A- #BookReview: Feuds edited by Mercedes Lackey

A- #BookReview: Feuds edited by Mercedes LackeyFeuds (Tales of Valdemar#18) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #18, Valdemar (Publication order) #59
Pages: 368
Published by DAW on November 26, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This 18th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.

The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.

Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My (very long) Review:

The individual volumes in the long-running Tales of Valdemar series (this is the EIGHTEENTH collection!) each center around a theme. The theme of this one is clear – as it says so right there on the label. Each of the stories herein centers on a feud. Not a battle, not a war, but a feud.

Think of the infamous Hatfields and the McCoys, names that we only still recognize because they had, you guessed it, a feud that lasted so long it made it into history and legend.

Feuds are usually not fun – and a lot of these stories are not. The collection is very good, but it isn’t nearly as lighthearted as the Shenanigans collection. Howsomever, there is still plenty to savor for repeat visitors to this fascinating world, while newcomers are sure to find something that will leave them thirsting for more – even if it’s not another story about food and drink as there are several of those in this year’s mix!

I picked this up because Valdemar is a world I knew I could slip into and be comforted as well as entertained – even though the theme of the collection isn’t necessarily comforting at all. And that’s exactly what happened.

Because I had such a good time – and ripped right through the whole thing without even bothering to come back to the ‘real world’ until I was finished, this is one of those times when each story is going to get a rating of its own and then I’ll attempt some very fudgy math to rate the whole.

“The Price of Anger” by Brigid Collins
This was a great story to kick off the collection of feuds because it’s a story about the costs of feuding. It’s also a story on two levels, as a young Farseer keeps seeing the ghosts of earlier students feuding while she dodges current students who can’t stop trying to exploit her gift. It’s only when she sees the results of the old feud that she understands that she’s falling into the same trap. Escape Rating A-

“Consequences” by Dylan Birtolo
It’s a stupid feud and an even stupider fight. Not that the story is remotely stupid, but the reader gets the same urge as the Herald – to knock some heads together in the hopes that some sense will break loose. It’s only when we see how things got this way, that a good idea once upon a time is having terrible consequences in the present that we see exactly how this particular road to hell got paved. Escape Rating B because it takes a bit to figure out that we’re seeing the story peel back in history for the point to come through.

“A Bad Business” by Jeanne Adams
A direct follow-up to the book Take a Thief (which I admit I have not read yet), this is a story about what happens in the aftermath of a horrific case. Just because the central villain has been removed from the equation it doesn’t mean that there aren’t still a whole lot of dirty loose ends to clean up. Even though I hadn’t read the case being wrapped up, this story is complete in itself and an appropriately messy clean up to a horrific case. Escape Rating B+

“A Tale of Two Cooks” by Charlotte E. English
This was one of the few relatively light-hearted stories in this collection and it made a refreshing change from the darker stories. Not that this couldn’t have turned dark as well, as it’s a case of too many cooks deliberately spoiling the soup – and the rest of the meal – in ways that could have been deadly. But the poisonous plans of the feuding foodies are thwarted by the quick decisions of one smart and able assistant and her cousin – a savvy Herald. Escape Rating A- because of the excellent way it relies on wits and banter to see its way clear to the solution.

“A Bite and a Pint” by Louisa Swann
Home may be the place that when you have to go there, they have to take you in. But that doesn’t mean they have to listen to you, not even when you come home after a year’s absence as a Herald Trainee on your way to the Collegium in Haven. A feud has broken out between the new Brewmistress of Petril’s tiny village and, unfortunately for him, his own mother. Each believes the other woman has poisoned her best goods, and it’s up to a boy that no one is quite yet willing to acknowledge is a man to find his way to the truth. This was another light story, the solution wasn’t really a surprise but it was a lot of fun getting there. Escape Rating B+

“Dueling Minstrels” by Jennifer Brozek and Marie Bilodeau
This is one of several stories about minstrels and minstrel rivalry in the collection. Minstrels Ozan and Aimar bring out both the best and the worst in each other. The worst behavior, and the best of their Bardic Gifts. But those gifts, combined with their ever-present feud, threaten to set their town literally on fire if they can’t find a way to make their rivalry work for them instead of against each other. Escape Rating B

“A Scold of Jays” by Elisabeth Waters
This is a story about karma being a right bitch – and deservedly so. A nobleman basically throws away his older son after an injury that will leave him with a limp – and not a single bit of other damage. That the nobleman disowns this boy as useless while continuing to indulge his self-indulgent, utterly villainous and downright murderous younger son results in exactly the situation one would hope for. Everyone involved gets EXACTLY what they deserve – many times over. This story is a direct follow-up to one that appeared in the earlier collection, Shenanigans, “A Cry of Hounds” and is even more fun as the karma continues to flow exactly where it should. Escape Rating A.

“Future-Proof” by J.L. Gribble
The feud in this particular story is a tragedy based on a fraud – with two young men paying the price for their elders’ evil deeds. Duri Phran and Cam Aylmer are both persona non grata among the unaffiliated noble students in the Collegium, forced to pretend to hate each other to keep their respective families from punishing them further. It’s only when they’re forced to work together that they realize that there is more wrong in both of their terrible situations that either imagined – and that salvation is waiting for them both if they can just manage to reach beyond what they’ve been taught. I had mixed feelings about this one because the ending felt a bit more deus ex companion than I wanted so Escape Rating B

“A Single Row of Vines” by Brenda Cooper
The setup for this story is similar to the one in Future-Proof, but this time it’s two young women on opposite sides of a village feud who are afraid to put that feud aside as Herald Trainees in Haven. This one worked better for me because the Companions refuse to solve their humans’ problem, instead the girls have to work it out in spite of the tremendous amount of indoctrination they’ve heard for their entire lives. Two girls alone can’t end 40 years of feuding – but they can make a start – and they do. Escape Rating A-

“Most True” by Kristin Schwengel
This one combines the minstrel rivalry of “Dueling Minstrels” with the “consequences” of the story of the same name. In this story, however, it’s those consequences that bring about the ending of the feud, as two gifted bards learn that they are only gifted enough to reach mastery if they reach for it together, and only AFTER the consequences of their feud have nearly ended one if not both of their careers before they’ve truly begun. Escape Rating B.

“Detours and Double Crosses” by Angela Penrose
A story about the cleverness of Bards, the foolishness of people who try to use those Bards in their own nefarious schemes and the stubbornness of one Bard Trainee who proves to herself that she’s more than good enough to become a full bard by saving a young heir from a deadly plot by chasing a villain down no matter how fast he runs. This story was typical of these collections in all the best ways and I fell right into it. Escape Rating A-

“Trade is Trade” by Fiona Patton
As an earlier story was all about food – it’s fitting that this one is all about drinks. Or at least the bragging rights thereto. The feud is entirely predictable – as are the results. The Crown is planning to give a plaque to the oldest pub in Haven. The Guards really, really, really want the Crown to get on with it, because the rash of trouble-making and sign-stealing is driving them to more drink than they can collectively afford. As this story reminds me a great deal of the Discworld  City Watch  subseries AND it’s a loose follow-up to one of my favorite stories in the Anything with Nothing collection, “Look to Your Houses”, Escape Rating A.

“By the Ticking of My Thumbs” by Rosemary Edghill
A really interesting take on feuding as the feud is, literally, all in their heads. There’s no precipitating event, no history, and the participants have never even met. But they really, really should have. The whole feud is based entirely on their assumptions about each other, and those assumptions have thoroughly made asses out of both of them. It’s sad but fascinating to watch them assign motives to each other that have no basis in anything – and such a beautiful catharsis when they finally figure out where they both went so terribly wrong. Escape Rating A.

“Harmony” by Anthea Sharp
Another story about feuding, dueling bards, there isn’t much harmony in this story – which is the point. Because this is very much a story about pride going before a really, really big fall, and how beautiful music can only be made out of, well, harmony. Not just the harmony of the notes and the melody, but the harmony among the people – ALL THE PEOPLE – who take part in the performance. That age and experience manage to outwit youth, skill and hubris added just the right bit of tartness to an excellent story. Escape Rating A

“Playing Peacemaker Once More” by Dee Shull
Considering the title, it’s a bit of a surprise that this is actually a story about boundaries. Specifically about defending one’s own even as one does their best to get others to examine the placement of theirs. Like the final story in this collection, Uncivil Blood, there’s a bit of a Romeo and Juliet aspect – or perhaps that should be Romeo and Tybalt – to this one that gets worked out much better than Shakespeare’s famous tragedy. Escape Rating B

“Pairmates” by Ron Collins
This one didn’t quite work for me, which I was really sad about as it’s the one story in this collection that features nonhuman protagonists. I think it just passed me by a bit because I couldn’t place it in Valdemar history and wasn’t quite sure how it fit to the overall world or when. I wanted to like it more than I did but I had too many nagging questions at the end. Escape Rating C.

“Battle of the Bands” by Dayle A. Dermatic
This battle of the bands is a family feud, as brothers Eldriss and Davon haven’t spoken to each other in years because Davon claimed that Eldriss stole his sweetheart and married her. Beyond the fact that Shalna isn’t an object to be stolen, that claim is more of an excuse than a reason. Eldriss just wants his brother back, and a mixup at a musical contest – where the brothers enter as the leaders of competing bands – gives them the opportunity they’ve been waiting for for over a decade. A good story with a happy but not surprising ending. Escape Rating B.

“Tangles” by Diana L. Paxson
The feud in this particular instance is a feud between rival shopkeepers who are determined to keep far away from each other in spite of being located in the save Haven district. However, this is also a story about two determined – and somewhat magical – pieces of furniture that make a matched set that are equally determined to be put back together. To the point where they throw a bit of magic in the way of the best person to untangle a web that goes back decades. There are several Romeo and Juliet-type stories in this collection and this one is another, but it’s marvelously twisted because the feud happened because they didn’t marry – although it’s still not too late to fix things the way they should have been! Escape Rating A

“Payment in Kind” by Stephanie Shaver
The title is in reference to what happens when a cheating landholder stiffs a bard for her fee. But underneath that is the saddest story in this collection on multiple fronts as the problem set before that bard and her Herald twin-brother is about a whole village being oppressed by that rapacious landholder – who is also a liar and a cheat – a healer caught between her oaths and her duty, child labor and child murder, and one woman with cancer who wants one last day in the sun – even as she keeps her condition a secret from those she loves the most. Escape Rating A+.

“A Determined Will” by Paige L. Christie
This is a story about going home and discovering that the things you remember aren’t quite what you thought they were – unless they are and someone is trying to swindle you. This one was surprisingly fun in spite of itself, as Guard Trainee Teig has come home to bury the closest thing she had to a father. That he left her everything he had isn’t really the point – it’s more of the last note of a memory. But when someone arrives out of nowhere and attempts to cheat her out of it, she puts all of that Guard training to excellent use! Escape Rating A.

“The Ballad of Northfrost” by Phaedra Weldon
This is a hard, bitter story with an excellent satisfying ending. Reyes fate reads like many of the videogames I love. He’s wounded, near death, in the dark, between a rock and a very hard place, determined to get justice for people long dead who once saved him and set him on his path. That his own ghosts rise to help him take the final steps to safety, freedom and resolution was a bright candle in a very dark story with just the right and necessary ending. Escape Rating A+

“Uncivil Blood” by Mercedes Lackey
A much better version of Romeo and Juliet, with more political shenanigans, considerably fewer deaths, a more sensible ending, and the reappearance of one of Valdemar’s favorite characters who has not graced the stage for entirely too many years. This was my favorite story in the collection, Escape Rating A+.

Escape Rating Overall A-: This was as grand a trip to Valdemar as I hoped it would be. My favorite story in the collection was “Uncivil Blood” by Mercedes Lackey herself, followed by “The Ballad of Northfrost” by Phaedra Weldon and “Payment in Kind” by Stephanie Shaver. If you’ve EVER visited Valdemar this is a great time and a great way to go back for a return trip!

A+ #BookReview: The Teller of Small Fortunes by Julie Leong

A+ #BookReview: The Teller of Small Fortunes by Julie LeongThe Teller of Small Fortunes by Julie Leong
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, fantasy
Pages: 336
Published by Ace on November 5, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A wandering fortune teller finds an unexpected family in this warm and wonderful debut fantasy, perfect for readers of Travis Baldree and Sangu Mandanna.
Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells "small" fortunes: whether it will hail next week; which boy the barmaid will kiss; when the cow will calve. She knows from bitter experience that big fortunes come with big consequences…
Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a knead for adventure, and—of course—a slightly magical cat.
Tao sets down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past are closing in—and she’ll have to decide whether to risk everything to preserve the family she never thought she could have.

My Review:

Tao tells small fortunes. Only small fortunes. Just as it takes a big risk to win a big reward, it takes big magic to tell big fortunes. Which also results in big risks that Tao is simply not willing to, well, risk.

The only big fortune Tao ever told resulted in a big disaster. Her father was killed, her village was destroyed, her mother married a foreigner, took Tao away from home and raised her among strangers who could never get past her origins. And who seemingly could never forgive the girl for the turn in the family’s, well, fortunes.

So Tao took to the road, with her small cart and her small fortunes, doing her best to make enough money to keep body and soul together and on the road, touring small towns, never touching the greater magics that would foretell death and disaster and bring the empire’s witchfinders down upon her bowed head.

The rounds of Tao’s quiet and unassuming life are disrupted when she tells what she believes is a small fortune for a traveling mercenary. She sees him greet his little girl in front of what appears to be their home. A simple, everyday sort of fortune.

But the little girl has been missing for months and months, and her father and his friend – a semi-reformed thief – have themselves taken to the roads in search of the little girl’s whereabouts – or at least her fate.

This seemingly small fortune is huge. It is life-altering. Finding his little girl safe and sound will change everything for the mercenary – and he is determined to stick with Tao until that vision becomes truth.

The linking of his quest to her vision is the seed of change. As her vision leads him from clue to clue and village to village, their little band turns into a found family – a family that in turn is found by a series of small fortunes with big implications as the wheels of her cart grind their way to the fortune that Tao has been avoiding for all of her journeying.

It takes her home – to the home she never thought she could go back to – and to the one she never imagined she’d ever be able to make even for herself.

Escape Rating A+: This OMG DEBUT novel is just marvelous. I went into it expecting something light and cozy and certainly got that, but it’s just such a terrific story that hits so many excellent notes and is deeper than I was expecting by a whole lot.

It’s like every time the story takes just a bit of a twist it also digs more deeply into the heart – both Tao’s and the reader’s at the same time.

A big part of the story, and certainly the form of it, is the journey. Tao is traveling, endlessly traveling, because she’s rootless. She has no place that calls her home. So a big part of her starting out is an immigrant’s journey. Her mother brought her out of their country of Shinn to the country of their rival, Eshtera. Tao is never accepted as Eshteran because of her Shinian (read Asian) appearance, but she and her mother drifted apart so she doesn’t remember the culture of her origins. She’s lost without a true place of her own.

Her Esteran stepfather tried to forcibly graft her into Eshtera through marriage, but that was doomed to fail – so she fled. Her magic marks her as dangerous but the power of it is coveted – so she hides from the Empire.

She’s alone and feels doomed to remain so.

Her journey, that thing that keeps her isolated, is her salvation, and the story becomes Tao picking up a band of ‘strays’ much like herself and becoming the center of a found family – a family that she is willing to step WAY out of her comfort zone to protect, which in turn saves her as well as them.

And as the members of her little tribe each find their way into her heart, they all find their way into the reader’s as well.

A surprising readalike for this book is A Psalm for the Wild Built, which isn’t fantasy at all. But the journeys and the discoveries and the found family aspects are very similar, as is the way that Sibling Dex in Psalm becomes a big part of each of the places she visits even as she makes her own found family with the robot.

More than Legends and Lattes, which seems to be listed as the go-to readalike for every cozy fantasy, The Teller of Small Fortunes reminded me a whole lot more of the Mead Mishaps series. Not the romantic aspects of that series, but rather the way that both stories start out at a very light level and turn out to be important quest journeys with much larger implications and big found family elements by the time they reach their HEAs.

Very much like the other cozy fantasy series(es), however, The Teller of Small Fortunes is a story where there is not a villainous villain in sight. Instead, there are bad things that have happened to good people that get resolved through mostly human agency even as those humans make human mistakes along the way.

This isn’t a BIG story. There’s no big bad and there’s no big battle and it’s not a big contest between good and evil. Instead it’s a gentle story about people finding their way and finding that their way goes better when they go together.

It’s lovely and you’ll turn the last page with a smile and some days those are just the kind of stories we all need. When it’s your turn to need one of those kinds of stories, pick up this book. I’ll be eagerly awaiting her next.

A- #BookReview: The Bloodless Princes by Charlotte Bond

A- #BookReview: The Bloodless Princes by Charlotte BondThe Bloodless Princes (The Fireborne Blade, #2) by Charlotte Bond
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: dragons, fantasy
Series: Fireborne Blade #2
Pages: 160
Published by Tordotcom on October 29, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Orpheus meets A Natural History of Dragons in a tale of death, honor and true love's embrace.
It seemed the afterlife was bustling.
Cursed by the previous practitioner in her new role, and following an... incident... with a supremely powerful dragon, High Mage Saralene visits the afterlife with a boon to beg of the Bloodless Princes who run the underworld.
But Saralene and her most trusted advisor/champion/companion, Sir Maddileh, will soon discover that there's only so much research to be done by studying the old tales, though perhaps there's enough truth in them to make a start.
Saralene will need more than just her wits to leave the underworld, alive. And Maddileh will need more than just her Fireborne Blade.
A story of love and respect that endures beyond death. And of dragons, because we all love a dragon!

My Review:

The road to hell isn’t paved with good intentions – it isn’t paved at all. Instead it’s a dropkick off of a VERY high bridge into a pit that the evil exilarch from The Fireborne Blade is trying to avoid by dragging his successor, Saralene, into the afterlife in his place.

This follow-up to The Fireborne Blade is a book that this reader never expected at all. Because at the end of The Fireborne Blade it seemed like the story was all wrapped up.

The dragon was dead, to begin with.

The dragon was dead, the disgraced knight Maddileh was redeemed, the Fireborne Blade was restored, the evil exilarch was dead, Maddileh’s betraying, body-stealing squire was dead – in exchange for Maddileh herself – and the true High Mage Saralene is back on her throne and in her office, with Maddileh as her bodyguard and captain.

All is right with their world – or would be if all of the above were as true as Maddileh and Saralene believed them to be at the end of that first book.

The adventures of this second book are necessary because those things are not true. In fact they are mostly not true. Especially the parts that have the worst potential outcomes.

The dragon is not really dead – only hibernating. The evil exilarch is dead – but he’s scheming from the afterlife to take Saralene’s body and her position and go right back to being the oppressive tyrant he was when he was alive. Because he will be. Again.

Unless Maddileh and Saralene can stop him – with the surprisingly willing assistance of the dragon they believed they killed.

All they have to do is convince the ‘Bloodless Princes’ who control the Underworld to let Saralene go – before she’s dead forever.

Escape Rating A-: The pattern of the way both books in this series are written is fascinating and more than a bit different. This story – as did The Fireborne Blade – works on two tracks that feed into each other in ways that the reader does not initially expect.

A piece of this story is told through tales that are myths and legends to Maddileh and Saralene – and then the actions they are actually performing move the story forward. Then it circles back to more legends – which inform the action to come.

What made the tales part of the action work was that those tales are told from two perspectives, the human and the dragon. Those points of view permeate these stories that talk about the same basic event but come to rather different conclusions and teach different lessons beyond the obvious one that whoever controls the recording of history sets the agenda for what history is believed to be – as opposed to what it really was.

All of which comes fully into play when Maddileh, Saralene and the dragon Mienylyth reach the Underworld, because the legends of the ‘Bloodless Princes’ have conflated order with good and chaos with evil, when in truth a LOT of time has passed, both princes’ attitudes have become set in very hard stone and either condition taken to extremes is no good for humans or other thinking creatures.

The whole, entire story kicks off with Maddileh and Saralene learning that the righteous ending they believed they’d earned at the end of their first adventure wasn’t an ending at all. This second adventure takes that fruit-basket upset and turns it into a story of adventure and upended assumptions that crosses the Greek myth of Orpheus and Eurydice with Lady Trent’s memoir, A Natural History of Dragons (by Marie Brennan) and turns it into a romance of longing and unfulfilled hopes and dreams that can only become an HEA if all the characters hold true to their oaths and their promises.

As much as the story is told from Maddileh’s and Saralene’s perspectives – as much as their human hopes and dreams drive the narrative forward – it’s the lonely dragon Mienylyth who steals the story and the reader’s heart.

I think this is the end of this saga – but then I thought that last time. If we get to see more of Maddileh and Saralene after all, I really hope that Mienylyth flies back as well. Because she was absolutely chock full of awesome – even when she was pretending to be a cat.

#BookReview: Art in the Blood by Bonnie MacBird

#BookReview: Art in the Blood by Bonnie MacBirdArt in the Blood (Sherlock Holmes Adventure, #1) by Bonnie MacBird
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Sherlock Holmes Adventure #1
Pages: 300
Published by Collins Crime Club on August 27, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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London. A snowy December, 1888.
Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend – until a strangely encoded letter arrives from Paris. Mademoiselle La Victoire, a beautiful French cabaret star writes that her illegitimate son by an English Lord has disappeared, and she has been attacked in the streets of Montmartre.
Racing to Paris with Watson at his side, Holmes discovers the missing child is only the tip of the iceberg of a much larger problem. The most valuable statue since the Winged Victory has been violently stolen in Marseilles, and several children from a silk mill in Lancashire have been found murdered. The clues in all three cases point to a single, untouchable man.
Will Holmes recover in time to find the missing boy and stop a rising tide of murders? To do so he must stay one step ahead of a dangerous French rival and the threatening interference of his own brother, Mycroft.
This latest adventure, in the style of Sir Arthur Conan Doyle, sends the iconic duo from London to Paris and the icy wilds of Lancashire in a case which tests Watson's friendship and the fragility and gifts of Sherlock Holmes' own artistic nature to the limits.

My Review:

“Art in the blood” has a nice ring to it, doesn’t it? It also might sound just a bit familiar – as well as in keeping with this first book in the author’s Sherlock Holmes Adventure series. The quote is from Holmes himself in the original canon, specifically The Adventure of the Greek Interpreter.

In that story, Holmes attributes both his own and his brother Mycroft’s skill in and facility with the ‘Art of Detection’ to the “art in the blood” inherited from their grandmother, “who was the sister of Vernet, the French artist.”

(There were several members of the Vernet family who lived at approximately the right time and were artists, Claude Joseph Vernet, Carle Vernet and Horace Vernet. Which Vernet Holmes referred to is one of the MANY things about his origins that can be speculated about but is never definitely stated.)

As this story begins, the art in Sherlock Holmes’ blood, combined with an utter dearth of interesting cases and possibly owing more than a bit to the absence of his friend and chronicler, Dr. John Watson, has dropped the ‘Great Detective’ into a slough of despond, causing Holmes to resort to entirely too many applications of his ‘seven-per-cent solution’ of cocaine.

Holmes is a bigger mess than even his usual depths and the generally unflappable Mrs. Hudson is at her wits’ end. She can’t help Holmes but she knows just who can.

So she calls Watson, in both of his capacities – as Holmes’ friend AND most definitely as his physician, because she can’t tell which her lodger needs more.

As it turns out – both. But what Holmes needs above all – is a case that will test him to his utmost. A case that is presented to him, literally on a silver salver, from several directions at the same time.

Brother Mycroft blackmails him into investigating a violent art theft at the Louvre. A beautiful French chanteuse begs him to discover the location of her missing child. Children are being kidnapped and murdered from a silk mill in Lancashire.

One seemingly untouchable aristocrat is at the center of all three cases. The silk mill is his. The chanteuse’s child is also his. And the statue at the center of the art theft is on its way to him in Lancashire even as Holmes and Watson dash from London to Paris and back in an attempt to put all the pieces together before it is once again too late for another poor child.

Or for themselves.

Escape Rating B+: This book has had a place deep in the virtually towering TBR pile for almost a decade – which is kind of embarrassing. I usually say that I read about 50% of the books I get – EVENTUALLY. This is apparently what that eventually looks like. To be fair, I liked this one more than enough to BUY the rest of the series that’s out so far and pick up the eARC for the forthcoming entry, The Serpent Under.

I spelunked into that TBR pile because I was looking for another comfort read after Old Scores. In fact, I was looking for something ‘like’ Barker & Llewelyn that wasn’t actually them. Which is what led me around to this series, as Barker & Llewelyn may not be Holmes but it is in dialogue with the ‘Great Detective’ so I decided to approach that dialogue from a different angle.

Cyrus Barker & Thomas Llewelyn are variations on Sherlock Holmes & John Watson in the sense that they are set in the same time period and feature a detective duo where one is clearly the genius and the other a follower, BUT, they also change the formula and speak to our time even more than their own by exploring and empathizing with the people of London – and elsewhere – who were outsiders in the city they called home. Barker is Scots, Llewelyn is Welsh, Barker’s business partner is Chinese, Llewelyn’s fiance is Jewish, as is his best friend – and the list, as well as the cases that are involved – goes on and on and into neighborhoods that the original Holmes would have looked down upon and only considered while stereotyping the people within.

The Holmes & Watson of this set of adventures, reads as though it is not so much the child of the original as the grandchild of the original canon, filtered through an intermediate generation of TV interpretations, notably Jeremy Brett’s Victorian-era Holmes, the more modern Sherlock and Elementary – with a touch of Robert Downey Jr.’s manic movie Holmes as well.

(I think I spy just a bit of Laurie R. King’s Holmes from her Holmes & Russell series too, but your reading mileage may vary.)

So, very much on the one hand, the Holmes of Art in the Blood is a bit more, not so much emotional as demonstrative. He’s more of a romantic hero in the small ‘r’ sense of romance, more self-sacrificing, more likely to put himself in harm’s way – and more likely to get there on his own – more likely to have an obvious soft spot for small children in need of rescue.

It’s not that the original Holmes doesn’t have most of those characteristics, more than he hides them better.

The case in Art in the Blood, while every bit as convoluted – and then some – as some of the original stories, displays a lot more confusion on Holmes’ part and frankly a lot more competence on Watson’s – a competency that calls back to Edward Hardwicke’s Doctor Watson, the partner of Jeremy Brett’s Holmes.

In other words, I had as much fun figuring out which ways this resembled other interpretations of these characters that I have seen or read as I did following along with the multiple mysteries in this story as they wound their multitude of ways into one dastardly whole. A whole that was quite a bit deeper and darker than one expects from a Sherlock Holmes story – but every bit as chilling, thrilling AND deadly.

I had fun reading Art in the Blood, and it certainly distracted me at a time when that’s exactly what I was looking for. Which means that I picked up the whole rest of the series so I’ll be back with Unquiet Spirits the next time I need a mysteriously comforting read.

#BookReview: The City in Glass by Nghi Vo

#BookReview: The City in Glass by Nghi VoThe City in Glass by Nghi Vo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Pages: 216
Published by Tordotcom on October 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this new standalone, Hugo Award-winning author Nghi Vo introduces a beguiling fantasy city in the tradition of Calvino, Mieville, and Le Guin.
A demon. An angel. A city that burns at the heart of the world.
The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot.
And then the angels come, and the city falls.
Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned.
She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever.
Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.
The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to burn a world to ashes and build it anew.

My Review:

Azril isn’t on any map. It never was – and not just because of what happened to it. But before we get to that, we have to begin at the beginning, because Vitrine happened to it first.

Vitrine was a demon. And in some ways she’s very demonic indeed. She’s immortal and powerful. She’s mischievous and capricious. She’s possessive and she’s protective. And in that combination of forces and attributes she’s not anything like the demons of popular mythology.

Because the way that Vitrine occupies herself down the centuries and the millenia isn’t chaotic and isn’t destructive – at least not in the fire and brimstone sense of destruction and not that those things don’t happen anyway.

The city of Azril is the thing of which Vitrine is the most possessive and protective. The city is HERS. She planted its seeds, she nurtured it, she’s watched it grow. She takes care of it and the people in it. Not by keeping them like children, but rather by allowing them to grow. Which means that people are born and they die, some of them leave and some of them return, some live good lives and others don’t. She lets them be what they are and helps the city as a whole to flourish.

Until the angels came, self-righteous, obedient and above all, destructive. The freedom she gave her people, freedom of both thought and action, may have been too much for Heaven to allow.

The angels leave Azril a smoking wreck, a tomb for all she held dear and all the people she loved. In her grief she cursed one of them. The proudest, the haughtiest, the one who expected her to beg even as he admitted that no pleading of hers would ever matter.

So she cursed him. And just as she was damned – so was he.

Escape Rating B: I picked this book up because I love the author’s Singing Hills Cycle and was hoping for something like that even though I knew this wasn’t part of that.

What I actually got was something completely unexpected – in a way I’m still not sure how I feel about it.

At the beginning, the immovable, implacable, rigidly self-righteous angels seemed straight out of Simon R. Green’s Nightside or some world adjacent to it. They’re like some of the avatars of justice in Max Gladstone’s Craft Sequence. They’re entirely too much like the angels in Diablo 3 – which was a weird thing to think of. These are all varieties of angels where the stick up their collective asses has taken root and shoved out their brains.

But as the story progresses, the angel is forced to bend. He’s been exiled from heaven because he’s now flawed. He has a tiny bit of demon-stuff in him. But Vitrine isn’t a demon the way that we tend to think of demons, so what that demon stuff does is make him think and feel – and initially he’s pretty bad at both.

While Vitrine goes through all the stages of grief and he tries to ‘help’. And fails. Badly, frequently and often.

But Vitrine grieves and rebuilds. He hangs around and tries to help because he’s got nothing else to do. And they circle each other and drive each other mad and feel things they can’t articulate until I decided that this book is what you get when you combine This is How You Lose the Time War with Good Omens. Which shouldn’t even be possible and wouldn’t work at all if Vitrine was anything like what we think of when we hear ‘demon’.

The ending, in its own way, is just as equivocal as This is How You Lose the Time War – although it’s also entirely different. Whether it’s done out of love or hate is something that the reader is left to decide for themselves. I loved the form it took, and I certainly enjoyed the way they rebuilt the city, but this was as much metaphor as it was story and I’m still mulling it over.

Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

Welcome to the second day of the book tour for A Tainted Heart Bleeds by Sophie Barnes, the second book in the compelling Regency mystery series, the House of Croft. I’ve already reviewed both the first book in the series, A Vengeful King Rises, as well as this second book – and loved them both. (Check out my reviews here and here to get all the deets of just how much I was captivated by each. (I’m already on tenterhooks for the third book, A Ruthless Angel Weeps, coming in late January.)

But someone else’s opinion might not be enough to tempt you, especially on a day already filled with as many distractions as this one is. I’m hopeful that if I can’t convince you, that this excerpt from the opening chapter will grab your attention – and not let go.

House of Croft, Book 2

Historical Mystery/Thriller/Romance

Date Published: 10-29-2024

 

 

He’ll never forgive her deception, or the hold she still has on his
heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet
woman who swept past his every defense, is a cunning spy working against
him. Forced to play a dangerous game where one wrong move could see him
destroyed, he must unravel her secrets while hunting a far more sinister
threat.

Samantha knew her decision to marry her target would come at a price. Now,
having lost her husband’s trust and affection, she’ll do
whatever it takes to win it all back – abandon past loyalties, spill
her secrets, and catch a killer. But will it be enough to undo the
damage?

Excerpt from  A Tainted Heart Bleeds by Sophie Barnes
Chapter One

London, August 15th, 1818
Lady Eleanor dropped onto the stool in front of her vanity table. Exhausted from entertaining dinner guests with her parents, she looked forward to climbing into the soothing comfort of her bed.
Something pushing against her leg made her lower her gaze to Milly, the miniature poodle her parents had gifted her with for her sixteenth birthday. Rising onto her hind legs, Milly shifted her paws to better press her damp nose against Eleanor’s thigh, her stubby tail wagging with eager affection.
Eleanor chuckled and scooped the pup into her lap. She raked her fingers through Milly’s fur, scratched her a few times behind one ear, and allowed her to settle comfortably in her lap.
“Are you ready, my lady?” The question was posed by Audrey, Eleanor’s lady’s maid. A short woman with dark brown hair and eyes to match, the servant was five years Eleanor’s senior and possessed a positive outlook to match her own.
Eleanor glanced at her and smiled in response to the warmth she found in Audrey’s eyes. “Yes. Please begin.”
Audrey raised the comb she’d collected earlier and drew it through Eleanor’s hair. Molly snuggled farther into the circle of her arms, nails scratching a little at Eleanor’s lap as she repositioned her legs.
Eleanor sighed and sent her bed a longing glance. The coverlet had been folded back to display the crisp white sheets that beckoned. It would be good to climb between them and let the weariness seep from her body.
Molly’s curls compressed beneath the weight of her hand as Eleanor stroked the fluffy fur. Glancing up, she caught Audrey’s gaze in the mirror, her thoughts returning to the charity visit she’d planned for tomorrow. “Maybe you’re right about the brown woolen spencer. I never wear it, so I might as well include it in the donation.”
“Are you sure?” Audrey set the comb aside and collected a glass bottle containing Warren & Rosser’s Milk of Roses lotion.
The question was a legitimate one since Eleanor had argued against the suggestion yesterday when she and Audrey had prepared the box that would go to St. Augustine’s Church. The spencer had been a gift from her aunt three Christmases ago. It was undoubtedly lovely, but every time she’d put it on she felt it didn’t quite suit her.
“Yes,” she said, her mind made up. “There’s no sense in it taking up space in the wardrobe when it can keep someone less fortunate warm.”
Audrey dabbed a bit of lotion on Eleanor’s face and began rubbing it in with wonderfully soothing circular motions. “I’m always impressed by your kindness, my lady.”
But was she always kind? Guilt gathered in Eleanor’s stomach, becoming so heavy it felt like a block of lead. The choice she’d made for herself – for her future – had not been easy. She hated how selfish it made her feel.
Yet she managed to smile and pretend Audrey’s comment was welcome. “Thank you.”
Audrey responded with a smile of her own and proceeded to plait Eleanor’s hair. The peaceful activity calmed her mind. She allowed herself to focus on what was to come, instead of worrying over the past.
She’d had her say, and in so doing, she’d paved the way to a new adventure.
A surge of excitement filled her breast at this thought. Everything would be fine. All she needed was rest. The maid finished her ministrations and tidied up. Eleanor set Molly down and climbed into bed. The mattress sagged beneath her weight, the cool sheets inviting her to sink deeper.
“Would you like me to close the window before I go?” Audrey asked.
“No. Leave it open.” The afternoon sun pouring into the room several hours before had made it unbearably warm and stuffy. She couldn’t sleep like that.
“I’ll bid you good night then, my lady.” Audrey called for Molly to join her and the dog complied without question, knowing full well that a walk and a treat awaited.
“Good night,” Eleanor replied, “and thank you for your help.”
The maid left and Eleanor reached for her book. This was her favorite time to read, when all was silent and there was no risk of being disturbed. She opened Pamela and flipped to the spot where she’d left off the previous evening.
A gentle breeze streamed through the window, toying with the curtains. Distant laughter reached her ears. It was followed by a horse’s faint whinny. Eleanor’s eyes grew heavy. The book began sagging between her hands.
She yawned and it felt like only a moment had passed before she was startled by a loud noise. Her eyes snapped open, adjusting and observing. The light by which she’d been reading had burned itself out. Her book had slipped from her grasp. She must have fallen asleep.
Light flashed beyond the window. A resounding boom followed. The curtains flapped with wild abandon while rain poured down from the heavens. She blew out a breath and went to close the window. It was just a storm. No need for alarm.
Barefooted, she padded across the Aubusson rug and noted that parts of it were now damp from the rain. She leaned forward through the window’s opening, her abdomen pressing into the sill, wetting her nightgown as she reached for the handle.
Her hand caught the slick wood and she pulled the window shut. A welcome silence followed, cocooning her from the elements. Pausing briefly, she watched water streak down the smooth window pane, saw lightning flash across the sky.
Intent on returning to bed, she took a step back, prepared to close the curtains, and froze when her toes connected with something unpleasant. Not just water, but a thick and squishy substance of sorts. But how could that be? Confused, she dropped her gaze, but the darkness was blinding. She’d need a candle or an oil lamp in order to see.
She straightened and started to turn, her aim to locate the tinderbox she kept on her nightstand, when a pair of large hands captured her throat. She opened her mouth, attempted to scream, but couldn’t even manage a gasp as the fingers dug deeper and cut off her breath.
Terrified, she stared at the window, at her own blurry figure reflected in the wet glass, and the larger man standing behind her. Tears welled in her eyes. She clawed at the hands that gripped her, kicked her attacker’s shins, and did what she could to wriggle free.
None of it worked.
He was much stronger than she, and her strength waned with each breath she was denied. Her heart fluttered desperately. It begged her to keep on fighting. But it was no use.
She had already lost
#
Chief Constable Peter Kendrick removed his hat as he entered Orendel House. Given the circumstances, a somber atmosphere wasn’t surprising. But the gloom he encountered in the elegant foyer was unparalleled.
Servants stood near the walls, slumped like wilting plants. Maids wept while the male servants stared into nothing, their stricken expressions underscoring the horror they’d woken up to. Even the butler struggled to speak when he offered to take Peter’s hat, his voice cracking before he averted his gaze.
“Where are the earl and countess?” Peter asked.
The butler gave his eyes a quick swipe and straightened his posture. “In the parlor with their…remaining children.” Someone sobbed and the old man’s expression twisted with grief. “As you can no doubt imagine, this is terribly difficult for them. They asked me to show you upstairs.”
“Very well.”
He followed the butler, one step at a time, a couple of Runners at his back. They arrived on the landing, their footfalls muted by the plush carpet lining the hardwood floor. A few more paces and then…
The butler paused and gestured toward a door. “Through there. I realize I ought to come with you, but… Do you mind if I remain here?”
“Not at all.” Peter reached Lady Eleanor’s bedchamber doorway and froze. A sick feeling caught hold of his stomach. Ghastly didn’t come close to describing the scene he beheld. This was the sort of thing that could make men lose all hope in humanity. It was…barbaric.
“Good lord,” murmured Anderson, the Runner standing at Peter’s right shoulder.
Anderson’s colleague, Lewis, only managed a faint, “Excu…” before he bolted for the stairs, no doubt hoping to make it outside before he vomited.
Peter swallowed and took a deep breath, then entered the room. It hadn’t been so long ago since another young woman’s body was found – the last in a series of brutal murders that left him baffled for more than a year. But that killer was dead, so it couldn’t be the same man who’d acted here.
Besides, this was different and shockingly worse.
He clenched his jaw, reminded himself that he had a job to accomplish. There was just…so much blood. It felt like the room was bathed in it. And the victim…
Forcing himself to employ an analytical mindset, he considered her position on the bed and the clean blanket draped over her torso and legs.
“I’ll need the usual sketches,” he said.
“Already working on it,” Anderson told him, his voice gruff.
“You may want to wait a moment.” Peter studied Lady Eleanor’s face and the empty eye sockets that seemed to mock him. “Until I’ve removed the blanket.”
“Sir?”
“It doesn’t belong. Someone placed it here after the fact, no doubt to protect her modesty.” He shot a look over his shoulder. “If you’ll please shut the door.”
A firm click followed and then, “Why would the bastard take her eyes?”
“I don’t know. Could be a trophy of sorts. There’s no telling what goes on in such vile creatures’ heads.”
Slowly, with respect and consideration directed toward the poor young woman whose body lay on the bed before him, Peter folded back the blanket and shuddered. Whatever nightgown she’d worn to bed was gone, her naked body left on display.
Air rushed into Peter’s lungs on a sharp inhalation. She’d been stabbed too many times to count, as though her attacker hadn’t been able to stop. And her neck – the skin there was a bright red shade.
Swallowing, he surveyed the rest of the room while Anderson kept on drawing.
A vase lay on the floor near one of the windows, smashed to pieces. The flowers were strewn across the Aubusson rug. They’d probably ended up there during a struggle. Peter lowered himself to a crouch, his fingertips testing a dark brown stain and feeling the wetness. Mud.
“Take notes too, will you?” Peter retreated until he’d reached the bedchamber door. He grabbed the handle. “And cover her with the blanket once you’re done. I’ll question the servants in the meantime.”
#
The parlor was made available for interviews, each servant introduced to Peter by the butler as he showed them into the room. Peter considered the latest arrival. Audrey was her name. Short in stature, with mousish features and lackluster hair, she’d been Lady Eleanor’s lady’s maid.
“I…I don’t…” Audrey gulped.
She dabbed at her watery eyes again. Her handkerchief looked heavy and wet. Peter handed her a fresh one and gave her a moment to try and collect herself. Not easy, he realized, since she’d been the one who’d discovered her mistress’s body when she’d gone to rouse her.
“Did you always wake her in the mornings?” Peter gently asked.
A nod accompanied trembling lips. “She was always so…active. Liked making the…the most of each day. Today… Oh dear. Please forgive me.”
“It’s quite all right,” Peter told her and waited once more for the woman’s tears to abate. “Take your time.”
She swallowed, licked her lips, and seemed to straighten a bit. “We planned to visit St. Augustine with a few donations. My mistress…she was so very kind I…I don’t understand why anyone might have wanted to hurt her.”
“So you can think of no enemies?”
“None.”
“No hopeful suitors she might have spurned?”
Audrey shook her head. “She’s engaged to Mr. Benjamin Lawrence. They were supposed to marry three months ago, toward the end of April, but his horse-riding accident forced a postponement.”
Peter recalled news of the tragedy. The event had turned the young man into a cripple. He’d lost the use of his legs. “She still meant to go through with it, despite what happened?”
“Of course.” Additional tears slid down Audrey’s cheeks. “My mistress loved Mr. Lawrence and intended to stand by him. That’s the sort of person she was.”
And yet, the nature of her death suggested someone had loathed her beyond all reason. Peter made a few notes in his notebook, his pencil scratching the paper with quick and efficient strokes.
“Thank you, Audrey. That will be all for now.” He accompanied her to the door and called for the next servant.
Again, his thoughts wandered back to the murders that took place earlier in the year. Those women had all seemed like proper young ladies. Friends and family had vouched for them. Yet they’d each had a secret that had gotten them killed.
In all likelihood, Lady Eleanor had secrets too. If he was to figure out who killed her, he’d have to discover which of hers had led to her death.
#
There was no greater nuisance than murder.
It was hard to predict how one would play out. Killing Lady Eleanor had been messier than he’d intended. Perhaps because he’d allowed himself to get carried away.
His lips curled. At least he’d had the foresight to stash a change of clothes for himself at St. George’s burial ground. Returning home covered in blood would not have helped him get away with the crime. As he intended to do.
Hands shoved into the pockets of a clean pair of trousers, he stood by his bedchamber window and watched the London traffic go by.
He had no regrets. She’d deserved every part of what he’d done.
His attention focused on the carriages filling the street and on the people hurrying by. It was the busiest hour of the day, when men of consequence made their way to Parliament while those who belonged to the working class went off to start their jobs.
Bow Street would have its hands full this morning. He casually wondered if they were examining Lady Eleanor’s body right now and where the clues they discovered might lead them.
Spotting a young girl who carried a crate of eggs on her head, he tracked her as she walked along the opposite side of the street. A man coming the other way nudged her shoulder as he pushed past her, but failed to disrupt her stride.
She threw a quick glance toward him then stepped off the pavement and hurried between two carriages, making her way to this side of the street.
A couple of street urchins came from the left at a run, most likely fleeing someone whose pocket they’d picked. Leaping into the street at the same exact time as the girl with the eggs attempted to exit, they crashed into her, tripping before regaining their balance and sprinting onward while she was sent reeling.
Down went the crate and all of her eggs, straight into the gutter.
Not one person stopped to inquire about her wellbeing. She was invisible to the crowd – just another lowly individual doing her best to scrape by. Too much trouble for the middle or upper class to get involved with. Too time consuming for the rest.
And yet, as he watched the poor wretch try to salvage the few eggs that somehow remained intact, there was no doubt she’d prefer her situation to Lady Eleanor’s at the moment.
He watched the girl until she’d gathered whatever she could and continued along the street, vanishing from his view before he turned from the window. His gaze went to his bedside table and he crossed to it, retrieved a small key from his jacket pocket, then dropped into a crouch.
With adroitness, he set the key in the lock of the door beneath the drawer and turned it. The door opened and he reached inside, retrieving a jar that he held up against the bright morning light.
A pair of eyes contained in a clear solution stared back at him while his lips twitched with amusement. The last time they’d talked, Lady Eleanor had insisted she’d no desire to see him again.
It was a wish he’d been more than happy to fulfill.

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

Contact Links

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RABT Book Tours & PR

#BookReview: Buried Memories by Simon R. Green

#BookReview: Buried Memories by Simon R. GreenBuried Memories (Ishmael Jones, #10) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, mystery, paranormal, urban fantasy
Series: Ishmael Jones #10
Pages: 219
Published by Severn House on October 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Returning to the small town where he crash-landed in 1963, Ishmael Jones is in search of answers. But his investigation is de-railed by a brutal murder.

"I think something very bad and very dangerous has come to your little town, Inspector . . ."
As long-buried memories from his hidden past begin to resurface, Ishmael Jones and his partner Penny feel compelled to return to the small country town where Ishmael crash-landed in 1963; the place where his memories began.
Norton Hedley is no ordinary town. Apparitions, sudden disappearances, sightings of unusual beasts: for centuries, the place has been plagued by a series of inexplicable events. Ishmael's first task is to track down local author Vincent Smith, the one man he believes may have some answers.
Ishmael and Penny aren't the only ones seeking the mysterious Mr Smith. When their search unearths a newly-dead body in the local mortuary - a body that's definitely not supposed to be there - Ishmael becomes the prime suspect in the ensuing murder investigation. His only hope of discovering the truth about his origins lies in exposing a ruthless killer.

My Review:

Ishmael Jones is as he has always been. The problem is that he’s been the same, absolutely unaging, for 60 years now. And he doesn’t remember who – or more likely what – he was before that. Before 1963, when his alien space ship was blown out of the sky over Earth and crashed in a field near the tiny village of Norton Hedley.

Which doesn’t seem to have changed much either in the intervening 60 years.

A situation that is quite a bit more worrying than Ishmael’s own unchanging face, because he at least knows why THAT’s happening. Or not, as the case may be.

But Norton Hedley, a place where people come and go and live in hope for a good tourist season every year, seems to be a haven for the uncanny. After all, that’s what has brought Ishmael and his partner Penny to the village.

Because Ishmael and his unchanging appearance began – at least as far as his memory goes – with the crash landing of his alien spacecraft in the woods surrounding Norton Hedley in 1963. He’s returned because his previous two cases, Night Train to Murder and The House on Widows Hill, have provided him with some scattered but ominous clues about who and what he used to be.

And he needs to know. Because he needs to know if he’s a danger to Penny. Or anyone else on Earth who doesn’t deserve it.

In his research about Norton Hedley, or the research the coyly named black ops group, the Organisation, has done on his behalf, he – and they – have learned that Norton Hedley has been weird central for years. Not just the years since his ship crashed in 1963, but for centuries. Millenia even.

Something in, on, or more likely under – like the thing that was under The House on Widows Hill – has been creeping its creepy way along into the lifeblood of the town for eons uncounting. It might have the answers he’s been searching for for decades.

And it might not want to let him know.

Escape Rating B: This series has been one of my Halloween reads since I first discovered it, so it seemed appropriate to finish it up this Halloween. As I’ve already read the final book in the series (so far), I’ll have to pick something else horror-adjacent next year.

The author is an acquired taste – one that I acquired decades ago. It’s the snark. It’s always been the snark no matter what the ostensible genre or subject of ANY of his many series might be. If you like his voice, then when you’re in that mood nothing else will do. But if you’re not, you bounce off, and bounce hard. Your reading mileage may vary.

The concept of this particular series throws a whole bunch of speculative fiction tropes into one hell of a blender. The series began, back in The Dark Side of the Road, as English country house mysteries where the supernatural agencies turn out to be merely human – but with a touch of the paranormal or extraterrestrial for spice and added bodies.

Over the course of the series it has turned into Ishmael’s quest to learn enough about who or what he used to be to figure out just how he can continue to stay one step ahead of all the various secret agencies that would like to use him up in one way or another. Even more important, he’s thoroughly invested in keeping Penny safe – if necessary from himself.

At first, what made this series work as well as it does – at least for this reader – was the revelation in each case that no matter how weird things got – often very – that the enemies were always human after all.

What has kept me going this far have been the questions about Ishmael’s past and Penny’s future. While Ishmael has been unchanging for 60 years, the series has been set in a sort of ‘perpetual now’. Days and weeks pass but seemingly not years. This entry in the series is one of the first that confronts head on the problem of Ishmael and Penny’s relationship.

Not that they have problems, but that together they have a problem. Penny is an ordinary human, she will age, and Ishmael will not. Short of a deus ex machina – and not that there haven’t been plenty of powerful machina around over the course of the series – this can’t end happily. Howsomever, I already know that it does not end in the next book, Haunted by the Past. And in spite of the ominousness of that title, it doesn’t dive nearly as deeply into Ishmael’s past as Night Train to Murder, The House on Widows Hill and Buried Memories have done.

So, I have begun to wonder if the author is planning to end this series at all. I wonder even more whether or not he should. I’d rather just think of Ishmael and Penny in that perpetual now, continuing on their quest to find evil humans at the heart of supernatural hoaxes, raging together against the dying of their light.

Grade A #BookReview: The Grey Wolf by Louise Penny

Grade A #BookReview: The Grey Wolf by Louise PennyThe Grey Wolf (Chief Inspector Armand Gamache, #19) by Louise Penny
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Chief Inspector Armand Gamache #19
Pages: 425
Published by Minotaur Books on October 29, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The 19th mystery in the #1 New York Times-bestselling Armand Gamache series.
Relentless phone calls interrupt the peace of a warm August morning in Three Pines. Though the tiny Québec village is impossible to find on any map, someone has managed to track down Armand Gamache, head of homicide at the Sûreté, as he sits with his wife in their back garden. Reine-Marie watches with increasing unease as her husband refuses to pick up, though he clearly knows who is on the other end. When he finally answers, his rage shatters the calm of their quiet Sunday morning.
That's only the first in a sequence of strange events that begin THE GREY WOLF, the nineteenth novel in Louise Penny's #1 New York Times-bestselling series. A missing coat, an intruder alarm, a note for Gamache reading "this might interest you", a puzzling scrap of paper with a mysterious list—and then a murder. All propel Chief Inspector Gamache and his team toward a terrible realization. Something much more sinister than any one murder or any one case is fast approaching.
Armand Gamache, Jean-Guy Beauvoir, his son-in-law and second in command, and Inspector Isabelle Lacoste can only trust each other, as old friends begin to act like enemies, and long-time enemies appear to be friends. Determined to track down the threat before it becomes a reality, their pursuit takes them across Québec and across borders. Their hunt grows increasingly desperate, even frantic, as the enormity of the creature they’re chasing becomes clear. If they fail the devastating consequences would reach into the largest of cities and the smallest of villages.
Including Three Pines.

My Review:

You’ve heard the parable – even if you don’t recognize it at first. It’s often attributed to the Cherokee, but occasionally to a different Native American tribe. It’s the story about the two ‘wolves’ that battle inside each soul. One wolf represents the darker parts of human nature; anger, envy, jealousy, greed, arrogance, etc. Because that wolf is the embodiment of the dark side, it is often pictured as a black wolf.

The other wolf represents the better angels of our nature; joy, peace, love, hope, serenity, humility, empathy, truth, compassion, etc. That is the grey wolf.

As the parable goes, the wolf that wins the endless battle within each soul is the one that is fed by the thoughts and deeds of that person.

Having gotten to know Chief Inspector Armand Gamache over the course of this series, it’s all too easy to see Gamache as the embodiment of that grey wolf. At this point in his life and career, in more ways than one as he has literally become a grey wolf, older, sadder, wiser, but still fighting the good fight to do his best by his people and his province, in spite of the black wolves arrayed against him.

Including the one inside his own soul.

This particular case begins, as so many of Gamache’s cases begin, with a series of unrelated events that, on the surface have zero in common. Two murders, close together in time but remote and as far apart as they could be in the vast province of Québec, committed in precisely the same manner as a mafia hit. Even though neither victim appears to have any connections whatsoever with the ‘Sixth Family’ that controls organized crime in the province.

Someone breaks into Gamache family’s pied-à-terre in Montreal while he and his wife are at their home in Three Pines. But absolutely nothing appears to have been taken or damaged in the crime.

And last but absolutely not least, especially in Gamache’s mind and memory, a political operative that he crossed early in his career, who attempted to destroy him and his family and very nearly succeeded, calls in the middle of the night to say that she has information he should be interested in. Maybe he should be, but he’s absolutely not considering the source – with expletives.

At least, not until the unrelated incidents start coming together into a pattern that his instincts – if not the actual evidence before him –  tells him is the tip of a terrible iceberg. A pattern that tells him that there is something very, very rotten indeed in the Province de Québec, a pattern that will lead Gamache and his seconds-in-command, Isabelle Lacoste and his son-in-law Jean Guy Beauvoir, to the remotest corners of Québec, back to the scene of the lowest point and most desperate points in the relationships between Gamache and his son-by-birth Daniel as well as his son-by-adoption Beauvoir, and all the way to France, to a secure monastery keeping the secret of one of the world’s most famous recipes – and the potential application of one of the world’s deadliest poisons.

Gamache knows there is an enemy within – probably more than one. He has very few people he can trust absolutely, very little time and no authority with which to demand answers. And no faith that any of his desperate choices are the right ones. But he has to try, no matter the cost to his career or himself.

Because the nightmare he is desperate to prevent is only the beginning if he fails.

Escape Rating A: The Chief Inspector Gamache series, like many long-running series, tells each individual story on two levels. The particular work in hand, in this case, The Grey Wolf, focuses on the case that has been brought to Gamache’s attention at this moment in time, shows his team dealing with the clues and red herrings, figuring out which are which, and eventually solving the case or at least the immediate danger of it.

The other level is the one where things often get very deep, which in many ways goes all the way back to Gamache’s four things that lead to wisdom. As he explains to a group of young police officers in Still Life, “They are four sentences that we learn to say, and mean…I don’t know. I need help. I’m sorry. I was wrong.”

And he lives by those principles – even when it hurts. Especially when it hurts. And most especially when he discovers that he was wrong. Which he does, both in this story and in all the stories that have led him and his team to this point. Because the cop shop aspects of the usual mystery series have become a found family, AND Gamache has a tendency to tilt at big, important windmills that take that family into dangerous places and very fraught political circumstances.

This is one of those cases.

Which is where interesting and frustrating and really, truly frightening things happen in this story. As a criminal investigation, the reader is often caught up in Gamache’s own frustrations as the case is initially so elusive he’s not sure if there are one or several or precisely what it or they might be. Multiple people are playing multiple games, with both the best and worst of intentions, and it’s difficult for the reader to watch Gamache and his team flail around as much as this story forces them to.

It takes a lot of both investigation and speculation to pull this one together.

The frightening part, the part that makes this story a whole lot more fitting for Halloween week than I originally imagined, is the nature and scope of the vast criminal enterprise that Gamache has to stop. Because I don’t want to reveal the big secret, I’m going to do my damndest to talk around it.

The rot at the heart of this case, at first, read like some kind of supervillain shit. I mean that in all seriousness. It takes a situation that is already happening, that is already terrifying, that many people are trying to mitigate if not stop, something utterly real – and then posits that someone in a position of power is planning to deliberately cause an incident of deadly magnitude and then manipulate it to gain yet more power. Not in some wartorn country halfway around the globe, but in the heart of Canada.

And at first my mind went to Lex Luthor and some of his ilk and flew right out of my willing suspension of disbelief. But I kept thinking about it. And came to the unfortunately but truly frightening conclusion that it’s entirely too plausible. Then I started gibbering a bit because it so easily could. Not exactly this way, but threats of this magnitude are already on the horizon and people in power who would create and manipulate those threats are not merely waiting in the wings but believe they are in entirely too many ‘on-deck’ circles.

To make a very long story short, I picked this up because I simply love this series – especially its characters – very, very much indeed. Part of why I continue to read, book after book, is not just that those characters are fascinating, but that their relationships change shape over time. The way they work together is never static, and it often produces the kind of low-key bantering humor that arises in a group that knows each other well and loves each other much – and provides the light moments that this particular entry in the series definitely needed. And I love them all for it, even the crazy poet and her duck. If you’re looking for mysteries that are considerably more, and go infinitely deeper, than merely ‘whodunnit’, Chief Inspector Armand Gamache is a treasure – especially when he takes us on a walk through dark places, as he does in The Grey Wolf.

A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
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He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

My Review:

This second book in the House of Croft series begins as the first book did, with the brutal murder of a young and seemingly innocent woman.

But the circumstances, as similar as they are to the opening of A Vengeful King Rises, are not the same – except that both women, and both murders, are shrouded in secrets. Including the motivation behind them.

The murder of Adrian Croft’s sister Evie was designed to set Adrian on a path that he did not wish to walk, but the motives were concealed in the midst of a serial killer’s spree. It wasn’t personal, although the consequences were very personal to Adrian Croft.

This time, the murder is very personal. Lady Eleanor was stabbed over 50 times, up close and very personal indeed. Her murderer believed that she had betrayed him – and perhaps she had, if only in his own eyes and twisted mind. Of course, he took those too. Her eyes. As a grisly trophy.

Croft brought his sister’s killer to justice – even if no one can prove it. Which leads Lord Orendel, Lady Eleanor’s father, to ask Croft to investigate his daughter’s death and provide him a measure of that same justice – even if it can’t be admitted aloud.

It’s not a commission that Croft wants to take. He has problems of his own to deal with – also a result of the events in the first book. The police are pursuing him for his father’s crimes – and his own. The agent they set on his trail inveigled her way into his heart, his bed and his household.

He married her, and only learned of her betrayal after that fact – just as she vowed to be his in all ways. He can’t forgive, he can’t forget, he can’t trust – but he can’t force himself to set her aside, or off to the country, or into a shallow grave. As she deserves.

He has no idea that she’s about to be the saving of him. Again. It’s only a question of whether that will be enough to finally earn his trust – and to save him from the gallows.

Escape Rating A-: I started this series because it appeared to be what you’d get if C.S. Harris’ Sebastian St. Cyr series and Andrea Penrose’s Wrexford & Sloane series had a book baby. Which is very much true, as all three are set in the same Regency period, all involve solving grisly murders and all have a significant and dark romantic enemies to lovers relationship where the enmity has the potential to turn deadly even as the romance heats to boiling.

(Some reviewers have noted a resemblance to Deanna Raybourn’s Lady Julia Grey series, which I have not read – YET – but clearly need to take a look at.)

Now that I’ve read the first two books in the House of Croft trilogy, at this point I have a really, really, strong feeling that I’m oh-so-glad this is a trilogy and doesn’t go on as long as those other series.

Why, you might ask?

The reason is that the House of Croft doesn’t read like three stories that have some overarching elements. In spite of not being the same genre – AT ALL – the House of Croft reads like The Lord of the Rings in that it is ONE story divided into three parts for publishing purposes. Which, by extension, makes A Tainted Heart Bleeds the long dark night of the soul that is The Two Towers – especially the second half of that heartbreaking middle book.

So that’s all a HUGE hint that readers can’t start with this book. I think that one has to begin at the beginning with A Vengeful King Rises – and will probably join me in the proverbial bated breath waiting for the final book in the trilogy, A Ruthless Angel Weeps, in order to see how Adrian and Samantha Croft manage to get whatever it is they truly deserve – whether that’s heaven or hell or just a quick hanging.

The reason for that anticipation and all of that bated breath is that the individual books in the series are extremely and occasionally excruciating compelling, and while they DO wrap up the murder that opens each story, they DO NOT answer any of the gigantic questions hanging over the series – and our protagonists – like a whole ceiling of Swords of Damocles.

I know there is a puppet master – but I don’t even have a hint as to who that puppet master might be. And it’s driving me crazy. I NEED to know who is responsible for the hell that Adrian Croft has been put through – and more importantly – WHY he’s been put through that hell. I also hope to see someone pay, but I’m certain that Adrian and Samantha will have that well in hand by the end.

A Ruthless Angel Weeps will be coming at the end of January – and for this reader it’s not nearly soon enough!

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

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Grade A #AudioBookReview: Candle and Crow by Kevin Hearne

Grade A #AudioBookReview: Candle and Crow by Kevin HearneCandle & Crow (Ink & Sigil, #3) by Kevin Hearne
Narrator: Luke Daniels
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: paranormal, urban fantasy
Series: Ink & Sigil #3
Pages: 352
Length: 11 hours and 4 minutes
Published by Del Rey, Random House Audio on October 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the New York Times bestselling author of The Iron Druid Chronicles comes the final book in the Ink & Sigil series, as an ink-slinging wizard pursues the answer to a very personal mystery: Who cast a pair of curses on his head?
Al MacBharrais has a most unusual job: He’s a practitioner of ink-and-sigil magic, tasked with keeping order among the gods and monsters that dwell hidden in the human world. But there’s one supernatural mystery he’s never been able to solve: Years ago, someone cast twin curses on him that killed off his apprentices and drove away loved ones who heard him speak, leaving him bereft and isolated.
But he’s not quite alone: As Al works to solve this mystery, his friends draw him into their own eccentric dramas. Buck Foi the hobgoblin has been pondering his own legacy—and has a plan for a daring shenanigan that will make him the most celebrated hobgoblin of all. Nadia, goth queen and battle seer, is creating her own cult around a god who loves whisky and cheese.
And the Morrigan, a former Irish death goddess, has decided she wants not only to live as an ordinary woman but also to face the most perilous challenge of the mortal world: online dating.
Meanwhile, Al crosses paths with old friends and new—including some beloved Druids and their very good dogs—in his globe-trotting quest to solve the mystery of his curses. But he’s pulled in so many different directions by his colleagues, a suspicious detective, and the whims of destructive gods that Al begins to wonder: Will he ever find time to write his own happy ending?

My Review:

When we first met sigil agent Al MacBharrais back in Ink & Sigil, standing in the apartment of his seventh and latest apprentice – along with the corpse of said apprentice AND a caged HOBGOBLIN – we’re instantly aware of several things. Al’s world is just a bit bigger than the one we think we know, he has an absolutely fascinating line of work, and he’s in deep shit.

Or shite, as Al would say. It’s the same substance either way and no one wants to be standing in it as deeply as Al is already standing. And the story has barely begun!

It began in Ink & Sigil with Al hunting down the beings who were trafficking in beings from the fae planes – like the hobgoblin Buck Foi. It middled with an ‘adventure’ in Australia in Paper & Blood, and it ends here, back in Al’s native Glasgow in Candle & Crow, as Al’s mission to end the careers of as many traffickers as possible – no matter what species of sentient being they might be trafficking – ties itself up with Al’s personal quest to learn who cursed him AND why so that he can finally train up an apprentice to mastery and retire before the myriad dangers of his fascinating line of work catch up with him – fatally.

Candle & Crow perches right on that crossroads between “crying because it’s over” and “smiling because it happened.” I’m going to miss Al and his friends, but this was absolutely the right end for this series and I’m happy that I got to see it – and that Al’s office manager, Gladys Who Has Seen Some Shite finally got to see the awesome shite that she came to see.

Escape Rating A: First of all – and last of all – Candle & Crow is an ending. Not just to the Ink & Sigil series, but by extension to the whole, entire Iron Druid Chronicles from which it sprang. Consider this a ginormous hint not to start here. It’s not necessary to start all the way back with the first book in the Iron Druid Chronicles, Hounded, and it’s absolutely not essential to have finished that series – because I haven’t and I still loved Al and his crew.

But you do need to start Al’s story with Ink & Sigil. And if you like urban fantasy, it is absolutely worth reading the whole glorious adventure.

I actually read this twice, or rather I read it once and had it read to me once. The first time I read it I was sitting in the train station in Al’s native Glasgow, waiting for the train back to London and eventually home after the close of the Glasgow WorldCon. It was the perfect place to read this story, with the one caveat that it made me regret not having taken the time to visit the Glasgow Necropolis, if only to see how close the book’s description of the tomb of Isabella Ure Elder is to the real thing. (Based on the photo at right, the answer is VERY – admittedly without the “dreich” weather experienced both in the story and, honestly, for much of our trip.).

In the series of mad dashes, long waits, and exhaustion at the end of a glorious trip, I didn’t have the opportunity to write this review before the details flew – or more likely slept – their way out of my head. But Al’s story has been marvelous every step of the way, so I picked up the audiobook and listened to it all again. And loved it again.

However, I have to say that, although the story is obviously the same, listening to Candle & Crow is a MUCH different experience than reading it. (I also wonder whether the author wrote this book, or perhaps the whole damn series, at least in part, just to mess with his audiobook narrator Luke Daniels.)

About that story…some stories start out as a whole, then the layers get peeled back until it’s much bigger on the inside than it looked like from the outside. Candle & Crow goes the other way.

Initially it reads as a loose pile of unrelated threads. There’s Al’s continuing investigation into the curses that have done their damndest to wreck his life. Then there’s the problem that hobgoblin Buck Foi is drinking to keep himself from thinking about. On top of that there’s Al’s attempts to help the police by providing them with evidence of human trafficking – only for the local police to decide that Al only has such information because he’s one of the traffickers and harass him repeatedly over that mistaken assumption.

(This is the point where I need to comment that, as much as I enjoyed most of the narration, the voice used for Detective Inspector Munro would have worked equally well for Dolores Umbridge of Harry Potter infamy. That character grates, the voice used for her grated to the point that chalk on a blackboard would have been an improvement – and possibly at a lower and more tolerable pitch as well. Getting down off my soapbox now. Hem-hem.)

On top of the issues that directly involved Al, there’s also the Morrigan’s desire to step away from her identity as “chooser of the slain” so she can fall in love, Al’s accountant Nadia and her search for a demi-godly purpose that turns to the founding of a new and potentially dangerous religion, and the ever-present question of exactly what sort of deity or superbeing Gladys Who Has Seen Some Shite might be when she’s not being Al’s receptionist and just how dangerous the shite she has been waiting around in Glasgow to see might be for Al and his friends.

Al has a LOT on his mind at all times. That discovering the ‘nine ways to Nancy’ turns out to be the perfect metaphor for tying all of the many threads of Al’s story into a neat bow of a perfect ending for the series made for a fantastic conclusion to a marvelous series.