Item: The Formidable Earl (Diamonds in the Rough, #6)
Rating: 4
Author: Marlene Harris

The Formidable Earl (Diamonds in the Rough, #6) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical fiction, historical romance, regency romance
Series: Diamonds in the Rough #6
Pages: 416
Published by Sophie Barnes on November 17, 2020
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo
Goodreads

He's breaking the rules for one woman, and coming dangerously close to falling in love…
Simon Nugent, Earl of Fielding, knows he's flawed. He's arrogant, possessive, and haunted by a terrible choice he made long ago. So when a former friend's daughter gives him the chance to do a good deed, he grabs it. Except he'd like to grab her as well and teach her a thing or two about kissing. If only she weren't so damn stubborn.
Ida Strong wants one thing – justice on behalf of her father. She has no room for anything else, in spite of her growing and (at times) inexplicable attraction toward a certain earl. But for a woman who knows what betrayal tastes like, placing her trust in others is hard. Risking her heart, would be downright foolish. Until it's the only thing that seems to make sense.

My Review:

The Formidable Earl harkens back to the first book in this series, A Most Unlikely Duke. In that first story, Raphe Matthews, the very unlikely duke, steals the Earl of Fielding’s fiancee. Not that it was actual theft, not that Gabriela didn’t go extremely willingly, and not that Simon was even remotely heartbroken.

The only parts of Simon that took any kind of hit were his pride and his reputation. Possibly along with the stick up his ass – although that may have become more firmly embedded as the years went by. After all, Simon only proposed to Gabriela because she’d make a perfect countess – not because he cared about her or even really knew her.

It was, after all, what the Earl of Fielding was expected to do. So he did. But fortunately for everyone both in that story and this one, SHE didn’t.

Considering that Simon has a terrible habit of doing what is expected instead of what he wants, well past the point of his own detriment, he’s actually better off without Gabriela, who wasn’t nearly as perfect for the role he imagined for her as he thought she was.

But she’s perfect as the Duchess of Huntley, and Raphe and Gabriela are perfect for each other.

Leaving Simon, in his mid-30s, alone and in need of a wife, or so he – and polite society – believe.

What Simon is really in need of is a LIFE. It’s only when he steps just a bit outside his comfort zone to get one that he finds everything he really needs. All he has to do is consign his starched and pristine reputation to the scrapheap where it belongs.

By marrying a woman who everyone insists is a traitor, a prostitute, and very nearly a murderess into the bargain.

Escape Rating B: There’s a theme to this series, and it’s pretty obvious from the series title. One protagonist or the other is just not “suitable” for marriage into the ton, whether it’s because they were raised outside it, because they were forced out of it, or because they were never part of it in the first place. The usual progress of each story is for the person who does belong to realize that what polite society thinks and believes is a whole lot of horseshit.

The books in the series are only kind of loosely linked, so it really isn’t necessary to read the previous books, or to read all of them, before diving into The Formidable Earl. (I just discovered I missed one along the way and now I WANT to go back to it, but I don’t HAVE to go back.)

The reason for, in this case, the heroine’s unsuitability was fascinating, but the hero’s reaction to it was at times just a bit squicky. Let me explain.

Ida Strong’s dilemma is a reminder that this series takes place at a time when the Napoleonic Wars were not far in the past at all, and that there were still a lot of hard feelings, wounded veterans and general all-around recriminations going on at the time. (The Napoleonic Wars, in a fictional sense, are a gift that just keeps on giving. So many dramatic possibilities both during the war and in the following years.)

Four years before this story begins, Ida Strong’s father, a celebrated British Army General, was convicted of treason in Napoleon’s escape from Elba. Matthew Strong was executed for a heinous crime that he did not commit, and his daughter vowed to find the men responsible and clear her father’s name.

In those intervening years, Ida lived in a brothel owned and operated by her mother’s sister. And that’s where Simon Nugent, the Earl of Fielding, discovers her the one time he decides to break away from his extremely priggish persona.

Simon’s exposure of Ida puts her life in danger from the men who connived at framing her father. The story here is Simon attempting to protect her while falling in love with this woman who is oh-so-wrong according to everyone who is anyone, but oh-so-right for Simon.

But, the exposure of Simon’s thoughts and feelings about the possibility that Ida is a prostitute is extremely uncomfortable to read. It’s not that it isn’t true to what we think of the Regency, it’s that, quite honestly, it just feels awful. It makes all kinds of sense for the era, but it still makes the reader, or at least this reader, squirm when reading it.

Which gives me mixed feelings that Ida has to reject the idea so forcefully in order to be considered “worthy” of becoming his heroine equally squirmy. Again, not that this isn’t true to what we believe of the era. But it still made me uncomfortable.

All of that being said, I really, really liked Ida. She’s a terrific heroine, forthright and proactive with plenty of agency. She was more middle-class to begin with, but society has completely rejected her so she’s pretty much said “to hell with it and the horse it rode in on.”

That Simon is both slavishly devoted to worrying about what people will think and falling desperately in love with Ida puts him on the horns of a delicious dilemma. That Ida has decided what she wants and what she doesn’t, and has no plans to settle, in contrast with Simon’s need to keep her with his initial unwillingness to buck society provides the romantic tension.

That someone really is out to get her, and that they nearly succeed, provides plenty of dramatic tension to keep the reader turning pages until the very last.

I’m certainly looking forward to the continuation of this series with Her Scottish Scoundrel in May of 2021. Not nearly soon enough!