#BookReview: Lost to Eternity by Greg Cox

#BookReview: Lost to Eternity by Greg CoxLost to Eternity by Greg Cox
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera, Star Trek
Series: Star Trek: The Original Series
Pages: 400
Published by Pocket Books/Star Trek on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A thrilling new Star Trek “movie era” novel from New York Times bestselling author Greg Cox!
Three Eras. Three Mysteries. One Ancient Enemy?
2024: Almost forty years ago, marine biologist Gillian Taylor stormed away from her dream job at Sausalito’s Cetacean Institute—and was never seen or heard from again. Now a new true crime podcast has reopened that cold case, but investigator Melinda Silver has no idea that her search for the truth about Gillian’s disappearance will ultimately stretch across time and space—and attract the attention of a ruthless obsessive with his own secret agenda.
2268: The USS Enterprise ’s five-year mission is interrupted when Captain James T. Kirk and his crew set out to recover an abducted Federation scientist whose classified secrets are being sought by the Klingons as well. The trail leads to a barbaric world off limits to both Starfleet and the Klingon Empire—and an ageless mastermind on a quest for eternity.
2292: The Osori, an ancient alien species, has finally agreed to establish relations with its much younger the Federation, the Klingons, and the Romulans. A joint mission involving ships from all three powers, including the Enterprise -A , turns explosive when one of the Osori envoys is apparently killed. Each side blames the others, but the truth lies buried deep, nearly three hundred years in the past…

My Review:

Star Trek IV: The Voyage Home (the one with the whales), was one of the great movies of the Original Series movie era, alongside The Wrath of Khan. Voyage Home had something for everyone, in that it told a great story, had lots of sweet moments of nostalgia for fans, addresses important and still relevant issues of its day with its tale of species extinction, had oodles of funny scenes and memorable, quotable lines – and ends with a heartwarming scene of the ‘band getting back together’ in a crowning moment of awesome.

It also presents a heaping helping of wish fulfillment for legions of fans then and now as the 20th century cetacean biologist, Dr. Gillian Taylor, time travels with the crew of the Enterprise and the whales George and Gracie from her time to their 23rd century.

It was the stuff that both dreams and fanfic were made of.

But it left a mystery in Taylor’s time that, nearly forty years later, is still unsolved. That mystery serves as the inspiration for a true-crime podcast – because of course it would. And thereby, as the saying goes, hangs this tale that spans from intrepid podcasters in 2024 to a medical researcher’s abduction in 2268 and onward to a planned peace conference with an advanced species in 2292.

What do those three widely separated incidents have in common? None other than Captain James T. Kirk, the crew of the U.S.S. Enterprise – with or without their equally famous ship – and an enemy that no one saw coming.

Escape Rating B: Like most media novelizations, Lost to Eternity is absolutely a story for the fans – and not just because of its homage to the fanservice of Dr. Gillian Taylor’s fate in Star Trek IV.

There are three separate stories in this one, set in 2024, 2268 and 2292. At first, with the focus on the podcasters in 2024, the story is thoroughly grounded in our here and now. It’s easy to get caught up in Melinda Silver’s need to find out what happened to Taylor, and the way that it devolves into conspiracy theories and men in black even as it picks up the remaining threads of Voyage Home as seen through the eyes of the people those events left behind in puzzlement was absolutely riveting.

If you’ve ever wanted the X-Files to cross with Star Trek, that part of this story is pretty much that story.

But the story unwinds across all three eras in turn, so the 2024 chapter is followed by a 2268 chapter and then a 2292 chapter. It all makes sense in the end – but as it goes along it takes a long time and a lot of pages to get a glimmer of just what makes these three stories connect up.

At the same time, the stories in each of the timelines and the way that they are interwoven with previous (from a certain point of view) events in the Star Trek timeline as a whole allows for a whole lot of loose ends from an amazing number of stories to get referenced and eventually closed – which goes back to this being a story for the fans because the more of those loose ends that one recognizes the more familiar – and fun – the story feels.

I had a good time with this story – as I always do when I pick one of these up. I love slipping back into this familiar and beloved universe, and that carried me over the points late in each timeline’s story where I just wanted to see all the dots get connected – and to see if the connections that my brain was making were the ones the author intended to make.

In the end, I enjoyed all three of the individual stories, liked the way they merged, had fun with the way they tied up different loose ends, and loved spending time with these characters. I also thought the author did a great job of making sure that the stories got told from different perspectives – that it wasn’t all Kirk and Spock saving the day no matter how much I do love those stories.

But I found the villain just a bit flat. He read a lot like Arne Darvin, the villain of the episodes The Trouble with Tribbles (TOS) and Trials and Tribble-ations (DS9)combined with the motive but not the scenery chewing of the villains in Star Trek: Insurrection. The villain of Lost to Eternity unfortunately got all of his character from Darvin – who was fairly colorless. A little bit of scenery chewing might have improved him a bit – for select definitions of the word ‘improvement’. Perhaps it would be better to say that a little bit of scenery chewing might have made him a bit more colorful – and interesting.

Still, a good reading time was absolutely had by this reader and I loved the way that it did exactly what Voyage Home did – it connected our present with Star Trek’s future and dreamed a dream of getting from here – to there.

Review: The Good, the Bad and the Uncanny edited by Jonathan Maberry

Review: The Good, the Bad and the Uncanny edited by Jonathan MaberryThe Good, The Bad, & The Uncanny: Tales of a Very Weird West by Jonathan Maberry, C. Edward Sellner, Keith R.A. DeCandido, James A. Moore, Greg Cox, Josh Malerman, Carrie Harris, John G. Hartness, Jennifer Brody, Scott Sigler, Laura Anne Gilman, Aaron Rosenberg, Jeffrey J. Mariotte, R. S. Belcher, Marguerite Reed, Maurice Broaddus, Cullen Bunn
Format: eARC
Source: publisher
Formats available: paperback, ebook
Genres: fantasy, horror, short stories, steampunk, Weird West
Pages: 350
Published by Outland Entertainment on December 19, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Gunslingers. Lawmen. Snake-oil Salesmen. Cowboys. Mad Scientists. And a few monsters. The Old West has never been wilder! THE GOOD, THE BAD, AND THE UNCANNY presents sixteen original and never-before-published adventures by some of today’ s most visionary writers who have spun wildly offbeat tales of gunmen, lawmen, magic, and weird science. Saddle up with Josh Malerman, Scott Sigler, Keith DeCandido, Cullen Bunn, R.S. Belcher, Greg Cox, Jeffrey Mariotte, Laura Anne Gilman, Aaron Rosenberg, Maurice Broaddus, John G. Hartness, Carrie Harris, James A. Moore, Marguerite Reed, C. Edward Sellner, Carrie Harris, and Jennifer Brody! These tales twist the American West into a place of darkness, shadows, sudden death, terror in the night, bold heroism, devious magic, and shocking violence. Each story blazes a new trail through very strange territory – discovering weird science, ancient evil, mythic creatures, and lightning-fast action. Edited by Jonathan Maberry, NY Times bestselling author of A DEADLANDS NOVEL, the Joe Ledger Thrillers, V-WARS, and KAGEN THE DAMNED.

My Review:

I don’t normally start reviews by talking about the author’s – or in this case the editor’s – Foreword. In fact, I very seldom read the Foreword because I’m too interested in getting to the actual story – or in this case stories – to take the time. And they’re generally not all that fascinating. But I read this one and got hit with a sense of nostalgia so strong that I can’t resist mentioning it here. Because the editor and I grew up with those same Westerns on TV pretty much all the time in our childhood, and because we both emerged with the same favorite, The Wild, Wild West.

Not that awful 1999 movie. I mean – and the author meant – the one, the only, the original TV series with Robert Conrad and Ross Martin. I still remember, and can hear Ross Martin’s voice in my head, talking mostly to himself, as he often did, as he was whipping up “the spécialité de la maison of the Hotel Desperation!” to get them out of whatever fix they’d gotten themselves into in that act of the four acts that made up each weekly episode. It’s a VERY fond memory.

So, if you have that same fondness for Westerns – especially those that touched on, or were touched by, or dipped their whole entire six-shooters into the very, very weird, or if you’re a fan of more recently published ‘Weird West’ inspired stories such as Charlaine Harris’ Gunnie Rose series and Laura Anne Gilman’s Huntsmen, or if you just plain love it when the things that go bump in the night are armed with fangs, claws AND six-shooters, this collection might just be your jam.

It certainly was mine. It was mine so much, in fact, that this is one of the rare occasions when I’ve rated each story in the collection individually, so that you can get the full-bodied flavor – complete with actual bodies, for each and every one.

“The Disobedient Devil Dust-up at Copper Junction” by Cullen Bunn
Mad scientist meets even madder gremlins as Professor Dimitri Daedalus and his Navajo partner Yiske arrive in remote Copper Junction Utah, summoned by the Professor’s old mentor to be his next sacrifices to the gremlins tearing up every single human tool in town with applied chaos and malice, only to end in fiery glory sailing off a cliff. Good fun. B

“Devil’s Snare” (Golgotha #1.5) by R.S. Belcher
In spite of being part of a series, this story stands quite well alone. Love-lorn scientist/engineer Clay Turlough, who combines bits of both Dr. Frankenstein AND his monster, gets dragged out of his latest attempt to ‘save’ his ladylove by a more strictly medical case of a poisoned boy, his widowed mother, and the man who is a bit too invested in both. A-

“Bad” by Josh Malerman
Borderline horror about two idiots who think they can rob the most secure bank on ‘The Trail’ by pretending to be one of the bank’s regular depositors. A pretense they intend to enact by literally stealing the man’s face. A hard read because the murdering bank robber wannabes are really, really TSTL to the point where the story is just blood, guts and idiocy. D

“Bigfoot George” by Greg Cox
Gold fever grips a gang of humans claiming a strike in Bigfoot country. The ringleaders think they can treat sasquatch the way they treat their fellow humans – only one of those fellow humans isn’t to both the humans and the sasquatch’ detriment. The humans are nasty in ways that are all too familiar, but the heel-turn of their not-so-human companion is epic enough to nearly redeem their mess – if not them. C+

“Story of the Century” by C. Edward Sellner
A tale of angels and demons, vampires and newspaper reporters. A reporter with a nose for news follows a bounty hunter on the trail of a demon who can wipe out whole towns in a single breath, only to find herself the last witness to an epic confrontation between celestial and demonic forces that wakes a legacy she had no idea she possessed. B

“The Stacked Deck” by Aaron Rosenberg
A card sharp with a magic touch wins his way onto a gambler’s paradise of a riverboat cruise only to learn that the stake he’s playing for is his soul and the deck has been stacked by a demon who believes he holds all the cards. The weird side of the weird West with a fascinating magical system of drawing cards from the ether. Maverick would have fit right in. And won. B+

“Desert Justice” by Maurice Broaddus
A black man with a righteous cause, the will to back it up and the grief not to care if he goes down in the fight takes up a magical badge to battle the evil spirit of the dead Confederacy that white men are using to vilify, subjugate and lynch blacks who stand up for themselves in the west after they fled the ‘legal slavery’ of the sharecropping system. If you enjoyed the author’s novella Buffalo Soldier you’ll love this one too. I certainly did. A

“In the End, the Beginning” by Laura Anne Gilman
A still heartbreaking but slightly more hopeful alternate magical version of the white man’s invasion of the west. It can’t be stopped, but powerful spirits CAN, if they are willing to sacrifice themselves and their magic in the cause, alter the means by which it happens, in the hopes that the ones who can’t be stopped are the best of their kind and not the worst.  A

“Nightfall on the Iron Dragon Line” by James A. Moore
The inevitable train story because no western or weird version thereof would be complete without one train story. The concept is interesting, and a story about a lawman bringing in a dangerous criminal always works in westerns but this one needed to be longer for all the disparate elements – especially the worm and the Chinese engineers – to come together. C

“Simple Silas” by Scott Sigler
This is straight up horror and the story relies on the protagonist having an undefined intellectual disability (because they were back then) in a way that just makes the whole thing more uncomfortable than compelling. D

“Hell and Destruction are Never Full” by Marguerite Reed
A bounty hunter captures a man for more money than she’s ever seen in her life and doesn’t want to hear about the real reason the bounty was set – until she comes face to face with a vampire and his renfield who plan to shut up a witness and get a meal out of it at the same time. That this has a happy ending is a big surprise. It’s not the standout in the collection but it was pretty good all the same. B

“The Legend of Long-Ears” by Keith R.A. DeCandido
A meeting that never happened between two legends, Calamity Jane and Deputy U.S. Marshal Bass Reeves. Calamity is a seer who drinks to keep her visions of the future at bay, while she does her best to keep the chaos agent known as Long-Ears from taking more lives than he’s due. She saves Reeves but can’t save them all. However, she saves so many that Long-Ears himself travels the west telling any who will listen the tale of his greatest and most respected enemy. This one seems like the quintessential weird west story, or at least one branch of it, with legends meeting, native spirits interfering, respect between enemies and tragedies all around. A+

“The Night Caravan” by Jennifer Brody
A post-apocalyptic tale where the desert has returned, while technology and fallout have bred monsters and settlements are far apart while travel puts you in danger of being ridden by one of the monsters. The mix of high tech and low villainy with a mythical utopia that is probably a boondoggle makes the story interesting. B

“Dreadful” by John Hartness
A middle-aged widow and a tired vampire-hunting cowboy team up to wipe out a nest of vampires that is eating their way across the west like locusts. Separately, they’re victims, together they might just be enough to get the job done. And if there’s an after, they might have a chance at being happy in it, together. B+

“Thicker Than Water” by Carrie Harris
Families are terrible. His brothers are human monsters. Her sisters are sea monsters. But family is family and blood is thicker than water, even when the deck of the ship is awash in it. This one just wasn’t my cuppa, and I’m trying really hard not to think about what the tea in that cuppa would be made of. C

“Barnfeather’s Magical Medicine Show and Tent Extravaganza” by Jeffrey J. Mariotte
Another one a bit too high on the creep-o-meter for me, about a magical circus tent that steals children and eats them to keep itself and its avatar powered – or perhaps the other way around, pursued by a lawman hoping to rescue children who are already gone. C

Escape Rating B: I had to do math to get to an overall rating, just as I did for the review of a previous collection by this publisher, Never Too Old to Save the World, which is going to end up on my Best Books list for this year because I’ve referred to it so often.

I enjoyed this collection, well, not quite as much as Never Too Old, but still quite a bit. Even the stories that went too far into horror for my personal tastes, or the couple that just didn’t work for me, still added to the overall feeling of ‘those thrilling days of yesteryear’ even if it was a weirder and more uncanny yesteryear than The Lone Ranger ever imagined.

Or perhaps especially because it was a whole lot weirder and considerably more uncanny. Just as marvelously as The Wild, Wild West so often was.

Review: The Librarians and the Mother Goose Chase by Greg Cox

Review: The Librarians and the Mother Goose Chase by Greg CoxThe Librarians and the Mother Goose Chase by Greg Cox
Formats available: paperback, ebook, audiobook
Series: The Librarians #2
Pages: 288
on April 25th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

For millennia, the Librarians have secretly protected the world by keeping watch over dangerous magical relics. Cataloging and safeguarding everything from Excalibur to Pandora’s Box, they stand between humanity and those who would use the relics for evil.
Stories can be powerful. In 1719, Elizabeth Goose of Boston Massachusetts published a collection of rhyming spells as a children's book, creating a spellbook of terrifying power. The Librarian of that age managed to dispose of all copies of the book except one, which remained in the possession of Elizabeth Goose and her family, temporarily averting any potential disaster.
However, strange things are happening, A window washer in San Diego who was blown off his elevated perch by a freak gust of wind, but miraculously survived by landing on a canopy over the building entrance. A woman in rural Pennsylvania who was attacked by mutant rodents without any eyes. And, a college professor in England who somehow found herself trapped inside a prize pumpkin at a local farmer’s market. Baird and her team of Librarians suspect that the magic of Mother Goose is again loose in the world, and with Fynn Carson AWOL once again, it is up to Cassandra, Ezekiel, and Stone to track down the missing spellbook before the true power of the rhymes can be unleashed.

My Review:

I read The Librarians and the Lost Lamp a couple of weeks ago, and I really enjoyed it because it felt so much like an episode of the show, including all of the madcap adventure and especially all of the banter. I had a great time, just as I do when I watch The Librarians. It was fun!

But The Librarians and the Mother Goose Chase felt like it was more of a strain. The Librarians, of course, are always a bit strained in the midst of yet another hair-raising case, but there was something about this one that made it feel like a strain for the reader, too. Or at least this reader.

Fair warning, I may get a bit meta here. It’s hard to review a media tie-in novel without some references to the media it ties into, and how it “feels” related to how the original feels, And works. I would say or doesn’t work but the fact is that a person for whom the original does not work is unlikely to read novels based on it. My 2 cents.

Part of what makes The Librarians work as a show is their marvelous team dynamic. The Librarians and their Guardian are a close knit team and also kind of a family. What they do is designed to be a bit outside the mundane world, and they of necessity have bonded together. Along with Jenkins, the combination archivist, caretaker and zookeeper of the Library and the Library Annex in Portland they work out of.

On the one hand, parts of this story provide a marvelous and much broader view of just how big, how strange, and how magical the Library’s collections truly are. Nobody wants the job of cleaning the pen that holds the Goose that Lays the Golden Eggs, but it’s a dirty job and somebody has to do it. Usually Jenkins.

On that other hand, the Librarians spend a lot of this story on separate parts of the quest. This group is stronger when it’s together. It’s also funnier and occasionally more heartwarming when it’s together. So for this reader story lost some of its steam when it separated the group, Also the way they were split up felt a bit contrived. Their separate quests seem to rely on their weaknesses more than their strength, and the individuals they were paired up with instead felt like contrivances designed to teach them each something rather than get the job done. As usual, my 2 cents and your mileage may vary.

And the action got a bit bogged down as it split into four separate stories, which at times felt a bit repetitious.

The concept that Mother Goose was not only real but a powerful witch who encoded her spells into nursery rhymes fits right into the mythos of the Library. That her magic could get out of hand if left in the hands of the “wrong people” could make an episode or a great story.

But the way that this one wrapped up, which unfortunately I did see coming a mile away, fell flat. Again, at least for this reader.

So, as much as I love The Librarians, I didn’t have nearly as much fun with Mother Goose as I did with the Lost Lamp.

Escape Rating C+: The scenes where Eve and Jenkins are chasing several of the Library’s more colorful (and volatile) exhibits around the Library are hilarious. My personal favorite is when Jenkins throws Arthur’s Crown at the Sword Excalibur and tells it to play “Keep Away” with the King of Beasts and the Unicorn. Eve’s solution to the problem of the Dead Man’s Chest was also lot of fun. But the gang spends too much time not being a gang, and I missed the way they play off of each other much too much.

Review: The Librarians and the Lost Lamp by Greg Cox

Review: The Librarians and the Lost Lamp by Greg CoxThe Librarians and The Lost Lamp (The Librarians #1) by Greg Cox
Formats available: paperback, ebook, audiobook
Series: The Librarians #1
Pages: 286
Published by Tor Books on October 11th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The Librarians is one of the biggest new hits on cable. Spinning off from a popular series of TV-movies, the TNT series begins its second season this Fall. The Librarians and the Lost Lamp is the first in a series of thrilling all-new adventures that will delight fans of the TV series and movies.
For thousands of years, the Librarians have secretly protected the world The Librarians from dangerous magical relics and knowledge, including everything from Pandora’s Box to King Arthur’s sword.
Ten years ago, Flynn Carson was the only living Librarian. When the ancient criminal organization known as the Forty steals the oldest known copy of The Arabian Nights by Scheherazade, Flynn is called in to investigate. Fearing that the Forty is after Aladdin's fabled Lamp, Flynn must race to find it before the Lamp's powerful and malevolent djinn is unleashed upon the world.
Today, a new team of inexperienced Librarians, along with Eve Baird, their tough-as-nails Guardian, is investigating an uncanny mystery in Las Vegas when the quest for the Lamp begins anew . . . and the fate of the world hangs in the balance.

My Review:

Because this is the start of National Library Week, I was looking for at least one book this week with some kind of library theme. When the much more serious book I originally planned on turned out to be a little too serious, I went for the much more fun option.

The Librarians, the TV series, is always fun. And after having watched it, I’ll admit that it gives saying, “I’m the Librarian” just a bit more of kick whenever I introduce myself in certain work situations.

But being an ordinary librarian isn’t near as much of a thrill as being one of THE Librarians, and that’s probably a good thing.

Our more adventurous, and fictional, counterparts are having a much more dangerous time than we are. Not that most of us don’t secretly envy them in one way or another. The seemingly unlimited resources, if nothing else.

The Librarians in this series work for a presumably mythical Library whose mission is to keep the rest of us from finding out that magic really exists, and that all too many of the legends and fables that we believe are purely fiction are in fact based in fact – and fairly dangerous fact at that.

In this particular case, the legend that is being turned on its head is the legend of Aladdin’s lamp, and the genie contained therein, as well as the legend of Scheherazade and the 1,001 Arabian Nights, along with a very specific story among those 1,001 nights, that of Ali Baba and the Forty Thieves.

In the world of the Librarians, nothing is ever quite as it seems. And no great magic ever comes without an equally great price. It’s the paying of that price that the Library attempts to prevent, usually by locking up the magical artifact involved.

The story in The Librarians and the Lost Lamp switches between two different occasions when the Library (and those Forty Thieves) went after the lamp and the djinn imprisoned within, with rather tumultuous results.

In 2006, when Flynn Carsen was the solo librarian, and before the catastrophic events of 2014 that caused the Library to recruit three additional Librarians and their Guardian, a researcher in Baghdad discovered the earliest known copy of the 1,001 Nights. Both the Library and the Forty Thieves criminal organization hoped that the manuscript contained clues to the location of Aladdin’s lost lamp and its djinn. The Library wanted the lamp locked up for everyone’s safety, and the Forty wanted the djinn to grant their wish for power and wealth. The djinn, of course, had a somewhat different agenda.

No one came out of that particular encounter with exactly what they wanted. So in 2016, when the lamp resurfaces, both the Library and the Forty chase after it again, with even messier results than the last time.

In 2006, the lamp was in the middle of an empty desert. In 2016, it turns up in Las Vegas. The chaos that ensues is absolutely epic, and a complete blast of fun and adventure from beginning to end.

Escape Rating B: For anyone who loves the series, The Librarians and the Lost Lamp reads like a terrific episode. And for fans, that’s a great thing. I’m not certain how it would read to anyone not familiar. So consider this one a book for those in the know.

That being said, not all media tie-in books do justice by their source material, either because they mess with the canonical timeline or by just not sounding or feeling like part of their original. Or by not being true to the characters. That’s not the case here. The characters are all very true to their TV counterparts, and this feels like a slightly-longer-than-an-hour episode of the series, complete with the series’ hallmarks of adventure, teamwork and madcap humor.

Again, if you love it, that’s good.

The series itself is out of the urban fantasy tradition, mixed with a whole lot of myths and legends. The place where it plays off of urban fantasy is in that concept that magic is real, and that for some reason most of us don’t see it, no matter how much we want to. In this version of the world, it’s the Library, and the many Librarians who have served it (and usually died) who have kept magic from leaking out everywhere.

The way that the Librarians, in this particular case Cassandra, resolve the dilemma of the djinn who plans to break out of his lamp and burn the world (no pressure!) fits well with the way the Librarians generally work, and with Cassie’s personality and methods in particular. However, it will also feel familiar to anyone who remembers the I of Newton episode of the 1985 revival of The Twilight Zone, or the Joe Haldeman story the episode was based on. Clearly, methods of dealing with the Devil on your doorstep apply equally well to angry djinn.

I had a lot of fun reading this, enough so that I’m looking forward to the author’s next contribution to the series, in The Librarians and the Mother Goose Chase. And to going back a rewatching the show!

p.s. I read most of this on a flight from Cincinnati to Atlanta. Wait, what was that? Is that a gremlin on the wing?