Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #1
Pages: 400
Published by Berkley on July 12, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
The undisputed queen of Regency romance is back with a brand-new story perfect for fans of Bridgerton.
The handsome and charismatic Earl of Stratton, Caleb Ware, has been exposed to the ton for his clandestine affairs—by his own son.
As a child, Devlin Ware thought his family stood for all that was right and good in the world. They were kind, gracious, and shared the beauty of Ravenwood, their grand country estate, by hosting lavish parties for the entire countryside. But at twenty-two, he discovered his whole world was an elaborate illusion, and when Devlin publicly called his family to account for it, he was exiled as a traitor.
So be it. He enlisted in the fight against Napoleon and didn’t look back for six years. But now his father is dead, the Ware family is broken, and as the heir he is being called home. It’s only when Gwyneth Rhys—the woman he loved and then lost after his family banished him—holds out her hand to help him that he is able make the difficult journey and try to piece together his fractured family.
It is Gwyneth’s loyalty, patience, and love that he needs. But is Devlin’s war-hardened heart even capable of offering her love in return?
My Review:
Humphrey Westcott, Earl of Riverdale and Caleb Ware, Earl of Stratton must have been bosom buddies. Possibly literally. Certainly they seem to have been cut from the same despicable cloth. Both were wealthy aristocrats who lived a lie and expected everyone around them to go along with that lie rather than face up to the uncomfortable truth.
Westcott hid his perfidy until after his death, which makes the shocking opening of the Westcott series, Someone to Love, all that much more upsetting. But at least Westcott didn’t require that others go along with his false front because he kept his secret very well hidden indeed.
Caleb Ware, very much on the other hand, needed admiration, approval and even applause from all those who surrounded him. He projected the image of a loving husband and father with a perfect family because he needed people to love him at every turn. Not that there weren’t plenty of men in his position who lived lives completely separate from the wives and families and didn’t care about the winks and nods that followed in their wake.
But Ware needed to have it all. A perfect family at his country home, and a mistress or two, or three, in London. When he brought his current mistress to his country estate and flaunted his affair in front of his friends and family he expected everyone to turn the same blind eye that they always had. And when one member of his family refused to turn that blind eye, and refused to sweep the entire tawdry incident under the rug for the sake of peace and not rocking the family boat – he likewise refused to take responsibility for his actions. And the rest of the family punished the young man who could not stand idly by after learning that his oh-so-perfect father, his hero, had feet of clay up to the knees – or perhaps a bit higher.
And that’s what kicks this story into a higher gear – that the expected pattern of the lives of not just the Earl and his heir are knocked off course – but that the entire family’s future is irrevocably altered over the course of one disastrous night.
The aftermath of which makes for a much more fascinating – and occasionally dangerous – life than anyone would have expected for the heir to an earldom – and for the woman he once expected to be his bride.
Escape Rating A-: The Ravenswood series is off to a heartbreaking but eventually heartwarming and redemptive start in this opening entry in the series. It has the potential for all the elements that made the Westcott series so fascinating, with Devlin Ware’s condemnation of his father’s behavior and his family’s complicity drastically altering ALL their lives.
What makes the initial break in the story such a huge change is that it encompasses both Devlin’s sharply learned lesson that his father is not worthy of being anyone’s hero, and that the rest of his family would rather keep lying to themselves and each other than try to fix what’s broken. That Caleb Ware is the one who behaved so very badly but Devlin Ware is the one who gets punished for it puts the hypocrisy of the whole mess on disgusting display.
But Caleb eventually does get his just desserts, while Devlin immediately gets a commission in the infantry. During the worst of the fighting of the bitter Napoleonic Wars. From one perspective, it’s the making of him, while in the other it represents the shattering of his heart into pieces so tiny that Devlin is no longer certain he even possesses such an organ.
The heartbreak for Devlin’s family is that the only way he can survive the hell of his war is to compartmentalize his feelings for his family and reject all contact with any of them – except for his father’s bastard son who is serving as his batman. It’s a cold, hard, bitter road that he walks – but he does survive it.
Only to return home after Napoleon’s surrender, two years after his father’s death, to do his duty yet again and pick up the reins of the earldom that he has inherited. He has done his best to cut his family out of his heart, but Devlin Ware is a man who has always done his duty – and taking up the mantle of the Earl of Stratton is his duty.
Once Devlin is back in the place he once called home, doing his best to fit himself into the place that is his duty, he tries to convince himself that it is out of duty alone and not the emotions he swears he’s no longer capable of feeling. He eventually learns that duty does not have to mean burden, and that if he allows himself to feel all the things that he locked away during his war, his peace can be filled with not just true peace, but also real love and belonging.
In the end I enjoyed Remember Love because it is a story where the life that’s supposed to happen gets pushed aside for a life that is harder and darker but in the end much more real, and that’s the same thing that made the Westcott series so fascinating. Young Devlin, before he left, was a bit of a prig. He meant well and generally did well but could really be a self-righteous young man. He’s much more interesting when he’s much less sure of things – as well as a whole lot more approachable and loveable.
Gwyneth Rhys, the heroine of this romance, doesn’t pine. She doesn’t wallow. But what she does is know herself, her strengths, her weaknesses and those situations up with which she will not put. She is not going to change to suit a man, but she does deal pragmatically with the life she has.
The character who turned out to be a complete surprise was Devlin’s mother, the Dowager Countess. The woman who did her best not to know about her husband’s frequent infidelities until he brought them to her very door. At first, she seems weak in that she didn’t protest her husband’s affairs and actually participated in her son’s banishment. It’s only when she acknowledges to Devlin that she did the best she could with the cards she was dealt because women were forced to lie all the time to survive. She lied to herself because that is what she and women like her were trained to do practically from the cradle.
It makes Devlin think. It makes the reader think. And it makes the reader wonder – or at least this reader wonder – whether or not all that much has really changed.
Remember Love is the first book in the Ravenswood series. Now that Devlin is back home and has found his own HEA, I wonder what will happen next in the slightly altered lives of his family and friends in the coming entries in the series. Hopefully we’ll see sometime next year!