Review: The Way Home by Peter S. Beagle

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews> D Reviews
Review: The Way Home by Peter S. BeagleThe Way Home: Two Novellas from the World of The Last Unicorn (The Last Unicorn) by Peter S. Beagle
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Last Unicorn #2
Pages: 208
Published by Ace on April 4, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Better World Books
Goodreads

One brand-new, long-awaited novella, and one Hugo and Nebula award winning novella, both featuring characters from the beloved classic The Last Unicorn, from renowned fantasy writer Peter S. Beagle.
Peter S. Beagle's The Last Unicorn is one of fantasy's most beloved classics, with millions of copies in print worldwide.
Beagle's long-awaited return to the world of that novel came with "Two Hearts," which garnered Hugo and Nebula awards in 2006, and continued the stories of the unicorn, Molly Grue, and Schmendrick the Magician from the point of view of a young girl named Sooz.
In this volume, Peter S. Beagle also presents for the first time "Sooz," a novella that sees the narrator of "Two Hearts," all grown up and with a perilous journey ahead of her, in a tender meditation on love, loss, and finding your true self.

My Review:

I picked up The Way Home because I absolutely adored The Last Unicorn when I finally read it for the very first time back in January. So I had high hopes for The Way Home. Very, very high.

Those hopes were, unfortunately, only partially met, and I’m more than a bit sad about that.

The Way Home is not a single story as The Last Unicorn was, although it is set in the same world. Rather, this is two stories, the previously published Hugo Award winning novelette, “Two Hearts”, and the new and more recently written novella “Sooz”.

Sooz is the protagonist of both stories. In “Two Hearts”, she’s a nine-year-old girl, but by the time of her own story, she’s seventeen and on her first solo adventure as part of her passage into adulthood.

I have a lot, and a lot of good things, to say about “Two Hearts”, but less and not so much about “Sooz”. So I’m going to start at the end, with “Sooz”.

As a story – as opposed to the character – “Sooz” did not work for me. While I was not expecting a happy ending, as this world tends toward bittersweet on the happiness scale, I was expecting this story to feel like it was part of the continuum from The Last Unicorn through “Two Hearts”, which features Sooz as a child, to Sooz’ own story.

But it didn’t.

It’s very much a coming of age and finding your identity story, and a story about learning that your parents – and yourself – are not exactly who you thought either you or they were, and dealing with that knowledge. It’s also a quest story, as Sooz takes herself off to the Fae Lands to find the lost sister that she never knew she had.

As a story, it felt like the themes had been dealt with before – and dealt with better. Beginning Sooz’ journey with a gratuitous – but at least not overly graphic – rape scene did not endear me to the rest of the story. Sooz was already experiencing plenty of angst, her rape read like piling on for no good reason except that she was a lone female and had to experience all the dangers of that state possible.

I’m up on a soapbox, I know. Because it just felt like sloppy storytelling. There is the potential for plenty of angst in the female experience, even in fantasy, without raping the audience surrogate. (I’ll climb down now before the soapbox gets any taller.)

I dragged myself through “Sooz” in the hopes that it would get better. I’m not sure whether I didn’t feel like it did or just couldn’t get the awful taste out of my mouth (so to speak)

But I want to end this review on a higher note than I started, so let’s switch to the book’s opening story, the award-winning “Two Hearts”.

Where “Sooz” read as if it was barely connected to the world of The Last Unicorn, “Two Hearts” read like a combination of coda and swan song to the beloved classic. It’s the ending that the reader knows was out there, somewhere, at the end of The Last Unicorn, both dreaded and inevitable and so, so right.

Young Sooz’ village is being ravaged by a griffin who has graduated from taking sheep and goats to snatching children. The king has sent increasing numbers of men at arms to slay the griffin, but to no avail. Sooz runs away to fetch the king himself to take care of her people, who are, of course, his people. Along the way she runs into Schmendrick the Magician and his partner, Molly Grue. It’s been a LONG time since Schmendrick and Molly have been to the castle to see their friend, King Lir, so they decide to escort Sooz on her way.

The years that have passed lightly over the magician and his partner have not been kind to the purely human King Lir, and neither has Lir’s lifelong devotion to the unicorn Amalthea. But he rouses himself for one last quest, one last job that he knows is his and his alone. He goes with his friends, and Sooz, to slay the griffin.

“Two Hearts” is a beautiful story because it fits right into the world of The Last Unicorn with all of its lyrical language and utter heartbreak, and sits right on top of the pillar of “don’t cry because it’s over, smile because it happened”.

I got a little weepy anyway. The ending is the right ending, the necessary ending. It’s the perfect swan song for an immortal hero in a mortal’s body.

In short, “Two Hearts” is a marvelous, if heartbreaking ending for the beloved classic, The Last Unicorn. “Sooz” read like more of an afterthought, or an attempt to get the lightning back in the bottle one last time.

So the Escape Ratings on this book are very much split. “Sooz” was a dragging D of a read, while “Two Hearts” was a tear-spattered A+.

Review: The Stars Undying by Emery Robin

Posted on by Marlene Harris | Author : | A++ Reviews> audio reviews> audiobooks> book reviews
Review: The Stars Undying by Emery RobinThe Stars Undying (Empire Without End, #1) by Emery Robin
Narrator: Esther Wane, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Empire Without End #1
Pages: 518
Length: 16 hours and 32 minutes
Published by Orbit on November 8, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In this spectacular space opera inspired by the lives and loves of Cleopatra and Julius Caesar, a princess stripped of her power finds control through an affair that could help regain her reign—perfect for readers of Ann Leckie and Arkady Martine.
Princess Altagracia has lost everything. After a bloody civil war, her twin sister has claimed not just the crown of their planet Szayet but the Pearl of its prophecy, a computer that contains the immortal soul of Szayet's god. Stripped of her birthright, Gracia flees the planet—just as Matheus Ceirran, Commander of the interstellar Empire of Ceiao, arrives in deadly pursuit with his volatile lieutenant, Anita. When Gracia and Ceirran's paths collide, Gracia sees an opportunity to win back her planet, her god, and her throne…if she can win the Commander and his right-hand officer over first.
But talking her way into Ceirran’s good graces, and his bed, is only the beginning. Dealing with the most powerful man in the galaxy is almost as dangerous as war, and Gracia is quickly torn between an alliance that fast becomes more than political and the wishes of the god—or machine—that whispers in her ear. For Szayet's sake, and her own, Gracia will need to become more than a princess with a silver tongue. She will have to become a queen as history has never seen before—even if it breaks an empire.

My Review:

The queen. The carpet. The conqueror. It’s an indelible image, even if it was fixed in the collective unconscious by a mistranslation of Plutarch combined with a desire for a salacious story rather than anything that might have happened in history. Several sumptuous movies cemented that image.

So it’s not exactly a surprise that this science fictionalized reimagining of the romance of Cleopatra and Julius Caesar, while it doesn’t start with that scene, features it prominently. And makes it every bit as captivating and unforgettable in this story of two towering giants at the center of the rise and fall of an intergalactic empire as it was in the same circumstances of the world-spanning empire.

At first, and on the surface, The Stars Undying reads as a grand romance. And it definitely is that – even if neither of the protagonists begin their relationship thinking that’s where they are heading and what it’s all going to be about.

Altagracia is a disgraced princess leading a rebellion against her twin sister – who has just become the Queen of Szayet and the Oracle of their god, Alekso the Undying. We experience her side of this space opera from her first-person perspective so we begin the story thinking that we’re inside her head – even as she admits that she’s lying both to us and to herself as she sets out to overthrow her sister’s divine rule and take the crown for herself.

Which is where Matheus Cierran, the Commander of all the fleets and armies of the vast Empire of Ceiao, enters the picture. And Gracia enters his quarters rolled into a rug. Gracia conquers the conqueror – not so much with her beauty as with her wit and charisma – and he conquers her sister on her behalf.

As their romance spans the galaxy between Szayet and Ceiao, we see their universe from their alternating, first-person viewpoints, never quite sure who truly conquered whom, who is lying to whom, and whose intentions are the most righteous. While we watch them fall deeper in love with each other, and while both fail to recognize who their true enemies are – and fatally underestimate those enemies and each other.

Cleopatra and Caesar, (1866) painted by Jean-Leon Gerome
Cleopatra and Caesar, painted by
Jean-Léon Gérôme (1866)

Escape Rating A++: Because The Stars Undying is, most definitely, a reimagining of the relationship, both personal and absolutely political, between Cleopatra of Egypt and Julius Caesar, we do go into this story thinking that we know how it ends and even a bit of how it gets there. And just like Friday’s book, The Cleaving, that bit of foreknowledge does not keep the reader from frantically turning pages to see how it gets there.

In addition to the epic romance, and more important than that romance in the long run, The Stars Undying is also the story of the decline and fall of empire. As it begins, as it began, when Cleopatra rolled out of that rug – or more likely rose out of a sack – Rome was at the peak of its power. Just as Ceiao is when Gracia emerges from her carpet at Ceirran’s feet.

The thing about being at the peak of something is that from that highest point there is only one direction to go. Down. So this story is not about the crest of the peak but about the tip over it and into the decline that will inevitably follow – even if the principals can’t see it. Not yet anyway.

So the romance is how we get into this story, but that beginning takes us deeply into what one writer called “the romance of political agency” as we watch Gracia and Cierran jockey for power within their relationship and attempt to maneuver their way through and around the pitfalls of the densely factional political climate of Ceiao. An empire where the backstabbing never seems to end and Ceirran is always the target whether he recognizes it or not.

One of the fascinating things about the way that this story unfolds is just how tightly it gets wrapped around religion. Not any particular religion as we know it today, but religion and its seeming antithesis nevertheless. The Empire of Ceiao was founded on the basis of the disestablishment of ALL religions, which is carried to the point of being a religion unto itself.

Szayet, very much on the other hand, is not just a religiously backed monarchy but their religion is based on the idea that their god, Alekso Undying, lives on in an oracular artifact that is worn by each of his descendants as a symbol of their holiness and his godhood. It’s not even a myth. Gracia wears the Pearl and the spirit of Alekso within it does communicate with her frequently, often and always with disappointment in her and her actions. The only question in both the reader’s mind and Ceirran’s is whether the being she is communicating with is truly Alekso’s soul or merely his mind locked in a sophisticated machine.

That question, and both Ceirran’s and Ceiao’s reaction to any and all possible answers to it, turns out to hold the key both to his downfall and Gracia’s future in a way that surprises the reader and manages to seem inevitable at the same time. But then, all great leaders sow the seeds of their own destruction – at least in fiction.

The story in The Stars Undying reads like an unlikely amalgam of the Masters of Rome series by Colleen McCullough, The Memoirs of Cleopatra by Elizabeth George, Behind the Throne by K.B. Wagers, A Memory Called Empire by Arkady Martine and Engines of Empire by R.S. Ford. As a stew it shouldn’t work but most definitely does, combining the first-person perspective of the Memoirs with the deep dive into Roman history and politics of the McCullough series with the variations of the great empire not able to see or admit that it is past its prime in all three of the space opera series.

It’s not the stew that anyone would have expected but it’s absolutely glorious in its execution and now that I’ve read it I can’t help but wonder why no one got quite all the way here sooner. That the audiobook version that I listened to gave the two central figures, Gracia and Ceirran, their own separate, distinct and extremely well-acted voices was just icing on a very tasty cake.

(I had to switch to text near the end because I couldn’t bear to hear Gracia’s perspective on learning that Ceirran was gone in “her” voice, told from her internal, intimate, point of view. It would have been just too painful.)

That ending was so inevitable, based on the source material, that saying it happened does not feel like a spoiler. Howsomever, speaking of that source material, it is equally clear that the ending of The Stars Undying cannot possibly be the ending of the entire saga. This book, unbelievably the author’s debut novel, is listed as the first book in the Empire Without End duology. The second book in the duology is tentatively titled The Sea Unbounded and I can’t wait to read it whenever it appears. I might, maybe, possibly, have gotten over the book hangover from this book by then!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 4-9-23

Posted on by Marlene Harris | Author : | Blogo-Birthday> The Sunday Post> Virtual Nightstand

Today is Easter Sunday. It’s also just about the middle of Passover AND the middle of Ramadan.

Today also marks the end of my TWELFTH Annual Blogo-Birthday Celebration Week – although the giveaways will continue to be open this week so please take this opportunity to get in on a lot of fabulous celebratory prizes!

And neither this week nor any other week here at Chez Reading Reality would be complete without a cat picture. Or, in this case, a picture of two cats. As most people who are owned by cats will tell you, it is IMPOSSIBLE to do ANYTHING alone when you have cats. Or cats have you, as the case may be. Here are Luna and Tuna making sure that their human doesn’t fall in or otherwise disappear while on the “throne”.

Current Giveaways:

Any book by Barbara Hambly
Blogoversary $25 Gift Card Giveaway
Favorite books of 2023 (so far) $25 in Books Giveaway
The Cleaving by Juliet E. McKenna
$10 Gift Card or $10 Book in the Just Because Giveaway Hop
$10 Gift Card or $10 Book in the Dancing in the Rain Giveaway Hop

Blog Recap:

A Review: One Extra Corpse by Barbara Hambly + Giveaway
TWELFTH Annual Blogo-Birthday Celebration and Giveaway!
Blogo-Birthday Birthday Book Celebration and Giveaway!
Dancing in the Rain Giveaway Hop
Just Because Giveaway Hop
A+ Review: The Cleaving by Juliet E. McKenna + Giveaway
Stacking the Shelves (543)

Coming This Week:

The Stars Undying by Emery Robin (audio review)
The Way Home by Peter S. Beagle (review)
Midnight, Water City by Chris McKinney (review)
The Winter Knight by Jes Battis (review)
Some Desperate Glory by Emily Tesh (review)

Stacking the Shelves (543)

Posted on by Marlene Harris | Author : | Stacking the Shelves

My annual Blogo-Birthday Celebration has come to an end for another year. But the giveaways are all still active so please check out all the posts and possibilities!

And we have books! More books! Always books! (I also have a cat’s tail in my face.)

The most interesting title in this week’s batch is Better Living Through Birding. Two of my dear friends are avid birders, so my curiosity bump definitely itches over that one. A couple of other titles I’m really curious are the whole Time Traveler Professor series because they are Sherlock Holmes pastiches featuring Arthur Conan Doyle as one of the protagonists and Tsalmoth by Steven Brust as once upon a time I LOVED his Vlad Taltos series but haven’t been back in lo these many years.

The pretty cover award in this week’s batch goes to The Circumference of the World. I can’t wait to see if the book is as good as its cover!

better living through birding by christian cooper
jinn bot of shantiport by samit basu
circumference of the world by lavie tidhar
silent meridian by elizabeth crowens
ghost forest by greg king
same bed different dreams by ed park
war in too many worlds by elizabeth crowens
tsalmoth by steven brust
pocketful of lodestones by elizabeth crowens
tom lake by ann patchett
treacle walker by alan garner
pomegranate gate by ariel kaplan
eastbound by maylis de kerangal
wednesdays child by yiyun li
prophet by sin blache and helen macdonald
knowing what we know by simon winchester
iron princess by barbara hambly
beyond the reach of earth by ken macleod

For Review:
Better Living Through Birding by Christian Cooper
Beyond the Reach of Earth (Lightspeed Trilogy #2) by Ken MacLeod
The Circumference of the World by Lavie Tidhar
Eastbound by Maylis De Kerangal
The Ghost Forest by Greg King
The Jinn-Bot of Shantiport by Samit Basu
Knowing What We Know by Simon Winchester
The Pomegranate Gate (Mirror Realm Cycle #1) by Ariel Kaplan
Prophet by Sin Blaché and Helen Macdonald
Same Bed Different Dreams by Ed Park
Tom Lake by Ann Patchett
Treacle Walker by Alan Garner
Tsalmoth (Vlad Taltos #16) by Steven Brust
A War in Too Many Worlds (Time Traveler Professor #3) by Elizabeth Crowens
Wednesday’s Child by Yiyun Li

Purchased from Amazon/Audible/Etc.:
The Iron Princess by Barbara Hambly
A Pocketful of Lodestones (Time Traveler Professor #2) by Elizabeth Crowens
Silent Meridian (Time Traveler Professor #1) by Elizabeth Crowens

If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

Review: The Cleaving by Juliet E. McKenna + Giveaway

Posted on by Marlene Harris | Author : | A+ Reviews> blog tours> book reviews> Giveaways
Review: The Cleaving by Juliet E. McKenna + GiveawayThe Cleaving by Juliet E. McKenna
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: Arthurian legends, fantasy, historical fantasy, retellings
Pages: 400
Published by Angry Robot on May 9, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Four women, four destinies – the future of King Arthur's court…
A new, feminist retelling of the Arthurian legends
The Cleaving is an Arthurian retelling that follows the tangled stories of four women: Nimue, Ygraine, Morgana, and Guinevere, as they fight to control their own destinies amid the wars and rivalries that will determine the destiny of Britain.
The legendary epics of King Arthur and Camelot don’t tell the whole story. Chroniclers say Arthur’s mother Ygraine married the man that killed her husband. They say that Arthur's half-sister Morgana turned to dark magic to defy him and Merlin. They say that the enchantress Nimue challenged Merlin and used her magic to outwit him. And that Arthur’s marriage to Guinevere ended in adultery, rebellion and bloodshed. So why did these women chose such dangerous paths?
As warfare and rivalries constantly challenge the king, Arthur and Merlin believe these women are destined to serve Camelot by doing as they are told. But men forget that women talk. Ygraine, Nimue, Morgana and Guinevere become friends and allies while the decisions that shape their lives are taken out of their hands. This is their untold story. Now these women have a voice.
Juliet McKenna is an expert on medieval history and warfare and brings this expertise as well as her skills as a fantasy writer to this epic standalone novel.

My Review:

The story (or legend, or myth, or history) of King Arthur and his knights of the Round Table is one of those “tales as old as time.” Whether one considers it a myth, or a legend, or a bit of fictionalized or fantasized history, there’s something about the story that speaks to generation after generation, and has since Sir Thomas Malory compiled his now-famous Le Morte d’Arthur back in the 15th century.

A compilation which was itself based on an earlier popular “history”, Geoffrey of Monmouth’s 12th century History of the Kings of Britain. All of the elements we now recognize as part of the Matter of Britain, King Arthur, Merlin, Guinevere, Lancelot, the castle at Tintagel, the sword Excalibur and his final rest in Avalon are all in that 12th century tale, just as they are in this 21st century reimagining, The Cleaving.

Some stories, and some characters, are so profoundly immortal that they must be reinterpreted for each generation and the story of King Arthur is one of those tales. Each generation has reinvented the “once and future king” for over EIGHT centuries so far.

There’s no sign of that stopping any time soon. Rather the reverse. The Cleaving, with its gritty medieval setting and its female-centered perspective on the deeds and misdeeds of the arrogant and autocratic and all-too-frequently abusive men they were supposed to serve and obey, shows the reader a somewhat more-plausible version of a story we all believe we know and love. The Cleaving tells another, rather different side to a legend and makes it all that much more “real” and even believable by that telling.

And it’s going to inform and inflect (or possibly infect) the next generation of tellers of this beloved tale. As it so very much should.

Escape Rating A+: The Cleaving is a compelling conundrum of a book. On the one hand, the story of King Arthur and his knights has been told, and retold, over and over, to the point where it forms one of the foundational tales of western literature along with a considerable number of the archetypes therein.

But very much on the other hand, in order to be considered a good book right now, The Cleaving has to be, and very much is, considerably more than merely a rehash of a story we already know. So it has the hard work of being a book where readers will already know how the story ends, while needing to tell its familiar story in a way that is fresh and new and will appeal to the audiences of its time and not just play on the nostalgia of those already familiar with the story.

The Cleaving succeeds in dancing on that very high and narrow tightrope by telling the story from the perspective of the women who usually exist as mere ciphers in its background while the men perform all the deeds of derring-do and conduct all the important business of their realms.

What The Cleaving does with the familiar story doesn’t change the story nearly as much as an earlier explicitly feminist and fantastically magical version – Marion Zimmer Bradley’s ultra popular The Mists of Avalon – did. Rather, The Cleaving takes that original story of men doing manly things and shows it from the perspective of a group of intelligent, influential women who performed as society forced them to in public – while maintaining their own thoughts and their own council behind the scenes.

It’s a portrait that feels more realistic to a 21st century reader without stretching the bounds of anachronism. These women were expected to manage complicated households, oversee large budgets for those households, keep everything running smoothly whether their lords were in residence or not – and even act in place of those lords when they were away – as many often were.

That level of intelligence and capability can’t be faked for very long at all without being found out. On the other hand, public subservience is easy to fake just by schooling one’s expressions and keeping one’s mouth shut except to be agreeable and above all, meek. It would require getting used to the sensation of swallowing one’s own tongue rather a lot, but it can be done. Especially in front of men who would be inclined to believe it anyway.

So in public they all seem meek, mild and accepting of the inevitable. Because the abuse they suffered, whether physical or emotional, was inevitable. Their choices were few. But in private, they mitigated what damage they could. Even if it wasn’t nearly enough.

So Uther, with Merlin’s connivance, rapes Ygraine while wearing her beloved husband’s face. With Merlin’s connivance, the child of that rape becomes king. With Merlin’s connivance, a whole lot of things happen that probably shouldn’t. (There’s a possible interpretation of this version of the Arthurian legend as Merlin interfered with a whole lot of things that he should have left well enough alone and karma is a bitch.)

Because of the way the story plays out, and just how much the queens are influencing events when the men are too busy pillaging to pay attention, even though we know how the story ends we don’t know how it gets there, and it keeps the reader turning pages to learn what is different and what remains familiar when told from a formerly hidden point of view.

Based on this latest variation of these seemingly eternal legends, we’re clearly not done with Arthur yet. Is it possible that this is what was truly meant by that sobriquet, “the once and future king”?

~~~~~~ GIVEAWAY ~~~~~~

Thanks to the publisher, Angry Robot, I’m giving away one copy of The Cleaving to one lucky US or UK commenter on this tour!

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Just Because Giveaway Hop

Posted on by Marlene Harris | Author : | Blog Hops> Giveaways> Just Because Giveaway Hop

Welcome to the Just Because Giveaway Hop, hosted by Review Wire Media and Chatty Patty’s Place!

“Just Because” today is part of my annual Blogo-Birthday Celebration Week, I’m participating in not just one but two giveaway hops today! So be sure to check out today’s other hop, Dancing in the Rain along with all of the rest of this week’s giveaways (Monday, Tuesday AND Wednesday)

There are many variations of this particular quote, but the one I’ve always liked best is “We like someone because. We love someone although.” In this house, that’s often applicable to the cats, particularly after they’ve done something reprehensible, like throwing up on the rug. One of us will say to the other, “We love them. Why was that again?” The answer is just because, we love them in spite of some of their less stellar attributes. LaZorra and both of her daughters upchucked at the drop of a hat. They weren’t sick, they just regularly tossed their little kitty cookies, usually on the bed. And we loved them anyway. Just Because.

But what does “Just Because” mean to you. Is it loving someone in spite of their faults? Or is it something you do “Just Because” it’s a habit or a tradition or invokes a memory? Answer in the Rafflecopter for your chance at Reading Reality’s usual prize, the winner’s choice of a $10 Amazon Gift Card or $10 in Books.

Just Because.

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Just Because this is a giveaway hop, check out all the other prizes being given away. Just Because!

You are invited to the Inlinkz link party!

Click here to enter

Dancing in the Rain Giveaway Hop

Posted on by Marlene Harris | Author : | Blog Hops> Dancing in the Rain Giveaway Hop> Giveaways

Welcome to the Dancing in the Rain Giveaway Hop, hosted by  The Mommy Island & The Kids Did It!

The start of April tends to mean that Spring has really and truly sprung, no matter how far behind – or ahead – the official climatological event might have been.

Growing up, that generally meant my birthday, which was yesterday, and Passover, which my birthday usually managed to fall somewhere in the middle of. Which meant no cake and no party until after the holiday. For many, I imagine that Easter marks the true start of Spring.

And then there’s the Major League Baseball season opening day, which this year was March 30, just a tad early. In Cincinnati, my hometown, the Reds had the honor of opening at home every year on Opening Day, in honor of their history as the first Major League Baseball team. Or so the story goes.

While Opening Day was never an OFFICIAL city holiday, let’s just say that attendance at school on that day was always a bit sparse – and the line to submit absence excuses the next morning was always a bit long. You do the math.

Speaking of math, there’s a bit of math in picking blog hop winners, something I’m really glad that Rafflecopter takes care of for me.

As part of my Blogo-Birthday Celebration, I’m giving away one of Reading Reality’s usual prizes, the winner’s choice of a $10 Amazon Gift Card or $10 in Books to one lucky winner on this hop. There’s also a second hop today, Just Because so be sure to enter there as well, along with all of the rest of this week’s giveaways (Monday, Tuesday AND Wednesday) – and there’s one more for tomorrow!

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Spring over for more prizes by visiting the other stops on this hop!

Blogo-Birthday Birthday Book Celebration and Giveaway!

Posted on by Marlene Harris | Author : | Blogo-Birthday> Blogoversary

It tends to sneak up on me, but today is my 66th birthday. Today is also “First Contact Day” in the Star Trek Universe, which is fitting as I’ve been a fan since I first watched the show with my dad as it was originally broadcast. To paraphrase another ‘verse, that’s a long time ago in a galaxy far, far away. The past is another country, and they do things differently there.

Referring to another fandom I fell into at about the same time, I’m having a Hobbit birthday, meaning that I’m giving away presents instead of getting them. (Galen has already given me my birthday present and any day without one of the cats bringing me what they think of as a present is a good one. Recently it was a dead wasp, which was just a horror on more than one level as our cats are NOT allowed outside.)

Spring has officially sprung, and 2023 is already one quarter over. Meaning that enough reading has happened here at Chez Reading Reality to make a giveaway of my favorite books of the year so far a VERY reasonable possibility.

So I’ll be giving the winner’s choice of one of my favorite books this year so far to one lucky commenter on this post. This giveaway is open internationally, but not through The Book Depository as Amazon has announced the closure of that arm of their book business octopus, effective April 30. Instead, if the winner is outside the U.S. or one of the other countries where there’s a ‘zon outpost, books will be sent from Wordery, which also ships worldwide for free.

The list to choose from is (drumroll, please):

Book Lovers by Emily Henry
Don’t Open the Door by Allison Brennan
The Echo of Old Books by Barbara Davis
Firebreak by Nicole Kornher-Stace
A House with Good Bones by T. Kingfisher
In the Shadow of Lightning by Brian McClellan
The Last Unicorn by Peter S. Beagle
The Lies of the Ajungo by Moses Ose Utomi
The Magician’s Daughter by H.G. Parry
The Mimicking of Known Successes by Malka Older
Never Too Old to Save the World edited by Addie J. King and Alana Joli Abbott
The New Guys by Meredith Bagby
Nightwatch by M.L. Buchman
The Skeleton Key by Erin Kelly
Under Fortunate Stars by Ren Hutchings
The Terraformers by Annalee Newitz
The Weight of Command by Michael Mammay
Where Shadows Dance by C.S. Harris

I’ve done my best to make sure there’s something on this list for everyone, but if I’ve missed your favorite genre and there’s a book you’re dying to read, I’d be happy to share that with you (up to $25 US) instead.

Just let me know in the rafflecopter what book you’d most like to have your very own copy of, from my list or yours, in whatever format suits you best. Someone is going to get very lucky, at least reading-wise!

Don’t forget to come back tomorrow for not one but two giveaway hops, and be sure to check out this week’s previous giveaways from Monday and Tuesday!

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TWELFTH Annual Blogo-Birthday Celebration and Giveaway!

Posted on by Marlene Harris | Author : | Blogo-Birthday> Blogoversary> Giveaways

Today is the 12th anniversary of the very first post on Reading Reality, then called “Escape Reality, Read Fiction”. Which explains why all the review ratings are “Escape Ratings” unless the book is nonfiction and then they are “Reality Ratings”.

Two years ago was the big milestone blogoversary at ten years, and last year represented a milestone birthday. So the numbers aren’t so much of a big deal – although the idea that I’m still doing this every day twelve years later is a bit of a shock.

Twelve years for us means three different cities – and one of those cities twice – eight different residences, and an entirely different clowder of cats as the members of the original bunch went to the Rainbow Bridge over the intervening decade plus. Although the spirit of Erasmus still seems to be stealing my pens. As he did.

This annual Blogo-Birthday Celebration Week, like the ones before it, will be a “Hobbit Birthday” as I give away presents instead of getting them. Mostly. Galen has already given me my birthday present, a lovely Coach bag to replace the purse that George recently chewed through the strap of. As he does.

I give away presents this week because I want to thank each and every one of you who take the time to read my reviews and features, post comments and enter the giveaways. Creating Reading Reality was my salvation when I was laid off during the “Great Recession” and has continued to be so in all the years since.

TWELVE years and still counting.

So, in thanks and appreciation to all of you, on this second day of the Blogo-Birthday Celebration Week I have a giveaway, just as I did yesterday and will every day this week. Today’s giveaway is for a $25 Amazon Gift Card or a Gift Card to a bookstore of your choice if you have a local that sells gift cards over the interwebs. (I’ll be giving away books again tomorrow for my actual birthday.)

From the bottom of my bookish and cat-loving heart, my heartfelt thanks to each and every one of you who has been part of this journey. There’s still more to come!

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Review: One Extra Corpse by Barbara Hambly + Giveaway

Posted on by Marlene Harris | Author : | A Reviews> Blogo-Birthday> Blogoversary> book reviews> Giveaways
Review: One Extra Corpse by Barbara Hambly + GiveawayOne Extra Corpse (Silver Screen Historical Mystery #2) by Barbara Hambly
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Silver Screen Historical Mystery #2
Pages: 256
Published by Severn House on March 7, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Hollywood intrigue, glamor . . . and murder: Enter the roaring twenties in this thrilling Silver Screen historical mystery, starring two very different female sleuths.
May, 1924. It's been seven months since young British widow Emma Blackstone arrived in Hollywood to serve as companion to Kitty Flint: her beautiful, silent-movie star sister-in-law. Kitty is generous, kind-hearted . . . and a truly terrible actress. Not that Emma minds; she's too busy making her academic parents turn in their graves with her new job writing painfully historically inaccurate scenarios for Foremost Studios, in between wrangling their leading lady out of the arms of her army of amorous suitors.
So when one of Kitty's old flames, renowned film director Ernst Zapolya, calls Emma and tells her it's imperative he meet with Kitty that morning, she's not surprised. Until, that is, he adds that lives depend on it. Ernest sounds frightened. But what can have scared him so badly - and what on earth does cheerful, flighty Kitty have to do with it?
Only Ernest can provide the answers, and Kitty and Emma travel to the set of his extravagant new movie to find them. But the shocking discovery they make there only raises further questions . . . including: will they stay alive long enough to solve the murderous puzzle?

My Review:

One Extra Corpse, like its predecessor Scandal in Babylon, strips away the phony tinsel of Hollywood to find the real dirty, bloody tinsel underneath.

It’s 1924, just one month after the events of the first book in the Silver Screen Historical Mystery series, Emma Blackstone has mostly settled herself into her new life in Hollywood as her movie star sister-in-law’s general factotum and keeper of all secrets as well as caretaker of both Kitty Flint AND her three pampered Pekingese dogs, Chang Ming, Black Jasmine, and Buttercreme.

Managing Kitty also comes with a bit of tinsel-making of Emma’s own. She’s regularly employed – and sometimes just plain used – as a scene doctor for movie scripts during these frenetic-paced early days of the silver screen – and occasionally as a social prop for a gay actor who needs to be seen with a woman to protect his image.

Days that may be silent on film but are filled with noise, chatter and above all gossip behind the scenes. Gossip that all too frequently includes who’s sleeping with whom this week – as opposed to last week or next week – as the star-making machinery of Hollywood seems to be fueled by equal parts sex and addiction.

The addiction of entirely too many actors to their drugs of choice – frequently provided by their studios, the addiction of the studios to making money and controlling their actors so that they can keep making that money, and the addiction of the general public to movies as well as gossip about their favorite stars.

No one wants a dead body on the set, not when that dead body belongs to a big name movie director and when it’s all too clear that the man was murdered. Quite possibly by his over-acting, downright histrionic current wife. Who had plenty of motives and no alibi.

But she’s a star in her own right, and her studio doesn’t want to ruin her box-office potential. She makes them too much money to be a murderer, and the police have been paid plenty to make sure she doesn’t get labeled as one. The studios have handed the police a neat-and-tidy case with a tailor-made perpetrator. They can afford to sacrifice an extra to keep one of their stars out of trouble.

Which is where Emma and Kitty get themselves involved. They were on the scene because the victim had something important he wanted to tell Kitty. Who was one of his many, many ex-lovers, just as he was one of hers. Of course, he was killed before he could tell them whatever-it-was, otherwise there wouldn’t be a case to investigate.

And there so very much is. Not the case of a jealous wife, tempting though it was. Or at least Emma is sure that isn’t the solution – not when the Bureau of Investigation (the FBI before it became the FBI) seems to have searched Kitty’s house looking for something, and mysterious thugs make multiple attempts to murder one or both of them.

All while a desperate young woman is on the hook for a murder that she couldn’t possibly have committed. Or could she?

Escape Rating A: This was surprisingly meaty for a book whose cover kind of screams camp with vamp, but then, the silent movie era did have to maximize flash and style to convey emotion. After all, the characters couldn’t use their own words, or even the scriptwriter’s words.

What makes this story so good, and kind of rocks the reader on their heels at the end, is the way that it gets deep into how the sausage-machine of moviemaking worked then – and probably still does now to a greater extent than we like to think about while we’re watching the latest hit.

This story looks hard at the human cost of all that “entertainment”. When that director is killed on set, he dies in the middle of directing a climactic battle scene in his last picture. A scene that uses real bullets fired hopefully above the heads of real people while the inevitable stampeding horses are harnessed into a rig that is guaranteed to bring them down in a crash of heavy bodies on spindly legs that will look great on film. That some of those extras will need to be carried off on stretchers, and that some of the horses will be crippled and shot afterwards, is considered just part of the cost of making movies.

Nobody cares who or how many die as long as it can be hushed up and the show goes on. Which is what the case turns out to be all about in the end.

But it middles in a whole lot of the real issues of the time, in Hollywood and elsewhere. Particularly, in this case, the growing “Red Scare” about communism and socialism in Hollywood, and the lengths the government will go to suppress it, the adults who briefly flirted with it in their misspent youths will go to escape their pasts, and how far some will go to keep their secrets – or the secrets of their own, currently imploding, government.

As the story whipsaws the reader back and forth from the froth of Hollywood to the hamfisted murder investigation to the all-too-real threats to Emma’s and Kitty’s life and liberty, it’s impossible to stop turning pages to find out not just whodunnit but what they done and why they did it.

Most people read mysteries for what has been called “the romance of justice”, that guarantee that good will triumph and evil will get its just desserts. One Extra Corpse doesn’t deliver on the whole of that promise, but it delivers as much justice as was possible and definitely satisfies in that delivery just the same.

~~~~~~ GIVEAWAY ~~~~~~

Today is the first day of Reading Reality’s Blogo-Birthday Celebration Week. There will be giveaways every day this week, and I wanted to get the week started with a real bang.

Barbara Hambly is an author who I’ve been reading and following for more than 40 years, since her first book, The Time of the Dark. Over those decades she has written epic fantasy, urban fantasy, paranormal that verges on horror, and historical mystery. While I haven’t read EVERYTHING she’s ever written, I’ve read and loved some of everything she’s turned her hand to, and am looking forward to more to come as I expect Emma and Kitty have plenty more cases coming in their future. At least I certainly hope so.

As is my custom, TWELVE YEARS now and counting, I’m giving things away for this combined blogoversary and birthday week. Today’s giveaway is the winner’s choice of any one of Barbara Hambly’s books, in any format, up to $30 (US) so that includes One Extra Corpse.

Good luck with today’s giveaway and remember that there’s more to come!

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