The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 4-30-17

Sunday Post

The Hoppy Easter Eggstravaganza ends tonight! So if you want a chance at the prize, and all of the prizes all over the hop, get thee hence to the hop participants!

I love the giveaway for Susan Mallery’s Secrets of the Tulip Sisters. There’s a winner at every stop on the tour, which is marvelous. Especially since the prize is a bouquet of tulips that you can either decide to send to yourself, or you can send to someone else, just in time for Mother’s Day. I’ve very tempted to enter on one of the other stops, but my mom doesn’t like to get flowers. Which drives me nuts. I love to get flowers. The only problem is that the cats also love to get flowers. To eat. And to knock over the vase. For them its a win-win. For me, usually a slippy, sloppy wet mess, coming and going.

Current Giveaways:

$10 Gift Card or $10 Book in the Hoppy Easter Eggstravaganza Giveaway Hop (ends TONIGHT!)
Bouquet of Tulips from Susan Mallery and Secrets of the Tulip Sisters
$25 Gift Card from Maisey Yates and Slow Burn Cowboy
Mitla Pass by Leon Uris (5 copies, ebook)

Winner Announcements:

The winner of Any Day Now by Robyn Carr is Susan

Blog Recap:

B Review: Mitla Pass by Leon Uris + Excerpt + Giveaway
C+ Review: Slow Burn Cowboy by Maisey Yates + Giveaway
Sneak Peek at Secrets of the Tulip Sisters by Susan Mallery + Giveaway
B+ Review: Grimoire of the Lamb by Kevin Hearne
B Review: Blood and Circuses by Kerry Greenwood
Stacking the Shelves (233)

Coming Next Week:

The Illusionist’s Apprentice by Kristy Cambron (blog tour review)
The Baker’s Secret by Stephen P. Kiernan (blog tour review)
Life’s a Beach Giveaway Hop
Free Space by Sean Danker (review)
Theron by Anna Hackett (review)
May I Suggest Giveaway Hop

Stacking the Shelves (233)

Stacking the Shelves

Lots of interesting things this week. The one I’m really looking forward to is Theron. It’s the latest in Anna Hackett’s terrific Hell Squad series. I love the dystopian setting, the badass heroes and heroines, and the way that the cast keeps working together for a brighter, post-alien-invasion future. I also love that I never have to wait long. Anna is prolific as well as excellent, so I get regular fixes on all her series. If you like action adventure romance and/or science fiction romance, check out her marvelous work!

For Review:
American War by Omar El Akkad
Enchantment of a Highlander (Highlander #3)  by Madeline Martin
The Legendary Lord (Playful Brides #6) by Valerie Bowman
A Pirate’s Revenge (Secrets of the Bayous #3) by Meg Hennessy
Sovereign (Nemesis #2) by April Daniels
The Switch by Justina Robson
Theron (Hell Squad #12) by Anna Hackett
Wild Lavender (Aurelian Guard #1) by Nicole Elizabeth Kelleher

Purchased from Amazon:
The Rogue Prince (Sky Full of Stars #1) by Lindsay Buroker

Borrowed from the Library:
The Refugees by Viet Thanh Nguyen
Thank You for Being Late by Thomas L. Friedman

Review: Blood and Circuses by Kerry Greenwood

Review: Blood and Circuses by Kerry GreenwoodBlood and Circuses (Phryne Fisher, #6) by Kerry Greenwood
Formats available: paperback, ebook, audiobook
Series: Phryne Fisher #6
Pages: 208
Published by Poisoned Pen Press on July 1st 2007
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Phryne Fisher is bored. Life appears to be too easy, too perfect. Her household is ordered, her love life is pleasant, the weather is fine. And then a man from her past arrives at the door. It is Alan Lee from the carnival. Alan and his friends want her to investigate strange happenings at Farrells Circus, where animals have been poisoned and ropes sabotaged. Mr. Christopher has been found with his throat cut in Mrs. Witherspoon s irreproachable boarding house and Miss Parkes, an ex-performer, is charged with his murder.Phryne must go undercover deeper than ever to solve the circus malaise. She must abandon her name, her title, her protection, her comfort, even her clothes. She must fall off a horse twice a day until she can stay on. She must sleep in a girls tent and dine on mutton stew. And she must find some allies.Meanwhile, in Melbourne, the young and fresh-faced policeman Tommy Harris has to solve his own mysteries with the help of the foul-spoken harridan Lizard Elsie, or Miss Parkes will certainly hang. Can Phyrne uncover the truth without losing her life?"

My Review:

There are two crimes to be solved in this story. Or is it three?

The first one is easy. Phryne begins the story feeling bored to death. Diving headfirst into solving the second crime takes care of that. If she doesn’t discover the perpetrator in time, she won’t be merely bored to death. She’ll just be dead.

But just as Phryne is screwing up her own courage, there’s a murder. And this one isn’t Phryne’s case. At all. At least at first.

Mr. Christopher has been found murdered in his bed at his boarding house. Nothing about this case is exactly as it appears. Not even the corpse.

Mr. Christopher was also Christine. He was a member of Farrell’s Circus, performing as the half-man/half-woman. The circus was the one place where his accident of birth afforded him some respect and a reasonable living. Mr. Christopher was a true androgene. He was born intersex, with both male and female sexual characteristics. He lived his life as Mr. Christopher, and that is how he shall be referred to.

Mr. Christopher’s death is a locked room mystery. And there is only one person in the boarding house who could possibly have entered his second-story room from the window. Miss Parkes, formerly known as Mrs. Fantocci, used to be a star performer in a circus trapeze act. She just got out of prison for murdering her disgusting, abusive husband ten years ago. Some of the police are all too ready to believe that a woman who has murdered before would all too easily murder again.

Jack Robinson is not so convinced. He may not be the Jack we’re used to from the TV series, but he is still a very good, and very fair, cop. Something in the setup does not make sense, and Jack has all sorts of suspicions – he just needs some facts to back them up.

Phryne, meanwhile, is off to Farrell’s Circus. Not as a paying customer, or even as a patron. She is undercover, posing as a trick rider. And all too frequently falling down as a trick rider. It’s not easy to stand up on a horse while it is moving.

It’s also not easy for Phryne to investigate while pretending to be the lowest person in the group and stripped of all her resources. She doesn’t understand how the circus community really functions, not nearly well enough to guess at what is making this particular community suddenly not function. She’s also not used to not being able to bully her way to a solution, whether that’s through her considerable charm or by an application of her considerable fortune.

Phryne suffers from a surprising amount of self-doubt. It’s refreshing to see her have to reach into herself and see what she is made of on the inside.

But Phryne is at Farrell’s because some old friends are afraid for their lives and their livelihood. Whether it’s a curse, an against-the-odds string of very bad luck, or an active conspiracy at work, someone or something is driving Farrell’s into the ground. And it’s up to Phryne to figure out the true source of all their woes, and bring it to a halt.

It seems as if Phryne and Jack are investigating completely different crimes that just coincidentally take place among the denizens of Farrell’s circus. But this string of crimes is bigger than either of them imagines.

And Phryne gets saved by a bear.

Escape Rating B: I bounced off of three books this week, and finally ended with Phryne as my comfort read. However, this may be the least comfortable of Phryne’s books so far. She takes herself far out of her own comfort zone, and finds herself lost, alone and more uncertain of herself than has been shown in the previous books.

That makes the beginning of this story a bit rough going. Phryne isn’t acting like Phryne, and part of the comfort in these stories is that same cast of characters and all of their interactions.

Something that always leaves me thinking at the end of one of Phryne’s adventures are the attitudes portrayed towards sex and sexuality throughout the series. Although the series is set in Australia in the 1920s, the first book was published in the 1990s and the book series is still ongoing, although the TV series is unfortunately in hiatus.

But both the era it portrays and the era is was written in have a profound effect on the ways that sex, whether that be sex roles, sexual activity, sexual preferences or anything else that touches on sex and gender and the morality supposedly belonging thereto are often dealt with in layers.

Phryne can, in some ways, be seen as ultra liberal, for multiple versions of that word. Like male detectives, Phryne has a lover in every port, and in every book. Sometimes more than one. She likes men, she likes sex, and she’s not remotely interested in serious relationships. This has been true for many male detectives over the entire history of the genre, but Phryne feels unique among women.

She also likes and respects everyone for who they are. She doesn’t pass blanket judgments on groups because of what society dictates. That includes whether the people she meets are gay or straight, cis or het, Australian or elsewise, communist or capitalist, and in the case of Blood and Circuses, vertically challenged or average height. Phryne judges people as she finds them individually.

At the same time, particularly in this book, other characters are used to voice the prejudices of society as a whole. The juxtaposition of Phryne’s views with that of conventional society is made clear without putting anything offensive in her mouth. But still portraying that in this era, attitudes were what they were. It’s a very useful way of not pretending that the past attitudes did not exist in all their disgustingness while also commenting on the possibility that at least some people thought otherwise even then.

This is also the second book I’ve read recently that delves into 20th century circus life. (The other book was The Orphan’s Tale). In both cases, it’s hard to let go of the sad irony that in both stories the circus performers believed that the circus, as a concept and way of life, even if not their particular example of it, was strong and would go on forever, no matter what. Even in 1994 when Blood and Circuses was first published, that probably still seemed true. The reality that in 2017 the circus as they knew it is about to raise its very last big top gave this reader more than a touch of nostalgia.

The circus may not be going on, but Phryne certainly is. The next time I need a comfort read, I know I’ll be pulling out Ruddy Gore.

Review: Grimoire of the Lamb by Kevin Hearne

Review: Grimoire of the Lamb by Kevin HearneThe Grimoire of the Lamb (The Iron Druid Chronicles, #0.4) by Kevin Hearne
Formats available: ebook, audiobook
Series: Iron Druid Chronicles #0.4
Pages: 64
Published by Del Rey on May 7th 2013
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

There's nothing like an impromptu holiday to explore the birthplace of modern civilisation, but when Atticus and Oberon pursue a book-stealing Egyptian wizard - with a penchant for lamb - to the land of the pharaohs, they find themselves in hot, crocodile-infested water.
The trip takes an even nastier turn when they discover the true nature of the nefarious plot they've been drawn into. On the wrong side of the vengeful cat goddess Bast and chased by an unfathomable number of her yowling four-legged disciples, Atticus must find a way to appease or defeat Egypt's deadliest gods - before his grimoire-grabbing quarry uses them to turn him into mincemeat.

My Review:

With great power comes great responsibility, at least according to the Spiderman mythos. But there are plenty of people who want that great power, but want to completely sidestep that whole great responsibility price tag. While history and politics are both littered with the bodies of the victims of those “great” figures, in urban fantasy that shortcut to great power usually travels down the road to hell, often paved with no good intentions whatsoever. That shortcut is nearly always dark magic.

And so it proves in Grimoire of the Lamb.

The Druid now known as Atticus O’Sullivan is 21. That’s 21 centuries old, not 21 years. But his magic keeps him looking much closer to 21 years old, and if that’s what people want to assume, he’s happy to let them.

While Atticus isn’t old enough to have visited Egypt when the pyramids were built, he is more than old enough to have visited Egypt before the Library at Alexandria was burned to the ground. And that long ago bit of library looting is the root of this story.

In the 21st century, Atticus lives in Tempe, near Arizona State University, and owns a shop that sells a combination of new age trinkets, minor magical items for the knowledgeable practitioner, arcane-seeming (and sometimes really arcane) used books and very special herbal teas that help students study just before exams.

While Atticus does seem to sell a few safe or relatively safe used books, most of his collection belongs in the Restricted Section at Hogwarts, or the nearest local equivalent, which happens to be a magically locked case in his shop.

And that case contains at least two books that are on semi-permanent loan from the defunct Library of Alexandria. One is that Grimoire of the Lamb, which Atticus believes is an ancient cookbook. The other is a book he calls Nice Kitty, which he describes somewhat like an illustrated guide to tantric sex to be practiced in the worship of Bast.

Bast is not happy that Atticus has that book. She’s so unhappy, in fact, that Atticus has avoided going to Egypt for centuries. But now he’s stuck.

An evil wizard has just stolen the cookbook, but only after informing Atticus that it isn’t a cookbook. That poor lamb isn’t for dinner, it’s a blood sacrifice to one of the ancient Egyptian gods. And it’s a sacrifice that will let the sorcerer kill his (and his god’s) enemies and place himself in a position of power. Someone has seriously given in to the dark side of the Force, and not just because he discovered the book by conjuring up a demon.

So Atticus, along with his faithful Irish wolfhound Oberon, takes off for Egypt to track down that stolen (or is that re-stolen) book, before it’s too late.

Escape Rating B+: I was looking for something quick and fun, and this certainly filled the bill. I was tempted to say light and fun, but Atticus often isn’t light. There are always plenty of humorous moments, if only within the confines of Atticus’ own thoughts, but there’s also always something darker at work.

And even if Atticus doesn’t provide a lot of levity, Oberon always does. When Bast’s many, many, MANY minions chase Atticus and Oberon through the streets of Cairo, poor Oberon’s attempts to visualize just how many cats are following them nearly breaks the poor dog’s enhanced brain. Bast commands a lot of cats. All the cats. And they all chase Atticus and Oberon with a vengeance. Possibly literally.

Grimoire of the Lamb is a prequel story to the Iron Druid Chronicles. Although it takes place before the absolutely marvelous Hounded, it was written after it, so while it introduces the characters we are familiar with, it also already knows who they are and what they are supposed to be.

This story is more intimate than Hounded in that the only two characters that we are familiar with are Atticus and Oberon. His werewolf lawyer appears in a phone call, but doesn’t participate in the action. This one is all on the druid and his dog.

Especially on Atticus. Just as in Hounded, the story is written in first-person singular, so we are always inside Atticus’ head, even when he’s gibbering to himself in pain. Which is often. Atticus gets knocked around a lot.

Tangling with a crocodile, let alone a crocodile god, is always messy. Especially when, as so often happens with Atticus, he’s making it all up as he goes along.

One of the fun things about this series is the way that it mixes multiple ancient mythologies with contemporary sensibilities. Atticus has survived by adapting from century to century and country to country. He never forgets who he is, where he comes from, or what he remembers, but he doesn’t cling to the dead past. There’s probably a lesson in there someplace.

Most of the time when Atticus is forced to deal with myths, legends and deities, they are from his own Celtic pantheon. But he remembers the other old gods, and they certainly remember him. Bast certainly does. And will. He’s planning to steal Nice Kitty back, as soon as he heals up from dealing with Sobek the Crocodile God. Hopefully for the last time.

But this is certainly not my last time visiting Atticus and Oberon.

Sneak Peek at Secrets of the Tulip Sisters by Susan Mallery + Giveaway

Sneak Peek at Secrets of the Tulip Sisters by Susan Mallery + GiveawaySecrets of the Tulip Sisters: A Captivating Story about Sisters, Secrets and Second Chances by Susan Mallery
Formats available: hardcover, ebook, audiobook
Pages: 416
Published by Harlequin Books on July 11th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A wonderful story full of romance, forgiveness and the unavoidable ties that bind, SECRETS OF THE TULIP SISTERS is Susan Mallery at her very best.
The relationship of sisters Kelly and Olivia Van Gilder has been, well… complicated ever since their mother left them as teens, though it's the secrets they have been keeping from each other as adults that have unwittingly widened the chasm. But one thing they do share is the not-so-secret torch they carry for the Martin brothers.
In the small enclave of New Holland, Washington, Griffith and Ryan Martin were demigods. While Griffith was the object of Kelly's high school crush and witness to her mortal teenage humiliation, Ryan was for Olivia the boy who got away-something she's never forgiven Kelly for-and the only person since her mother who appreciated her wild streak.
Now, ten years later, both brothers are newly returned to town. Believing they're destined to be together, Olivia's determined to get Ryan back, until she discovers that she's not the only one keeping secrets…and that perhaps he's not the handsome prince she remembered. And even though Griffith has grown up to be more irresistible than ever, Kelly's impulse is to avoid him and the painful memory he represents, despite his resolve to right the wrong he caused her long ago-and her desire to let him.

Welcome to the  Virtual Pre-Order Tour for Susan Mallery’s upcoming book, Secrets of the Tulip Sisters. I loved her Daughters of the Bride last year, so I was thrilled when not one but two tours were available for Sisters of the Tulip Sisters. This pre-order tour includes an exclusive excerpt, and just in time for Mother’s Day, the opportunity for one lucky U.S. entrant to win a beautifult bouquet, of tulips of course, to be delivered to your own home or to a person of your choosing as a very special gift.

There is also a review tour for Secrets of the Tulip Sisters coming in July. Based on this teaser chapter, I can’t wait to read this book!

Chapter Three

Leo Meierotto, the forty-something site supervisor, stuck his head in Griffith’s office. “Boss, you’ve got company.” Leo’s normally serious expression changed to one of amusement. “Kelly Murphy is here.”

Because Leo was local and in a town the size of Tulpen Crossing, everyone knew everyone.

“Thanks.”

“Think she wants to buy a tiny home?”

Considering she lived in a house her family had owned for five generations, “Doubtful.”

He had a feeling she was here to tell him to back off. Maybe she’d shown up to serve him with a restraining order. Or did that have to be delivered by someone official? He wasn’t sure. Avoiding interactions that required him to get on the wrong side of law enforcement had always been a goal.

He told himself whatever happened, he would deal, then walked out into the showroom of the larger warehouse. Kelly stood by a cross section of a display tiny home, studying the layout.

He took a second to enjoy looking at her. She was about five-five, fit with narrow hips and straight shoulders. A farmer by birth and profession, Kelly dressed for her job. Jeans, work boots and a long sleeved T-shirt. It might be early June, but in the Pacific Northwest, that frequently meant showers. Today was gray with an expected high of sixty-five. Not exactly beach weather.

Kelly’s wavy hair fell just past her shoulders. She wore it pulled back in a simple ponytail. She didn’t wear makeup or bother with a manicure. She was completely no-frills. He supposed that was one of the things he liked about her. There wasn’t any artifice. No pretense. With Kelly you wouldn’t find out that she was one thing on the surface and something completely different underneath. At least that was what he hoped.

“Hey, Kelly.”

She turned. He saw something flash through her eyes. Discomfort? Nerves? Determination? Was she here to tell him to back off? He couldn’t blame her. He’d been too enthused about his plan when he should have been more subtle. She was going to tell him to leave her alone.

Not willing to lose without a fight, he decided he needed a distraction and how convenient they were standing right next to one.

“You’ve never been to my office before,” he went on. “Why is that?”

“I don’t know. You’ve been back about a year. I guess I should have been by.” She turned toward the tiny homes. “You build these?”

“I do. Have you seen one before?”

“Only on TV.”

He grinned. “Gotta love the free advertising.” He gestured to the model next to the cross section. “Micro housing is defined as being less than five hundred square feet. They serve different purposes for different people. In sub-Saharan Africa, micro housing provides sturdy, relatively inexpensive shelter that can be tailored to the needs of the community.” He pointed to the roof. “For example, we can install solar panels, giving the owners access to electricity. In urban settings, modified homes can be an alternative to expensive apartments. They can also offer shelter to the homeless. For everyone else, they fill a need. You can get a single-story house for an in-law or a guest cottage with a loft. You can take it on the road, even live off the grid, if you want.”

She studied him intently as he spoke, as if absorbing every word. “I like living on the grid, but that’s just me.”

“I’m with you on that. Creature comforts are good. Come on. I’ll show you where we build them.”

He led her around the divider and into the back of the warehouse where the actual construction was done. Nearly half a dozen guys swarmed over the homes. Griffith saw that Ryan was leaning against a workbench, talking rather than working. No surprise there. He ignored the surge of frustration and turned his attention to Kelly.

“Clients can pick from plans we have on hand or create their own. If it’s the latter, I work with them to make sure the structure will be sound. A house that’s going to stay in one place has different requirements from one that will be towed.”

She nodded slowly. “You’d have to make sure it was balanced on the trailer. Plus it can’t be too high. Bridges and overpasses would be a problem. Maybe weight, as well.”

“Exactly. A lot of people think they want a tiny home but when they actually see what it looks like, they’re surprised at the size.”

“Or lack of size?” She smiled. “I can’t imagine living in five hundred square feet.”

“Or less. It takes compromise and creative thinking.”

“Plus not a lot of stuff.”

They walked back to the show area. She went through a completed tiny house waiting to be picked up.

“I can’t believe you fit in a washer-dryer unit,” she called from inside.

“Clothes get dirty.”

“But still. It’s a washer-dryer.” She stepped back into the showroom. “It’s nice that you have this setup for your clients. They get to see rather than just imagine.”

He nodded as he looked around. There were photos of completed projects on the wall, along with the cross section. He had a small selection of samples for roofing, siding and hard surfaces. All the basics.

“What?” she asked.

“It’s okay,” he admitted. “I want to make it better, but I don’t know how to do the finishing touches.” He could design the hell out of three hundred square feet, but when it came to things like paint and throw pillows, he was as lost as the average guy in a housewares department.

“I wish I could help, but I can’t.” She flashed him a smile. “I’m totally hopeless at that kind of thing, too. Now if you want to know the Pantone color of the year, that I can do.”

“The what?”

“The color of the year. Every year the design world picks colors that are expected to be popular. You know, for clothes and decorating.”

“Why would you know that?”

“Um, Griffith, I grow tulips for a living. If I don’t get the colors right, nobody wants them at their wedding or on their coffee tables.”

“Oh, right. I didn’t think of that.” He frowned. “Don’t you have to order bulbs before you plant them? What if you get the colors wrong?”

“Then I’m screwed and we lose the farm. Which is why I pay attention to things like the Pantone colors of the year. It’s not so much that people won’t buy yellow tulips regardless of what’s popular, it’s that I’ll lose sales by not having the right colors available when my customers want them. I like being their go-to vendor when they need something.”

He’d known she cared about her business, but he hadn’t thought of her as competitive. Better and better.

“Do you focus on having the right colors in the field flowers as well as those you grow indoors?”

She studied him for a second, as if surprised by the question.

“They’re different,” she admitted. “What we have for the annual tulip festival are more focused on popular colors as well as types of tulips. I use the greenhouses for wedding seasons as well as for the more exotics. It’s easier to control the process when you don’t have to deal with Mother Nature.”

“I hear she can be a real bitch.”

Kelly laughed. “If there’s a spring hailstorm, I won’t disagree. Ten minutes of hail can ruin an entire crop.”

He winced. “That sucks.”

“Tell me about it.”

They smiled at each other. He had a feeling she’d forgotten about why she’d come to see him, which was how he wanted things.

~~~~~~ GIVEAWAY ~~~~~~

Susan is giving away a beatiful bouquet of tulips to one lucky entrant at each stop on this tour.

a Rafflecopter giveaway

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Slow Burn Cowboy by Maisey Yates + Giveaway

Review: Slow Burn Cowboy by Maisey Yates + GiveawaySlow Burn Cowboy (Copper Ridge, #7) by Maisey Yates
Formats available: paperback, ebook, audiobook
Series: Copper Ridge #7
Pages: 384
Published by Harlequin Books on April 18th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In Copper Ridge, Oregon, a cowboy's best friend might turn out to be the woman of his dreams…
If Finn Donnelly makes a plan, he sticks to it. After his brothers left Copper Ridge, Finn stayed behind, determined to keep their ranch going by himself. And when he realized his feelings for Lane Jensen were more than platonic, he shoved that inconvenient desire away. It was easy…until it wasn't. Suddenly his brothers are coming home to claim their share of the property. And Lane is no longer just in his fantasies. She's in his arms, and their friendship is on the line…
He's been her buddy, her handyman, her rock. But until that one breathtaking kiss, Lane somehow overlooked the most important thing about Finn Donnelly—he's all man. They're right together, no matter how much his volatile past has bruised him. Finn wants to hold Lane's body, but he doesn't want to hold her heart. But Lane is falling fast and now she's got a plan of her own…to show Finn there's nothing hotter than friendship turned to slow-burning love.

My Review:

I loved Last Chance Rebel, and my friend Amy loved Hold Me Cowboy, so I expected to love Slow Burn Cowboy. But that’s not what happened.

Instead I have very much of a mixed feelings review on tap. Very mixed.

The friends-to-lovers trope is one of my favorites, so again, I was expecting to like the story line in this book. But something, actually multiple somethings, don’t quite work.

The set up is excellent, Lane and Finn have been best friends for ten years, ever since Lane left her parents’ home back East and moved to Copper Ridge to live with her brother Matt. At the time, Lane was sixteen and obviously just a bit fragile. Finn was 23 or 24 and more than a bit too old for her.

But that 8 or 9 year gap closes pretty quickly after a few years. Now Lane is in her late 20s and Finn is in his mid-30s. They’re both adults. But they are both still awfully fragile.

They are best friends. Really, truly. They spend time together and they care for each other and they need each other. But they are filling the gaps in each other’s lives that would normally be filled by a spouse or significant other. Not that their relationship isn’t significant, but they have fallen into a situation where they are friends with a different set of benefits. She cooks and buys his clothes, he kills spiders, changes lightbulbs and fixes the porch steps. It works for them.

Until it doesn’t.

Finn’s grandfather has just died. Instead of leaving his ranch to Finn, who has been working with him for that same last bunch of years, the old man left it to Finn and his three half-brothers equally. The Donnelly Brothers are all at crossroads in their lives, and they all move back to the ranch, into the house and the land that Finn expected would be his.

All of their relationships are strained and distant, and no one seems to be happy about any of it. So Finn, in a crazed need to re-establish control over something, anything, in his suddenly chaotic life, decides that he wants more from Lane than he’s ever asked for. He wants to push past their carefully maintained boundaries and turn their relationship into that of friends with the usual benefits.

He thinks its possible to make love and not feel at least a little love. And he’s an idiot.

Finn’s perfectly happy to tear down all of Lane’s defenses and push for whatever he wants. But when Lane turns the tables on him and starts pushing him for what she wants out of a relationship, he pushes her away as hard and as fast as he can.

The question of whether Finn can get his head out of his ass long enough to figure himself out is an open one. Finn needs to open his eyes, and his heart, before he throws away his best chance at happiness. And he needs to grovel.

Escape Rating C+: There was so much potential in Slow Burn Cowboy, but it never quite gels into the book that I was looking forward to.

Both Lane and Finn are damaged people, and neither of them thinks that they are worthy of happiness or love. They protect themselves in different ways. Lane by walling off what hurts her, and Finn by pushing away anyone who might get close enough to hurt him.

It’s amazing that they have managed to sustain a friendship, but they definitely have.

While Finn is a bit of an arsehole about it, his trauma is understandable. His dad seems to have been a serial philanderer, leaving a string of exes with his sons all across the country. Dad left everyone. But his mom also abandoned him. And he’s just sure everyone else will too.

Lane’s trauma just isn’t one that was easy for this reader to identify with. Her sense of loss at giving a baby up for adoption when she was sixteen is understandable, but she’s been wearing the past like a hair shirt ever since, to the point where the hair felt like it had been woven from a drama llama rather than anything real. Her story felt like angst for angst’s sake.

Also, these are two people who live inside their heads an awful lot, which also doesn’t feel right for Finn’s character. It felt like there was much more internal dialog than actual dialog. And Lane tended to think and talk in circles a lot of the time. That’s a habit that drives this reader crazy in real life, not just fictional life.

There are a lot of moments when the reader wants them to just stop talking inside their heads and let those words out where they might do some good!

But, and this is where the good stuff comes in, Copper Ridge just feels like a wonderful place. I like the people a lot. One of the great things in this story is all about the enduring power of women’s friendships. Lane, along with her best female friends, have a terrific, supportive and caring friendship. One of the ways in which Lane comes out of this story stronger than she went in is the realization that she is so much better off than she was when she arrived in Copper Ridge because those friendships will always see her through. She’s not alone, with or without Finn.

Finn’s supporting cast is his family, his three half-brothers and his niece Violet. They have all moved into the ranch and are now part of his life, where they have all been separate and alone up til now. Finn is really, really bad at letting people in, but having them be part of his life, whether he originally wanted it or not, is terrific. They bite and snap and growl at each other all the time, but they are all great characters and I’m looking forward to their stories in future books in the series.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Maisey and Harlequin are giving away a $25 Gift Card to one lucky entrant on this tour.

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TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Mitla Pass by Leon Uris + Excerpt + Giveaway

Review: Mitla Pass by Leon Uris + Excerpt + GiveawayMitla Pass by Leon Uris
Formats available: hardcover, paperback, large print, ebook,
Pages: 496
Published by Estate of Leon Uris on December 13th 2016 (first published July 1st 1988)
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A “riveting” New York Times bestseller by the author of Exodus about an American in Israel drawn into the danger of the Suez Crisis (Library Journal). How did Gideon Zadok, an American novelist and screenwriter, end up pinned by artillery shells in Mitla Pass? It was never his plan to fight someone else’s war. He came to Israel to research a book, but also to escape a crumbling marriage, a dysfunctional family, and the pressures of newfound success in the States. But in fleeing from personal troubles he charged headfirst into one of the great global crises of the twentieth century. Perhaps Leon Uris’s most introspective work, Mitla Pass portrays a man caught between his own demons and the epic sweep of Middle Eastern history.

I still remember when I first picked up one of Leon Uris’ books. It was in the early 1970s, and I was at my grandparents’ apartment after Sunday School. As usual, my dad was arguing politics with my grandfather (his father) and also as usual, it looked like it was going to take forever. As usual. I discovered a beat-up copy of Exodus lying around, and started reading. I could always get lost in a good book, and I certainly got lost in this one. After devouring Exodus, I went back and read some of the author’s earlier books, like Battle Cry, and then picked up subsequent volumes as they came out, always certain of being swept away by a great story. QBVII turned out to be my favorite. I loved the ending.

So when the Estate of Leon Uris contacted me about featuring one of his books, it provided me with the opportunity to become re-acquainted with an author I had fond memories of. It was also a bit of struggle to find one of his books that I had not read. In the end, we settled on Mitla Pass (the only other possibility was The Haj. I had read everything else way back when).

Today seemed like the perfect day for this review. Yesterday, April 23, was annual Holocaust Remembrance Day at Yad Vashem in Jerusalem, and Mitla Pass, like so many of the author’s books after Battle Cry, reflects both on the author’s Jewish heritage and on the scars left behind by the Holocaust, not just on the survivors but on the world that finally admitted the truth of the atrocities. In so many ways, the vast swath of death and destruction of the Jewish communities in Europe under the bootheel of the Nazis led directly to the formation of the State of Israel. And, in due historical course, to the story told in Mitla Pass.

My Review:

The story in Mitla Pass is told both in its present, late October 1956, and in its past, the past of all of the characters in the novel that led them to be part of that particular moment.

The main focus of the story is writer Gideon Zadok, who has come to Israel to write a book about the birth of the modern State out of the fires of Zionism and the ashes of the gas chambers. Gideon is an American who made his reputation as a writer on the strength of his best-selling book about his experiences as a Marine in the Pacific Campaign of World War II. (Any and all resemblances to the author of the book are probably intended).

After months of research, Gideon finds himself and Israel in the middle of a crossroads. He doesn’t think that he has quite captured the soul of the people. Of his people. And Israel is being squeezed on all sides by its Arab neighbors. The proximate causes of the 1956 Suez Crisis were Egypt’s embargo of Israeli shipping through the Suez Canal, and the English and French desire to take the Canal back from Egyptian control. The alliance between the Israelis and the English and French was very shaky, with everyone looking over their shoulders at probably interference from the Americans, the Russians, or both at any moment.

So Gideon, now somewhat trusted by the Israelis, gets himself attached to a paratroop drop into the western edge of the Sinai Peninsula. But the story really isn’t about that completely FUBAR’ed drop. It’s about everything that came before.

And it’s a marvelous story.

Escape Rating B: It is a marvelous story, and I was caught up in it until the wee hours of the morning. That’s part of what I remember about the author’s work – once you got sucked in, you stayed sucked until the end.

But the world has changed a bit since this story was written in 1988, and even more so since the period it covers, 1956 and the years that came before. And I’ve changed since the 1970s and 1980s, so there are things that bother me now that didn’t raise an eyebrow then.

Gideon’s own story is the one that carries the book, and he’s an absolutely captivating character. A charmer and a storyteller almost from the moment that he first draws breath. Also a cocky, egotistical, selfish, self-absorbed son-of-a-bitch. His thoughts about women in general, and his treatment of his wife and his mistress made me gnash my teeth on more than one occasion.

But what fascinated and disturbed me most, often in equal measure, is that Gideon is so clearly a fictionalized version of the author himself. Both were Marines in World War II, and fought the same battles and were injured in the same places and the same way. Both turned their experiences into best-selling books and later successful screenplays. Both were in Israel in 1956 researching books about the formation of Israel. At the ending of Mitla Pass, Gideon envisions his upcoming book and its first scenes extremely close to where Exodus begins and how Exodus opens.

It’s a little eerie. So eerie that I’m left wondering how much of the earlier history of the character mirrors the author’s own. And because of that I’m left pondering some of Gideon’s background. In particular, the book for the most part clips along at a very rapid and intensely readable pace, with one exception. The parts of the story that dive deep into Gideon’s family background, particularly the experiences of Gideon’s father Nathan, stop cold because Nathan is such a completely unlikable and unfortunately completely predictable character. Also incredibly annoying to read about. It makes me wonder if the author was describing his own father, possibly as a way of exorcising a few ghosts. And if that was so, based on the description, it’s hard to blame him.

Teeth-gnashing aside, I had a good time with Mitla Pass, obviously better than the characters stuck in that seemingly pointless battle. The vast historical background, from the shtetls of the 19th century Pale of Jewish settlement in Russia to the early 20th century Jewish community in Baltimore to the beginnings of Zionism to the brief flourishing of the Communist Party in America are fascinating. The cross-section of people, places and events keep the pages turning. It makes a very tasty goulash.

I’m glad I had this opportunity to revisit an author who I remember reading quite fondly, and my reading of his books in a time and place that exists now only in my memories.

~~~~~~ GIVEAWAY ~~~~~~

5 digital copies of MITLA PASS will be distributed to giveaway winners via Trident’s Digital Downloads page. Each giveaway winner will be given a separate download code that expires within 24 hours of use. Winners may download ebook files to the device of their choice; however, please note that these copies are not protected by DRM.

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To get a taste for Mitla Pass, read the opening excerpt, below the fold.

TEL AVIV
October 20, 1956
D DAY MINUS NINE

THE PRIME MINISTER’S COTTAGE, a remnant of the former German colony, sat unobtrusively in the midst of the outsized defense complex on the northern end of Tel Aviv. Midnight had come and gone. The stream of callers faded to a trickle, then halted.

For the moment David Ben-Gurion sat alone, his first opportunity all day for solitary contemplation. He was behind a desk that looked down a long conference table which was covered with green felt. Dead cigarette butts spilled over their ashtrays. The fruit baskets held spoiling apple and pear cores, grape seeds, banana skins, and peach pits, their fruit devoured. Half-empty soda bottles had lost their fizz and others, tipped over in disarray, appeared like a platoon of soldiers caught in a cross fire.

The cleanup crew of soldiers, two young men and two young women wearing top-security clearance badges, tiptoed in and attacked the mess.

“Can I get you anything—some tea?” one of the girls asked.

Ben-Gurion shook his head. It was a great head that seemed even greater perched on his short dumpling body. It was bald on top with an angry white mane flaring out in every which direction. The cherub face remained deceptively peaceful.

“Where are you from?” he asked.

“Morocco,” one of the girls said.

“Romania. I live at Moshav Mikhmoret.”

“South Africa. My family is in Haifa,” the second girl said.

“I am a sabra, Kibbutz Ginnosar.”

“Yigal Allon’s kibbutz,” Ben-Gurion said.

“Yes,” the soldier boy answered proudly.

Ben-Gurion’s head tilted and his eyes blinked. He was a past master at grabbing forty winks, a skill honed at a hundred Zionist conferences. When the crew departed it was nearly two o’clock in the morning.

The Old Man’s eyes fluttered open and became fixed on a single paged document awaiting his signature, the approval of a plan, Operation Kadesh, that would commit his young nation to war. Only eight years earlier he had signed another document, a proud document that declared statehood. Would there even be a ninth birthday, or would it all end in horror like a biblical siege with a final ghastly scene of a national massacre?

The past three weeks had been nightmarish in the speed and intensity of events: the secret meetings in Paris with the French and later the British and the clandestine agreement to go to war together … the return of Israeli officers who had been training in military academies and army specialty schools around the world … the call-up of reserves … the near-disastrous raid on Kalkilia to make the world believe that Jordan, not Egypt, was the enemy of record … French equipment arriving without spare parts … pressure from Eisenhower and the Americans mounting daily … dire threats from the Russians …

Operation Kadesh. How esoteric, Ben-Gurion thought. The biblical site in the Sinai where the Jews dwelled for a time during their wanderings with Moses.

Operation Kadesh needed a series of miracles to succeed. Every assessment was frightfully the same: Israel must win the war in the first four days. A prolonged conflict in which every Arab nation would join would be disastrous.

No small country goes to war without the support of a major power, yet David Ben-Gurion felt, in the depths of his being, that Israel’s partners, England and France, would falter, leaving her alone, outmanned and outgunned.

Israel must win the war in the first four days!

All sorts of things were going wrong as D day approached. The ordinance reports all but crushed the spirit: no spare steel matting to roll vehicles over the sucking sands of the desert … aged tanks being cannibalized, further reducing their already inferior armored force … rifles from Belgium not up to spec … no filters for the tracked vehicles to keep them from choking in the desert … a shortage of tank tracks, chains, pulleys, winches, flatbeds, four-wheel-drive trucks, repair stations, batteries, belts … an obsolete air force of World War II piston planes to face double the number of the latest MiGs owned by the Egyptians … no aircraft batteries to defend the cities against Egyptian bombers flown by “volunteers” from Poland and Czechoslovakia.

The orders to the brigade commanders were desperately simple. They said, in effect, “You have an objective. You must reach the Suez Canal in three days despite the resistance. You will not ask for reinforcements or further supplies for there are none available.”

Worse was the constant gnawing conviction that the British and French would quit. This would release divisions of fresh Egyptian troops to reinforce the Sinai. If France and England failed to bomb out the Egyptian airfields, Nasser could put his Russian-made bombers to work on Israel’s cities.

We must win the war in four days!

Two of the brigades must traverse over a hundred miles of semi-charted wilderness …

… and the 7th Battalion, the Lion’s Battalion, must be dropped deep into the Sinai behind enemy lines, exposed to a disaster, a sacrificial force. The Old Man had argued for hours with the Defense Chief of Staff, Moshe Dayan, to try to dissuade him from parachuting the Lion’s Battalion near Mitla Pass. Dayan was adamant. It was the linchpin of the entire operation, a maneuver to initially confuse the enemy, then stop Egyptian reinforcements. When the brigade linked up with the battalion, the combined force would wheel south to free the blockaded passage to the Red Sea. Yes, there was great risk—but try to engage in a war without risk.

Jacob Herzog, B.G.’s confidant and closest adviser on the campaign, entered the room with Natasha Solomon. Herzog was pale, in a scholarly way; an Irish Jew, the son of the chief Ashkenazi rabbi, with a magnificent religious and legal mind. He put all the late communications and a day’s summary before the Old Man.

Natasha Solomon set a batch of papers on the desk, translations of messages from the French. Even at this hour Natasha was a warming sight. She was one of those women who gained an extra dimension of beauty through weariness, a certain sensuality in the black rings of fatigue forming beneath her eyes, as if from exhaustion at the end of a day of lovemaking. She was softness itself, different from many of the roughhewn sabra and kibbutz women, groomed in a Middle European way that made the silk of her blouse float over her terrain and shout “female!” even at two in the morning. An all but forgotten memory flitted through the Old Man’s mind … a girl, long ago. Such a thing to remember at a time like this.

Ben-Gurion picked up the summary but his eyes were fatigued. He handed the papers to Natasha and waved her into a seat, then took up a pad and pen to jot notes as she read.

The British were being very cautious, very cagey, deepening B.G.’s distrust. Herzog tried to tidy up the day’s events, but new events were already overtaking them.

Both the Soviet Union and America were bogged down in their own problems. An American presidential election was to take place in a few days, and traditionally it was a good time to catch Washington off guard.

Revolts against the Russians were brewing in Poland and Hungary. The students in Budapest had rioted and the unrest was growing. Israeli intelligence estimated a Russian tank force would enter Budapest in a matter of days.

Herzog reckoned these events could give Israel a slight advantage. Russia and America might be slow to react to the Israeli attack on Egypt. If Israel could stall diplomatically for three days, her forces might reach the Canal and Israel’s part of the war would be over.

But America was certain to be outraged that her two closest allies, England and France, would initiate military action without advising them. As for the Soviets, they had to put on a barking show for their Egyptian clients.

“Is there anything at all we haven’t covered, Yakov? Anything … anything …”

Herzog pointed to the document setting Operation Kadesh into motion.

“Your signature,” he said.

Ben-Gurion would not quit, gleaning for the stray, minute detail that might have been overlooked. It all boiled down to the same thing. Gamal Abdel Nasser, the Egyptian president, was on a heady binge. He had seized the Suez Canal and evicted the British and French. He had closed the Strait of Tiran, at the tip of the Sinai Peninsula, to Israeli shipping. He had turned the Gaza Strip into one enormous terrorist base which violated the Israeli border hourly. He had massed a huge army in the Sinai armed with a larder filled with Russian weapons. The bottom line was that Israel had no choice other than military action—with or without the British and French.

He scribbled his name on the paper. His nation was at war!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 4-23-17

Sunday Post

I don’t normally do promo spots, or cover reveals, or spotlights, or anything that doesn’t include a review of the book being featured. It’s my blog and it is what I say it is, and that’s one of the places where I draw the line. I feature original content as much as possible. Usually mine but not always. Occasionally I give something away, which nobody minds a bit. So why the “Sneak Peek” from Susan Mallery?

Consider it a preview of coming attractions. I am also part of the blog tour for the book, and the review is scheduled for July 11, when the book comes out. I loved her Daughters of the Bride last year, and I can’t wait for this one.

But speaking of features – about Mitla Pass. I read Leon Uris in my teens and early 20s, after having glommed onto Exodus one bored afternoon at my grandparents’. When the estate contacted me asking if I would feature one of the books (they’ve been re-released in ebook), it seemed like a golden opportunity to revisit an author I loved, once upon a time. And while the past is still another country, I enjoyed the book, and the trip down memory lane.

Current Giveaways:

$10 Book or $10 Gift Card in the Hoppy Easter Eggstravaganza Giveaway Hop
Any Day Now by Robyn Carr

Winner Announcements:

The winner of the $10 Gift Card or $10 Book in the Rain Rain Go Away Giveaway Hop is Lulu B.
The winner of the $10 Gift Card or $10 Book in the Spring into Romance Giveaway Hop is Ann S.

Blog Recap:

A- Review: Legend Has It by Elliott James
B Review: Any Day Now by Robyn Carr + Giveaway
A- Review: The Jane Austen Project by Kathleen A. Flynn
B Review: Cold Welcome by Elizabeth Moon
C+ Review: The Librarians and the Mother Goose Chase by Greg Cox
Stacking the Shelves (232)

Coming Next Week:

Mitla Pass by Leon Uris (review)
Slow Burn Cowboy by Maisey Yates (blog tour review)
Sneak Peek at Secrets of the Tulip Sisters by Susan Mallery (blog tour)
Miranda and Caliban by Jacqueline Carey (review)
Swing Time by Zadie Smith (review)

Stacking the Shelves (232)

Stacking the Shelves

A blissfully quiet week on both the NetGalley and Edelweiss fronts. Not a lot appeared, not a lot came in. A chance to catch up.

And two trips to Paris! If only through the pages of some good books.

For Review:
The Alexander Inheritance (Ring of Fire) by Eric Flint, Gorg Huff and Paula Goodlett
Away with the Fairies (Phryne Fisher #11) by Kerry Greenwood
Dim Sum Asylum by Rhys Ford
Fatal Charm by Blair McDowell
Last Christmas in Paris by Hazel Gaynor and Heather Webb
The Paris Spy (Maggie Hope #7) by Susan Elia MacNeal
Unnatural Habits (Phryne Fisher #19) by Kerry Greenwood

Review: The Librarians and the Mother Goose Chase by Greg Cox

Review: The Librarians and the Mother Goose Chase by Greg CoxThe Librarians and the Mother Goose Chase by Greg Cox
Formats available: paperback, ebook, audiobook
Series: The Librarians #2
Pages: 288
on April 25th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

For millennia, the Librarians have secretly protected the world by keeping watch over dangerous magical relics. Cataloging and safeguarding everything from Excalibur to Pandora’s Box, they stand between humanity and those who would use the relics for evil.
Stories can be powerful. In 1719, Elizabeth Goose of Boston Massachusetts published a collection of rhyming spells as a children's book, creating a spellbook of terrifying power. The Librarian of that age managed to dispose of all copies of the book except one, which remained in the possession of Elizabeth Goose and her family, temporarily averting any potential disaster.
However, strange things are happening, A window washer in San Diego who was blown off his elevated perch by a freak gust of wind, but miraculously survived by landing on a canopy over the building entrance. A woman in rural Pennsylvania who was attacked by mutant rodents without any eyes. And, a college professor in England who somehow found herself trapped inside a prize pumpkin at a local farmer’s market. Baird and her team of Librarians suspect that the magic of Mother Goose is again loose in the world, and with Fynn Carson AWOL once again, it is up to Cassandra, Ezekiel, and Stone to track down the missing spellbook before the true power of the rhymes can be unleashed.

My Review:

I read The Librarians and the Lost Lamp a couple of weeks ago, and I really enjoyed it because it felt so much like an episode of the show, including all of the madcap adventure and especially all of the banter. I had a great time, just as I do when I watch The Librarians. It was fun!

But The Librarians and the Mother Goose Chase felt like it was more of a strain. The Librarians, of course, are always a bit strained in the midst of yet another hair-raising case, but there was something about this one that made it feel like a strain for the reader, too. Or at least this reader.

Fair warning, I may get a bit meta here. It’s hard to review a media tie-in novel without some references to the media it ties into, and how it “feels” related to how the original feels, And works. I would say or doesn’t work but the fact is that a person for whom the original does not work is unlikely to read novels based on it. My 2 cents.

Part of what makes The Librarians work as a show is their marvelous team dynamic. The Librarians and their Guardian are a close knit team and also kind of a family. What they do is designed to be a bit outside the mundane world, and they of necessity have bonded together. Along with Jenkins, the combination archivist, caretaker and zookeeper of the Library and the Library Annex in Portland they work out of.

On the one hand, parts of this story provide a marvelous and much broader view of just how big, how strange, and how magical the Library’s collections truly are. Nobody wants the job of cleaning the pen that holds the Goose that Lays the Golden Eggs, but it’s a dirty job and somebody has to do it. Usually Jenkins.

On that other hand, the Librarians spend a lot of this story on separate parts of the quest. This group is stronger when it’s together. It’s also funnier and occasionally more heartwarming when it’s together. So for this reader story lost some of its steam when it separated the group, Also the way they were split up felt a bit contrived. Their separate quests seem to rely on their weaknesses more than their strength, and the individuals they were paired up with instead felt like contrivances designed to teach them each something rather than get the job done. As usual, my 2 cents and your mileage may vary.

And the action got a bit bogged down as it split into four separate stories, which at times felt a bit repetitious.

The concept that Mother Goose was not only real but a powerful witch who encoded her spells into nursery rhymes fits right into the mythos of the Library. That her magic could get out of hand if left in the hands of the “wrong people” could make an episode or a great story.

But the way that this one wrapped up, which unfortunately I did see coming a mile away, fell flat. Again, at least for this reader.

So, as much as I love The Librarians, I didn’t have nearly as much fun with Mother Goose as I did with the Lost Lamp.

Escape Rating C+: The scenes where Eve and Jenkins are chasing several of the Library’s more colorful (and volatile) exhibits around the Library are hilarious. My personal favorite is when Jenkins throws Arthur’s Crown at the Sword Excalibur and tells it to play “Keep Away” with the King of Beasts and the Unicorn. Eve’s solution to the problem of the Dead Man’s Chest was also lot of fun. But the gang spends too much time not being a gang, and I missed the way they play off of each other much too much.