Review: The Final Girl Support Group by Grady Hendrix

Review: The Final Girl Support Group by Grady HendrixThe Final Girl Support Group by Grady Hendrix
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: horror, thriller
Pages: 352
Published by Berkley Books on July 13, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A fast-paced, thrilling horror novel that follows a group of heroines to die for, from the brilliant New York Times bestselling author of The Southern Book Club's Guide to Slaying Vampires.
In horror movies, the final girl is the one who's left standing when the credits roll. The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her?
Lynnette Tarkington is a real-life final girl who survived a massacre twenty-two years ago, and it has defined every day of her life since. And she's not alone. For more than a decade she's been meeting with five other actual final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette's worst fears are realized--someone knows about the group and is determined to take their lives apart again, piece by piece.
But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

My Review:

Whew! This was an extremely compelling, one-sitting kind of read. I’m not going to say I enjoyed it, because honestly, joy is an emotion that doesn’t get anywhere near this book. But I was certainly fascinated, to the point where I couldn’t stop until I got to the end.

And then I had to go to my happy place for a while to get over the whole experience.

This doesn’t exactly take place in the real world. But it’s close enough to make some really disturbing parallels. Because this is a story that begins with the premise that all of those teenage slasher movies are based on real people’s real stories which have been adapted and exploited for sensationalism and especially for cash..

Which means that the girl – and it’s usually a girl – who survives and kills the monster is a real person who has been violated first by the monster and second by the sexualization of violence against women and third by the system and fourth by all the sick fans and sicker media – is also a real person.

A young woman who has to live her life after all the horrible things that have happened to her with one hell of a case of PTSD. It’s not paranoia if someone really is out to get you, and someone really is out to get all of these women – even before the members of their support group start getting killed, one after another, in VERY rapid succession.

One of those women, one of those survivors, is on the run, desperately trying to keep her shit together and searching for the person who really is out to get all of them. Each twist of the plot is like a turn of the screw for Lynnette Tarkington, as she escapes from custody, alienates all of her friends, and accuses one member of the support group after another as she works her way through her own psychoses along with a breadcrumb trail of clues that is designed to make her look even more crazy than she is. Right before the monster at the heart of this web finally ends her story.

Unless she ends theirs.

Escape Rating B+: I’m not a horror reader, so I wasn’t expecting to get as involved in this as I did. I also started it with more than a bit of an approach/avoidance conundrum, because not only am I not a horror reader, but I think I was the only person in my reading circle that did not absolutely adore the author’s The Southern Book Club’s Guide to Slaying Vampires last year. I went into this one with concerns that the same issues that tripped me up in that book would appear again.

That certainly did not happen. This time, the point-of-view character, the not really a Final Girl Lynnette Tarkington really worked for me as a perspective. Her head may have been a really messed up place to be, but it was messed up in a way that felt consistent for her story and her experience. I felt for her even as I was grateful not to be her.

(She kind of reminded me of Linda Hamilton’s character at the beginning of Terminator 2: Judgment Day, all alone and prepping obsessively for a doomsday that she is certain is going to come to pass even if no one else is. And of course her fears are justified, just as Lynnette’s are.)

But the story here mixes its slasher sequel plot of the endless parade of descendants, copycats and slavish fans of the original monster returning to kill the one that got away, over and over again, with a commentary on the sexualization and fetishization of violence against women in a way that is not even subtext, but is actual text underpinning the story. (I certainly  saw it as text, but I’m sure people who want to ignore the entire sick, ugly business will either see it as subtle subtext or not see it at all.)

And that’s what disturbed me the most in reading this. While Lynnette comes off as a slightly crazed and increasingly desperate woman, she turns out to be the hero of this story – even though someone is trying to victimize her yet again. That’s what kept me reading through every twist and turn and walk through the valley of the shadow of nightmare. I wanted to see her not just survive, but win – and I was so afraid so often that she wouldn’t.

So I didn’t enjoy this at all, but I felt compelled to keep turning pages and finish. There was absolutely no way this had a happy ending, but I was hoping for catharsis. And I can say that the ending turned out to be relief, release and redemption all rolled into one slightly crazed ball.

I may not have exactly enjoyed this book, but my cats certainly did. I sat still for most of three hours, and they were all overjoyed that I was providing them a warm lap to nap in. I was just glad of their comfort.

Review: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

Review: The Southern Book Club’s Guide to Slaying Vampires by Grady HendrixThe Southern Book Club's Guide to Slaying Vampires by Grady Hendrix
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: horror, vampires
Pages: 404
Published by Quirk Books on April 7, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Fried Green Tomatoes and "Steel Magnolias" meet Dracula in this Southern-flavored supernatural thriller set in the '90s about a women's book club that must protect its suburban community from a mysterious and handsome stranger who turns out to be a blood-sucking fiend.
Patricia Campbell had always planned for a big life, but after giving up her career as a nurse to marry an ambitious doctor and become a mother, Patricia's life has never felt smaller. The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club, a group of Charleston mothers united only by their love for true-crime and suspenseful fiction. In these meetings, they're more likely to discuss the FBI's recent siege of Waco as much as the ups and downs of marriage and motherhood.
But when an artistic and sensitive stranger moves into the neighborhood, the book club's meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation, assuming that he's a Jeffrey Dahmer or Ted Bundy. What she uncovers is far more terrifying, and soon she--and her book club--are the only people standing between the monster they've invited into their homes and their unsuspecting community.

My Review:

This was exactly what I was expecting when picking up horror. But the friends who recommended it to me mentioned the words “laughing” and “humor” in relation to this book, and I just didn’t get any of either.

What I did get read like a really odd twist on the first book in the Sookie Stackhouse series – and I know that sounds insane. But really, we have a tight-knit Southern community where an unattached but charismatic man turns up, moves in, can’t manage sunlight and has been around a LOT longer than anyone thinks. Admittedly, when James Harris moves into this neighborhood, he makes Bill the Vampire seem like a big, ole pussycat. Because Bill doesn’t come to Bon Temps to prey on the locals, while James Harris has that plan in mind from the very beginning – and he’s ruthless in carrying it out.

But the story isn’t the monster’s story. Instead, it’s the story of the group of suburban women who band together, first to read true crime and murder mysteries, and then to deal with the unreal but absolutely true crime that has invaded their very own little town.

The portrayal of the women’s friendships, through all their ups and downs, was the real highlight of the story. But the way that they not only turn on each other, but turn on their own very selves, was a big part of the sadness. None of their husband’s are remotely worthy of them, as they prove over the course of the story.

They have all caged themselves, and it takes a monster, and a monster’s rampage, to finally get them to set themselves free. They’ve spent their lives cleaning up men’s messes, after all, and they are damn good at it. Which is a good thing, because this monster left one big damn mess.

Escape Rating C: Most readers seem to have loved this book. Certainly all the people who recommended it to me did. And I really did need to read it for reasons that I can’t get into. And I did finish and the ending was compelling. Getting to that point was less so, at least for this reader.

Part of the reason that I didn’t enjoy this book is that it reminded me of all the reasons I don’t normally read horror. It was gruesome and terrible things were happening and nobody wants to believe the book club members and no one wants to pay attention to what’s going wrong.

But it felt like all of the reasons that no one wanted to pay attention had to do with the women themselves. They were all small and narrow and put upon and put down and disregarded in their own lives. They didn’t pay attention to themselves or each other and no one else did either. They were dismissed at every turn, not just by society as a whole, but by their husbands and children. They didn’t believe each other and they didn’t believe in themselves.

Also, this is supposed to be a satire of suburban life in the 90s, but to me it felt flat. Probably because this just didn’t read like the 90s. During the 90s, I was in my late 30s, so relatively close in age to the members of the book club, but I was divorced, childfree and working. I worked in a female dominated profession, so ALL the women I knew worked. Many had stepped out when their kids were very young, but had returned to work at some point when their kids got a bit older, as the children of these women already had. It was difficult if not impossible to maintain a suburban life with multiple children without both spouses working. So for this reader their lives were small, sad and unrealistic and that colored my opinion of the whole book. Your experience of that time period may certainly vary, and your reaction may be entirely different. If this had been set in the 1960s or earlier I would have had a different reaction. I would have still felt the sadness and smallness, but it would have fit better into the times.

I did like, well, not the villain, you’re not supposed to like the villain, but that the monster didn’t exactly fit into any preconceived versions of monster. He’s referred to as a vampire, but it felt more in the sense that some people are emotional vampires sucking the life out of everyone around them. Not that he didn’t suck blood, but he also put it back. It’s complicated. But he didn’t just take blood, he took everything. He was a force of eternal hunger, always wanting more, always taking advantage, always leaving destruction in his wake. And we never do discover how he came to be. Or whether or not he actually came to end.

So that part was cool. But he also represented the way that the men in these women’s lives had also sucked them dry and left devastation in their wakes, and that leads me back to sad, and a bit disappointed. Your reading mileage may definitely vary.