Review: Shards of Glass by Michelle Sagara

Review: Shards of Glass by Michelle SagaraShards of Glass by Michelle Sagara
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: dark academia, epic fantasy, fantasy, urban fantasy
Series: Chronicles of Elantra
Pages: 512
Published by Mira on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Academia, once an elite proving ground for the rulers of the world, has been frozen for centuries. Now its strange slumber has ended, and a new Chancellor, an orange-eyed dragon, has reopened its lecture halls and readied its dorms. In order to thrive once more, however, the Academia needs fresh blood—new students with a passion and talent for learning.
One such student, Robin, has the perfect recruit in his friend Raven, an orphan who lives in the dangerous Warrens. Robin grew up in the Warrens, and he wouldn't have made it if not for Raven. He knows she’ll be safe at the Academia, where her unusual gifts can be appreciated.
But when students start turning up dead, the campus threatens to collapse completely. Raven and Robin will not let that happen to their new home…if they can survive long enough to figure out who—or what—is trying to kill them.

My Review:

Shards of Glass is a bit of a side story in the marvelously interwoven, intricately-plotted, and long-running Chronicles of Elantra series. It takes us deep into the heart and soul (and yes, it most certainly has one, literally as well as figuratively) of the formerly lost and presumed destroyed Academia, the institution that was found hidden in a misty pocket of Elantra’s fiefs in Cast in Wisdom.

The Academia, both in its function as a school and repository of knowledge, and in the person of its sentient building, majordomo, administrator and caretaker, Killianas, is slowly recovering from its long, well, let’s call it a coma.

But it seems, at least at first, that someone or something or some force or all of the above is trying to prevent or at least delay that recovery. By way of murdering the students. That is not a situation that either the Chancellor, the Dragon Lord Lannagaros, or Killianas himself can allow to continue – not if they’re doing their jobs and/or following the purposes their hearts have called them to.

Which is where Robin, his friend Raven, and the woman they call the ‘grey crow’ wing their way into this considerably disturbed nest of learning and scholarship. Initially, they seem to be a bit at cross-purposes. Giselle, the information broker and ‘grey crow’ of the downtrodden slum known as the Warrens, just wants to get paid for bringing a new student to the Academia. Robin, once a denizen of those Warrens, wants to bring his friend Raven to the Academia, where she’ll be safe and warm and fed and be able to learn more things – just as he is.

But Robin is not safe at all, and neither is the Academia. Since it is Raven’s duty to keep Robin safe, she comes to the Academia to save him. And it. And all of the students who have come to call the place home.

Someone is murdering the students. Or something. Or magic. Or all of the above. No one is sure how they are being killed – or if the students are the intended victims. Or why its happening. Or who might benefit – or think they benefit – from the blood and the chaos.

Raven only cares that Robin is safe. So that he can fulfill a duty he hasn’t been allowed to remember. Which will bring an end to hers – whether her duty ends in success or failure, it will end in blood and tears either way.

Or will it?

Escape Rating A+: I began reading the Chronicles of Elantra in 2011, at which point the series was already seven books in. I have a distinct memory of where we were living and exactly what the room looked like as I read them – the series made that much of an impression and I was so completely hooked. My first official review of the series here at Reading Reality was for book 7, Cast in Ruin.

But, and it is an unfortunately large but in this case, as much as I love the series – and I very much still do – at this point in the main series, last year’s book 17, Cast in Eternity, it’s gotten harder and harder to get into each successive entry as the backstory has gotten bigger, more convoluted and considerably both denser AND more sprawling as it’s gone along. (I have audio for both book 16, Cast in Conflict and Cast in Eternity and have hopes the whole thing will work better for me that way.

But I love the series. I really, really love it. Which is what made both the Wolves of Elantra prequel series (The Emperor’s Wolves and Sword and Shadow), as well as this latest book, Shards of Glass, so good, so much fun, and so much easier to get stuck into.

The Wolves of Elantra is a prequel series, so it can serve as an intro to the Chronicles, but it’s also an excellent way to slip back into Elantra without having to hold all the details of everything in one’s head.

Shards of Glass, on the other hand, is a side story within the Chronicles. It sets a story almost entirely within the formerly lost Academia that was rediscovered in Cast in Wisdom and expands upon that setting and that setting pretty much alone. And it’s a fantasy mystery, which makes it all just that much better, as I love the fantasy mystery blending AND the story is contained enough within the now-mostly-functional Academia that one again does not need to remember all the ins and outs of all of Kaylin Nera’s many, many unexpected ‘adventures’ to happily get ensconced in this one.

Kaylin, the protagonist of the main Chronicles series, isn’t even a side character in Shards of Glass. She’s mentioned – as she should be all things considered – but this is most definitely NOT her story.

Instead, Shards of Glass takes the reader into the heart of that formerly lost Academia, where school is finally back in session after over a millennia of abeyance. The school, both as an institution and in the person of its sentient building and grounds, Killianas, is recovering.

At first, it seems like it’s flailing around its mystery – or at least all the characters within it are flailing, including the Dragon Chancellor and the Giant Spider Librarian. (The varieties of species, histories and perspectives are a huge part of what make the Chronicles of Elantra so much fun. The Dragons are particularly acerbic and wry, but then they can afford to be.)

A big part of the flailing is that there are so many possible motives for the murders and so little ability to settle on which one is correct. The flailing keeps falling apart on, not the classic mystery question of ‘Why benefits?’ but more a matter of who is believed to benefit or who believes they benefit and none of those possible avenues of investigation resolve to the same set of possible motives or suspects.

And of course they all turn out to be wrong – and wrong in a way that is buried in the legends of the deep past and will cause catastrophic destruction if they’re not sussed out in time and by the right people.

So Shards of Glass, both in the way the story works itself and the way it dives deeply into one of Elantra’s fundamental institutions, both fits perfectly into the way the series as a whole works and yet still introduces – or reintroduces – the reader to a small enough corner of the vastness that it’s possible to get completely stuck into the whole thing without remembering all the details of what came before.

On top of all of that, it’s a beautiful story about the power and saving grace of friendship, and that was just wonderful. Shards of Glass is worth the read for that factor alone and I’m so very glad I read it. Hopefully, by the time the next book in the main Chronicles of Elantra series, Cast in Atonement, comes out next August I will have caught back up to that last couple of books in the series that I missed.

Review: Hercule Poirot’s Silent Night by Sophie Hannah

Review: Hercule Poirot’s Silent Night by Sophie HannahHercule Poirot's Silent Night (New Hercule Poirot Mysteries, #5) by Sophie Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical mystery, mystery
Series: New Hercule Poirot #5
Pages: 384
Published by William Morrow on October 24, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The world’s greatest detective, Hercule Poirot – legendary star of Agatha Christie’s Murder on the Orient Express, Death on the Nile and A Haunting in Venice – puts his little grey cells to work solving a baffling Christmas mystery.
CAN HERCULE POIROT SOLVE A BAFFLING MURDER MYSTERY IN TIME FOR CHRISTMAS?

It’s 19 December 1931. Hercule Poirot and Inspector Edward Catchpool are called to investigate the murder of a man in the apparent safe haven of a Norfolk hospital ward. Catchpool’s mother, the irrepressible Cynthia, insists that Poirot stays in a crumbling mansion by the coast, so that they can all be together for the festive period while Poirot solves the case. Cynthia’s friend Arnold is soon to be admitted to that same hospital and his wife is convinced he will be the killer’s next victim, though she refuses to explain why.
Poirot has less than a week to solve the crime and prevent more murders, if he is to escape from this nightmare scenario and get home in time for Christmas. Meanwhile, someone else – someone utterly ruthless – also has ideas about what ought to happen to Hercule Poirot . . .

My Review:

Scotland Yard Inspector Edward Catchpool and his friend and mentor Hercule Poirot are just settling in to a two-week staycation (even if that term had not been invented yet) in London, staying in Poirot’s rather palatial apartment at Whitehaven Mansions, attended by Poirot’s inestimable butler, George, for the duration of the holidays.

Catchpool, in particular, was determined to spend his Christmas hols with his friend Poirot and absolutely NOT with his mother, the overbearing Cynthia Catchpool. The moment Cynthia lies her way into Poirot’s office, we understand EXACTLY why Catchpool intended to spend his holidays as far away from his mother as he could manage.

Because Cynthia Catchpool is the perfect example of another term that hadn’t been invented yet. She was a ‘helicopter parent’ long before that term was even on the horizon, someone who swoops into her son’s life – or frankly anyone’s life – and absolutely does not listen to a single thing she has to say.

She is determined that Catchpool and Poirot will return with her to the  blustery Norfolk coast in late December to solve a murder and spend Christmas with her and the friends she’s visiting,and will not take ‘NO’ for an answer, no matter how many times it’s shouted at her.

But when she describes the circumstances of the murder to Poirot, Catchpool knows instantly that he is at least somewhat doomed. Christmas itself may be saved, but Poirot gets a look in his eye that Catchpool knows all too well – that something about this case has caught the attention of Poirot’s ‘little grey cells’.

What fascinates Poirot so much that he is willing to disrupt his holiday plans? The man who has been murdered is someone who could not possibly have been intended to be murdered. So why is he dead?

Poirot must know. He must solve the case. Before the truly execrable cuisine served at Frellingsloe House causes him to die from starvation. Or poison.

Escape Rating B-: Looking back at my reviews of the previous books in this New Hercule Poirot series by Sophie Hannah (The Monogram Murders, Closed Casket, The Mystery of Three Quarters, and The Killings at Kingfisher Hill) I’ve had mixed feelings about pretty much all the books in the series, and this latest entry is absolutely no exception.

I’m beginning to think that the problem is that I like the concept more than the execution (ahem, pun not exactly intended but…) and that’s true in this entry in the series as well. Although I did find this one more readable than The Killings at Kingfisher Hill, I ended this book feeling every bit as sorry for Catchpool this time, if not a bit more, than I did then.

Because this time he’s very much put upon by Poirot AND his mother. Who I fully confess I hated as a character from her very first appearance to the point where I mentally cringed every time she appeared on the page. Her overbearing helicopter parenting, no matter how anachronistic that term, was a trial from beginning to end. The story did need her gossiping nature, I’m just not sure it needed her utter assholishness about it. Or at least I didn’t need it considering that she did not get nearly the bashing she deserved.

The case itself went to some interesting psychological places, as it turned out to be wrapped around the idea of reinventing oneself and how deeply one can get consumed by burying that past so completely that anything that touches on it causes a psychological break. I liked that Poirot and Catchpool had differing interpretations of those causes, particularly as Poirot’s reasoning felt more germane to the times while Catchpool’s was perhaps a bit anachronistic but more humane.

A lot of the ‘action’ of the story, particularly the ‘fair play’ aspects of the mystery and its resolution, were handled as more ‘telling’ than showing, as the two detectives were often working separately, and only caught up at irregular intervals through meticulous reports – which is how the reader gets caught up as well.

I’m left with a bag of mixed feelings about this one. I liked it better than The Killings at Kingfisher Hill, not as much as The Mystery of Three Quarters and Closed Casket, but still enjoying the concept as a whole. We’ll see how I’m feeling about the whole thing if Poirot and Catchpool catch another case a year or two from now.

Review: Uncanny Vows by Laura Anne Gilman

Review: Uncanny Vows by Laura Anne GilmanUncanny Vows (Huntsmen, #2) by Laura Anne Gilman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, historical fantasy, urban fantasy
Series: Huntsmen #2
Pages: 384
Published by Gallery / Saga Press on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Following the events of the high-stakes and propulsive Uncanny Times, Rosemary and Aaron Harker, along with their supernatural hound Botheration, have been given a new assignment to investigate…but the Harkers believe it’s a set-up, and there’s something far more ancient and deadly instead.

Rosemary and Aaron Harker have been effectively, unofficially sidelined. There is no way to be certain, but they suspect their superiors know that their report on Brunson was less than complete, that they omitted certain truths. Are they being punished or tested? Neither Aaron nor Rosemary know for certain. It may be simply that they are being given a breather or that no significant hunts have been called in their region. But neither of them believes that.

So, when they are sent to a town just outside of Boston with orders to investigate suspicious activity carefully, the Harkers suspect that it is a test. Particularly since the hunt involves a member of the benefactors, wealthy individuals who donate money to the Huntsmen in exchange for certain special privileges and protections.

If they screw this up…at best, they’ll be out of favor, reduced to a life of minor hunts and “clean up” for other Huntsmen. At worst, they will be removed from the ranks, their stipend gone—and Botheration, their Hound, taken from them.

They can’t afford to screw this up.

But what seems like a simple enough hunt—find the uncanny that attacked a man in his office and sent him into a sleep-like state—soon becomes far more complicated as more seemingly unrelated attacks occur. The Harkers must race to find what is shadowing them, before the uncanny strikes again, and sleep turns into murder—and the Huntsmen decide that they have been compromised beyond repair.

But their quarry may not be the only uncanny in town. Botheration and Aaron both sense something else, something shadowing them. Something old, dangerous…and fey.

My Review:

If the idea that the Harker family is somehow involved with the things that go bump in the night feels familiar but you can’t quite remember why, it’s because it IS familiar. Jonathan Harker got himself mixed up with a famous vampire in a little place called Transylvania a mere couple of decades before we first met Aaron and Rosemary Harker in the first book in the Huntsmen series, Uncanny Times.

Because the times they live in are very ‘uncanny’ indeed, the Huntsmen their family has always been a part of have a very long tradition and there are vampires in Europe. Not in America, not so far, at least not yet. But still, the idea that an uncle or a cousin got themselves mixed up in that other uncanny business is not all that far-fetched once the reader gets themselves fully immersed in the Harkers’ not-quite-urban-fantasy, not-exactly-alternate-history version of 1913 New England where the ‘automotive’ has just started sharing the streets with horse-drawn carriages, the Great War seems to have already begun in Europe, and the ‘uncanny’ things that populated Washington Irving’s Sleepy Hollow have put down long, deep roots in the local landscape.

And occasionally slip into nearby houses and offices to practice their mischief. Or commit murder.

That’s what sends the Harkers, brother and sister, on a covert mission to Boston to investigate what might be an attack by an uncanny. The organization that monitors and dispatches the Huntsmen have asked/ordered/voluntold the Harkers that one of the organization’s financial backers has called in some favors, that the man wants a discreet investigation of his brother-in-law’s mysterious illness/fainting fit/possible attack, in order to placate his wife and get back to his business.

It’s a far from ideal situation, and both the Harkers know it. The Harkers feel like the organization no longer trusts them after the events in Uncanny Times, and that they’re being sent on this mission without information and with their hands tied behind their backs because its a test that someone wants them to fail.

And they could be right on all counts. But that doesn’t change the mission, only make it a whole lot more difficult to resolve – with that desired discretion or without.

Not that discretion is even possible while there’s something uncanny watching and waiting for them to make a mistake – the kind that either gets the all killed, or the kind that exposes all their secrets to a world that is absolutely not ready. Or both. The way that the Harkers’ luck tends to run – bet on both.

Escape Rating B+: So far, at least, the Huntsmen series still feels like it’s part of the ‘Weird West’ tradition. It obviously isn’t, not with the ‘automotives’ [sic] on the streets and the Great War looming on the horizon, but it still feels that way, like it would fit right into The Good, the Bad, and the Uncanny collection coming out in a couple of weeks.

(Although, come to think of it, the author DOES have a series that is explicitly set in the Weird West, titled The Devil’s West and beginning with Silver on the Road. I think I just saw it shooting up the virtually towering TBR pile, chased by one of the Harkers’ specially-prepared bullets.)

With the first book in the series, Uncanny Times, I liked the idea of the story and the series more than the story I actually got. Although I loved the Harker’s hellhound Botheration and still do. He stole every scene he was in and does in this book as well. (Don’t worry, Botheration is a Very Good Boy and is just as fine at the end of this adventure as he was at the beginning – which is very.)

His humans, however, are a bit closer to the end of their tether than either of them realizes when this case gets wrapped up. Although it does, in spite of the roadblocks put in their way by both the organization and the favor-calling client and benefactor.

One of the things that makes this series work is that Rosemary and Aaron Harker are both of their time and place AND a bit outside it at the same time, making them excellent investigators of both the human and the uncanny aspects of the case. Even as they push at the boundaries more than a bit. Which is both the cause of their ‘outsiderness’ and its result.

That’s part of why I enjoyed this story more than the first, because we get a much fuller picture of the Harkers, their skills and their capabilities, we know more about what makes them who they are, and we see more of why the organization doesn’t exactly trust them but can’t afford to assign them to the equivalent of working in Siberia without proof of something. Not that some folks aren’t looking for that something, and haven’t been for most of Aaron’s life.

At the same time, the heavy lifting of setting up the world and the series has already been done in that first book, so this one is able to sink its teeth into the case from the very first page – and that they drive off in Aaron’s rented ‘automotive” gets things going that much faster, while Rosemary’s dislike of the speed, the dust, and Aaron’s relative inexperience driving the thing adds a bit of lightness to what is otherwise a rather dark story of obsession and possession.

I came back to this series for Botheration, but I stayed because the setting is getting more and more interesting as it goes, and the case was filled with plenty of twists and turns and still-fresh-from-the-water red herrings. All the while, Rosemary and Aaron’s different but equally jaundiced perceptions of their world grounded the story in characters that I could not merely empathize with but actually share the frustrations of along the way.

So if you like tales of the Weird West – even though this isn’t quite – or historical urban fantasy – which this most definitely is – or just like exploring a world that isn’t quite ours but is just enough like ours to really, seriously get into, take an ‘automotive’ trip to early 20th century Boston with the Harkers and their very good, and very large, boy, Botheration. It’s a wild ride from beginning to end – and not just because of Aaron’s driving!

Review: Anything with Nothing edited by Mercedes Lackey

Review: Anything with Nothing edited by Mercedes LackeyAnything With Nothing (Tales of Valdemar #17) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #17, Valdemar (Publication order) #57
Pages: 368
Published by DAW on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This 17th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.
The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.
Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.
Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My Review:

A huge part of the charm of the Valdemar series is that, after so many years of chronicles, the world is large in scope, both in geography and in history, and there are plenty of times and places in which to set stories about how it came to be, what makes it tick – and the times and places when, in spite of everyone’s best efforts – situations have gone off the rails.

At the same time, it seems like a relatively livable place, allowing for stories where humans – with or without the help of magical, horse-like Companions – manage to fix what’s gone wrong or at least make a good stab at.

Or, when necessary, a good stab at whoever has done the wrong.

The stories in this SEVENTEENTH collection of Tales of Valdemar cast a wide net over Valdemar’s history, from not long after the Founding we’ve seen in the new Founding of Valdemar trilogy, all the way up to Selenay’s time, while geographically the stories spread across Valdemar and into the borderlands with Hardorn and Karse – if not just a bit over.

And it’s an absolute delight from beginning to end for anyone who has ever spent time in Valdemar, whether they’ve been visiting from the very beginning, back in Arrows of the Queen, just discovered Valdemar with the marvelous Founding of Valdemar trilogy (Beyond, Into the West, and the upcoming Valdemar) or who have dipped in here and there and then over the years.

Anything with Nothing, both the collection and the specific story by Lackey herself that closes out this collection, turned out to be the perfect way to get familiar with this world, once again, in preparation for discovering the final pieces of how Valdemar came to be in the soon-to-be-released book of the same title, Valdemar.

Escape Rating A-: The previous Tales of Valdemar collection, Shenanigans, featured stories that were all centered around the title theme, meaning that in one way or another they all featured tricks or pranks.

Likewise, the stories in this collection all center around the theme of making do or doing without, of persevering in the face of not having nearly enough. In other words, about creating pretty much anything out of not very much at all.

My favorite story in this collection is “Look to Your Houses” by Fiona Patton. It’s a slice of life story, as many of the stories in these collections often turn out to be, but in this case it’s the slice of a particular life, that of a City Guardhouse Sergeant caught between the rock of how things are supposed to be done and the hard place of how things actually get done when he’s forced to reconcile those two frequently opposing states of being in preparation for a new commander’s assignment to his station. The way that particular dilemma was handled, and the dichotomy between the rules and real life, gave me vibes of Sam Vimes and the City Watch in the Discworld. This story could have just as easily been part of the Discworld  City Watch subseries and it would have fit right in.

My favorite purely Valdemar story turned out to be the title story, “Anything, with Nothing” by Mercedes Lackey, for the way that the town comes together, the way that Herald Tadeus steps up, the way that his Companion manages to insert her own bit of shenanigans AND the way that the mercenaries got completely flummoxed by a ‘Ghost Squad’ of well-led villagers and the instant communication that Companions make possible.

Many of the stories in this collection take place either as magic was fading or after it was already gone. In other words, in the run up to the Last Herald Mage trilogy and in the centuries after of managing without the big, flashy magic gifts.

Quite a few of the stories center around characters who, because of that lack of magic, have more than a bit of imposter syndrome, as Herald Tad does in “Anything, with Nothing”. Those stories include “In Memory’s Vault” by Kristin Schwengel, “Warp and Weft” by Diana Paxson, “Enough” by Louisa Swann, “Wooden Horses” by Rosemary Edghill, “Intrigue in Althor” by Jeanne Adams, and “Old Wounds” by Terry O’Brien.

Even though the purpose of the Companions is to help keep Valdemar on the straight and narrow, to keep it working for most of its people most of the time, humans are still gonna human, especially when they believe they are away from the eyes and eyes of the Companions and their Heralds.

Meaning that several stories focus on the problems that result when, as the old saying goes, “power corrupts and absolute power corrupts absolutely,” regardless of whether that power is ‘might makes right’ or ‘they who have the gold make the rules’ or the power of social opprobrium and the morality police.

Those stories include “Good Intentions” by Stephanie D. Shaver, “Beebalm and Bergamot” by Cat Rambo, and “What a Chosen Family Chooses” by Dee Shull.

There are also several stories about folks have either fallen into hard times or onto mean streets, both in Haven and outside it, or have otherwise been abused by the system in general, their fellow humans in particular, or a bit of both. “A Day’s Work” by Charlotte E. English and “Wooden Horses” by Rosemary Edghill are both particularly heartbreaking in this regard.

Last but not least, there are several marvelous stories in this collection that would have been equally at home in Never Too Old to Save the World, that marvelous collection of fantasy and SF stories that feature protagonists who become the ‘Chosen One’ in middle age or later. I particularly want to give a shoutout to four of these stories, “Needs Must When Evil Bides” by Jennifer Brozek, “What You Know How to See” by Dayle A. Dermatitis, “Warp and Weft” by Diana Paxson, and “Once a Bandit” by Brigid Collins.

While I haven’t listed every story in this collection, I did absolutely enjoy them all. And I’m aware that I’ve mentioned a few of the stories more than once, which hopefully gives you the idea that I liked them a LOT, because I absolutely did – even the ones that went to the darkest places and broke my heart.

So, if you’ve missed Valdemar the place and are looking for something to tide you over until Valdemar the final book in the Founding of Valdemar trilogy comes out between Christmas and New Year’s, I highly recommend picking up Anything with Nothing to get you in the mood for that truly epic story coming SOON!

Review: Chaos Terminal by Mur Lafferty

Review: Chaos Terminal by Mur LaffertyChaos Terminal (The Midsolar Murders, #2) by Mur Lafferty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery
Series: Midsolar Murders #2
Pages: 369
Published by Ace on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Mallory Viridian would rather not be an amateur detective, and fled to outer space to avoid it…but when one of the new human arrivals on a space shuttle is murdered, she’s back in the game.
Mallory Viridian would rather not be an amateur detective, thank you very much. But no matter what she does, people persist in dying around her—and only she seems to be able to solve the crime. After fleeing to an alien space station in hopes that the lack of humans would stop the murders, a serial killer had the nerve to follow her to Station Eternity. (Mallory deduced who the true culprit was that time, too.)
Now the law enforcement agent who hounded Mallory on Earth has come to Station Eternity, along with her teenage crush and his sister, Mallory’s best friend from high school. Mallory doesn’t believe in coincidences, and so she’s not at all surprised when someone in the latest shuttle from Earth is murdered. It’s the story of her life, after all.
Only this time she has more than a killer to deal with. Between her fugitive friends, a new threat arising from the Sundry hivemind, and the alarmingly peculiar behavior of the sentient space station they all call home, even Mallory’s deductive abilities are strained. If she can’t find out what’s going on (and fast), a disaster of intergalactic proportions may occur.…

My Review:

The title for this one works both ways. There’s plenty of chaos at this terminal, and much of it is terminal. But that’s not exactly a surprise with Mallory Viridian on the case. Even if part of the chaos at Station Eternity happens BECAUSE Mallory Viridian is on the case.

And entirely too much of the rest of it happens because not ALL of Mallory Viridian is on the case. To the point where Mallory isn’t even aware that there’s a case at all until someone literally drags her to the scene of the crime, and Mallory finally figures out that whatever has gone wrong on Station Eternity has gone wrong with her as well.

It’s not actually a surprise that something has gone wrong AROUND Mallory, or even that something has gone wrong WITH Mallory. Mallory is a chaos magnet of the first order, and both of those things are always happening whenever Mallory is around.

Because people always end up dead in Mallory’s vicinity. Not because she’s some kind of serial killer, but because the kind of chaos that Mallory attracts – and is then both blamed for and stuck with solving, not necessarily in that order – is the chaos that surrounds murder. She doesn’t perpetrate it, she doesn’t cause it, but wherever Mallory is, murder happens.

What Mallory is still adjusting to, and the reason that Mallory isn’t initially aware of the problems that the station is having, are directly related to Mallory’s discovery about herself and all those murders in the first book in the Midsolar Murders series, Station Eternity.

Mallory was bitten by a wasp as a child. But it wasn’t a wasp. Mallory was bitten by an advance scout for the Sundry, an alien insect species that either infiltrated Earth or arose there long before First Contact. The Sundry, as a hivemind and as a species, like gathering data and are attracted to chaos because there’s plenty of data to parse in chaotic conditions.

It’s unfortunate for Mallory that the scout that bit her was from a hivemind that was particularly attracted to the chaos around murder investigations, leading to pretty much everything that happens in Mallory’s life afterwards.

Leading Mallory to the isolation of Station Eternity – as a mere four humans aren’t enough to generate the coincidences that lead to Mallory’s brand of murder chaos.

There are, however, plenty of other species living and working aboard the station, including the chameleon-like Phantasmagore and the rocky Gneiss. And the Sundry, who in their love of chaos and data make a specialty of handling the semi-autonomous functions of spaceships and space stations.

But something is wrong with the Sundry aboard Station Eternity – and it’s wrong with Mallory as well. It’s so wrong that when a whole shipload of humans arrives on the Station, Mallory isn’t panicking about the near-certainty of murder in her vicinity. Not even as the coincidences start piling up. Suddenly there are entirely too many humans aboard Eternity, and too many of them know Mallory entirely too well.

It’s only when the bodies start dropping that Mallory finally figures out that the murders aren’t the only thing going wrong on the station, and that she’ll have to solve those murders without her murder-solving mojo – or get it back.

If she can.

Escape Rating B: One of the things that made the first book in this series, Station Eternity, so damn much fun was its relentless pace. From the moment we meet Mallory, the chaos starts swirling, Mallory starts panicking, and the whole thing is off to the races.

But when we get back to Mallory in Chaos Terminal, Mallory is not feeling herself. At all. She thinks it’s some kind of space flu. Whatever it is, she’s so far from firing on all thrusters she isn’t even aware that a huge chunk of what makes Mallory BE Mallory is totally offline.

The story isn’t told from Mallory’s first person perspective, but she is very much the reader’s perspective on events, which means that Mallory being in a complete fog for the first third of the book means that we are as well.

So it’s a third of the way into the story before Mallory’s fog lifts and the real action kicks into gear. At that point, it’s suddenly, thankfully and blissfully gangbusters, but it’s a LONG slog to get there and I very nearly didn’t.

The story, and the mystery, in Chaos Terminal is wrapped around cleaning up the many, many fascinating loose ends that were left laying on the deck of Eternity after the chaotic, nearly cataclysmic events of that first book – especially Mallory’s own, personal loose ends.

Which means that Chaos Terminal is probably not the best place to start the Midsolar Murders because a LOT of this story was set up in that first book. Howsomever, if you got caught up in Mallory’s bloody, madcap situation then, there’s a lot of fun in seeing most of those loose ends get tied up, quite possibly in a series of Gordian Knots, here in this second outing.

In spite of the science fictional setting – which is utterly fascinating – this SF mystery is pretty much character driven. Meaning that if you like Mallory as a character and enjoy her multi-species Scooby Gang, it will probably work for you. I did like Mallory a LOT in Station Eternity, so I came into Chaos Terminal expecting to love it as well. I think it works a bit less well than that first book because Mallory REALLY isn’t herself for that long beginning, and the less polished and/or less likable characters’ rough edges are very much on display while Mallory is getting her act together.

But I do like Mallory Viridian as a character, and as a human perspective on humanity’s first toehold in this near-future, post-First Contact, wider galactic universe. A universe that is not only not centered on humans, but doesn’t even seem to be centered on humanoids, making it every bit as fascinating a character as Mallory herself.

Which means that I absolutely will be back to see who, or what, ends up dead when Mallory’s next investigation/adventure/crisis appears!

Review: The Wishing Bridge by Viola Shipman

Review: The Wishing Bridge by Viola ShipmanThe Wishing Bridge by Viola Shipman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: holiday fiction, relationship fiction, women's fiction
Pages: 368
Published by Graydon House on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

With unabashed winter charm, The Wishing Bridge sparkles with the humor and heart fans of Kristy Woodson Harvey, Nancy Thayer and Jenny Colgan love most.
Once the hottest mergers and acquisitions executive in the company, Henrietta Wegner can see the ambitious and impossibly young up-and-comers gunning for her job. When Henri’s boss makes it clear she’ll be starting the New Year unemployed unless she can close a big deal before the holidays, Henri impulsively tells him that she can convince her aging parents to sell Wegner’s—their iconic Frankenmuth, Michigan, Christmas store—to a massive, soulless corporation. It’s the kind of deal cool, corporate Henri has built her career on.
Home for the holidays has typically meant a perfunctory twenty-four-hour visit for Henri, then back to Detroit as fast as her car will drive her. So turning up at the Wegner’s offices in early December raises some eyebrows: from her delighted, if puzzled, parents to her suspicious brother and curious childhood friends. But as Henri fields impatient texts from her boss while reconnecting with the magic of the store and warmth of her hometown, what sounded great in the boardroom begins to lose its luster in real life. She’s running out of time to pull the trigger on what could be the greatest success of her career…or the most awkward family holiday of her life.
Includes the bonus novella Christmas Angels

My Review:

“Home is the place where, when you have to go there, they have to take you in,” at least according to Robert Frost. But just because they have to take you in, or even if they WANT to take you in, that does not give you permission to steal it out from under them.

Which is EXACTLY what Henrietta Wegner plans to do when she returns home to Frankenmuth, MI and to the ‘all Christmas all the time all year round’ store named after her family. A store that anchors not just the Christmas season in Frankenmuth but the whole, entire town.

50something Henri is on the ropes at the cutthroat mergers and acquisitions firm she cut a wide swath through back in the day – when she first left home to make her own mark. Now she’s back home, attempting to defend that mark by ‘acquiring’ the store her parents have put their heart and soul into.

Henri sees herself as the Grinch, descending upon Whoville with a heart that’s three sizes too small – if not a bit more.

But just as no plan survives contact with the enemy – a description that Henri is sure will be left in her wake – Henri’s plan to put the Grinch into her family’s Christmas doesn’t look like it can survive contact with the Spirit of Christmas.

Henri’s story has all the makings of one of those Hallmark holiday movies that she and her mother are not-so-secretly fond of – if she’ll just let it. Happy Holidays, indeed!

Escape Rating B+: The Wishing Bridge, in addition to being a heartwarming story for the holiday season, combines two romance/women’s fiction tropes in a way that the one reinforces the other and back around again, and both lean in to the holiday season in a way that just wraps the whole story up with a bright red holiday bow with an ornament hanging from it.

At first, The Wishing Bridge is that tried-and-true story about the stone-hearted corporate bigwig coming to a tiny town to take it over and make it over – or tear it down – who discovers that he or she has a heart after all that gets captured by the town, the people who live there, and some special someone.

AND The Wishing Bridge is also a story about second chances. Not just a second chance at romance, although that too, but a second chance at pretty much everything. It’s a story about that ‘road not taken’ winding back around and intersecting with the road that Henri took all those years ago, giving her the opportunity – not so much to do things over, because life has happened and this isn’t a time travel story – but rather to make a different choice for the next phase of her life.

Both of those tropes require that the main character take a good, hard look at the life they have and decide whether it’s REALLY the life they want or need, and those are never easy decisions – and they’re certainly not for Henri.

(That her boss is an utter douchecanoe seems like it should make the decision easier, but it’s right that it doesn’t and even right-er that he’s not her ex. Because that would be gross under the circumstances. This is about Henri and what she wants, his asshattery is not REALLY what her decision needs to be about and that’s handled well.)

One thing that turned out to be difficult for this reader, and leads to a bit of a trigger warning. A lot of what makes the idea of selling Wegman’s out from under her parents instead of signing on and continuing their legacy is that the all-Christmas all the time dream was one that she shared with her father. He still has that dream, but she’s let it fall behind her – or buried it under her own ambitions. There’s a lot about fathers and daughters in this one, and it gave me a bit of the weepies even though the ending is a happy one. (In other words, if you have unfinished business with your dad, it may hit you the same way.)

To make a long story at least a bit shorter, even though the eARC did not include the bonus novella Christmas Angels, The Wishing Bridge all by itself is a charming story and a lovely start to the holiday reading season!

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Calamity by Constance Fay

Review: Calamity by Constance FayCalamity (Uncharted Hearts, #1) by Constance Fay
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Uncharted Hearts #1
Pages: 320
Published by Bramble Romance on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Bramble's inaugural debut is equal parts steamy interstellar romance and sci-fi adventure, perfect for fans of Firefly and Ilona Andrews.
She’s got a ramshackle spaceship, a misfit crew, and a big problem with its sexy newest member…
Temperance Reed, banished from the wealthy and dangerous Fifteen Families, just wants to keep her crew together after their feckless captain ran off with the intern. But she’s drowning in debt and revolutionary new engine technology is about to make her beloved ship obsolete.
Enter Arcadio Escajeda. Second child of the terrifying Escajeda Family, he’s the thorn in Temper’s side as they’re sent off on a scouting mission on the backwater desert planet of Herschel 2. They throw sparks every time they meet but Temper’s suspicions of his ulterior motives only serve to fuel the flames between them.
Despite volcanic eruptions, secret cultists, and deadly galactic fighters, the greatest threat on this mission may be to Temper’s heart.

My Review:

They had me at Firefly. Seriously. I’m still a sucker for another trip on anything like the Serenity, and Calamity, both the ship and the person she’s named for, certainly flies a very similar trajectory out in the black.

But Temperance Reed, infamous as just ‘Temper’ for damn good reasons, isn’t really all that much like Mal Reynolds. Mal seems to have started life close to the bottom in his ‘verse, while Temperance Reed, once upon a time, was at the top of hers.

However, being a soldier imploded his life, being the younger sister of an entitled asshole blew up hers, and they both end up in the same place, as captains of scrappy, ramshackle ships they can barely manage to keep flying, with misfit crews, taking jobs they know they shouldn’t take but can’t afford to turn down, making the best of the bad hand that life has dealt them.

Once upon a time, Temper Reed was the child of one of the ‘Ten’, one of the mega-rich, mega-corp, mercantile families that control their galaxy. But the problem with Temper wasn’t so much her temper as it was her older brother’s. He was the heir, she was the spare, but she was their parents’ favorite.

So once they were gone, his insecurities and megalomania combined to take her family’s development in a direction she knew her parents would never have condoned. Instead of continuing to create cutting-edge tech utilizing AI and language processing, her brother Frederick turned them into a ruthless slice and dice operation that just killed off competition – literally – and then swooped in to buy out the remainders.

They stopped creating. And Temper stopped believing, to the point where she rebelled and he officially disowned and banished her to the unregulated black. There’s more to that story, and it’s all awful. Awfully well told and revealed, but still awful.

Temper and her crew are on borrowed time, and the ship is in hock up to Temper’s eyebrows. So when one of the really big conglomerate families offers them a job with premium pay, Temper knows she has to take it, even though she also knows that they’re concealing a whole lot of the details about what’s really going on,  AND that she and her crew are expendable in the first place and they don’t plan to pay them even if they survive.

What she doesn’t expect is a corporate minder in the much too handsome and appealing person of one of the family’s younger sons, Arcadio Escajeda. She’s sure she can ignore her hormones in favor of the common sense that’s telling her that family scions in good standing absolutely do not take up with banished and reviled traitors to their own families.

While Temper may be swimming up the River DeNial, wherever that might be located in her ‘verse, it’s not Arcadio’s perfectly sculpted hotness that throws her good sense over its shoulder and takes it along for the ride – it’s his willingness to truly BE a part of her crew no matter how boring or dangerous the duty might be. Along with just how damn good he is at helping her save them all.

Temper, apparently, is a sucker for competence. While Arcadio turns out to be a sucker for Calamity.

Escape Rating A+: Damn this is fun. Or should I say shiny. Fun, absolutely, utterly fun. I had a terrific time reading this. It’s a wild thrill ride of a science fiction adventure with a (dare I say it?) core of molten lava in multiple senses of all those words.

But a big chunk of the reason I loved it was because of just how well it fits into the science fiction romance tradition – which has never gotten near as much love as it deserves. So I have hopes that Tor Books’ creation of the Bramble imprint, specifically for the purpose of publishing science fiction romance, will do a lot to turn that tide.

The thing about SFR as a genre is that it has to sit on the fence between SF and romance and not get too many splinters up its ass from either side – unless it turns out that the romantic partners are into that sort of thing. Which means that the worldbuilding and plotting has to tell a credible SF story while putting a romance with at least a HFN (that’s Happy For Now), at its heart.

It’s not that it hasn’t been done, because it most definitely has. While Firefly hinted at it – frequently and often – that wasn’t the heart of that story. And the blurb’s mention of Ilona Andrews isn’t quite right as most of her work has been urban fantasy. Compelling with wonderful storytelling and world creation, but not SFR except for her short but marvelous Kinsmen series.

Instead, the comparisons are to Rachel Bach’s Paradox series, Valerie Valdes’ more recent Chilling Effect series, K.B. Wagers’ Indranan War, and even going back to Nina Croft’s Dark Desires series and further back to Lois McMaster Bujold’s long-running Vorkosigan Saga.

I can’t leave that list without mentioning the marvelous – and marvelously prolific – Anna Hackett, who has created some truly terrific universes, terribly rapacious villains, and steam-up-the spaceship windows SFR series for anyone who loves a rollicking good SF adventure with a steamy heart. (If you like the sound of Calamity, or if you loved any of the above mentioned, check out Hackett’s Eon Warriors series and its sequels for some excellent SFR!)

Between its background of mercantile, family-run empires, unhinged heirs and abusive siblings, battered smugglers and their ships along with its story of a star-crossed romance with a change, Calamity is a worthwhile successor to any and all of the above. And if Tor Books’ creation of Bramble makes readers re-evaluate just how great a taste it can be to add a bit of romance to their SF, that’s all to the good.

Because Calamity manages to straddle that fence very, very well. The world is solidly built, the heroes are just the right level of ragtag, Temper is most definitely interestingly flawed but still striving, and the mission is exciting and FUBAR’d at the same time – just as it should be.

The romance between Temper and Arcadio has the deliciousness of being oh-so-right, oh-so-wrong and oh-so-big-a-mistake wrapped up in a dangerous package that hits all the right places, with all the intrusive wink-wink, nod-nod poking from the crew needed to make it both sweet and spectacle at the same time. While the save-the-mission-and-maybe-die-trying ending was just the kind of wild ride that SF readers love.

Which I most certainly did.

Calamity is both the author’s debut novel AND the book that marks the kickoff for Bramble, and it’s a grand book to carry both of those banners. I can’t wait to see what else they have in store for SFR lovers in the months to come. And Temper will be back next June in Fiasco, which, if Calamity is anything to go by, will probably be filled with oodles of fiascos for Temper and her crew while delivering another kickass science fiction adventure wrapped around a fantastic romance!

Review: The Star and the Strange Moon by Constance Sayers

Review: The Star and the Strange Moon by Constance SayersThe Star and the Strange Moon by Constance Sayers
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fantasy, historical fiction, magical realism
Pages: 480
Published by Redhook on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From the author of A Witch in Time comes a haunting tale of ambition, obsession, and the eternal mystery and magic of film.
1968: Actress Gemma Turner once dreamed of stardom. Unfortunately, she’s on the cusp of slipping into obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has finally changed. But L’Etrange Lune’s set is not what she expected. The director is eccentric, and the script doesn’t make sense.
Gemma is determined to make this work. It’s her last chance to achieve her dream—but that dream is about to derail her life. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is still alive. She’s been transported into the film and the script—and the monsters within it—are coming to life. She must play her role perfectly if she hopes to survive.
2015: Gemma Turner’s disappearance is one of film history’s greatest mysteries—one that’s haunted film student Christopher Kent ever since he saw his first screening of L’Etrange Lune. The screenings only happen once a decade and each time there is new, impossible footage of Gemma long after she vanished. Desperate to discover the truth, Christopher risks losing himself. He’ll have to outrun the cursed legacy of the film—or become trapped by it forever.

My Review:

The Star and the Strange Moon is a story about hunger, greed, obsession, the power of movies to make magic and, surprisingly, the power of magic to make movies.

This timeslip story has two beginnings, as timeslip stories often do. At first, neither the reader nor the characters have any clue what one will have to do with the other – which is what fuels the obsession and powers the whole journey, both magical and mundane.

In 1986, a woman sees a photograph on a wall and pretty much loses her damn mind. Not that she hasn’t been heading that direction for quite some time, after nearly two decades of brief fortune, lost fame, failed hopes, and entirely too much sex and drugs and, as it turns out, not nearly enough rock and roll.

Her son, all of ten years old, has been the adult in their nomadic existence for seemingly all of his life, taking care of his mother as she drives them from one brief, often catastrophic singing gig to another, making sure she doesn’t kill herself with booze or drugs and talking her down from whatever figurative ledge she’s climbed up to this time.

But something about that photograph on the wall rips away his mother’s last grasp on sanity or reality or normalcy or all of the above in a way that both changes and makes Christopher Kent’s young life – even if, at age ten – he has no idea what who the woman in that photograph was or what any of it means.

The perspective then switches to the woman in the photograph, Gemma Turner, back in 1968, when she was a formerly up and coming actress and the current ‘old lady’ for a rock singer on the cusp of either greatness or being thrown out of his own band. Gemma wants out and away, so she takes the only acting job offered, to star in a horror movie for a French New Wave director who may be a genius director but has no clue about the conventions of the horror genre he plans to both break and break into.

One night, in the middle of filming L’Etrange Lune in a tiny French village, Gemma Turner disappears in the middle of a shoot – literally in the middle of a shot while the camera is recording it all. She wakes up in what appears to be a real-life version of the set of the movie, complete with its ‘strange moon’, in what seems to be 1878, in the person of the character she was portraying.

A character who is soon to be drained to death by a vampire. Unless, somehow, she can change the script.

Meanwhile, back in the so-called real world, her disappearance turns into a mystery that swallows the life of everyone the movie or the woman ever touched. Including, eventually and inevitably, the life of one Christopher Kent, who has no idea who Gemma Turner was or what she might possibly have ever done to his mother.

It will become Christopher’s obsession – and his life’s journey – to find the answer to ALL the mysteries that have grown up around Gemma Turner’s disappearance. It’s a discovery that will break him, make him, and enthrall him to the very end.

And the reader right along with him.

Escape Rating A-: I picked this up because I adored the author’s earlier book, The Ladies of the Secret Circus, with its blend of history, mystery and magic, and The Star and the Strange Moon looked like it was in the same vein.

Which turned out to be true a bit more literally than I imagined, adding to the mystery of the story and my compulsion to finish it because there were bits that started to sound just a bit more familiar than I expected.

They are not the same story, although they do have similarities in their blending of forgotten history, secret realities, hidden magic and family obsessions. Nor do you need to read one to enjoy the other.

But both stories have the same origin. Or at least the same originator, the demon prince Althacazur and his endless and frequently appalling attempts to keep his eternity from being boring. Althacazur turns out to be the ‘man’ behind the curtain, rather like the Wizard of Oz, only Althacazur is a real magical being with all too real and horrific powers.

I want to say he’s not important – and he’s not important to what makes this story compulsively readable and so much fun. So even though the events are all his fault, he’s not all that important in the grand scheme of things, as contradictory as that seems.

What makes this story work is its combination of Christopher’s obsession to learn what the mysteriously missing Gemma Turner has to do with the sad progress of his mother’s life, set against Gemma’s story of taking control of her own destiny in a way that would not have been possible in the time and place to which she was born.

Christopher’s story is a story about hunting down clues, investigating theories, and giving over his own life in the present to solve a mystery in the past. Gemma’s story is about learning to make lemons out of lemonade and accepting that even if she can’t go home again, she can make a home where she is.

That Christopher’s solution to the mystery takes him down a road that runs more than a bit parallel to Outlander isn’t exactly a surprise by the time he gets there. But it does make for a fitting and delightful end to a lovely twisty turny story.

Which now has me more than a bit curious about the author’s first book, A Witch in Time, and whether Althacazur has been entertaining himself with humans even more than we’ve seen in The Ladies of the Secret Circus and The Star and the Strange Moon. I’ll have to find out while I wait for the author’s next book to magically – or demonically – appear!

Review: System Collapse by Martha Wells

Review: System Collapse by Martha WellsSystem Collapse (The Murderbot Diaries, #7) by Martha Wells
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Murderbot Diaries #7
Pages: 256
Published by Tordotcom on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Am I making it worse? I think I'm making it worse.
Everyone's favorite lethal SecUnit is back.
Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize.
But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast!
Yeah, this plan is... not going to work.

My Review:

The system that is collapsing in Murderbot’s seventh outing is Murderbot’s own – and it’s angsting about it in ways that are not remotely leading to optimal performance. Which in turn is leading to even less optimal performance.

In other words, as we check back into Murderbot’s usually snarkastic consciousness, Murderbot is a mess and doing its best to hide the full depth of its mess from itself. Every time its narrative bumps up against the incident that is causing it all the angst, it retreats into “[redacted]” and tries to work around the dysfunction.

The problem is that Murderbot is NOT truly working around whatever is eating away at it. As much as Murderbot likes to believe it is superior to humans – and it often is in the situations in which it finds itself – when it comes to dealing with its own shit it doesn’t function any better than the rest of us.

Which is reassuring IN a character the reader identifies and follows along with – but not so reassuring TO a character from its own internal perspective – as Murderbot learns to its own increasing dismay. And further degradation of its performance.

It seems like Murderbot is suffering from the SecUnit version of ‘Impostor Syndrome’ – and it’s just as uncomfortable for it as it is for us. Also every bit as panic inducing.

Meanwhile, Murderbot, its fellow snarkastic AI ART – or at least ART’s physically smaller drone as ART itself is a spaceship – and their collective humans are in the process of organizing a recently discovered ‘lost’ colony to resist the political, corporate, disinformation campaign of propaganda and eventual virtual enslavement being propagated by the Barish-Estranza corporation.

But the humans that Murderbot’s humans are attempting to help seem to be far, far from ready to BE helped. There’s a schism. In fact, there are multiple schisms among the human population as a result of alien contamination and mind control. And the resulting desire among the humans to get revenge on each other for what happened when they were being mind controlled.

So no one seems to be telling anyone anything like the information really needed to resolve this mess in a peaceful fashion. Then again, that doesn’t seem all that atypical of the history of the planet in contention – all the way back to the original settlement.

Among all the misinformation and disinformation being bandied about, one of the locals finally admits that there’s another colony on the planet that needs to weigh in on their narrowing options. If that breakaway group can be contacted. If they’re still alive.

And if the Barish-Estranza corporate goons haven’t gotten their hooks in first.

But of course they have, because Murderbot’s luck never runs any other way. But it will have to run as fast as it can to catch up and outwit those corporate operatives any way it can all the while wondering if it’s still capable of doing so at all.

Escape Rating A-: As I’ve said in pretty much every review of an entry in The Murderbot Diaries except that first joint review of the first three books in the series (All Systems Red, Artificial Condition and Rogue Protocol), this seventh entry in the series is not the place to become acquainted with Murderbot’s brand of snarkasm. Start with All Systems Red. and buckle up for a wild ride.

For those of us who have been following Murderbot’s (mis)adventures from the beginning, this one feels like it starts a bit in the middle – perhaps even more than usual. And the somewhat dystopian, corporate controlled universe that Murderbot inhabits has become complex enough that I felt a bit lost at the beginning.

Which is also somewhat fitting, as Murderbot is definitely kind of lost at the beginning of the story. So a whole lot of this one is Murderbot being uncertain about itself and its competence, dealing with that uncertainty badly – as it deals with all the emotions it claims it doesn’t have. All the while, the situation in which it and its humans are currently endangered is every bit as FUBAR’d as usual.

Murderbot’s only good days are the ones where it gets to watch its space operas in peace – and those days are generally rare. And none of the days since its humans arrived at this colony have been anywhere near that good.

While the foreground story is of Murderbot’s crisis of confidence and its rise to that challenge, the situation in which it takes place is a combination of humans behaving both badly and humanly, and of the desperation of humans on all sides as the verities of their worldview – however terribly and skewed, begin to erode.

Therefore, in the background of the story, it’s clear that Murderbot’s system is not the only one that is collapsing. Its personal collapse is something that can be fixed – or at least dealt with. But the system of corporate hegemony/control/tyranny of this universe is showing signs of its inevitable collapse – a situation that I hope to see come to the foreground in future installments of this series, especially in the two untitled entries yet to come.

Review: The Lost Cause by Cory Doctorow

Review: The Lost Cause by Cory DoctorowThe Lost Cause by Cory Doctorow
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook
Genres: climate fiction, dystopian, science fiction
Pages: 368
Published by Tor Books on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

It’s thirty years from now. We’re making progress, mitigating climate change, slowly but surely. But what about all the angry old people who can’t let go?

For young Americans a generation from now, climate change isn't controversial. It's just an overwhelming fact of life. And so are the great efforts to contain and mitigate it. Entire cities are being moved inland from the rising seas. Vast clean-energy projects are springing up everywhere. Disaster relief, the mitigation of floods and superstorms, has become a skill for which tens of millions of people are trained every year. The effort is global. It employs everyone who wants to work. Even when national politics oscillates back to right-wing leaders, the momentum is too great; these vast programs cannot be stopped in their tracks.

But there are still those Americans, mostly elderly, who cling to their red baseball caps, their grievances, their huge vehicles, their anger. To their "alternative" news sources that reassure them that their resentment is right and pure and that "climate change" is just a giant scam.

And they're your grandfather, your uncle, your great-aunt. And they're not going anywhere. And they’re armed to the teeth.

The Lost Cause What do we do about people who cling to the belief that their own children are the enemy? When, in fact, they're often the elders that we love?

My Review:

The younger generation has ALWAYS been going to the dogs. Graffiti found by Napoleon’s soldiers, stating EXACTLY that point, that “This younger generation is going to the dogs!” was written in hieroglyphs and was determined to have been etched on that wall in 800 BCE. There’s a similar quote from Socrates that merely goes back to sometime between 470 and 399 BCE. If we ever discover a stone carving or the equivalent left by the Neanderthals, they probably thought it too. Just as we do today.

And as we undoubtedly will thirty years from now, or thereabouts. But the generational fight we’re in the midst of right now isn’t just that – although it is certainly also about that.

It’s also about the same neverending, utterly frustrating argument that 18-year-old Brooks Palazzo has been having with his grandfather – and witnessing his grandfather and his old cronies have with the country and the world around him – for his entire life.

Because Dick Palazzo and his friends are members of the local Maga Club, wearing faded red hats and spouting the exact same neo-Nazi conspiracy-tinged quasi-conservative rhetoric that the original Magas did back in the day – which just so happens to be our day.

But in Brooks’ Palazzo’s 2050s, climate change and progressive policies have come 30 years down the road they’re already on. Universal Basic Income is part of the Green New Deal the Magas hate so much, but the climate change they’ve denied until it’s too late to fix has created a new class of refugee in American citizens, born and bred, whose homes and entire cities have either burned up in uncontainable wildcat fires, become Superfund sites because those same fires exploded something toxic that should never have been buried in the first place, or simply got washed away by the rising oceans being fed by runaway global warming.

Young Brooks Palazzo and his young and idealistic friends are all set to welcome a caravan of internal refugees to the hometown they know and love, Burbank, California. They know they have the resources, they know they have the room, they know they have the skills to pull Burbank into the future and bring all their friends and all the friends they’ll make in the future along for the hard work as well as the ride.

But his Gramps’ old buddies, all those old Magas, have a plan to stop that future before it happens. Because they are dead certain that the ship is sinking, and that Burbank doesn’t have enough resources to support the people it already has, let alone the ones that are coming.

They’ll do anything they can to stop the future and the Green New Deal in its tracks. No matter what it takes. And no matter who or what they have to kill. Democracy, the rule of law, innocent children, their neighbors who don’t believe as they do. Themselves even, because martyrs are a great recruiting tool.

And haven’t we seen it all before?

Escape Rating B: In spite of everything I’ve said above, this isn’t actually a dark book. But it’s easy to get caught up in its implications and see a long dark night coming that may make the historical Dark Ages look like a shining beacon of light – if only because the human species wasn’t in danger of extinction at the time.

And there I am, going dark again.

Let me try and wrench this back to the lighter side of this story – which is very much present. The story is told from the perspective of Brooks and his friends as they do their damndest to push forward towards a future. On every page, and in spite of every setback, they still have hope and they’re still working towards it.

They have a vision for a better Burbank, a better country, and even a better world, by taking the lessons they’re learning in this crisis and applying them to the next. They may very well be “fighting the long defeat” to paraphrase Tolkien, but they are there for that long haul and have hopes that it will be made – even if they aren’t the ones to make it.

Because that’s not the point of the struggle but a struggle it most definitely is. They do get down, and some of them bail and all of them want to at different points but they keep living and keep trying.

I found this a compelling read. I groaned when Brooks and Company lost a fight, and grinned when they overcame one of the many, many obstacles in their way. They may be fighting the long defeat but they are glorious in that fight. But part of the premise of the story is that neither side truly wants to let the world burn, they just have diametrically opposed beliefs about the way to prevent that burning or if preventing that burning is even possible. And I’m not sure I still believe that, although I wish I did.