How to Steal a Galaxy (Chaotic Orbits #2) by Beth Revis Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #2
Pages: 144
Published by DAW on December 3, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
Sparks fly when Ada and Rian just-so-happen to find themselves at the same charity gala—but there’s something rotten behind the sparkling gowns and dazzling wealth on display
This heist turned rom-com from New York Times bestselling author Beth Revis is perfect for fans of sexy, romantic science fiction and readers of Martha Wells and Becky Chambers
Ada had no intention whatsoever to continue working for the rebel group that hired her to retrieve the government’s plans for a nanobot climate cleaner if they weren’t willing to pay her for it, but then they offer a different perk: an undercover mission to a charity gala where Rian will be in attendance. Rian, meanwhile, has volunteered his services for the gala believing that the rare items up for auction will attract Ada’s eye. Hoping to catch her in the act and pin her with a punishable crime, Rian has no idea Ada’s really after.
In a high-stakes game of theft and deception, Ada plays to win...and Rian will do anything to stop her.
My Review:
In this arresting follow-up to the first book in the Chaotic Orbits trilogy, Full Speed to a Crash Landing, mercenary hacker/thief Ada Lamarr is on the trail of a much more interesting quarry than a mere locked data box. This time she’s not after treasure, she’s after the person who has set himself up as the guardian of a whole, entire museum full of priceless antiquities.
Agent Rian White has his eye on Ada from the moment she arrives at the Museum of Intergalactic History, absolutely certain she’s planning to steal one of the Sol-Earth artifacts no matter how many times she’s says that she’s there for him.
She’s not even lying. She’s certainly toying with the man – but she’s not lying. Not that she wouldn’t like to steal one of the artifacts – and not that she wouldn’t enjoy tweaking the ego of the rich rat bastard who’s the star of this particular charity gala – but she really, truly isn’t there for either of those things.
She really is there for Rian White – for considerably more reasons than she’s willing to admit, even to herself. So all of Rian’s operatives are busy watching her, while she has her eye on her prize all along.
And not that she doesn’t put the dominoes in motion for a couple of secondary prizes along her way.
Ada may not be fooling with White – but someone else already has. Her job – for which she is being paid very good money – – is to remove the scales from White’s eyes and get him to come in on her saving the world caper.
She may be in it for the money, but he’s a true believer. All she has to do is get him to believe – in her.
Escape Rating A-: The caper – and it absolutely is a caper every step of the way – is delightfully frothy, light and sparkling, and filled with witty banter covering plenty of wry undertones and more than a hint of forbidden romance.
Ada is, after all, a thief, and it’s Rian’s job to keep her from stealing anything. But she’s also, in this particular case, the misdirection. He – and his fellow agents – are so busy following Ada that they miss entirely too much of what’s going on around them.
Which is what underpins the whole story of the series – and it’s a doozy once all the sparkling bubbles have popped.
Because White and his fellow agents believe that they are protecting the plan to save a world. This world, in fact. Earth-Sol, the cradle of humanity. They believe that the government that they work for is more-or-less on the side of the angels. That they are doing good while Ada and her employers’ efforts are getting in the way of something both righteous and virtuous.
But that’s not the way the universe works. Especially not when doing good gets in the way of making a really huge, neverending, profit.
The way that this particular story works is that Ada’s seemingly aimless wandering through the Museum Gala is meant to misdirect Rian White, any of his agents, the reader AND the story, all at the same time.
It reads like a bit of light froth, that she’s playing with him, while he’s doing his damndest not to play with her, and that she’s then playing with the scene around her and filling in time while something happens in the background.
And that’s somewhat true and also a bit of a tease for the reader. It makes the story seem much lighter hearted than it really is and keeps White guessing as well. We know Ada is wearing a mask, she even admits as much, but we don’t really see what that mask is in service of.
When she rips it off at the end it’s an ‘aha!’ moment for the reader and an utter shock to White – and that’s when we all get the shape of things to come – or at least we think we do. Ada may have fooled us all again and we won’t learn in exactly what way until the final book in the trilogy, Last Chance to Save the World, coming April. I can’t wait to finally see Ada put all of her cards on the table – and to see if Rian picks them up.
A couple of final notes. Readers who have played Mass Effect may find Ada’s infiltration of the Museum reminiscent of Kasumi Goto’s infiltration of Donovan Hock’s party in Mass Effect 2 – complete with sexy, high-end wardrobe. However, in comparison to Strom Fetor, Hock is fairly penny-ante even if he bears a strong resemblance to a certain real world tech billionaire, amasser of tech companies that he claims to have invented but then destroys, and all around teflon coated, egotistical, arsehole.
Your reading mileage may vary on that bit, but seeing Ada obviously set him up for some comeuppance at a later date did add a bit of just desserts to the impending evil in both worlds that added just an extra fillip of deliciousness to the whole story so far. The ending in Last Chance to Save the World looks like it’s going to be a doozy!
