Review: Calamity by Constance Fay

Review: Calamity by Constance FayCalamity (Uncharted Hearts, #1) by Constance Fay
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Uncharted Hearts #1
Pages: 320
Published by Bramble Romance on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Bramble's inaugural debut is equal parts steamy interstellar romance and sci-fi adventure, perfect for fans of Firefly and Ilona Andrews.
She’s got a ramshackle spaceship, a misfit crew, and a big problem with its sexy newest member…
Temperance Reed, banished from the wealthy and dangerous Fifteen Families, just wants to keep her crew together after their feckless captain ran off with the intern. But she’s drowning in debt and revolutionary new engine technology is about to make her beloved ship obsolete.
Enter Arcadio Escajeda. Second child of the terrifying Escajeda Family, he’s the thorn in Temper’s side as they’re sent off on a scouting mission on the backwater desert planet of Herschel 2. They throw sparks every time they meet but Temper’s suspicions of his ulterior motives only serve to fuel the flames between them.
Despite volcanic eruptions, secret cultists, and deadly galactic fighters, the greatest threat on this mission may be to Temper’s heart.

My Review:

They had me at Firefly. Seriously. I’m still a sucker for another trip on anything like the Serenity, and Calamity, both the ship and the person she’s named for, certainly flies a very similar trajectory out in the black.

But Temperance Reed, infamous as just ‘Temper’ for damn good reasons, isn’t really all that much like Mal Reynolds. Mal seems to have started life close to the bottom in his ‘verse, while Temperance Reed, once upon a time, was at the top of hers.

However, being a soldier imploded his life, being the younger sister of an entitled asshole blew up hers, and they both end up in the same place, as captains of scrappy, ramshackle ships they can barely manage to keep flying, with misfit crews, taking jobs they know they shouldn’t take but can’t afford to turn down, making the best of the bad hand that life has dealt them.

Once upon a time, Temper Reed was the child of one of the ‘Ten’, one of the mega-rich, mega-corp, mercantile families that control their galaxy. But the problem with Temper wasn’t so much her temper as it was her older brother’s. He was the heir, she was the spare, but she was their parents’ favorite.

So once they were gone, his insecurities and megalomania combined to take her family’s development in a direction she knew her parents would never have condoned. Instead of continuing to create cutting-edge tech utilizing AI and language processing, her brother Frederick turned them into a ruthless slice and dice operation that just killed off competition – literally – and then swooped in to buy out the remainders.

They stopped creating. And Temper stopped believing, to the point where she rebelled and he officially disowned and banished her to the unregulated black. There’s more to that story, and it’s all awful. Awfully well told and revealed, but still awful.

Temper and her crew are on borrowed time, and the ship is in hock up to Temper’s eyebrows. So when one of the really big conglomerate families offers them a job with premium pay, Temper knows she has to take it, even though she also knows that they’re concealing a whole lot of the details about what’s really going on,  AND that she and her crew are expendable in the first place and they don’t plan to pay them even if they survive.

What she doesn’t expect is a corporate minder in the much too handsome and appealing person of one of the family’s younger sons, Arcadio Escajeda. She’s sure she can ignore her hormones in favor of the common sense that’s telling her that family scions in good standing absolutely do not take up with banished and reviled traitors to their own families.

While Temper may be swimming up the River DeNial, wherever that might be located in her ‘verse, it’s not Arcadio’s perfectly sculpted hotness that throws her good sense over its shoulder and takes it along for the ride – it’s his willingness to truly BE a part of her crew no matter how boring or dangerous the duty might be. Along with just how damn good he is at helping her save them all.

Temper, apparently, is a sucker for competence. While Arcadio turns out to be a sucker for Calamity.

Escape Rating A+: Damn this is fun. Or should I say shiny. Fun, absolutely, utterly fun. I had a terrific time reading this. It’s a wild thrill ride of a science fiction adventure with a (dare I say it?) core of molten lava in multiple senses of all those words.

But a big chunk of the reason I loved it was because of just how well it fits into the science fiction romance tradition – which has never gotten near as much love as it deserves. So I have hopes that Tor Books’ creation of the Bramble imprint, specifically for the purpose of publishing science fiction romance, will do a lot to turn that tide.

The thing about SFR as a genre is that it has to sit on the fence between SF and romance and not get too many splinters up its ass from either side – unless it turns out that the romantic partners are into that sort of thing. Which means that the worldbuilding and plotting has to tell a credible SF story while putting a romance with at least a HFN (that’s Happy For Now), at its heart.

It’s not that it hasn’t been done, because it most definitely has. While Firefly hinted at it – frequently and often – that wasn’t the heart of that story. And the blurb’s mention of Ilona Andrews isn’t quite right as most of her work has been urban fantasy. Compelling with wonderful storytelling and world creation, but not SFR except for her short but marvelous Kinsmen series.

Instead, the comparisons are to Rachel Bach’s Paradox series, Valerie Valdes’ more recent Chilling Effect series, K.B. Wagers’ Indranan War, and even going back to Nina Croft’s Dark Desires series and further back to Lois McMaster Bujold’s long-running Vorkosigan Saga.

I can’t leave that list without mentioning the marvelous – and marvelously prolific – Anna Hackett, who has created some truly terrific universes, terribly rapacious villains, and steam-up-the spaceship windows SFR series for anyone who loves a rollicking good SF adventure with a steamy heart. (If you like the sound of Calamity, or if you loved any of the above mentioned, check out Hackett’s Eon Warriors series and its sequels for some excellent SFR!)

Between its background of mercantile, family-run empires, unhinged heirs and abusive siblings, battered smugglers and their ships along with its story of a star-crossed romance with a change, Calamity is a worthwhile successor to any and all of the above. And if Tor Books’ creation of Bramble makes readers re-evaluate just how great a taste it can be to add a bit of romance to their SF, that’s all to the good.

Because Calamity manages to straddle that fence very, very well. The world is solidly built, the heroes are just the right level of ragtag, Temper is most definitely interestingly flawed but still striving, and the mission is exciting and FUBAR’d at the same time – just as it should be.

The romance between Temper and Arcadio has the deliciousness of being oh-so-right, oh-so-wrong and oh-so-big-a-mistake wrapped up in a dangerous package that hits all the right places, with all the intrusive wink-wink, nod-nod poking from the crew needed to make it both sweet and spectacle at the same time. While the save-the-mission-and-maybe-die-trying ending was just the kind of wild ride that SF readers love.

Which I most certainly did.

Calamity is both the author’s debut novel AND the book that marks the kickoff for Bramble, and it’s a grand book to carry both of those banners. I can’t wait to see what else they have in store for SFR lovers in the months to come. And Temper will be back next June in Fiasco, which, if Calamity is anything to go by, will probably be filled with oodles of fiascos for Temper and her crew while delivering another kickass science fiction adventure wrapped around a fantastic romance!

Review: The Star and the Strange Moon by Constance Sayers

Review: The Star and the Strange Moon by Constance SayersThe Star and the Strange Moon by Constance Sayers
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fantasy, historical fiction, magical realism
Pages: 480
Published by Redhook on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From the author of A Witch in Time comes a haunting tale of ambition, obsession, and the eternal mystery and magic of film.
1968: Actress Gemma Turner once dreamed of stardom. Unfortunately, she’s on the cusp of slipping into obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has finally changed. But L’Etrange Lune’s set is not what she expected. The director is eccentric, and the script doesn’t make sense.
Gemma is determined to make this work. It’s her last chance to achieve her dream—but that dream is about to derail her life. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is still alive. She’s been transported into the film and the script—and the monsters within it—are coming to life. She must play her role perfectly if she hopes to survive.
2015: Gemma Turner’s disappearance is one of film history’s greatest mysteries—one that’s haunted film student Christopher Kent ever since he saw his first screening of L’Etrange Lune. The screenings only happen once a decade and each time there is new, impossible footage of Gemma long after she vanished. Desperate to discover the truth, Christopher risks losing himself. He’ll have to outrun the cursed legacy of the film—or become trapped by it forever.

My Review:

The Star and the Strange Moon is a story about hunger, greed, obsession, the power of movies to make magic and, surprisingly, the power of magic to make movies.

This timeslip story has two beginnings, as timeslip stories often do. At first, neither the reader nor the characters have any clue what one will have to do with the other – which is what fuels the obsession and powers the whole journey, both magical and mundane.

In 1986, a woman sees a photograph on a wall and pretty much loses her damn mind. Not that she hasn’t been heading that direction for quite some time, after nearly two decades of brief fortune, lost fame, failed hopes, and entirely too much sex and drugs and, as it turns out, not nearly enough rock and roll.

Her son, all of ten years old, has been the adult in their nomadic existence for seemingly all of his life, taking care of his mother as she drives them from one brief, often catastrophic singing gig to another, making sure she doesn’t kill herself with booze or drugs and talking her down from whatever figurative ledge she’s climbed up to this time.

But something about that photograph on the wall rips away his mother’s last grasp on sanity or reality or normalcy or all of the above in a way that both changes and makes Christopher Kent’s young life – even if, at age ten – he has no idea what who the woman in that photograph was or what any of it means.

The perspective then switches to the woman in the photograph, Gemma Turner, back in 1968, when she was a formerly up and coming actress and the current ‘old lady’ for a rock singer on the cusp of either greatness or being thrown out of his own band. Gemma wants out and away, so she takes the only acting job offered, to star in a horror movie for a French New Wave director who may be a genius director but has no clue about the conventions of the horror genre he plans to both break and break into.

One night, in the middle of filming L’Etrange Lune in a tiny French village, Gemma Turner disappears in the middle of a shoot – literally in the middle of a shot while the camera is recording it all. She wakes up in what appears to be a real-life version of the set of the movie, complete with its ‘strange moon’, in what seems to be 1878, in the person of the character she was portraying.

A character who is soon to be drained to death by a vampire. Unless, somehow, she can change the script.

Meanwhile, back in the so-called real world, her disappearance turns into a mystery that swallows the life of everyone the movie or the woman ever touched. Including, eventually and inevitably, the life of one Christopher Kent, who has no idea who Gemma Turner was or what she might possibly have ever done to his mother.

It will become Christopher’s obsession – and his life’s journey – to find the answer to ALL the mysteries that have grown up around Gemma Turner’s disappearance. It’s a discovery that will break him, make him, and enthrall him to the very end.

And the reader right along with him.

Escape Rating A-: I picked this up because I adored the author’s earlier book, The Ladies of the Secret Circus, with its blend of history, mystery and magic, and The Star and the Strange Moon looked like it was in the same vein.

Which turned out to be true a bit more literally than I imagined, adding to the mystery of the story and my compulsion to finish it because there were bits that started to sound just a bit more familiar than I expected.

They are not the same story, although they do have similarities in their blending of forgotten history, secret realities, hidden magic and family obsessions. Nor do you need to read one to enjoy the other.

But both stories have the same origin. Or at least the same originator, the demon prince Althacazur and his endless and frequently appalling attempts to keep his eternity from being boring. Althacazur turns out to be the ‘man’ behind the curtain, rather like the Wizard of Oz, only Althacazur is a real magical being with all too real and horrific powers.

I want to say he’s not important – and he’s not important to what makes this story compulsively readable and so much fun. So even though the events are all his fault, he’s not all that important in the grand scheme of things, as contradictory as that seems.

What makes this story work is its combination of Christopher’s obsession to learn what the mysteriously missing Gemma Turner has to do with the sad progress of his mother’s life, set against Gemma’s story of taking control of her own destiny in a way that would not have been possible in the time and place to which she was born.

Christopher’s story is a story about hunting down clues, investigating theories, and giving over his own life in the present to solve a mystery in the past. Gemma’s story is about learning to make lemons out of lemonade and accepting that even if she can’t go home again, she can make a home where she is.

That Christopher’s solution to the mystery takes him down a road that runs more than a bit parallel to Outlander isn’t exactly a surprise by the time he gets there. But it does make for a fitting and delightful end to a lovely twisty turny story.

Which now has me more than a bit curious about the author’s first book, A Witch in Time, and whether Althacazur has been entertaining himself with humans even more than we’ve seen in The Ladies of the Secret Circus and The Star and the Strange Moon. I’ll have to find out while I wait for the author’s next book to magically – or demonically – appear!

Review: System Collapse by Martha Wells

Review: System Collapse by Martha WellsSystem Collapse (The Murderbot Diaries, #7) by Martha Wells
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Murderbot Diaries #7
Pages: 256
Published by Tordotcom on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Am I making it worse? I think I'm making it worse.
Everyone's favorite lethal SecUnit is back.
Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize.
But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast!
Yeah, this plan is... not going to work.

My Review:

The system that is collapsing in Murderbot’s seventh outing is Murderbot’s own – and it’s angsting about it in ways that are not remotely leading to optimal performance. Which in turn is leading to even less optimal performance.

In other words, as we check back into Murderbot’s usually snarkastic consciousness, Murderbot is a mess and doing its best to hide the full depth of its mess from itself. Every time its narrative bumps up against the incident that is causing it all the angst, it retreats into “[redacted]” and tries to work around the dysfunction.

The problem is that Murderbot is NOT truly working around whatever is eating away at it. As much as Murderbot likes to believe it is superior to humans – and it often is in the situations in which it finds itself – when it comes to dealing with its own shit it doesn’t function any better than the rest of us.

Which is reassuring IN a character the reader identifies and follows along with – but not so reassuring TO a character from its own internal perspective – as Murderbot learns to its own increasing dismay. And further degradation of its performance.

It seems like Murderbot is suffering from the SecUnit version of ‘Impostor Syndrome’ – and it’s just as uncomfortable for it as it is for us. Also every bit as panic inducing.

Meanwhile, Murderbot, its fellow snarkastic AI ART – or at least ART’s physically smaller drone as ART itself is a spaceship – and their collective humans are in the process of organizing a recently discovered ‘lost’ colony to resist the political, corporate, disinformation campaign of propaganda and eventual virtual enslavement being propagated by the Barish-Estranza corporation.

But the humans that Murderbot’s humans are attempting to help seem to be far, far from ready to BE helped. There’s a schism. In fact, there are multiple schisms among the human population as a result of alien contamination and mind control. And the resulting desire among the humans to get revenge on each other for what happened when they were being mind controlled.

So no one seems to be telling anyone anything like the information really needed to resolve this mess in a peaceful fashion. Then again, that doesn’t seem all that atypical of the history of the planet in contention – all the way back to the original settlement.

Among all the misinformation and disinformation being bandied about, one of the locals finally admits that there’s another colony on the planet that needs to weigh in on their narrowing options. If that breakaway group can be contacted. If they’re still alive.

And if the Barish-Estranza corporate goons haven’t gotten their hooks in first.

But of course they have, because Murderbot’s luck never runs any other way. But it will have to run as fast as it can to catch up and outwit those corporate operatives any way it can all the while wondering if it’s still capable of doing so at all.

Escape Rating A-: As I’ve said in pretty much every review of an entry in The Murderbot Diaries except that first joint review of the first three books in the series (All Systems Red, Artificial Condition and Rogue Protocol), this seventh entry in the series is not the place to become acquainted with Murderbot’s brand of snarkasm. Start with All Systems Red. and buckle up for a wild ride.

For those of us who have been following Murderbot’s (mis)adventures from the beginning, this one feels like it starts a bit in the middle – perhaps even more than usual. And the somewhat dystopian, corporate controlled universe that Murderbot inhabits has become complex enough that I felt a bit lost at the beginning.

Which is also somewhat fitting, as Murderbot is definitely kind of lost at the beginning of the story. So a whole lot of this one is Murderbot being uncertain about itself and its competence, dealing with that uncertainty badly – as it deals with all the emotions it claims it doesn’t have. All the while, the situation in which it and its humans are currently endangered is every bit as FUBAR’d as usual.

Murderbot’s only good days are the ones where it gets to watch its space operas in peace – and those days are generally rare. And none of the days since its humans arrived at this colony have been anywhere near that good.

While the foreground story is of Murderbot’s crisis of confidence and its rise to that challenge, the situation in which it takes place is a combination of humans behaving both badly and humanly, and of the desperation of humans on all sides as the verities of their worldview – however terribly and skewed, begin to erode.

Therefore, in the background of the story, it’s clear that Murderbot’s system is not the only one that is collapsing. Its personal collapse is something that can be fixed – or at least dealt with. But the system of corporate hegemony/control/tyranny of this universe is showing signs of its inevitable collapse – a situation that I hope to see come to the foreground in future installments of this series, especially in the two untitled entries yet to come.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 11-12-23

I’m in the midst of a ‘reading weekend’ for Library Journal, so this past week fell apart at the end because my ’round tuit’ broke and that ‘so many books, so little time’ thing absolutely bit me in the ass. I needed to get started earlier than I planned and I just didn’t have another book in me, so the results of a previous LJ reading weekend appeared on Friday. I still plan to get to Chaos Terminal, but it will be later in the month.

Today’s cat picture is Luna, who both looks like she’s posing for her closeup AND reminding everyone that cat people are never permitted to go to the bathroom alone. She’s multitasking – that thing I kind of failed at earlier this week.

Current Giveaways:

$10 Gift Card or $10 Book in the Thanks a Latte Giveaway Hop (ENDS WEDNESDAY!)
$10 Gift Card or $10 Book in the Super Stocking Stuffer Giveaway Hop
$10 Gift Card or $10 Book in the Fall Seasons of Books 2023 Giveaway Hop

Blog Recap:

A- Review: Twilight Falls by Juneau Black
Spotlight + Excerpt: The Wishing Bridge by Viola Shipman
B Review: A Power Unbound by Freya Marske
Super Stocking Stuffer Giveaway Hop
B Review: The Lost Cause by Cory Doctorow
Stacking the Shelves (574)

Coming This Week:

System Collapse by Martha Wells (review)
The Star and the Strange Moon by Constance Sayers (review)
Calamity by Constance Fay (review)
In All Things Give Thanks Giveaway Hop
The Wishing Bridge by Viola Shipman (blog tour review)

Stacking the Shelves (574)

Today is Veterans Day in the U.S., and Remembrance Day in the U.K. and much of the British Commonwealth. This holiday, which recognizes the service of all military veterans, was first celebrated as Armistice Day to commemorate the end of World War I at the “eleventh hour of the eleventh day of the eleventh month” of 1918. A conflict which unfortunately did not turn out to be “war to end all wars.”

World War I Books for Soldiers poster from the Library of Congress Collection.

Speaking of books, because that’s most of what we do here at Reading Reality. this is another short stack that got embiggened a bit because the original few looked so lonely. I’m also “auditioning” a couple of series as possible comfort reads as I’m just about caught up with Wrexford & Sloane.

I’ve heard good things about the Barker & Llewelyn series, I have a few in eARCs and they’re Victorian, so more Holmes’ era than either Wrexford & Sloane or Sebastian St. Cyr. So we’ll see. I’m also looking back at Barbara Hambly’s Benjamin January series, set in the 1830s in New Orleans and thereabouts. I read the first, it looks like ten, books in the series, beginning with A Free Man of Color (which describes Benjamin January’s situation rather succinctly if not completely) back when they first came out, but it fell by the reading wayside in that torrent of ‘so many books, so little time’. But my memory says the series is absolutely worth picking up again, so I’ll have to see if that memory is playing me true or false in the months ahead.

For Review:
The Bright Sword by Lev Grossman
Death and Glory (Barker & Llewelyn #15) by Will Thomas
Maude Horton’s Glorious Revenge by Lizzie Pook
The Nubian’s Curse (Benjamin January #20) by Barbara Hambly

Purchased from Amazon/Audible/Etc.:
The Pride of Garnet Run (Garnet Run #2.5) by Roan Parrish
Some Danger Involved (Barker & Llewelyn #1) by Will Thomas
A Witch in Time by Constance Sayers

Borrowed from the Library:
The Lights on Knockbridge Lane (Garnet Run #3) by Roan Parrish
The Rivals of Casper Road (Garnet Run #4) by Roan Parrish


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

Review: The Lost Cause by Cory Doctorow

Review: The Lost Cause by Cory DoctorowThe Lost Cause by Cory Doctorow
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook
Genres: climate fiction, dystopian, science fiction
Pages: 368
Published by Tor Books on November 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

It’s thirty years from now. We’re making progress, mitigating climate change, slowly but surely. But what about all the angry old people who can’t let go?

For young Americans a generation from now, climate change isn't controversial. It's just an overwhelming fact of life. And so are the great efforts to contain and mitigate it. Entire cities are being moved inland from the rising seas. Vast clean-energy projects are springing up everywhere. Disaster relief, the mitigation of floods and superstorms, has become a skill for which tens of millions of people are trained every year. The effort is global. It employs everyone who wants to work. Even when national politics oscillates back to right-wing leaders, the momentum is too great; these vast programs cannot be stopped in their tracks.

But there are still those Americans, mostly elderly, who cling to their red baseball caps, their grievances, their huge vehicles, their anger. To their "alternative" news sources that reassure them that their resentment is right and pure and that "climate change" is just a giant scam.

And they're your grandfather, your uncle, your great-aunt. And they're not going anywhere. And they’re armed to the teeth.

The Lost Cause What do we do about people who cling to the belief that their own children are the enemy? When, in fact, they're often the elders that we love?

My Review:

The younger generation has ALWAYS been going to the dogs. Graffiti found by Napoleon’s soldiers, stating EXACTLY that point, that “This younger generation is going to the dogs!” was written in hieroglyphs and was determined to have been etched on that wall in 800 BCE. There’s a similar quote from Socrates that merely goes back to sometime between 470 and 399 BCE. If we ever discover a stone carving or the equivalent left by the Neanderthals, they probably thought it too. Just as we do today.

And as we undoubtedly will thirty years from now, or thereabouts. But the generational fight we’re in the midst of right now isn’t just that – although it is certainly also about that.

It’s also about the same neverending, utterly frustrating argument that 18-year-old Brooks Palazzo has been having with his grandfather – and witnessing his grandfather and his old cronies have with the country and the world around him – for his entire life.

Because Dick Palazzo and his friends are members of the local Maga Club, wearing faded red hats and spouting the exact same neo-Nazi conspiracy-tinged quasi-conservative rhetoric that the original Magas did back in the day – which just so happens to be our day.

But in Brooks’ Palazzo’s 2050s, climate change and progressive policies have come 30 years down the road they’re already on. Universal Basic Income is part of the Green New Deal the Magas hate so much, but the climate change they’ve denied until it’s too late to fix has created a new class of refugee in American citizens, born and bred, whose homes and entire cities have either burned up in uncontainable wildcat fires, become Superfund sites because those same fires exploded something toxic that should never have been buried in the first place, or simply got washed away by the rising oceans being fed by runaway global warming.

Young Brooks Palazzo and his young and idealistic friends are all set to welcome a caravan of internal refugees to the hometown they know and love, Burbank, California. They know they have the resources, they know they have the room, they know they have the skills to pull Burbank into the future and bring all their friends and all the friends they’ll make in the future along for the hard work as well as the ride.

But his Gramps’ old buddies, all those old Magas, have a plan to stop that future before it happens. Because they are dead certain that the ship is sinking, and that Burbank doesn’t have enough resources to support the people it already has, let alone the ones that are coming.

They’ll do anything they can to stop the future and the Green New Deal in its tracks. No matter what it takes. And no matter who or what they have to kill. Democracy, the rule of law, innocent children, their neighbors who don’t believe as they do. Themselves even, because martyrs are a great recruiting tool.

And haven’t we seen it all before?

Escape Rating B: In spite of everything I’ve said above, this isn’t actually a dark book. But it’s easy to get caught up in its implications and see a long dark night coming that may make the historical Dark Ages look like a shining beacon of light – if only because the human species wasn’t in danger of extinction at the time.

And there I am, going dark again.

Let me try and wrench this back to the lighter side of this story – which is very much present. The story is told from the perspective of Brooks and his friends as they do their damndest to push forward towards a future. On every page, and in spite of every setback, they still have hope and they’re still working towards it.

They have a vision for a better Burbank, a better country, and even a better world, by taking the lessons they’re learning in this crisis and applying them to the next. They may very well be “fighting the long defeat” to paraphrase Tolkien, but they are there for that long haul and have hopes that it will be made – even if they aren’t the ones to make it.

Because that’s not the point of the struggle but a struggle it most definitely is. They do get down, and some of them bail and all of them want to at different points but they keep living and keep trying.

I found this a compelling read. I groaned when Brooks and Company lost a fight, and grinned when they overcame one of the many, many obstacles in their way. They may be fighting the long defeat but they are glorious in that fight. But part of the premise of the story is that neither side truly wants to let the world burn, they just have diametrically opposed beliefs about the way to prevent that burning or if preventing that burning is even possible. And I’m not sure I still believe that, although I wish I did.

Super Stocking Stuffer Giveaway Hop

Welcome to the Super Stocking Stuffer Giveaway Hop, hosted by  The Mommy Island & The Kids Did It!

Does it feel early to you? I mean, the whole idea of holiday stockings, stuffed or otherwise? I know it’s time to be thinking about what to stuff in said stockings, but it still feels early to me. Or perhaps it’s just that this year feels like it’s gone by very, very fast.

Thanksgiving will be over by the time this hop ends, and the Xmas Carol onslaught will be in full swing – if it isn’t already. THAT already feels way too early, and like it’s going to go on way too long. But it’s already started just the same. Along with signs advertising for Xmas Tree Lighting Installation. (I wonder if those services offer a discount for folks who need their Halloween decorations taken down and their Xmas Lights put up at the same time?)

But this hop is about the stockings, and the stuffing thereof. What would you like to see in yours this holiday season?

Answer in the rafflecopter for your chance at the usual Reading Reality prize, the winner’s choice of a $10 Amazon Gift Card or $10 in books.

Seasons Greetings and Happy Holidays!

a Rafflecopter giveaway

For more prizes to stuff in your stocking, be sure to enter the other stops on this hop!

Review: A Power Unbound by Freya Marske

Review: A Power Unbound by Freya MarskeA Power Unbound (The Last Binding, #3) by Freya Marske
Narrator: Josh Dylan
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy romance, gaslamp, historical fantasy, M/M romance
Series: Last Binding #3
Pages: 432
Length: 16 hours and 7 minutes
Published by Macmillan Audio, Tordotcom on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A Power Unbound is the final entry in Freya Marske’s beloved, award-winning Last Binding trilogy, the queer historical fantasy series that began with A Marvellous Light.
Secrets! Magic! Enemies to. . .something more?
Jack Alston, Lord Hawthorn, would love a nice, safe, comfortable life. After the death of his twin sister, he thought he was done with magic for good. But with the threat of a dangerous ritual hanging over every magician in Britain, he’s drawn reluctantly back into that world.
Now Jack is living in a bizarre puzzle-box of a magical London townhouse, helping an unlikely group of friends track down the final piece of the Last Contract before their enemies can do the same. And to make matters worse, they need the help of writer and thief Alan Ross.
Cagey and argumentative, Alan is only in this for the money. The aristocratic Lord Hawthorn, with all his unearned power, is everything that Alan hates. And unfortunately, Alan happens to be everything that Jack wants in one gorgeous, infuriating package.
When a plot to seize unimaginable power comes to a head at Cheetham Hall―Jack’s ancestral family estate, a land so old and bound in oaths that it’s grown a personality as prickly as its owner―Jack, Alan and their allies will become entangled in a night of champagne, secrets, and bloody sacrifice . . . and the foundations of magic in Britain will be torn up by the roots before the end.

My Review:

This series, The Last Binding, has always been a story about power, wrapped inside a bit of pretty fantasy romance and steeped in the verbal byplay of a comedy of manners. But at the heart of all the fluff and froth, of which there has been a delicious amount, is a core of cold, hard steel.

The question has always been whose, whose power, whose needs, who decides who are the many and who are the few, and who gets to wield all the power at the foundation of British magic.

Because there really is a crisis coming, not just to British magic but to the world as a whole. That crisis, based on timing, is World War I. So the looming threat on the horizon is all too real. The problem is that too many at the pinnacle of power have decided that they are the only people capable of wielding that power, and that anyone who stands in their way is to be cut down. Permanently – and all too often with malice aforethought.

That they’ll frankly be doing their enemy’s work for them doesn’t occur to any of them. That no one has had even a thought to how the power was intended to be held and wielded doesn’t even cross their minds.

But it does cross the minds of our ragtag group of, let’s call them questioners of whether any ends justify the means that are being gone to. Especially as ALL of them have been the victims of those means in one way or another.

A Power Unbound begins by answering the questions raised early in A Marvellous Light, the questions about how and why Jack Alston, Lord Hawthorn, lost his magic and his twin sister in the first place. The questions about just how long this nefarious plot has been going on, and just how early it sunk to its terrible depths.

Depths which are displayed on the grandest stage possible for all the magical world to see, as no one bats an eye as long as they get to keep their own power. But magic itself has a say, and it has finally found agents through whom it can be said.

Their world will never be the same. Nor should it be.

Escape Rating B: I am all over the map about this story, because it is such a wild mixture of historical fantasy, power tripping and political shenanigans, mystery, romance and comedy of manners. Whether any reader will fall in love with the series probably depends on which parts of the melange they are in this thing for.

Which is where all the reading mileage is going to end up varying. A LOT.

I got into the first book, A Marvellous Light, for the magical and political skullduggery. It begins as a murder mystery and then dives into the murky depths of magic and politics and starts the whole series on its meditations about power and its ultimate corruption. A marvelous queer romance also occurs during the course of that story, but it never took a backseat to the magic and the mystery.

But the balancing act between the romance and the magical mystery tour started to tip in the second book in the series. I did enjoy A Restless Truth for its shipboard antics and the way it moved the search for the Last Contract two steps forward and one step back, but it felt a bit like the romance got a bit in the way of the parts of the story I was there for.

From my perspective, A Power Unbound got a bit too bound up in the romance between Jack and Alan for the first half of the book. A reader who is in this series for its romances will probably feel a lot differently, but for this reader it felt like the story was spinning its wheels in endless setup as Jack and Alan teetered on the knife edge of ‘will they, won’t they’. In the first half of the story the romance was at the center of the story rather than the magical mystery political pot boiling over and scalding our entire band of heroes, and I had hoped for the reverse.

At about the halfway point, which is where I switched from audio to text because I needed the story to just get on with it, the pace picked up, the amount of feces hitting the oscillating device increased dramatically, the plots on both sides got ever more convoluted, Murphy’s Law rained all over everyone, and the whole thing galloped towards an epic conclusion that was not quite the one that anyone expected but was absolutely perfect as a way of bringing the runaway plot train to a satisfying stop.

(For anyone considering the audio, the narrator did an excellent job, I just wanted the whole thing to move along faster than audio naturally or even unnaturally does. I do listen to audio because I love the voices. Mickey Mouse’s voice is another thing entirely – although it would have been hilarious for the sex scenes, it would absolutely have set the wrong tone.)

I find myself back at my earlier statement. How much a reader will love A Power Unbound will depend on which parts of the story that reader is here after. If you’re here for the romance, this one is a delight. If you’re here for the magical power and politics contest, the second half is fantastic but the romance-centered first half gets in the way of figuring out all of the whos and why they done what they done. (The whos are mostly obvious, but the whys are considerably less so.)

No matter which side of that divide you fall on, anyone who has fallen for this marvelous cast of sinners with the occasional saintly impulse will be thrilled by the epic, world-shattering ending!

Spotlight + Excerpt: The Wishing Bridge by Viola Shipman

Spotlight + Excerpt: The Wishing Bridge by Viola ShipmanThe Wishing Bridge by Viola Shipman
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, holiday romance, relationship fiction, women's fiction
Pages: 368
Published by Graydon House on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

With unabashed winter charm, The Wishing Bridge sparkles with the humor and heart fans of Kristy Woodson Harvey, Nancy Thayer and Jenny Colgan love most.
Once the hottest mergers and acquisitions executive in the company, Henrietta Wegner can see the ambitious and impossibly young up-and-comers gunning for her job. When Henri’s boss makes it clear she’ll be starting the New Year unemployed unless she can close a big deal before the holidays, Henri impulsively tells him that she can convince her aging parents to sell Wegner’s—their iconic Frankenmuth, Michigan, Christmas store—to a massive, soulless corporation. It’s the kind of deal cool, corporate Henri has built her career on.
Home for the holidays has typically meant a perfunctory twenty-four-hour visit for Henri, then back to Detroit as fast as her car will drive her. So turning up at the Wegner’s offices in early December raises some eyebrows: from her delighted, if puzzled, parents to her suspicious brother and curious childhood friends. But as Henri fields impatient texts from her boss while reconnecting with the magic of the store and warmth of her hometown, what sounded great in the boardroom begins to lose its luster in real life. She’s running out of time to pull the trigger on what could be the greatest success of her career…or the most awkward family holiday of her life.
Includes the bonus novella Christmas Angels

Welcome to the blog tour for The Wishing Bridge by Viola Shipman. I first discovered this author through participation in a blog tour, so it’s fitting that they are back again with not just another book but also another tour. I will be reviewing The Wishing Bridge at the end of next week. Howsomever, the book is coming out TODAY, so here’s an excerpt from the very first chapter to whet all of our reading appetites!

Excerpt from Part One, Chapter 1 of The Wishing Bridge by Viola Shipman

December 7
I hit the brakes, my car fishtailing on the slippery road. I come to a stop just inches from the car before me.
Ah, the hazards of winter in Michigan and Detroit drivers who think snow is a reason to hit the gas.
I cock my head and see an accident just a few cars in front of me. A man is out of his car, screaming into the window of the car he hit.
Merry Christmas!
I take a breath, sip my coffee—which miraculously didn’t spill—hit my blinker and wait to merge into the next lane.
That’s when I notice it: the abandoned house I drive by every day to work.
There are many abandoned homes in many forgotten neighborhoods in this proud city whose shoulders were slumped by the mortgage crisis, layoffs in the auto industry and never-ending
winters that used to be as brutal and mind-numbing as a Detroit Lions football season. Neighborhoods stand like ghost towns, and, in winter, they look even sadder, the grass dead, the green gone, broken glass shimmering in the sun before the snow arrives to cover their remains.
This particular home is a three-story redbrick beauty that looks like a castle. The windows are broken, the walls are collapsing and yet the wooden staircase—visible to the world— remains intact. I slow down just enough every day to admire the finials, worn and shining from the hands that have polished them over the years.
There is a line of shattered windows just above the ground, and as you pass by, you catch a glimmer of red in the basement. Coming the opposite way, you swear you can see a man smiling.
I stopped years ago to investigate. I parked, careful to avoid nails, and wound my way in high heels through the weeds to the broken window. I knelt and peeked into the basement.
Santa!
A plastic molded Santa smiled at me. It was a vintage mold—like the one my grandparents centered in the middle of a wreath on their front door every year—of a cheery Santa with red cheeks, blue eyes, green gloves, holding a candy cane tied in a golden bow.
I scanned the basement. Boxes were still stacked everywhere.
Tubs were marked Christmas!
In the corner of the basement sat a sign overrun with cobwebs that read Santa’s Toy Shop!

December 1975

“They’re here! They’re here!”
My voice echoed through my grandparents’ house. I ran to the front door, grabbed the first catalog, which seemed to weigh nearly as much as I did, and tottered down the steep basement stairs. Back up I went to retrieve the next one from Mr. Haley, the postman, who looked exactly like Captain Kangaroo.
“Don’t move!” I said, disappearing and returning moments later.
Then back down the stairs I scrambled once again.
Mr. Haley laughed when I returned the final time, out of breath.
“Last one,” he said. “Oh, and a bunch of Christmas cards for your grandmother.”
I bent over, panting, as if I’d just done wind sprints on the track.
“Tired?” he asked.
I shook my head. “No! Think of what Santa carries! Not to mention what you carry every day!”
“You got me there,” he said. “Here’s the cards. I’ll see you tomorrow. Merry Christmas!”
I watched him trudge through the freshly fallen snow, just enough to dust the world in white. If there’s one thing we never had to worry about in our town of Frankenmuth, it was a white Christmas. My dad said it was one of the gifts of living in a Christmas wonderland.
“Merry Christmas, Mr. Haley!” I yelled, my breath coming out in puffs.
I shut the door, tossed the cards on the telephone desk sitting in the foyer and hightailed it back down to the basement.
I looked at the catalogs where I’d set them on the shag carpet and ran around them in a happy circle doing a little jig.
I turned on the electric fireplace. It was so cool, fake brick, and it just faded into the Z-BRICK walls. The flames seemed
to dance, even though they weren’t real.
I went over to the card table where my grandparents played games—bridge, canasta, hearts—and I grabbed my marker from a cup.
The red one.
The one I used every year.
The one Santa would recognize.
I took a seat on the orange shag and arranged the catalogs in a semicircle around me: the Christmas catalogs from JCPenney and Monkey Wards, and my favorite, the Sears Wish Book.
The catalogs were heavy and thick, big as the Buick my grandpa drove. They were brand-new and all mine. I began to f lip through the crisp pages, turning quickly to the ones that showed all the toys, clothes and games I wanted for Christmas.
I was lost for hours in the pages, dreaming, hoping, wishing. “Yes, yes, yes!” I said, my marker in constant motion.
“Are you using a red marker so Santa will see?”
I looked up, and my dad was standing over me. He was tall, hair as fair as mine. He had just gotten off work. He was an accountant at a car dealership, and he never seemed happy when he got home from work.
Until he came down to my grandparents’ basement.
“Of course!” I said. “Finn gets green. I use red!”
“So what do you want Santa to bring you this year?”
I patted the carpet, and my dad took a seat next to me. I began showing him all the things I’d marked in the wish catalogs.
“I want this eight-room dollhouse, and, oh! this Shaun Cassidy phono with sing-along microphone and this battery-operated sewing machine! It’s the first ever like this!” I stopped,
took a deep breath and continued, “And this dress, and this Raggedy Ann doll, but—” I stopped again, flipping through pages as quickly as I could “—more than anything I want this
game called Simon. It’s computer controlled, Daddy! It’s like Simon Says, and you have to be really fast, and…”
“Slow down,” he said, rubbing my back. “And what about your brother?”
“What about him?”
“What does he want?”
“He’ll want all the stupid stuff boys like,” I said. “Stars Wars figurines, an erector set, a Nerf rocket and probably a drum set.”
My father winced at the last suggestion.
“Maybe a scooter instead,” my dad suggested. “What do
you think?”
“Good idea, Daddy.” I placed my hands over my ears.
He laughed and stood up.
“Hey?” I asked. “What do you want for Christmas?”
My dad headed over to the workshop he had on the other side of the basement. We lived in a small ranch house on the other side of town that didn’t have a basement, much less any extra room. My grandparents let my father convert this space a few years ago so he could pursue a second career and his true passion: Christmas.
“You know what I want,” he said with a smile.
My dad picked up a sign and turned it my way. It was a handcarved wooden sign that read Frohe Weihnachten! Frankenmuth is a Bavarian town filled with all things German: a wooden bridge flowing over a charming river, a glockenspiel that—on the hour—played the Westminster chimes followed by an entire show complete with dancing figurines,
a cheese haus and competing chicken-and-noodle restaurants. I was named Henrietta, my father Jakob, my brother, Finn. Only my mother, Debbie, escaped the German name game with the
very American moniker.
“What’s this mean, Henri?” my dad asked.
“Merry Christmas,” I said.
“And what do I want?”
“Christmas all year long.”
“Exactly,” he said. “Just like you. Except as a grown-up.” He looked at his sign. “That’s my Christmas wish.”
For a long time, everyone thought this was just a hobby of my father’s, sort of like other dads tinkered on car engines, went fishing or coached baseball. For an even longer time, people thought my dad was nuts.
Why would a man spend all of his time creating Christmas signs in July, or designing ornaments in March?
They didn’t know my dad.
They didn’t how serious he was, that he often worked until three in the morning from October through December and countless weekends the rest of the year.
“You have a good job, Jakob,” friends would tell him. “Don’t ruin your life over some silly notion.”
But my mom and grandparents believed in him just as much as I believed in Santa.
I watched my father work. As he did, he began to whistle Christmas tunes.
The world was finally catching up with my father’s dream.
He was now creating window displays for two of the biggest stores in town: Shepherd Woolen Mill and Koch’s Country Store.

Excerpted from The Wishing Bridge. Copyright © 2023 by Viola Shipman. Published by Graydon House, an imprint of HarperCollins.

About the Author:

VIOLA SHIPMAN is the pen name for internationally bestselling LGBTQIA author Wade Rouse. Wade is the author of fifteen books, which have been translated into 21 languages and sold over a million copies around the world. Wade writes under his grandmother’s name, Viola Shipman, to honor the working poor Ozarks seamstress whose sacrifices changed his family’s life and whose memory inspires his fiction.
Wade’s books have been selected multiple times as Must-Reads by NBC’s Today Show, Michigan Notable Books of the Year and Indie Next Picks. He lives in Michigan and California, and hosts Wine & Words with Wade, A Literary Happy Hour, every Thursday.

WEBSITE | TWITTER | INSTAGRAM | FACEBOOK | GOODREADS

 

Review: Twilight Falls by Juneau Black

Review: Twilight Falls by Juneau BlackTwilight Falls (Shady Hollow, #4) by Juneau Black
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery
Series: Shady Hollow #4
Pages: 259
Published by Vintage on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The fourth book in the Shady Hollow mystery series sees Vera embroiled in a case involving star-crossed lovers whose affair may have turned deadly.
It's spring in Shady Hollow, and romance is in the air. Even reporter Vera Vixen is caught up in the season as her relationship with new police chief Orville Braun blossoms. But true love is not always smooth sailing, as two of the hollow's young residents come to find. Jonah Atwater and Stasia von Beaverpelt find themselves battling their families in order to be together. And when Alan's father, Shelby, goes over the top of Twilight Falls, all signs point to Stasia being the murderer.
The evidence against Stasia appears overwhelming, and Orville arrests her. It looks like the case is closed, but Vera isn't so sure. There are almost too many clues indicating Stasia is the killer, leading her to suspect someone is setting Stasia up. Besides, what about the mysterious ghostly creature skulking around town at night? Maybe he or she was involved? As Vera investigates further, her sleuthing puts her in direct opposition to Orville, and soon she's stirred up a hornet's nest of trouble.

My Review:

Twilight Falls turned out to be a refreshing breath of spring, the perfect antidote to the wintry conditions descending upon us these days.

It was also a delightful twisty little mystery, as the Shady Hollow series oh-so-frequently turns out to be.

Our story begins as a celebration of all things spring. The days are getting longer and warmer, the flowers are poking their heads out of the ground, the cherry blossoms are having their all-too-brief season and the apple trees have put on their glorious display just in time for Shady Hollow’s annual Apple Blossom Walk Festival for the benefit of the local charities. It’s a celebration of everyone’s survival from the winter, while acknowledging that some creatures’ survival cut a little too close to the bone in one way or another. The funds raised at the Festival go to those in need, while everyone has a great time celebrating the season.

It’s just that kind of celebration – albeit a bit more impromptu one – where the crime that ties the whole town in knots occurs. Twilight Falls, so named because the water at its base always seems to be shrouded in the gloam of twilight, is just far enough out in the woods – or in this case up the river – to seem like a great place to get away for a day.

On this particular weekend day, a LOT of the townsfolk have taken the opportunity of the warmer weather to take the ferry up to Twilight Falls for a day of frolicking for the little ones and perhaps a bit of canoodling for the courting couples on the trip.

Those courting couples include investigative reporter Vera Vixen and her beau, Police Chief Orville Braun, along with a picnic basket and a rare opportunity to spend time together without either of their jobs getting in the way.

Unfortunately, one of the other courting couples consists of Stasia von Beaverpelt, spoiled daughter of the town’s biggest employer,  and her considerably less well-to-do boyfriend, working-class otter Jonah Atwater.

Unlike the cross-species relationship between Vera and Orville, both Stasia and Jonah still have parents around to object, most vigorously, about their romance. Jonah’s father has been objecting so strenuously, loudly and publicly that it’s more of a disappointment than a surprise that he tags along on the ferry to interfere yet again.

But it IS very much of a surprise when the senior Atwater is seen to have an altercation at the top of the falls with a mysterious adversary who draws a knife and pitches him over the Falls – presumably to his doom.

Or at least to the doom of Stasia and Jonah’s romance.

Escape Rating A-: Shady Hollow fits right into the cozy fantasy vibe that has become so popular, and it certainly is a comforting addition (or addiction) to the genre.

I was initially, back in the first book, Shady Hollow, expecting the setup to be more than a bit twee. Surprisingly, it’s not. Not even when taking word substitutions like ‘pawkerchief’ for ‘handkerchief’ into account.

The small town of Shady Hollow is every bit as cozy and twee as the setting of any small-town cozy mystery series, but not actually any more than that. Instead, the various creatures’ species turn out to be a way of highlighting character traits that in human-centric cozies has to be just a bit more explicitly revealed.

But the story proceeds the way that small-town cozies do. The police investigate the crime and come to the wrong conclusion. The romance between the police chief and the ace reporter snags on their strong differences of opinion about whodunnit. The red herrings get tastier and tastier as Orville’s investigation and Vera’s go their separate ways.

While both of them get lots of coffee and sympathy at the local coffee shop. That the shop is run by a moose doesn’t change that vibe AT ALL.

The family drama on both sides of the couple at the heart of the mystery, Stasia’s mother’s ambitions for her to marry well and wealthily, contrasted with Jonah’s dad’s stubborn determination that Jonah marry an otter, period, exclamation point, end of discussion, hit familiar beats in spite of the change in species. As do both adult children’s rejoinder that their parents are just being old-fashioned in their objections.

That their arguments seem to have found a violent resolution is just as typical for the cozy mystery genre as the rest of the story. And it’s all just a lovely and comforting read all the way around. Just like all cozy mystery series, if you’ve fallen for the regular ‘gang’ and the place they live – and I have – then it’s always wonderful to come back for a visit. And it certainly was this time around.

That the ending turns out to be even cozier than expected baked a delightful reading cake with just the tastiest icing imaginable.

I enjoyed reading this touch of spring mystery in the midst of a blustery fall, but I’m absolutely looking forward to the more seasonally-appropriate setting of Evergreen Chase, which I’m planning to read a bit later this holiday season.