Brazen and the Beast (The Bareknuckle Bastards, #2) by Sarah MacLean Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical romance
Pages: 400
Published by Avon on July 30, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads
The Lady’s Plan
When Lady Henrietta Sedley declares her twenty-ninth year her own, she has plans to inherit her father’s business, to make her own fortune, and to live her own life. But first, she intends to experience a taste of the pleasure she’ll forgo as a confirmed spinster. Everything is going perfectly…until she discovers the most beautiful man she’s ever seen tied up in her carriage and threatening to ruin the Year of Hattie before it’s even begun.
The Bastard’s Proposal
When he wakes in a carriage at Hattie’s feet, Whit, a king of Covent Garden known to all the world as Beast, can’t help but wonder about the strange woman who frees him—especially when he discovers she’s headed for a night of pleasure . . . on his turf. He is more than happy to offer Hattie all she desires…for a price.
An Unexpected Passion
Soon, Hattie and Whit find themselves rivals in business and pleasure. She won’t give up her plans; he won’t give up his power . . . and neither of them sees that if they’re not careful, they’ll have no choice but to give up everything . . . including their hearts.
My Review:
I picked up Brazen and the Beast because I enjoyed the first book in the series, Wicked and the Wallflower, and wanted to see where the story went from there.
There is plenty to love in this series – and this story in that series. Particularly for readers of Elizabeth Hoyt’s Maiden Lane series and/or Sophie Barnes’ Diamonds in the Rough series.
Because the story of the Bareknuckle Bastards is a story about the underbelly of the Regency and post-Regency periods, as are both of those series. The actual Bareknuckle Bastards themselves, Devil (hero of Wicked and the Wallflower) and his brother Beast here in Brazen and the Beast are the uncrowned kings of Covent Garden and the working-class districts that surround it.
The bastards control the area, and all the legal – and definitely all the illegal – trade that takes place therein. And their people love them for it, because the bastards provide good well-paying jobs, protection and economic security for their fiefdom.
A fiefdom that they have, and will, defend to the death.
And that’s where Hattie Sedley careens into the picture. She’s a “lady” but not a “Lady” – and she’d rather not be either. Her father is an Earl, but it’s a life peerage, so he can’t pass it on to her brother. And that’s a good thing, because Augie Sedley is a waste of space.
It’s Hattie who is her father’s true heir in every way that matters, but the man can’t see past the fact that she’s a woman.
She’s also 29, big and loud and brash and brazen, so society has put her very firmly on the shelf. A shelf that she is happy to occupy, as long as she gets to take care of her father’s shipping business. And that’s a possibility that she is determined to seize with both hands – and that her brother seems determined to ruin. Stealing from the Bareknuckle Bastards isn’t just stupid – it’s downright suicidal. But Augie doesn’t care that he’ll take the family with him.
It’s up to Hattie to “negotiate” with Beast to find her family a way out of Augie’s mess – and to figure out how she can win the business into the bargain.
But there are more wheels turning than even Hattie can see, and more consequences than she knows. She’s met her match in Beast. But he’s met his match in her just as much. Figuring out that he can love her, or he can protect her, but that he can’t manage both makes for a hot, sparky (sometimes literally) romance!
Escape Rating B+: There’s a lot to love in Brazen and the Beast – in multiple ways. First, there’s just a lot of Hattie Sedley to love – and Beast loves her just the way she is – as do the readers.
Hattie manages to absolutely ooze body positivity while at the same showing just how vulnerable her differences have made her – and that those differences haven’t kept her from reaching for what she wants.
Hattie is big and tall and bold in a society that expects women to be tiny and demure, to be seen as little as possible and not heard at all. And she can’t be any of those things, so she does her best to be who and what she is. At the same time, she’s still very aware of how she’s seen – and it hurts her.
Society seeks a freak, but Beast sees a queen – and he makes Hattie not just see herself that way, but embrace that identity. All the parts of her that high society wants to quash are just the parts that the more realistic world around Covent Garden values.
What makes the romance between Hattie and Beast (his actual name is Whit), so fascinating is its central conflict. Not that there aren’t plenty of secondary and ancillary conflicts. The tension between Hattie and Whit over who will get the better of whom and Whit’s need to protect his people vs. Hattie’s need to protect hers sparks and sizzles on every page.
The romantic conflict is all about how they will define their relationship to each other, and how that ties into their essential selves. Whit is a protector. It’s who he is, it’s what he does, and he can’t seem to turn off that side of his nature. That his society in general believes that women should be protected at every turn just adds to his deep-rooted need to protect everyone he cares for.
But that is not what Hattie is built for. For her, protection is a cage. She has to be his partner – or she’ll be nothing to him at all. It’s a hard lesson for him to learn – and he only figures it out when he has no choice. But he does get it by the end – and that’s what gives this story its heart.
There are two very hard parts to this book. One is the opening. Until Hattie and Beast have their first real meeting in the high class female-serving (and not female-using) brothel, a lot of her self-talk revolves around just how hard it is to get her father to see that she’s the better fit to run the shipping business. Because she so obviously is, her brother is so obviously an idiot, and her father is just being ridiculously obtuse. It’s everything that women hate about the patriarchy, and is compounded because her father was awarded that life peerage for being an excellent businessman. His estate will not be entailed and he can bequeath whatever to whoever. The same man who built the business couldn’t be that big an idiot.
And then there’s the overarching story of this series. Devil, Beast, their half-brother Ewan and their adopted sister Grace all suffered – extremely – under the machinations of their father the Duke. Ewan “won” the competition to become the Duke’s heir, and in the process betrayed the rest of them. He’s been pursuing them ever since because he wants Grace. Ewan’s stalkerish pursuit/revenge has been dastardly from the very beginning, and his obsession with Grace is frankly a bit creepy. It’s clear from the teaser at the end of Brazen and the Beast that the next story, Daring and The Duke, will finally resolve that long-standing issue.
And do I ever wonder how that’s going to work out!
~~~~~~ GIVEAWAY ~~~~~~
I’m giving away a copy of Brazen and the Beast to one very lucky US/Can commenter on this tour!
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