Review: Pistols and Petticoats by Erika Janik

Review: Pistols and Petticoats by Erika JanikPistols and Petticoats: 175 Years of Lady Detectives in Fact and Fiction by Erika Janik
Formats available: hardcover, paperback, ebook
Pages: 248
Published by Beacon Press on April 26th 2016
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A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years
In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.
Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.
Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.
Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

My Review:

I want to make a joke about Pistols and Petticoats being “two, two, two books in one”, but the problem with the book is that it isn’t. Instead it is two books that attempt to be combined into one. Unfortunately the seam between the two books is rather visible, and leaves a nasty and distinguishing scar.

What we have feels like an attempt to yoke a scholarly study about the changing roles of women in detection and police work joined at the slightly non-working hip with a book about the changing roles of women in detective fiction and the lives and careers of women who have made successful and even groundbreaking forays into the mystery genre.

The desire, often stated in the book, is to show how the increased roles of women in novels and later other media often presaged the increasing roles for women in real-life police work. But the two parts don’t flow into one another, possibly because there isn’t much there, well, there.

Instead, in the historical narrative, police work for women was often proposed as, and in many cases restricted to, an extension of the reform zeal of the late 1800s and the belief that dealing with social problems and juvenile crime were a natural outgrowth of women’s roles in the home. Fictional female sleuths, on the other hand, were created first of all to entertain, but created in a way that was not supposed to upset the status quo. Which explains both Miss Marple and the reason that so many young female sleuths’ careers ended in marriage.

Women were supposed to remain in the domestic sphere, and that sphere was supposed to be the pinnacle of all their ambitions. Elderly spinsters like Miss Marple needed something to occupy their time, particularly in eras where so many women were left without spouses after a generation of young men died in warfare.

Pistols and Petticoats does not read like a successful amalgamation of the author’s two “plot” lines. The historical sections that detail women’s real and increasing contributions to police work and detection, read, unfortunately, like rather dry history. It’s interesting, but only becomes lively when the women themselves have interesting lives, like Alice Clement or Kate Warne.

The parts that thrill are where the author sinks her teeth into the history of female detectives and the history of the females who have written successful mysteries. The early years of female writers who made the genre what it is today, but whose works have not continued to find readers, was fascinating.

The information about where certain trends in mystery took their cues from contemporary life and women’s places in it also pulled me in. Not just the heroines of the Golden Age, like Christie and Marple, and Sayers with Harriet Vane, but also how those characters fit into their own society.

murderess ink by dilys winnEscape Rating C+: All in all, the parts of the book that dealt with mystery fiction made for more compelling reading. They also reminded me of a book that I have not thought of in years, Murderess Ink. Murderess Ink, the followup to Murder Ink, was a lighthearted study of the women who created and populated the mystery genre from the Golden Age until its late 1970s present. As much as I enjoyed the sections of Pistols and Petticoats that dealt with the genre, perhaps it is time for an update of Murder Ink and Murderess Ink.

Review: Maggie Dove by Susan Breen

Review: Maggie Dove by Susan BreenMaggie Dove: A Mystery by Susan Breen
Formats available: ebook
Pages: 236
Published by Alibi on June 14th 2016
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Susan Breen introduces a charming new series heroine in this poignant and absorbing cozy mystery with a bite. Maggie Dove thinks everyone in her small Westchester County community knows everyone else’s secrets. Then murder comes to town.
When Sunday School teacher Maggie Dove finds her hateful next-door neighbor Marcus Bender lying dead under her beloved oak tree—the one he demanded she cut down—she figures the man dropped dead of a mean heart. But Marcus was murdered, and the prime suspect is a young man Maggie loves like a son. Peter Nelson was the worst of Maggie’s Sunday School students; he was also her late daughter’s fiancé, and he’s been a devoted friend to Maggie in the years since her daughter’s death.
Maggie can’t lose Peter, too. So she sets out to find the real murderer. To do that, she must move past the grief that has immobilized her all these years. She must probe the hidden corners of her little village on the Hudson River. And, when another death strikes even closer to home, Maggie must find the courage to defend the people and the town she loves—even if it kills her.

My Review:

If this cozy mystery were any cozier, it would knit itself a sweater. Or perhaps crochet an afghan. And as much as I occasionally love a good cozy (Marty Wingate’s Potting Shed AND Birds of a Feather series for example) this one just didn’t work for me.

In spite of the contemporary setting, there’s something slightly old-fashioned about both the heroine and the story. Although the story isn’t strictly first person singular, it is definitely written from protagonist Maggie Dove’s point of view. And a lot of the time her point of view is small and self-absorbed.

I don’t mean that Maggie is vain or egotistical. But her daughter died 20 years ago in an automobile accident, and Maggie has isolated herself in her house and her small town and her grief, and hasn’t ever moved on. Neither has her daughter’s boyfriend Peter, who was luckily thrown from that car all those years ago.

Peter is now the Assistant Police Chief, and in very big trouble. First a hated villager dies on Maggie’s lawn. Then a beloved old woman, and Maggie’s best friend, dies in a nursing home, both of the same cause – an overdose of Ecstasy that Peter has easy access to. And a substance that has gotten him in trouble before.

Maggie finally shakes herself out of her 20 year depression in order to prove Peter’s innocence, because he’s too sunk into his own morass of despond to take care of his own business his own self. But then that’s part of what his and Maggie’s functions are in each other’s lives. They take care of each other and they keep the memory of the late, lamented Juliet alive. So that neither of them has to move on.

Until Maggie is forced to make an irrevocable choice – either to surrender to the same forces that brought her best friend down, or to step forward and finally make something of the rest of her life.

Escape Rating C: This book is very slow going, right up until the end, then it’s a race for the finish. It’s also very clearly the setup for a series, as Maggie takes the entire book to make us wallow in her grief and passivity, introduce us to her town and her friends (and frenemies) and finally, finally get up and move on.

Maggie is a terribly nice person, but she also congratulates herself on her niceness just a bit too much, and beats herself up unmercifully when she acts or even merely feels human.

Also, part of Maggie’s persona and her self-judgement revolves around her faith and her attachment to her church and its activities. She’s been a Sunday School teacher there for years, and that has clearly provided a sense of stability and a circle of friends. Her faith is very important to her, and she thinks about it often. So often, in fact, that readers who are not expecting this story to have an inspirational tinge to it may wonder what they have wandered into.

But about the mystery. One of the things that is done well in this story is to peel back all the layers of everyone in this small town. No one is quite what they appear to be, and Maggie has been oblivious to much of what lies beneath the surface for many years. The investigation that she throws herself into is a big and much needed wake up call.

As far as the murderer goes, the author manages to scatter an entire net full of red herrings, and I did nibble at most of them. In the end, I figured out whodunnit right about the same time Maggie did, and only because there were no other suspects left. The author leads us readers on quite the chase. The last 10% wraps things up at a furious pace as Maggie and the reader finally see what has been successfully hiding in plain sight all along.

Review: Death at a Fixer-Upper by Sarah T. Hobart

Review: Death at a Fixer-Upper by Sarah T. HobartDeath at a Fixer-Upper: A Home Sweet Home Mystery by Sarah Hobart
Formats available: ebook
Series: Home Sweet Home
Pages: 267
Published by Alibi on May 17th 2016
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In Sarah T. Hobart’s wickedly funny and fast-paced Home Sweet Home mystery series, small-town real estate agent Sam Turner discovers it’s bad for business when her clients keep dropping dead.   Newly armed with her real estate license, Sam Turner loves Arlinda, her quirky seaside hometown in Northern California. But life by the beach isn’t exactly a breeze: She and her teenage son, Max, are being evicted from their apartment, her long absent ex-husband unexpectedly resurfaces, and her possibly romantic relationship with sexy Chief of Police Bernie Aguilar is, well . . . complicated. All Sam wants is a quick and easy sale. What she gets instead is a killer headache—or three.   Sam’s trying to drum up interest in 13 Aster Lane, a rambling Victorian fixer-upper that’s more than a little neglected—and possibly haunted—so when a trio of offers arrive out of the blue, she can’t help thinking it’s too good to be true. But after a new client drops dead on the property, she fears she’s lost more than a commission. Before Sam’s out of house and home, she must unmask a killer targeting her clients, or the only property she’ll be moving will be plots—at the local cemetery.

My Review:

This was one of those books where I’m still trying to figure out what I think and how I feel about it. I finished it last night and I’ll admit that it isn’t sticking with me. This is not a good sign.

The story certainly had possibilities. Single-mother Sam Turner is a fledgling real estate agent in what sounds like a down market, so the story felt a bit dated, as though it was set in the recession. The housing market has picked up the last couple of years, and it feels like we are now in a sellers’ market, so Sam’s lack of success didn’t feel current, especially given the description of Arlinda as a quirky if desirable place to live.

The house she is trying to sell is equally quirky, not to mention downright creepy. Did the address have to be 13 Aster Lane? Couldn’t it have been 15? Or 12? As events kept spiraling into the weird, it seemed as if the address was either intended as a portent or was just too much over the top. And in spite of the opening of the story, there is not a paranormal element in it.

This is also a small town with a lot of interesting (again, read that as quirky) characters, and it felt as if we met ALL of them.

The word “quirky” comes up a lot in descriptions of and reviews of this book. You would think that there would be some relatively normal, meaning non-quirky, people in this town. But that doesn’t seem to be the case.

It also seems as if Sam is just one of those people to whom bad things happen, not always with any rhyme or reason. Her neighbors spy on her, her landlord hates her, the appraiser for her upcoming house purchase rules against her, and most of her colleagues in the real estate business are just plain nasty pieces of work.

In a twist, her boss is actually a nice guy. But everyone else she has to deal with regarding the sale of 13 Aster Lane is just nasty. She has rivals both at her own agency and at the listing agency, and both women are just unreasonably bitchy.

The mystery in this book surrounds that estate at 13 Aster Lane. For reasons that Sam doesn’t figure out until the very end, all sorts of strange and bizarre people are interested in the broken-down mansion, sight unseen. And Sam keeps tripping over the dead bodies of all of those potential purchasers.

It all seems very bizarrely coincidental, until a figure out of her own wacky past turns up out of the seeming blue. And then she discovers that she’s been played all along.

Escape Rating C-: I never warmed up to Sam. In the story, it always seems like she’s in way over her head, which can make things interesting. However, she takes that “over her head” feeling and spends a lot of time feeling sorry for herself, and/or letting other people walk all over her.

Ironically, the deed that most of her fellow real estate agents, those of the cutthroat variety, would most laugh at her for is the one that reaps her the biggest reward at the end.

But the world of real estate that Sam is attempting to inhabit is not a good place, not for her, not for anyone. And she’s mostly unsuccessful in a realm where you have to support yourself on commissions and not salary. She’s not managing and not rethinking. And letting herself be run over by bitches on wheels. In one case, almost literally.

This was also a story where there were two sets of villains, each more unlikely than the other, and both equally out of left field. While the reader always suspects that there is something hinky about all of the sudden offers on the very dilapidated property, and that none of the prospective buyers are remotely on the up and up, the degree to which the solution comes out of nowhere was a bit breathtaking.

And the other piece of villainy was completely out of the blue.

I received this book from NetGalley via Random House Chatterbox for an honest review. Which is turning out to be a review that says I honestly didn’t like this book very much. While I loved the first book I received through this program, The Skeleton Garden by Marty Wingate, that was a book in a series I had previously read and enjoyed. The second book, Mug Shot by Caroline Fardig, was okay but not as good as the Wingate. This one continues the downward trend, and I’m rethinking my entire participation in the Chatterbox.

Reviewer’s Note: In the process of prepping this post I discovered that the author has published at least two previous books in this series under another name. That explains why it seems like we’re meeting Sam in the middle of her mess rather than being introduced to her. But I am even less thrilled that this is the third book in a series and that the marketing makes it seem like the first book. Your mileage may vary.

Review: Battlestorm by Susan Krinard

Review: Battlestorm by Susan KrinardBattlestorm (Midgard, #3) by Susan Krinard
Formats available: paperback, ebook
Series: Midgard #3
Pages: 480
Published by Tor Books on March 29th 2016
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Goodreads

The third installment in New York Times bestselling author Susan Krinard’s first urban fantasy series...
Centuries ago, the Norse gods and goddesses fought their Last Battle with the trickster god Loki and his frost giants. All were believed lost, except for a few survivors…including the Valkyrie Mist, forgotten daughter of the goddess Freya.
But the battle isn’t over, and Mist—living a mortal life in San Francisco—is at the center of a new war, with the fate of earth hanging in the balance. As old enemies and allies reappear around the city, Mist must determine who to trust, all while learning to control her own growing power.
It will take all of Mist’s courage, determination, and newfound magical abilities to stop Loki before history repeats itself.

My Review:

This is one of those stories where it isn’t so much that “the enemy of my enemy is my friend” or even “the enemy of my enemy is my ally” but rather “the enemy of my enemy is someone else I can betray sooner or later, probably sooner.”

It feels like Battlestorm is the bastard child of American Gods and Babylon 5, and I’m still not sure whether I mean that in a good way or not.

Just as in American Gods, the primary movers and shakers of the story are gods from the Norse pantheon, Odin, Loki, and for added spice and betrayal, Freya. This is also as complex and dense a story as American Gods, without having any of its lighter moments. Battlestorm is Ragnarök moved to Midgard, meaning our present-day Earth, with all the possibilities for the end of the world as we know it that the idea of Ragnarök implies.

American Gods was much lighter in comparison, and that’s saying something.

Mist by Susan KrinardLike the long story arc of Babylon 5, the story began in Mist and continued in Black Ice has the feel of a long-anticipated and often repeated battle between Good and Evil. However, just as in Babylon 5, now that the forces of Good have revealed themselves in Odin, the contest is nowhere near that clear cut. Instead, we have a battle between the forces of Order and Chaos. Loki represents the forces of Chaos, and he desires a world where all law and order is eliminated, and only the strongest and most ruthless survive. On that infamous other hand, Odin represents Order. But Order with a capital O is not necessarily good. Odin is a force for the tyranny of order, a world where he will be the absolute ruler and utter dictator, and humanity can only exist in a state of blind obedience.

Poor Mist is caught in the middle. She wants to protect the people of Midgard, among whom she has lived for centuries. She believes that humanity should be left to determine its own path, without interference from her gods. But as a Valkyrie, Odin commands her obedience. And Loki holds those she loves captive.

Mist is going to have to betray someone in order to protect those she holds dear. Including the entire human race.

Escape Rating C+: If the concept of the Norse gods coming to contemporary earth to enact their final battle, or anything else, appeals to you, start this series at the beginning, with Mist. The three book series, Mist, Black Ice and now Battlestorm, is one long saga (how fitting!) and must be read in order to make any sense at all.

That being said, I personally think the whole thing probably works better if you can manage to read the whole thing not just in order but also close together. There are so many players in this story, so many wheels within wheels, that it feels impossible to remember who is betraying whom, and why, a year after the previous book. For those readers who, like me, read the books as they came out, I sincerely hope that the finished copy includes a synopsis of previous events. The ARC I read did not, and I really needed one.

A primer on the Norse pantheon probably wouldn’t hurt either, particularly focused on who is related to whom. Loki had a surprising number of powerful and interesting children, who all have agendas of their own, and do not always obey their father. But then, Odin has that problem with his kids as well. In Battlestorm, Loki’s personality and his relationship with his father feel like they owe a lot to Tom Hiddleston’s portrayal in the Marvel Cinematic Universe.

I found Battlestorm to be dense. It took me twice as long to read it as I expected, because I kept needing to step away and digest what had just happened – meaning what had just gone wrong. Mist never catches a break. She also seems to always be the last person in the universe to find out or be told information that is crucial to her fight and even to her very existence. There are a few too many instances where someone is just about to tell her something she desperately needs to know – only to be interrupted and the opportunity disappear for days and pages. For the daughter of a goddess, Mist seems woefully, or deliberately, misinformed about damn near everything all of the time.

This is the part that reminded me most of American Gods. Not just the Norse pantheon, but Mist’s position is a lot like Shadow’s. She has been created for a purpose that she has no clues about, but is led around by the nose by beings who are much better informed than she is and who are deliberately keeping her in the dark. And in the end, very little is as it originally seemed, to her or to the reader. Also like Shadow.

black ice by susan krinardFor anyone who has read my reviews of Mist and Black Ice, I was dead wrong about Orn’s identity. The true identity of the parrot becomes totally clear very early in Battlestorm. Just call him Mr. Wednesday.

If some of the description of and comments about Battlestorm appeal, try American Gods. It is positively awesome, where Battlestorm has both its moments and its moments of frustration. If the idea of evil being good and good being evil sounds interesting, try Banewreacker and Godslayer by Jacqueline Carey, which explore the same themes.

In the end, I was glad I finished Battlestorm and saw the story begun in Mist and Black Ice come to at least some resolution.

Joint Review: Marked in Flesh by Anne Bishop

Joint Review: Marked in Flesh by Anne BishopMarked in Flesh (The Others, #4) by Anne Bishop
Formats available: hardcover, ebook, audiobook
Series: The Others #4
Pages: 416
Published by Penguin/Roc on March 8th 2016
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For centuries, the Others and humans have lived side by side in uneasy peace. But when humankind oversteps its bounds, the Others will have to decide how much humanity they’re willing to tolerate—both within themselves and within their community...
Since the Others allied themselves with the cassandra sangue, the fragile yet powerful human blood prophets who were being exploited by their own kind, the delicate dynamic between humans and Others changed. Some, like Simon Wolfgard, wolf shifter and leader of the Lakeside Courtyard, and blood prophet Meg Corbyn, see the new, closer companionship as beneficial—both personally and practically.
But not everyone is convinced. A group of radical humans is seeking to usurp land through a series of violent attacks on the Others. What they don’t realize is that there are older and more dangerous forces than shifters and vampires protecting the land that belongs to the Others—and those forces are willing to do whatever is necessary to protect what is theirs…

My Review:

Marlene: Before we get to the snark portion of our review, Cass is letting me set the stage.

I got hooked on Bishop’s The Others series just a few short weeks ago, when I decided I really needed to read at least the first book of this thing before I wrote up which other authors are “read-alikes” for Bishop for an assignment from Novelist. I got hooked so hard on this series (sort of like the cassandra sangue are addicted to cutting) that I read through the rest really fast. Now I’m with everyone else, panting for book 5.

black jewels trilogy by anne bishopI will say that after having read her Black Jewels series many years ago, and now this one, that the author does some very interesting things at that knife-edge where pain and pleasure meet. Neither series is for the faint of heart, but The Others doesn’t go quite as far, or at any rate quite as universally, down the pain and torture path as The Black Jewels.

Cass: I wouldn’t say The Others are any less disturbing than the Black Jewels. Remember the previous books where they were slowing feeding completely conscious and aware living girls into a meat grinder, then distributing it as ground beef?

Marlene: I think the thing that is different is that the whole society in The Black Jewels felt more universally screwed up than it does at the beginning of The Others. There are very, very sick and evil people in The Others, but the society as a whole doesn’t seem run that way, at least not until Humans First and Last starts propagating “the Big Lie” all over the place. And all resemblances between Humans First and Last and the Nazi and neo-Nazi movements feel definitely intentional. They certainly are on the part of this reviewer.

Also, we mostly see the world of The Others from the perspective of people, for looser definitions of the word people, who condemn that practice and want to live mostly in harmony. People who condemn that scene you describe. In The Black Jewels, that kind of thing WAS the prevalent political system.

But it is certainly a matter of degree.

Cass: I first read this a couple months ago – before Trump was a legitimate front-runner for presidency. At the time, I was very irritated with how bloody stupid the majority of the humans were acting. Easily led around the nose by the HFL movement, no matter how blatantly obvious it was that their actions were suicidal. (Were none of you present for events in the last book?!) Now it’s all terribly prophetic.

Nonetheless, I can not get over what I believe is the prevalent message of this series:

MASTURBATION KILLS.

Just to recap, the blood prophets, like Meg, cut themselves to reveal prophecy. If they cut themselves alone and/or do not speak, they feel nothing but horrible pain and are in constant danger of going mad. But when they cut themselves with another person around and share the prophecy? EPIC ORGASM. Cassandra sangue who are born in the wild start “cutting” during puberty, hide it from their parents, and then drive themselves to insanity because they just can’t stop! It’s about as subtle as Victorian-era gynecological care. (Note: I work with cutters on a day-to-day basis. There is no real dialogue with the psychology, or the physiological ramifications of actual cutting. As portrayed, the cassandra sangue could just as easily obtain prophecies from vomiting or urinating or sneezing with no appreciable impact on the plot of the series.)

A running subplot throughout this book is Meg trying to address her addiction to touching herself – I mean – cutting. Proposed solution? SEX. The idea being that when Meg is feeling a nonspecific itch….I believe at one point she determines she needs to cut once a week….she can scratch it with Simon.

As much as I do enjoy the world-building, the Elders, and The Adventures of Hope Wolfsong, I cannot get past all the anti-masturbation subtext.

Marlene: I’ll admit, that the budding romance in this series would feel completely unnecessary, were it not for this particular subplot. Meg doesn’t need to fall in love, but she needs to find a substitute for the intense euphoria she gets from cutting. I wish that link weren’t there. It may be necessary for the story that the cassandra sangue be addicted to cutting, but that addiction did not need to be so overtly sexual.

Also I seem to remember that the young cassandra sangue get their first cuts long before puberty, and that just makes this subplot even more squicky. Doing it for yourself is one thing, having an adult do it for you, and even worse profit from it, adds a whole new layer of squicky. Particular if the point is, as Cass posits, reinforcing the idea that masturbation kills.

Back to where I was originally heading. It’s not that the growing relationship between Simon and Meg isn’t absolutely adorkable, because it is. I just wish that it hadn’t been all wrapped up in Meg’s need to find an alternate form of euphoria. In this scenario, Simon’s prick is equivalent to her razor, and she’s in danger of developing an alternate addiction, to Simon instead of cutting. And doesn’t that have a whole ‘nother bunch of ways it can go horribly wrong?

Cass: Yeah. Super healthy relationship developing there. Just can’t wait. Remember, Meg is supposedly the Trailblazer for all the other prophets. Does that mean that The Blood Prophet’s Guide she’s working on will have a chapter titled: SEX SAVES?

The Others are pretty intense about making sure their prophets are safe. I’m afraid that protective drive could go somewhere very dark, very quickly. At least the Meg/Simon thing has been slowly building over several books. (Though it is still ridiculously unnecessary) Are they going to do something horrific to my amazing Hope Wolfsong?! In case it is not obvious, I am Team Hope. I loved all the Hope chapters. More Hope.

Marlene: One of the good things about this entry in the series is the way that it kept expanding our view of this world. There be worldbuilding here, and that’s something I always love in my fantasy, urban or otherwise.

Hope’s story is hopeful, in more ways than one. And in spite of the horrific visions that she sees. Hope is young enough to still be seen as a child. So instead of what feels like the over-protectiveness directed at the adult Meg, in Hope’s case, she is being adopted. Jackson Wolfgard and his mate are charged with taking care of her, and they see her as another cub they are raising, admittedly a cub who doesn’t turn furry. But she is getting a chance to grow up in a slightly more normal environment. She’s also young enough to adapt to other methods of prophecy. Hope loves to draw, and is able to draw her visions. Where the Controller threatened to cut off her hands if she didn’t stop drawing, Jackson gives her all the art supplies she needs. And her drawings are life-saving, both for her and for the people and terra indigene she is able to warn. She still cuts, but not nearly as often.

Cass: Though I loved all the interludes with Hope, and getting a glimpse of The Elders…..I have to say I was disappointed with Marked in Flesh as a whole. It felt like a filler episode. As though the author knows where she plans to end the series, but has to fill a couple hundred extra pages along the way. With one exception, Marked in Flesh basically ended in the exact same spot it started: Humans in Thaisia losing all their rights because of the HFL.

At one point, a character even lampshades just how repetitive the plot is. I feel you Doc.

“Because everyone in Lakeside will be at risk,” Lorenzo said. “Same song, different day.”

Marlene: Or, to quote Battlestar Galactica:

“This has all happened before. It will all happen again.”

vision in silver by anne bishopMarked in Flesh feels like a continuation of the previous book, and in a way that finally sets up the conclusion. Or what I presume is the conclusion in the untitled book 5 of the series. Vision in Silver (reviewed here) is the gathering storm, especially from the human side. Throughout that book, the HFL is going further and further off the deep end, while The Others are trying to figure out what to do. Or how far to go in what they do.

In Marked in Flesh, the HFL attacks reach their crescendo, and we get The Others response. All the feces hit all the oscillating devices, and the fallout sprays pretty much everywhere. The consequences of those events will be in the next book, both in the sense of what will the remaining humans do, and in the sense of what happens to the Elders of the Others who have taken on human characteristics, and generally the worst of those, in order to retaliate.

One of the other subplots in this particular entry in the series felt like a prepper’s dream. Simon and the folks in Lakeside, both human and Other, are preparing for an “end of the world as we know it” scenario, which comes to fruition at the end of the book. This particular subplot reminded me a whole lot of Grantville in Eric Flint’s 1632, Stirling’s Island in the Sea of Time, and his Dies the Fire. What does everyone do, what do they absolutely need to preserve, when all the technology they have come to enjoy if not depend on, fades away?

It circles back to the question that the Elders ask Simon at the end of Vision in Silver, “how much human should we keep?” and its unspoken corollary, “how many humans should we keep?” The answers are going to be interesting, to say the least.

Cass: In the end, I don’t believe Marked in Flesh is an essential entry of The Others. You could learn all you need to know from the one line found on pg. 374. Feel free to skip this one and wait for book 5 to be released.

I give Marked in Flesh a C- for Clearly on Cruise Control. The only reason this installment exists is to hammer home the evils of masturbation. The only reason it’s not D for Dull is the Periodic Adventures of Hope Wolfsong.

Marlene: While it may not be an essential entry in the series, I still found Marked in Flesh to be compulsively readable and eminently distracting. I got totally sucked in and read the book in a single evening. While there are plenty of uncomfortable overtones to Meg’s relationship with Simon, I very much liked all the other relationship building in the book, all the developing friendships and alliances.

So I give Marked in Flesh a B+ for its ability to keep me completely absorbed.

Review: Holding Strong by Lori Foster

Review: Holding Strong by Lori FosterHolding Strong (Ultimate, #2) by Lori Foster
Formats available: paperback, ebook, audiobook
Series: Ultimate #2
Pages: 475
Published by HQN Books on March 31st 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Heavyweight fighter Denver Lewis plays real nice, but he doesn't share. That's why he's been avoiding top-notch flirt Cherry Peyton. But a man can only resist those lush curves for so long. Their encounter surpasses all his fantasies, bringing out protective urges that Cherry's about to need more than she knows…
Denver's combination of pure muscle and unexpected tenderness has been driving Cherry wild. Yet no sooner does she get what she's been craving than old troubles show up on her doorstep. And this time, Cherry can't hide behind a carefree facade. Because the man by her side is one who'll fight like hell to keep her safe…if only she'll trust him enough to let him…

My Review:

I really enjoyed the very rambunctious “family” atmosphere of the rec center, and I love the personalities of all the guys who train there, but the romantic relationships that develop in this series, at least so far, feel just a bit off.

Let me explain…

The guys in this series are all very alpha. They are MMA fighters and are very protective of anyone in their orbits who is weaker than they are, which, let’s face it, is just about everyone. That the guys all keep a special look out for Cannon’s sister Merissa and her roommate Cherry is kind of a endearing in a way. The Ohio town they live in is not just small, but definitely kind of rough around the edges.

no limits by lori fosterBut, just as happened in No Limits (reviewed here) when Denver finally admits that he’s fallen for Cherry, some aspects of both the alpha male protectiveness and Cherry’s capitulation to it go a bit too far. Far enough to make this reader more than a bit uncomfortable.

Denver and Cherry have been circling around each other since the day they met. But their baggage gets in the way. Cherry is very friendly to all the guys, and Denver sees her friendliness as flirtatiousness. Which he doesn’t see her take to the point of taking anyone home with her. But Cherry’s party-girl vibe reminds Denver of a woman in his own past, and he keeps away from Cherry because he’s so possessive he has problems seeing her talk with another man.

Cherry is just being friendly, because she was isolated as a teen. And I feel myself cringe as I justify her behavior, because it doesn’t require justification. She is an unattached adult, and who she flirts with, is friends with, or sleeps with is no one’s business but her own.

But she wants Denver, so when circumstances finally conspire to give them a chance to work out why Denver is avoiding Cherry, she propositions him, and he gives in.

And that feels like the last time that Cherry has any agency in this story.

Because Cherry gets sick after their blistering hot night together. There’s a flu bug going around, and it catches her. She and Denver, and the rest of the gang, were out of town watching one of the guys fight, so she’s away from her support network. Denver steps in to take care of her, and never steps back.

But he takes care of her over her wishes. Because she is sick and feverish, she is admittedly not quite in the best position to make good decisions, but it sets the pattern for the story. When even worse stuff happens with her evil, manipulative and absolutely stalkerish foster brothers, Charity also makes bad decisions – and again, Denver ignores her wishes and gets involved anyway, pushing her to the point where she gives over all decision-making to him.

And the problem set up by the story is that her foster brothers are way nastier than she can handle, and she ends up looking stupid for not giving over to Denver from the beginning. These men terrorized her as a teen, and are physically much stronger than she is. As well as the simple fact that the three of them are working together to further their evil ends, where Cherry has always been alone. They are too much for her to handle by herself, but instead of being part of the planning and decision-making in regards to what to do about them, she just turns it all over to Denver.

Escape Rating C: I have to downgrade this rating because Cherry’s continual loss of agency throughout the story makes me so angry. She’s set up to look stupid because she wants to handle the situation herself, and then gives up any control over her life.

And every time she even talks with another man, Denver gets possessively jealous and starts going through her purse and looking through the calls log on her phone. It would be all too easy to flip this story and have Cherry need to be rescued from an obsessive would-be boyfriend, and make that work.

tough love by lori fosterI’m also uncomfortable because, looking back at the story in No Limits, it seems as if Yvette’s story parallels Cherry. She’s being stalked by someone evil and more powerful than she is, and she gives complete control to Cannon instead of being a part of her own rescue. And again, she needs Cannon’s help and it looks stupid that she doesn’t grab for it at the beginning. This is not a pattern I enjoy and one that I hope does not continue in the next book in the series, Tough Love.

Review: Finding Mr. Right Now by Meg Benjamin

Review: Finding Mr. Right Now by Meg BenjaminFinding Mr. Right Now by Meg Benjamin
Formats available: paperback, ebook
Series: Salt Box #1
Pages: 324
Published by Samhain Publishing on June 2nd 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Reality can be hotter than fiction.
"The Salt Box Trilogy, Book 1"
Monica McKellar, associate producer of "Finding Mr. Right," is desperate. One of the show s bachelors has bailed one week before shooting starts. She not only needs a replacement ASAP, he has to get the temperamental bachelorette s stamp of approval.
Fortunately there s a hot guy right under her nose who s a perfect fit. Unfortunately, he pushes all "her" hot buttons. Until the show s over, her hands and every other part of her body are tied.
When Paul Dewitt signed on to write for the reality show, Bachelor #10 wasn t supposed to be in his job description. He fully expects to be cut early on, which will free him to focus on the real object of his attraction. Monica.
Instead, he s a finalist, and they re all packed in an SUV climbing the Continental Divide, headed for Salt Box, Colorado. Where stampeding horses, vindictive tabloid editors, and one capricious bachelorette s waffling over suitors may conspire to end Paul and Monica s romance before it even starts.
Warning: Contains hot sex on the sly, cold nights, creaking wicker couches, and a gypsy wagon that gives a whole new appreciation for the pioneers."

My Review:

I picked this up because I really enjoyed the author’s Ramos Family Trilogy (Medium Well, Medium Rare and Happy Medium) and was hoping that lightning would strike twice.

Nope.

Instead, I have an entire SUV-load full of mixed feelings and reactions. As you’ll read in a minute.

The love story here takes place on the disaster-prone set of a reality TV show. As many things as go wrong, you’d think this was on a Survivor-clone, but it isn’t. Instead, this is an alternate version of The Bachelor, where one of the photogenic losing bachelorettes becomes the star of the first series of The Bachelorette. Although I think this kind of happened.

In any case, in the book, the shows are produced by a fairly downmarket cable production company, and everything is on a shoestring. That might make good comedy, and probably did for some readers.

But the story here isn’t about the starring bachelorette finding true love through the show. Instead, that starring bachelorette loses her original starry-eyed belief in true love. It’s the long-suffering assistant producer who finds the love of her life.

Unfortunately for both of them, she finds that love with one of the erstwhile bachelors. Which is where a good chunk (hunk?) of the sexual tension comes in. Both Monica and Paul are single and unattached, and would normally be free to explore whatever is happening between them.

But they can’t until the show is over, because it will ruin an illusion that no one is really buying into. And they can’t seem to hang on to their pants for the six weeks needed to complete the show.

Escape Rating C+: It’s hard to rate this one. I found the scenario behind the book incredibly contrived. That could be because I’m not a fan of reality TV.

I liked the two protagonists quite a bit. Monica is incredibly put upon as the assistant producer, but she keeps taking the hard knocks and doing her job. She’s self-aware enough to know that jobs in show business are hard to find, and that this is what she expected when she decided to be in the business. But it isn’t until she meets Paul Dewitt that she starts looking for the next phase in her life. Not just that it would be great to have someone to come home to, but that she has learned all she can where she is, and it’s time to move up the ladder. Or on to a less dysfunctional production company. Or both.

I also liked Paul, although the situation he finds himself in seems as contrived as the TV show. He was not a contestant to be one of the bachelors. He’s a writer for the show who found himself in the wrong place at the wrong time and got dragooned into the bachelor pool by the self-absorbed bachelorette and the tyrannical producer.

And that’s where things kind of go off the rails for this reader. A big part of this story is all about Monica becoming the “babysitter” for the self-absorbed sweetheart diva of a bachelorette. Little Ronnie probably isn’t half as dumb as she acts, but she comes off as a combination of wide-eyed innocence, total vapidity, and utter self-absorption that made me clench my teeth every time she appeared. She’s also incredibly manipulative, but you’re never quite sure just how deliberate she is in that manipulation.

Except for Monica and Paul, all of the other producers and writers involved with this production company are at best totally overwhelmed and completely oblivious to everything outside their own sphere of crises to solve, and at worst, and this is most of them, they are actively vile. There doesn’t seem to be anyone likable in the company except for Paul and Monica. The photographer on the shoot with them isn’t actively awful, but that’s as high a bar as anyone else in the company manages to reach.

So it feels like the show is toxic, which means that their work environment is toxic. One understands why they both want to escape, but one questions their sanity at being involved at all. It wouldn’t be fun to work in, and it isn’t fun to read about, either.

On that other hand, I liked the town of Salt Box where they get stranded for a couple of days. It’s a quirky place, but it feels more real. Or at least more nuanced in its insanity. While one of the locals is often called “Dick the dick”, when we (and Monica) get to know him a little better, we discover that while he is the curmudgeon that he appears, he isn’t really quite that big of an asshat. He just doesn’t suffer fools, and tests everyone in his orbit to make sure they are not before he lets them in.

At the end of this story, I feel more than a bit of sympathy for Dick. He discovers that Paul and Monica are not fools, and lets them into his circle and out of the circle of Hell they are currently working in. And he makes sure that the rest of the cast and crew of that show all stay OUT.

Review: Burning Bright by Megan Hart, KK Hendin, Stacey Agdern, Jennifer Gracen + Giveaway

Review: Burning Bright by Megan Hart, KK Hendin, Stacey Agdern, Jennifer Gracen + GiveawayBurning Bright: Four Chanukah Love Stories by Megan Hart, KK Hendin, Stacey Agdern, Jennifer Gracen
Formats available: paperback, ebook
Pages: 400
Published by Avon Impulse on December 1st 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

This December, take a break from dreidel spinning, gelt winning, and latke eating to experience the joy of Chanukah. When you fall in love during the Festival of Lights, the world burns a whole lot brighter.
It’s definitely not love at first sight for Amanda and her cute but mysterious new neighbor, Ben. Can a Chanukah miracle show them that getting off on the wrong foot doesn’t mean they can’t walk the same road?
Lawyers in love, Shari Cohen and Evan Sonntag are happy together. But in a moment of doubt, he pushes her away—then soon realizes he made a huge mistake. To win her back, it might take something like a Chanukah miracle.
When impulsive interior designer Molly Baker-Stein barges into Jon Adelman's apartment and his life intent on planning the best Chanukah party their building has ever seen, neither expects that together they just might discover a Home for Chanukah.
All Tamar expected from her Israel vacation was time to hang out with one of her besties and to act like a tourist, cheesy t-shirt and all, in her two favorite cities. She definitely was not expecting to fall for Avi, a handsome soldier who’s more than she ever dreamed. 

My Review:

In the avalanche of holiday romances that arrives every November and December, I seldom see anyone like myself. Why? Because there is a dearth of Hanukkah romance in the middle of all the Christmas. And just like the heroines in this collection of Hanukkah romances, I’m Jewish. It was beyond marvelous to read romances that reflected some of my experience, where the cultural background is the one that I remember from my own family. So for that alone, this collection is a marvelous collection of Hanukkah lights.

But these are also terrific love stories, and anyone looking for something slightly different in their holiday romance will certainly find someone and something to love in this bunch of treats. Or bag of chocolate Hanukkah gelt.

My favorite story in the book is the first one, Miracle by Megan Hart. It’s a love story, and it is also a story about finding your own path, even if it is not the one that other people think you should follow. So it’s a story about growing up and breaking away. Ben has moved to Harrisburg, PA of all places, in order to get away from his ultra-orthodox religious community back in New York. While it is impossible to grow up in the U.S. without some exposure to popular (and Christian) culture, Ben’s community in NYC was as isolated in its own way as the Amish. Popular culture was something forbidden, and something that happened very much on the outside of the insular and insulated community. But when the girl that Ben was supposed to marry falls in love with his best friend, Ben takes the opportunity to escape a life that doesn’t fit him. He wants to travel, he wants to experience the entire world, and he doesn’t want to take over his father’s kosher grocery store chain. He isn’t sure what he wants for his life, but he wants a wider world than the one he has experienced so far.

In Harrisburg, he meets Amanda. While Amanda is also Jewish, she has grown up in the wider and predominantly Christian world. In Amanda’s life, while she is proud of being Jewish, she has also experience some anti-Semitism and has the experience of being a minority where most people she meets are different from herself. Ben often seems critical because she does not act the way that he was brought up to expect “good girls” to act, while at the same time he is definitely attracted both to her and the adaptation to the world as a whole that he craves. When his father shows up at his doorstep in an attempt to guilt Ben into returning home, Ben is caught between the life he had, and the life he wants with Amanda.

In both A Dose of Gelt by Jennifer Gracen and A Home for Chanukah by Stacey Agdern, while the details in the stories are different, the theme is the same. In both stories, the couple are negotiating the shift from friends and lovers to lovers and partners. And in both cases, there is a huge bump in the smoothness of that road. In Gracen’s story, Evan and Shari have been lovers for several months, long enough for both of them to think seriously about the future. But they are both lawyers, and Evan in particular is a divorce lawyer. He has soured on marriage so much that he isn’t sure he will ever want to enter that institution for himself. When he brings Shari home for the holidays, his unwillingness to ever marry runs headlong into his family’s desire for him to settle down with Shari, and Shari’s coalescing thoughts that someday she would like to marry and have children, and that she would like her someday with Evan.

The relationship between Jon and Molly in Agdern’s story is much newer than the one in A Dose of Gelt, but hits similar rocky shoals. Jon invites interior designer Molly to turn his empty apartment into a place he will feel at home – but when he comes back from a business trip and sees what she has done, he feels invaded and exposed, and pretty much shoots the messenger, meaning Molly. It takes a lot of appropriate groveling and some very pointed nudging from Jon’s family and Molly’s friends to get Jon to see the light. Or lights.

KK Hendin’s story, All I Got, gave me a bit of trouble. I liked the happy ending, but getting there was a bit confusing. Tamar returns to Israel for Winter break, and meets a handsome soldier. She falls in love, but keeps her feelings to herself, knowing that she has to return to the U.S. to fulfill her college scholarship. That handsome soldier, Avi, finds a way to follow her to the States, so he can discover if what they feel for each other is real. The story is told from Tamar’s first person perspective, with lots of inserted quotes from either her friends or from others who have written about the experience of traveling to or living in Israel. The quotes are fascinating, and Tamar’s story is lovely, but for this reader they didn’t blend together well.

Escape Ratings:
Miracle by Megan Hart: A-
A Dose of Gelt by Jennifer Gracen: B
A Home for Chanukah by Stacey Agdern: B+
All I Got by KK Hendin: C+

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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Review: The Determined Heart by Antoinette May + Giveaway

Review: The Determined Heart by Antoinette May + GiveawayThe Determined Heart: The Tale of Mary Shelley and Her Frankenstein by Antoinette May
Formats available: paperback, ebook, audiobook
Pages: 410
Published by Lake Union Publishing on September 29th 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

The Determined Heart reveals the life of Mary Shelley in a story of love and obsession, betrayal and redemption.
The daughter of political philosopher William Godwin and feminist Mary Wollstonecraft, Mary Shelley had an unconventional childhood populated with the most talented and eccentric personalities of the time. After losing her mother at an early age, she finds herself in constant conflict with a resentful stepmother and a jealous stepsister. When she meets the Romantic poet Percy Bysshe Shelley, she falls deeply in love, and they elope with disastrous consequences. Soon she finds herself destitute and embroiled in a torturous love triangle as Percy takes Mary’s stepsister as a lover. Over the next several years, Mary struggles to write while she and Percy face ostracism, constant debt, and the heartbreaking deaths of three children. Ultimately, she achieves great acclaim for Frankenstein, but at what cost?

My Review:

One of the enduring tales about Mary Shelley is the story of the dark, stormy and miserable night in 1816 when Lord Byron challenged all of his guests to write a ghost story. Out of that challenge came the foundation of two branches of fiction – John Polidori’s The Vampyre, the precursor to Bram Stoker’s more famous Dracula, which is the basis for vampire fantasy and the fiction of the paranormal; and Mary Shelley’s Frankenstein, which is the foundational work of science fiction.

Frankenstein, or, The Modern Prometheus, was first published in 1818. Her post-apocalyptic novel The Last Man, was published in 1826. Those two works predate everything else we think of as science fiction. Jules Verne and H.G. Wells came later, writing at the end of the 19th century.

Mary Shelley by Richard Rothwell c. 1840
Mary Shelley by Richard Rothwell c. 1840

But what about Mary Shelley herself? Who was this woman? What shaped her into a woman who could invent this iconic story of a lonely man and his equally lonely monster, forever tied together and forever separate from the rest of mankind?

The Determined Heart is an attempt to tell Mary’s story from Mary’s point of view. It’s an interesting idea, but runs into a few, actually more than a few, problems in the execution.

We all know the bare bones of her life. Her father was a radical philosopher. and her mother was Mary Wollstonecraft, the author of A Vindication of the Rights of Woman. But Mary Wollstonecraft died not long after her daughter was born, so the shaping of Mary Shelley was left to others.

Mary Shelley was married to one of the most famous poets of the early 19th century, Percy Bysshe Shelley. But the story of their elopement and eventual marriage is only the stuff that dreams are made of if those dreams include a lot of poverty and an incredible amount of selfish self-absorption on all sides.

Their story, Mary Shelley’s story, reads more like tragedy than romance, with occasional forays into farce. It’s not a pretty story, but then, neither is Frankenstein.

Escape Rating C: This was a story that gave me fits. While on the one hand, I wanted to learn more about Mary Shelley, on the other hand, the way that this story was told made me want to shake every single one of the participants. But I definitely got caught up in the story. The more I wanted to slap some sense into most of them, the more engaged I got.

This is not a likable bunch of people. Some of that has to do with their own behavior, and some of it I’ll confess with my 21st century perspective. I kept having to remind myself that women in the 19th century had no political identity, potentially very little personal freedom, and very few respectable or even economically reasonable ways to make a living. Which meant that they more than occasionally acted like doormats or attached themselves to men who could support them whether there was any love or even respect involved or not.

Just the same, most of the behavior of most of the participants in Mary’s story come off as downright appalling. Another factor, and one we forget, is that they were all so incredibly young during these events, and quite often exceedingly immature with it.

Mary’s stepmother Jane Clairmont is portrayed as the quintessential evil stepmother. And it is not just that she favored her own daughter over Mary and her half-sister Fanny, but that she treated Fanny like Cinderella, with no handsome prince on the horizon. Fanny became a drudge while Claire Clairmont got spoiled rotten. Very rotten.

Percy Bysshe Shelley by Alfred Clint (1819)
Percy Bysshe Shelley by Alfred Clint (1819)

When Percy Bysshe Shelley seduced Mary into leaving with him, Mary is 17, Bysshe is 21, and 17-year-old Claire invites herself along because she’s bored and wants to steal Bysshe from Mary. Bysshe is meanwhile leaving his pregnant wife behind to run off with Mary and Claire. He also at least half-heartedly flirted with poor Fanny, so she ends up alone, overworked and desperately depressed.

As people, they don’t improve. Fanny eventually commits suicide, as does Bysshe’s poor estranged wife, finally allowing him to marry Mary and acquire a thin veneer of respectability. We see this strange menage travel from one escapade to another, with Bysshe having affairs with every woman who catches his fancy while Mary gets pregnant and loses three children.

One of the ongoing themes in the story is the way that Mary continues to let Claire push her around. Claire has an extremely forceful personality, but Mary seems to lose all self-respect when Claire is in the picture. Or Mary keeps giving into Bysshe who always wants another woman around for inspiration, no matter how much he loves Mary. This is the part that sent me furthest round the bend. I found it difficult to believe that the intelligent woman who later managed to make a living with her writing couldn’t find a way of getting the odious Claire out of her life.

We see all the characters, including their charismatic friend Lord Byron, as petulant, impulsive, self-indulgent and very, very young. If this were a complete fabrication instead of historical fiction we would still know that it won’t end well. Which it didn’t.

That Mary finally grows into herself upon Bysshe’s death is the redemption of her story, but the parts that detail her life after his accidental drowning at age 29 are given woefully short shrift.

frankenstein by mary shelleyFrankenstein is a work of towering genius. Unfortunately, this fictionalized biography of its creator reads as if it were intended as a new adult romance, and stops just when she gets to be the mistress of her own fate. There is absolutely nothing wrong with new adult romance, but I expected more from this book and especially from these people as characters in it. Which doesn’t make this portrait less true, but does make the characters more infuriating.

Next year is the 200th anniversary of the publication of Frankenstein. As a fictionalized introduction to the life and times of its creator, The Determined Heart is flawed but interesting. I hope that there will be more treatments of Shelley’s life and work as the anniversary moves closer.

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Review: Circling the Sun by Paula McLain

circling the sun by paula mclainFormat read: ebook provided by the publisher via NetGalley
Formats available: hardcover, ebook, large print, audiobook
Genre: historical fiction
Length: 384 pages
Publisher: Ballantine
Date Released: July 28, 2015
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo, Book Depository

Paula McLain, author of the phenomenal bestseller The Paris Wife, now returns with her keenly anticipated new novel, transporting readers to colonial Kenya in the 1920s. Circling the Sun brings to life a fearless and captivating woman—Beryl Markham, a record-setting aviator caught up in a passionate love triangle with safari hunter Denys Finch Hatton and Karen Blixen, who as Isak Dinesen wrote the classic memoir Out of Africa.

Brought to Kenya from England as a child and then abandoned by her mother, Beryl is raised by both her father and the native Kipsigis tribe who share his estate. Her unconventional upbringing transforms Beryl into a bold young woman with a fierce love of all things wild and an inherent understanding of nature’s delicate balance. But even the wild child must grow up, and when everything Beryl knows and trusts dissolves, she is catapulted into a string of disastrous relationships.

Beryl forges her own path as a horse trainer, and her uncommon style attracts the eye of the Happy Valley set, a decadent, bohemian community of European expats who also live and love by their own set of rules. But it’s the ruggedly charismatic Denys Finch Hatton who ultimately helps Beryl navigate the uncharted territory of her own heart. The intensity of their love reveals Beryl’s truest self and her fate: to fly.

Set against the majestic landscape of early-twentieth-century Africa, McLain’s powerful tale reveals the extraordinary adventures of a woman before her time, the exhilaration of freedom and its cost, and the tenacity of the human spirit.

My Review:

“Are you married or do you live in Kenya?” was a common saying about the European colony in Kenya during the early 20th century.

Beryl Markham almost seems to embody the phrase. She was “the other woman” in Karen Blixen’s famous relationship with adventurer Denys Finch Hatton (remember Out of Africa?). But Finch Hatton was “the other man” in Karen Blixen’s marriage to Baron Bror Blixen. Who in turn had another woman whom he married the minute his divorce to Karen was final.

Denys Finch Hatton
Denys Finch Hatton

Finch Hatton was infamously single. He seems to have cut a wide swath through the females of the European colony, whether they were married or not. And Finch Hatton almost seems to be the central figure of Circling the Sun. The story purports to be a fictionalized autobiography of Markham, but reads more like a recitation of her terrible choices in men and her continual angst about Finch Hatton.

Even though the Circling the Sun title refers to Markham’s famous solo flight from England to North America, the first woman to solo west across the Atlantic, I don’t think it is a coincidence that Finch Hatton’s biography is titled Too Close to the Sun. He seems to have been the sun around which Markham (and Karen Blixen) circled from the time they met until his untimely death in an airplane crash.

I read Markham’s own autobiography, West with the Night, several years ago, but it still feels like a much more complete picture of her fascinating and adventurous life than Circling the Sun. For one thing, West with the Night continues her story after her iconic flight.

Circling the Sun reads more like a recitation of Beryl’s many and usually disastrous love affairs. She seems to have continuously leaped before she looked, and ended up in hot water every time.

She was undoubtedly a trail blazer. She was a famous and well-respected horse race trainer, and was the first woman to receive a trainer’s license in the colony. Unlike Karen Blixen, who came to Africa as an adult, Beryl Markham and her family transplanted to Kenya when she was a small child. And even though her mother left Kenya, Beryl’s father and Beryl when Beryl was still a small child. Beryl’s experience of Africa is of growing up without much supervision except from the nearby villagers. Her father was too busy trying to keep his farm financially afloat.

But as Beryl grows up, she goes from one absolutely disastrous relationship to another. I felt a certain amount of irony. On the one hand, she feels like a modern woman, someone who would be more at home in today’s society, where women do not have to marry to have a financial identity or to be considered adults. But on that other hand, because she was a woman in the early 20th century and not the 21st, she kept marrying the wrong man in order to have someone, because Finch Hatton was unavailable.

The flight that cemented Markham’s fame is used in this book as a framing story. We don’t see nearly enough of her preparation for the flight, her decision to undertake it, and absolutely nothing of what happened after.

west with the night by beryl markhamEscape Rating C-: Beryl Markham led an absolutely fascinating life in a time and place that is utterly gone. This version of her story reduces all of her achievements and tragedies to a chronicle of her angst over her catastrophically bad choices in men and relationships.

There were bits of this story I liked, especially the parts about her childhood in Africa, but the deeper the story got into her romantic angst, the less I liked it. If you’re truly interested in this amazing woman, just read West with the Night.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.