Confessions from the Quilting Circle: A Novel by Maisey Yates Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: relationship fiction, women's fiction
Pages: 384
Published by Harlequin HQN on May 4, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads
"Yates weaves surprises and vivid descriptions into this moving tale about strong and nurturing female family bonds."—Booklist on Confessions from the Quilting Circle
The Ashwood women don’t have much in common...except their ability to keep secrets.
When Lark Ashwood’s beloved grandmother dies, she and her sisters discover an unfinished quilt. Finishing it could be the reason Lark’s been looking for to stop running from the past, but is she ever going to be brave enough to share her biggest secret with the people she ought to be closest to?
Hannah can’t believe she’s back in Bear Creek, the tiny town she sacrificed everything to escape from. The plan? Help her sisters renovate her grandmother’s house and leave as fast as humanly possible. Until she comes face-to-face with a man from her past. But getting close to him again might mean confessing what really drove her away...
Stay-at-home mom Avery has built a perfect life, but at a cost. She’ll need all her family around her, and all her strength, to decide if the price of perfection is one she can afford to keep paying.
This summer, the Ashwood women must lean on each other like never before, if they are to stitch their family back together, one truth at a time...
My Review:
I usually say there are two variations on stories about home. One is the Thomas Wolfe version in the title of the book, You Can’t Go Home Again. One is the Robert Frost version, “home is the place where, when you have to go there, they have to take you in.” Now I have a third version, Addie Dowell’s combination of hope, prayer and hard-lived experience, that “you can never go so far that you can’t come back home.”
This is a story about coming home. Not just about Mary Ashwood and her three daughters, Avery, Hannah and Lark, but also the journey of Mary’s mother, Addie, and all of the Dowell women that came before her, starting with Anabeth Snow Dowell, the widow who boarded a Conestoga wagon to make the long and arduous journey from Boston to Bear Creek Oregon after the loss of the husband who planned it – and who found love and hope along the way.
It’s also a story about starting over in the place where you began, whether you ever left it or not. Because as much as we all sometimes want to leave our pasts behind, we carry them with us wherever we go, with the weight of the things left unsaid and undone dragging us back at every turn.
Escape Rating A: I don’t often have a playlist for books, but I do this time. It’s Stevie Nicks’ Landslide on endless loop, because it feels like her story reflects all the journeys in this book. And now the damn thing is an earworm and I can’t get it out of my head.
The story here is on two tracks, although it isn’t time slip. It’s not about seeing the whole of the lives of the characters in the past, rather about the Ashwood women seeing the way that, in spite of how much the trappings of life have changed over the centuries, the experiences of the women who came before them have profound resonances in their lives in the present.
Which is a long way of saying that history repeats, specifically that history has repeated through the generations of the Dowell/Ashwood family. And that a big part of the history that keeps repeating is the way that each generation of the family – at least on the distaff side – does their best to keep what each believes are damning secrets to themselves. Even at times and places where the reveal would be the best thing for everyone involved.
It’s a lot of women hiding away their hurts and disappointments and sins in order to keep what is often a very dubious – and sometimes destructive – peace.
So Mary pretends to be stoic and Avery pretends to be perfect and Hannah pretends to be obsessed with her career while Lark pretends to be an irresponsible drifter. But even though there are aspects of truth in those pretenses, at the heart of them is a very big secret that each of them is forced to reveal to the others believing that the cost of stepping out of each other’s comfort zones will be too high to pay.
But none of them have gone so far that they can’t come back home to each other. Which is what makes this story such a lovely read.
