Stacking the Shelves (600)

Posted on May 11, 2024May 10, 2024 by Marlene Harris | Author : Marlene Harris | Stacking the Shelves

This is the official 600th Stacking the Shelves post at Reading Reality. It hasn’t always been called “Stacking the Shelves” and I haven’t always been the host but here we are lo these many, Many, (MANY) moons later with STS #600. I had to check, and my very first STS was posted almost 12 years ago to the day, on May 5, 2012. OMG how time flies.

This stack is noticeably shorter than the past several stacks – thank goodness! Most of my committee books have been requested and processed – if not actually read – which means that the stacks should be a bit more manageable for the rest of the year.

In this particular stack, I think the prettiest cover may be a three-way tie between The Teller of Small Fortunes, The Naturalist’s Daughter and Murder in Highbury, although Books Like Sapphires is a MUCH prettier book as a whole.

The books I’m most looking forward to are How to Wear Everything – because I really need to know before our vacation later this summer – and Eight Very Bad Nights. The two I’m most curious about are In the Blink of an Eye, because it sounds a bit like several SF mysteries and I’ve loved all of those so far, and Queen Macbeth because I’m wondering how much it’s like – and how much it’s different – from Ava Reid’s Lady Macbeth, which I’ve already finished and found quite compelling.

We’ll certainly see in the months ahead!

For Review:
Books Like Sapphires by Ann Brener
Burn Book by Kara Swisher
Eight Very Bad Nights edited by Tod Goldberg
How to Wear Everything by Kay Barron
In the Blink of an Eye (Kat and Lock #1) by Jo Callaghan
Lilith by Eric Rickstad
Murder in Highbury (Emma Knightley #1) by Vanessa Kelly
The Naturalist’s Daughter by Tea Cooper
Queen Macbeth by Val McDermid
The Teller of Small Fortunes by Julie Leong

If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

A- #BookReview: L. Ron Hubbard Presents: Writers of the Future, Volume 40 edited by Jody Lynn Nye

Posted on May 10, 2024August 5, 2024 by Marlene Harris | Author : Marlene Harris | A- Reviews> book reviews

L. Ron Hubbard Presents: Writers of the Future, Volume 40 by L. Ron Hubbard, Jody Lynn Nye, Nancy Kress, S.M. Stirling, Gregory Benford, Bob Eggleton, Amir Agoora, James Davies, Kal M, Sky McKinnon, Jack Nash, Rosalyn Robilliard, Lance Robinson, John Eric Schleicher, Lisa Silverthorne, Stephannie Tallent, Tom Vandermolen, Galen Westlake, Mary Wordsmith, Dan Dos Santos, Ashley Cassaday, Gigi Hooper, Jennifer Mellen, Pedro Nascimento, Steve Bentley, Connor Chamberlain, Selena Meraki, Guelly Rivera, Tyler Vail, Carina Zhang, May Zheng, Lucas Durham, Chris Arias
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, science fiction, short stories
Series: Writers of the Future #40
Pages: 471
Published by Galaxy Press on May 7, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Spine-tingling
Breathtaking
Mind-blowing
Experience these powerful new voices—vivid, visceral, and visionary—as they explore uncharted worlds and reveal unlimited possibilities.
Open the Writers of the Future and be carried away by stories—and illustrations—that will make you think, make you laugh, and make you see the world in ways you never imagined.
Twelve captivating tales from the best new writers of the year as selected by Writers of the Future Contest judges accompanied by three more from L. Ron Hubbard, Nancy Kress, S.M. Stirling. Each is accompanied by a full-color illustration.
Plus Bonus Art and Writing Tips from Gregory Benford, Bob Eggleton, L. Ron Hubbard, Dean Wesley Smith
“When her owner goes missing, a digital housecat must become more than simulation to find her dearest companion through the virtual world.—“The Edge of Where My Light Is Cast” by Sky McKinnon, art by Carina Zhang
No one came to his brother’s funeral. Not even the spirits. Étienne knew it was his fault.—“Son, Spirit, Snake” by Jack Nash, art by Pedro N.
Man overboard is a nightmare scenario for any sailor, but Lieutenant Susan Guidry is also running out of air—and the nearest help is light years away.—“Nonzero” by Tom Vandermolen, art by Jennifer Mellen
Mac wanted to invent a cocktail to burn itself upon the pages of history—but this one had some unexpected side effects.—“The Last Drop” by L. Ron Hubbard and L. Sprague de Camp, art by Chris Arias
Dementia has landed Dan Kennedy in Graydon Manor, and what’s left of his life ahead seems dismal, but a pair of impossible visitors bring unexpected hope.—“The Imagalisk” by Galen Westlake, art by Arthur Haywood
When a teenage swamp witch fears her mama will be killed, she utilizes her wits and the magic of the bayou—no matter the cost to her own soul.—“Life and Death and Love in the Bayou” by Stephannie Tallent, art by Ashley Cassaday
Our exodus family awoke on the new world—a paradise inexplicably teeming with Earth life, the Promise fulfilled. But 154 of us are missing.…—“Five Days Until Sunset” by Lance Robinson, art by Steve Bentley
Spirits were supposed to lurk beneath the Lake of Death, hungry and patient and hostile to all life.—“Shaman Dreams” by S.M. Stirling, art by Dan dos Santos
A new app lets users see through the eyes of any human in history, but it’s not long before the secrets of the past catch up with the present.—“The Wall Isn’t a Circle” by Rosalyn Robilliard, art by Guelly Rivera
In the shadows of Teddy Roosevelt’s wendigo hunt, a Native American boy resolves to turn the tables on his captors, setting his sights on the ultimate prey—America’s Great Chief.—“Da-ko-ta” by Amir Agoora, art by Connor Chamberlain
When squids from outer space take over, a punk-rock P.I. must crawl out of her own miserable existence to find her client’s daughter—and maybe a way out.—“Squiddy” by John Eric Schleicher, art by Tyler Vail
Another outbreak? This time it’s a virus with an eighty percent infection rate that affects personality changes … permanently.—“Halo” by Nancy Kress, art by Lucas Durham
Planet K2-18b is almost dead, humanity is enslaved, and it’s Rickard’s fault.

My Review:

The “Writers of the Future” Contest sponsored by Galaxy Press has been going on for, obviously, forty years now, which is why this is #40 in the series. I hadn’t picked a single one up until last year’s 39th volume, because short story collections just aren’t my thing, and the whole L. Ron Hubbard/Scientology connection STILL gives me the heebie-jeebies.

Howsomever, this time last year I was assigned to review that 39th volume for Library Journal, and learned that my hesitations on both the format and the origin notwithstanding, the collection itself was good. Damn good, in fact.

So good that when the opportunity to review this 40th volume in the series came up, I jumped at it – and was very glad that I did.

As with most collections, there were a couple of stories that just didn’t work for me, but for the most part the stories worked and worked well and I’d be thrilled to see more work from pretty much all of these award winning authors.

Which means that I have brief thoughts of a review-type and rating for each of the new individual stories, and a concluding rating that’s going to require some higher math and a bit of a fudge-factor to get into a single letter grade even with pluses and minuses available!

“The Edge of Where My Light is Cast” by Sky McKinnon
This is a story that anyone who has ever had a ‘heart cat’ – or other companion animal, one who is not merely loved but holds a singular place in one’s heart long after they are gone will find both utterly adorable and heartbreakingly sad at the same time. Tabitha was her person’s heart cat, so when Tabita went to the Rainbow Bridge her person turned her into a virtual reality cat so that they could be together for always. When her person goes ‘to the light’, Tabitha breaks all the laws of time and space and physics so that they can be together, forever in the light of the datastreams they now both call home. Grade A because there is so much dust in this one and my eyes are still tearing up.

“Son, Spirit, Snake” by Jack Nash
This one has the feel of a myth being retold as fantasy, although its an original work. It could also fit into many post-apocalyptic futures as well. A young man is dead, his mother performs the funeral rites, but the neighbors scoff and the gods do not attend as they always have. His younger brother runs in search of solace but finds only Death – but the anthropomorphization and not the event, because his mother refuses to let the gods dictate her actions a second longer – and she scares them WAY more than they scare her. Grade B because it feels like the attempt to make the myth universal sanded off a few too many of the edges that might have made it a bit more fixed in time and space – which was the intent but made it a bit more difficult to get stuck into at first.

“Nonzero” by Tom Vandermolen
As far as she knows, she’s the only survivor of her spaceship crew, out in the black in a spacesuit with no ship in sight and no chance of reaching one. She dreams of the past, while her suit’s AI does its best to awaken her to her very limited choices: whether to let her oxygen run out – and die, self-terminate using the drugs stored in her suit – and die, or take a cryogenic cocktail of drugs, let herself be put in suspended animation, and hope that the nonzero chance of survival comes through. We’ll never know. Grade A- for her snark in the face of logic and annihilation even though we’re pretty sure from the beginning that we know which path she’ll take.

“The Imagalisk” by Galen Westlake
Anyone who ever had an imaginary friend will find a bit of hope – or a light at the end of an inevitable long, dark tunnel – in this tale of an elderly man entering the hazy world of Alzheimer’s and tossed into a nursing home by his son. Only to discover that he’s been granted a marvelous gift, that for the residents of Graydon Manor the make-believe friends of their first childhoods have returned to help them ‘play’ the rest of their lives away in their second. If he can just hold only his present memory long enough to keep their gift from being stolen by a greedy former resident. Grade A- for being the saddest of sad fluff on the horns of the reader’s dilemma of whether this is one last grand caper or if this entire tale is just a product of the disease that brought him to Graydon Manor in the first place.

“Life and Death and Love in the Bayou” by Stephannie Tallent
One of two stories in the collection about magic and power and love and death and sacrifice that’s made even better because the sacrifice is willing and the love isn’t romantic. This one is haunting, not horror but definitely on the verge of it – but then again, if any place is haunted it’s the bayou country of Louisiana. Grade A- for the story and A+ for the art for this one which is beautiful.

“Five Days Until Sunset” by Lance Robinson
In spite of what a whole lot of SF would have one believe, the likelihood is that early colony ships will be a fairly iffy proposition. Which means that this reminds me a bit of Mickey7 but definitely without the humorous bits. Although in this case, it’s not that the planet is barely habitable, but rather that it’s not habitable in the way that the colonists dreamed of. It’s a story about adapting your dreams to your circumstances instead of attempting to force the circumstances to match your dreams. Grade A because the story is good and so complete in its very short length and it even manages to deal well with religion in the future which is really, really hard even in the present.

“Shaman Dreams” by S.M. Stirling
This one is new for the collection – which I wasn’t expecting. It’s also the story inspired by the gorgeous cover art. Even though this is set in the far distant past, as the last Ice Age is fading away, the story it reminds me of most and rather surprisingly a lot is The Tusks of Extinction – quite possibly crossed a bit with Jean Auel’s Clan of the Cave Bear series. Grade A+

“The Wall Isn’t a Circle” by Rosalyn Robilliard
Very SFnal, but exceedingly horrifying in its implications. It starts out as time travel – and that’s fun with interesting possibilities. The scare in this one is that it doesn’t stay there, and where it leaps to is a question of just how far – and how far over the line of morality – someone will go to get justice and where the line blurs between justice and revenge. Grade A for the wild ride of the story’s ultimate WOW.

“Da-ko-ta” by Amir Agoora
This one didn’t work for me. The bones of something really terrific are here, and I think it potentially had a lot to say about colonialism and culture erasure and just how terrible manifest destiny was but it may have just needed to be longer so that its ideas got fully on the page and weren’t merely teased out. Grade C

“Squiddy” by John Eric Schleicher
Squiddy gets its toes right up to the line of SF horror and then sticks there with tentacles. Literal, actual tentacles, in an invasion of squid-like monsters that are an addictive drug that requires sticking the squid-like creature up one’s nose. So also gross-out horror. But underneath that is a story about a drug addled dystopia, one woman who refuses to use or be used and another woman who sees her as a beacon to follow to a better, squid-free future. Grade B because this one was interesting and had a kind of wild/weird west feel but just wasn’t my jam – or calamari.

“Halo” by Nancy Kress
This is the second new-for-this-collection story by a well-known author rather than a contest winner. It’s laboratory based SF, and jumps off from the recent pandemic, but doesn’t go anywhere one thinks it will go because it’s a story about human behavior and human intelligence and the power of inspiration and how much the latter is worth saving if engineering the former can do so much ‘good’ – depending on who is determining that good. A thought-provoking Grade A story.

“Ashes to Ashes, Blood to Carbonfiber” by James Davies
There are always at least a couple of stories in any collection that don’t work for an individual reader and this was my other one. I may have been trying to read too late in the evening, or it may be that the bleakness of this particular dystopia just didn’t work for me, or the nature of the sacrifice required to break out was a bit too much even as it was talked more around than directly about. I did like that it worked out to a much better ending than I was expecting, but it just didn’t work for me. Grade C

“Summer of Thirty Years” by Lisa Silverthorne
This is the other story in the collection about sacrifice and power and love and death – done in a completely different way from the bayou story and still not about romantic love after all – although at the beginning it looks like it might be. It’s sweet and sad and haunting and beautiful, if not quite as profound as “Life and Death and Love in the Bayou” still an excellent story. Grade A-

“Butter Side Down” by Kal M
There had to be a story that managed to invoke Murderbot, and this was it. What made it fun was that the whole thing is a trial transcript, as the lone human on this particular spaceship’s crew is on trial for rescuing a planet-killing AI, falling in love with it and helping it escape. It seems like the fears of what this ultimate weapon of mass destruction – that Joe Smith has nicknamed “Breddy” can do to the whole, entire universe are very real – but that Joe is convinced that “Breddy” has decided not to. And he’s right and they’re all wrong. While the story is more lighthearted than one might imagine, in the end it’s a story about always extending the hand of friendship – and being rewarded with friendship in return to the nth degree. Grade A+

Escape Rating A- for the collection as a whole, because I mostly did escape – even in the couple of stories that weren’t quite my cuppa after all. I am still a bit surprised to say this, all things considered, but I’m honestly looking forward to getting that 41st volume in the series, this time next year.

A- #BookReview: The Brides of High Hill by Nghi Vo

Posted on May 9, 2024May 8, 2024 by Marlene Harris | Author : Marlene Harris | A- Reviews> book reviews

The Brides of High Hill (The Singing Hills Cycle, #5) by Nghi Vo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Singing Hills Cycle #5
Pages: 128
Published by Tordotcom on May 7, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The Hugo Award-Winning Series returns with its newest standalone entry: a gothic mystery involving a crumbling estate, a mysterious bride, and an extremely murderous teapot.
The Cleric Chih accompanies a beautiful young bride to her wedding to an aging lord at a crumbling estate situated at the crossroads of dead empires. But they’re forgetting things they ought to remember, and the lord’s mad young son wanders the grounds at night like a hanged ghost.
The Singing Hills Cycle has been shortlisted for the Lambda Literary Award, the Locus Award, the Ignyte Award, and has won the Hugo Award and the Crawford Award.

My Review:

When we first catch up with Cleric Chih as they are accompanying bride-to-be Pham Nhung and her family on their trip to make the final negotiations for Pham Nhung’s marriage to the older and much wealthier Lord Guo, the reader has the sense that they remember when Chih met Nhung at the gates of the Singing Hills Abbey back in the previous book, Mammoths at the Gates.

Just as Chih has been lulled into participating in this journey that seems so familiar, so are we.

Because the journey IS familiar, even if Chih can’t seem to recall precisely how they got there or, more importantly, why his friend and companion, the neixin Almost Brilliant, is not with them on this journey. Although, considering the events of Mammoths at the Gates, it’s not too difficult for the reader, or Chih, to understand why the situation back home might have been a bit too fraught for Almost Brilliant to leave.

But the story does seem familiar, only because it is. A young woman whose noble family is a bit down on their luck has been sold to a wealthy older man in order to restore the family’s status. She has no choice in the matter, her parents have little, and Lord Guo has it all.

However, when the Lord’s oldest son, mad and confused and drugged to his eyeballs, under heavy guard and seemingly out of his mind, interrupts the initial ceremonies it raises more than a few uncomfortable questions, which kickstarts Cleric Chih’s need to learn all the stories about the lavish old estate that Lord Guo reigns over with an iron hand – and the familiar story begins to unravel.

Spectacularly. Explosively. Into a story about revenge served, not ice cold, but in a gout of hot blood spraying out from under gnashing teeth and long, sharp claws.

Escape Rating A-: From the very first book in the Singing Hills Cycle, the marvelous The Empress of Salt and Fortune, Cleric Chih has moved from being outside the story, merely its chronicler, to being at the story’s center in Mammoths at the Gates.

This time around, Chih is as mesmerized as the reader by the story, as they are trapped within its web just as we ourselves are.

Which means that we have a sense at the beginning that Chih isn’t acting quite like themselves, and Chih has the same feeling. Also they desperately miss their friend Almost Brilliant, and so do we. We all collectively need the clear-sighted neixin to help us – and I’m including Chih in that ‘us’ – figure out what’s going on.

Of course, that’s why Almost Brilliant isn’t there. Or so it seems. Just as so many things in this story seem to be one thing but aren’t – quite.

So this is a story about illusions and lies. Nothing and no one is exactly who or what they are first presented to be. At first, it seems that what began as that rather traditional story of a girl being sold by her parents to a cruel older man is the story and we’re prepared to watch it be broken in some almost traditional way – either by Pham Nhung running away with Lord Guo’s son, who we know isn’t the madman his father’s frightened household says that he is – or with her death, whether by her own hand or Lord Guo’s.

In other words, we expect the illusion to break, but what we don’t expect, what Cleric Chih doesn’t expect, is the way that it breaks – and how thoroughly.

At the very beginning of The Brides of High Hill, Cleric Chih is remembering his late mentor, Cleric Thien, and an occasion where Thien told Chih that “Everything starts with a story,” and a very young and not yet cleric Chih asks, “But what does that mean?”

In the case of The Brides of High Hill, the story starts with a journey that looks like it might end in a romance but instead ends with something that looks like a bloody, twisted version of Cassandra Khaw’s Nothing But Blackened Teeth, and is all the more surprising for that twist in its – and our – tails at the end.

Leaving this reader with bated breath waiting for the next story in the Singing Hills Cycle, even though it has neither a title nor a projected date of publication, because this series is just that good – and I’m just that hooked on it.

A- #BookReview: Black Shield Maiden by Willow Smith and Jess Hendel

Posted on May 8, 2024May 7, 2024 by Marlene Harris | Author : Marlene Harris | A- Reviews> book reviews

Black Shield Maiden by Willow Smith, Jess Hendel
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fantasy, historical fiction
Pages: 480
Published by Del Rey on May 7, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

From WILLOW and co-writer Jess Hendel comes a powerful and groundbreaking historical epic about an African warrior in the world of the Vikings.
Lore, legend, and history tell us of the Vikings: of warrior-kings on epic journeys of conquest and plunder. But the stories we know are not the only stories to tell. There is another story, one that has been lost to the mists of time: the saga of the dark queen.
That saga begins with Yafeu, a defiant yet fiercely compassionate young warrior who is stolen from her home in the flourishing Ghanaian Empire and taken as a slave to a distant kingdom in the North. There she is thrust into a strange, cold world of savage shield maidens, tyrannical rulers, and mysterious gods.
And there she also finds something unexpected: a kindred spirit. She comes to serve Freydis, a shy princess who couldn’t be more different than the confident and self-possessed Yafeu.
But they both want the same thing: to forge their own fate. Yafeu inspires Freydis to dream of a future greater than the one that the king and queen have forced upon her. And with the princess at her side, Yafeu learns to navigate this new world and grows increasingly determined to become one of the legendary shield maidens.
For Yafeu may have lost her home, but she still knows who she is, and she’s not afraid to be the flame that burns a city to the ground so a new world can rise from the ashes. She will alter the course of history—and become the revolutionary heroine of her own myth.

My Review:

Through a series of unfortunate events that can, all too easily be laid at her own feet due to an excess of pride and an inability to keep her own temper, a young black woman is torn from her home village, enslaved, and dragged across the desert to the port city where she will be sold into who knows what fate.

Although at least part of that fate can be guessed from the lecherous expression on the face of the man offering gold for the purchase of her body.

That fate is interrupted by a sword – a sword wielded by a Viking warrior leading a raid on the coastal cities of North Africa. A female Viking warrior.

Alvtir saved Yafeu’s life because she could. Yafeu followed Alvtir back to her ship because Alvtir represents so much of what Yafeu wants to be. A warrior. A leader. A person who seems to be in charge of their own destiny in spite of the fact that females are supposed to be none of those things.

Yafeu believes that following Alvtir will get her what she has been searching for most of her life. The training to be a warrior in a place where she will be permitted if not encouraged to be the leader she was meant to be.

But Yafeu and the warriors to whom she has attached her hope and her future share neither a language nor even a common frame of reference or view of the world and the way it works. The desert that Yafeu called home is an entirely different world from the frozen fjords to which Alvtir and her Vikings are bound to return.

Once they make landfall in Skíringssal, Yafeu learns that she has merely traded one form of slavery for another, and that her hopes of training and respect were all in vain. But Alvtir sees that she may have found a hope for her own people – if that hope can be tempered and forged into a weapon.

So she waits and watches as Yafeu adjusts to her new life, learns the language and ways of a people not her own, and constantly searches for a way to forge a new path. A path that leads through the friendship of a disregarded princess to, finally and at long last, the coveted place among Alvtir’s shield maidens.

Just as the hope that these three women have forged together gets put to the torch of revolt and revolution.

Escape Rating A-: I came to this book by an odd route. I watched a playthrough of Assassin’s Creed: Valhalla where the main character, Eivor, was played as female. (It’s possible to play the character as either gender and does not change the story – but it does change the visuals a LOT) I was riveted by the game even as a spectator, so when I saw the blurb for this book and realized that most of it took place in the same culture at the same time, I was hooked.

Even though the point of view character for Black Shield Maiden is Yafeu, Alvtir’s story bore more than enough resemblance to Eivor to keep me on the edge of my seat the whole way through.

Which I needed at the beginning, because the story does get off to a bit of a slow start. A start that reminded me of an entirely different story. If Alvtir is Eivor, then Yafeu is Ejii Ugabe, the titular Shadow Speaker of the first book in Nnedi Okorafor’s Desert Magician duology. Yafeu and Ejii have very similar story arcs, that they are both daughters in cultures that denigrate women, that both are feared and rejected by their home villages for powers and personalities that would be respected if they were male, and both have large and important destinies laid before them that can only be fulfilled if they come into their power by traveling far beyond their local horizon.

The story in Black Shield Maiden, while it is Yafeu’s story and told mostly from her perspective, also wraps itself around the fate of two other women; the warrior Alvtir and the Princess Freydis, who is also Alvtir’s niece.

Just as Yafeu has the dream of becoming a warrior and of finding the father who went on his own travels years before and never returned, Alvtir and Freydis have dreams of their own. Freydis’ dreams are initially small, she dreams of the fate that will be hers, marriage to an influential man of her father’s choosing and a home of her own. Yafeu’s introduction into Freydis’ life sets her on an entirely different course.

While this is Yafeu’s story – and we learn the place and the people and the culture because we learn it through her – Alvtir is the character upon whom the story pivots. Her people are at a crossroads in history, the fork in history’s road where Christianity swept all other religions before it and away. Alvtir sees another path for her people, a path that she hopes will lead to the preservation of their religion and their way of life, knowing that the only way to step on that path is to betray her brother, the king to whom she has sworn all her oaths.

The three women together have the opportunity to take new paths and forge new alliances, even knowing that the price will be that one of them will not live to see the future they bring about.

Obviously, I got caught up in this story, if not quite from the very beginning then certainly from the moment that Alvtir rescues Yafeu. And I’m glad I did even if I was up until 2 AM finishing it. At the end, I was caught by the idea that even though this is not a fictionalization of a real piece of history, it did fall just inside the line of plausibility. The Vikings who went ‘a-viking’ certainly traveled far and wide (including all the way to North America) both as raiders and as traders. Recently discovered DNA evidence proves that there WERE female Viking warriors.

In the end, I was reminded of Ash, A Secret History by Mary Gentle, the story of a female warrior in 15th century France that was not historical but was written as though it were the ‘secret history’ the title claimed it was. It was a story that, by the time it was finished, the reader WANTED to have been true.

Black Shield Maiden, especially in its rousing and hopeful ending, felt the same.

A- #BookReview: The Summer Swap by Sarah Morgan

Posted on May 7, 2024May 6, 2024 by Marlene Harris | Author : Marlene Harris | A- Reviews> blog tours> book reviews

The Summer Swap by Sarah Morgan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 336
Published by Canary Street Press on May 7, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

"The perfect summer novel—sharp, smart and so much fun!" —Viola Shipman, USA TODAY bestselling author, on The Island Villa
Cecilia Lapthorne always vowed she’d never go back to Dune Cottage. So no one is more surprised than Cecilia to find herself escaping her own seventieth birthday party to return to the remote but beautiful cottage on Cape Cod—a place filled with memories. Some are good—especially memories of the early days with her husband, volatile artist Cameron, before his fame eclipsed their marriage. But then there are the memories she has revealed to no one. Especially not her daughter, Kristen, who hero-worshipped her father.
For aspiring artist Lily, Dune Cottage has been a refuge, albeit an illicit one. After dropping out of medical school, she’s cleaning houses on the Cape to get by, guilt-ridden for disappointing her parents. Unoccupied for years, the cottage seemed the perfect place to hide away and lick her wounds—until Cecilia unexpectedly arrives. Despite an awkward beginning, Lily accepts Cecilia’s invitation to stay on as her guest, and a flicker of kinship ignites.
Then Cecilia’s grandson, Todd—and Lily’s unrequited crush—shows up, sending a shock wave through their unlikely friendship. Will it inspire Lily to find the courage to live the life she wants? Can Cecilia finally let go of the past to find a new future? Because as surely as the tide erases past footprints, this summer is offering both Cecilia and Lily the chance to swap old dreams for new…

My Review:

There’s a saying about the best things to give children are “roots and wings”. Roots to ground them, and wings to fly free. The Summer Swap is a story about, not just those roots and those wings, but particularly about the way that family expectations can add so much ballast that those wings can’t lift their load – no matter how much they yearn to fly.

The story begins with Lily, who has literally fled her parents’ well-meaning but wrong-headed expectations. Her parents worked hard and sacrificed a lot to make their two middle-class but not highly compensated jobs stretch – with grants and scholarships – to get Lily into an elite private school, college and then medical school.

They wanted her life to be richly rewarded and financially secure and put every penny and every effort into making it happen. That her rich and snooty classmates saw Lily as a charity case and treated her accordingly was something Lily stuffed down deep inside – just as she buried her dreams of becoming an artist in favor of pursuing the practical medical degree her parents had scrimped and saved for – and seemed to have their hearts set on.

Until it broke her, and she dropped out of med school. At which point her parents broke her again and kept on doing it, smothering her with their anxiety and their concern and trying to find ways to fix her so that she could go back to school – which was the last thing she wanted.

Her parents meant well, and they did their best to do well. But their dreams weren’t her dreams and she couldn’t deny herself a minute longer so she left. When we meet her she’s cleaning expensive but empty bungalows on Cape Cod, giving herself a bit of mental space so she can figure out what she wants to do with her OWN life while finding a way to manage those heavy parental expectations.

While squatting in an empty bungalow because it’s tourist season and there’s no place around that she can afford to live in on the trendy, touristy, expensive Cape.

Which is where Cecilia Lapthorne comes in. Literally.

Cecilia, seventy-five years old and the recent widow of a larger-than-life artist, has let herself be effaced by the expectations of being the “great man’s” helpmeet while he wowed the masses and kept his name in the limelight. Now that he’s gone, her daughter’s expectations that she continue to serve her artist dad’s memory and legacy for the rest of her life are smothering her.

So she too runs away – to the “cottage” on Cape Cod where she and her late husband had some of their happiest – and one of the awfullest – times of their lives. Because she needs that same bit of mental space that Lily does – to figure out what she wants to do with the rest of HER OWN life.

Which is the point where Lily and Cecilia run into each other. They can give each other something that few seem to have given either of them – time and space to think, and an open mind and a listening ear to help them each think through the life ahead of them as well as the trials and errors behind them.

And in that open space, they are able to capture the dreams they left behind and move forward into brighter futures – no matter how many years they each might have ahead.

Escape Rating A-: I picked this up because I absolutely fell in love with The Summer Seekers and was looking for the same kind of multi-threaded, multi-generational story about women at different milestones in their lives and the ways that they navigate the ties that bind and the ties that strangle – whether they are related to each other or not.

There are three women tangled together in this story, just as there were in The Summer Seekers. Cecilia, her middle-aged daughter Kristen, and 20something Lily. Cecilia and Kristen’s relationship is strained – frankly most of their relationships are strained for interconnected reasons – and Lily’s relationship with her parents is fraught as well.

What makes the interconnectedness work is that the strain in all of the relationships is wrapped around the same issue – each of them is protecting someone else by keeping secrets that probably should have seen the light of day years ago but haven’t for reasons that are realistically human.

And are also wrapped up in the female condition – that if you are female those around you (including, unfortunately, other women) often believe that you don’t know your own mind or haven’t thought things through or are being overly emotional. Something that’s especially true for Lily – her parents are sure that she’s too young to know her own mind and they only want what’s best for her. But equally true for Cecilia, who is seventy-five and recently widowed. Her daughter Kristen is just as sure that it’s her mother’s grief talking and she really isn’t in a position to make big decisions about her own life and that it will all look better later and that Kristen is just being protective and really knows best. When in fact Kristen is actually trying to manage her own grief over her father’s death by managing her mother – so of course it’s not working AT ALL for either of them.

Then again, Kristen is one of those people who ALWAYS knows best and is constantly managing everyone around her to make sure that her ‘best’ decisions are the ones that get implemented – never realizing that it often happens because it’s less stress for others to let her handle things rather than get bulldozed out of the way. Which explains at lot about the strain in all of the rest of Kristen’s relationships as well.

This particular triptych, similar to the triad relationship in The Summer Seekers, (I REALLY loved that book!), is something that this author is particularly adept at. (It worked a bit less well in The Book Club Hotel with four instead of three and YMMV)

All three women have similar issues, in that they need to stop trying to manage other people’s emotions, responses and expectations and set boundaries on their own – particularly with each other in the case of Cecilia and Kristen.

I did figure out Cecilia’s big secret fairly early on – but there was still an impact in seeing it revealed to the others and the way in which it was revealed. At the same time I was never quite sure exactly what the stumbling block was in Lily’s romance but was happy to see her happy all the same. And I was thrilled to see Cecilia get her own second-time-around HEA because she’d earned it, deserved it and was utterly entitled to it. I left the story still not sure how to characterize Kristen’s progress – but on the other hand, I’m not sure she is yet either.

If you enjoy stories like this, stories where women are at the center of all the action as well as all the emotions, where a romance may occur but isn’t remotely the entirety of the point, or simply like spending time with women who you’d love to have coffee with after, or simply books where you can feel the summer breeze wafting by as you read, The Summer Swap is just the ticket. And if one summer book is not enough, don’t forget to pick up this author’s other terrific ‘beach reads’ The Summer Seekers AND Beach House Summer to extend the breeze of your summer reading vibe!

Grade A #AudioBookReview: Funny Story by Emily Henry

Posted on May 6, 2024May 11, 2024 by Marlene Harris | Author : Marlene Harris | A Reviews> audio reviews> audiobooks> book reviews

Funny Story by Emily Henry
Narrator: Julia Whelan
Format: audiobook, eARC
Source: supplied by publisher via Libro.fm, supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 400
Length: 11 hours and 23 minutes
Published by Berkley, Random House Audio on April 23, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common.
Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.
Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.
Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?
But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

My Review:

This is not a meet-cute, it’s more like a meet-really-really-ugly. But it starts with a meet-cute. It’s just that the meet-cute is NOT between our protagonists Daphne and Miles. It’s between Daphne and her very suddenly ex-fiancé Peter. There may, or may not, have been another meet-cute between Miles and his equally suddenly ex-girlfriend Petra – but that really doesn’t matter by the time we meet all of the above.

Because of all of that VERY sudden ex-ing that happened. In the wee hours after Peter’s bachelor party, between Peter and his childhood bestie, the beautiful Petra. The woman he claimed had always been a platonic friend. Always.

At least until Petra confessed to Peter, when they were alone in the aftermath of that bachelor party, which of course Petra attended because she was, after all, his bestie, that she was in love with him and couldn’t watch him marry someone else without letting him know that.

The resulting mess – and was it ever a mess – left Daphne with one week to move out of the house that she and Peter were supposed to share, alone in the small town she’d moved to because that’s what HE wanted, with no support network because all of “their” friends were really his friends – and a job she loved and didn’t want to leave in a place she could no longer bear to stay.

Not too far away, in that same tiny little town, Petra’s ex Miles was left with an apartment he could only afford half the rent on, in a town that he felt like he’d made his own, with an utterly shattered heart.

Daphne, ever practical EXCEPT when it came to Peter, made Miles an offer he literally couldn’t afford to refuse. His need for a roommate dovetailed heartbreakingly and conveniently with her need for a place to live.

They may have agreed to be roommates out of their shared tragedy but they are definitely respectful of each other’s space and each other’s brokenness. At least until they both receive invitations to – you guessed it! – Peter and Petra’s upcoming nuptials. After a long and very drunken night of shared drinking, ranting and more than occasional sobbing, Daphne and Miles decide that living well – or at least the appearance of it – will be their revenge on their exes.

They RSVP to the wedding of the people they each once believed to be the love of their lives, together. And to back that up, they post a selfie that gives the unmistakable impression that they’ve found the new loves of their own lives – with each other.

Miles is certain that they can keep up the pretense of dating each other for the summer – just long enough to get past that dreadful wedding. Daphne isn’t nearly so sure – but she’s willing to try. She certainly expects it all to go terribly, terribly wrong long before they reach that Labor Day weekend disaster-ganza. And it very nearly does.

At least until it all starts going terribly, terribly right.

Escape Rating A: I started out listening to this one, and that’s probably what got me over the hump of the early chapters. This is one of those stories that, of necessity, has a very hard start. We meet Daphne just after very nearly the entire life she had planned crashed and burned. She’s wallowing in a whole lot of angst and regret and self-recrimination, nearly buried by the weight of her emotional baggage piling up all around her. Listening to the excellent narrator makes the listener feel like they are literally inside Daphne’s mostly despairing head and it’s a realistically well-portrayed terrible place to be.

Fortunately for the reader/listener and Daphne, it really does get better – mostly thanks to Miles – who very nearly crashes and burns it all around her again.

The thing that keeps the whole meet-ugly/meet-cute of the thing from going over the top is that Peter in particular may be the villain of this piece – which he definitely turns out to be – but he isn’t evil. He’s certainly awful, and he displays all of his awful bits over the course of the story – but he’s not actually, technically, evil. He’s just selfish and self-centered and more than a bit spoiled.

Daphne was willing to continue spoiling him because he represented something she’d never had – stability. Her dad was mostly absent and generally in the midst of his next big score that never materialized. Her mother was the very best in Daphne’s eyes, but they moved a LOT in pursuit of financial security and Daphne stopped bothering to make connections because she knew they’d never survive a move. Peter, his large, loving family and his wide circle of lifelong friends is a situation she wants to be adopted into wholesale so she lets herself be surrounded and subsumed into it.

Only to be confronted with the fact that it was never really hers – and neither was Peter. (Although that turns out to have been dodging a bullet she never would have seen coming.)

The fun part of this story – and it mostly is fun after that first long, deep and totally justified wallow – is watching the way that Miles courts Daphne by getting her to fall in love with tiny, slightly touristy, totally scenic, Waning Bay Michigan. He loves the town that he’s adopted and been adopted by, and does his damndest to share that love with Daphne. That he makes the town irresistible makes him irresistible and their hesitant steps toward a relationship turn this story into a marvelous kind of dance of a romance.

That, at the very same time, Daphne uses the foundation of having a job that she totally loves – even if it barely pays the bills – to put herself out there in the sense of opening herself up to the possibilities of deep and true friendship and fellowship – is what makes this story so much her journey to happiness and fulfillment. Whether or not, in the end, either of those things includes Miles, or Waning Bay, or both, or neither.

That Peter ultimately gets the shaft all the way around turned out to be merely the icing on a very tasty cake of a book – or perhaps that should be the slathering of cheese and jalapenos on a fresh, hot serving of Petoskey fries. The part that makes a good thing just that much better.

My favorite of Emily Henry’s books is still Book Lovers, but Funny Story definitely moved into the runner-up slot. I loved that Daphne was a librarian, and she definitely read like “one of us” while her Waning Bay Library read as both realistic and on the good side of places to work – except for the poor salary which was equally realistic – dammit.

I’ve read all of the author’s adult books except for People We Meet on Vacation, which I can feel climbing the virtually towering TBR pile as I type this. It looks like a perfect book to pick up later this summer – when we’re on vacation!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-5-24

Posted on May 5, 2024May 5, 2024 by Marlene Harris | Author : Marlene Harris | The Sunday Post> Virtual Nightstand> Winner announcement

Yesterday was Star Wars Day (May the Fourth be with You!) Today is Cinco de Mayo. Next Sunday is Mothers’ Day. And it’s SPRING! Really, truly spring, whatever that might mean where you specifically are. Here it also means that summer is literally just around the corner and will be springing out any day now.

Today’s picture may look a bit more like Fall – but we won’t be thinking about THAT season for a while around here. Nevertheless, there’s Hecate, definitely looking her witchy best with all of her Halloween-colored fur on display. She’s also been BEING a witch, but that’s something else altogether!

Coming This Week:

Funny Story by Emily Henry (#AudioBookReview)
The Summer Swap by Sarah Morgan (#BlogTour #BookReview)
Black Shield Maiden by Willow Smith and Jess Hende (#BookReview)
The Brides of High Hill by Nghi Vo (#BookReview)
In Our Stars by Jack Campbell (#BookReview)

Stacking the Shelves (599)

Posted on May 4, 2024May 3, 2024 by Marlene Harris | Author : Marlene Harris | Stacking the Shelves

I’m getting “interesting” vibes from this stack of covers a whole lot more than I am “pretty”. Your mileage almost certainly will vary. In fact, I’m really curious to see which covers you think are the prettiest in this bunch.

The book I’m most looking forward to is Candle & Crow – although I’ve heard that this is going to be the last book in the series so I’m sad about that and hope I’m wrong. The two books I’m most curious about are The Incorruptibles and The Talented Mrs. Mandelbaum because they’re both about gangsters.

And May the Fourth Be With You.

long island compromise by taffy brodesser akner

eight nights to win her heart by miri white

coca cola black panthers and panthom jets by oz frankel

piano player of budapest by roxanne de bastion

how the west became antisemitic by ivan g marcus

For Review:
Ahoti by Miriam Feinberg Vamosh, translated by Eva Marie Everson
Amerikaland by Danny Goodman
Candle & Crow (Ink & Sigil #3) by Kevin Hearne
Coca-Cola, Black Panthers, and Phantom Jets by Oz Frankel
The Comics of Asaf Hanuka by Matt Reingold
A Dark and Drowning Tide by Allison Saft
Displaced Persons by Joan Leegant
Eight Nights to Win Her Heart by Miri White
The Examiner by Janice Hallett
Feh by Shalon Auslander
The Forgotten Names by Mario Escobar
The Great When (Long London #1) by Alan Moore
How the West Became Antisemitic by Ivan G. Marcus
The Incorruptibles by Dan Slater
Long Island Compromise by Taffy Brodesser-Akner
Nearly Departed by Gila Pfeffer
The Piano Player of Budapest by Roxanne de Bastion
The Place of All Possibility by Adina Allen
The Talented Mrs. Mandelbaum by Margalit Fox
Unsettled by Oren Kroll-Zeldin

Purchased from Amazon/Audible/Etc.:
The Lift (Future Night Stalkers Sci-Fi Romance Collection) by M.L. Buchman

If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

#BookReview: My Dearest Mackenzie by Rachel Blaufeld

Posted on May 3, 2024May 2, 2024 by Marlene Harris | Author : Marlene Harris | B Reviews> blog tours> book reviews

My Dearest Mackenzie by Rachel Blaufeld
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: contemporary romance
Series: 40s Love and Romance #3
Pages: 217
Published by Rachel Blaufeld Publishing on April 25, 2024
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo
Goodreads

Frankie Burns, brash and bold on the outside, divorced and scarred on the inside, is determined to figure out what really happened with her Paps and his long-lost love, Rosie. Understanding why the duo didn’t find their happily-ever-after is her biggest mission. With every inch of her five-foot-two frame, she’s determined to discover why they were separated and forced to live a life without one another, convinced it will fix her own unhappiness.
Mackenzie Miller, handsome, rich, and one of New York’s most eligible bachelors, keeps everyone at an arm’s length and believes the only barometer to happiness is how wealthy and powerful he becomes. Shoving back his grandmother Milly’s wishes for him to find an everlasting love, he is successful in every other area of life. Abandoned by his mother, fairy tales are not part of Mack’s world, but running his makeup and perfume empire is paramount.
That is… until a feisty blond woman blasts into his life and won’t accept no for an answer when it comes to looking for a connection between his beloved Milly and her beloved Paps. He doesn’t understand the severity of her search. She needs to know the story to fill a gap in her own life.
The twist neither of them expects is falling for one another in the process…

My Review:

It’s not exactly a meet-cute, although Mackenzie Miller thinks that Frances Burns is plenty cute – also feisty and ferocious – which is how she managed to barge her 5 foot nothing self into his usually well-guarded office.

Frankie has a quest that Mack doesn’t even believe in – and he’s not remotely willing to hear her out. He’s pretty sure that her quest is for his money – and he’s been there and done that and is way, way over any further attempts.

But Frankie doesn’t care about his money – or the cosmetics and perfume empire he inherited from his beloved grandmother Milly.

Although that’s not quite right. Frankie is interested in one product and one only. A perfume that is now considered old fashioned and was discontinued long ago. Frankie only cares about “Rose’s Lily” because it was named for the love of her late grandfather’s life.

Frankie found the letters that Milly wrote to James Burns during the year that they fell in love – back when her grandfather and Mack’s grandmother were seventeen. Milly’s father – Mack’s great-grandfather – dragged the young lovers apart and got Milly married off before she even turned eighteen because Milly was Jewish and James Burns was not – and in those days that mattered and it mattered a lot.

But neither James nor Milly EVER forgot the person who was their “One” – not over the course of their long and relatively successful, but separate, lives.

Frankie, whose own tilt at the “Happy Ever After” windmill went down in flames, feels like she needs to learn what happened to that young woman her grandfather loved and lost in order to get some closure on the loss of the person who meant the most to her in this world.

At first, Mack doesn’t believe her. Then again, his mother’s abandonment of him to his grandmother’s waiting arms left him with a whole trunk of emotional baggage that he mostly deals with by running away, including a belief that romantic love doesn’t really exist.

But the irresistible force has met the immovable object – and sparks have been struck no matter how much both Frankie and Mack deny it – and each other – at every turn.

Escape Rating B: This isn’t exactly a dual-timelines story. It is a bit, but not really. Mack and Frankie’s tempestuous relationship – whatever it might be at the time – is always front and center in the story. What they discover about the past really doesn’t change things for them – although it does change some of the dynamics in their present-day relationships with others.

Their journey of discovery, both of their grandparents’ past and of their mutual present, is a story of two steps forward and one step back for multiple reasons – although the biggest reason is that every time they get close emotionally Mack runs away. Often literally. Once leaving Frankie behind in the Hamptons with no transportation.

(Not that ride-sharing isn’t a thing, and not that she doesn’t call one, but really, that’s a douche move. Or at least the move of a man who’s scared of touching his own emotions – let alone anyone else’s. And his behavior dovetails all too well and very badly with Frankie’s fears of abandonment.)

Each time they discover something about the past – it temporarily derails their present. Not because the revelations are so terrible, but because each one peels back a layer of reserve and self-protection and neither of them is really all that great at handling any of THAT.

Even though they should be as both are well into adulthood – and for the most part are doing a decently successful job of adulting. But that also means that their emotional scar tissue is many layers deep – and that scraping at it hurts rather a lot.

I really enjoyed that this was a romance between two people at midlife – and not fresh and dewy 20somethings. Their baggage is real and heavy, but the rewards feel that much sweeter because they were much harder to earn.

At the same time, the story they are searching for, Paps and Milly’s blighted young love, had a lot of resonance for this reader. Not because there’s something like their story in my own family’s history, but because the idea of it, that young lovers could be forcibly separated by a difference in religion – to the point of disownment or declaring the one who married out to be deceased – was very real in my own family. It’s a practice that has changed over time, but there were a few cousins of my parents’ generation who disappeared from family gatherings only to reappear decades later with non-Jewish spouses after the immigrant generation of the family had passed on.

Also, Milly’s real name was Rose and so was my own grandmother’s. So there’s that.

Returning to Frankie and Mack – as the story itself does frequently and often. I liked their midlife romance. I felt that their emotional baggage had weight and heft and made a huge difference both in what brought them together and what kept them apart. I really did enjoy their journey, but as a reader I felt like the book should have ended a bit sooner. The last few chapters dragged a bit because it felt like everything had been resolved and I kept waiting for the other shoe to drop.

And it finally did, but when it dropped it was more of a whimper than a thud and didn’t seem to quite justify those last “slice of new life” chapters. Not that it wasn’t nice to see their HEA get firmly planted, but the lingering last bits did, well, linger a bit too long.

But I still did enjoy My Dearest Mackenzie with its dip into the past and its exploration of midlife romance in the present. I didn’t learn that this is might be part in a series until I finished, so I’ll be looking for the author’s loosely connected 40s, Love and Romance series that starts with The Back Nine, the next time I’m in the mood for a bit of romance.

TLC tour schedule:

Reviews:

Monday, April 29th: @kristis_literary_corner

Monday, April 29th: @bookapotamus

Wednesday, May 1st: Cheryl’s Book Nook and @beastreader

Thursday, May 2nd: @karas_reads

Friday, May 3rd: Reading Reality and @reading_reality

Monday, May 6th: @booksimperfectcondition

Wednesday, May 8th: @jacklynsbooknook

Thursday, May 9th: Girl Who Reads

Monday, May 13th: @sarahs.bookish.reviews

Friday, May 17th: What is That Book About

Monday, May 20th: @hardcovers.withhans

Wednesday, May 22nd: @finding_joyathome

Instagram features:

Monday, May 6th: @ablueboxfullofbooks

Monday, May 6th: @the.caffeinated.reader

Tuesday, May 7th: @allys.book.corner

Tuesday, May 7th: @alexandriavwilliams_

Wednesday, May 8th: @shopcoffeekids

Wednesday, May 8th: @christinas_reading

Thursday, May 9th: @webreakforbooks

Friday, May 10th: @subakka.bookstuff

Saturday, May 11th: @nissa_the.bookworm

#BookReview: Knightqueen by Anna Hackett

Posted on May 2, 2024May 2, 2024 by Marlene Harris | Author : Marlene Harris | B+ Reviews> book reviews

Knightqueen by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera
Series: Oronis Knights #3
Pages: 221
Published by Anna Hackett on May 2, 2024
Purchasing Info: Author's Website, Amazon
Goodreads

A queen and her battle-scarred guard are on the run on an alien planet…with a relentless enemy hunting them.
Knightqueen Carys of Oron lives a life of duty to her people and planet. After the murder of her parents, she worked hard to become a fair and dedicated leader. She never expected to be abducted by the vicious Gek’Dragar and locked in a mountain prison, but having her head knightguard at her side makes it bearable. Older, scarred Sten is duty personified, the one man she’s always been able to trust.
He’s also the only man she’s ever loved, not that she’s ever told him that.
Knightguard Thorsten Carahan has sworn to protect his knightqueen, and lives and breathes her safety. He works hard to keep his mind on his duty, and not on the too young, too beautiful, and too kind queen who is way out of his league. But now they’ve escaped their enemy’s prison and are on the run on a dangerous planet. When they learn that the Gek’Dragar have created a lethal weapon to use against the Oronis, Sten knows he must get Carys home. But with danger at every turn, lines get blurred.
With only each other to depend on, Carys and Sten’s bond of duty and respect tangles with forbidden desire and need. As passion flares, they can no longer deny their connection, and they will discover just how far they are willing to go for their people…and each other.

My Review:

When last we left our heroes – actually, in this particular case, it’s more like “when first we met our heroes” back in the first book in the Oronis Knights series, Knightmaster. In the first story, the Oronis had just welcomed a delegation from Terra, our very own Earth, in the hopes of forging an alliance to fight the rapacious Gek’Dragar.

The Terrans had already formed a similar alliance with the Eons, in spite of a somewhat rocky beginning, as part of the stories told in the marvelous Eon Warriors series. The Eons are long-standing allies of the Oronis, and now all three planets face the same enemy, the Gek’Dragar.

“The enemy of my enemy is my friend” as that saying goes. Not that this alliance was EVER smooth sailing, as it began back in Knightmaster with the Gek’Dragar kidnapping the Oronis Knightqueen and her Knightguard, and framing the Terrans for the crime.

But once that misdirection got straightened out, the Oronis and the Terrans have been on a joint mission to rescue the Knightqueen – assuming that she and her Knightguard don’t manage to rescue themselves, first.

Which is where we left those heroes at the end of the second book in the series, Knighthunter. That hunter team blew open and blew up the prison where the queen and her bodyguard, were being held, and Carys and Sten escaped in the chaos.

Meaning that they unknowingly ran away from their rescuers, jumped out of the frying pan into the fire – sometimes literally – and have spent the past several days outrunning their Gek’Dragar pursuers, throwing off the effects of the drugs they were injected with that suppressed their normally formidable powers, and generally running themselves into the ground.

Because the monsters on this hellhole planet are just as deadly as the Gek’Dragar – if not maybe a bit worse – and Carys and Sten have no weapons or armor until their powers return.

All they have is each other. Which has always been more than enough – even if neither of them has ever admitted that to themselves – let alone each other.

It’s not right, it’s not proper, for a Knightqueen to fall in love with her Knightguard. But this time, it’s inevitable.

Escape Rating B+: Knightqueen is the culmination of the whole, entire Oronis Knights series – which is only three books long. Meaning that, on the one hand, you really do kind of need to start at the beginning with Knightmaster, while on the other hand, three novellas is just a lovely amount of reading for a rainy spring weekend – of which there are PLENTY this time of year!

Knightqueen is a bodyguard romance. Maybe not exactly like the movie – certainly the SFnal setting if Knightqueen is literally light years away from the movie – but the trope is the trope is the trope – and it’s ALL here in Knightqueen.

Except the music, so you’ll just have to bring your own. I kept hearing Whitney Houston singing “I Will Always Love You” in the back of my mind as I read – and it took the longest time to figure out why.

Unlike the movie, the ending of Knightqueen results in a resounding HEA. That may seem like a bit of a spoiler, but all of this author’s stories end in either an HEA or an HFN depending on just how FUBAR the world they are set on happens to be.

It is part of why I enjoy her work so much.

But this particular entry in the series hit one of my less than favorite tropes pretty hard. The relationship between Carys and Sten does have its questionable aspects, she’s queen, he’s her bodyguard, he’s over a decade older which isn’t itself enough to make things squicky but he watched her grow up which is at least on the border of questionable.

As it’s usually not so much the years as the mileage, it’s not the age difference per se so much as it is that Carys is inexperienced with romantic relationships – which is not a surprise as she’s been queen from a very young age and it would never have been politically safe for her to go on dates or experiment with either love or sex.

Nevertheless, the trope that this fell into that put me off a bit was that Sten had a really bad case of the “I’m not worthy’s” that was a whole lot more personal and ingrained in his psyche than just the difference in their respective stations. This is a “me” thing and may not be a “you” thing.

Putting it another way – I did love the bodyguard romance but wasn’t thrilled with how little the bodyguard thought of himself in it. Your reading mileage obviously may vary.

That being said, I still had a grand time with the entire Oronis Knights series and am a bit sorry to see it come to end even though I’m happy to see the Gek’Dragar put in their place – a grave.

As this series has come to a close – and doesn’t end with teasers for a spinoff, it looks like the author will be turning back to contemporary action adventure romances for most of this year. Leaving this reader looking forward to the next book in her Unbroken Heroes series, The Hero She Craves, coming next month!

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