After All the Feels and Spoiler Alert, Olivia Dade once again delivers a warm and wonderful romantic comedy about two co-stars who once had an incredible one-night stand--and after years of filming on the same remote island, are finally ready to yield to temptation again...
Maria's one-night-stand--the thick-thighed, sexy Viking of a man she left without a word or a note--just reappeared. Apparently, Peter's her surly Gods of the Gates co-star, and they're about to spend the next six years filming on a desolate Irish island together. She still wants him...but he now wants nothing to do with her.
Peter knows this role could finally transform him from a forgettable character actor into a leading man. He also knows a failed relationship with Maria could poison the set, and he won't sabotage his career for a woman who's already walked away from him once. Given time, maybe they can be cooperative colleagues or friends--possibly even best friends--but not lovers again. No matter how much he aches for her.
For years, they don't touch off-camera. But on their last night of filming, their mutual restraint finally shatters, and all their pent-up desire explodes into renewed passion. Too bad they still don't have a future together, since Peter's going back to Hollywood, while Maria's returning to her native Sweden. She thinks she needs more than he can give her, but he's determined to change her mind, and he's spent the last six years waiting. Watching. Wanting.
His shipwrecked Swede doesn't stand a chance.

My Review:

This third book in the Spoiler Alert series may seem a bit detached from the previous books, Spoiler Alert and All the Feels. Which makes total sense as all of Peter and Maria’s scenes in the infamous (and fictional) God of the Gates TV series (all resemblances to the final seasons of Game of Thrones indubitably intended) were filmed on a tiny, remote island off the coast of Ireland.

The Aran Islands substitute for the remote island where the characters they play in the series, Cyprian and Cassia, were literally shipwrecked early in the book series that was adapted – sometimes very badly indeed – for the hit TV series. An island where their characters spend six long and frustrating years pining for each other, transforming from enemies into lovers.

Into dead. Because it’s that kind of series. As we know even if we never watched the thing.

Life has imitated art more than a bit, as Peter and Maria also spent their six years filming the series pining for each other every bit as much as their characters did. Only to give in to temptation after the cameras film their final scene – just before they are scheduled to leave the island and go their separate ways.

While they don’t immediately end up dead in real life – because they haven’t really been guarding a hellmouth for six years that has finally opened to bring their doom – their much longed-for relationship keeps tolling its own death knell even as they find ways to spend yet more glorious days and nights together.

Both Peter and Maria came to that deserted island with some serious abandonment issues, and not just in romantic relationships. They may love each other, they certainly want each other, but they can’t seem to get past the trauma in their pasts to realize that they both want the same things – but are no good at expressing what they need and want to the most important person either of them will ever find.

Their characters were shipwrecked, and the real-life (relation)ship that fans have been shipping throughout the entire run of the series looks like it’s wrecked as well. Unless they can find a way to turn it into an HEA with a little bit of luck and a whole lot of the one thing that Peter is bad at – communication.

Escape Rating A-: The beginning of this was just a bit jarring – not their one-night stand, not at ALL – but that the story went all the way back to the early days of the series, back when the showrunners were still adapting the author’s work. When the scripts were still more than halfway decent even if the two showrunners were already scum.

The earlier books in the series, Spoiler Alert and All the Feels, started during the final seasons of the series, at the point where the showrunners had gone past the author’s work and were, well, winging it. Badly. Destroying all the character arcs and most of the characters along with them. Both of those earlier stories center around stars of the series behaving badly because they so desperately want to reveal that the final season is AWFUL with a capital AWE and they fall in love either while behaving very badly (All the Feels) or while violating their NDA (non-disclosure agreement) in new and creative – literally and literarily – ways (Spoiler Alert and All the Feels).

Peter and Maria and their film crew, while not exactly shipwrecked themselves, are isolated from the rest of the cast and crew except via group chats and off-season convention appearances. Their story arc was completely separated from everyone else’s and so are they.

Which doesn’t mean that they don’t deal with the shittiness of the showrunners every bit as much as the rest of the cast – or maybe even a bit more because the showrunners think their physical isolation gives them some sort of psychological advantage. Or simply because they are asshats. Which they most definitely are.

And that’s where one of the more interesting threads of the (book) series in general and this entry in it in particular comes in. Peter and Maria are playing shipwrecked Vikings. They are both big people – which is appropriate for the characters they play. So, while the books don’t specify that they are bigger than the usual Hollywood actors, it seems like good casting.

But the showrunners, being slimeballs, have a plan to make Maria – and by extension Peter, but honestly it’s aimed at Maria – go on a crash diet before her second season because they’re supposed to be starving on the island. And she refuses and makes it stick – even in the face of being fired and re-cast. Maria is righteously all about body positivity, and not wrecking her body for life for anyone or anything, and she’s very aware that her body positivity campaign has played extremely well in the media. AND that the slimy showrunners are already in trouble on every side and need her way more than she needs them.

Those showrunners pulled similar shitty stunts on the plus-sized heroines of both Spoiler Alert and All the Feels and got their heads handed to them both times, but it was terrific to see it happen again – with bells on – this time around.

Oh yeah, there’s a romance in here too. And it’s a bit of a heartbreaker – not that it doesn’t come around to an HEA in the end. As it should. Because ALL the best shipping fics do – no matter how much angst the characters have to go through along the way.

But it’s a heartbreaker both because they nearly break each other’s AND because they’ve had both of theirs broken so many times in ways that have nothing to do with romance but still rear their ugly heads when they might just manage to reach that HEA. Because they’re both afraid of getting left – again – and think they’d rather walk away than have it happen. Again.

Not that they’re both equally stubborn and clueless about it or anything like that.

Last but not least, and speaking of things coming around again, the book series as a whole is rooted both in fanfiction as a labor of love and in the complaints and gossip about the final seasons of the real TV series, Game of Thrones. Which also ran two seasons beyond the last published book in its series and also did “interesting” things with its characters and their arcs. Earlier in the book series I wondered whether Spoiler Alert  would lose the pointedness of some of its inside jokes after Game of Thrones finished.

But then House of the Dragon came along, a prequel series based on the same author’s work that is equally unfinished in book form. So we might have more of Spoiler Alert  to look forward to no matter how, if, or whether House of the Dragon ever floats your shipping boat.

And that is an EXCELLENT thing!