Narrator: Stephanie Richardson
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: ebook, audiobook
Genres: paranormal, urban fantasy, witches
Series: Yard Birds #2
Pages: 97
Length: 2 hours and 50 minutes
Published by Black Dog Books, Tantor Audio on February 13, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads
Ellie has done her best to keep the spark alive in her marriage to Wally, but she has limited options with her husband cursed into the body of a vintage novelty toy. She thought everything was going okay, aside from the fact he’s battery-operated and bursts into song whenever his motion sensor is triggered, but he’s done being a collector’s item.
When the Middles turn up with a half-dead coworker on her doorstep, Ellie jumps at the chance to help her nephews find who’s responsible to avoid the problems at home. As the attacks grow deadlier, and the rift between her and Wally grows wider, Ellie has to focus on saving herself if she ever hopes to save her marriage.
My Review:
Someone is targeting the shifters of the Sweetwater Pack as this second entry in the Yard Birds series. Ellie and her coven may not be part of the pack, but they are allies and two of her nephews absolutely are members. It’s not a surprise that those same nephews bring the hacked up victim right to Ellie’s door because he’s sure the coven can heal the victim – if she can be healed at all.
But that drags Ellie out of the funk she’s in and straight into a case that probably isn’t any of her business. Not that THAT’S ever stopped her. She wants to investigate and not just because she’s constitutionally incapable of keeping her nose out of other people’s business. Ellie’s having a personal crisis of her very own and she’d much rather handle someone else’s troubles than deal with it. Thankyouverymuch.
At least for a while. As a distraction. Until she can get down off her high horse and work on the mess that a curse has made of her marriage. Before it’s too late. Even if it already should have been – and if Ellie wasn’t a witch, would have been.
The case that Ellie, with able assistance and enablement from her nephew Zander, is a relatively simple one. Bloody, deadly and messy, but ultimately a bit stupid and easy to resolve.
Fixing her relationship with her husband is going to be a whole lot more complicated – and potentially heartbreaking. But a witch’s gotta do what a witch’s gotta do – no matter how much it’s going to hurt them both.
Escape Rating A-: This whole series, at least so far, is all about female power in its various forms. The members of the Witchlight coven may be entering their ‘crone era’, even if Flo is holding the signs of that back through sheer force of will and gallons of botox, but it’s not just them. In this second entry in the series (after Crazy as a Loon), it’s obvious that most of the paranormal and supernatural groups in Samford are run by women, including the Sweetwater Pack of shifters. A mixed pack whose alpha may be five foot nothing in human form but shifts to a whole lotta BEAR when her pack is threatened.
As it definitely is in this story.
The males in this story serve as helpers, assistants, annoyances and even outright ornaments, as exemplified by Ellie’ s beloved husband Wally, who is literally hanging on the wall as a battery-operated singing fish novelty toy.
Poor Wally has been cursed into the body of a plastic ‘Walleye’, literally, figuratively and frustratingly for both Ellie and Wally. (I really want the story of how that happened, and more about how Witchlight hubs operate when they’re not theoretically retired AND stories about the hijinks and adventures that Ellie and her coven got up to back in the day. If those stories already exist I’d appreciate it if someone would tell me!)
But all that female empowerment means that there were bound to be some males in town, whether human or shifter, who can’t hear the word “NO!” when it’s shouted in their faces – or beaks, or muzzles – and who can’t stand being beaten by a woman. Of course they’re just dead certain they’re entitled to be in charge because they have pricks. Or are pricks. Or both.
I did figure out the pattern to the attacks on Sweetwater long before Ellie and Zander did. Then again, she’s used to her and her coven and the other females in town being in charge of things. Out here in the real world, it just isn’t so and women get attacked just for being women all the damn time.
I’m going to try to climb down off my soapbox now but it’s not easy.
So the case Ellie has to solve was relatively simple, which makes it the perfect foil for Ellie’s personal issues – which are not going to be easy to resolve at all. Although, come to think of it, those issues are also about power, specifically the imbalance of power that has swum into Ellie’s marriage.
This story, the whole series in fact, is told from Ellie’s first person perspective, so we’re inside her head as she wrestles with her NEED to keep what she has of Wally SAFE. His form is fragile and easily broken or even stolen. But his heart and mind are EXACTLY what they were before the curse, meaning that inside that fish is a grown-ass adult who needs what we all need, purpose and independence. He’s starting to see Ellie as his jailor more than his wife and their marriage won’t survive that. And Ellie knows it even if she’s having a damn hard time figuring out what to DO about it.
Which is where the heartbreak and angst come into the story by the bucketful, and which the reader experiences even more fully and practically personally if they’re listening to Stephanie Richardson’s narration because she’s channeling Ellie’s internal voice perfectly. We hear Ellie, we feel for Ellie, and DAMN it’s hard to be there with her. (It’s what the story needs, but it’s still hard.)
The investigation may be over, but it feels like Ellie’s worries and woes have just dug in a little deeper as this story ends. I can’t wait to find out how, and for that matter if, everything works out in the third book in the series, Free as a Bird, which I know I’ll be listening to SOON even though I really, really don’t want this series to be over.
This sounds like a very interesting series, Marlene. Not something I would normally read, but you have piqued my interest.
It’s interesting, it’s fun, and the books are SHORT. I think the series is a ‘voice’ thing, as in if you find yourself liking Ellie’s voice it works, and if you don’t it doesn’t. Also, if you liked Killers of a Certain Age you’ll probably like this too.
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