Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

Welcome to the second day of the book tour for A Tainted Heart Bleeds by Sophie Barnes, the second book in the compelling Regency mystery series, the House of Croft. I’ve already reviewed both the first book in the series, A Vengeful King Rises, as well as this second book – and loved them both. (Check out my reviews here and here to get all the deets of just how much I was captivated by each. (I’m already on tenterhooks for the third book, A Ruthless Angel Weeps, coming in late January.)

But someone else’s opinion might not be enough to tempt you, especially on a day already filled with as many distractions as this one is. I’m hopeful that if I can’t convince you, that this excerpt from the opening chapter will grab your attention – and not let go.

House of Croft, Book 2

Historical Mystery/Thriller/Romance

Date Published: 10-29-2024

 

 

He’ll never forgive her deception, or the hold she still has on his
heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet
woman who swept past his every defense, is a cunning spy working against
him. Forced to play a dangerous game where one wrong move could see him
destroyed, he must unravel her secrets while hunting a far more sinister
threat.

Samantha knew her decision to marry her target would come at a price. Now,
having lost her husband’s trust and affection, she’ll do
whatever it takes to win it all back – abandon past loyalties, spill
her secrets, and catch a killer. But will it be enough to undo the
damage?

Excerpt from  A Tainted Heart Bleeds by Sophie Barnes
Chapter One

London, August 15th, 1818
Lady Eleanor dropped onto the stool in front of her vanity table. Exhausted from entertaining dinner guests with her parents, she looked forward to climbing into the soothing comfort of her bed.
Something pushing against her leg made her lower her gaze to Milly, the miniature poodle her parents had gifted her with for her sixteenth birthday. Rising onto her hind legs, Milly shifted her paws to better press her damp nose against Eleanor’s thigh, her stubby tail wagging with eager affection.
Eleanor chuckled and scooped the pup into her lap. She raked her fingers through Milly’s fur, scratched her a few times behind one ear, and allowed her to settle comfortably in her lap.
“Are you ready, my lady?” The question was posed by Audrey, Eleanor’s lady’s maid. A short woman with dark brown hair and eyes to match, the servant was five years Eleanor’s senior and possessed a positive outlook to match her own.
Eleanor glanced at her and smiled in response to the warmth she found in Audrey’s eyes. “Yes. Please begin.”
Audrey raised the comb she’d collected earlier and drew it through Eleanor’s hair. Molly snuggled farther into the circle of her arms, nails scratching a little at Eleanor’s lap as she repositioned her legs.
Eleanor sighed and sent her bed a longing glance. The coverlet had been folded back to display the crisp white sheets that beckoned. It would be good to climb between them and let the weariness seep from her body.
Molly’s curls compressed beneath the weight of her hand as Eleanor stroked the fluffy fur. Glancing up, she caught Audrey’s gaze in the mirror, her thoughts returning to the charity visit she’d planned for tomorrow. “Maybe you’re right about the brown woolen spencer. I never wear it, so I might as well include it in the donation.”
“Are you sure?” Audrey set the comb aside and collected a glass bottle containing Warren & Rosser’s Milk of Roses lotion.
The question was a legitimate one since Eleanor had argued against the suggestion yesterday when she and Audrey had prepared the box that would go to St. Augustine’s Church. The spencer had been a gift from her aunt three Christmases ago. It was undoubtedly lovely, but every time she’d put it on she felt it didn’t quite suit her.
“Yes,” she said, her mind made up. “There’s no sense in it taking up space in the wardrobe when it can keep someone less fortunate warm.”
Audrey dabbed a bit of lotion on Eleanor’s face and began rubbing it in with wonderfully soothing circular motions. “I’m always impressed by your kindness, my lady.”
But was she always kind? Guilt gathered in Eleanor’s stomach, becoming so heavy it felt like a block of lead. The choice she’d made for herself – for her future – had not been easy. She hated how selfish it made her feel.
Yet she managed to smile and pretend Audrey’s comment was welcome. “Thank you.”
Audrey responded with a smile of her own and proceeded to plait Eleanor’s hair. The peaceful activity calmed her mind. She allowed herself to focus on what was to come, instead of worrying over the past.
She’d had her say, and in so doing, she’d paved the way to a new adventure.
A surge of excitement filled her breast at this thought. Everything would be fine. All she needed was rest. The maid finished her ministrations and tidied up. Eleanor set Molly down and climbed into bed. The mattress sagged beneath her weight, the cool sheets inviting her to sink deeper.
“Would you like me to close the window before I go?” Audrey asked.
“No. Leave it open.” The afternoon sun pouring into the room several hours before had made it unbearably warm and stuffy. She couldn’t sleep like that.
“I’ll bid you good night then, my lady.” Audrey called for Molly to join her and the dog complied without question, knowing full well that a walk and a treat awaited.
“Good night,” Eleanor replied, “and thank you for your help.”
The maid left and Eleanor reached for her book. This was her favorite time to read, when all was silent and there was no risk of being disturbed. She opened Pamela and flipped to the spot where she’d left off the previous evening.
A gentle breeze streamed through the window, toying with the curtains. Distant laughter reached her ears. It was followed by a horse’s faint whinny. Eleanor’s eyes grew heavy. The book began sagging between her hands.
She yawned and it felt like only a moment had passed before she was startled by a loud noise. Her eyes snapped open, adjusting and observing. The light by which she’d been reading had burned itself out. Her book had slipped from her grasp. She must have fallen asleep.
Light flashed beyond the window. A resounding boom followed. The curtains flapped with wild abandon while rain poured down from the heavens. She blew out a breath and went to close the window. It was just a storm. No need for alarm.
Barefooted, she padded across the Aubusson rug and noted that parts of it were now damp from the rain. She leaned forward through the window’s opening, her abdomen pressing into the sill, wetting her nightgown as she reached for the handle.
Her hand caught the slick wood and she pulled the window shut. A welcome silence followed, cocooning her from the elements. Pausing briefly, she watched water streak down the smooth window pane, saw lightning flash across the sky.
Intent on returning to bed, she took a step back, prepared to close the curtains, and froze when her toes connected with something unpleasant. Not just water, but a thick and squishy substance of sorts. But how could that be? Confused, she dropped her gaze, but the darkness was blinding. She’d need a candle or an oil lamp in order to see.
She straightened and started to turn, her aim to locate the tinderbox she kept on her nightstand, when a pair of large hands captured her throat. She opened her mouth, attempted to scream, but couldn’t even manage a gasp as the fingers dug deeper and cut off her breath.
Terrified, she stared at the window, at her own blurry figure reflected in the wet glass, and the larger man standing behind her. Tears welled in her eyes. She clawed at the hands that gripped her, kicked her attacker’s shins, and did what she could to wriggle free.
None of it worked.
He was much stronger than she, and her strength waned with each breath she was denied. Her heart fluttered desperately. It begged her to keep on fighting. But it was no use.
She had already lost
#
Chief Constable Peter Kendrick removed his hat as he entered Orendel House. Given the circumstances, a somber atmosphere wasn’t surprising. But the gloom he encountered in the elegant foyer was unparalleled.
Servants stood near the walls, slumped like wilting plants. Maids wept while the male servants stared into nothing, their stricken expressions underscoring the horror they’d woken up to. Even the butler struggled to speak when he offered to take Peter’s hat, his voice cracking before he averted his gaze.
“Where are the earl and countess?” Peter asked.
The butler gave his eyes a quick swipe and straightened his posture. “In the parlor with their…remaining children.” Someone sobbed and the old man’s expression twisted with grief. “As you can no doubt imagine, this is terribly difficult for them. They asked me to show you upstairs.”
“Very well.”
He followed the butler, one step at a time, a couple of Runners at his back. They arrived on the landing, their footfalls muted by the plush carpet lining the hardwood floor. A few more paces and then…
The butler paused and gestured toward a door. “Through there. I realize I ought to come with you, but… Do you mind if I remain here?”
“Not at all.” Peter reached Lady Eleanor’s bedchamber doorway and froze. A sick feeling caught hold of his stomach. Ghastly didn’t come close to describing the scene he beheld. This was the sort of thing that could make men lose all hope in humanity. It was…barbaric.
“Good lord,” murmured Anderson, the Runner standing at Peter’s right shoulder.
Anderson’s colleague, Lewis, only managed a faint, “Excu…” before he bolted for the stairs, no doubt hoping to make it outside before he vomited.
Peter swallowed and took a deep breath, then entered the room. It hadn’t been so long ago since another young woman’s body was found – the last in a series of brutal murders that left him baffled for more than a year. But that killer was dead, so it couldn’t be the same man who’d acted here.
Besides, this was different and shockingly worse.
He clenched his jaw, reminded himself that he had a job to accomplish. There was just…so much blood. It felt like the room was bathed in it. And the victim…
Forcing himself to employ an analytical mindset, he considered her position on the bed and the clean blanket draped over her torso and legs.
“I’ll need the usual sketches,” he said.
“Already working on it,” Anderson told him, his voice gruff.
“You may want to wait a moment.” Peter studied Lady Eleanor’s face and the empty eye sockets that seemed to mock him. “Until I’ve removed the blanket.”
“Sir?”
“It doesn’t belong. Someone placed it here after the fact, no doubt to protect her modesty.” He shot a look over his shoulder. “If you’ll please shut the door.”
A firm click followed and then, “Why would the bastard take her eyes?”
“I don’t know. Could be a trophy of sorts. There’s no telling what goes on in such vile creatures’ heads.”
Slowly, with respect and consideration directed toward the poor young woman whose body lay on the bed before him, Peter folded back the blanket and shuddered. Whatever nightgown she’d worn to bed was gone, her naked body left on display.
Air rushed into Peter’s lungs on a sharp inhalation. She’d been stabbed too many times to count, as though her attacker hadn’t been able to stop. And her neck – the skin there was a bright red shade.
Swallowing, he surveyed the rest of the room while Anderson kept on drawing.
A vase lay on the floor near one of the windows, smashed to pieces. The flowers were strewn across the Aubusson rug. They’d probably ended up there during a struggle. Peter lowered himself to a crouch, his fingertips testing a dark brown stain and feeling the wetness. Mud.
“Take notes too, will you?” Peter retreated until he’d reached the bedchamber door. He grabbed the handle. “And cover her with the blanket once you’re done. I’ll question the servants in the meantime.”
#
The parlor was made available for interviews, each servant introduced to Peter by the butler as he showed them into the room. Peter considered the latest arrival. Audrey was her name. Short in stature, with mousish features and lackluster hair, she’d been Lady Eleanor’s lady’s maid.
“I…I don’t…” Audrey gulped.
She dabbed at her watery eyes again. Her handkerchief looked heavy and wet. Peter handed her a fresh one and gave her a moment to try and collect herself. Not easy, he realized, since she’d been the one who’d discovered her mistress’s body when she’d gone to rouse her.
“Did you always wake her in the mornings?” Peter gently asked.
A nod accompanied trembling lips. “She was always so…active. Liked making the…the most of each day. Today… Oh dear. Please forgive me.”
“It’s quite all right,” Peter told her and waited once more for the woman’s tears to abate. “Take your time.”
She swallowed, licked her lips, and seemed to straighten a bit. “We planned to visit St. Augustine with a few donations. My mistress…she was so very kind I…I don’t understand why anyone might have wanted to hurt her.”
“So you can think of no enemies?”
“None.”
“No hopeful suitors she might have spurned?”
Audrey shook her head. “She’s engaged to Mr. Benjamin Lawrence. They were supposed to marry three months ago, toward the end of April, but his horse-riding accident forced a postponement.”
Peter recalled news of the tragedy. The event had turned the young man into a cripple. He’d lost the use of his legs. “She still meant to go through with it, despite what happened?”
“Of course.” Additional tears slid down Audrey’s cheeks. “My mistress loved Mr. Lawrence and intended to stand by him. That’s the sort of person she was.”
And yet, the nature of her death suggested someone had loathed her beyond all reason. Peter made a few notes in his notebook, his pencil scratching the paper with quick and efficient strokes.
“Thank you, Audrey. That will be all for now.” He accompanied her to the door and called for the next servant.
Again, his thoughts wandered back to the murders that took place earlier in the year. Those women had all seemed like proper young ladies. Friends and family had vouched for them. Yet they’d each had a secret that had gotten them killed.
In all likelihood, Lady Eleanor had secrets too. If he was to figure out who killed her, he’d have to discover which of hers had led to her death.
#
There was no greater nuisance than murder.
It was hard to predict how one would play out. Killing Lady Eleanor had been messier than he’d intended. Perhaps because he’d allowed himself to get carried away.
His lips curled. At least he’d had the foresight to stash a change of clothes for himself at St. George’s burial ground. Returning home covered in blood would not have helped him get away with the crime. As he intended to do.
Hands shoved into the pockets of a clean pair of trousers, he stood by his bedchamber window and watched the London traffic go by.
He had no regrets. She’d deserved every part of what he’d done.
His attention focused on the carriages filling the street and on the people hurrying by. It was the busiest hour of the day, when men of consequence made their way to Parliament while those who belonged to the working class went off to start their jobs.
Bow Street would have its hands full this morning. He casually wondered if they were examining Lady Eleanor’s body right now and where the clues they discovered might lead them.
Spotting a young girl who carried a crate of eggs on her head, he tracked her as she walked along the opposite side of the street. A man coming the other way nudged her shoulder as he pushed past her, but failed to disrupt her stride.
She threw a quick glance toward him then stepped off the pavement and hurried between two carriages, making her way to this side of the street.
A couple of street urchins came from the left at a run, most likely fleeing someone whose pocket they’d picked. Leaping into the street at the same exact time as the girl with the eggs attempted to exit, they crashed into her, tripping before regaining their balance and sprinting onward while she was sent reeling.
Down went the crate and all of her eggs, straight into the gutter.
Not one person stopped to inquire about her wellbeing. She was invisible to the crowd – just another lowly individual doing her best to scrape by. Too much trouble for the middle or upper class to get involved with. Too time consuming for the rest.
And yet, as he watched the poor wretch try to salvage the few eggs that somehow remained intact, there was no doubt she’d prefer her situation to Lady Eleanor’s at the moment.
He watched the girl until she’d gathered whatever she could and continued along the street, vanishing from his view before he turned from the window. His gaze went to his bedside table and he crossed to it, retrieved a small key from his jacket pocket, then dropped into a crouch.
With adroitness, he set the key in the lock of the door beneath the drawer and turned it. The door opened and he reached inside, retrieving a jar that he held up against the bright morning light.
A pair of eyes contained in a clear solution stared back at him while his lips twitched with amusement. The last time they’d talked, Lady Eleanor had insisted she’d no desire to see him again.
It was a wish he’d been more than happy to fulfill.

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

Contact Links

Website

Facebook

Twitter

Goodreads

Pinterest

Instagram

BookBub

 

Purchase Links

Universal Link

Amazon

Barnes and Noble

Kobo

iBooks

Smashwords

 

a Rafflecopter giveaway

 

 

RABT Book Tours & PR

A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

My Review:

This second book in the House of Croft series begins as the first book did, with the brutal murder of a young and seemingly innocent woman.

But the circumstances, as similar as they are to the opening of A Vengeful King Rises, are not the same – except that both women, and both murders, are shrouded in secrets. Including the motivation behind them.

The murder of Adrian Croft’s sister Evie was designed to set Adrian on a path that he did not wish to walk, but the motives were concealed in the midst of a serial killer’s spree. It wasn’t personal, although the consequences were very personal to Adrian Croft.

This time, the murder is very personal. Lady Eleanor was stabbed over 50 times, up close and very personal indeed. Her murderer believed that she had betrayed him – and perhaps she had, if only in his own eyes and twisted mind. Of course, he took those too. Her eyes. As a grisly trophy.

Croft brought his sister’s killer to justice – even if no one can prove it. Which leads Lord Orendel, Lady Eleanor’s father, to ask Croft to investigate his daughter’s death and provide him a measure of that same justice – even if it can’t be admitted aloud.

It’s not a commission that Croft wants to take. He has problems of his own to deal with – also a result of the events in the first book. The police are pursuing him for his father’s crimes – and his own. The agent they set on his trail inveigled her way into his heart, his bed and his household.

He married her, and only learned of her betrayal after that fact – just as she vowed to be his in all ways. He can’t forgive, he can’t forget, he can’t trust – but he can’t force himself to set her aside, or off to the country, or into a shallow grave. As she deserves.

He has no idea that she’s about to be the saving of him. Again. It’s only a question of whether that will be enough to finally earn his trust – and to save him from the gallows.

Escape Rating A-: I started this series because it appeared to be what you’d get if C.S. Harris’ Sebastian St. Cyr series and Andrea Penrose’s Wrexford & Sloane series had a book baby. Which is very much true, as all three are set in the same Regency period, all involve solving grisly murders and all have a significant and dark romantic enemies to lovers relationship where the enmity has the potential to turn deadly even as the romance heats to boiling.

(Some reviewers have noted a resemblance to Deanna Raybourn’s Lady Julia Grey series, which I have not read – YET – but clearly need to take a look at.)

Now that I’ve read the first two books in the House of Croft trilogy, at this point I have a really, really, strong feeling that I’m oh-so-glad this is a trilogy and doesn’t go on as long as those other series.

Why, you might ask?

The reason is that the House of Croft doesn’t read like three stories that have some overarching elements. In spite of not being the same genre – AT ALL – the House of Croft reads like The Lord of the Rings in that it is ONE story divided into three parts for publishing purposes. Which, by extension, makes A Tainted Heart Bleeds the long dark night of the soul that is The Two Towers – especially the second half of that heartbreaking middle book.

So that’s all a HUGE hint that readers can’t start with this book. I think that one has to begin at the beginning with A Vengeful King Rises – and will probably join me in the proverbial bated breath waiting for the final book in the trilogy, A Ruthless Angel Weeps, in order to see how Adrian and Samantha Croft manage to get whatever it is they truly deserve – whether that’s heaven or hell or just a quick hanging.

The reason for that anticipation and all of that bated breath is that the individual books in the series are extremely and occasionally excruciating compelling, and while they DO wrap up the murder that opens each story, they DO NOT answer any of the gigantic questions hanging over the series – and our protagonists – like a whole ceiling of Swords of Damocles.

I know there is a puppet master – but I don’t even have a hint as to who that puppet master might be. And it’s driving me crazy. I NEED to know who is responsible for the hell that Adrian Croft has been put through – and more importantly – WHY he’s been put through that hell. I also hope to see someone pay, but I’m certain that Adrian and Samantha will have that well in hand by the end.

A Ruthless Angel Weeps will be coming at the end of January – and for this reader it’s not nearly soon enough!

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

Contact Links

Website

Facebook

Twitter

Goodreads

Pinterest

Instagram

BookBub

 

Purchase Links

Universal Link

Amazon

Barnes and Noble

Kobo

iBooks

Smashwords

 

a Rafflecopter giveaway

 

 

RABT Book Tours & PR

Grade A #BookReview: A Vengeful King Rises by Sophie Barnes + Giveaway

Grade A #BookReview: A Vengeful King Rises by Sophie Barnes + GiveawayA Vengeful King Rises (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: hardcover, paperback, ebook
Genres: historical fiction, historical mystery, historical romance
Series: House of Croft #1
Pages: 492
Published by Sophie Barnes on July 30, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The only thing more lethal than his need for revenge, is the woman who's tasked with bringing him down.
Adrian Croft dreams of quitting the shady business he stands to inherit, of settling down, and of raising a family free from a life of crime. But when tragedy strikes, this fanciful dream is destroyed. All he wants now is revenge. His anger, however, threatens to cloud his judgment, making it harder for him to recognize danger when it approaches in the form of a beautiful woman.
Trained for covert operations as part of a secret government program, Samantha Carmichael's mission is to give British law enforcement a reason to prosecute the most powerful man in the country. But when common sense and duty begin to blur, can she remain steadfast in her goal, or will her loyalties shift as she gradually loses her heart to the one man she cannot afford to love?
One series, one couple, and the brutal challenges they must face
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Vengeful King Rises and start this adventure today!

My Review:

The vengeful king that rises in this first book in the House of Croft series is Adrian Croft, the new ‘King of Portman Square’. It’s a position that Adrian never wanted, but has now been thrust upon him – willing or not.

The ‘King of Portman Square’ – at least when that powerful but unofficial title was held by his father or any of the Crofts who came before him, is a title of ill and dangerous repute. A repute that Adrian vowed to set aside after the death of his father.

The Crofts have controlled most of the criminal underbelly of London – if not all of Britain – for generations. During his father’s lifetime Adrian Croft became all too acquainted with everything dirty and dangerous that his father owned – because he was the one who visited each and every establishment to mete out his father’s justice.

Adrian wants to walk the straight and narrow, and for the family to make and maintain its fortunes through legal enterprises instead of gambling, prostitution, and blackmail.

But there are forces raised against his plan in all quarters. There’s a serial killer targeting young women of the aristocracy, killing any that he believes are only pretending to be chaste and virginal. He leaves his victims with a slit throat and a note attached to their corpses with one word – WHORE.

Scotland Yard can’t seem to find the killer, the pressure from above is mounting, and a decision is made to go after Croft – not because he’s the guilty party in THIS crime but because bringing down the vast Croft criminal empire will divert attention away from their inability to stop the gruesome murders.

The government sends in one of their best and most covert agents, Samantha Carmichael, part of a cadre of young female orphans trained as spies in case Napoleon had managed to invade Britain. Her job is to get close to Adrian Croft by any means necessary, find where he keeps his secret blackmail files, and procure rock-solid evidence of his criminal activities.

Even if she has to bed him and/or wed him to make it happen. Even if they both manage to take leave of their senses and lose their hearts in the process.

Escape Rating A: I picked this up because the author is one that I read whenever she has something new – and this book is very new indeed. Meaning that if you are expecting one of her signature frothy Regency romances you’re going to be surprised. A lot. And be utterly captivated and compelled.

This series opener worked well for this reader, because the House of Croft series is what you’d get if two of my favorite historical mystery series, C.S. Harris’ Sebastian St. Cyr and Andrea Penrose’s Wrexford & Sloane, had a book baby – possibly midwifed by Elizabeth Hoyt’s Maiden Lane series. St. Cyr and Wrexford & Sloane expose the gritty, grimy underbelly of the glittering Regency, take place in the aftermath of the Napoleonic Wars, all of their heroes are dark and brooding, and all of the relationships begin on a knife edge of secrets and lies, distrust and betrayal. While Maiden Lane, although set a century earlier, dives deeply into the same mean streets where the House of Croft holds sway.

But  St. Cyr, Wrexford & Sloane and the House of Croft work from different positions. Sebastian St. Cyr is an aristocrat who operates in the halls of power, of which he is not a member, quite, at least not yet., but certainly will be upon the eventual death of his father the powerful and well-connected Earl of Hendon. Wrexford focuses more on scientific advancement and the kind of technical and industrial espionage that leads to grandiose promises and economic crashes. Although both began their secondary interests in investigation after being falsely accused of crimes, they are otherwise completely legit.

Adrian Croft is none of the above. He has no title, but has a great deal of mostly illegally obtained wealth. He has power but seemingly no check on it. He doesn’t merely expose the Regency’s dark underbelly – he has the ability to control it.

Which means that each of these series may be set in the same time and place but they are not looking at it from the same direction.

Adrian comes to his investigation of the serial killer from the perspective of a victim. His young unmarried sister was one of the murderer’s kills. Not because she actually had sullied her reputation but rather because someone put her in the frame in order to force Adrian to take back the reins of the Croft criminal empire in order to hunt down her killer.

That nefarious person is still hiding in the shadows. Although now that he has achieved his objective I can’t help but wonder when we’ll see him again so that loose thread can be tied off – possibly into a hangman’s noose – in a later book in this series.

On the other side of this book’s equation there’s Samantha Carmichael. Because she is not, by any means, a typical Regency heroine. And yet, she’s not anachronistic. That Britain might create a spy program for undercover agents who can hide in plain sight is not implausible. It’s a bit early, historically, but if it were top secret enough we wouldn’t know, would we?

Just as this case is a test for Adrian, it’s also a test for Samantha. Her government handlers expect her to obey orders and yet are forced to give her considerable autonomy in order to carry out her mission. And in that autonomy, and the training to think for herself that it requires, Samantha starts to see the truth about her circumstances and begins to wonder if Adrian Croft is even a quarter as bad as he’s painted.

It’s clearly all going to end in tears and betrayals. The question that will hopefully be explored in the next books in the series, A Tainted Heart Bleeds (October) and A Ruthless Angel Weeps (January) is the question of whether they can find a way past the events that brought them together, or whether they will shatter, separately, together and with shrapnel flying all around.

I’ll be waiting with the proverbial bated breath for the next book, but in the meantime there’s a prequel novella, A Wounded Bird Sings, to tide me over.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

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Review: A Duke’s Lesson in Charm by Sophie Barnes

Review: A Duke’s Lesson in Charm by Sophie BarnesA Duke's Lesson in Charm (The Gentlemen Authors) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #3
Pages: 274
Published by Sophie Barnes on October 24, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

She was the last person he ever expected to marry…
Callum Davis, Duke of Stratton, never expected to get along with Emily Brooke, but thanks to his ward, he starts to realize she’s pretty good company. The more time he spends with her, the better he likes her. But rather than let their relationship grow at a gradual pace, a pretend courtship leads to a whirlwind romance that quickly collapses when Emily finds out what Callum has written about her. Now he must make every effort to prove his love for her is real, or risk losing her forever.
There is only one person Lady Emily Brooke must avoid at all cost, and that’s the Duke of Stratton. Since her debut, the man has threatened her safety by stepping upon her toes, spilling drinks on her gown, and sending her head first into a fountain. But when he invites her for a walk so the boy in his care can spend time with her dog, she cannot resist. What surprises her most is how charming the duke can be. Until a mistake on his part makes her question his feelings and his intentions.

My Review:

What has made this series so much fun is that it has followed the creation of a romance novel designed to capture the then-recently-late Jane Austen’s fans, not merely through the process of writing the thing but more specifically through the trials and travails of getting it published and into the hands of as many readers as possible.

The first book, A Duke’s Guide to Romance, planted the idea in the heads of three financially embarrassed dukes by a young gentlewoman who binds books in the back of her uncle’s popular bookshop. Along its merry way it introduces Anthony Gibbs, Duke of Westcliffe to Ada Quinn, the love of his life, AND gives both the dukes and the readers a peek into the way that books were printed and published in Jane Austen’s day.

The second book, A Duke’s Introduction to Courtship, moves the story about how books get made into the hands of the potential printers and publishers for the Gentlemen Authors’ completed novel. As Brody Evans, Duke of Corwin, learns the editing and publishing business from the ground up, he falls in love with the printing press’ crackerjack print compositor, Harriet Michaels. Who has done an entirely too convincing job convincing everyone, including Brody, that the print compositor is a young man named Harry.

Their book, A Seductive Scandal, is ready to be put into the hands of its readers. Which is where this third book and my envy come in. Book discovery has probably been an issue for authors, publishers and readers since the first text was chiseled into a stone tablet. It was a problem in Jane Austen’s day, it’s still a problem today and will probably still be a problem for as long as there are so many books and so little time. Meaning forever.

To convince people to buy their book, potential readers need to know it exists and believe that it will be worth their time to read. Which is where the Lady Librarian comes in. The Lady Librarian has the most popular book review column of the day, published in an equally popular and widely distributed newspaper. She has the Gentlemen Authors’ new novel at the top of her TBR (To Be Read) pile, and plans for her review to be published in the Mayfair Chronicle on the morning that A Seductive Scandal arrives in bookshops all over London.

Which it will be. Whether that review will be a paean or a pan is the saga told in A Duke’s Lesson in Charm. Because Lady Emily Brooke has come to believe, after years of clumsy contacts between herself and Callum Davis, Duke of Stratton, that this particular duke has no charm whatsoever.

Callum has no idea that the Lady Librarian is Lady Emily’s alter ego, while Emily is not aware that Callum and his two friends are the true authors of the book she’s been asked to review. The resulting misunderstandings, misidentifications and missteps threaten to scupper any possibility of A Seductive Scandal paddling the Gentlemen Authors’ respective fortunes away from the River Tick. And may just cost Callum and Emily the love of their lives.

Escape Rating A-: This final book in the Gentlemen Authors series is one that I have been anticipating with more than a bit of envy. The romance was lovely, but then ALL the romances in this series have been lovely.

What I was REALLY looking forward to was the story of a heroine who produces something extremely similar to what you are reading right this very minute. Lady Emily Brooke is a book reviewer. It’s the perfect ending to this series about getting a book to its readers, and I was just plain curious to see a bit of how this particular part of the process worked back then.

I do envy Lady Emily the reach of her publication and the size of her audience. She can literally make or break a book, which becomes the final bit of dramatic tension in this story.

But it’s hard to make an entire story about the solitary acts of reading and writing. We’d just be inside Emily’s head the whole way and probably not as entertained by that as she ultimately is by the book.

What we do have is a charming and sometimes fraught romance that manages to be both as filled with non-traditional female agency as the first two books in the series while still telling a story that is a bit closer to what is thought of as a traditional Regency romance.

Unlike the heroines of the first two books, Emily is a member of the ton in good standing. It’s Callum’s reputation that has taken a bit of a hit, both as a result of the behavior that wrecked his finances AND his quiet attempts to keep the bill collectors at bay by selling off some items that he won’t miss and letting go of some staff he can no longer afford to keep.

His title and his person seem to be the only assets Callum has on the ‘Marriage Mart’, and Emily’s father has some serious questions about Callum’s suitability to marry the well-dowered Emily. Her father’s objections are very nicely handled. Too often in historical romances, the father of the bride is a bit of a villain, but the Earl of Rosemont’s reaction to Callum’s suit for Emily’s hand hits all the right notes.

On the way to that suit, one of the best parts of the story is the way that Callum and Emily finally manage to get over their years of disastrous encounters through Callum’s adoption of his young cousin, and said cousin’s insta-love for Emily’s dog Heidi.

Once Heidi helps them leap over their initial apprehensions, their original animosity turns to real friendship, and then more, in the best enemies-to-lovers fashion – at least until a series of self-inflicted misapprehensions nearly breaks them apart.

All in all – and I realize there’s been a LOT of all in this review – A Duke’s Lesson in Charm was a marvelous and utterly fitting ending to what has been a lovely Regency romance series. As always, I can’t wait to see what the author comes up with next!

Review: A Duke’s Introduction to Courtship by Sophie Barnes

Review: A Duke’s Introduction to Courtship by Sophie BarnesA Duke's Introduction to Courtship (The Gentlemen Authors #2) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #2
Pages: 320
Published by Sophie Barnes on September 26, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Love caught him completely off guard and forced him to question everything…

When Brody Evans, Duke of Corwin, goes incognito at a printing press, he doesn’t anticipate meeting Mr. Michaels, a charming young man with whom he shares an instant connection. Soon he’s questioning everything he believed to be true of himself, while losing his heart in the process. Accepting the way he feels is not only hard, it’s also illegal and downright dangerous. Until he learns the truth and is forced to wonder whether or not the person he fell for is real, or just an illusion.

Dressed as a boy, Harriet Michaels acquires a job at a printing press so she can support herself and her younger sister. It seems like a good idea until she meets Mr. Evans, the new assistant editor. Her attraction toward him cannot be denied, but it must be concealed if she’s to avoid detection and the risk of losing her job. The more time she spends with him, however, the closer she comes to heartache and ruin. For as it turns out, Mr. Evans is not who he claims to be either.

My Review:

This second book in the Gentlemen Authors series has made the theme of the overarching story of the series more apparent while still giving readers a lovely historical romance. Although the romance isn’t nearly as frothy as readers often expect from a Regency romance – and is all the better for it.

There are two stories being told in parallel. The individual story in each book in the series, beginning with A Duke’s Guide to Romance, is the story of a romance between a duke in dire financial straits of his own making and a woman who has been forced to make her way in the world through her own hard work and and has chosen a rather unconventional way of going about it.

At the same time, the overarching story of the series as a whole is a fictionalized version of how a book made its way from being a glimmer in the author’s – or in this case authors’ – eye to being put in the hands of readers.

As this series began, the three dukes have finally gotten their feet back under them after their fathers’ sudden death in a cow pen explosion. Unfortunately along the way of their grief, they seem to have egged each other on in wasting much too much money, even as they held each other up emotionally.

The bills have come due. Ruinously so. Which is where their romance novel, A Seductive Scandal, comes in. They need a plan to make money even though most careers are closed to them, socially speaking. It’s just not done.

In the wake of Jane Austen’s recent death, there’s a vacancy in the publishing landscape that readers are crying out for someone to fill. The three dukes undertake to write a romance novel, à la the late Austen, and succeed beyond their wildest dreams as far as the readability of the book is concerned.

Their next step is to get the damned thing published, which is where this story begins. The Duke of Corwin, Brody Evans, walks by a printing press’ office and spies a ‘Help Wanted’ ad for an assistant editor, beginning immediately. He takes the job, planning to slip their manuscript into the slush pile after several days of doing the work and ingratiating himself with the owner.

He comes to enjoy the job far more than he ever imagined. He’s being paid a pittance from his perspective, but he’s being paid to READ ALL DAY. What’s not to love?

His enjoyment of the job is both increased and confounded by his surprising attraction to the company’s print compositor, Harry Michaels. Harry is the best the printing press’ owner has ever seen at the job, fast, efficient and accurate. He comes early, stays late and makes the whole place hum with productivity.

And he has a secret. Harry Michaels is really Harriet Michaels. A masquerade that she absolutely must keep, because she needs the money to support herself and her younger sister and knows that no job suitable for a woman will pay as much as any job reserved for men.

Which means that Harry must resist Harriet’s attraction for the new assistant editor, ‘Mr. Evans’, no matter how much she wants to give in, even as Mr. Evans’ attraction to Harry Michaels makes him question everything he thought he believed about himself, and wonder just how high a price he’s willing to pay for love.

Escape Rating A: A Duke’s Introduction to Courtship isn’t nearly as frothy a confection as A Duke’s Guide to Romance, and honestly it’s all the better for it. (Not that a good frothy romance can’t be utterly scrumptious as the first book is, but too much of a good thing usually results in a tummy ache – or in this case a headache – from overindulgence in too many sweets.)

We’ve already seen the situation that Brody and his friends are in. It’s not exactly life-threatening, but it is serious from their perspective. First of all, they’ve all been really stupid and they all regret it. They all miss their fathers who were taken from them MUCH too soon. What allows the reader to have sympathy for a group of men who are fantastically well off but merely not as rich as they could be comes down to the way they approach their situation. They are not thinking of themselves but rather of the people who depend on them, and that’s a position that is easier to respect.

What makes this entry in the series work, and also be more serious at the same time, is Harry/Harriet Michaels’ considerably more dire straits. Harriet and her sister are on the knife-edge of poverty. Harriet’s masquerade as Harry makes their situation survivable but just barely. All it will take is one slip and they’ll both be off to the workhouse or working on their backs. Or dead and that seems the most likely. A fact that is brought home to Harriet when Lucy gets sick and Harry is beaten and robbed on the way to fetch a doctor. A doctor that Lucy still needs but that Harry can no longer afford to pay after the robbery.

Harriet is caught between a rock and a hard place, or perhaps a better description would be between Scylla and Charybdis, with sea monsters to either side and slippery rocks underfoot the whole way.

The way that Harriet’s necessary deception leads to Brody’s soul searching added something very special to the whole story, giving his portrayal considerably more depth than might have been expected. Not that this particular scenario hasn’t happened before, and hasn’t been used well, most recently in Jane Dunn’s An Unexpected Heiress, with Cat Sebastian’s Unmasked by the Marquess and even the classic movie Victor/Victoria using the same idea to terrific effect.

Brody’s decision that he loves Harry and damn the consequences, and his subsequent confusion and even sense of betrayal when Harry turned out to be Harriet after all gave the story its final bit of tension AND made Brody’s stake in the situation come much closer to equal Harriet’s than might have been expected.

I’ve written more about this book than I expected because it turned out to be several cuts above what I expected when I started it. I expected froth and fun. What I got went a bit deeper on multiple fronts and still managed to deliver a very satisfying happy ever after at the same time.

I’m really looking forward to the final book in the Gentlemen Authors series, A Duke’s Lesson in Charm, coming next month. Especially since this book should finally reveal to readers just how well the ducally-written romance does at the booksellers!

Review: A Duke’s Guide to Romance by Sophie Barnes

Review: A Duke’s Guide to Romance by Sophie BarnesA Duke's Guide to Romance (The Gentlemen Authors #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #1
Pages: 276
Published by Sophie Barnes on August 29th, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He only wanted to purchase a novel, now he’s falling madly in love…

Anthony Gibbs, Duke of Westcliffe, needs an income. Bills must be paid, appearances kept, and arrangements made for his sisters' debuts. In short, he must either marry or seek employment, neither of which sounds remotely compelling. But then he meets Ada and she suggests a third option. Now he's penning a novel while losing his heart to the bookish miss, a woman he cannot afford to marry unless he’s prepared to make some difficult choices.

Ada Quinn has no connections, no dowry, and consequently no prospects. Her plan for the future is limited to her skill as a bookbinder. Until Mr. Gibbs walks into her uncle’s bookshop and starts to romance her. Handsome, thoughtful, and utterly charming, Mr. Gibbs is precisely the sort of man Ada always dreamed of falling in love with. Until she discovers he’s not who he claims to be and that he intends to marry another.

My Review:

Three years before our story begins, Anthony Gibbs, Duke of Westcliffe and his friends Brody Evans, the Duke of Corwin and Callum Davis, the Duke of Stratton survived a life-changing catastrophe by working through their collective shock and grief together when their aristocratic fathers were killed during a rare instance of random bovine combustion.

Meaning all of their fathers were caught in the literal crossfire while purchasing livestock when a cow pen exploded. (Fertilizer really is highly explosive, and the primary ingredient in fertilizer is manure. Which is what naturally falls out of a cow’s backside to rest on the floor of their pens.)

Ahem. Apologies. I couldn’t resist.

While sticking together solving one set of problems by sharing their grief, it created another, as they spent the past three years frittering away their time and wasting their money in pursuit of one distraction after another while neglecting their responsibilities, their estates and the increasingly empty state of their coffers.

The bills have all come due, they are all swimming up the River Tick. They are individually and collectively skint – or at least heading there fast. And keeping up appearances is damn expensive all by itself, without the added costs of deferred maintenance on their estates AND making sure their dependents are taken care of.

In Westcliffe’s case, those dependents include his two younger sisters, who have just reached the age for their first Seasons in the ‘Marriage Mart’. Seasons that are critical for their futures, but are guaranteed to put an equally critical drain on the family’s remaining cash.

All three of the 20-something Dukes entertain the possibility of marrying for money. It would not be an uneven trade, but a marriage of convenience would make for a shatteringly awful life. Particularly as the woman who has set her cap at Westcliffe is a conniving, manipulative harpy.

Which is when Ada Quinn walks into Westcliffe’s life. Or rather, he drops a book into hers. Literally. Onto her head. And both of their wits are addled ever after – but in the best way possible.

Westcliffe’s conversation with Ada in her uncle’s bookshop sets all of their lives into glorious motion. First, and most important for the series as a whole, their conversation puts the idea into his head that he and his friends can save their finances by writing the kind of novels that made the late Jane Austen famous. Readers are crying out for more books like hers, but the author has recently passed away and no one has taken up her pen.

Second, and most important for the protagonists of this first entry in the series, Westcliffe and Ada bring each other to sparkling life in a way that neither expected or planned on. In a way that seems guaranteed to break Ada’s heart, as she is all too aware of the disparity in their stations.

But, in a romance worthy of Ada’s favorite Austen novels, Westcliffe is convinced that society can go hang and love will find a way. As long as they trust in each other, communicate honestly with each other, and brush all of the harpies away.

Escape Rating A-: A Duke’s Guide to Romance is a deliciously frothy confection, light and fluffy and full of wit and sparkle with just the barest hint of a misunderstandammit to keep the characters on their toes until the very end.

As a Regency, it’s an excellent antidote to follow my recent reads in both the Sebastian St. Cyr and Wrexford & Sloane series, as they both explore and expose the seamy underbelly of the Regency. A Duke’s Guide to Romance, and I expect the rest of its series of Gentlemen Authors will as well, floats lightly on top of the glittering effervescence that we tend to expect in a Regency romance.

At the same time, it doesn’t shy away from the difference in social station between Westcliffe and Ada – at least from Ada’s perspective. As much as she’s fallen in love with the man, it’s clear from their differing perspectives on the potential issues that they face that she is the more realistic of the pair. The silver spoon he was born with, as well as the privilege of having been born male, leads him to believe that all their problems can be swept away easily, where she knows it just isn’t so.

Which leads to the big misunderstandammit that almost derails their happiness, as he keeps forging ahead without informing her of his decisions and change of heart because the world has always bent to his will in a way that it never has to hers.

At the same time, I very much liked the way that their romance didn’t merely invoke Jane Austen’s work but also served as an homage to it as the progress of their romance would have fit right into hers. Something that is highlighted in the way that the romance Westcliffe and company are writing plays into the romance that Westcliffe is experiencing and vice versa.

All in all, A Duke’s Guide to Romance was a very pleasant way to while away a stormy afternoon. I’m looking forward to seeing this delicious series continue with A Duke’s Introduction to Courtship and A Duke’s Lesson in Charm in the months ahead.

Review: Mr. Clarke’s Deepest Desire by Sophie Barnes

Review: Mr. Clarke’s Deepest Desire by Sophie BarnesMr. Clarke's Deepest Desire (Enterprising Scoundrels #2) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, Victorian romance
Series: Enterprising Scoundrels #2
Pages: 180
Published by Sophie Barnes on November 22, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

When an earl's daughter falls for a businessman in this secret identities Regency romance, she risks more than heartbreak when his connection to her past threatens her reputation...

How can he build a future with a woman whose father ruined his life?

Having recently suffered the death of her father, Rosamund Parker faces an uncertain future. Intent on retaining her independence, she plans to invest her modest inheritance. But the man whose help she seeks is as infuriating as he is handsome. For reasons she can't comprehend, he's set on thwarting her at every turn, even as he tempts her with kisses she ought not want.

Matthew Clarke needs funding for his locomotive business, but he'll not accept it from the Earl of Stoneburrow's daughter. As far as Matthew's concerned, that entire family can go hang. Unfortunately, Lady Rosamund seems to pop up wherever he goes. Ignoring the fire she stirs in him becomes an increasing challenge. But surrendering to it could prove disastrous. It could in fact ruin both their lives...

My Review:

Mr. Clarke’s Deepest Desires, the second book in the Enterprising Scoundrels series after Mr. Donahue’s Total Surrender (I sense a theme in the titles, don’t you?) is a delightfully frothy bit of Victorian romance with some dark notes in the background. And a whole heaping helping of insta-lust in the lush foreground.

A part of me wants to make some terrible puns about Rosamund Parker and her need to have her engines overhauled – or at least her ashes hauled, but that’s not where this story begins. In a perverse way it began way back when, when her late, lamented, dear old dad couldn’t resist forcing their housemaid to haul his – will she or nill she. And of course he fired her when she informed him that she was carrying the inevitable consequence of his actions.

Now he’s dead and buried, and the mourning period has just officially ended. The reading of his will has left his daughter in a bit of a fix of a different sort. As the daughter (and only child) of an Earl, she knew she would not inherit his title or the entailed estate. But she expected a bit more than 500 pounds. Not per annum, but in total. Along with a binding clause that her uncle, the new Earl, was not permitted to maintain or support her.

(If you’re curious, that’s just over $60,000 in today’s dollars. A more-than-decent one year’s salary, but not nearly enough for a relatively young woman to live off of for the rest of her life.)

Rosamund, who does want to marry, also wants to have enough time going about the selection process to ensure that she makes a choice that satisfies both her head and her heart. So, instead of rushing into anything or anyone she plans to invest most of her money and life off the income from her investment while she makes a considered choice.

It’s a sensible plan, which makes sense. Because Rosamund is a very sensible woman. Also a very intelligent one.

But her plans go up almost literally in smoke when she meets Matthew Clarke, the owner of A&C Locomotive. Because Rosamund and Matthew strike more sparks from each other than any one of his engines do when they screech their brakes. Not that either of them can manage much of anything except almost literally screeching at each other.

Matthew’s mother was the housemaid that Rosamund’s father forced into his bed and then out the door, leaving both mother and 12-year-old Matthew destitute. Matthew refuses to take Rosamund’s investment money – no matter how much he actually needs it. He’s still carrying that grudge – and is an absolute ass about it to Rosamund even though she has no clue what he’s so angry about.

After all, she was all of 10 at the time and it’s not exactly a subject that any father would raise with his own daughter – particularly not in the Victorian Era!

But Rosamund is determined to invest in the burgeoning railroad industry, and Matthew still does need investors. Which means that they keep meeting – and meeting – and meeting at various gatherings of industry executives and potential investors. The more often they run into each other, the more sparks that fly – no matter how little Rosamund wants to believe the truth about her beloved father.

The push-pull of their relationship, the way that they hate each other but still want each other desperately, is hot enough to fuel a locomotive or ten without the use of coal. All they need to do is give in – before they make a mistake that will haunt the rest of their lives.

Escape Rating B+: One of the things that I really enjoy about the Enterprising Scoundrels series is that the heroes all work for a living. Admittedly it’s work among the wealthy and powerful, and they’ve done well for themselves, but it’s still real work that gives them real purpose. This is a series where happiness is not just the province of the idle rich to the point where it openly questions whether the idle rich are all that happy.

Matthew Clarke is an especially delicious hero in this mold because he’s a self-made man who has not either lost the threads of his humanity or obtained his wealth outside the law. Both of which are not uncommon backgrounds for heroes of historical romances.

What made this book downright refreshing is that even the bounder who tries to interfere with the romance between Rose and Matthew is really after Rose for her prodigious intellect and genius ideas, while her truly delectable person is icing on the cake of her splendid brain and not the other way around.

But speaking of that bounder, he’s not really a villain – at least not in the bwahaha sense that often happens. He’s out for himself and he does take advantage of a situation, but he doesn’t make the situation and he’s just not evil. Selfish and self-centered, but not beyond human reason.

So I didn’t leave this book, as I did Mr. Donohue’s Total Surrender, with the feeling that there were too many characters who did not receive the desserts they had so richly earned. If there is a villain in this piece it’s Rosamund’s father, and he’s already having that discussion with his Maker when the story begins.

I do have to say that I found the blurb for the book a bit deceptive. This isn’t really a story of secret identities. Rosamund and Matthew know exactly who each other is. She doesn’t know that he and his mother were once in service to her family – at least not at the beginning – but his business success wipes out most of that stigma. They do end up on the wrong end of a lot of social opprobrium, but it’s as a result of their actions in the present and not some hidden secret in either of their pasts.

While I’m not personally satisfied with the amount of groveling Matthew does over that incident, he does manage to screw his courage to the sticking point and fix things before it’s too late – with a whole lot of professional assistance from his soon-to-be bride. Which makes for happy endings all around – as they certainly deserved.

Review: The Roguish Baron by Sophie Barnes

Review: The Roguish Baron by Sophie BarnesThe Roguish Baron by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, holiday romance, regency romance
Series: Diamonds in the Rough #9
Pages: 180
Published by Sophie Barnes on May 24, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When a rakish scoundrel decides to pursue the woman he loves in this friends to lovers Regency romance, he risks his father's disapproval...and the consequence this will have on his future.

He had to risk losing her so he would realize how much he loved her...

Jack Lancaster, Baron Hawthorne, hasn't been home in four years. He's been too busy running from his emotions. So when he finally does return and discovers his childhood friend, Sophia Fenmore, has gotten engaged, he's not only shocked, but determined to change her mind and make her his.

Sophia has always known Jack was out of her league. But she valued his friendship, until he broke her heart. Now he's back, as eager to charm her as she is to thwart him.For as much as she'd like to believe Jack has changed, she cannot risk taking a chance on a rogue. Unless of course, he proves himself worthy.

A daring forbidden love romance from a USA Today bestselling author

*Previously published as part of The Rogue Who Stole Christmas anthology*

My Review:

The way that the romances are intertwined and misdirected in this latest book in the Diamonds in the Rough series reads like the kind of convoluted plot that Shakespeare would have loved.

The Lancaster children, Jack, Felicity, and Kaitlin, and the Fenmore siblings, Edward and Sophia, grew up together as one romping tangle of friends. But the Lancasters are the offspring of the Earl of Turner, while the Fenmores are the children of the local vicar. There’s an even larger gap in station between Sophia Fenmore and the others, as Sophia is an orphan who was found wrapped in a blanket in the church that the Fenmores’ father is the vicar of. They raised her as their own, but with her origins obscure at best, she’s not quite the social equal of the others.

A difference that makes no difference when they are all children, but drives a wedge in the close friendship between Jack and Sophia when they reach the cusp of adulthood. Not that either of them cares one whit, they are the best of friends even if Sophia is just beginning to understand that she wants more.

But to Jack’s father the Earl, it matters a great deal. To the point where the Earl threatens to cut off Jack’s inheritance if he marries Sophia. Something that Jack hadn’t even thought of up to that point. (The title and the estate are entailed, Jack will inherit those whatever his father wants. But the money is his father’s own to dispose of as he pleases. Inheriting the estate without the money for the upkeep of the stately pile is a recipe for bankruptcy.)

Jack runs away to London for four years, earning enough money to no longer need anything his father doesn’t want to give. He ALSO earns a well-deserved reputation as a rake as he cuts a wide and smiling swath through the female population of London in an attempt to deny his father’s accusation – that he’s in love with Sophia. Even though he is.

Jack returns home to a mess. Sophia is more beautiful than he remembered, and even more captivating. But she’s also engaged to, of all people, her adopted brother Edward. Who is in love with Jack’s sister Felicity. But Edward and Felicity both believe that their love is doomed, that Felicity’s father would never consent to a match between them.

In other words, everyone is being self-sacrificing – except Jack’s father who is still being an ass.

And just when it seems like they’ve all gotten past all of the roadblocks they’ve put in their own way, the truth about Sophia’s origins finally comes to light. And those roadblocks just get higher.

Escape Rating B: The Diamonds in the Rough series has been charming romantic fluff from the very first book, A Most Unlikely Duke (still my favorite in the series) to this 9th book in the series. And this one feels like the last. Not that it doesn’t stand alone, because it most certainly does, but because all of those Diamonds and their equally happy spouses are guests at the wedding that ends this entry in the series. It felt like closure, although I’ll be happy if I’m proven wrong!

The best part of The Roguish Baron isn’t the Baron. It’s Sophia. What made her interesting was that, in spite of some of her over-the-top descriptions of her feelings, her thoughts and actions were very, very pragmatic. And she wasn’t shy about letting Jack know when he’d stepped in it and on them. She doesn’t cry and expect to be patted and soothed, she speaks up and uses her words very clearly and forthrightly.

Her situation in this story is very much “one down”. She’s female in a time and place where she has no rights and her only hope of a comfortable future is to marry and hope that her husband isn’t a brute or a gambler or a spendthrift. And she may not have a say in who she marries, and then she’ll basically be property in the marriage.

Under those circumstances, her acceptance of Edward’s proposal may not be the best of all possible worlds, but it is far, far, far from the worst. With her origins obscured, it may be the only offer she’ll get, and she knows it. Whatever dreams she might have of marrying Jack, she’s not wrong to think that society will look down upon them both and that his father will not be forgiving. She’s doomed before she starts.

Jack loves her and wants her but takes, not so much convincing as beating about with a clue-by-four to get that if they’re going to untangle the mess their in that there are no half-measures. And that if he can’t commit to this course he needs to leave her alone. Which he has a hard time even imagining, let alone actually doing.

The thing that made this work was the way that Jack was forced to grovel, publicly, for the mess he’d made of his life, and the mess he’d very nearly made of both their lives. Sophia may have forgiven him, but he still had to earn back the respect he’d squandered when he was punishing both himself and his father – who honestly didn’t grovel enough.

That Sophia does learn who she came from was lovely, even though it did seem like a bit of deus ex machina. And I have some mixed feelings about whether that was the right way to solve things.

But this was still a lovely, frothy bit of holiday Regency romance. If this is the end of the series, it provides a charming bit of closure to five years of romantic reads. If it turns out there are still more to come, I’d be happy to watch more of these unconventional couples find their HEAs..

Review: Mr. Donahue’s Total Surrender by Sophie Barnes

Review: Mr. Donahue’s Total Surrender by Sophie BarnesMr. Donahue's Total Surrender (Enterprising Scoundrels #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance
Series: Enterprising Scoundrels #1
Pages: 230
Published by Sophie Barnes on January 25, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Calista Faulkner had a plan: go to England, get married, and save her father from ruin. Instead, she’s now stuck in London, penniless and without the husband she’d pinned her hopes on. Desperate to return home, she seeks employment at a hotel – as a scullery maid – a far cry from the social status she has otherwise been accustomed to. But when a chance encounter with the hotel’s owner, Mr. Donahue, leads to a change in fortune and her acquaintance with him deepens, a new problem arises. For Calista knows she must return home and marry a man she hates in order to save her family’s reputation. But how can she leave behind the man she's falling in love with? How can she marry anyone else?

My Review:

There’s plenty of surrendering to go around in this charming Victorian-era historical romance. Mr. Steven Donahue AND Miss Callista Faulkner both eventually surrender to their happily ever after. But they certainly don’t start there. Or anywhere close.

As the story begins, Donahue is the owner and operator of what would today be called a boutique hotel that is desirably close to the newly built halls of Parliament. Considering that this is a romance, there’s a very apropos joke that applies here. “What do kissing and real estate have in common? The three most important things in both instances are, ‘Location, location, location.”

It’s been a ton of work to rehabilitate what was a dilapidated building, and Donahue has invested a significant amount of money in the endeavor, but the Imperial is a success that he’s rightfully proud of. As the third son of an Earl, it’s up to him to make his own way in life – even if he was born with a bit of the silver spoon in his mouth. He’s turned that silver into something that provides him with an excellent livelihood and a purpose.

Because Donahue isn’t just interested in making money for himself – although he certainly is interested in that. He also prides himself on the well-compensated jobs in excellent working conditions that his hotel – and the others he plans to build around the country – will provide for all the people necessary to make his hotels shine in every way.

That’s where Miss Callista Faulkner steps into the story – very much to her own surprise. She came from her native New York City to marry a gentleman who died while she was en route. She was fleeing a forced marriage to a despicable villain who just might possibly have gotten her father in debt for that very purpose. But her late, would-be bridegroom seems to have been marrying Callista in order to get out from under the unwelcome marriage that his own family was trying to arrange for him. So they didn’t know Callista was coming and wouldn’t have agreed or approved if they had.

Callista has run through or been relieved of the money she came to London with – and she needs to get home. Broke and desperate, she’s applied for jobs all over London only to be rejected at every turn. The Imperial offers her one last chance, but there’s a catch.

There are several catches. The manager is about to turn her down when Donahue intervenes and forces the man to offer her any job that he believes she will suit. Said manager takes his comeuppance out on Callista by offering her a position as a scullery maid, absolutely no training or introduction to the work at all, and refuses to give her a room in the hotel’s generously provided and reasonably appointed staff quarters. She has a cot in the pantry, no lock on the door and is the butt of every joke and blamed for every spilled drink and broken plate that occurs – even when she’s not near the incident. She consoles herself with the money she’s saving for her passage home.

But her mistreatment at the hands of the staff forces Donahue to intervene. He becomes her knight in well-tailored armor, giving her room, board and spending money while thoroughly cleaning out the staff who were much too willing to harass and abuse one of their colleagues. He also pays for her passage back home and even provides her with chaperons for the journey.

While they are both waiting for that journey to take place, however, they have time. Perhaps a little too much of it. More than enough time to discover that they LIKE each other. Not just that they are attracted to each other, but that they are developing a friendship along with possibly more.

Which they don’t have quite enough time to be sure of – at least not if they’re being sensible. And then there’s that odious toad waiting back in New York to claim Callista as payment of her father’s debts.

Donahue has always been sober and sensible – but this is looking like the one time in his life when he’ll be much better served if he throws caution to the winds.

Escape Rating B: Mr. Donahue’s Total Surrender is a light and frothy historical romance with just enough dark undertones to keep the reader – and the characters – on their toes.

One of the things I really enjoyed about this story is that it is a romance of thoughts and feelings and not body parts. Some of that is the period in which it is set, but I loved the way that the protagonists fall in love through spending time together, talking with each other, and just enjoying each other’s company. I did feel the romance, and we did see them fall for each other, but they’re not using sex to cement the relationship and that worked well.

I also liked that Donahue is someone who works for a living. Not that he isn’t rich, and not that his family didn’t give him a damn good start with education and money, but he’s not among the idle rich. We’re seeing more of that in historical romance and I like the trend very much.

The thing that kept this book from being a grade A read instead of a B has to do with comeuppances. There weren’t nearly enough of them. There are several circumstances in the story with villains. Not just the staff of the hotel who harass and abuse Callista, but also a titled brother and sister who are just awful and, top of the ugly pile, the odious schemer who hatched the plan to force Callista to marry him. He’s slime. The hotel staff do get their just desserts, but that was too easy. I would want to see the sour expressions on the part of those awful siblings at the wedding, and I especially wanted to know that Mr. Odious New York got at least a sliver of what should be coming to him. That we don’t discover what happened to him or even just his reaction at getting thwarted felt like a missed opportunity for a bit of catharsis.

But I had a ball – even if there is no actual ball – with Mr. Donahue, Miss Faulkner, and their total surrender to each other.

Review: Mr. Dale and the Divorcee by Sophie Barnes

Review: Mr. Dale and the Divorcee by Sophie BarnesMr. Dale and The Divorcée (The Brazen Beauties #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Brazen Beauties #1
Pages: 342
Published by Sophie Barnes on November 23rd 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He's a respectable barrister...
She's the most scandalous woman in England...

Wilhelmina Hewitt knows she's in for a rough ride when she agrees to help her husband get a divorce. Nothing, however, prepares her for the regret of meeting Mr. Dale on the eve of her downfall. No other man has ever sent her heart racing as he does. Unfortunately, while she’ll soon be free to engage in a new relationship, no respectable man will have her.

James Dale would never pursue another man’s wife. Or a woman reputed to be a deceitful adulteress. Furious with himself for letting the lovely Mrs. Hewitt charm him, he strives to keep his distance. But when her daughter elopes with his son, they're forced into a partnership where passion ignites. And James soon wonders if there might be more to the divorcée than meets the eye.

My Review:

As I’m posting this review the day after Thanksgiving, I want to start out by saying this book made me really, really thankful that I was born in the latter half of the 20th century and not any damn earlier at all. But I’m also feeling kind of sorry that I plan to read a book I would have liked better for the holiday – or at least felt less conflicted about.

The story feels historically accurate, at least as far as the amount of control and agency that women had over their own lives during the Regency period. Whether it actually is or not, the situation that the heroine is in matches the way we believed things were during that time, or the image that has taken hold in the popular imagination.

Which, quite frankly, is that she has no agency or control at all.

This is a story about a woman who only has as much control over her life as the men in her life and society in general allow her, which is not much. The only control she has is over how much of herself she is willing to sacrifice, knowing that she will always be the one to pay the price for that sacrifice no matter who might truly be to blame.

The first half of this one left me on the horns of a giant dilemma. Because the heroine’s actions and society’s reactions felt true to what we expect of the time. She’s put herself in a terrible situation for reasons that were never in her control, and society punishes her for it exactly as one expected they would.

Which means that both she – and the reader – get repeatedly slapped in the face with just how terrible conditions for women could be.

I very nearly DNF’d at that halfway point, because I was getting really tired of the smell and the taste of that wet fish of horribleness. Not that it’s written horribly, as the author writes well and I generally like her books, but that the situation the heroine is IN is horrible and at that halfway point seems as though it’s only going to get worse as it goes.

That was the point where the son of the man who raped her 20 years ago makes it clear that he has the exact same plan as his vile old man and isn’t planning to let anyone or anything stand in his way, either.

You could call that a low point in the story. It was certainly a low point in my reading of it and I stopped for a while and picked up something else.

But I picked it back up because I thought the worst had to be behind me. And the heroine. And it was.

Escape Rating C: For a story that actually does have a happy ending, this is kind of a sad story for a lot of its length. Mina’s entire life seems to have been about being stuck between a rock and a hard place and letting herself be ground between them in one way or another.

Letting herself be divorced at a time when the only way for her husband to be allowed to remarry afterwards was to accept all the blame, all the calumny, all the social opprobrium and for both of them to commit perjury that she had numerous affairs when she never had any seems harsh and is harsh and society deals with her harshly as a result.

Her ex-husband leaves the country, marries his pregnant lover, and society forgets him except as her victim. She has to suck it all up and move on, which she honestly does. At least until her widowed daughter falls in love with a man whose father will not allow the marriage because of Mina’s reputation as a scarlet woman.

(Whether any of the scenario around Mina’s divorce was legal or possible at the time this story takes place seems to be a matter of some debate.)

The young couple elopes to Gretna Green, the older couple chase after in hot pursuit, and truth gets revealed all around – after more than one misunderstandammit.

This is a story where the happy ending is earned through a whole lot of blood, sweat and tears and a very literal change of heart on the part of the hero. Who was in serious need of getting the stick out of his ass.

I ended this with mixed feelings, which was a definite improvement after my near-DNF at the midpoint.

I liked both that the main romance of this story is between two people who are on either side of 40 instead of barely over 20. It made the situation much more complex and the characters more interesting because they had more depth as well as more emotional baggage.

I also liked that the member of the nobility who featured prominently in the story was the villain. The hero is part of the upper middle class. His family has land but no title, and he is a practicing lawyer. He works for a living, something we still don’t see often enough in Regency romance but does seem to be on the uptick.

So I want to say that this story did gel for me after all. Except it jelled kind of like the two-layer Jell-O cups where the top flavor is one I hated and the bottom flavor was one I almost liked. But a lot of reviewers absolutely adored this book so reading mileage obvious varies on this one.