Necromancer and her horde of skeletal warriors.

Viv is scared that Rackham won’t come back for her. She’s worried she won’t heal properly. But more than anything else, she’s frightened half to death that she’ll go out of her mind with boredom while she’s stuck, literally on her ass, in Murk.

Which is what leads her, albeit very indirectly and with a whole lot of excruciating steps, to Maylee’s bakery and Fern’s bookshop. The bakery because damn it smells good and the dwarf baker looks every bit as yummy as her freshly baked wares. The bookshop because there’s nothing to while away a whole lot of quiet time quite like a good book. Or a whole series of them.

And that bookshop, Thistleburr Booksellers, looks like it has lots and bunches of books, all sort of moldering away in a place that reeks of mold and moist and uncleaned rug and unwashed gryphlet. It smells ‘yellow’ to Viv, and any pet owner knows EXACTLY what that means.

But that doesn’t stop Viv from stepping in to while away a few minutes as she certainly has plenty to spare. The bookshop owner, desperate for both companionship and custom, induces Viv to take a book that she is certain will suck the orc right into its pages for a few hours.

And she’s right – of course she’s right – and it’s the beginning of the kind of friendship that will save them both, the store, and eventually and surprisingly the entire town of Murk.

Because Rackham’s Raiders are chasing that necromancer. A necromancer who is already on her deadly and deathly way to Murk – where Viv and Fern are waiting to beat her. Not with swords – but with just the type of cleverness that eventually will make Viv and her coffee shop such a success in Thune.

All it will take is a bit of ingenuity and a whole lot of help from Viv’s newly found friends.

Escape Rating A+: Anyone who sunk straight into the cozy fantasy vibe of Legends & Lattes is going to sink into Bookshops & Bonedust and not emerge for much of anything until they fall out the other side with a huge smile, a taste for Maylee’s lassy (molasses) buns and a hankering for more stories just like this one – especially for more set in this marvelous world.

What makes this world, and this cozy fantasy style, just so much of a comfort read is that, although bad things do happen to good people, that is most emphatically NOT what the story is about. It’s not about big wars and bigger politics and gigantic battles between good and evil resulting in stupendously high butcher’s bills.

Not that there isn’t danger, and not that there isn’t a confrontation. Because there is most certainly both along with plenty of tension, both dramatic and romantic, to push the whole thing along.

But the way that things get solved and resolved is through less bloodthirsty means – and just as occurred in Legends & Lattes, quite often problems, from small to world-shattering, get solved with a whole lot of ingenuity and more than a bit of help from the friends – and even the frenemies – that Viv has made along the way.

So it’s all cozy in the best way, where the reader slips under a warm blanket of story and gets told a marvelous tale that displays more of the best in people than it does the worst.

Even better, Bookshops & Bonedust, while it has all the charm of Legends & Lattes, is a prequel and not a sequel. Meaning that if you somehow missed the sensation that is Legends & Lattes, you can start here. The story, after all, does start here. If this is where you start, you’ll be thrilled and charmed and ready to start Legends the minute you finish.

But if you started with Legends, reading Bookshops & Bonedust will almost certainly inspire you to pick up Legends again the moment you finish, so you can discover how all the little clues about Viv’s later adventures fit into her first one. I know it certainly inspired me! Which is a good thing because, both fortunately and unfortunately at the same time, the author has three more cozy fantasies lined up, but the first won’t be published until 2025. Plenty of time to reread – or maybe listen this time around – to both Legends and Bookshops (and maybe my other cozy favorite, Can’t Spell Treason without Tea) before my next visit with Viv!

Review: Generation Ship by Michael Mammay

Review: Generation Ship by Michael MammayGeneration Ship by Michael Mammay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera
Pages: 608
Published by Harper Voyager on October 17, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In this riveting, stand-alone novel from Michael Mammay, author of  Planetside,  the beginning of a new human colony must face tyrannical leaders, revolution, crippling instability, and an unknown alien planet that could easily destroy them all. In 2108, Colony Ship  Voyager  departed Earth for the planet of Promissa with 18,000 of the world’s best and brightest on board. 250 years and 27 light years later, an arrival is imminent. But all is not well. The probes that they’ve sent ahead to gather the data needed to establish any kind of settlement aren’t responding, and the information they have received has presented more questions than answers. It’s a time when the entire crew should be coming together to solve the problem, but science officer Sheila Jackson can’t get people to listen. With the finish line in sight, a group of crewmembers want an end to the draconian rules that their forebearers put in place generations before. However, security force officer Mark Rector and his department have different plans. As alliances form and fall, Governor Jared Pantel sees only one way to bring  Voyager ’s citizens together and secure his own a full-scale colonization effort. Yet, he may have underestimated the passion of those working for the other side... Meanwhile, a harsh alien planet awaits that might have its own ideas about being colonized. A battle for control brews, and victory for one group could mean death for them all. 

My Review:

“Space, the final frontier”…has an awful lot of, well, space, in it. But Star Trek promised that we’d navigate all that space at faster-than-light speed, better known as ‘warp’. Which is probably what FTL will be named if we ever figure out how to do it. Trek history said (says? will say?) that we’ll have it all figured out by 2063 – at least according to Star Trek: First Contact.

But reality is likely otherwise. At least so far as we know now, and seemingly as far as the engineers, designers and builders of the Colony Ship Voyager knew by the time it launched in 2108 – less than a century from our now.

(Albert Einstein’s Special Theory of Relativity implies that FTL travel is impossible for anything that has mass. Meaning humans. And spaceships. Even light is implied to be incapable of traveling faster than the speed of light.)

None of the above prevents humans from either wanting or needing to leave Earth and putting down roots – so to speak – among the stars. Even though the nearest planet we know of, at least so far – is Proxima Centauri b, four light-years away. The nearest likely habitable planet, again, that we know of so far, is Kepler-452b and it would take 1,400 years to get there.

Without FTL travel, space is big and vast and even potential ‘Class-M planets’ (again to use Star Trek terminology because Trek named everything) is too far away from Earth for conventional space travel to work.

The two most often used science fictional methods of interplanetary travel for colonization that work – often badly in fiction – with this dilemma are sleeper ships and colony ships. Generation Ship, as one can tell by the title, is a colony ship.

Colony ship stories have all sorts of dramatic possibilities because, while space may be vast and infinite, the world of the colony ship is relatively small and even claustrophobic – especially over a vast, generations-long, journey to a new home.

Also, humans are gonna human, no matter what circumstances they find themselves in.

Which leads us, by a bit of a roundabout, to the Colony Ship Voyager (Trek again!) on its 250 year journey from Earth to Promissa. A planet which may or may not live up to its promise even as it hoves into sight and reach.

While there’s a philosophical cliché that “It’s not the destination, it’s the journey”, in colony ship stories it’s not the journey, it’s the destination where all the dramatic tension comes into play. The journey, at least after the drama of the launch and the early years of settling in for the long haul, is mostly about keeping on keeping on as everyone adjusts to the new normal.

But the destination, or at least the increasing stress as the destination becomes all too real, represents a time of great change, as the life and routine that the ship has settled into is about to be overset by planetfall. Which may or may not be everything everyone hoped and dreamed way back when the first crew set off on their journey.

And will certainly upset the status quo. Life is going to be vastly different after the ship’s crew become planetary settlers. Whoever it is who has knowledge and power aboard ship may or may not have the skills it takes to be a leader on the ground. Which does not mean that the shipboard leaders aren’t going to do their level and even skullduggery best to remain powerful and privileged.

The story of Generation Ship is all about the jockeying and politicking and outright underhanded dealing that goes on as the Voyager’s probes are able to finally reach the ‘promised land’ and the end of the long journey is about to begin.

Unless, of course, Promissa itself has other ideas.

Escape Rating A++: In spite of the relatively small size of the Colony Ship Voyager, the final months of its long journey to Promissa contain a utterly riveting, terrifically complex and downright huge story that isn’t about the science of colony ships a quarter so much as it is about the political shenanigans of the humans aboard them.

It’s a roiling stew of “we have met the enemy and he is us” coming to a full boil in an atmosphere of “power corrupts and absolute power corrupts absolutely”, especially over time and covered by the slowly eroding illusion of “we’re all in this together” mixed with a heaping helping of “the greater good”.

At the center of the drama are a series of first-person perspectives from all over the ship, from the all-powerful but absolutely not all-knowing governor who is desperate to hang onto his power while cementing his legacy, to the over-ambitious security guard who is just so sure he’s smarter than everyone around him, to the reluctant leader of the not-so-loyal opposition to the scientist whose beloved science is telling her that they are not ready to make planetfall – no matter what the governor has manipulated people into believing. While behind the scenes an ace hacker/engineer sees a truth about their ship that no one is ready to believe or understand.

By seeing the situation from so many sides we’re able to get inside the life of the ship, AND the life on the ship, which are not nearly as much the same things as everyone believes. We’re watching a world come apart – even if that’s what was always supposed to happen. And it’s utterly fascinating as the players negotiate and maneuver themselves into a situation that is nothing like the first crew expected.

And it’s absolutely riveting every step of the way, even as it recalls several previous colony ship stories that wrestle with the same issues but take them down to the mat or to the planet in entirely different ways. If Generation Ship sounds fascinating to you, and I sincerely hope it does, you might want to also check out Braking Day by Adam Oyebanji, Medusa Uploaded by Emily Devenport, Mickey7 by Edward Ashton and, last but absolutely not least, the Pixar film WALL-E.

Review: Murder at Queen’s Landing by Andrea Penrose

Review: Murder at Queen’s Landing by Andrea PenroseMurder at Queen's Landing (A Wrexford & Sloane Mystery, #4) by Andrea Penrose
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Wrexford & Sloane #4
Pages: 304
Published by Kensington on September 29, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The murder of a shipping clerk . . . the strange disappearance of trusted friends . . . rumors of corruption within the powerful East India Company . . . all add up to a dark mystery entangling Lady Charlotte Sloane and the Earl of Wrexford in a dangerous web of secrets and lies that will call into question how much they really know about the people they hold dear—and about each other . . .

When Lady Cordelia, a brilliant mathematician, and her brother, Lord Woodbridge, disappear from London, rumors swirl concerning fraudulent bank loans and a secret consortium engaged in an illicit—and highly profitable—trading scheme that threatens the entire British economy. The incriminating evidence mounts, but for Charlotte and Wrexford, it’s a question of loyalty and friendship. And so they begin a new investigation to clear the siblings’ names, uncover their whereabouts, and unravel the truth behind the whispers.
As they delve into the murky world of banking and international arbitrage, Charlotte and Wrexford also struggle to navigate their increasingly complex feelings for each other. But the clock is ticking—a cunning mastermind has emerged . . . along with some unexpected allies—and Charlotte and Wrexford must race to prevent disasters both economic and personal as they are forced into a dangerous match of wits in an attempt to beat the enemy at his own game.

My Review:

Wrexford and Sloane are going to need the services of Professor Sudler’s mechanical Computing Engine (modeled after Charles Babbage and his Difference Engine) to calculate whodunnit and particularly why it was done in this fourth entry in the Wrexford & Sloane Regency historical mystery series.

It all begins with a murder that the police hope to put down to footpads, and an overheard conversation between friends who might – possibly, probably, unfortunately – have something to do with the dead body found on the docks at Queen’s Landing.

The dead man was a shipping clerk for the seemingly all-powerful East India Company, Bow Street, in the person of lead Runner Griffin, want Wrex to look into the mess, and Charlotte Sloane is all too rightly fearful that the conversation she overheard at her grand re-entry back into Society between her friend Lady Cordelia and Cordelia’s rather disheveled brother Woodbridge has something to do with the death.

Both Wrex and Charlotte really, truly, seriously had hoped that they were through with investigating murders, because the last one (Murder at Kensington Palace) got way too close to being one of theirs.

Charlotte now has too many hostages to fortune, too many people that she can’t bear to lose, that she rightly fears that her investigations could lead to one or more of their deaths. Surprising himself most of all, Wrex is the same, even if neither can admit that at the top of that list is their unacknowledged feelings for each other.

At the same time, they understand each other well enough to know that neither of them is going to stop rushing in where angels quite rightly fear to tread.

This case is one whose rotten heart certainly lies where no one would want to investigate, because the wealthy, powerful and highly connected East India Company is very much a law unto themselves. A law that the company has proven to be willing to enforce with deadly weaponry all around the world.

Home soil definitely not excepted.

But Wrex and Sloane follow where the case leads. In this case that leads from a much too trusting friend to a protective sister and an engineering genius in fear of all of their lives. Then is passes into the labyrinthine web of machinations and calculations at the heart of the East India Company.

It’s up to Wrexford and Sloane to find the snake at the center of this conspiracy and cut off its head before their friends become the latest in a long line of victims. Or before they do.

Escape Rating A: You wouldn’t think that it would be possible to make what is ultimately a financial crime be all that fascinating, but the machinations of arbitrage that turn out to be the center of this criminal conspiracy are both easy enough to follow and absolutely deadly in their application.

If the love of money is the root of all evil, then this evil is rooted in a group of high-ranking criminals who love money to the exclusion of all else and don’t care who stands in their way of getting it.

But, because the crime itself is a bit bloodless – even if the covering up of that crime is not – it takes Wrexford and Sloane and all of their friends more than a bit of painstaking clue hunting to reach the endgame in one only slightly bloodied piece.

Along the way, it’s very much a lesson in the heights and the sacrifices that the best of friends will undertake in order to help and support each other. Which is quite a bit of a departure from where both Wrex and Charlotte Sloane began this series in Murder at Black Swan Lake.

Which means that a big part of the appeal of this series so far has been the gathering of the ‘Scooby Gang’ around Wrex and Charlotte, a gathering that continues apace in this entry in the series.

A second factor in that appeal that also continues is the way that this series displays the dark and gritty underbelly of the glittering Regency period with a focus that is very different from its marvelous readalike series featuring Sebastian St. Cyr, Viscount Devlin.

Devlin is all up in the politics of the period, while Wrex’ focus is on the scientific foment occurring at the same time. Sudler’s engine is just a bit earlier than Charles Babbage’s on which it is modeled, but not by much. And Babbage did accomplish the goal that Sudler sets for himself merely a decade later. The steam engine that Wrex’ friend Sheffield invests in was equally real.

And, as we all observe every day in our own time, advances in technology bring vast amounts of change to the human condition, not all of it good, not all of it bad, but all of it capable of changing the status quo well past the point of society’s ability to contain or even mitigate its effects.

All of which is reflected in the changes in Wrex’ and Sloane’s lives and in the crimes that they solve. This series is its own kind of historical mystery magic, and this entry in the series is absolutely no exception!

Two final notes before I leave you to pick up the Wrexford & Sloane series for yourself. First, there was a bit in the middle where I thought I’d read this book before because something was a bit too familiar. That was the result of a combination of resemblances. The tea/silver/opium triangle at the heart of the financial shenanigans was not only real history, but it was also part of the skullduggery in R.F. Kuang’s recent Babel. Combine that with the surreptitious search of Professor Sudler’s country retreat, whose setup and result resembles a similar scene in Candace Camp’s A Rogue at Stonecliffe, and I had a minute there where I thought I’d forgotten an entire book. If your reading tastes are similar to mine, I hope I’ve saved you that same minute of consternation.

But speaking of bookish resemblances, Murder at Queen’s Landing ends on a proposal signifying great changes to come, very much like the endings of Laurie R. King’s A Monstrous Regiment of Women and Dorothy L. Sayers’ classic Gaudy Night.

Which means that I’ll be picking up the next entry in this series, Murder at the Royal Botanic Gardens, to learn exactly what those great changes will be, the next time I’m in search of a comfortingly murderous read!

Review: Starling House by Alix E. Harrow

Review: Starling House by Alix E. HarrowStarling House by Alix E. Harrow
Narrator: Natalie Naudus
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: Dark Fantasy, Gothic, horror
Pages: 320
Length: 12 hours and 26 minutes
Published by Macmillan Audio, Tor Books on October 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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I dream sometimes about a house I’ve never seen….

Opal is a lot of things―orphan, high school dropout, full-time cynic and part-time cashier―but above all, she's determined to find a better life for her younger brother Jasper. One that gets them out of Eden, Kentucky, a town remarkable for only two things: bad luck and E. Starling, the reclusive nineteenth century author of The Underland, who disappeared over a hundred years ago.

All she left behind were dark rumors―and her home. Everyone agrees that it’s best to ignore the uncanny mansion and its misanthropic heir, Arthur. Almost everyone, anyway.

I should be scared, but in the dream I don’t hesitate.

Opal has been obsessed with The Underland since she was a child. When she gets the chance to step inside Starling House―and make some extra cash for her brother's escape fund―she can't resist.

But sinister forces are digging deeper into the buried secrets of Starling House, and Arthur’s own nightmares have become far too real. As Eden itself seems to be drowning in its own ghosts, Opal realizes that she might finally have found a reason to stick around.

In my dream, I’m home.

And now she’ll have to fight.

Welcome to Starling House: enter, if you dare.

My Review:

They’ve been telling stories about Starling House and the woman who built it, Eleanor Starling, since Eleanor first came to Eden over a century and a half ago. Some of those stories are even halfway true – but it doesn’t matter because no one in Eden has ever cared about the truth if that truth made them the least bit uncomfortable.

They’ve been telling stories about Opal and her mother Jewel since the day they came to town, too. And even though her mother drowned a decade ago, they’re still telling stories about her too. But mostly, they tell stories about Opal, and most of those are halfway true, too.

One of the stories that no one tells about Opal, because she never reveals truths about herself to anyone at all if she can help it, is that she’s more haunted by Starling House than anyone else in town – because the rest of them just complain about the eyesore, and the bad luck it brings to Eden. While Opal has been dreaming that Starling House was HERS, and has been dreaming those dreams since she was a little girl whose only even somewhat permanent address has been Room 12 at the Garden of Eden Motel since her mom brought her and her little brother Jasper to Eden.

Opal never knew that her mother brought them back to the only home that Jewel had ever known. At least, not until Opal lied, cheated, and inveigled her way into a job at the broken down and dilapidated Starling House. A job that looked to rival Hercules’ task of cleaning the Augean stables.

But Opal doesn’t care. Because Starling House seems to want her there – even if the current Starling, Arthur, claims that he doesn’t. But the house is true because it needs her, and Arthur is lying because of the same damn reason.

While the vultures that have always circled Starling House see Opal’s lies and secrets as a lever they can use to finally pry their way into a place where their dreams will come true.

Someone should have been careful what they wished for, because they’re about to get it.

Escape Rating A-: Starling House sits at the confluence of the River of Dreams and the Stuff of Nightmares, at the four-way stop between the darkest of dark fantasy, outright horror, the angstiest of angsty romance and power corrupts, catty-corner to the Inn of No One Believes the Truths that Women Tell because it’s inconvenient for their wallets, their consciences or even just their privilege.

At first, it’s Opal’s story, a story that is considerably more honest from the confines of her own head than it appears to anyone on the outside, but Opal lies like she breathes – especially to herself. Sometimes she even does as good a job of convincing herself as she does everyone else, but there are always cracks in the facade in her own head. Even if she can’t admit it.

The only love and the only weakness that Opal will admit to is her younger brother Jasper. She will do anything – and everything – to get him safely out of Eden. Because he’s been the only sunlight in her world since their mother drove her car into the river and drowned. And Eden is slowly killing him. Not just his spirit, although probably that too, but literally. Jasper has asthma, they have no health insurance and sometimes not enough for groceries, and the power plant has never met an environmental regulation that they haven’t bribed someone to let them off the hook for. The air is toxic and the whole place is a cancer cluster and Jasper needs to be somewhere else – even if Opal can’t make herself go with him

But Opal also has a weakness for Starling House and the children’s classic, The Underland, that the house’s first owner wrote from within its walls. Starling House captures her dreams, and she can’t resist following those dreams in waking life.

Which is where this story catches her and drags us all down to Underland with her.

Starling House takes all the elements of a gothic romance; the dark and creepy house concealing secret rooms and family secrets, an uber angsty romance between star-crossed would-be lovers both believing they’re not worthy of redemption, adds in myths and monsters from the depths of the imagination, sets it in a hard-scrabble, hard-luck town and then takes the whole story through a metamorphosis when the truth quite literally sets everyone – or at least everyone worthy – free.

Even if more of those people than would ever have imagined at the beginning of this descent into dreams choose to take their hard-won freedom and spend it in that same hard-luck town that might just have won a freedom of its own.

So, even though the angst of the romance sometimes goes way over the top, described in overblown language of desire and denial – at least within the confines of Opal’s head – and if the monsters and the myths turn out to be relics of bad choices and just desserts, the story of Opal, and Arthur and Eleanor descending down into Underland takes the reader along for the wildest of wild rides. Often in the wake of the Wild Hunt itself.

And even if some of both Opal’s and Eleanor’s secrets become obvious to the reader very early on, the journey is still well worth taking with them.

I took this journey in audio, with Natalie Naudus as the most excellent narrator. As a narrator, she seems to specialize in heroines who think that everything is all their fault and that they have to do it all alone, and her voice made me think of her other characters, Emiko Soong in Ebony Gate, Zelda in Last Exit, and Vivian Liao in Empress of Forever. Opal is a fine addition to that illustrious company of women who stand on their own two feet but ultimately get by with a little help from their awesome, kickass friends.

I loved the author’s Fractured Fables, A Spindle Splintered and A Mirror Mended, so I’m looking forward to her next book whenever it appears. I already have Natalie Naudus’ next narration in my TBR/TBL (To Be Read/To Be Listened) pile in The Dead Take the A Train.

Review: A Stroke of the Pen by Terry Pratchett

Review: A Stroke of the Pen by Terry PratchettA Stroke of the Pen: The Lost Stories by Terry Pratchett, Neil Gaiman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, short stories
Pages: 240
Published by Doubleday on October 10, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Far away and long ago, when dragons still existed and the only arcade game was ping-pong in black and white, a wizard cautiously entered a smoky tavern in the evil, ancient, foggy city of Morpork...
A truly unmissable, beautifully illustrated collection of unearthed stories from the pen of Sir Terry Pratchett: award-winning and bestselling author, and creator of the phenomenally successful Discworld series.

Twenty early short stories by one of the world's best loved authors, each accompanied by exquisite original woodcut illustrations.
These are rediscovered tales that Pratchett wrote under a pseudonym for newspapers during the 1970s and 1980s. Whilst none are set in the Discworld, they hint towards the world he would go on to create, containing all of his trademark wit, satirical wisdom and fantastic imagination.
Meet Og the inventor, the first caveman to cultivate fire, as he discovers the highs and lows of progress; haunt the Ministry of Nuisances with the defiant evicted ghosts of Pilgarlic Towers; visit Blackbury, a small market town with weird weather and an otherworldly visitor; and go on a dangerous quest through time and space with hero Kron, which begins in the ancient city of Morpork...

My Review:

I first became acquainted with the Discworld and its creator – or perhaps perpetrator would be the better word – in the early to mid 1990s when I had a long commute, audiobooks were still on actual tape, and the collection of same at the library where I worked wasn’t all that big because there wasn’t all that much available.

Two of those available titles were The Colour of Magic and The Light Fantastic, the first two books in the Discworld . It wasn’t exactly love at first listen because those first two books were a bit weirder than I expected, and looking back from the perspective of even Mort, only two books later, it was pretty clear that the author figured out he had a series going on somewhen approximately between The Light Fantastic and book 3, Equal Rites.

I don’t think he was all the way there until book 8, Guards! Guards!, which is a much better entry point for the series. (I digress – but hopefully not too far or I’ll fall off the edge.)

The point I’m working my way around is that masterpieces like the Discworld do not spring fully formed from the head of Zeus – or even two Zeuses in the case of Good Omens, co-authored with Neil Gaiman.

The stories in this collection, these ‘strokes of the pen’ by Sir Terry Pratchett, are a bit of a portrait of the beloved author as a young scrivener who was still in the process of figuring out what in the hell he was doing and quite possibly where was he going in that handcart.

The story of these stories is a bit of a story all by itself. They were published – these are not early efforts that were never intended to see the light of day. It’s just that they were published in a tabloid newspaper, the Western Daily Press, published in Bristol in the U.K. from 1967 to 1984, mostly under the pseudonym Patrick Kearns.

But the Western Daily Press was – and still is – a very small newspaper. The stories were published, read and mostly forgotten, with the exception of “The Quest for the Keys” which had been cut out and preserved by one enterprising fan – howsomever without any of the borders of the pages which would have revealed where and when it was published. A painstaking search through the British Library’s Newspaper Archive resulted in the discoveries that have been published in this collection.

The stories themselves are a LOT of fun. Every single one gives the reader a chuckle or at least a smile, and there are hints of what evolved into Pratchett’s style of both telling the story and making snide asides about the circumstances even in the earliest instances.

But they are very, very short, and with the exception of “The Quest for the Keys”, which was published in four parts, it’s obvious that the newspaper had limited space for fiction – and probably everything else. So these are touches, tastes, teasers and don’t get into a lot of detail.

Still, by grouping them in little series, the reader does get a pretty clear picture of places like Blackbury [sic] which seems like it could be just around the corner from Unseen University – no matter how much the stories refer to far-distant London. Which could, with a bit of a squint, be Ankh-Morpork.

Although, speaking of Ankh-Morpork, the final story in the collection, “The Quest for the Keys”, is set in the city of Morpork. Perhaps the annexation of Ankh is just around its corner. And again, a bit of a squint turns the lazy and underhanded wizard Grubble into the more inept but much nicer about it Rincewind of The Colour of Magic, while the hired sword Grubble has hired and duped, Kron, seems more than a bit like a younger and savvier Cohen the Barbarian, perhaps with just a touch of the inestimable Sam Vimes.

Escape Rating B: A Stroke of the Pen isn’t exactly the Discworld , but it is Discworld -adjacent. Which is as close as it’s possible to get now that its author, creator and perpetrator is no longer among us. It’s at that intersection of not being sure whether to cry because it’s over, or smile because it happened. The stories themselves are generally fun but not terribly deep, because there wasn’t time in the format to get that way.

So, think of this collection as a last twinkle of the author’s eye, and enjoy!

Review: An Inheritance of Magic by Benedict Jacka

Review: An Inheritance of Magic by Benedict JackaAn Inheritance of Magic (Stephen Oakwood, #1) by Benedict Jacka
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Stephen Oakwood #1
Pages: 384
Published by Ace on October 5, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The super-rich control everything—including magic—in this thrilling and brilliant, contemporary fantasy from the author of the Alex Verus novels.
The wealthy seem to exist in a different, glittering world from the rest of us. Almost as if by... magic.
Stephen Oakwood is a young man on the edge of this hidden world. He has talent and potential, but turning that potential into magical power takes money, opportunity, and training. All Stephen has is a minimum wage job and a cat. 
But when a chance encounter with a member of House Ashford gets him noticed by the wrong people, Stephen is thrown in the deep end. For centuries, the vast corporations and aristocratic Houses of the magical world have grown impossibly rich and influential by hoarding their knowledge. To survive, Stephen will have to take his talent and build it up into something greater—for only then can he beat them at their own game.

My Review:

In a famous exchange between F. Scott Fitzgerald and Ernest Hemingway, Fitzgerald claimed that “the rich are different from you and me” to which Hemingway rejoined “Yes, they have money.”

That principle is at the heart of An Inheritance of Magic, as the story begins with Stephen Oakwood discovering that he’s related to a rich and powerful family – who have only looked him up in order to stomp him like a bug.

Because they are powerful because they are rich, and rich because they are powerful, and as far as they are concerned his only use to any of them is as a pawn in their games – both mundane and, more importantly, magical.

The magic is called drucraft, a talent in which Stephen has had only one teacher and little to no training. Which means that over his relatively short life, he’s learned to do things that organized training would have told him were impossible. And maybe they mostly are, but for him, some of them are not.

So Stephen’s story is about having the lesson literally beaten into him that the playing field is not level – because it isn’t. And it’s about Stephen deciding that even if that is true – and it is – there is nothing stopping him from doing his level best to level it – one way or another.

If he doesn’t have the training to play by their rules, he can develop the power and more importantly the will to make them play by his. Because they’ve already made him see what the worst case scenario might cost him and he’s not willing to go there again.

No matter how many rules – or people – he has to break along the way.

Escape Rating B+: An Inheritance of Magic is a combination of a coming-of-age story and a coming-into-power story set in an urban fantasy version of our world where magic hides in plain sight even as it magnifies the ambitions and the sheer reach of the rich and powerful.

Stephen Oakwood is the perspective through which we learn about this hidden world as he is rather forcibly jerked into it – initially very much to his detriment. He’s always known about drucraft, and has been doing his best to practice the first principles of the discipline that his father taught him, but Stephen is at multiple disadvantages when the story begins.

His mother disappeared when Stephen was barely a year old and he knows nothing about her. His father disappeared three years ago, just as Stephen turned 18, and no trace of him has ever been discovered. Stephen is supposed to be starting his adult life, but at 21 he’s barely scraping together enough to get by and can’t decide what he wants to do when he grows up.

He wants to find his dad. He wants to practice drucraft. But he needs to pay rent and keep himself and his cat Hobbes fed and watered. He’s drifting when he literally gets kidnapped by his mother’s obscenely rich and powerful family so that the members of his generation of that family can use him as a pawn in each of their games to become the sole heir to the seat of power.

The story of An Inheritance of Magic is the story of how Stephen stops being a pawn. But it’s only the barest beginnings of that story, because first he has to learn a whole lot more about what drucraft can do for him in his struggle, and the reader has to learn what kind of magic it exactly is and how it works. Meaning that a LOT of the story is taken up with our introduction to drucraft through his learning and training process.

It means that, while the beginning of this story is very scarily WOW, and the ending is slam-bang awesome, the middle is a whole lot of lonely exploration of both his craft and the world in which it happens. For some readers that’s catnip and for others it will be a bit of a slog and your reading mileage may vary.

And there’s more than a bit of a trigger warning for that scary WOW at the beginning. Because Stephen’s one true hostage to fortune is his cat, Hobbes, so, when his powerful but psychotic family wants to teach the upstart a lesson they take it out on poor Hobbes. While the cat does eventually get better, because Stephen’s combination of guilt and angst leads to a breakthrough in his craft and power, I almost DNF’ed at that point because the cat’s pain and Stephen’s anguish over it were almost too much for this cat lover to bear. Hobbes comes back stronger than ever and so does Stephen, but OMFG it was awful going through that with them. So consider yourself warned.

Hobbes’ situation aside, this type of story, of a young man discovering that his rich family are lying assholes who want to use him and him learning how to hoist them and the society they think they own on their own petards is not exactly new except for the drucraft. In fact, it’s the setup of a fair amount of Harry Potter fanfiction of certain stripes.

Which doesn’t mean it’s not an interesting setup for a series, because it most definitely is. Particularly if you’re the kind of reader who likes seeing a whole bunch of assholes get righteously taken down – because I think we’re going to get there in the end.

I most definitely AM that kind of reader, so I’m looking forward to seeing where Stephen Oakwood’s adventures in drucraft lead him, and us, to next!

Review: The Circumference of the World by Lavie Tidhar

Review: The Circumference of the World by Lavie TidharThe Circumference of the World by Lavie Tidhar
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: books and reading, science fiction, time travel
Pages: 256
Published by Tachyon Publications on September 5, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Caught between realities, a mathematician, a book dealer, and a mobster desperately seek a notorious book that disappears upon being read. Only the author, a rakish sci-fi writer, knows whether his popular novel is truthful or a hoax. In a story that is cosmic, inventive, and sly, multi-award-winning author Lavie Tidhar (Central Station) travels from the emergence of life to the very ends of the universe.
Delia Welegtabit discovered two things during her childhood on a South Pacific island: her love for mathematics and a novel that isn’t supposed to exist. But the elusive book proves unexpectedly dangerous. When Delia’s husband Levi goes missing, she seeks help from Daniel Chase, a young, face-blind book dealer.
Lode Stars was written by the infamous Eugene Charles Hartley: legendary pulp science-fiction writer and founder of the Church of the All-Seeing Eyes. In Hartley’s novel, a doppelganger of Delia searches for her missing father in a strange star system with three black holes.
Oskar Lens, a Russian mobster in the midst of an existential crisis, is determined to find a copy of Lode Stars. Oskar believes that the novel provides protection from unseen aliens, and that reality is only an unreliable memory that is billions of years old.
But is any of Lode Stars real? Was Hartley a cynical conman on a quest for wealth and immortality, creating a religion he did not believe in? Or was he a visionary who truly discovered the secrets of the universe?

My Review:

Unreal books, like H.P. Lovecraft’s Necronomicon, are a very real phenomenon. If you’re thinking that’s not quite correct, that Neal Stephenson wrote Necronomicon, your memory is playing a bit of a trick on you. Stephenson wrote Cryptonomicon in 1999. The first mention of Lovecraft’s Necronomicon was back in 1924 in Lovecraft’s short story, The Hound”, more than three decades before Stephenson was born. They’re not the same book.

Fictional books, as opposed to works of fiction,  as a genre, drive librarians crazy, to the point where library catalogs will have entries to said ‘unreal’ books with notes to explain to the searcher that they are looking for something that does not and never has existed. Which the searcher may or may not believe, depending on how deeply into the thing they already are. Which brings us right back to The Circumference of the World and the likely, possibly, probably fictional book within.

Lode Stars, written by the infamous Eugene Charles Hartley, may or may not be one of those unreal books. Delia Welegtabit is certain that she held a copy of the book in her own two hands when she was a child in Vanuatu.

Delia doesn’t care that the book is believed to disappear upon reading. She always preferred math to fiction, so didn’t read it then and doesn’t care about it now, as an adult living in London. But she does care about her husband who has gotten caught up in the obsession over Lode Stars, and has disappeared in his pursuit of the damn thing.

Unfortunately he’s not alone, either in that obsession or that pursuit. So Delia is chasing Levi, while the bookseller Daniel and the Russian mobster Oscar are searching for the book while Oscar, at least, doesn’t seem to care who gets in his way.

Escape Rating B: There’s always a question in the reader’s mind as to whether Lode Stars ever was a real book. That its author is clearly an avatar for L. Ron Hubbard furthers that question pretty far down the road to skepticism.

But the story is about the point where the book’s real existence no longer matters – it’s all about the obsession. Which doesn’t stop there being a whole lot of very interesting – if slightly skewed and frequently amalgamated – portraits of some of the masters of the ‘Golden Age’ of Science Fiction in the part of the story that covers the time period when Eugene Charles Hartley created the thing in the first place.

(If that part of this multithreaded and sometimes tangled story sounds interesting, I highly recommend Alec Nevala-Lee’s Astounding, which treats the period considerably more factually while still exploring all the juicy gossip and is amazingly readable over all.)

The story of The Circumference of the World is indeed multithreaded, and circles its way through multiple, disparate perspectives AND most definitely themes on its way around that circumference.

The main character of Lode Stars is not only named Delia, but that character spends that story in search of her father through the galaxy just as the real Delia is searching for her husband on Earth. The story jumps as much through time and history as it does through space, and touches on, not just the history of science fiction but also love, mental illness and the conman artistry of Lode Star’s author.

It’s a book that leaves the reader not certain where they’ve been or where the story went, or if it even came to a satisfactory conclusion, but Delia’s quest is conducted at a wild pace that keeps the reader turning pages until the very last.

One final note, because I feel the need to close the circle back to the Lovecraft reference I started with. There’s another real book that deals with a fictional book that also traipses its way through the Golden Age of SF on its way to a much more certain determination of whether or not the book that the characters are obsessing over is a real book or just a real fake. That story is The Night Ocean by Paul La Farge, and it centers on a book by H.P. Lovecraft of the same name that may be a real book, or may be a real fake. And just as in The Circumference of the World, it’s up to the reader to determine whether or not they are satisfied with the answer at the end.

Review: Shadow Speaker by Nnedi Okorafor

Review: Shadow Speaker by Nnedi OkoraforShadow Speaker (The Desert Magician's Duology, #1) by Nnedi Okorafor
Narrator: Délé Ogundiran
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: African Futurism, climate fiction, fantasy, science fiction
Series: Desert Magician's Duology #1
Pages: 336
Length: 10 hrs 28 mins
Published by DAW, Tantor Audio on September 26, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Niger, West Africa, 2074
It is an era of tainted technology and mysterious mysticism. A great change has happened all over the planet, and the laws of physics aren’t what they used to be.
Within all this, I introduce you to Ejii Ugabe, a child of the worst type of politician. Back when she was nine years old, she was there as her father met his end. Don’t waste your tears on him: this girl’s father would throw anyone under a bus to gain power. He was a cruel, cruel man, but even so, Ejii did not rejoice at his departure from the world. Children are still learning that some people don’t deserve their love.
Now 15 years old and manifesting the abilities given to her by the strange Earth, Ejii decides to go after the killer of her father. Is it for revenge or something else? You will have to find out by reading this book.
I am the Desert Magician, and this is a novel I have conjured for you, so I’m certainly not going to just tell you here.

My Review:

Peace bombs. A phrase that only makes sense in the context of the future history of the world that leads to this story, as told by the chaotic trickster the Desert Magician about the coming of age of the titular Shadow Speaker, Ejii Ugabe, and her friend, the rainmaker Dikéogu Obidimkpa. It’s their story, but the Desert Magician is the one bringing it to us. Also messing with them and it at the same time.

The Desert Magician is not exactly a reliable narrator – but then trickster avatars seldom are. After all, the story is more fun for them if they get to mess with the protagonists a bit. More than a bit. As much as they want.

As Ejii describes the world in which she grew up, the Earth as it exists after the ‘Great Change’ brought about by those Peace Bombs, it’s not hard to think that the event was as much of a eucatastrophe as it was the regular kind. A whole lot of things seem to be better. More chaotic, but better. Certainly the climate has improved, even if entire forests sometimes spring up overnight, while the technology imported from other, more advanced worlds has made living with the remaining extremes considerably easier.

None of which means that humans are any better at all. Whatsoever. Because humans are gonna human. But it does mean that there are more possibilities, both in the sense of seemingly magical powers and animals, and in the sense of more opportunities for more people to rise above their circumstances – even if some people are still determined to fall into the traps laid by theirs.

Which leads the Desert Magician to Ejii’s story, and leads Ejii to Jaa, the great general who swept into Ejii’s village of Kwàmfà and struck off her father’s head with her sword, setting Jaa and Ejii on a collision course that will either save the world – or end it.

Shadow speaking, the ability to hear the voices of the spirits, is one of the many gifts that have arisen after the Great Change. Ejii is the shadow speaker of the title, and at fifteen is just coming into her power. A power that is telling her to follow Jaa to a great meeting of the leaders of the worlds that have merged into one interconnected system as a result of the change.

Jaa is going to the meeting to start a war in the hopes of preventing worse to come. Ejii has been tasked with finding a way to make peace. Neither task is going to be easy – and only one of them is right. The question is, which one?

Escape Rating A-: This version of Shadow Speaker is an expanded edition of one of the author’s out-of-print early novels. The original version of which, also titled Shadow Speaker, was a winner or finalist for several genre awards in the year it was published, as a young adult novel. Which it still both is and isn’t.

It is, on the one hand, aimed at a young adult audience because its protagonists are themselves in that age range, being merely fifteen when the story begins. As a consequence of their age, both Ejii and Dikéogu clearly still have a lot of growing up ahead of them in spite of the life-changing and even world-altering experiences that have led them to undertake this journey.

At the same time, Ejii at least is very much on the cusp of adulthood, and this is a journey that forces her to make adult decisions about, with no sense of hyperbole whatsoever, the state of the world. Howsomever, a good chunk of what she brings to those decisions has the flavor of the naivete of youth, particularly in the sense that the world SHOULD be fair, people SHOULD do the right thing, and that if only people would communicate honestly a peaceful solution SHOULD be within reach.

It’s not that she doesn’t know the world and the people in it are often stupid, self-centered, greedy and downright mean, it’s that she hasn’t yet been jaded enough by her experiences to truly believe that there can’t be a better way. Even though her personal experiences thus far in her life have seldom shown it to her.

Dikéogu is not nearly as mature as Ejii is. He whines a LOT. Not that his complaints aren’t justified, but it’s so very clear that he still has a lot of growing up to do and that expresses itself in a kind of ‘pity poor me’ whining that gets hard to take – particularly in audio as he’s voiced in a higher pitch to distinguish his speech from Ejii’s. Which works very well indeed as characterization while driving me personally nuts as I find high-pitched voices jarring. (I recognize this is a ‘me’ thing and may not be a ‘you’ thing, but if it is also a ‘you’ thing, you have been warned.)

While the Desert Magician is presenting this story, he’s not an omnipresent presenter. We see the story through Ejii’s perspective except at the very beginning and end. She is the person we follow, although the story is not told from inside her head. Rather, the story unfolds around her and her actions, and we only see what she sees and know what she knows and get as confused as she does at what she doesn’t.

Which means that while the narrator, Délé Ogundiran, does an excellent job of standing in as Ejii’s voice, that may not be true for the second book in the duology, which will be Dikéogu’s story. Hopefully by the point in Dikéogu’s life when that story takes place, his voice will have dropped.

As much as Ejii comes of age and into her power through her riveting adventures in Shadow Speaker, her world and all the worlds that have become interconnected as a result of the ‘Great Merge’ that was part and parcel of Earth’s ‘Great Change’ also have a great deal of maturing to do – or at least negotiations towards that goal – as this first story ends. Whether the merged worlds will survive that change or destroy each other is part of the subsequent story in this duology that I’m really looking forward to seeing. Or hopefully hearing.

Dikéogu’s story may have started here but his true coming-of-age-and-into-power story, Like Thunder, is coming just after Thanksgiving. And I’ll be very grateful to read it – or hopefully have it read to me like Shadow Speaker – over the holidays.

Review: Osprey by M.L. Buchman

Review: Osprey by M.L. BuchmanOsprey (Miranda Chase NTSB, #13) by M L Buchman
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #13
Pages: 392
Published by Buchman Bookworks on September 17, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Russia teeters on the brink of collapse, spoiling for a battle to end all wars. All it needs? One thin excuse. World War I began with the assassination of Archduke Ferdinand. World War II launched with the invasion of Poland. As for Russia's invasion of Ukraine... A Russian flyby of an American CMV-22 Osprey tiltrotor goes desperately wrong over the North Sea. Will the tipping point for World War III break the moment a favored daughter of the Oligarchy goes down in flames? When the NSA's secret military base at Menwith Hill in the UK needs specialized expertise, they call in Miranda Chase. She and her elite team of air-crash investigators must avert a crisis like none before. A crisis that unravels her past, batters at her autism, and threatens to crush her team in the ultimate grinder of East vs. West. "Miranda is utterly compelling!" - Booklist, starred review "Escape A. Five Stars! OMG just start with Drone and be prepared for a fantastic binge-read!" -Reading Reality

My Review:

Osprey, in addition to being about the investigation of a series of airplane crashes, as the books in the Miranda Chase series always are, is fundamentally the story of a woman who has based her life on a series of truths that turn out to be lies.

Miranda Chase is not merely A lead investigator for the National Transportation and Safety Board, but at this point in the series, THE premiere investigator for the NTSB. Miranda, along with her team, are the people that not just the NTSB but federal government all the way up to the President call whenever the crash is either too thorny for a regular investigator OR, as is very much true in this particular case, has the potential to start World War III and/or bring about the end of the world.

Considering the nuclear arsenals of the U.S. and other countries, they are likely to be one and the same.

Which is what drags Miranda and her team out of their vacation in Yorkshire, hiking the Herriot Trail, all the way to the top secret US/UK communication and intelligence support station at RAF Menwith Hill, which is, according to Miranda’s teammate Holly Harper, the place where the world ends. Because, on Holly’s last mission for Australia’s SSAR, Menwith Hill’s sister station in Pine Gap ended Holly’s.

This time around, they’re about to end Miranda’s – even as she and her team prevent the end of pretty much everyone else’s in the whole damn world.

Escape Rating A+: This was one of those books that turned out to be a much harder read than I was expecting – even as it sucked me right in and wouldn’t let me go until the end. By saying Osprey is a ‘hard read’ I mean that in the sense that, 13 books into this series, I’ve become very fond of Miranda and her team and hate seeing any of them in serious distress. But it’s clear that this is the 13th book in the series for a reason in that it seems like all the bad luck and worse trouble in Miranda’s life comes home to roost in this one and probably won’t leave anytime soon.

Like all of the books in this series so far, starting with the marvelous Drone and continuing through ALL of the team’s compelling adventures along the way, each story pretty much has two plots. The first is the actual plot that results in the crash that Miranda and company are tasked with investigating. The second line is tied up in a particular team member’s personal circumstances, whether that’s how they become part of the team, falling in love with either a fellow team member, a friend or an enemy, or when those relationships crash and burn.

With the case in Osprey it’s a question of which will burn first, Miranda or the entire world, which makes the stakes the highest they can be on both sides of that equation.

The initial crash could have, and in other circumstances would have, been put down to pilot error combined with a bit of stupid people doing stupid things. In other words, humans just being human – unfortunately at tens of thousands of feet in the air while piloting state of the art aircraft.

The situation escalates, and fast, because the initial less-than-stellar piloting was on the part of a Russian military jet playing ‘chicken’ with a brand new U.S. craft that is capable of switching from taking off like a helicopter to flying like an airplane. Sounds cool, doesn’t it? But when the jet’s wings got tied up in the Osprey’s proprotor, everything went to hell in a handbasket and both countries, already über tense – as they are in real life – were on the brink of nuclear war.

Figuring out how that crash occurred, and the even stupider one that followed, is all in a day’s work for Miranda and her team. The President of the U.S. is thrilled to take her very expert word that the crash was merely the stuff of stupid and not a deliberate provocation to war.

But the Russian side of this equation is a whole lot messier. A mess which raises questions about just how Miranda’s parents REALLY died – because the newly discovered and always obscured – evidence makes it clear that it didn’t exactly happen the way that the world, even the CIA’s hidden world, believed it did. And that’s only the beginning of how Miranda’s world falls apart, even as the rest of the world gets put back together. At least for now.

The reader knows most of what’s coming – at least as far as Miranda’s parents’ deaths are concerned – from the very first scene, so that’s not exactly a spoiler. We know it’s going to be devastating, and we’re waiting for that shoe to drop through the entire book. It’s agonizing. It’s also not all she’ll have to contend with, but getting into that would be a spoiler.

Let’s just say that on Miranda’s personal front, this is a heartbreaking story and it’s hard to watch her even begin to go through the inevitable fallout. Howsomever, as one of the strengths of this series is the way that the characters and relationships change and grow over time, Miranda’s situation is one that I expect to see explore and change and resolve over the next several books in the series, starting with Gryphon, coming in late January of 2024.

One final note; there’s a surprising bit of a parallel to The Last Devil to Die, the most recent book in the Thursday Murder Club series. The leaders of each series, Miranda and Elizabeth, are brought low by heart-shattering personal catastrophes, and it’s up to the other members of their teams to keep the case on track even as their leader, rightfully and righteously, falls apart for an understandable bit. It’s terrible seeing those leaders stumble and fall, but lovely to watch the other members of their teams carry them and carry on.

 

Review: Bad Blood by Lauren Dane

Review: Bad Blood by Lauren DaneBad Blood (Goddess with a Blade, 7) by Lauren Dane
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: paranormal, urban fantasy
Series: Goddess with a Blade #7
Pages: 384
Published by Carina Press on June 27, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Trouble never takes a vacation in Bad Blood , the seventh installment in the epic Goddess with a Blade series by New York Times bestselling author Lauren Dane.

After spending the last two years locked in one deadly struggle after the next, Rowan Summerwaite deserves delicious meals, excellent sex and uninterrupted sleep on high-quality linens. But when two separate investigations converge in unexpected ways and a new threat to the Treaty blows into town, there’s no rest for the wicked.

And she’ll need help.

Genevieve Aubert, a seven-hundred-year-old witch from a powerful familial line, has become more than a formidable ally. To Rowan, she’s become a friend. To Darius, a Dust Devil from the Trick, where she’s now a priestess, she’s the key to unlocking his magic. The pretty flower to his motorcycles and bruised knuckles.

Soon, the dangerous reality becomes clear. It isn’t just wayward witches. It isn’t just egotistical Vampires. What’s brewing in the desert will take a witch, a Dust Devil and a human vessel to a goddess to save those they’ve sworn to protect.

My Review:

If Eve Dallas had set her cap at being police commissioner instead of refusing more rank in order to continue to do the job she does best, she’d be a lot more like Rowan Summerthwaite than she already is. And they most certainly already are sisters under the skin – even though Rowan takes down criminal vampires while Eve catches criminals of the more humanly monstrous variety.

But Rowan has moved, not exactly ‘up’ in her world, but into a position where she’s stuck dealing with political crap instead of just kicking ass and taking names to put on gravestones. For those of her enemies that are human enough to still require such things, that is.

(I’m not really digressing this time around. I’ve always thought that Rowan and Dallas would get along like a house on fire – especially if some of their enemies were righteously roasting in said fire!)

Getting back to Rowan, however, there’s an element of each book in the series where Rowan begins the story in the process of dealing with the fallout from the last clusterfuck she had to fix. And that’s certainly true in Bad Blood.

At the same time, Bad Blood feels like, not exactly a ‘fresh’ start, but rather a point in the series where that cleanup has hit a new phase where it’s more preventive than reactive, and it gives the intricacies of the plot a bit of a reset.

Which was absolutely terrific for this long-term reader, because it made it really easy to slip right back into this world without needing to recall all the myriad details of Rowan’s long-running battle to clean up both her ‘Father’s’ rogue vampires AND the human asshats in her own organization, Hunter Corp.

At least, the story begins with an attempt at moving forward, only to discover that not only are the vampires playing more games than usual – including playing games with her Father, the First and their leader – but that the witches’ Conclave is also up to some surprisingly similar crap.

Because Rowan and one of the Conclave’s leaders, Genevieve Aubert, became besties in the previous book in the series, Blood and Blade, Rowan is more than happy to help Genevieve clean up that mess even as Genevieve helps her with the lingering issues in Hunter Corp.

Those issues dovetail neatly – or perhaps that should be messily – or both. Definitely both, as they are the exact same issue, being played out in different arenas. Both the vampires AND the witches think that they are superior to the original recipe humans that surround them – and believe that superiority gives them the right to ‘play’ with humans as they please.

Hunter Corp. is there to stop them both, and to prevent any of these immortal idiots from revealing the existence of the supernatural to those self-same humans. It’s just too bad that a bunch of selfish and self-indulgent idiots are living too deeply in the past to consider all the angles of their ridiculous campaign.

Too bad for them, that is.

Escape Rating A: I have a soft spot in my heart for the entire Goddess with a Blade series. The first book in the series, the Goddess with a Blade herself, was part of the first batch of eARCs I downloaded from Netgalley. I’ve been hooked ever since.

But that first book was OMG TWELVE YEARS AGO. That averages out to a long time between books, which wreaks more than a bit of havoc with remembering all the details with a series as intricately plotted as this one. Every book in the series has been, not just a direct response to the book before it, but a direct response that is still dealing with pieces of a huge plot to undermine Hunter Corp from within – along with various other asshattery that happens in the wake of that big mess.

Bad Blood, while it’s still cleaning up a bit of the previous mess, does read like a bit of a fresh start – even if that’s likely to be a fresh start because of a new and different plot full of asshattery that hasn’t yet fully emerged.

Which means that Bad Blood is a good place to get into – or back into – the Goddess with a Blade series. It’s not exactly a new set of problems, but it feels enough like it is to let someone who hasn’t read or re-read the whole thing recently to get right into the thick of it.

The other thing that makes this entry work as either a start or a fresh start is that the problems this go around feel all too much like real life in spite of the paranormal setting. It’s not just a story of immortal vampires messing with each other because immortality is boring. Instead, what we have are factions in two separate hierarchies that are each oozing with privilege who want a return to the ‘good old days’ that never really were and don’t care how much they have to lie to themselves and cheat and steal from everyone else to make it happen.

And haven’t we all witnessed that before?

It’s that grounding in the real that makes it easy to step into Rowan’s world, and it’s the continued development of Rowan’s personal relationships with her husband, her father and especially her own personal ‘Scooby gang’ that keep us in there with her. And isn’t that just like Dallas and Roarke all over?

In the end, as Rowan gets the ‘bad blood’ among the vampires’ council and the witches’ conclave to behave – at least those that haven’t already gotten dead in the crossfire – it’s clear that this is only the tip of another iceberg of asshattery that thinks it’s going to crash Rowan’s plans. I hope it happens soon, because this series has just gotten fun again and I want more!