Review: The Three Mrs Greys by Shelly Ellis

Review: The Three Mrs Greys by Shelly EllisThe Three Mrs. Greys by Shelly Ellis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: mystery, thriller
Pages: 320
Published by Dafina Books on March 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

One wealthy businessman, a trio of unsuspecting wives, and an explosive turn of events. In this scandalous, twist-filled new series from award-winning author Shelly Ellis, will too many secrets and one devastating bond unite three women--or destroy them?
Noelle. Diamond. Vanessa. Each woman believes she is Cyrus Grey's only wife--until he's nearly shot to death. Now, as he lies in a coma, the deceptions keep coming, unraveling everything they thought they knew...
Gorgeous model Noelle's marriage to Cyrus anchored her--though she couldn't understand why he wouldn't have a baby with her. They certainly had the money. But she's learning fast just how Cyrus became so rich--thanks to his fatally attractive business partner...
For Diamond, marrying Cyrus saved her from the streets--and being a pimp's punching bag. But her past makes her the police's prime suspect in Cyrus' shooting. She's determined to get to the truth--if she can she survive long enough to tell it...
Even with her beautiful house, three kids, and elegant lifestyle, Vanessa sensed something was wrong in her marriage. But she never expected this--or that taking a lover for comfort would change the game completely.
With danger closing in, Cyrus' life hanging in the balance, and collateral damage threatening to take them all down, how far will each woman go to be the real Mrs. Grey?

My Review:

Grey is not an uncommon surname. It’s not out of the question for there to be three – or probably a whole lot more – Mrs. Greys in the Washington DC/Baltimore megapolis.

But Cyrus William Grey is a considerably less common name taken all together. While it’s still possible for the man to have had three wives one after another – divorce is certainly a thing, after all – for three women to all believe that they are CURRENTLY Mrs. Cyrus William Grey is a bit of a stretch.

That they all had a reason to kill him – or to have him killed – after their mutual discovery isn’t actually a surprise. That one of them may have attempted to do the deed before she found out about the other two is what makes this story so fascinating.

The story of the three Mrs. Greys is really about the falling of a house of cards – and just what happens to all of those cards once they’ve crashed to the ground around the builder of that house – in this case Cyrus William Grey.

At first, it seems like the story is all about the women – and just about the women. Mostly because Cyrus is laid up in the hospital after taking three bullets to the chest and is in a medically induced coma. He’s not “there” to keep his house of cards from crashing.

That’s where things get interesting, as the three Mrs. Greys reveal who they are, or who they used to be, or a bit of both, without Cyrus there to keep them guessing or placated or too busy to notice what the man behind the curtain is doing.

Who might not be, or might not only be, Cyrus Grey.

Escape Rating B: I don’t want to say too much about the story, because this is one of those stories where layers keep peeling back, not just the layers that Cyrus deliberately put in place, but also the layers of secrets that his three wives managed to wrap around themselves during all the time when they thought he was away on a business trip.

After all, if each of them was only getting about a third of his time, that means they each had another 2/3rds to spend alone. Or not alone, as at least one of the cases turns out to be.

The story is told through alternating points of view, day by day, for the week after Cyrus Grey gets himself shot. And he certainly did get himself shot. Not that he set himself up, but that he wasn’t keeping track of all the messes he left in his wake as he danced between his wives and his not-quite-successful-enough business.

Supporting three separate households in the style to which they wished to become accustomed is an expensive undertaking. One that threatens to send Cyrus Grey to an undertaker – one way or another.

This isn’t a case where the reader has to like one – or honestly any – of the protagonists in order to get caught up in the story. No one has clean hands in this one, and everyone has secrets that aren’t as secret as they thought they were. But the whole thing is utterly fascinating. The reader – along with all three Mrs. Greys – can’t help but marvel at the whole thing. It’s not a surprise that it fell apart, it’s a surprise that he managed it as long as he did.

So The Three Mrs. Greys is that kind of deliciously scandalous story where just desserts get passed all around. And it’s so satisfying in the sense that the whole thing couldn’t have happened to a more deserving bunch of people. (Not quite like the Thrombey family in Knives Out – but comparisons could be made)

It’s also not over yet. The author plans to continue the story in further books. After all, nobody’s dead yet. Considering just how big of a mess this is, somebody’s going to be a dead body before the last of those just desserts is finally served.

One final note: when I was growing up, Cincinnati was not as big as the Baltimore/DC metro area is now, but it wasn’t exactly a small town, either. We used to regularly get telephone calls for the other Joe Harris who lived in Cincy, whose wife was also named Shirley like my mother. It’s probably a good thing I wasn’t old enough to be interested in books like this one, otherwise I would have been VERY suspicious!

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Just Get Home by Bridget Foley

Review: Just Get Home by Bridget FoleyJust Get Home by Bridget Foley
Format: eARC
Source: supplied by publisher via NetGalley
Genres: suspense, thriller
Pages: 352
Published by Mira on April 13, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

When a devastating earthquake - the Big One - hits Los Angeles, two strangers are brought together by an act of violence and must help each other survive the wrecked city.
Beegie is riding the bus when the quake hits. The teenager was heading back to her unhappy foster home, but then she’s thrown into a broken world. Roads crumble, storefronts shatter and people run wild.
Dessa, a single mom, is enjoying a rare night out when it strikes. Cell towers are down, so without even knowing if her 3-three-year-old daughter is dead or alive, she races to get back across town.
As danger escalates in the chaotic streets, Beegie and Dessa meet by a twist of fate. The two form a fragile partnership, relying on each other in ways they never thought possible, and learn who they really are when there’s only one goal: Just get home.

My Review:

One of the things I liked about yesterday’s book was that even with werewolves in the mix the author made it clear that monstrosity and monstrousness was really a human condition. No werewolves – or any creature that goes bump in the night – need apply, because we’re nasty enough on our own.

Just Get Home is a story about the evil that men – and women, but mostly men – do when the restraints of so-called civilized society are stripped away. It’s a story about what happens when the world comes to an end – at least temporarily.

And this story is all the more monstrous for feeling so close to the real and the here and the now.

Escape Rating B: I have more feelings about this book than I do coherent thoughts, so I’m putting the rating up early. I don’t read a lot of thrillers, and I was expecting this one to more about the journey and the unlikely partnership between Dessa and Beegie, and less about the messes their lives were in before.

This is also a book where I recognize that it’s good of its type and that lots of people are going to love it from the edge of their seat, but that I’m not the right reader for it. YMMV.

It doesn’t help my own reading of the story that Beegie and Dessa are hot messes long before the story opens. And that so much of the mess of Dessa’s life was of her own making. She had – and still has at least before the quake hits – PLENTY of options. I’d have felt more sympathy for her if she’d tried and failed than that she doesn’t seem to have tried at all.

But where Dessa is in her mid-late 20s, Beegie is a decade younger or a bit more. She’s been bounced around the foster care system for reasons that are not of her making, and it feels like her life is in the situation it’s in before the story opens because her choices have been so limited by race, by poverty, by age and by gender. She isn’t making good choices, but she is also so stuck in so many different ways that it’s no surprise that she lashes out the few times she can.

One of the things this book does well, when it focuses on the immediate present and not either character’s past, is the immediacy of all the ways that civilization and civilized behavior break down in the wake of a disaster. The frightening thing is that if the “Big One” really does hit California things will likely be even worse.

For this reader, the harrowing nature of their journey drove home that life at its best and certainly at its worst is considerably more dangerous for women in so many ways that their situation forces them to think about constantly.

And us too.

Review: Split Shift by TA Moore + Excerpt + Giveaway

Review: Split Shift by TA Moore + Excerpt + GiveawaySplit Shift (Night Shift #2) by T.A. Moore
Format: eARC
Source: author
Formats available: ebook
Genres: M/M romance, paranormal, urban fantasy
Series: Night Shift #2
Pages: 117
Published by Rogue Firebird Press on April 19, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

The hard thing about Night Shift is when you realize werewolves are bad news, but people can be worse.

After Night Shift officer Kit Marlow solved the murder of child star Haley Jenkins, he figured he was due a little down time. Maybe even a dinner date with Cade Deacon, the sarcastic security consultant, very good kisser, and werewolf who'd helped with the investigation.

That was before someone in a Night Shift uniform drove them both off the road. With the full moon up the only dinner date Cade is interested in...has Marlow served up on a plate. And not in a sexy way.

It's the second time that corrupt Night Shift officers have tried to kill Marlow. If he has his way, it will be the last. Problem is he only has twenty-eight days before the next full moon. If he hasn't identified who wants him dead by then, he'll have to take to werewolf filled streets with a team at his back he can't trust.

First things first, though. Get through the next twelve hours alive and uneaten, and hope that if a second date is still on the cards it's less eventful.

My Review:

The awesome tease that was the first book in this series, Shift Work, left me screaming for more because it ended on an honest-to-goodness (more likely badness or badassness in this case) cliffhanger.

As in someone just T-boned Marlow’s car – with Cade in it – and left them precarious hanging onto the end of a literal, actual cliff as dusk descends and the full moon comes up over the horizon.

Meaning that Cade is about to wolf-out and Marlow is going to be on his menu – and not in the way that the two men were both hoping.

The thing is, though, that the car that crashed them onto that cliff’s edge was driven by someone in a Night Shift uniform – one of Marlow’s fellow officers. Someone he’s supposed to be able to trust to have his back on those nights when it really isn’t safe out there.

Marlow’s all too aware that it isn’t safe for him inside his own squad – a safety that he hoped he’d gotten back after a past betrayal by a dirty cop nearly ended both his career and his life. But the case that put Marlow and Cade into each other’s orbits in Night Shift isn’t done yet.

Someone is still out to get him. He just has to figure out who before they succeed. Because he’s still hoping for that date with Cade – and he has to be alive to enjoy it.

Escape Rating A-: Godsdammit but she did it again. I turned the last page of this book and realized that this case still isn’t done yet. At least Marlow isn’t hanging over the edge of an actual cliff this time. But I’m not satisfied – actually neither are Marlow and Cade – because this case still isn’t over.

ARRRGGGHHH!

One of the things that this series so far is doing really well, besides teasing its readers half to death, is showing that no matter who or what the monster of the day is in urban fantasy – this time it’s werewolves – that the real monsters, forever and always, are human beings.

The wolves are just following biological imperatives. They aren’t culpable for what happens when they are shifted. They really aren’t.

When the wolves are assholes, and some of them are, it’s not because they are wolves. They are assholes because they are humans for all except the three nights of the full moon. And human beings frequently, often, suck.

And not in a fun way.

So, the problem that Marlow is having has nothing to do with wolves – even when they are chasing him. It’s humans every single time. The question that he has just begun to solve at the end of his Split Shift revolves around exactly which ones? And just how far will they go to get him out of their way?

Maybe we’ll find out in the next book in the series. Pretty, please, Ms. Author? Soon, please!

Guest Post from TA Moore + Chapter 2 of the Night Shift prequel short (check out Chapter 1 at Love Bytes)

First of all, thank you so much for having me! I’m thrilled to be here with my new release, Split Shift by TA Moore, the second novella in the Night Shift series.

For the blog tour I’ve written a short story set in the Night Shift world. I hope you enjoy!

Chapter 2

Sorry.

It was technically the third apology. So far Brian hadn’t responded to any of them. Marlow stared at the phone screen for a second and then dropped his head back against the cushioned, pleather back of the booth in frustration. He stared up at the ceiling, a single cobwebby string of dust strung from one chrome light fitting to the tiles.

Three months ago Brian had thought dating someone in Night Shift was exciting. Hot. Dangerous in a sexy way. He’d wanted Marlow to turn up at his apartment in uniform, the more battered the better.

Now he had either left Marlow on read the morning after the full moon, or he’d slept through their dinner/breakfast date.

The call-and-response rhythm of food orders pitched up and down in the background. Start the Day Right was open at breakfast, but it mostly catered to the night shift. Both the Night Shift who kept the city safe during the full moon, and the less celebrated ones who kept the city running during it. So there was the occasional pancake order or call for fried beets and eggs–who didn’t like breakfast food all day?–most of the orders were for fried chicken, avocado sandwiches, and beers.

“You ready to order, love?” the waitress asked.

Marlow lifted his head. “Sorry,” he said.

For all the ‘love’ the waitress looked about twenty four. She winked at him and clicked her pen.

“Not the first who’s dozed off in here,” she said. “Not even the first today. You ready to order.”

Piper had left his order before he’d stepped out to make a call. That was easy.

“Buffalo Chicken Sandwich, extra spicy,” he said.

The waitress scratched half the order down, and paused on the spicy. “Are you sure?” she asked. “When we say something is extra spicy, it’s made people go blind.”

“That’s what he wants,” Marlow said, with a nod to Piper’s jacket on the other chair. While the waitress wrote the rest of the order down, Marlow gave the menu a quick once over. The thought of food made his stomach knot, but he supposed he had to have something on the plate. “Crispy ginger latkes?”

She nodded and scrawled it down. A swipe of the pen underlined the order and she turned to go, only to rock back on her heels as she came face to face with Piper.

“Oh!” she said. A wide smile crossed her face. “Ned! If I’d known it was your table I’d not have questioned the extra-spicy sauce.”

“I’d hope not,” Piper said. “Make that two of the same, along with whatever Marlow ordered.”

She amended the order quickly and headed off to the kitchens. A few other diners tried to catch her attention on the way past, but she waved them off. Piper pulled the chair on the other side of the booth out and sat down.

“Budge up,” the tall, blond man told Marlow as he slid into the booth next to him. His elbow nudged Marlow in the ribs and he smelled of fresh soap and leather. “You’re in my spot.”

Piper took a drink of coffee. “Marlow,” he said. “Meet Colin Franklin. He just got cleared to get back to work.”

“I got a new hip,” Franklin said with bluntly weaponised good cheer as he took his jacket off. “I try and think of it as more cybernetic than geriatic.”

“How’s that going?” Marlow asked.

He shifted up the bench to put space between them. Franklin promptly shifted back

into the space, his leg pressed against Marlow’s under the table.

“Better some days than others. On the plus side I learned to play a mean hand of bridge,” Franklin said. He stole Marlow’s coffee and took a drink. The taste made him grimace and give it back. “Bean juice. Gross. You can keep that.”

“It isn’t mine,” Marlow lied blandly. “It was on the table when we got here.”

There was a visible pause as Franklin stopped the schtick. The genial goofball slipped for a second and Franklin’s heavy-boned, handsome face settled into a thoughtful expression. It only lasted a moment then was banished with a lazy grin.

“All right, at least people won’t think you’re funnier than me,” he said.

“He’s better at hand to hand,” Piper said conversationally. He unwrapped his cutlery and laid it out on the table. “Drives like an old lady, though.”

Franklin laughed, despite the flicker of annoyance he’d shown at the first part of the sentence. “Shows what you know,” he said. “Some of the old dears in getting their hips done would have put half the cops on the force to shame. They’d run down a toddler down to get to a toilet paper sale.”

Marlow resisted the urge to move further up the bench. He’d just end up squashed into the corner and still have Franklin’s thigh against his.

“No offense, sir,” he said. Piper made a face at the ‘sir’ and Franklin sucked air through his teeth. “What is this in aid of?”

There was a pause as the waitress came back from the kitchen, plates in hand. She slid them onto the table, introducing each as she went, and grabbed a pot to top up their cups. When she finished she chirped ‘enjoy your meal’ and headed over to a nearby table that had been trying to get her attention.

“…we were here first,” one of the men grumbled. “How come they got served first?”

Marlow missed the justification for that as Piper reclaimed his attention.

“Franklin was my first pick for Night Shift,” he said as he tucked his napkin into his lap. “You both know that. He has the experience, I know he has the nerve, and the skills I want to bring to the team.”

Shit.

For a second Marlow’s chest cramped, tight and wet as if he’d just swallowed water, and then he relaxed. It wasn’t exactly what he’d wanted to hear, but it was done. He took a bite of his latkes and started to play what next.

Robbery hadn’t been that bad, but with six months on Night Shift under his belt he could move to Homicide. Or just…move? The Sheriff’s Department had their own Night Shift division, for the small towns and out in the desert. That was another option. Or another city? State?

The idea felt huge. Marlow had spent his whole life in San Diego, but his family was gone and his friends weren’t lifelong ones. There was Brian, but…

It wasn’t like he’d texted back yet.

“See?” Piper said to Franklin. He sounded obscurely pleased. “That’s what Marlow brings to the team. He’s unflappable, even in the middle of a fight. So yeah, Franklin was my first choice but you were always a close second, Marlow. I’d rather not get rid of either of you. It puts us over-budget on our wages for the year, but Quints is retiring in six months and we can absorb it until then.”

Franklin slapped Marlow on the shoulder. It was a little too hard to be friendly. “You sitting there near shitting yourself,” he chuckled, “And for what?”

“The other shoe,” Marlow said. He watched Piper over the rack of condiments in the middle of the table. “We aren’t getting a free meal for nothing are we?”

Piper smirked. He added more hot sauce to his sandwich and took a bite. The batter crunched between his teeth and juice dripped over the plate as he set back down on the table. He wiped his mouth and then his hands on a napkin as he chewed until he could swallow.

“Are you two going to be able to work together?” he asked. “Or you going to be butting heads about who’s my favorite the whole time?”

Franklin shrugged and picked up his burger. “I just want to get back to work,” he

said. “I’m not in it for back pats and medals.”

He took a huge bite and chewed contentedly–and noisily–on it.

“I don’t care who’s the favorite,” Marlow said. “I just want to do the job.”

Piper dipped a fry in the hot sauce and bit it neatly in half. He gave both of them a slow, greasy-lipped smile.

“Good,” he said. “Tonight you get to prove it. I’m going to yoke you two together, see if you can put aside your egos and do what needs done. If you can’t, well, then I guess I have a decision to make.”

He waved the waitress down again and asked for the rest of sandwich to go. It came back to the table in a neat box with a ‘little bit of something sweet to get through till tonight’.

“See you tonight at the briefing,” Piper said as he stood up. “Get some sleep.”

He walked out, bag swinging from one hand.

“I mean, you know I am the favorite right?” Franklin said as he shoved the last bite of chicken and fries into his mouth. “First choice. See you tonight, rookie.”

He bumped Marlow with his shoulder, slid out of the booth and left. The smear of hot sauce left on his plate was sour and strong enough to wrinkle Marlow’s nose. He’d not left any money.

The latkes were only ok. Marlow finished his coffee and tilted his head to catch the waitress’s eye. She topped up a coffee and sauntered over.

“Refill?”

“Just the bill,” Marlow said.

She laughed and shook her head. “No. It’s always on the house for Piper,” she said. “He saved the owner’s kid one full moon. And you, of course, thank you for your service!”

Catch the next chapter tomorrow at Two Chicks Obsessed and follow the tour for the rest of the story!

About the Author:

TA Moore is a Northern Irish writer of romantic suspense, urban fantasy, and contemporary romance novels. A childhood in a rural, seaside town fostered in her a suspicious nature, a love of mystery, and a streak of black humour a mile wide. As her grandmother always said, ‘she’d laugh at a bad thing that one’, mind you, that was the pot calling the kettle black. TA Moore studied History, Irish mythology, English at University, mostly because she has always loved a good story. She has worked as a journalist, a finance manager, and in the arts sector before she finally gave in to a lifelong desire to write.

Coffee, Doc Marten boots, and good friends are the essential things in life. Spiders, mayo, and heels are to be avoided.

Website | Facebook | Twitter | Instagram | Goodreads |

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Review: The Last Bookshop in London by Madeline Martin

Review: The Last Bookshop in London by Madeline MartinThe Last Bookshop in London: A Novel of World War II by Madeline Martin
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 320
Published by Hanover Square Press on April 6, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Inspired by the true World War II history of the few bookshops to survive the Blitz, The Last Bookshop in London is a timeless story of wartime loss, love and the enduring power of literature.
August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and blackout curtains that she finds on her arrival were not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop nestled in the heart of London.
Through blackouts and air raids as the Blitz intensifies, Grace discovers the power of storytelling to unite her community in ways she never dreamed—a force that triumphs over even the darkest nights of the war.

My Review:

This was an utterly charming read, and I was definitely charmed by it. I’m saying that in spite of, just yesterday, claiming that I seemed to be suffering from a bit of WW2 historical fiction fatigue. It appears that that book just wasn’t the right book, where The Last Bookshop in London definitely was.

When we, along with Grace and her bestie Viv, arrive in London in 1939, Primrose Books is far from the last bookshop in London. It’s just that the rest of them seem to be congregated on Paternoster Row, while Primrose Books is a bit off the beaten path – albeit a bit closer to where Grace and Viv take up lodgings with Mrs. Weatherford.

The young women are from Drayton, a country town the dust of which neither of them could shake off their shoes fast enough. Mrs. Weatherford grew up in Drayton, like the girls, but of an earlier generation. In fact, the generation of Grace’s late mother. And they were besties back then, just as Grace and Viv are now.

And there was a war coming then too. History, damn it all, repeats the worst of its patterns.

Grace needs Mrs. Weatherford’s help, in the form of Mrs. W’s ability to boss around pretty much everyone in her orbit – including Mr. Evans, the curmudgeonly owner of Primrose Books. Which is very much within the scope of her bossing.

Grace needs a job but doesn’t have a reference – and isn’t brazen enough to fake it the way that Viv most definitely is. Mr. Evans needs someone to brighten up both the store and his life for reasons that are not apparent when we and Grace first meet him, although his need certainly is.

And Grace, dives in with a will, even though she has no idea how to sell books because she hasn’t been much of a reader – at least not so far. But she understands marketing, as she’s done it before back in Drayton, and she’s good at organization, and she needs to work with/for/at Mr. Evans for 6 months in order to get a good reference. That’s the deal he made with Mrs. Weatherford. Grace just has to earn that reference, which will just take hard work and a bit of managing – of Mr. Evans, that is.

But the dark clouds of war that have been looming on the horizon much longer than anyone wants to admit turn into a full blown storm of German bombs, just as Grace gets her feet under her in London. A London that is now on fire.

Bomb damage from St. Paul’s towards Paternoster Row

Escape Rating A-: Although this story covers very large events, the London Blitz being the obvious exploding elephant in the story’s “room”, it’s not actually a big story. It isn’t about important people directing earth-shaking events – even though the earth does frequently shake under the nightly assault by German bombers.

Rather, this is a story about ordinary people rising to the occasion, managing through adversity, keeping calm, carrying on and doing their bit to keep themselves, their friends and their neighbors together in the face of their world seeming to fall apart.

And in the midst of grief, loss and rationing, bombs falling and spirits all too often falling right along with them, it’s also a story about the power of a good book to take a person – or a whole group of people in a bomb shelter – away from the worst parts of their here and now into someone else’s there and then. Knowing that when they come back from their imaginary adventure the world will seem just a bit less grim for both the tiny escape and the shared camaraderie.

Grace’s Primrose Books may not have actually been the “Last Bookshop in London” even in the story. But Paternoster Row, the center of the British publishing industry, was destroyed during the Blitz as described herein, taking most of London’s bookstores along with it.

In spite of the Blitz, the retreat from Dunkirk, the deaths among Grace’s family of choice in London, The Last Bookshop in London is actually a hopeful story. Not just because as readers we know the result of war, but because of the way that the community that Grace has built around herself and the bookstore rallies ‘round and lifts her up – along with themselves – at even the lowest moments of the story.

So, as I said at the very beginning, The Last Bookshop in London was simply a charming and lovely read. If you like historical fiction centered on World War II, especially about the British Homefront, and/or stories about the power of reading and stories to lift people up and carry them away, this is a story that will bring as big a smile to your face as the stories that Grace reads aloud do to all of her listeners.

Review: The Venice Sketchbook by Rhys Bowen

Review: The Venice Sketchbook by Rhys BowenThe Venice Sketchbook by Rhys Bowen
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical romance, World War II
Pages: 412
Published by Lake Union Publishing on April 13, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

Love and secrets collide in Venice during WWII in an enthralling novel of brief encounters and lasting romance by the New York Times bestselling author of The Tuscan Child and Above the Bay of Angels.
Caroline Grant is struggling to accept the end of her marriage when she receives an unexpected bequest. Her beloved great-aunt Lettie leaves her a sketchbook, three keys, and a final whisper…Venice. Caroline’s quest: to scatter Juliet “Lettie” Browning’s ashes in the city she loved and to unlock the mysteries stored away for more than sixty years.
It’s 1938 when art teacher Juliet Browning arrives in romantic Venice. For her students, it’s a wealth of history, art, and beauty. For Juliet, it’s poignant memories and a chance to reconnect with Leonardo Da Rossi, the man she loves whose future is already determined by his noble family. However star-crossed, nothing can come between them. Until the threat of war closes in on Venice and they’re forced to fight, survive, and protect a secret that will bind them forever.
Key by key, Lettie’s life of impossible love, loss, and courage unfolds. It’s one that Caroline can now make right again as her own journey of self-discovery begins.

My Review:

This dual timeline story follows the adventures – and misadventures – of two women in two separate eras but in the same exact place, La Serenissima. Venice.

Their stories are linked, not just by the city, and not just by these two women’s relationship to each other, but also to a family that influences both of their lives.

They are also both at points in their lives when they are making fresh starts – and bittersweet endings.

As we meet Caroline, her marriage is ending, and so is the life of her beloved great aunt, Lettie. Lettie and her sister, Caroline’s grandmother Winnie, raised her after the death of her own parents in their tiny country town not too far from London. Caroline loves both women, but Lettie has been both her inspiration and her rock for all of her life, and now that support is gone.

Leaving behind one final request, that Caroline go to Venice, a place that Lettie seems to have loved but that Caroline never knew was such a part of her great-aunt’s life, along with enough money for Caroline to make the trip, scatter Lettie’s ashes, and perhaps figure out what made the request so important to the dying woman that she hung on long enough to make that one last request.

So Caroline goes to Venice to learn what she can, in hopes of figuring out what compelled Lettie, and to take the opportunity to figure out where her own road will lead her next.

What she discovers, or who she discovers, is the woman her staid, upright, prim, proper and utterly respectable great-aunt Lettie used to be. A young woman named Julietta, an art student trapped in Venice when Britain declared war on Italy.

A woman who became a spy, a mother, a prisoner of war and a refugee. A woman who left behind everything she loved and everything she held dear to make a new life back in her old home. A life that seemed to be a complete rejection – or a tomb – for the woman she had once been.

A woman determined, in her last moments, that it was time for someone she loved to uncover her truth.

Escape Rating B-: World War II is a rich period for historical fiction of all types and stripes. To the point where I have three books in a row that are set during the same period, Friday’s The Consequences of Fear, this book today, and tomorrow’s The Last Bookshop in London. This is also not the only book this year to be set in World War II Italy, the other being Our Darkest Night by Jennifer Robson, which is somewhere in my virtually towering TBR pile.

All that’s to say that it feels like parts of this story have been done before, and recently, and perhaps for this reader a bit of World War II historical fiction fatigue has set in. So I found this take on that historic conflict to be a bit too much like too many things I’ve read before, in spite of the change in setting.

And as a result of that fatigue I enjoyed Caroline’s side of the story more than I did Julietta’s. I’d rather have seen Caroline actually researching Lettie’s history rather than just reading Lettie’s diary.

I think that the issues I had with Lettie/Julietta’s part of the story was that so much of what she did has been written before, and the parts of the story that were unique to her were a bit too predictable, especially her doomed romance and its results.

Let’s just say it was a VERY good thing for Caroline that Lettie was her great-aunt and not her grandmother.

One piece of Caroline’s story that I felt a great deal of resonance for was the way that it intersected with 9/11 and its aftermath, both in the portrayal of how countries outside the US both viewed the tragedy and moved on, and the way that it impacted people who were not remotely close to the event. It echoed for a while for all of us, and that was captured well.

So this is a story I’m kind of on that painful fence about. I liked Caroline a lot, I ended up seeing Julietta as both heroic and  incredibly naïve at the same time, and I wanted the 21st century story more than I did the historic one. Your mileage may vary, especially if you’ve not experienced the same kind of WW2 historical fiction fatigue or you’ve not read much about that period in Italy as opposed to the more usual settings of France or Britain..

And on my other hand, I have previously enjoyed several of this author’s WW2 stories, particularly In Farleigh Field and The Victory Garden and will undoubtedly be back again the next time she returns to the period.

TLC
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Review: The Bookstore on the Beach by Brenda Novak

Review: The Bookstore on the Beach by Brenda NovakThe Bookstore on the Beach by Brenda Novak
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, women's fiction
Pages: 448
Published by Mira on April 6, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

"A page-turner with a deep heart."—Nancy Thayer, New York Times bestselling author of
Girls of Summer

How do you start a new chapter of your life when you haven’t closed the book on the previous one?
Eighteen months ago, Autumn Divac’s husband went missing. Her desperate search has yielded no answers, and she can’t imagine moving forward without him. But for the sake of their two teenage children, she has to try.
Autumn takes her kids home for the summer to the charming beachside town where she was raised. She seeks comfort working alongside her mother and aunt at their bookshop, only to learn that her daughter is facing a huge life change and her mother has been hiding a terrible secret for years. And when she runs into the boy who stole her heart in high school, old feelings start to bubble up again. Is she free to love him, or should she hold out hope for her husband’s return? She can only trust her heart…and hope it won’t lead her astray.
"A heart-tugging romance. Readers are sure to be sucked in.”—Publishers Weekly, starred review  

My Review:

The bookstore on the beach in Sable Beach belongs to, let’s call them late-middle-aged sisters Mary and Lauren. As this tumultuous summer opens, Mary is waiting for her grown-up daughter Autumn to arrive for one last summer with her kids, her daughter Taylor and son Caden.

There’s more than a bit of bittersweetness in Mary’s anticipation, and in Autumn’s as well as she makes the drive up from her home in Tampa. Taylor will be a senior in high school in the fall, and Caden will be a junior. This is probably the last summer of their, not exactly childhood, but the last summer when they’ll all be together as a family before Taylor and Caden accelerate their inevitable pull away into adulthood, with jobs, college and relationships speeding up that separation.

But it’s also a first summer for Autumn. This is the first summer she’s come home to the beach without even the prospect of her husband dropping in for a week or two of vacation. Not because they are divorced, and not because he’s dead.

At least not as far as Autumn knows.

Autumn is stuck in a hellish limbo. Her husband went on a business trip to Ukraine, the country his family immigrated to the U.S. from. He left 18 months ago, without telling Autumn he was going. He seems to have gone at the behest, or under the aegis, or at least with the knowledge of, the CIA and/or the FBI or one (or possibly more) of the alphabet agencies.

Nick Divac disappeared somewhere in Ukraine. Or in Russia. Or into an unmarked grave. Or a prison. Or a cave. Autumn doesn’t know and hasn’t been able to get anyone at any of those alphabet agencies to give her much in the way of information. Even the private investigator she hired in Ukraine has found nothing but dead ends. But also no confirmation of Nick’s actual death.

But this isn’t just Autumn’s story. All of the women in her family, her mother Mary, her daughter Taylor, and certainly Autumn’s self, have something huge hanging over them this summer. Some of those things, most of those things, are secrets. All of them have the power to change their lives, when, and not if, they come crashing down.

They can’t go back to the way things used to be. The only question is how they go forward, and whether they can manage to hold on to each other and do it together.

Escape Rating B-: The Bookstore on the Beach is one of those stories where not a whole lot happens, while at the same time a whole lot that might happen or probably will happen is being worried over or anticipated – if not exactly eagerly. The eventual happenings are more of a relief – mostly – than the waiting.

Every woman in the family spends the entire book waiting for the other shoe to drop. Not that the first shoe has actually dropped. They each have something HUGE hanging over their heads. I found myself looking for the collective noun for swords – like a murder of crows, a leap of leopards, an unkindness of ravens. Because this is story about a family walking around with their very own separate and individual Sword of Damocles hanging over their head and following them around.

A cache of Swords of Damocles? A store of Swords of Damocles? Perhaps even an Armory of Swords of Damocles?

Mary is on tenterhooks expecting someone to expose her past – a past she has never revealed to her daughter. Taylor is unsuccessfully pretending that she’s not avoiding even thinking about the secrets in her present. And Autumn lets herself start a new relationship with her biggest teenage crush, all the while caught between hoping and fearing that her missing husband will return – just when she’s given up and moved on.

All of their fears are very, very real, even if the situations that both Mary and Autumn are in stretch the bounds of credulity just a bit. Not that what happened to them doesn’t happen in real life, more that it’s a stretch that both things happened in the same family.

The size of the cria herd of drama llamas (yes, I looked it up, “cria herd” is the collective noun for llamas) is so large as to stretch the pasture that holds my willing suspension of disbelief.

Because this story begins with Autumn’s husband already missing, I felt a bit like I’d been dropped midway into a series. Like I should have read the earlier parts of Autumn’s story as background in someone else’s. But this is a standalone, so no.

Also, because Autumn’s husband has been gone for quite a while at the beginning, her memories of him and their life together have been overlaid or muted by time, confusion and grief. He’s not present enough even in memory for him to really be missed. And her descriptions of their life together, while they don’t paint him in exactly a bad light, don’t give the reader enough to really buy into the romance they are supposed to have had.

Unlike her romance in her present with Quinn, which is lovely and heartfelt and heartbreaking in all of its glory – of which there is quite a lot. The combination of these elements made the ending a bit abrupt. It’s the ending the reader wants, but it’s sharp and hard and doesn’t really feel earned. It’s a situation where a true HEA doesn’t feel quite right, because it’s they are caught up in a mess where someone is bound to end up very unhappy indeed.

But I really liked all three, Mary and Autumn and Taylor. I loved the town of Sable Beach, and felt very envious of the bookstore itself even though I know it’s a much harder and more precarious way to make a living than the book can or should get into. It’s a lovely place, a beautiful haven, and I wouldn’t mind visiting again.

Review: Tell No Lies by Allison Brennan

Review: Tell No Lies by Allison BrennanTell No Lies (Quinn & Costa Thriller, #2) by Allison Brennan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: mystery, romantic suspense, suspense, thriller
Series: Quinn & Costa #2
Pages: 432
Published by Mira on March 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Something mysterious is killing the wildlife in the mountains just south of Tucson. When a college intern turned activist sets out to collect her own evidence, she, too, ends up dead. Local law enforcement is slow to get involved. That’s when the mobile FBI unit goes undercover to infiltrate the town and its copper refinery in search of possible leads.
Quinn and Costa find themselves scouring the desolate landscape, which keeps revealing clues to something much darker—greed, child trafficking and more death. As the body count adds up, it’s clear they have stumbled onto much more than they bargained for. Now they must figure out who is at the heart of this mayhem and stop them before more innocent lives are lost.

My Review:

There’s a reason why so many jokes about how good a friend one is or has begin with something about moving, burying or just hiding bodies. As in the dead body or bodies of the enemies that you’ve killed. It’s usually a joke.

It’s also deadly serious in this mystery thriller, as the case begins with dead bodies. Bird bodies, killed by toxic runoff from an illegal waste dump. Probably waste from the local copper refining operation.

But those poor birds’ bodies lead to the human corpse of a young conservationist who was frustrated with her boss’ unwillingness to investigate the cause of those birds’ death. Her freelance, solo investigation results in her own body at one of the sites she hoped might lead her to the culprit.

And it kind of does, just not in any way that she expected – or lived to see.

Tell No Lies is a story that definitely puts the suspense in romantic suspense, as the murder of Emma Perez sets in motion a chain of events that seriously stretches the long rubberbanding arm of coincidence, only for it to snap back and burn all the people who got stuck in its path.

This is also a story about blood being thicker than water. Not just in the usual way that people will do anything for family but also in the way that people will end up in the middle of stupid shit for family. So both thick meaning close but also thick meaning dense – as in dealing with family makes people act like they are not exactly the sharpest knife in the drawer – whether they normally are or not.

So this story begins with a murder. It middles as the FBI using the murder to do an investigation into illegal toxic waste dumping by a respected local company. It’s only as the bodies start piling up that the FBI puts the pieces together into a puzzle that is on a whole other level of awful from what they initially suspected.

While one of their own is caught in the trap.

Escape Rating A-: As far as genre goes, Tell No Lies is a bit hard to pin down – kind of like the problem they have figuring out the size and shape of the case that brings this FBI mobile response team to tiny Patagonia, Arizona.

Just as the story begins with illegal toxic dumping, quickly jumps to murder, then spreads tentacles into fraud, kidnapping, human trafficking, gun running, drug smuggling and back around to murder again, this book begins as a mystery, loops in suspense and thriller, and tacks on romantic suspense for spice (so to speak) not to mention a few more bodies.

What makes the story so compelling is those tentacles. The FBI, in the person of Agent Matt Costa and his team, come to Patagonia with the intent of using the murder to find the illegal toxic waste dumping. At the beginning, they kind of think they know, if not whodunnit, at least who is involved in doing it.

But, just like every twist and turn in this case, they’re sort of right and also sort of wrong at the same time. Because the things they think are connected are not. But they also are. And that confusion leads to them getting in their own way, over and over again.

Which is what makes the story so damn fascinating. It’s one step forward, two steps back, three steps sideways in an ever-widening pattern. There’s an old saying that goes, “It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so.”

That’s what happens in this case. The FBI thinks they know a lot of things that just aren’t so. They think it’s all about the toxic dumping. The team has undercover agents in place to watch the people they believe are involved. They think their informant is acting on the side of the angels.

There are plenty of hints that make the reader aware that there is more going on than initially meets the eye. But the way that it explodes and the reasons for it confound everyone – including the reader. Or at least this one. Even though who was involved did eventually get clear enough, the why was not what anyone was expecting. At all.

Which is what made this an edge of the seat read from beginning to end.

One final note. This is the second book in a series that looks like it’s going to continue. I haven’t read the first book, The Third to Die, and didn’t feel like I’d missed much by not having done so. It’s pretty clear that this team is still in the process of jelling and it was easy to get into it. But it’s also clear that the sometimes resolved sexual tension between FBI Agent Matt Costa and LAPD Detective Kara Quinn began in that first story and at the moment in this one is just kind of a mess. I’m not certain that this one needs the romance angle, but that may be because I didn’t see it begin. Also because whatever relationship they sorta/kinda have is seriously awkward and messy at best at this point.

Hopefully their relationship gets, if not some resolution – because I suspect the on again/off again nature of it is going to be part of the suspense for a few books – at least becomes less of a mess in future books in the series. And I definitely want there to be future books in the Quinn & Costa Thriller series, because the mystery/suspense/thriller parts of this case kept me glued to the book from start to finish!

Review: The Path to Sunshine Cove by RaeAnne Thayne

Review: The Path to Sunshine Cove by RaeAnne ThayneThe Path to Sunshine Cove by RaeAnne Thayne
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Series: Cape Sanctuary #2
Pages: 336
Published by Harlequin HQN on March 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

With the emotional pull of Debbie Macomber, Barbara Delinsky and Susan Wiggs, RaeAnne Thayne brings readers an uplifting, brand new story told with her trademark charm and heart.

She knows what's best for everyone but herself...

With a past like hers, Jessica Clayton feels safer in a life spent on the road. She's made a career out of helping others downsize--because she's learned the hard way that the less "stuff," the better, a policy she applies equally to her relationships. But a new client is taking Jess back to Cape Sanctuary, a town she once called home...and that her little sister, Rachel, still does. The years apart haven't made a dent in the guilt Jess still carries after a handgun took the lives of both their parents and changed everything between them.
While Jess couldn't wait to put the miles between her and Cape Sanctuary, Rachel put down roots, content for the world--and her sister--to think she has a picture-perfect life. But with the demands of her youngest child's disability, Rachel's marriage has begun to fray at the seams. She needs her sister now more than ever, yet she's learned from painful experience that Jessica doesn't do family, and she shouldn't count on her now.
Against her judgment, Jess finds herself becoming attached--to her sister and her family, even to her client's interfering son, Nate--and it's time to put everything on the line. Does she continue running from her painful past, or stay put and make room for the love and joy that come along with it?

My Review:

For the reader, the actual path to Sunshine Cove is lovely, charming and very, very scenic, although for the characters proceeding along that path there are plenty of metaphorical pebbles stuck in the shoes they are walking it in, and a few outright boulders being smuggled in their baggage.

And yes, I meant baggage and not luggage, because this is a story about the baggage that sisters Jess Clayton and Rachel McBride have been carrying since their childhood.

Jess is about to turn 30, Rachel is not far behind her at 28, and that baggage lays between them like a deep rut on that path. It’s also weighing both of them down and keeping them from finding their true happy ever after – no matter how much each of them is pretending to have already found it.

There’s a famous quote about parents and their children, the one that goes, “There are two things we should give our children: one is roots, and the other is wings.” Jess and Rachel are struggling because their parents gave them neither, and as a consequence Rachel’s life has become rooted in their old baggage, while Jess has taken permanent wing in an ultimately vain attempt to fly away from it all.

But as another old saying goes, “No matter where you go, there you are.”

So, as The Path to Sunshine Cove begins, Jess is literally on the road to Sunshine Cove, on her way to help Eleanor Whitaker declutter the house that her late husband and his family have owned for generations. It’s Jess’ job and her calling, helping people go through decades of accumulated “stuff”, whether just as a grand spring cleaning, in preparation for downsizing, or as a way of moving on with life after a death in the family as Eleanor says she is.

That Eleanor’s house on the California coast is just down the road from Jess’ sister Rachel’s home with her husband and three children is both the reason that Jess took the job and a source of internal stress and conflict. Jess wants to see her sister and her family. She wishes they were close – like they used to be when they were girls and it was them against the world.

But they haven’t been close for years, and it seems like what little connection they have is brittle and ready to shatter at any moment. They talk, but they don’t say anything. They can’t manage to reach across the great divide between them, and aren’t sure whether to keep trying or to finally let go.

The thing is, all that Rachel lets Jess see is the picture-perfect life she presents to her Instagram followers. And all that Jess lets Rachel see is the footloose and fancy-free surface of her satisfying but sometimes emotionally-wrenching job.

But Rachel’s life is falling apart, and Jess’ life is emotionally empty, and it’s all a consequence of that heavy baggage they are both carrying from a childhood that caused more damage than anything else.

On their path to Sunshine Cove, it’s time to see if they can find each other again – or if they’re both too scared to let go of their baggage to reach for happiness – and sisterhood.

Escape Rating A-  was an absolutely lovely read for a lazy Sunday afternoon – which is when I started – and finished the book. The characters were absolutely charming, the setting sounded utterly gorgeous, and the story was heartwarming every step of the way.

This is one of those books that sits quite comfortably on the border between women’s fiction – or relationship fiction as my colleagues call it – and contemporary romance. The story here is really about the relationship – and the initial fumbling lack thereof – between sisters Jess and Rachel. It’s also about Rachel’s faltering relationship with her husband, and the way that those fumbles are rooted in Jess’ and Rachel’s childhood trauma.

And it’s about Jess’ growing relationship with the entire Whitaker family, and not just the romantic relationship she develops, pretty much in spite of herself, with her client’s son Nate. This is one of those stories where I like to say that “a romance occurs” rather than the story being centered on the romance. Because it’s not.

Instead, it’s centered on Jess and her developing relationships with everyone around her during her job at Sanctuary Cove, including the relationship with her sister. Because just as Jess and Rachel have taken the opposite ends of that “roots and wings” paradigm, they’ve also taken positions that are at opposite ends of the spectrum in how they deal with the damage left by their parents.

Rachel has turned into a people-pleasing perfectionist, making sure she’s part of every volunteer opportunity in town, and that her life at least appears perfect all the time. Not just for her Instagram followers, but because she needs that perfection – just as her mother did.

While Jess has arranged her life so that she never stays anywhere very long, never has a chance to develop connections with anyone, just dropping into people’s lives, doing her job, doing it very, very well, but keeping her distance and then moving on. She’s afraid to need anyone because her mother needed way too much.

They both have way more emotional baggage than could possibly fit in Jess’ beloved Vera, the classic Airstream trailer that she lives in while she criss-crosses the country from one cluttered place to another.

Stopping in Sunshine Cove, letting herself become involved in the lives around her, not just her sister but also Eleanor Whitaker, Nate and Nate’s 13-year-old daughter Sophie, allows Jess to finally put down just enough roots to have a great – but not perfect – life. While Rachel, with just a bit of tough love from her sister, gives up on perfection in order to find the happiness she almost lost.

This is the second book that the author has set in and around beautiful Sanctuary Cove, after last year’s charming The Sea Glass Cottage. Although the two stories share the setting, and have similar themes, nothing happens in Sunshine Cove that will make a new reader think they missed something by not having read the other book. (I completely lost sight of this being a second book in series while I was reading it.) So if this story sounds like your cup of tea, feel free to start here, you won’t be disappointed.

But that also means you’ll love the first book, The Sea Glass Cottage, every bit as much as this one!

Review: Murder by Page One by Olivia Matthews

Review: Murder by Page One by Olivia MatthewsMurder by Page One (Peach Coast Library Mystery #1) by Olivia Matthews
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Peach Coast Library Mystery #1
Pages: 336
Published by Hallmark Publishing on March 23, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


If you love Hallmark mystery movies,
you’ll love this cozy mystery
with humor, romance, and a librarian amateur sleuth.

Marvey’s a librarian from Brooklyn who makes book-themed jewelry as a hobby, looks after her cranky cat, and supports events for readers and authors. She’s still adjusting to quirky small-town life in Georgia—and that’s before she discovers a dead body in a bookstore.
When her new best friend becomes a suspect, Marvey develops a new hobby: solving a murder mystery. With her talents for research, her knowledge gleaned from crime novels, and a whole lot of determination, she pursues the truth. But even as she gets closer to it, could she be facing a deadly plot twist?
This first in series cozy mystery includes a free Hallmark original recipe.

My Review:

Cymbeline and Peach Coast Georgia seem to be just up the road from each other, both are picturesque small Georgia towns, not too near and not too far from the “big” cities of Atlanta and Savannah. Both are places where an outsider can be considered a “real” resident after not too much time, and both seem to be lovely places for a extremely amateur detective to take up the investigation of murder as a slightly dangerous hobby.

If you’re wondering, Cymbeline is the location of the Georgia B&B cozy mystery series, while Peach Coast is the setting for today’s cozy mystery, featuring Marvey Harris as the budding sleuth desperate to save her best friend in her new town, Jo Gomez, the owner of the oh-so-tempting To Be Read Bookstore.

Back to Marvey, who is always very tempted by that bookstore, as she is the recently transplanted Community Engagement Director at the Peach Coast Library. The more that she can raise awareness of the library and increase participation in all the wonderful things that the library has to offer, the better her chances of helping the library to get a much-needed budget increase – not to mention keep the job she moved from New York City (and the New York Public Library) to take.

Synergy between the library and the local bookstore is certainly part of her strategy as it is in real library life too. That Marvey and Jo have bonded over their mutual love of reading is icing on a very tasty cake.

Or it is until their big event at the bookstore, a multi-author book signing for several published authors who live in Peach Coast, is interrupted by the murder of one of those authors who is supposed to be signing her books.

But when Fiona Lyle-Hayes doesn’t come out for the signing, Marvey, Jo and local newspaper owner, editor AND reporter (also local heartthrob) Spence Holt start searching the store’s backrooms for their reluctant author. Only to discover her not-yet-cold corpse.

When the local cops seem to be taking the easy way out of solving the murder – accusing Jo because the body was found in her store – instead of actually investigating the crime, Marvey and Spence take the investigation into their own amateur hands.

After all, they’re both good at research, and they have much more open minds than the local deputies. The deputies want Jo to be guilty because she’s not a local and it would make their jobs easier all the way around if she were the culprit.

Marvey and Spence however, are sure that Jo is innocent – and certain that there were plenty of locals who had a much better motive – actually any motive at all – for killing one of the most unpopular people in town.

Their quest to find a better suspect makes a whole lot of people in Peach Coast extremely uncomfortable. People like the mayor, who controls the town’s, and therefore the library’s, budget; those local cops who don’t like having doubt cast on their investigative prowess – and the real killer hidden in the shadows.

Escape Rating B: Peach Coast, like Cymbeline, seems like a wonderful place to visit. One of those places where I wish I knew the town it was modeled on, because it would only be a day trip from home.

This is, after all, the start of a cozy mystery series and Peach Coast sounds so very cozy.

As the story begins, Marvey is very much an outsider in this small town, something that is often the case for detectives, whether amateur or professional, at least in fiction. She’s only been in town for four months, and no matter how long she stays she’ll always be considered a bit of an outsider. Except for being certain that her friend isn’t the murderer, Marvey doesn’t have any preconceived notions of who the murderer might be. But she does need more local knowledge than she has, and that’s where Spence comes in. His roots in the community go back generations, he knows everyone and everyone knows him. While he’s equally certain Jo didn’t do it, there are people in town he is more than inclined to believe are also innocent. That’s not an issue in this case but it might be if the series continues.

One of the things that worked very well in this amateur investigation was the way that all of the things they thought they knew about the victim turned out to be misleading at best and utterly false at worst. Because Fiona was an outsider, and because she tended to keep herself to herself, there was more gossip about her than fact and people believed the gossip because it was salacious.

Shy people are often thought to be arrogant and aloof, and Fiona got lumped into that kind of misjudgment.

The process of the amateur investigation, the one step forward two steps back nature of it, the false starts and hard stops, was done very well, even if a couple of things that happened made me feel like either I missed something or the detectives did. Specifically, we never did really get an explanation of why the local cops so very focused on Jo from the outset. She had zero motive, while the victim was a controversial figure around town to say the least, meaning that the number of people with seemingly excellent motives was rather high – much too high to be ignored by the cops. Something about that part of the scenario smelled rotten. I kept expecting the cops to either be involved or at least have their own motive for their behavior, but we didn’t see it.

That no one, neither the librarian nor the newspaperman nor the cops did any actual investigation of the victim’s life before she moved to Peach Coast felt like an obvious point that got overlooked by, clearly, everyone.

That being said, the whole thing was a lot of fun and I enjoyed following Marvey – and Spence – in the process of finding out who really done it. Also in what looked the very first steps of possibly exploring a relationship beyond mere friendship – or partners in solving crime.

Part of that enjoyment, part of the reason I picked up Murder by Page One in the first place, was that Marvey Harris was a librarian. And she read and felt like “one of us”, which made the book even more fun for this librarian to read and enjoy! (And as a librarian myself, I can’t resist recommending the Georgia B&B series, starting with Peach Clobbered, makes a terrific readalike for Murder by Page One and vice-versa!)

As this is the first book in a new series, I’m looking forward to a return visit to Peach Coast whenever Marvey finds herself involved in another case.

 

About the Author

Olivia Matthews is the cozy mystery pseudonym for Patricia Sargeant, a national best-selling, award-winning author. Her work has been featured in national publications such as Publishers Weekly, USA Today, Kirkus Reviews, Suspense Magazine, Mystery Scene Magazine, Library Journal and RT Book Reviews. For more information about Patricia and her work, visit PatriciaSargeant.com.

Author Links 
 

 

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Review: The Stills by Jess Montgomery + Giveaway

Review: The Stills by Jess Montgomery + GiveawayThe Stills (Kinship #3) by Jess Montgomery
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Kinship #3
Pages: 352
Published by Minotaur Books on March 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

With compassion and insight, Jess Montgomery weaves a gripping mystery and portrait of community in The Stills, the powerful third novel in the Kinship series.
Ohio, 1927: Moonshining is a way of life in rural Bronwyn County, and even the otherwise upstanding Sheriff Lily Ross has been known to turn a blind eye when it comes to stills in the area. But when thirteen-year-old Jebediah Ranklin almost dies after drinking tainted moonshine, Lily knows that someone has gone too far, and—with the help of organizer and moonshiner Marvena Whitcomb—is determined to find out who.
But then, Lily’s nemesis, the businessman George Vogel, reappears in town with his new wife, Fiona. Along with them is also her former brother-in-law Luther Ross, now an agent for the newly formed Bureau of Prohibition. To Lily, it seems too much of a coincidence that they should arrive now.
As fall turns to winter, a blizzard closes in. Lily starts to peel back the layers of deception shrouding the town of Kinship, but soon she discovers that many around her seem to be betraying those they hold dear—and that Fiona too may have an agenda of her own.

My Review:

I picked up The Stills for two reasons. One, because I read the second book in the Kinship series, The Hollows, and was absolutely fascinated with this fictional portrait of a female sheriff in rural southeastern Ohio in the 1920s. A time and a place where the last thing that a reader – or a resident – would expect is that the hand of local law enforcement belongs to a woman. Or that the fictional Sheriff Ross is based on a real historical figure, Maude Collins of Vinton County, Ohio.

The second reason is that Prohibition is a singularly fascinating failure in American history. It is almost a textbook case for the road to hell being paved with good intentions. The concept was laudable, but the result was a disaster. One that we seem to have learned few lessons from.

Those two fascinations combine in The Stills. It’s the winter of 1926. Even before the Great Depression, that part of Ohio was economically depressed, as it has been historically. What is not well known outside of the area is that this particular part of Ohio is considerably more a part of Appalachia than it is the city and suburban Midwest that are typically thought of when Ohio is mentioned.

Which meant, at least in the 1920s and probably a whole lot longer, that in spite of Prohibition the making of moonshine was still a part of the local culture AND the local economy.

The story of The Stills is wrapped around two women. Sheriff Lily Ross, who stayed in Kinship, married, was widowed, took over from her late husband as sheriff and was elected in her own right at the end of The Hollows. Lily, a strong, resolute and pragmatic woman – also a good shot and a grown-up tomboy – is surrounded by a whole phalanx of women as strong as herself who all support her the best they can – which is generally quite well indeed.

On the other side of the story is Fiona Vogel. Fiona was also born in Kinship, but she left for the bright lights and big city charms of Cincinnati. On the surface at least, Fiona is a more traditional example of what women are supposed to be. Under that demure exterior lies a woman who knows that she has shackled herself to a criminal. A man that she is determined to get the best of and get away from before he “takes care” of her the way he has so many others who got in his way.

Fiona is the opposite to Lily in another way. Where Lily is surrounded by a group of friends who stand beside her, a group that is mostly but not entirely female, Fiona is nearly imprisoned by a group of enemies, mostly but not completely male. All of whom are out to subjugate her in as many ways as possible if not just kill her outright.

The Stills of the title are, quite literally, stills. Moonshine stills. It’s about the lengths – and depths – that one man will go to in order to control them and the illegal trade they represent. It’s about the collateral damage that became the wreck by the side of Prohibition’s good-intention paved road to hell.

And it’s the story of one female sheriff doing her very best to follow the law, appease her conscience – and protect those she holds dear.

Escape Rating B+: Where the previous book in the series, The Hollows, wrapped itself around three perspectives – Lily and her friends Marvena and Hildy – The Stills only follows two of its primary characters, Lily and her “opposite”, Fiona.

And as much as Hildy’s dithering and everyone else dithering about Hildy drove me crazy in The Hollows, I have to say that I liked Fiona’s perspectives even less. I would have been a much happier reader if the entire story was told from Lily’s point-of-view, leaving the inner workings of Fiona’s rather twisted mind to be revealed along with the rest of the plot.

Some of which turned out to be Fiona’s own convoluted plot to get rid of her bastard of a husband in order to get control of not just her life but both his legal AND illegal empires. Fiona is a victim who looks like she’s going to perpetuate the cycle. She may begin as a victim but by the end she’s on her way to becoming a perpetrator and I’d rather not have been near her head.

Lily, on the other hand, does an excellent job of, well, her job, but also of being a female character who is both true to her time AND has the kind of agency that makes her perspective dynamic to follow as well as making her easy for 21st century readers to empathize with.

And I definitely did.

I also liked that Lily might be developing a romantic relationship, but that she is taking it very, very slowly, is cognizant of everything that is at risk both personally and professionally, and is very careful about balancing the professional life that she loves – even though she’s not supposed to even have it – with the possibility of falling in love again. Those hesitant thoughts, the stop and start of possibility versus caution, feel very real.

This series, at least so far, combines historical fiction with mystery in a way that brings the historical period to life and provides a background that makes the mystery feel like it is grounded in its time, place, and characters. While I haven’t read the first book, The Widows, this does feel like a series where the individual books can be read as standalone, while creating a deeper story for those who have followed Lily’s adventures from the beginning.

This entry in the series makes it clear that Lily has plenty of sheriffing to do in the future. And I’m looking forward to seeing what happens next!

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of The Stills to one very lucky US commenter on this tour!

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