Review: Mr. Donahue’s Total Surrender by Sophie Barnes

Review: Mr. Donahue’s Total Surrender by Sophie BarnesMr. Donahue's Total Surrender (Enterprising Scoundrels #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance
Series: Enterprising Scoundrels #1
Pages: 230
Published by Sophie Barnes on January 25, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Calista Faulkner had a plan: go to England, get married, and save her father from ruin. Instead, she’s now stuck in London, penniless and without the husband she’d pinned her hopes on. Desperate to return home, she seeks employment at a hotel – as a scullery maid – a far cry from the social status she has otherwise been accustomed to. But when a chance encounter with the hotel’s owner, Mr. Donahue, leads to a change in fortune and her acquaintance with him deepens, a new problem arises. For Calista knows she must return home and marry a man she hates in order to save her family’s reputation. But how can she leave behind the man she's falling in love with? How can she marry anyone else?

My Review:

There’s plenty of surrendering to go around in this charming Victorian-era historical romance. Mr. Steven Donahue AND Miss Callista Faulkner both eventually surrender to their happily ever after. But they certainly don’t start there. Or anywhere close.

As the story begins, Donahue is the owner and operator of what would today be called a boutique hotel that is desirably close to the newly built halls of Parliament. Considering that this is a romance, there’s a very apropos joke that applies here. “What do kissing and real estate have in common? The three most important things in both instances are, ‘Location, location, location.”

It’s been a ton of work to rehabilitate what was a dilapidated building, and Donahue has invested a significant amount of money in the endeavor, but the Imperial is a success that he’s rightfully proud of. As the third son of an Earl, it’s up to him to make his own way in life – even if he was born with a bit of the silver spoon in his mouth. He’s turned that silver into something that provides him with an excellent livelihood and a purpose.

Because Donahue isn’t just interested in making money for himself – although he certainly is interested in that. He also prides himself on the well-compensated jobs in excellent working conditions that his hotel – and the others he plans to build around the country – will provide for all the people necessary to make his hotels shine in every way.

That’s where Miss Callista Faulkner steps into the story – very much to her own surprise. She came from her native New York City to marry a gentleman who died while she was en route. She was fleeing a forced marriage to a despicable villain who just might possibly have gotten her father in debt for that very purpose. But her late, would-be bridegroom seems to have been marrying Callista in order to get out from under the unwelcome marriage that his own family was trying to arrange for him. So they didn’t know Callista was coming and wouldn’t have agreed or approved if they had.

Callista has run through or been relieved of the money she came to London with – and she needs to get home. Broke and desperate, she’s applied for jobs all over London only to be rejected at every turn. The Imperial offers her one last chance, but there’s a catch.

There are several catches. The manager is about to turn her down when Donahue intervenes and forces the man to offer her any job that he believes she will suit. Said manager takes his comeuppance out on Callista by offering her a position as a scullery maid, absolutely no training or introduction to the work at all, and refuses to give her a room in the hotel’s generously provided and reasonably appointed staff quarters. She has a cot in the pantry, no lock on the door and is the butt of every joke and blamed for every spilled drink and broken plate that occurs – even when she’s not near the incident. She consoles herself with the money she’s saving for her passage home.

But her mistreatment at the hands of the staff forces Donahue to intervene. He becomes her knight in well-tailored armor, giving her room, board and spending money while thoroughly cleaning out the staff who were much too willing to harass and abuse one of their colleagues. He also pays for her passage back home and even provides her with chaperons for the journey.

While they are both waiting for that journey to take place, however, they have time. Perhaps a little too much of it. More than enough time to discover that they LIKE each other. Not just that they are attracted to each other, but that they are developing a friendship along with possibly more.

Which they don’t have quite enough time to be sure of – at least not if they’re being sensible. And then there’s that odious toad waiting back in New York to claim Callista as payment of her father’s debts.

Donahue has always been sober and sensible – but this is looking like the one time in his life when he’ll be much better served if he throws caution to the winds.

Escape Rating B: Mr. Donahue’s Total Surrender is a light and frothy historical romance with just enough dark undertones to keep the reader – and the characters – on their toes.

One of the things I really enjoyed about this story is that it is a romance of thoughts and feelings and not body parts. Some of that is the period in which it is set, but I loved the way that the protagonists fall in love through spending time together, talking with each other, and just enjoying each other’s company. I did feel the romance, and we did see them fall for each other, but they’re not using sex to cement the relationship and that worked well.

I also liked that Donahue is someone who works for a living. Not that he isn’t rich, and not that his family didn’t give him a damn good start with education and money, but he’s not among the idle rich. We’re seeing more of that in historical romance and I like the trend very much.

The thing that kept this book from being a grade A read instead of a B has to do with comeuppances. There weren’t nearly enough of them. There are several circumstances in the story with villains. Not just the staff of the hotel who harass and abuse Callista, but also a titled brother and sister who are just awful and, top of the ugly pile, the odious schemer who hatched the plan to force Callista to marry him. He’s slime. The hotel staff do get their just desserts, but that was too easy. I would want to see the sour expressions on the part of those awful siblings at the wedding, and I especially wanted to know that Mr. Odious New York got at least a sliver of what should be coming to him. That we don’t discover what happened to him or even just his reaction at getting thwarted felt like a missed opportunity for a bit of catharsis.

But I had a ball – even if there is no actual ball – with Mr. Donahue, Miss Faulkner, and their total surrender to each other.

Review: The Wedding Setup by Sonali Dev + Spotlight + Giveaway

Review: The Wedding Setup by Sonali Dev + Spotlight + GiveawayThe Wedding Setup: A Short Story by Sonali Dev
Format: eARC
Source: publisher
Formats available: ebook, audiobook
Genres: contemporary romance, short stories
Pages: 67
Published by Amazon Original Stories on January 11, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

From USA Today bestselling author Sonali Dev comes a heartfelt short story about one woman’s journey of self-discovery and what it means to be happy.
Ayesha Shetty lost her brother seven years ago, the same time she lost everything else important to her: her dreams, her fierce independence, and the man she loved. Not wanting to see her mother hurt anymore, she put her wild self away and became the dutiful daughter her mother needed and took on her brother’s role in the family business.
Now her best friend’s big, fat Indian wedding is a chance to get away from her endless duties at the restaurant and maybe even have some fun (if she remembers how). But a setup arranged by her mother, with a doctor no less, is the last thing she needs. The fact that he checks all her mother’s boxes just makes everything better…and worse.
Then Emmitt Hughes shows up. Her brother’s best friend. The love she once chose over family duties and her responsibilities. The one she asked to leave, and who did. The one who knows the real Ayesha. Torn between a love from the past that could cost her the only person she has left and her sense of obligation to her mother, will Ayesha find the strength to stop thinking about what everyone else wants and finally put herself first? Or is the old Ayesha truly gone for good?

My Review:

The Wedding Setup is a short story, so I’m going to try to do it justice in a short review. Especially since this is a jam-packed post with an interview with the author, an excerpt from the story AND a giveaway!

From a certain perspective, this is a story about handling grief – or rather NOT handling grief. Ayesha has put herself in a box in her attempt to be the perfect daughter that she never was – and it’s a straitjacket. But so is the reason for that attempt, the death of her brother and her desperate need to hold onto her mother in the ultimately vain hope of preventing either of them from suffering any more losses. Ayesha’s father died when she was ten, and her mother was the rock that sheltered both her and her brother through the rest of her childhood. When her brother died, they were all each other had left. That and the depth of their grief and the fear of another loss.

But they lost each other along the way – even as they spent 16 hours a day together keeping the family’s restaurant afloat. Hanging onto the last remaining bit of her brother’s dream.

As this story opens, it’s been seven years since Ajay died, and Ayesha’s mother has had enough of living with Ayesha’s obedient ghost – because that’s who it seems has been trudging through the world in Ayesha’s place.

But that is far, far, far from what the story seems to be for most of its length. As Amma does her level best to bring back the old, vibrant, downright combative Ayesha by poking that sleeping tiger with every single stick she can find.

In the hopes that her daughter will come back to life and reach out for her own happy ever after.

Escape Rating A-: I have only one complaint about this story – it’s too damn short. It’s beautiful, it’s marvelous, and all the characters are fascinating – even the ones who only exist in memory. I would have loved this story even more if it had been novel length. But it isn’t so I’ll make do with what I have.

Part of the fun of The Wedding Setup is that the setup of Ayesha is not what either Ayesha or the reader think it is. The story is a gem of misdirection, and the reveal at the end forces both Ayesha and the reader to rethink everything that has happened. And rejoice at the ending.

Also laugh uproariously at the mental picture of a rat in scrubs administering a pap smear. Which is the only way to laugh at one of those necessary evils. Read The Wedding Setup to find out just how that comes to pass. The mental picture, that is.


Interview with Sonali Dev + Excerpt from The Wedding Setup

The Wedding Setup may be a short story, but it is tremendously powerful. How would you describe it to readers?

Thank you. It’s the story of a girl who used to be a rebel who followed her heart and fought for what she wanted, and then her brother’s death leaves her responsible for her widowed mother. It’s about being knocked off your feet and getting stuck, and learning how to stand back up and reclaim yourself.

The story invites us to take an intimate look into a mother-daughter relationship. This is a universal theme, however, you also steep the plot in your own Indian heritage. Can you tell readers what this story means to you as a daughter? What it means to you as an Indian woman?

There is so much of my own relationship with my mother in this book. We’ve always been incredibly close. She’s outspoken and confident and she modeled some powerful behaviors for me growing up about owning her own body and her voice. But there were the other parts where she was a product of her time and culture, believing in absolute terms that it is a woman’s duty to nurture her family, to marry ‘at the right time,’ to be a certain kind of mother. These are things she pushed hard. Things I internalized but also fought to do on my own terms and not hers. Ayesha’s relationship with her mother used to be this way, and then a tragedy changes their dynamic. So, it’s an exploration of how battles for identity get derailed by tragedy and grief and what it takes to heal.

Ayesha’s mom describes her as obedient, responsible, and “always putting everyone else before her own needs.” After hearing this Ayesha (internally) feels hypothermic. Can you explain how these seemingly sweet compliments completely destroy your heroine?

The mother-child bond comes with a kind of intuitive understanding of each other that’s unique to that relationship. So, while Ayesha has lost her fiery spirit and both she and her mother have lost years to their grief and struggle to survive, her mother knows who her daughter is deep down and how much she’s buried. So there’s a very nuanced intent to these ‘compliments’ and they hit the nerve they’re meant to hit. Ayesha’s reaction to these words is her dead parts coming back to life.

It only takes a moment—one second—for Ayesha to break free from her ice…a single word from Emmitt has her coming back to life. Why does she have such a powerful reaction to someone she hasn’t seen in seven years?

Ayesha had a crush on Emmitt for many years before they got together. She’s always had a strong reaction to him. The years they spent together as young adults were years when she came into herself, and felt seen and cherished. Then she loses all of that when her brother dies and they break up. So, it’s a combination of things that come together when Ayesha meets Emmitt again. They have a natural connection, but also, with his return come all the memories of who she used to be and how much she used to let herself feel.

Ayesha has never forgotten how Emmitt turns “her messy, impulsive, unfettered emotion into something beautiful.” But she has forgotten the effect that she has on him. What buried memories are uncovered as she watches Emmitt react to their reunion?

Emmitt has always dealt with the world and the pain it causes him by keeping everyone at arm’s length. But Ayesha destroys his defenses with her ability to love (and do everything else) so fiercely. So, when he loses her he’s already lost his ability to protect himself. Their joint grief is what separated them, so, while they understand each other’s pain they both also understand the loneliness of not having each other to lean on. They’ve had to make the journey to healing individually, but meeting each other again brings up the piece that needs the other to heal.

How did you get to know your couple? How were you able to understand what was needed to heal their broken hearts?

The one theme that threads through all my books is finding yourself on the tightrope between personal freedom and responsibility to family and community. Healing is always about finding or rediscovering your love for yourself. So, I understand my characters through that lens: how have they lost themselves? What about themselves do they need to reclaim and fall in love with? A truly connected couple is one who aids this journey in each other, recognizes it, and supports it.

In a limited number of pages you not only give readers a living, breathing couple, but also an avalanche of equally interesting characters like Ayesha’s best friend, suitor, aunties…and you even create depth with characters that are no longer living. Why was it so important to spend time with these secondary characters? What do they reveal about your hero and heroine?

I believe that as humans we are a sum total of our relationships and the world we live in and build for ourselves. How someone treats other people and how they respond to how they are treated is what constitutes character.

At its heart, every story is about a person who is somehow at odds with the world they live in or with themselves because of the expectations of their world, and the journey they make to resolve that conflict. Ayesha wouldn’t be Ayesha without her mother and Bela, her best friend and the community she was raised in. Bela has been her wild other half growing up, then their paths diverged, but they continued to be each other’s support. Her mother has become a crutch she uses to hold on to her grief. Emmitt’s grief over his friend has run his life for seven years too. So the secondary characters are just as integral to the story as the protagonists.

While the plot focuses on grief, there is also great joy to be found. After all, the backdrop of the story is a giant wedding. What do you personally find the most fun at a traditional Indian wedding celebration?

I’m always only there for the food and dancing! Fine, and getting to dress up. And the wine. Also, maybe the chance to hang out with family and friends I only see at weddings. And the drunk aunties and uncles.

After readers devour The Wedding Setup, which of your other books would you recommend they read next?

First, thank you so much for devouring The Wedding Setup! I’m incredibly proud of my Rajes series, a set of retellings of my four favorite Jane Austen novels set in a politically ambitious Indian American family from Northern California. Pride, Prejudice, and Other Flavors is a gender flipped Pride and Prejudice. Recipe for Persuasion is a two-generational homage to Persuasion set on a Food Network show. Incense and Sensibility, the love story between a gubernatorial candidate and a yoga therapist who can save him but also destroy his campaign, pays tribute to Sense and Sensibility. And the upcoming The Emma Project (May 17th 2022), which is a gender flipped Emma that explores what it means when a person with tremendous privilege offers charity to someone who has much less.

The Wedding Setup Excerpt

Goose bumps rose across Ayesha’s skin, one sharp dot at a time.

“Ayesha.”

That was it. Just that one word. Her name. In a voice that was its own ghost.

She squeezed her eyes shut. One tight squeeze. Tight enough to hurt, tight enough to almost dislodge the false eyelashes Andre had pressed into her lash line one by one with the precision of a surgeon. Then boom! she was in control again and back to Ayesha on Ice.

Eyes blank, face set, she turned toward the voice.

Emmitt.

The impact of him was a body blow.

The entire universe stilled. Words weren’t a thing. Or sound. Breath? What was that?

Ayesha! Get a grip.

No grip. That’s how it had always been. She’d had no grip when it came to Emmitt Hughes. Not even a little bit. Not when she’d spied on him and Ajay playing Mario Kart and Minecraft and GTA for hours, for years. Not when she’d yearned and dreamed and spun stories with him at the center.

I’ve made my love for you, my god.

It was the cheesiest of lines from one of those Bollywood songs her parents had played on repeat at the restaurant. Amma had loved translating the over-the-top lyrics and explaining their nuances.

Back when Amma was full of stories and songs and laughter. Before Ajay.

Ajay.

Her brother’s unspoken name fell between them like a glass bauble and shattered.

“You remember Emmitt,” Edward had the gall to say.

Bela shot him a glare.

You didn’t tell me he would be here. Ayesha threw the silent accusation at her traitorous best friend, who gave her nothing more than another worried look.

No, Eddie. Remind me again who he is? The snarky words stuck in Ayesha’s throat. Old Ayesha would have said them. Old Ayesha said everything.

“Emmitt,” New Ayesha said, every feeling buried under her customer-is-king voice from the restaurant. “Nice to see you again.”

His Adam’s apple bobbed in the long column of his throat. How was he still so darned beautiful?

One swallow, and then he smiled back. Banking feelings where no one saw them had been his thing. Emmitt the Wall. That’s what Ajay had called him. Her brother had been best friends with him since Emmitt had moved to Naperville in fifth grade after his parents’ divorce. Years of friendship, and he’d still held Ajay at that slight distance he’d been so good at. Something she would always wish she hadn’t cured him of.

You broke me, Ayesha.You broke every defense I’ve ever had against the world.

She, Ayesha Shetty—too tall, too dark, too outspoken, too intense, too ambitious, too everything for everyone else had been just enough to break through Emmitt the Wall.

“It’s nice to see you too,” he said gently, sounding . . . she dug through her brain to come up with the right word. Grown-up? Contained?

Good. Because Ayesha was all those things now too. Not a grenade with its fuse pulled, ready to blow up the world.

Author Biography

USA Today bestselling author Sonali Dev writes Bollywood-style love stories that explore universal issues. Her novels have been named best books of the year by Library Journal, NPR, the Washington Post, and Kirkus Reviews. She has won numerous accolades, including the American Library Association’s award for best romance, the RT Reviewers’ Choice Award for best contemporary romance, and multiple RT Seals of Excellence; has been a RITA finalist; and has been listed for the Dublin Literary Award. Shelf Awareness calls her “not only one of the best but one of the bravest romance novelists working today.” She lives in Chicagoland with her husband, two visiting adult children, and the world’s most perfect dog.

Buy Link: https://amzn.to/3pWDqM8

Social Media Links

Website: https://sonalidev.com/

Facebook: https://www.facebook.com/SonaliDev.author

Twitter: https://twitter.com/Sonali_Dev

Instagram: https://www.instagram.com/sonali.dev/

Goodreads: https://www.goodreads.com/author/show/7025918.Sonali_Dev

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Review: The Sorority Murder by Allison Brennan

Review: The Sorority Murder by Allison BrennanThe Sorority Murder by Allison Brennan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Regan Merritt #1
Pages: 448
Published by Mira Books on December 28, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

"The 10 Best New Mystery and Thriller Books of December are Giving Us Literal Chills"--E! Online
"10 Books to Cozy Up With This December"--PopSugar
A popular sorority girl. An unsolved murder. A campus podcast with chilling repercussions.
Lucas Vega is obsessed with the death of Candace Swain, who left a sorority party one night and never came back. Her body was found after two weeks, but the case has grown cold. Three years later while interning at the medical examiner's, Lucas discovers new information, but the police are not interested.
Lucas knows he has several credible pieces of the puzzle. He just isn't sure how they fit together. So he creates a podcast to revisit Candace's last hours. Then he encourages listeners to crowdsource what they remember and invites guest lecturer Regan Merritt, a former US marshal, to come on and share her expertise.
New tips come in that convince Lucas and Regan they are onto something. Then shockingly one of the podcast callers turns up dead. Another hints at Candace's secret life, a much darker picture than Lucas imagined--and one that implicates other sorority sisters. Regan uses her own resources to bolster their theory and learns that Lucas is hiding his own secret. The pressure is on to solve the murder, but first Lucas must come clean about his real motives in pursuing this podcast--before the killer silences him forever.
"Fans of Jeff Abbott and Karin Slaughter will find this crime novel hard to put down." --
Publishers Weekly
on The Third to Die
"Downright spectacular... [A] riveting page turner as prescient as it is purposeful." --Providence Journal on Tell No Lies

My Review:

In order for a book to be a mystery, it has to include a dead body and a detective – or so I was once told.

The Sorority Murder begins as a cold case, with a dead body three years in the grave, and one determined college student raking up the mystery as part of his capstone project for his degree in criminal justice.

By the end, there are two detectives and a whole slew of dead bodies – pun most certainly intended.

For young Lucas Vega, the case is not about the same victim as the podcast. That’s his secret. He’s attempting to get closure on one young woman’s mysterious disappearance by focusing on another’s equally mysterious death.

Not because he has any inkling that the more recent death is linked to the earlier disappearance. Just that they knew each other. And that someone might know something about what happened to both of them.

For former U.S. Marshal Regan Merritt, the case begins as a way of figuring out what to do with herself in the wake of the death of her 11-year-old son. A boy who was killed not for himself, but as a way to punish Regan for helping to put a criminal behind bars. In the aftermath of such a profound personal loss, she couldn’t focus on a job where a lack of focus could easily get someone else killed. That her husband blamed their son’s death on her, and divorced her as fast as humanly possible in the wake of the tragedy, doesn’t register nearly as high on her scale of loss. But lost she is.

She’s back in Flagstaff, living with her father, the retired county sheriff, because she’s hit emotional bottom and has nowhere else she needs to be or wants to go. She’s in a holding pattern when her former mentor at Northern Arizona University puts her in touch with Lucas Vega.

Her experience and his enthusiasm turn out to be a motivating combination for both of them. Because he’s learned just enough about the inconsistencies in the investigation of Candace Swain’s death to intrigue Regan, and she’s more than enough of a professional investigator to get him started asking questions that should have been asked – and just plain weren’t.

But the problem with reopening the proverbial can of worms is that you can never get the worms back in the same size can.

Someone went to a great deal of trouble to make sure that the investigation of Candace Swain’s death went cold and stayed that way. Someone has a lifestyle they want to protect – at all costs. They don’t want anyone to stir this hornet’s nest. But Lucas’ podcast series has that nest well stirred.

Now that the case is no longer cold, someone has to make sure that all the investigative trails lead to dead ends. Threatening to turn Lucas Vega’s capstone into an early grave.

Escape Rating B+: What I loved about The Sorority Murder was the way that the story delved deeply into the painstaking process of the investigation. The case is cold, mistakes were made, and no one wants to dig this mess back up and expose those mistakes to the light of day.

But Lucas can’t let go, for reasons that neither we nor Regan discover until very late in the investigation. His motives are complex but not in the least sinister, and the case he really wants to reopen turns out to be more relevant than even he imagined when he began.

This isn’t a case of miscarriage of justice – rather it’s a case where justice wasn’t done at all. There’s a mystery. At first, the mystery is where Candace Swain spent the week before her death, because she wasn’t held prisoner, she wasn’t ill, she wasn’t on drugs, she wasn’t seen – and she wasn’t found where she was killed.

Something doesn’t add up. The police blamed her death on a missing homeless alcoholic – but they haven’t found him, either.

What’s strange is that Candace’s friends and most especially her sorority sisters, with whom she was reported to be very close, don’t seem to want the case reopened. They don’t have closure and seem to be adamantly opposed to getting it. All of them. Collectively.

In spite of the roadblocks put in his path, Lucas knows he has too much to let go of. Someone must have seen Candace during that week she was missing but not yet dead. Once people start remembering the little details that no one ever asked about, a picture starts to form.

The biggest part of this story, and the most fascinating one for this reader, was the dogged pursuit of the whole of that picture. Even as one person who provides a bit of a clue after another ends up dead either just before or just after their piece is revealed.

I loved the fits and starts of the investigation. Watching them uncover the puzzle pieces bit by bit kept me glued to the book almost right up to the end. The whole picture, once it was uncovered, still took me by surprise.

I have to say that the reveal of the killer felt a bit flat – or the killer was so far over the top that I didn’t quite buy it. Or that we got to see inside the killer’s head at that point and I just didn’t want to be anywhere near there.

So I was at the edge of my seat with this story until the very end. I loved following the investigation even though I found the actual perpetrator to be off in “bwahaha” land a bit. I still felt utterly compelled to reach that end.

I picked this up because I loved the author’s Tell No Lies last year and hoped for more of the same. While this wasn’t quite that, it was still, most definitely a riveting and suspenseful read.

Review: Cry Wolf by Hans Rosenfeldt

Review: Cry Wolf by Hans RosenfeldtCry Wolf: A Novel by Hans Rosenfeldt
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: mystery, Nordic noir, suspense, thriller
Series: Hannah Webster #1
Pages: 400
Published by Hanover Square Press on December 28, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A DEAD WOLF
A DRUG DEAL GONE WRONG
A LETHAL FEMALE ASSASSIN

The first book in a new series by Hans Rosenfeldt, creator of the TV series The Bridge as well as Netflix’s Emmy Award–winning Marcella.
Hannah Wester, a policewoman in the remote northern town of Haparanda, Sweden, finds herself on the precipice of chaos.
When human remains are found in the stomach of a dead wolf, Hannah knows that this summer won’t be like any other. The remains are linked to a bloody drug deal across the border in Finland. But how did the victim end up in the woods outside of Haparanda? And where have the drugs and money gone?
Hannah and her colleagues leave no stone unturned. But time is scarce and they aren’t the only ones looking. When the secretive and deadly Katja arrives, unexpected and brutal events start to pile up. In just a few days, life in Haparanda is turned upside down. Not least for Hannah, who is finally forced to confront her own past. 

My Review:

The mystery in Cry Wolf and the solving of it read like they sit at the crossroads between “For want of a nail” and “This is the house that Jack built.” The former being the first line of a quote from Benjamin Franklin, and the latter being an English nursery rhyme. Both are cumulative stories, where one thing leads to another and another. Not necessarily in a straightforward or even competent fashion.

No one comes out of this story exactly smelling of roses. There’s plenty of blame, misunderstanding, misdirection and downright incompetence involved along the way.

At the same time, Cry Wolf also reads like a non-superhero based origin story for Black Widow, one in which she continues to put more red in her ledger until the day she dies, still doing the work of the “Red Room” – or in the case of Katja in Cry Wolf, “The Academy”.

But those perspectives are long views of Cry Wolf, the latter of which seems most plausible at the ending. At the beginning there are two dead wolves with human remains in their bellies on the Swedish side of the border between Sweden and Finland outside the remote, fading town of Haparanda.

The local cops, including Hannah Wester and her boss – and illicit lover – Gordon, start out worrying about how the discovery of the man-eating wolves is going to exacerbate local, regional and even national tensions over whether wolves should be protected or hunted to elimination in the region.

But of course the case isn’t that simple. And this is where we get into the whole “For want of a nail” scenario. The wolves, a mother and cub, did not bring down human prey. They found a murder victim. It’s not that wolves are incapable of killing humans with enough motivation or desperation – it’s that wolves aren’t capable of shooting a gun.

That lets the wolves off the hook, but the situation only expands from there. The murder victim was the sole survivor of a drug deal that went wrong on the other side of the border in Finland. He left the half dozen victims behind riddled with gunshots while he walked away with bags of drugs and money – and with a bullet in his ass.

Only to be struck down by a hit and run driver who seems to have made off with the drugs and the money. Drugs and money that belong to the Russian mafia – who want their property back and intend to make an example of whoever got in their way.

And that’s the point at which everyone’s competence goes more than a bit out of whack. The local police are out of their depth. Their liaison from the Finnish side is on the take from the Russians. The hit and run driver and his accomplice are locals who desperately need the money but only have vague dreams about how to handle things. And the agent the Russians send to Haparanda, a graduate of the legendary Academy that trains abused children to become assassins, isn’t able to overcome her initial overestimation of just how capable her opposition might be. She’s left floundering in professionalism as she’s overcome by sheer, dumb luck.

While policewomen Hannah Wester tries to put her best into the investigation as her entire life falls apart.

Escape Rating B+: Cry Wolf very much falls into the category of “Nordic noir”. In fact, the author of Cry Wolf is also the creative mind behind one of the more popular Nordic noir TV series, The Bridge. So readers who either like the series or like this branch of the mystery genre are going to feel right at home in Haparanda and Cry Wolf.

The setting of this story is bleak and the lives of the principal characters seem even bleaker. That’s not criticism, as the bleakness is a hallmark of the genre. But, and a huge but here, this probably isn’t a book to read if you’re already depressed unless you’re the kind of person who really gets off on schadenfreude.

There’s no one happy in this story. It’s not that kind of story. This also isn’t a story where anyone seems to display much in the way of competence, which is one of the things I often read mysteries for. In this particular case, it’s more like a series of accidents looking for places to happen – and then for someone to happen upon them.

But I have to say that it’s compelling to read. I was hooked from the very first page, even if I never did figure out where it was going until near the end. Which, come to think of it, isn’t a surprise as none of the perpetrators seemed to know where they were going, either. And the few who thought they did ended up being surprised by where they ended up – and usually dead shortly thereafter.

So the spooling and unspooling of this mystery reads more like a series of stumbles, rather than the usual breakneck race towards a finish.

The part that’s sticking with me is that mirror darkly reflection of Black Widow. At first, we’ve got a policewoman whose life is falling apart and a mafia assassin and no relationship between them. But as the story progresses, in its kaleidoscope of first person perspectives, we learn more about the mysterious Katja and her abusive childhood and miraculous rescue by her equally mysterious “Uncle”. The more of Katja’s history we see, the more it looks like her life was rigged. That it might – and still might not – intersect with Hannah’s own tragedy looks like it’s going to power the next book in the series, whenever that might be.

And I’m more than curious enough to want to see what happens next!

Review: The Secret of Snow by Viola Shipman

Review: The Secret of Snow by Viola ShipmanThe Secret of Snow by Viola Shipman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: holiday fiction, holiday romance, women's fiction
Pages: 320
Published by Graydon House on October 26, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

As comforting and familiar as a favorite sweater, Viola Shipman's first holiday novel is a promise of heartfelt family traditions, humorously real experience, and the enduring power of love and friendship.
Sonny Dunes, a SoCal meteorologist who knows only sunshine and seventy-two-degree days, is being replaced by an AI meteorologist, which the youthful station manager reasons "will never age, gain weight or renegotiate its contract." The only station willing to give the fifty-year-old another shot is one in a famously nontropical place—her northern Michigan hometown.
Unearthing her carefully laid California roots, Sonny returns home and reacclimates to the painfully long, dark winters dominated by a Michigan phenomenon known as lake-effect snow. But beyond the complete physical shock to her system, she's also forced to confront her past: her new boss, a former journalism classmate and mortal frenemy; more keenly, the death of a younger sister who loved the snow; and the mother who caused Sonny to leave.
To distract herself from the unwelcome memories, Sonny decides to throw herself headfirst into all things winter to woo viewers and reclaim her success. From sledding and ice fishing to skiing and winter festivals, the merrymaking culminates with the town’s famed Winter Ice Sculpture Contest. Running the events is a widowed father and chamber of commerce director, whose genuine love of Michigan, winter and Sonny just might thaw her heart and restart her life in a way she never could have predicted.

My Review:

The Secret of Snow is an “all the feels” kind of story. As in, you will feel all the feels while you are reading it. A handy box of tissues might not be a bad idea, especially at the end.

But before you reach the slightly weepy, sadly fluffy ending, there’s a charming story about the holiday season, second chances, and finally recognizing that you’re going to get rain whether you want the rainbow or not, so you might as well reach for that rainbow since you’re already putting up with the rain.

Even if that rainbow is an icebow arching over a foot – or two or three – of snow.

As the story opens, Palm Beach meteorologist Sonny Dunes seems to have it all. Or at least have all that she wants. She’s at the peak of her career, she lives in beautiful Palm Beach California where the sun always shines, she’s content with her life and her work, has no interest in a romantic relationship – and is far, far away from the dark, frozen, snowy cold of Traverse City Michigan where she grew up.

There may not be any snow in Palm Beach, but into each life a little rain must fall. And Sonny Dunes is about to get deluged.

In what seems like a New York minute, Sonny finds herself out of work, having what appears to be a drunken breakdown on camera, as she’s replaced by an A.I. weatherbabe and she seems to have nowhere to go.

Until she’s rescued. Or tortured. Or both. By the frenemy she left behind in college, who is now the manager of a struggling TV station back home in Traverse City.

A frenemy who can’t wait to bring Sonny back to the brutal winters she left behind, just so that she can get a little payback and maybe rescue her job and her station in the process.

So Sonny finds herself back where she once belonged, facing all the bitter winter memories she left behind. And facing her mother who has been waiting, somewhat impatiently, for her remaining daughter to finally move forward from the loss that froze both their hearts.

Escape Rating B+: I picked this up because I loved the author’s previous book, Clover Girls. I was hoping for more of the same second chances, sad fluff, and utter charm. But I loved that book really hard, and this one didn’t quite reach that same height.

Could have something to do with my own escape from the frozen Midwest to Atlanta. I don’t like winter either, don’t want to live in it again, and wasn’t able to get into Sonny’s eventual paeans to the season of ice and snow.

Although I certainly liked the story of her finally unthawing her heart after living with so much trauma and loss for so very long.

Sonny’s whole adulthood has been about running from and burying her emotions to protect herself from being hurt, while not recognizing the collateral damage she’s inflicting on everyone around her. It made for a bit of a hard read, both in that Sonny’s is resistant to everything for a very long time, and possibly a bit of “pot, meet kettle”.

But I enjoyed the story of Sonny’s second chance, and all the more for her mentoring of Icicle. One of the best parts of the story was the way that Sonny finally embracing her own personal renaissance gives him the inspiration and the confidence to reinvent himself as the person he’s almost ready to be and not as the sad sack we first met.

Although a romance does occur in this story, it’s a bit understated, and that worked. The most important relationship in the story is Sonny’s relationship with her mother. They’ve both loved and lost – and the same people at that. Sonny’s younger sister died in a unfortunate accident when she was just starting her teens. Her father died relatively young of cancer. Sonny was never able to move on from those frozen moments in her life, while her mother became a hospice nurse in order to help others through the grief and loss that she herself experienced.

Sonny has kept life and love at a distance, trying to protect herself. Her mother has embraced life, all too aware that none of us get out of this life alive and that joy and purpose can be found in every moment.

Sonny’s forced reinvention of herself, yet again, lets them finally have the relationship that they’ve been hoping for all along. And that’s the part that had me reaching for the tissues.

You will too.

Review: The Women of Pearl Island by Polly Crosby

Review: The Women of Pearl Island by Polly CrosbyThe Women of Pearl Island by Polly Crosby
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, literary fiction
Pages: 352
Published by Park Row on December 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

"A luminous and beautiful novel that gently lures the reader into a captivating story with a mystery at its heart." – Jennifer Saint, bestselling author of Ariadne
Set on a secluded island off the British coast, The Women of Pearl Island is a moving and evocative story of family secrets, natural wonders and a mystery spanning decades.
When Tartelin answers an ad for a personal assistant, she doesn't know what to expect from her new employer, Marianne, an eccentric elderly woman. Marianne lives on a remote island that her family has owned for generations, and for decades her only companions have been butterflies and tightly held memories of her family.
But there are some memories Marianne would rather forget, such as when the island was commandeered by the British government during WWII. Now, if Marianne can trust Tartelin with her family's story, she might finally be able to face the long-buried secrets of her past that have kept her isolated for far too long.

My Review:

The setting for The Women of Pearl Island is absolutely beautiful, totally fascinating, and stunning in its strange and hidden history. The secrets that the island keeps are explosive, but not nearly as explosive as those kept by Marianne Stourbridge as the story begins.

The story is set in two timelines, the primary one in 2018, as the elderly Miss Stourbridge, the owner of the crumbling island of Dohhalund hires the grieving, escaping Tartelin Brown to serve as her personal assistant, general factotum, and all around helper and housemate.

As Tartelin explores the island, both on behalf of her employer and as part of her own increasing fascination with the mysterious locale, the story slips between Tartelin and Marianne’s somewhat fractious present to Marianne’s past growing up on the island that has been passed down through her mother’s family for generations. The island that Marianne Stourbridge now owns – at least what is left of it.

There are secrets buried in Marianne’s past, lost offshore on the parts of the island that have fallen into the sea in the years since 1955. The year that all the residents of Dohhalund were evacuated from their homes by order of the British military. They claimed to be testing explosives and that it would be too dangerous for the civilian population to remain.

Not that Marianne Stourbridge ever listened to what people in authority were telling her. Not now and certainly not then.

Escape Rating B: The most compelling character in this timeslip story is Dohhalund itself, a fictitious island in the North Sea within sight of both the United Kingdom to whom it belongs and the Netherlands from which it gets much of its language – at least as related to food – and its customs.

(Dohhalund is fictitious, but its geography and ecology are based on the real Orford Ness.)

Something obviously happened in 1955 on the island, a catastrophic event that Marianne Stourbridge has returned to the island to prove. Based on her previous research, and on her requests to Tartelin, it is clear to the reader if not to Tartelin that what Marianne is searching for proof of is a secret nuclear test. The evidence is everywhere among the wildlife of the island.

That the civilian population was evicted in 1955 and the island remained interdicted under military reserve for more than 50 years is a bit of a clue.

Because the most compelling character in the story is the island itself, The Women of Pearl Island reads as more than a bit lit-ficcy. It seems like not a lot is happening, the story isn’t moving all that quickly, and not many of the characters are happy about much of anything. But it still sucks the reader in like the tide that surrounds the island.

The part of the story that Tartelin is telling in 2018 feels like the stronger – or at least the more interesting – part of the book. Tartelin is still grieving the recent death of her mother, and she’s come to the island, to this strange, ambiguous job with this secretive and cantankerous old woman in order to get away from her grief and her memories – only to find herself dropped into the mystery of Marianne’s.

But Marianne’s story of the pivotal years of her childhood is told from her perspective in 1928. Not her perspective ON 1928, but her perspective IN 1928. She was 15 at the time, cosseted, protected and privileged, and she is immature, selfish and self-absorbed. Not that we all aren’t at least some of that at 15 – and even later. But it does not make her a remotely likeable character.

Tartelin, on the other hand, as frozen within herself as she arrives, is much more sympathetic. Her journey is one of reaching out and getting past, and it’s slow and sometimes hesitant, but she is getting there and it makes her the more dynamic of the two women.

But not quite as dynamic as the island itself, and the strange, sad but ultimately magical tale of it that she discovers as part of her own journey.

Review: The Taste of Ginger by Mansi Shah

Review: The Taste of Ginger by Mansi ShahThe Taste of Ginger by Mansi Shah
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: relationship fiction, women's fiction
Pages: 318
Published by Lake Union Publishing on December 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

In Mansi Shah's stunning debut novel, a family tragedy beckons a first-generation immigrant to the city of her birth, where she grapples with her family's past in search of where she truly belongs.

After her parents moved her and her brother to America, Preeti Desai never meant to tear her family apart. All she did was fall in love with a white Christian carnivore instead of a conventional Indian boy. Years later, with her parents not speaking to her and her controversial relationship in tatters, all Preeti has left is her career at a prestigious Los Angeles law firm.

But when Preeti receives word of a terrible accident in the city where she was born, she returns to India, where she'll have to face her estranged parents...and the complicated past they left behind. Surrounded by the sights and sounds of her heritage, Preeti catches a startling glimpse of her family's battles with class, tradition, and sacrifice. Torn between two beautifully flawed cultures, Preeti must now untangle what home truly means to her.

My Review:

“That love is all there is is all we know of love.” Not just romantic love, but love in all its forms. The love between a parent and their child, the love between all the members of an interconnected family, the love between friends, and the hope of love that might grow in spite of all the forces arrayed against.

Especially when one of those loves – or all of them – confuse the pluperfect crap out of us.

Not that Preeti Desai doesn’t begin this story in a state of confusion – or that her entire history isn’t fraught with it. Preeti is caught between two worlds, two perspectives, and multiple variations of all of those different versions of love.

Her parents immigrated from India to the United States when Preeti was still in elementary school. Or when she was of an age to be in elementary school in the U.S. A child who could, and did, do her very best to assimilate and adapt to the world in which she was now immersed. No matter how cruel children could be to anyone who was different, and how much of herself and the traditions she was born into she had to drop along her way.

Preeti’s parents wanted both her and her older brother Neel to be successful according to American culture, while still retaining all the traditional beliefs they had been raised with. That meant good grades, good schools, and careers in worthy professions. Her parents scrimped and saved in order for Neel to become a doctor and Preeti a lawyer.

As much of a shock as it was for her parents, who had been upper-middle class professionals in India, to discover that their qualifications did not immigrate with them and both their status and the family finances took a huge hit, they were able to maintain their immersion in the culture they had physically left behind by not leaving it behind. Chicago is filled with many nearly self-contained neighborhoods, and “Little India” on Devon Avenue is one of those neighborhoods.

For Neel and Preeti, but especially for Preeti, straddling those two worlds was somewhere between difficult and impossible. The tradition her parents expected her to adhere to, where women were expected to maintain the home and fade into the background there – no matter what their professional accomplishments – was the exact opposite of the expectations of the American workplace – especially for an attorney climbing the ladder towards partnership in a high-powered firm.

By the time this story opens, Preeti’s family, particularly in the relationship between her mother and herself – a relationship that is so often fraught between mothers and their grown daughters – had fractured into stilted conversations and cold silences – a frozen bridge that neither could cross.

Until tragedy struck. And Preeti felt compelled to set all of that history aside to take the next plane back to the place of her birth, to do whatever she could to help her brother and his wife through the death of their child.

Preeti comes for Neel. But that puts her on the horns of ALL the dilemmas. She and her mother need to be on the same side – a place they haven’t been since her parents moved to the U.S. Preeti is stuck living with all the expectations of gender, clan and caste in a place that she barely remembers, under restrictions that she often doesn’t see until she’s blown past them.

The longer she’s in Ahmedabad, the more she sees the beauty of not just the place, but of reclaiming the part of herself that she left behind. And the more she and her mother are finally able to see themselves as women who may not always meet each other’s expectations, but who love each other all the same and can finally accept each other as they are and not who they expect the other to be.

Escape Rating A+: This is an absolutely lovely, heartwarming and occasionally heartbreaking story. I was so absorbed in it that I didn’t even notice the cats using me as a trampoline. I was just completely gone. It is incredible that this is the author’s first published novel, because it is just so very, very good.

It’s also explicitly not a romance. Not that Preeti doesn’t have romantic problems, because she does. She’s 30 and unmarried in a culture that thinks she’s a spinster because she isn’t married while proclaiming her as “unclean” because she’s been out on dates. But Preeti’s romantic tribulations are symbols and symptoms of all the other issues in her life and not the meat of the story.

The story reads like it’s about two things. On the surface – and pretty deeply underneath that surface – it’s about the interconnected relationships in her extended family. One of the explicit messages is that there is no right or wrong here, everyone only wants what’s best for everyone else. The issue is in defining that best for someone who lives at the crossroads between the collectivist culture of her birthplace and the individualist expectations of her adopted home.

Preeti has to find her own way to a comfortable seat at that crossroad. She and her mother have to find a path through the minefield of their relationship, and accept each other as who they are – a difficult minefield for any mother and daughter to navigate.

The story is also about the price that America demands from those who immigrate to this country. The melting pot melts the newcomer’s resistance to American culture and values. If the newcomer is visibly different from the American “norm’ – meaning especially not white – they are expected to give up the culture they left behind even though, as Preeti finally admits to herself, knowing that they will never be fully accepted because no matter how hard they try, they can never completely blend in.

This is a story that has a lot to say about relationships of all kinds. Preeti’s family issues are the heart of the story, along with Preeti’s own journey of self-discovery. The Taste of Ginger is just a beautiful and thought provoking story and I loved every minute of reading it.

I hope you will, too.

TLC
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Review: Sherlock Holmes and the Singular Affair by M.K. Wiseman

Review: Sherlock Holmes and the Singular Affair by M.K. WisemanSherlock Holmes & the Singular Affair by M.K. Wiseman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook
Genres: historical fiction, historical mystery, mystery
Pages: 200
Published by M.K. Wiseman on December 7, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Before Baker Street, there was Montague.
Before partnership with a former army doctor recently returned from Afghanistan, Sherlock Holmes had but the quiet company of his own great intellect. Solitary he might be but, living as he did for the thrill of the chase, it was enough.
For a little while, at the least, it was enough.
That is, until a client arrives at his door with a desperate plea and an invitation into a world of societal scandal and stage door dandies. Thrust deep in an all-consuming role and charged with the safe-keeping of another, Holmes must own to his limits or risk danger to others besides himself in this the case of the aluminium crutch.

My Review:

After last week’s marvelous book, I was looking for more Sherlock Holmes – as is often the case. So here we are with this little gem.

Many, it feels like most, Sherlock Holmes stories purport to be written by another, usually Dr. John H. Watson, and published by a third or fourth party. By presenting the story as being another person’s recollections and/or impressions of the Great Detective, while the reader is left thinking that they know what Holmes was “like”, what they really know is what the writer/observer “thought” Holmes was like.

As a writing device, it puts Holmes at one or more removes, as the writer imbues the character with his or her own slant on what Holmes thought and did, and then the reader slants that slant. Which fits fairly well with Holmes’ perception or presentation of himself as a thinking machine with few human emotions.

It’s also part of what makes the saying that “every generation has its Sherlock” so true, in that a 21st century author has the opportunity to fit Holmes into the writer’s time and place – as Conan Doyle himself did – or the reader’s time and place or any other in between depending on who is used as Holmes’ biographer/narrator.

This particular entry in the not-quite-canon of Holmes pastiches takes an entirely different tack. The Singular Affair that Holmes must deal with in this adventure occurred before he ever met Watson. Holmes is young – only 26 – and living alone on Montague Street in a flat that is in no way large enough to contain his experiments, his office, and himself.

In other words, his housekeeping is atrocious, there is no Mrs. Hudson in sight, and the tools of his trade have outgrown any and all possible housing for them in the space available. Or, in his present circumstances, affordable.

It allows us to see that Holmes already needs Watson, even if he doesn’t believe he will ever find someone who will be able to tolerate his work, his mess, his single-mindedness or himself with any degree of equanimity.

So Holmes is at the beginning of his career, just far enough along that his name opens many doors – and closes a few others. He has no one to serve as his amanuensis, so he tell the story himself.

But it is removed, as this story is in a manuscript that Dr. John H. Watson discovers amongst Holmes’ papers in the wake of the Great Detective’s death. It’s a story that Holmes tells, but one that he tells of his early career written at the end of his long and celebrated one.

And what a fascinating tale it is.

Escape Rating B: On the one hand, the story does its best to read as the kind of adventure that Watson so successfully wrote. It is chock full of desperate clients, misdirection, multiple identities and shady underworld connections as any Holmes’ fan might wish.

At the same time, it also includes a bit more feeling and not-quite-purple prose than one’s interpretation of Holmes would lead one to expect. The sort of prose and the sort of internal feelings that were part of Watson’s narration but aren’t as expected coming from Holmes’ own pen based on the interpretation of the man that we are familiar with from the pen of Watson.

(The author’s previous foray into Holmes pastiches, Sherlock Holmes & the Ripper of Whitechapel, also foregoes the use of Watson as chronicler, but for an entirely different reason. if this author continues her chronicles of Holmes’ adventures we’ll see if this trend continues in any form. I hope we do.)

On yet another hand, the story is of Holmes’ own early days, when he was both a bit full of the false sense of immortality that we all are capable of at that age, while still more than occasionally being hit upside the head – sometimes literally – by the things he does not yet know or understand.

So the case, as his cases often do, starts out simple to the point of not seeming to be worth his time, only to end up nearly getting Holmes and the man he originally thought was the villain, killed.

It begins with a young woman who is certain that her childhood friend and correspondent has been abducted and that someone else has taken his place – even though everyone else tells her that she’s wrong. She’s not, of course, or Holmes wouldn’t have a case to follow.

But in the best Holmesian traditional mistaken identities and misdirection, she is also wrong. A conundrum that leads Holmes on a very wild goose chase indeed.

The game is afoot! Chasing after Sherlock Holmes as he chases after that game is as much fun as ever. I hope that we see more such tales from this author in the future.

Review: Forever Home by Elysia Whisler

Review: Forever Home by Elysia WhislerForever Home (Dogwood County, #2) by Elysia Whisler
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, relationship fiction, romantic suspense, women's fiction
Series: Dogwood County #2
Pages: 384
Published by Mira on November 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

If home is where the heart is, Dogwood County may have just what Delaney Monroe needs
Newly retired from the Marine Corps, Delaney is looking for somewhere to start over. It’s not going to be easy, but when she finds the perfect place to open her dream motorcycle shop, she goes for it. What she doesn’t expect is an abandoned pit bull to come with the building. The shy pup is slow to trust, but Delaney is determined to win it over.
Detective Sean Callahan is smitten from the moment he sees Delaney, but her cool demeanor throws him off his game. When her late father's vintage motorcycle is stolen from Delaney's shop, Sean gets to turn up in his element: chasing the bad guy and showing his best self to a woman who’s gotten under his skin in a bad way.
Delaney isn't used to lasting relationships, but letting love in—both human and canine—helps her see that she may have found a place she belongs, forever.
"Complex, quietly compelling characters… A poignant reminder that ‘home’ is often more than a place." —Maggie Wells, author of Love Game
Dogwood County
Book 1: Rescue YouBook 2: Forever Home

My Review:

As the sayings go, “home is where the heart is” and “a dream is a wish your heart makes.” Delaney Monroe’s home was working on motorcycles with her father in Omaha, and their shared dream was to open their own motorcycle repair shop.

But Delaney’s beloved father is dead. Killed in an accident between his motorcycle and an SUV whose driver wasn’t paying nearly enough attention to the other vehicles on the road. She’s just retired from the Marine Corps after putting in her 20. She can’t face living in Omaha without her dad, no matter how much her adopted uncles love her and want to help her.

They want to take care of her just a bit too much, and Delaney can’t stop seeing the hole in their formation where her dad used to be.

There’s a part of that dream that is still alive. She has just enough money saved up to buy what used to be a motorcycle shop in Dogwood County. It comes with a tiny apartment, a screaming need to be cleaned up and fixed up, and a dog who can’t figure out whether he wants his home to be in the shop he used to live in or the dog rescue park on the other side of the creek.

Wyatt the dog is afraid to trust that his heart has led him home. Making him not all that different from Delaney. Maybe they can figure it out together.

Or maybe Delaney will give up and run away, again, in the face of the dastardly and determined opposition of the men who used to own both the shop and the dog.

Along with a suspected slice of the local drug trade.

Escape Rating A-: At the end of the story, the dog is fine. I’m saying that first because my reading circle gets very upset if the starring animals don’t make it. No worries on that score, Wyatt has a few adventures but he’s fine, actually better than fine, at the end.

Which doesn’t stop Delaney and Wyatt from being equally heartbroken at the beginning – and some of the middle – of the story. They both need to feel that it’s OK to trust, safe to open their hearts, and the right time and place to put down roots so they can flourish. Neither of them is anywhere near there at the beginning.

And neither, in an entirely different way, is Detective Sean Callahan. He’s been going through the motions for a long time, having little holding him together except his job and his duty. He’s a good cop but a sad human being.

The situation in Dogwood County, between Delaney, Sean, Wyatt, the Dudebros – literally, they’re the Dude Brothers – and each and every one of their pasts is on a collision course.

It’s not just that the Dudebros are trying to wreck her business and take her dog – although they are.

Someone has stolen Delaney’s prize bike, the classic Indian Motorcycle that has been passed down in Delaney’s family for four generations. It’s that they tinkered with it and then put it back. It was heartbreaking while it was gone, and it’s baffling now that it’s back. But as much as Delaney wants to pin it all on the Dudebros, Sean knows that’s not the right answer no matter how tempting it is.

Also how tempting it must have been for the author. That would have been such an easy solution – but the real answer added so much to the story that I was surprised and pleased at the way things turned out.

Although the Dudebros do get theirs in the end.

Forever Home turned out to be one of those books where the whole was much greater than the sum of the parts. It sits right on the border between contemporary romance and relationship fiction, and it’s a surprisingly comfortable border in this case.

A romance occurs between Delaney and Sean, with an HEA that definitely feels earned. But that romance doesn’t completely hold the center of the story. The HEA is the icing on the cake and not the cake.

The suspense element was suspenseful in a surprising way, in that the obvious perpetrators were both obvious and not obvious at the same time.

The heart of the story was in Delaney – and Wyatt – finding their way to a home in Dogwood County. The way that Delaney establishes her shop, makes friends and allies, and makes a home and a life for herself in this new place and with these (mostly) terrific people.

I very much enjoyed my visit to this place, and I’m looking forward to seeing these people again. The next book in this series, Becoming Family, won’t be available until next August, but the first book, Rescue You, is available and I’m looking forward to reading it the next time I need a bit of a reading pick-me-up.

Review: Hex Work by TA Moore + Excerpt + Giveaway

Review: Hex Work by TA Moore + Excerpt + GiveawayHex Work (Babylon Boy, #1) by T.A. Moore
Format: eARC
Source: author
Formats available: ebook
Genres: paranormal, urban fantasy
Series: Babylon Boy #1
Pages: 136
Published by Rogue Firebird Press on November 23, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
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My name is Jonah Carrow, and it’s been 300 days since I laid a hex.

OK, Jonah Carrow isn’t actually an alcoholic. But there’s no support group of lapsed hex-slingers in Jerusalem, so he’s got to make do. He goes for the bad coffee and the reminder that he just has to take normal one day at a time.

Unfortunately, his past isn’t willing to go down without a fight.

A chance encounter with a desperate Deborah Seddon, and a warning that ‘they’re watching’, pulls Jonah back into the world he’d tried to leave behind. Now he has to navigate ghosts, curses, and the hottest bad idea warlock he’s ever met…all without a single hex to his name.

But nobody ever said normal was easy. Not to Jonah anyhow.

My Review:

The central theme of Hex Work might be “Lead me not into temptation; I can find the way myself.”

It’s not merely that Jonah Carrow has to resist turning his truck down the road to temptation – and his family’s home place in Babylon, Pennsylvania – every single day, but that something happened when he left home a year ago that made him swear off using his family gift. A gift for casting – and warding off – hexes.

We may not know what went wrong – at least not yet – but we are riding along with Jonah as his old life does its best to drag him back under its spell. Literally.

A woman enlists his help in a way that seems so random and nebulous that he isn’t exactly sure what it’s about. Not until the people who are chasing her drag him in for a little “chat” about ghosties and ghoulies and just how many of them are going to be set upon him if he doesn’t figure out what she’s up to. Or why she stole something nasty from them. Or both.

Everyone thinks he doesn’t know what it’s all about. Because he’s left his home, his name and his reputation behind in the hopes of making a new start – or outrunning his own ghosts. Except the ghost of his brother who haunts his front yard at night. He’s stuck with that one. Why? We don’t exactly know. Yet.

And even though this wasn’t initially his fight, his circus or his monkeys, by the time he solves the supernatural mystery that stalks Jerusalem (PA) he’s right back in the thick of it. Even if he has, at least so far, still managed to resist falling off the hex wagon.

It’s only a matter of time – and the things that stalk the night have plenty of that.

Escape Rating A-: I was looking for something, let’s say.a bit less complicated after a long weekend reading marathon (because reasons). Not that I expected the characters in the book to be in an uncomplicated situation – from that perspective the more messed up the better. Rather I was looking for something where the story would suck me right in and take my mind away – not tie it up in knots that I wouldn’t be able to unravel for hours or days later.

Urban fantasy has always been my go-to when I want a world to slip right into, and Hex Work certainly fulfilled all my dark, dirty magical expectations. Although, at least so far as this series starter goes, all of the dirt is quite literally dirt. Grave dirt. Not the other kind – at least not yet. This series may eventually switch from urban fantasy to paranormal romance at some point – but neither it nor Jonah are there yet.

The story of Hex Work is told from Jonah’s first-person perspective. We’re inside his head and it’s a pretty damn snarky place to be, which is just fine as one of the things I love about urban fantasy is that it is generally snarky as hell – and sometimes snarky IN hell- and Jonah is no exception.

So we know what he’s thinking in the moment, and we see what he’s struggling with. But we also see that there are plenty of shadowy places in his past that he’s definitely, absolutely, obsessively trying his best NOT to think about. The places that I really hope this series goes as it continues.

Right here and right now, Jonah is in a kind of limbo. He’s sworn he’s not going to lay another hex. He’s left Babylon in order to get away from the supernatural world. But it’s found him. The story is of his struggle to get to the bottom of the grave that the hag that is chasing him pulled itself out of, so he can maybe get back to that fresh start he’s working on.

Only to discover that even though the hag has been laid to rest and the mystery has been solved, he’s still neck deep in the supernatural – and not getting out. We’re left wondering if, in his heart of hearts, he truly wants to.

This reader certainly doesn’t want him to at all. The magic of this world is fascinating, both simple and complex by turns. It feels like it’s been drawn right out of myths and legends and has been hiding in plain sight all along. (It also feels a bit like Midnight Crossroads, so if you liked either the book series or the TV series you’ll probably love this.)

Jonah himself has secrets that I’m itching to discover. I can’t wait to see what trouble finds him next!

Guest Post from TA Moore + Chapter 2 of Stories of Babylon (check out Chapter 1 at Book Gemz)

Hi! Can you believe it’s November already? I feel entirely adrift in the calendar these days. It’s 1934th of Morch! One thing I have managed to keep on track for, more or less, is the whole publication schedule for Hex Work…more or less! 

Hex Work is NOT the book I was meant to be writing, but it’s the one that wanted to come out of my head. So I hope people like it in order to make the absolute shambles it made of my writing schedule worth it. I like it, so I guess that’s a good start!

Thanks for having me and I hope you enjoy the exclusive short story prequel to the Hex Work novella!

Read the rest of the story at TAMooreWrites.com

Stories of Babylon: Chapter Two

He followed the crushed crash and tire tracks to a pick-up truck wrapped around a beech tree. The front end was crumpled and the windows smashed in over the burned, half-melted sheets. It had been red once, but it was smoke-scarred now with black, brittle patches of cracked blisters on the doors.

The kid sat on the rutted ground with his head in his hands. He looked up when Jonah cleared his throat.

Shit, the kid said, my dad’s going to kill me.

His name was John Samuels and he’d been dead for a week. His funeral was tomorrow. That always…cut some sort of thread. Not that John would move on, but being John would start to wear off him. He’d not think he was alive anymore.

“You weren’t meant to have the truck?” Jonah asked. 

He already knew the answer. John was fifteen and he’d gotten home early from football practice. There’d been a casserole in the oven for him and chores to do before his homework. He knew better than to take the truck. His Dad had said that over and over.

Lot—always friendlier—squeezed by Jonah and stuck his nose into the John’s face. His tongue slobbered up, and through, John’s vaguely insubstantial nose until he got a snuffle of laughter and a hand came up to pet his ears.

No, John said. He looked up at Jonah through his tangled fringe, His voice changed—breathy and light, the catch of fear wet in the back of his throat—but his face didn’t. We have to go. Jonah, Joey, we have to go. He’s COMING.

Wife leaned against Jonah’s legs and sighed heavily. The hot, living weight of her anchored Jonah and he pulled away from the hook of that voice. It hadn’t been his name, not when he played it back in his head, it probably hadn’t been John’s either.

“Who was she?” Jonah asked. “Did you know her?”

Some girls are like that, John said, some segment of memory queued up to suit the question. I thought we were the same, but she was….she was…

The words glitched together. Awful/Beautiful/DEADDEADFUCKINGDEAD/Lost. Jonah took a step back and shook his head to clear it. There was blood in his mouth, but when he turned his head to spit it was just saliva. Not his copper and salt thick on his tongue, not his fear thick and clotted in his throat.

For a second John knew what he was and it peeled the facade away. A chunk of glass glittered in his cheek as he talked—speared through flesh and into the mess of broken teeth and gums the impact had left of the kid’s mouth—and the side of his skull was caved in. Blood matted dark blond, curly hair and when he raised a hand it was gone.

He gaped that ruined mouth and screamed. It was a thin, pinched sound that just made the dogs look curious, but it spilled over to something and awful on the unnatural side of things. A handful of confused birds were jostled from their roost as it grated on them, and took off into the sky.

John lurched up from the ground and lunged at Jonah, his hand curled into a claw tipped with bony spikes that poked through his fingertips. His breath hung in the air, dark and oily as smoke.

You have her touch her take her away. I wontletyouhurtheragaaaaaaaa!

The words ran into each other, slurred back into the harrowing, static howl of the scream that drew the other side closer. Moonlight faltered and faded into a grey miasma as the air thickened and chilled.

It was always cold in Babylon, even in summer. A climatic anomaly apparently. Good for the shop that sold coats in town, not so great for tourism. 

Jonah snapped the piece of chalk in his pocket and crumbled the bit he hung onto between his fingers. He threw it into the air.

Technically it should have been drawn on a door or a wall, or a bit of paper to shove down the hag’s throat. Jonah was a Carrow, though, and magic still owed one him for that. Chalk powder dripped from his fingers as he sketched the rune in the air and it hung between him and poor, dead John.

“Holy, holy,” he said and clenched his hand into a fist, thumb extended, to cross himself in a quick, careless swipe. The hex burned on his tongue and stung his lips as he spat the words out. They’d probably meant something once, years and books ago. Now it was just sounds that worked and who cared why? In the moment. “Salt and dirt. Hold your breath and it won’t hurt.”

John smashed into the rune. The little bits of chalk dust stuck to him and spread, white and powdery skin that filled in the holes of his death and clogged up his mind. He staggered to a stop as he forgot, again, why he was so angry. He coughed and licked his lips with a greyish tongue.

I’m thirsty, He said and reached up to rub his head, breaking off sections of crust. It dusted the ground under his feet. What happened?

Catch the next chapter tomorrow at Two Chicks Obsessed and follow the tour for the rest of the story!

About the Author:

TA Moore is a Northern Irish writer of romantic suspense, urban fantasy, and contemporary romance novels. A childhood in a rural, seaside town fostered in her a suspicious nature, a love of mystery, and a streak of black humour a mile wide. As her grandmother always said, ‘she’d laugh at a bad thing that one’, mind you, that was the pot calling the kettle black. TA Moore studied History, Irish mythology, English at University, mostly because she has always loved a good story. She has worked as a journalist, a finance manager, and in the arts sector before she finally gave in to a lifelong desire to write.

Coffee, Doc Marten boots, and good friends are the essential things in life. Spiders, mayo, and heels are to be avoided.

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